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V.A. - Nahma : A Gulf Polyphony
V.A.
Nahma : A Gulf Polyphony
LP | 2021 | EU | Original (Flee Project)
27,90 €*
Release: 2021 / EU – Original
Genre: Rock & Indie, Electronic & Dance
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The pearls of the Gulf have stoked the imagination and desire of people around the world for centuries their magnificence matched only by the courage of the divers who found them. This project aims to honor the memory of these valiant free-divers, their culture and their music by the means of a transmedia object including: A 2xLP vinyl compilation containing undisclosed original recordings of pearl divers and inspired modern-day compositions by artists like Tomaga, YPY, Aya Metwalli, Joakim, Tarek Yamani or Hieroglyphic Being.
V.A. - Music Of The Bahnar People From The Central Highlands Of Vietnam
V.A.
Music Of The Bahnar People From The Central Highlands Of Vietnam
LP | 2016 | EU | Original (Sublime Frequencies)
21,99 €*
Release: 2016 / EU – Original
Genre: Rock & Indie
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V.A. - Mr Devil: Apocalyptic Gospel And Rapture Rockabilly From Private Press Prophets (1964-1984) Random Colored Vinyl Edition
V.A.
Mr Devil: Apocalyptic Gospel And Rapture Rockabilly From Private Press Prophets (1964-1984) Random Colored Vinyl Edition
LP | 2024 | US | Reissue (Iron Mountain Analogue Research)
37,99 €*
Release: 2024 / US – Reissue
Genre: Rock & Indie
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Preorder shipping from 2024-11-08
Years in the making – ‘Hey, Mr. Devil' presents a Raucous Revival Tent of Fallen Rockabilly Icons, Public Access Evangelists and Hellfire Puppeteers. Limited Edition Deluxe Gatefold LP with exclusive scholarly liner notes by Alvin Lucia! Full dynamic range 2024 remasters!
V.A. - Mali: The Art Of Griots Of Kela, 1978-2019
V.A.
Mali: The Art Of Griots Of Kela, 1978-2019
LP | 2021 | EU | Original (Musee D'Ethnographie De Geneve)
21,99 €*
Release: 2021 / EU – Original
Genre: Organic Grooves, Rock & Indie
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About a hundred kilometers south-west of Bamako, on the left bank of the Niger River, the Malian village of Kela is known to be home to a large community of griot musicians (jeliw) mostly belonging to the Diabaté family. Their art is recognised throughout West Africa and many griots come from all over the world to stay there, sometimes for several years, in the hope of becoming immersed in it. The six pieces for voice accompanied by guitar or traditional koni lutes were recorded in 1978 (tracks 3 to 6) and in 2019 (tracks 1 to 3), in the same traditional dwelling, which still serves as a “studio". The accompanying booklet contains the testimonies of several important musicians who took part in the recording, and evoke key elements of their universe Points of interests - For the fans of the traditional repertoires of Mali’s famous griot musicians. - For music lovers who love the voices accompanied by the guitar and the traditional lutes of the griots.
V.A. - Long Distance Love - A Sweet Relief Tribute To Lowell George
V.A.
Long Distance Love - A Sweet Relief Tribute To Lowell George
LP | 2024 | EU | Original (Flatiron)
31,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-01
V.A. - Kwangkay: Funerary Music Of The Dayak Benuaq Of Borneo
V.A.
Kwangkay: Funerary Music Of The Dayak Benuaq Of Borneo
LP | 2016 | US | Original (Sublime Frequencies)
24,99 €*
Release: 2016 / US – Original
Genre: Rock & Indie
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Numbering less than 1.000 people, the Dayak Benuaq from the Eastern Kalimantan region of Indonesian Borneo still practice many of their traditional ceremonial customs. This album of field recordings presents the music associated with the kwangkay, the secondary mortuary ritual celebrated by the Dayak Benuaq, recorded live on location by Vincenzo Della Ratta. According to the Benuaq belief system, upon death the soul of the human being is transformed into the liau, associated with the physical body, and the kelelungan, associated with the intellect or the head. Both the liau and the kelelungan temporarily reside in a sort of cosmic location, connected respectively with the bones and the skull of the deceased, who has entered a state of deep unconsciousness, as yet neither pertaining completely to the realm of the living, nor to that of the dead. Music plays a key role within the kwangkay, as it is crucial for guiding the liau and kelelungan spirits to their final destinations. It is also intended to please the spirits of the dead by providing them with entertainment. This ritual includes a night dance performed for the spirits and accompanied by a musical piece known as the ngerangkau. These rites and ceremonies are often dedicated to several deceased persons and are held within a house belonging to one of their family members. Featured here are two different versions of the ngerangkau, with their long, trance-inducing rhythmic gong patterns. There are two more tracks on the album which are not specifically related to the kwangkay. "Titi Mati" is a gong piece commonly played to proclaim the recent death of a villager. And finally, a nocturnal soundscape of a village by the river Mahakam, a channel of transport and communication which is essential for the local people of the Benuaq territories. Limited edition LP; includes insert of text and images by Vincenzo Della Ratta.
V.A. - Katebegiak
V.A.
Katebegiak
2LP | 2021 | EU | Original (Elkar)
38,99 €*
Release: 2021 / EU – Original
Genre: Organic Grooves, Rock & Indie
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Music produced in the 70’s in the Basque Country got trapped between two earth shattering artistic currents; Ez Dok Amairu in the 60s and Basque Radical Rock in the 80’s, and unfortunately, most of the lovely discs and tunes created at that magical time have been pushed to a remote (and sometimes even despised) corner of our collective memory. 60’s and 80’s music currents are almost opposite, and both work as magnetic poles with a very strong power of attraction, and maybe also as a burden for any of the later artistic currents. 60’s generation of artists searched within their rich and ancient cultural roots to acknowledge and update them, in proud, hopeful and unforgettable folk songs. The 80’s one on the other hand, worked in a flammable environment in constant social and political conflict and found in punk the perfect way to express their anger and weariness for so many unfulfilled promises and the lack of opportunities into short, noisy, direct and corrosive songs, technically sparse but full of energy and expressive power. Most of the “classic” names engraved in our memory come from one or the other like Benito Lertxundi, Mikel Laboa, Lourdes Iriondo and Xabier Lete or Kortatu, Hertzainak, Zarama, Las vulpes, Eskorbuto or Cicatriz. 70’s generation and their music works somehow as the “missing link” (“katebegia” in Basque) between the two. They loved folky tunes and don’t forget their ancient roots, but they also look outside for inspiration and experimentation. Just as the 80’s boys and girls found punk the 70’s guys found a completely different sonic and aesthetic landscape in the works of Grateful Dead, Fairport Convention, King Crimson, Soft Machine, Gong,… and worked closely with keen souls in other neighboring regions such as Maquina!, Pau Riba or Sisa in Catalonia or Smash and Triana in Andalusia. This resulted in more abstract and poetic lyrical content, much longer psych-folk-prog-jazz tunes, full of complex instrumental passages and mesmerizing structures of sheer ambition and masterful execution in many cases. But, most important of all, they found a voice of their own, rich, unique, and fascinating, and that’s what makes them so valuable to us. Not only to us, but also to lots of vinyl collectors and crate-diggers around the world, who have in many cases paid fortunes for some of the original editions of LPs that are the source of tunes in this compilation. Mikel Unzurrunzaga Schmitz aka DJ Makala, Dj and producer of worldwide scope and wisdom, noticed this fact first and decided to pay homage to these wonderful tunes through this masterful and dedicated selection for your pleasure and as an open invitation to dig deeper into your adventures in the dark and hidden side of Basque popular music. The album Katebegiak, now published by Elkar, contains 13 tunes on double LP gatefold edition from Haizea, Izukaitz, William S. Fischer, Magdalena, Enbor, Itoiz, Koska, Itziar, Errobi, Lisker, Amaia Zubiria & Pascal Gaigne, Gontzal Mendibil & Taldea and Urria, and the CD-Book edition adds an extra bonus track by the great unknown artist Juan Arkotxa. Along with this compilation, and as a sample of the era, we reissued two more little gems of which we have included a track on the compilation.
V.A. - Italian Rare Groove
V.A.
Italian Rare Groove
LP | 2024 | EU | Original (Wagram)
27,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Explore the fusion of world music with soul, funk and disco through the Rare Groove Collection. With this new volume 100% italian, discover rare gems from soundtracks of erotic and detective movies as well as more confidential music libraries.With Ennio Morricone, Goblin, Piero Piccioni, Guido e Maurizio De Angelis, Armando Trovajoli, Alessandro Alessandri, Toto Cutugno...
V.A. - Incense Music For Bed Room
V.A.
Incense Music For Bed Room
LP | 2024 | JP | Original (Insense Music Works)
31,99 €*
Release: 2024 / JP – Original
Genre: Rock & Indie
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V.A. - In The Beginning Was The Puls - 50 Years Of Passion
V.A.
In The Beginning Was The Puls - 50 Years Of Passion
3LP | 2024 | EU | Original (Kirkelig Kulturverksted)
91,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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V.A. - Imaginational Anthem XiII: Songs Of Bruce Cockburn
V.A.
Imaginational Anthem XiII: Songs Of Bruce Cockburn
LP | 2024 | US | Original (Tompkins Square)
22,49 €* 29,99 € -25%
Release: 2024 / US – Original
Genre: Rock & Indie
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The thirteen edition in the Imaginational Anthem series features renditions of Bruce Cockburn tunes by James Toth (Wooden Wand), Kyle Hammett Duo (ft. Luke Schneider), Wet Tuna (Matt Valentine), Jerry DeCicca (ft Bill Callahan), and others.
V.A. - I Won't Need A Wheelchair In Glory: Songs Of The Triumph Of The Human Spirit (1964-1984)
V.A.
I Won't Need A Wheelchair In Glory: Songs Of The Triumph Of The Human Spirit (1964-1984)
LP | 2024 | US | Original (Iron Mountain Analogue Research)
37,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-08
From the makers of Hillbillies In Hell...A Celebration of Spiritual Triumph over Terrestrial Adversity. Originally cut on Homespun, Private-Press and Vanity labels across the 1960s, 1970s and early 1980s, this collection features voices almost never heard in the professional entertainment industry. The Dis-abled, the Less-abled, the Blind, Cancer survivors, those confined to a Wheelchair, those born with Dwarfism, those born without Limbs and some with many other challenges. Here, they shine and inspire with their Talents, Strength and unique moments of astounding individual Beauty. Often cut with direct involvement from their Families and Churches, these Country, Gospel and Folk songs tell of Struggle, Questions, Doubt, Faith and Joy. Each side representative of the Power of the Human Spirit to overcome Adversity: thankful to be part of the Great Mysterious Gift of Life. Hear the Divine Spark of the Human Spirit transform Disease, Blindness, Mental Disability and Physical Affliction into Faith and Gratitude. These are stories of Hope and Spiritual Fortitude. Not Cloistered nor Ashamed, this Righteous Collection of Subterranean Cuts shines with an uncommon Vitality and beautiful Nobility. All sides are incredibly rare and are reissued here for the very first time. The Human Spirit in all its Strength, Vulnerability and Light....
V.A. - Hillbillies In Hell: Whiskey Is The Devil The Demon Drink: Bikers, Boozy Ballads, Moonshine Minstrels And Skid Row Joes (1962-1972) Black Vinyl Record Store Day 2024 Edition
V.A.
Hillbillies In Hell: Whiskey Is The Devil The Demon Drink: Bikers, Boozy Ballads, Moonshine Minstrels And Skid Row Joes (1962-1972) Black Vinyl Record Store Day 2024 Edition
LP | 2024 | US | Reissue (Iron Mountain Analog Research)
18,99 €*
Release: 2024 / US – Reissue
Genre: Rock & Indie
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Limited Edition Deluxe Gatefold LP with exclusive scholarly liner notes by Alvin Lucia Full dynamic range 2024 remasters direct from the firstgeneration analogue master tapes Original Cover Art by Eric Adrian Lee Limited Edition 666 copies 333 (randomly inserted) 'Hooch Hellscape' Splatter LPs / 333 (randomly inserted) 'Binge Blackout' Black LPs Beelzebub loves Booze...

The Demon Drink. That necrotic amber liquid that drives the Innocent to Sin and the Fallen into Depravity...

Presented here for the very first time are 16 Timeless Tribulations and Pickled Revelations: Lustful Odes to Drunken Vice, Beersoaked Homicides and the Eternal Unpaid Price.

Years in the making – ‘Hillbillies In Hell: Whiskey Is The Devil' presents a dank barroom of battered Hayseed Inebriates, Bizarre Bottlefed Hallucinations, Slithering Saucedup Serpents, Righteous Hellfire Prophets and the Endless Infinite Liquid Battle between the Dark and the Light.

Moments of true Beauty amidst moments of Terror, Torment and Trial.

A musty backwoods shack of forgotten 45s: Phantastic Moonshine Visitations, Delusional Rotgut Initiations, Autocidal Confrontations, Guiltridden Graveside Lamentations and Redemptive Revival Remonstrations most of these sides are impossibly rare and are reissued here for the very first time.

Fill your glass and feel the infernal heat...

SEE Larry Doig suffer Alcoholic Hallcinations! Hear the Dan Sheaffer 3 ask HOW FAR IS IT TO Hell?! Witness Stonewall Jackson's pain from Drinking AND Driving!
V.A. - Habibi Funk: An Eclectic Selection Part 2
V.A.
Habibi Funk: An Eclectic Selection Part 2
2LP | 2021 | EU | Original (Habibi Funk)
32,99 €*
Release: 2021 / EU – Original
Genre: Organic Grooves, Rock & Indie
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Second compilation by Habibi Funk, following the success of the first part, featuring a wide range of music from North Africa and the Middle East.
V.A. - Futur Antérieur : Bongo Joe's 5 Years Anniversary
V.A.
Futur Antérieur : Bongo Joe's 5 Years Anniversary
2LP | 2021 | EU | Original (Les Disques Bongo Joe)
19,49 €* 25,99 € -25%
Release: 2021 / EU – Original
Genre: Rock & Indie
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V.A. - Forever Gamblin' On You HHV Exclusive Orange Vinyl Edition
V.A.
Forever Gamblin' On You HHV Exclusive Orange Vinyl Edition
LP | 2024 | EU | Original (Forager)
25,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves, Rock & Indie
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HHV Exclusive edition on orange wax, limited to 200 copies worldwide.

A full tank of gas, the gentle glow from the radio dial, & stretches of open highway await, Forever Gamblin’ On You meanders through miles of soulful AOR, funky folk, & dusty soft rock obscurities. A follow up to Sky Dust Drifter, this compilation was gleaned from American private press oddities & rarities of the 70s & 80s, all of which are seeing their first official reissues on this album. A celebration of love, rebirth, and exploration radiating like the warmth of a loved one from the passenger seat.

Featuring “Feeling The Fire”, a jazzy, AOR grooving declaration of love and desire taken from the sole release from The Mad Brother. The compilations’ title track “Forever Gamblin On You” by Petroc And Pals, features an echo-laden folk rock recollection of hard feelings delivered with swelling guitar in a mournful soft psychedelia. Angie Pepper’s “Miss You Too Much” dwells on a past love, rolling along with an effortlessly cool rhythm section, while Roy McComas croons of his manifested “angel of love” on the swirling psych folk cut “Girl Of My Dreams”.

Forever Gamblin’ On You unfolds as a hopeful yet equally melancholic collection of nomadic anthems, primed for a memorable journey along the back roads of familiar American landscapes.

Original artwork by Arina Kokoreva. House in a case wrapped style jacket for a period correct look & feel. Includes a 12”x24” fold out poster insert.
V.A. - Forever Gamblin' On You Black Vinyl Edition
V.A.
Forever Gamblin' On You Black Vinyl Edition
LP | 2024 | EU | Original (Forager)
25,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves, Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
A full tank of gas, the gentle glow from the radio dial, & stretches of open highway await, Forever Gamblin’ On You meanders through miles of soulful AOR, funky folk, & dusty soft rock obscurities. A follow up to Sky Dust Drifter, this compilation was gleaned from American private press oddities & rarities of the 70s & 80s, all of which are seeing their first official reissues on this album. A celebration of love, rebirth, and exploration radiating like the warmth of a loved one from the passenger seat.

Featuring “Feeling The Fire”, a jazzy, AOR grooving declaration of love and desire taken from the sole release from The Mad Brother. The compilations’ title track “Forever Gamblin On You” by Petroc And Pals, features an echo-laden folk rock recollection of hard feelings delivered with swelling guitar in a mournful soft psychedelia. Angie Pepper’s “Miss You Too Much” dwells on a past love, rolling along with an effortlessly cool rhythm section, while Roy McComas croons of his manifested “angel of love” on the swirling psych folk cut “Girl Of My Dreams”.

Forever Gamblin’ On You unfolds as a hopeful yet equally melancholic collection of nomadic anthems, primed for a memorable journey along the back roads of familiar American landscapes.

Original artwork by Arina Kokoreva. House in a case wrapped style jacket for a period correct look & feel. Includes a 12”x24” fold out poster insert.
V.A. - Fire Draw Near
V.A.
Fire Draw Near
LP | 2021 | EU | Original (River Lea)
32,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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V.A. - Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition
V.A.
Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition
2LP | 2024 | US | Original (Light In The Attic)
58,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2024-10-25
Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”
V.A. - Even The Forest Hums: Ukrainian Sonic Archives 1971-1996
V.A.
Even The Forest Hums: Ukrainian Sonic Archives 1971-1996
2LP | 2024 | US | Original (Light In The Attic)
55,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”
V.A. - Ena Tefariki / Oriental Shake, Farfisa Madness & Rocking Bouzoukis From The Greek Laika Movement (1961-1973)
V.A.
Ena Tefariki / Oriental Shake, Farfisa Madness & Rocking Bouzoukis From The Greek Laika Movement (1961-1973)
2LP | 2021 | EU | Original (Radio Martiko)
34,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Includes 16 page booklet. Monster grooves, driven by a perfect symbiosis of fiery oriental rhythms and the deep, relaxed heartbeat of the bass line, with virtuosic, intoxicating solos on bouzoukis, Farfisa organs, clarinets and violins. This is the sound of laika, Greek-oriental pop music from the 60s and early 70s that sets every dance floor on fire!
V.A. - Demoler! Demoler! Demoler!
V.A.
Demoler! Demoler! Demoler!
LP | 2024 | EU | Original (Munster)
25,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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V.A. - Dead Man's Town: A Tribute To Born In The U.S.A Red, White & Blue Vinyl Edition
V.A.
Dead Man's Town: A Tribute To Born In The U.S.A Red, White & Blue Vinyl Edition
LP | 2024 | US | Original (Lightning Rod)
27,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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2024 marks the 40th anniversary of Bruce Springsteen's 'Born In The U.S.A.' Although it would become his biggest selling album with seven top 1 0 singles on the Billboard Hot 100, Luther Dickinson of North Mississippi Allstars says "any of those songs could be played with acoustic guitar alone and still be great." Taking this idea as its premise, 'Dead Man's Town: A Tribute to Born in the U.S.A' strips the album's twelve indelible originals to the core, with contributions from Jason Isbell & Amanda Shires, Low, Nicole Atkins, Justin Townes Earle, Blitzen Trapper, Joe Pug, Trampled by Turtles, and more. Rolling Stone premiered Jason Isbell and Amanda Shires' Dave Cobb-produced cover of "Born I n The U.S.A," saying these artists are "reimagining 'Born in the U.S.A. with a reduced approach more influenced by that of the acoustic, "Nebraska."

Isbell says of his cover, ""Born In The U.S.A." is one of my favorites because so many people have seemingly misunderstood the lyrical content and the song's overall tone. When you listen to the demo, the dark, minor key arrangement makes it clear that this is not strictly a song of celebration. We wanted to stay true to that version." Amanda Shires adds, "I love that the song paints a picture of struggle in the face of the American dream, and the irony in the chorus is delivered with such force that it nearly transcends irony altogether."
V.A. - Country Funk Volume 3 1975-1982 Clear Vinyl Edition
V.A.
Country Funk Volume 3 1975-1982 Clear Vinyl Edition
2LP | 2021 | US | Original (Light In The Attic)
23,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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Volume 3 in LITA’s acclaimed Country Funk series! Featuring Dolly Parton, J.J. Cale, Conway Twitty, Larry Jon Wilson, and Billy Swan, amongst many others Includes previously unreleased track by Tony Joe White Newly remastered audio New original artwork by renowned artist J. William Myers (artist for Robert Altman’s Nashville, Waylon Jennings and Willie Nelson’s Waylon & Willie album, and LP covers for the Charlie Daniels Band) Description: The horse still bucks, the band still funks, and well…the fire still burns.

That’s right—Country Funk is back.

In the summer of 2012, a new sound blew in from the dusty desert. It was a sound difficult to pin down, to codify; a sound that, like some wild horse, resisted one’s grasp. But this was no trend, no flash-in-the-pan movement, no shotgun marriage of styles, no ma’am. This sound went back decades, back to the latter half of the 1960s and early 1970s when adventurous artists started to blend country hoedown harmony with the elation of gospel, the sexual thrust of the blues and a touch of inner-city grit. This was a new sound with a simple name: Country Funk.

Country Funk 1969-1975, first released in 2012 and co-produced by Zach Cowie, Patrick McCarthy and Matt Sullivan, brought together a disparate group of artists that were neither bound by geography nor a shared ideology, but connected through the simple feel of their songs. Country Funk is alternatively playful and melancholic, slow jammin’ and booty-shakin’. It’s a sound both studio slick and barroom raw, as evident in the artists featured on Volume I: Johnny Adams, Mac Davis, Dale Hawkins, Tony Joe White, Bobbie Gentry, Larry Jon Wilson, and many others. Just two years later, we chased Volume I with a new collection of songs for Country Funk 1967-1974 (lita 116, 2014). Volume II didn’t let up, dealing out all the loose-talking and lap-steel twangin’ one could handle. Heavy hitters like Willie Nelson, Townes Van Zandt, Kenny Rogers, Dolly Parton and J.J. Cale shared barstools with the lesser-known voices of Bill Wilson, Donnie Fritts and Thomas Jefferson Kaye.

With Country Funk Volume III 1975-1982 (lita 194) we’re here to say there’s more funk left in the trunk yet. This time around, the jeans are tighter, the hair is bigger and the disco ball spins along to a country-synth beat. Produced and compiled by Jason Morgan (Bay Area DJ/collector) and Patrick McCarthy (co-producer/compiler of Volume I & II), the tracklist features regulars Dolly Parton, J.J. Cale, Larry Jon Wilson and Tony Joe White (whose track is released here for the first time) alongside new faces like Steven Soles, Gary & Sandy, Conway Twitty, Travis Wammack, Billy Swan, Rob Galbraith, Brian Hyland, and so many more. As the 1970s began to wane and the 1980s approached, the Country Funk pallet expanded to include disco beats, heavy Moog synth bass lines and more clavinet than you could shake a stick at. Volume III shows artists continuing to buck traditional country tropes and production while embracing modern soul, disco, and coked-up 80s synth-pop. This is the true soundtrack of the Urban Cowboy. Saddle up, partners.
V.A. - Country Collected
V.A.
Country Collected
2LP | 2024 | EU | Original (Music On Vinyl)
35,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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V.A. - Cosmic American Music: Motel California Neon Sky Vinyl Edition
V.A.
Cosmic American Music: Motel California Neon Sky Vinyl Edition
2LP | 2024 | US | Original (Numero Group)
41,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Neon Sky Vinyl.A companion to 2016's private countryrock overview Cosmic American Music,this second volume goes way past GramParsons' "country-rock plastic dry-fuck"and explores the twangy falsettos andcommercial curiosity that sent the Eaglessoaring. Though rooted in the west coastfolk rock of the late-'60s, these newkids in town rendered a safe-for-thesuburbssound bleached of the hippie era'spolitical strife. 20 tracks, two LPs, andgatefold tip-on sleeve for easy seed andstem separating are included.
V.A. - Cosmic American Music: Motel California Black Vinyl Edition
V.A.
Cosmic American Music: Motel California Black Vinyl Edition
2LP | 2024 | US | Original (Numero Group)
38,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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A companion to 2016's private countryrock overview Cosmic American Music,this second volume goes way past GramParsons' "country-rock plastic dry-fuck"and explores the twangy falsettos andcommercial curiosity that sent the Eaglessoaring. Though rooted in the west coastfolk rock of the late-'60s, these newkids in town rendered a safe-for-thesuburbssound bleached of the hippie era'spolitical strife. 20 tracks, two LPs, andgatefold tip-on sleeve for easy seed andstem separating are included.
V.A. - Club Coco Colored Vinyl Edition
V.A.
Club Coco Colored Vinyl Edition
LP | 2021 | EU | Reissue (Les Disques Bongo Joe)
24,99 €*
Release: 2021 / EU – Reissue
Genre: Rock & Indie
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Bongo Joe presents "Club Coco", a summary outernational latin and afro rooted music compilation curated by Coco María.
V.A. - Club Coco Black Vinyl Edition
V.A.
Club Coco Black Vinyl Edition
LP | 2021 | EU | Reissue (Les Disques Bongo Joe)
25,99 €*
Release: 2021 / EU – Reissue
Genre: Rock & Indie
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Bongo Joe presents "Club Coco", a summary outernational latin and afro rooted music compilation curated by Coco María.
V.A. - Bollywood Nuggets
V.A.
Bollywood Nuggets
LP | 2024 | EU (Akenaton)
22,99 €*
Release: 2024 / EU
Genre: Organic Grooves, Rock & Indie, Soundtracks
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A collection of mind blowing songs from Hindi films 1958-1984. 12 musical gems from the Bollywood vaults with a wide variety of styles thrown in the mix, from the classic to the rare, a must! An astonishing overview of the magnificent musical talents populating Bollywood films. With a predilection for movies with a strong musical backbone where songs and musical numbers play a pivotal role, the Hindi cinema boom gave birth to a strong and creative music industry where composers, musicians, musical directors, conductors, producers, singing actors, and playback singers (singers who provide vocals for the musical parts of roles played by actors or actresses) found a perfect place to develop their careers. A sample of those incredible talents is included in this compilation, the ideal point to start digging deeper into the lush garden of musical delights that is Bollywood
V.A. - Beirut And Beyond
V.A.
Beirut And Beyond
LP | 2024 | EU | Original (Balcoon)
26,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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V.A. - Antologia Della Canzone Napoletana
V.A.
Antologia Della Canzone Napoletana
LP | 2024 | EU | Original (La Canzonetta)
45,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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V.A. - Americana Railroad Black Friday Record Store Day Vinyl Edition
V.A.
Americana Railroad Black Friday Record Store Day Vinyl Edition
2LP | 2021 | EU | Original (Renew)
33,59 €* 41,99 € -20%
Release: 2021 / EU – Original
Genre: Rock & Indie
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2LP, Gatefold This collection consists of 19 classic and original train songs performed by a variety of artists from the worlds of Americana and Rock. None of these tracks have been previously released and most feature innovative takes on songs you are likely familiar with. Together they tell a story of the intersection of the history of railroads and popular music in America.
V.A. - 50s & 60s Country & Western Hits Vol. 1
V.A.
50s & 60s Country & Western Hits Vol. 1
LP | 2024 | DE | Original (ZYX Music)
17,99 €*
Release: 2024 / DE – Original
Genre: Rock & Indie
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Preorder shipping from 2024-10-25
Tyneham House - Tyneham House
Tyneham House
Tyneham House
10" | 2016 | UK | Reissue (Clay Pipe Music)
19,99 €* 24,99 € -20%
Release: 2016 / UK – Reissue
Genre: Rock & Indie
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Back in 2011 when I was tentatively looking for a second release for my fledging record label Clay Pipe Music, I stumbled upon a mysterious MySpace page by a group called ‘Tyneham House’, the page was decorated with artwork by Rena Gardiner (who was unknown to me at that time) and the music was an otherworldly mix of field recordings, Mellotron and acoustic guitar. It turned out that Tyneham was promised to Glen Johnson’s Second Language label, so I offered to do the artwork, and in January 2012 the two labels co-released it on tape and CD in a cardboard box with a handmade booklet of my illustrations.

In 2016 Clay Pipe reissued it on 10” vinyl, in an edition of just 300, which has since become sort after. The new 2023 pressing is on blue and transparent marbled vinyl, with a reverse board cover and inner sleeve, and the booklet of illustrations has been given a complete redesign. Frances Castle 2023

The pastoral, wistful yet ineffably disquieting music of Tyneham House is made by artists who wish to remain anonymous here, save for their eponymous title. The musicians are happy, however, to let it be known that these recordings have been around for some years (many of them complied from old cassettes) and that they take inspiration from the 1960s/’70s/’80s work of the Children’s Film Foundation – a body who really ought to have made a film about this mysterious West Country curio. At least now we have its endlessly poignant soundtrack.

The small village of Tyneham, on the beautiful Isle of Purbeck, in Dorset, was once a thriving little community – that is until the British Government requisitioned it for training manoeuvres and other ‘strategic purposes’ in the run up to Wwii. This was supposed to be a temporary measure, but the area remained in military possession long after hostilities had ceased, causing distress among former inhabitants, many of whom were farmed out to prefabs in nearby Wareham and Swanage.

Tyneham was characterised by its red telephone box, a tiny parade of shops – Post Office Row – and a grand country pile which stood about half a mile away from the village: Tyneham House. The army removed the building’s oak panelling and ornate decorative details and promptly set about using it for target practice. So great was the shame expressed locally about the damage inflicted upon one of Dorset’s grandest houses that the powers that be decided to grow a copse around the remains of the structure to give the impression that it was no longer there. Despite this, a substantial part of the structure remains intact, including its Saxon hall.

Land access around Tyneham was opened up in the 1970s, but admission to the house remains strictly verboten. Those who’ve been found around the premises, especially anyone wielding a camera, have felt the full weight of military trespass law. Tyneham today is regarded as a nature reserve by some – as a national embarrassment by others. It’s still a political hot potato, in Dorset at least.
Tyler Hubbard - Strong
Tyler Hubbard
Strong
LP | 2024 | Original (Mercury)
28,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Twisted Pine - Love Your Mind
Twisted Pine
Love Your Mind
LP | 2024 | US | Original (Signature Sounds)
27,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Tucker Zimmerman - Dance Of Love Mixed Coloured Vinyl Edition
Tucker Zimmerman
Dance Of Love Mixed Coloured Vinyl Edition
LP | 2024 | Original (4AD/Beggars Group)
27,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Tucker Zimmerman - Dance Of Love Black Vinyl Edition
Tucker Zimmerman
Dance Of Love Black Vinyl Edition
LP | 2024 | Original (4AD/Beggars Group)
27,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Trust Fund - Has It Been A While?
Trust Fund
Has It Been A While?
LP | 2024 | EU | Original (Tapete)
27,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Trùc Mai - Sài Gòn
Trùc Mai
Sài Gòn
7" | 2021 | EU | Original (Saigon Supersound)
11,99 €*
Release: 2021 / EU – Original
Genre: Organic Grooves, Rock & Indie
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Not many cities in the world are gifted with a timeless anthem of their own. We all know “New York, New York”, a song widely known across its city borders. For many Vietnamese, the beautiful Cha Cha Cha tune “Sài Gòn” has a similar reputation. The tune was written by Hanoi-born composer Y-Van. Like many of his generation, he moved to the South in 1954 after The Geneva Accords partitioned Vietnam temporarily into two states. There he became one of the most famous and prolifc songwriters in South Vietnamese pop music. His revered songs are still sung and covered to this day. “Sài Gòn”, which he wrote in 1965, was recorded for the frst time by Saigonese-born singer Trúc Mai for the Sóng Nhạc label. It is one of his most iconic compositions and has been recorded countless times since. Trúc Mai rose to prominence during the late 1950s as a popular headliner in the cabaret circuit of Saigon, earning her the title, "Nữ Hoàng Mambo" (the Queen of the Mambo). Her reputation helped make the 1965 recording of “Sai Gon” an instant hit. It was so successful that it was one of only a few songs to appear on multiple 7” vinyl releases. However, that same year, Trúc Mai took a seven-year hiatus from the music industry to take care of her family. But she returned in 1972 to record “Sai Gon” again, this time with another producer, Duy Khánh – also a successful singer and musician. They released this track on his “reel 2 reel” tape series, “Cỏ May”. After the war ended in 1975, Trúc Mai and her family left Vietnam to begin their new lives in the United States, where she continued her successful music career with the overseas community.The Sài Gòn sung about in the song refers geographically to today's Districts 1 & 3 in Ho Chi Minh City, the name given in 1975, after reunifcation. But colloquially, the city is still afectionately called Sài Gòn by many of its residents, and even the airport retains the ‘sgn’ designation as its abbreviation. Despite being recorded over 55 years ago, the unbroken popularity of this life-afrming ode to the city is proven when, whether in Sài Gòn or Hanoi; the south or north; whether young or old, when the song plays, everyone immediately joins in to sing along to the chorus…Saigon đẹp lắm Saigon ơi! Saigon ơi! (Saigon is so beautiful! Saigon oi! Saigon oi!) The two extensively restored mixes are supplemented with a 2021 edit by Saigon Supersound producer and DJ Jan Hagenkötter, who tries to preserve the vibes of the original and at the same time to wrap it in a contemporary garment.
Tre Burt - You, Yeah, You
Tre Burt
You, Yeah, You
LP | 2021 | EU | Original (Oh Boy)
21,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Travis Tritt - Proud Of The Country
Travis Tritt
Proud Of The Country
LP | 2024 | EU | Original (Painted Desert)
50,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Toumani Diabaté & London Symphony Orchestra - Korolén
Toumani Diabaté & London Symphony Orchestra
Korolén
LP | 2021 | EU | Original (World Circuit)
25,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Touki - Plastic Man
Touki
Plastic Man
LP | 2024 | EU | Original (Captain Pouch)
31,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Touki, the collective created by British-Senegalese musician Amadou Diagne and Franco-American Cory Seznec - is back with the release of their second album Plastic Man. Like their debut Right of Passage, this album was made possible by an Arts Council England grant and recorded at the renowned Real World Studios with final touches performed at producer Oscar Cainer’s London studio. For this new adventure, however, they brought on board virtuosic American cellist/violinist Duncan Wickel to help arrange the music.Plastic Man focuses on climate change, environmental activism and spiritual matters—weaving together West African fables, personal stories and large social, economic and political questions facing our world. The photography for the album, taken by Italian photo-journalist Giulio Piscitelli in the Libyan desert, harks both to the continually unfolding human tragedy of displaced populations, and the plague of plastic pollution.About the music:Touki’s sound infuses East and West African styles and traditions with Appalachian banjo, folk motifs, and orchestral arrangements. Diagne’s powerful percussion, Seznec’s muted guitar-picking, and Wickel’s cello-grooves provide a rhythmic foundation, while vocals, kora and violins add beautiful texture and emotional depth. The scorching sounds of Endris Hassen’s masenqo (one-stringed bowed lute) are peppered throughout the album, providing punctual pitstops at an Ethiopian azmari-bet. The songwriting is steeped in stories and parables. The title track is an mbalax-inspired homage to climate activist Modou Fall, who dresses up as a plastic kankurang (a Mandé protective spirit) to draw attention to the plastic pollution overtaking Senegal’s coastline. Tunes like “Wounded Bird Fly Again” and “God Among Men” are inspired by western Kenyan omutibo acoustic guitar music - the latter a song that rails against society’s obsession with “titans of industry,” pointing out that many who claim to be changing the world for the better are actually responsible for environmental devastation. “Don’t Look Away” is a haunting song about migrants and refugees inspired by the book At Sea There Are No Taxis by Roberto Saviano (in which the artists discovered Piscitelli’s work). “Harit” is a rollicking Malinké-inspired tune about trying to find common ground in a time of bitter divisiveness. The soulful “Yirmane” admonishes political corruption in Senegal. On a lighter note, “Fula Cowboy” puts a West African spin on the American western. Here the Nomadic Fula pastoralists are portrayed as zen cowboys governed by a moral code in which the absence of physical, material and social needs, and the mastery of self are paramount. “Diallo Djeri” is about these same pastoralists and the challenges involved in sustainable livestock farming and keeping their families healthy.Instrumental tunes like “Mabrat Allé” (Is There Light) and “Wenchi Breakdown” are references to Cory’s stint in Ethiopia, where, despite some difficulties - power cuts were a regular occurrence and car troubles in the countryside proved disastrous - he had an intensely rich, unforgettable experience. “La-Hi-La-Ha” and “Tellem Dreams” wed Malian grooves with Appalachian fiddle, while “Djarama” is an up-tempo thank you to hardworking women in Senegal, from rural cultivators of rice in Casamance to Dakaroises mothers raising kids and scraping by making beignets, food and clothing.As they sail through the crosscurrents of our complex world, Touki, which signifies “journey” in Wolof, Amadou’s mother tongue, understands that the musical voyage itself is the destination.
Toti Soler - Toti Soler
Toti Soler
Toti Soler
LP | 2021 | EU | Original (Munster)
17,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Like A Long Drag Of Hashish In The Morning When The Alarm Clock Rings In The Open Air, The Synthesis That Works In This Album Is Aromatic, Hypnotic, Luminescent_ Somewhere Between Hispalis And The Catalan Mediterranean. Spanish Guitar And Flamenco Metonymies Flourish On This Transitional Instrumental Work That Ablutions In Flamenco Waters, Scented With Folk-Blues Salts. This 1973 Album Is Seminal In Creating Flamenco Fusion. The Arid But Magnetic Notes Of The First Track On The Album, 'Sardana Flamenca' Delve Deeper Into The Subconscious, Which Soler Recorded On His Own With His Spanish Guitar, Except The Electric Pieces Where Members Of The Band Om Helped Out. Reissued On Vinyl For The First Time. Includes An Insert With Notes And A Rare Toti Soler Photo. * * * Detailed Description:Toti Soler's Self-Titled Second Album Together With Sabicas, Smash From 1971-72 And The Recording Paco De Lucía Made With Jazzman Pedro Iturralde, Were Seminal In Creating Flamenco Fusion, A Blend That Has Travelled Far. They Altered The Perception Of Said Music Redefining Its Limits And Possibilities. Soler's Syncretism Between Hispalis And The Catalan Mediterranean, Another Form Of Fusion, Was Released Perhaps Paradoxically By Edigsa, The Label That The Guitarist Worked With The Most, The Founding Spirit Of Which Was To Safeguard The Local Language, Catalan. In 1972, The Ancient Call Of Flamenco Took Soler To Andalusia, Where He Studied Under The Renowned Guitarist Diego Del Gastor. When He Returned To Barcelona, He Commenced A Long Parallel Chapter As Acoustic Accompanist For The Singer-Songwriter Ovidi Montllor From Alcoy, Leaving Rock And The Electric Guitar Behind. However, Watts And Rock Still Pulse Through In His Second Lp (Self-Titled But Also Referred To As "El Gat Blanc"), 1973, But Play A Minor Role. Spanish Guitar And Flamenco Metonymies Flourish On This Theoretically Transitional Instrumental Work, Which Would Become One The Most Popular Of His Discography. The Arid But Mag...
Torgeir Waldemar - Mercy
Torgeir Waldemar
Mercy
LP | 2024 | EU | Original (Jansen)
35,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-15
Tony Rice - Native American
Tony Rice
Native American
LP | 2024 | Original (Real Gone Music)
38,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Tomoyuki Trio - Shitsuren
Tomoyuki Trio
Shitsuren
LP | 2024 | US | Original (Feeding Tube)
36,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Tom Waits - Gun Street Boy: The Bridge School Benefit Broadcast
Tom Waits
Gun Street Boy: The Bridge School Benefit Broadcast
LP | 2021 | EU (Mind Control)
20,99 €*
Release: 2021 / EU
Genre: Rock & Indie
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Stunning Tom Waits set from a live FM Broadcast recorded at the Bridge School Benefit, Shoreline Amphitheatre, Mountain View, CA, 30th October 1999.
Tom Waits - Gun Street Boy: The Bridge School Benefit Broadcast
Tom Waits
Gun Street Boy: The Bridge School Benefit Broadcast
LP | 2021 | EU (Mind Control)
14,99 €*
Release: 2021 / EU
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG+
Tom McRae - Étrange Hiver
Tom McRae
Étrange Hiver
LP | 2024 | Original (Buzzard Tree Records)
29,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Tom Liwa Singt Texte Von Axel Ressler - 6 / 8 Rot
Tom Liwa Singt Texte Von Axel Ressler
6 / 8 Rot
LP | 2021 | EU | Original (Tom Liwa)
22,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Tobias Poetzelsberger - Prudence
Tobias Poetzelsberger
Prudence
LP | 2024 | EU | Original (Assim)
24,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Tir Na Nog - Transmissions
Tir Na Nog
Transmissions
LP | 2024 | Original (Code 7)
43,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Tir Na Nog - The Dark Dance
Tir Na Nog
The Dark Dance
LP | 2024 | Original (Mega Dodo (Code 7))
28,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Tinariwen - Amatssou Deluxe Bonus Tracks Picture Disc Edition
Tinariwen
Amatssou Deluxe Bonus Tracks Picture Disc Edition
LP | 2024 | EU | Original (Wedge)
27,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Tina Turner - Tina Turns The Country On!
Tina Turner
Tina Turns The Country On!
LP | 2024 | EU | Reissue (Parlophone Label Group)
28,99 €*
Release: 2024 / EU – Reissue
Genre: Rock & Indie
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Preorder shipping from 2024-11-15
Tina Turner - Tina Turns The Country On!
Tina Turner
Tina Turns The Country On!
CD | 2024 | EU | Original (Parlophone Label Group)
20,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-15
Timlightyear - All My Old Friends
Timlightyear
All My Old Friends
LP | 2024 | US | Original (Edgewater Music)
41,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-08
Tim The Mute - Might Never Happen
Tim The Mute
Might Never Happen
LP | 2024 | US | Original (Kingfisher Bluez)
33,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Tim McGraw - Not A Moment Too Soon
Tim McGraw
Not A Moment Too Soon
LP | 2024 | Original (Curb)
26,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-01
Tim Easton - You Don't Really Know Me
Tim Easton
You Don't Really Know Me
LP | 2021 | US | Original (Black Mesa)
23,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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Tim Baker - Full Rainbow Of Light
Tim Baker
Full Rainbow Of Light
LP | 2024 | US | Original (End Times)
32,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-15
Tigirlily Gold - Blonde
Tigirlily Gold
Blonde
LP | 2024 | US | Original (Monument)
32,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Tiago Sousa - Um Piano Nas Barricadas
Tiago Sousa
Um Piano Nas Barricadas
LP | 2016 | UK | Original (Discrepant)
14,99 €* 19,99 € -25%
Release: 2016 / UK – Original
Genre: Rock & Indie, Electronic & Dance
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Discrepant presents Tiago Sousa's brand new LP with collaborations from Tó Trips, Ricardo Ribeiro, Balthazar Molina and Rebecca Roth.
Expect a unique work by one of the most interesting and intriguing musicians to come out of the burgeoning Portuguese music scene.
Thov G. Wetterhus - Stålslått
Thov G. Wetterhus
Stålslått
LP | 2021 | EU | Original (Motvind)
16,49 €* 21,99 € -25%
Release: 2021 / EU – Original
Genre: Rock & Indie
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Thistle Group & P Wits - Fog On My Brain / Figure It Out
Thistle Group & P Wits
Fog On My Brain / Figure It Out
7" | 2024 | EU | Original (I Dischi Del Barone)
10,49 €* 13,99 € -25%
Release: 2024 / EU – Original
Genre: Rock & Indie, Electronic & Dance
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Match made in heaven collaborative hit single from New Zealand-based artists Claire Mahoney (Thistle Group) and Benedict Quilter (P Wits). Recorded and mixed by Stefan Neville, mastered for vinyl by Lasse Marhaug. 45rpm, edition of 200 copies.
The Wild Feathers - Sirens Opaque Jade Vinyl Edition
The Wild Feathers
Sirens Opaque Jade Vinyl Edition
LP | 2024 | US | Original (New West)
28,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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How would you define The Wild Feathers? Some may immediately check a box for Americana – and they wouldn’t be wrong. Others may lean on a version of rock: Country-rock, folk-rock, heartland rock. They’d all be right, too. Blues? A Southern flare? Occasional punk attitude? It’s all in there. Now, it’s time to hop on the bus and sing along.

The longtime Nashville band returns this year with Sirens, a new LP of road-worn, sharply-woven tales chronicling a life worth living, love worth holding and the hard-earned lessons found along the ride. To cut the follow-up to 2021 album Alvarado – the band’s debut on independent label New West Records – The Wild Feathers decamped from Music City, U.S.A., to Los Angeles for sessions with producer Shooter Jennings (known for his work with Brandi Carlile, Turnpike Troubadours and Tanya Tucker, among others) at Dave’s Room in North Hollywood.

Listen intently and without genre in mind. Because when the so-called Sirens make their sound on this new album, don’t worry about how to define it. Just enjoy the ride.
The Wild Feathers - Sirens
The Wild Feathers
Sirens
LP | 2024 | US | Original (New West)
28,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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How would you define The Wild Feathers? Some may immediately check a box for Americana – and they wouldn’t be wrong. Others may lean on a version of rock: Country-rock, folk-rock, heartland rock. They’d all be right, too. Blues? A Southern flare? Occasional punk attitude? It’s all in there. Now, it’s time to hop on the bus and sing along.

The longtime Nashville band returns this year with Sirens, a new LP of road-worn, sharply-woven tales chronicling a life worth living, love worth holding and the hard-earned lessons found along the ride. To cut the follow-up to 2021 album Alvarado – the band’s debut on independent label New West Records – The Wild Feathers decamped from Music City, U.S.A., to Los Angeles for sessions with producer Shooter Jennings (known for his work with Brandi Carlile, Turnpike Troubadours and Tanya Tucker, among others) at Dave’s Room in North Hollywood.

Listen intently and without genre in mind. Because when the so-called Sirens make their sound on this new album, don’t worry about how to define it. Just enjoy the ride.
The White Buffalo - Love And The Death Of Damnnation
The White Buffalo
Love And The Death Of Damnnation
LP | 2016 | UK | Original (Earache)
21,99 €*
Release: 2016 / UK – Original
Genre: Rock & Indie
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no 7" included
The Weather Station - Ignorance
The Weather Station
Ignorance
2LP | 2021 | UK | Original (Fat Possum)
26,99 €*
Release: 2021 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: VG+
Cover is close to NM.
The Waterboys - How Long Will I Love You 2021 Record Store Day 2021 Edition
The Waterboys
How Long Will I Love You 2021 Record Store Day 2021 Edition
12" | 2021 (Chrysalis)
16,99 €*
Release: 2021
Genre: Rock & Indie
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Record Store Day 2021 Release. The Waterboys 1990 single has been remixed for 2021, featuring new vocals by Mike Scott. This new version is bring released as new single ahead of an upcoming multi disc box set of the album ‘Room To Roam’. The track was
The Waterboys - A Pagan Place
The Waterboys
A Pagan Place
LP | 2014 | EU | Reissue (Chrysalis)
24,99 €*
Release: 2014 / EU – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: VG+
The Wandering Hearts - Mother
The Wandering Hearts
Mother
LP | 2024 | UK | Original (Chrysalis)
26,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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The Vintage Yell - The Vintage Yell
The Vintage Yell
The Vintage Yell
LP | 2024 | Original (Mesquite St.)
24,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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The Thrills - So Much For The City
The Thrills
So Much For The City
LP | 2021 | EU | Reissue (Virgin)
39,99 €*
Release: 2021 / EU – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Record Store Day release. Red vinyl. Still in shrink, but opened. With original inner sleeve
The Staves - Good Woman
The Staves
Good Woman
LP | 2021 | EU | Original (Warner)
23,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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The Staves - Good Woman
The Staves
Good Woman
LP | 2021 | EU | Original (Warner)
26,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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The Staves - Good Woman
The Staves
Good Woman
LP | 2021 | EU | Original (Nonesuch)
24,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Sealed, Cover: Sealed
Still sealed. cover has a few slight cracks. Clear vinyl Limited edition.
The Staves - Blood I Bled EP
The Staves
Blood I Bled EP
CD | 2014 | UK | Original (Atlantic)
7,99 €*
Release: 2014 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
The Secret Sisters - Mind, Man, Medicine Jade Vinyl Ediiton
The Secret Sisters
Mind, Man, Medicine Jade Vinyl Ediiton
LP | 2024 | US | Original (New West)
30,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Our fifth chapter is the one where we seek, savor, and settle. The muse found us in the depths of raising children, nurturing relationships, surviving a world-changing virus, bidding farewell, shifting our mindsets, and discovering a sense of peace heretofore unseen. Our third decade of life has proven to be one of routine, rest, and realization, and these songs are about the lessons we’ve learned. We’ve learned to be space-holders and defenders of the people we hold close. We’ve learned from deep, steady love in various forms. We’ve learned to let go of people and perceptions and priorities that just didn’t make the cut as we weighed what is right and important and worth keeping. We’ve learned how all the things we’ve always treasured continue to withstand the pressure of time. If you notice an upward trend to the mood and emotions, you’re on target-we have found calm waters, for now. - The Secret Sisters (2023)
The Saddle Sores - I'm Over Bein' Sober Over You Sweet Tooth Baby
The Saddle Sores
I'm Over Bein' Sober Over You Sweet Tooth Baby
7" | 2024 | EU | Original (El Toro)
13,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Preorder shipping from 2024-10-25
The Rangers - The Rangers
The Rangers
The Rangers
LP | 2021 | EU | Original (Supraphon)
27,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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The Osborne Brothers - Early Years - Complete Releases 1951-62
The Osborne Brothers
Early Years - Complete Releases 1951-62
CD | 2024 | EU | Original (Acrobat)
13,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-01
The Oak Ridge Boys - Mama's Boys
The Oak Ridge Boys
Mama's Boys
LP | 2024 | Original (Lightning Rod - Thirty)
26,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Preorder shipping from 2024-10-25
The O'Reillys And The Paddyhats - Coming Home Special Edition
The O'Reillys And The Paddyhats
Coming Home Special Edition
2LP | 2024 | Original
34,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Preorder shipping from 2024-12-20
The O'Reillys And The Paddyhats - Coming Home Green Splatter Vinyl Edition
The O'Reillys And The Paddyhats
Coming Home Green Splatter Vinyl Edition
2LP | 2024 | Original
29,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Preorder shipping from 2024-12-20
The O'Reillys And The Paddyhats - Coming Home Green Smoke Vinyl Edition
The O'Reillys And The Paddyhats
Coming Home Green Smoke Vinyl Edition
2LP | 2024 | Original
29,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Preorder shipping from 2024-12-20
The Mugwumps - The Mugwumps Black Vinyl Edition
The Mugwumps
The Mugwumps Black Vinyl Edition
LP | 2024 | US | Original (Sundazed)
30,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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The Monkees - Good Times!
The Monkees
Good Times!
LP | 2016 | Original (Rhino)
21,99 €*
Release: 2016 / Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
The Matthews Baartmans Conspiracy - Distant Chatter
The Matthews Baartmans Conspiracy
Distant Chatter
CD | 2021 | UK | Original (Talking Elephant)
10,99 €*
Release: 2021 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
close to NM. cardboard sleeve
The Master Musicians Of Joujouka - Live In Paris
The Master Musicians Of Joujouka
Live In Paris
2LP | 2021 | EU | Original (Unlistenable)
13,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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50 years since their first LP “Brian Jones presents the Pipes of Pan at Joujouka” was released, The Master Musicians of Joujouka are releasing a stunning double LP recorded live at Centre Georges Pompidou, Paris in 2016. The recordings are a full immersion into the Joujouka sound with disc one featuring hypnotic flutes and drum and a side of songs with mountain violin played by virtuoso Ahmed Talha with lead vocals by the late Abdeslam Boukhzar. Disc two features the truly hypnotic rhiat suite of Boujeloud, recorded in its entirety for the very first time. The Master Musicians of Joujouka have been known since Brian Jones publicised this amazing music in the 1960’s and of course also to those who are fans of William S Burroughs. This is a live recording from the Centre Pompidou in Paris in 2016. Which offers a chance to listen to the music without the usual background detritus provided when they are recorded in their homeland. The concert was part of the Beat generation exhibition. Gatefold double LP, the first time it has been released on vinyl.
The Mallory-Hall Band - The Last Special
The Mallory-Hall Band
The Last Special
LP | 2021 | UK | Original (Outernational)
20,99 €*
Release: 2021 / UK – Original
Genre: Rock & Indie
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Outernational Sounds very proudly Presents The Mallory-Hall Band "Song of Soweto" & "The Last Special". Limited, fully licensed digital and vinyl reissues of two crucial South African sessions led by Charles Mallory and Al Hall, Jnr., featuring Kirk Lightsey, Marshall Royal, Rudolph Johnson, Billy Brooks and more! Essential companion pieces to Kirk Lightsey’s legendary ‘Habiba’. Featuring tracks: Song Of Soweto: Side A – ‘Song of Soweto’, ‘Hamba Samba’; Side B – ‘Cape Town Blues’, ‘Moroka Rock’, ‘The African Night’ The Last Special: Side A - ‘The Last Special’, ‘Princess of Joh’Burg’; Side B - ‘Amafu (Clouds)’, ‘Blue Mabone’ Never released outside South Africa, and out of print since 1974, Outernational Sounds presents two long-lost Johannesburg sessions from the Mallory-Hall Band – an all-star review of West Coast jazz stars who toured apartheid South Africa in the mid-1970s. Sanifu Al Hall, Jnr. is a musician’s musician. During a storied career stretching across six decades, Hall has recorded with the greats of the music including Freddie Hubbard, Doug Carn, and Johnny Hammond, and leads his own Cosmos Dwellerz Arkestra. But until recent years, the only records on which he had appeared as leader were a brace of rich, funky LPs, Song Of Soweto and The Last Special, issued only in South Africa under the moniker of The Mallory-Hall Band (named for Hall and his co-leader, guitarist Charles Mallory – musical director for Martha Reeves and the Vandellas, Mallory was conductor for Dusty Springfield touring bands, and had worked with John Lee Hooker, Stevie Wonder, and many others). Neither LP had any wider release, and both have remained out of print since 1974. How did a young stalwart of the Los Angeles jazz scene end up in a recording studio in apartheid South Africa? Al Hall, Jnr. and Charles Mallory had arrived in South Africa as part of the touring band for the singer Lovelace Watkins. Sometimes billed as ‘the Black Sinatra’, the Detroit-born Watkins sang standards and ballroom classics on the Las Vegas circuit. He never made it big in the US, but in his 1970s heyday he was a huge star in southern Africa, and 1974 he hired a jazz big band to accompany him on a tour of South Africa – Hall and Mallory were part of the line-up, alongside Mastersounds bassist Monk Montgomery, pianist Kirk Lightsey, tenorist Rudolph Johnson, drummer Billy Brooks, and Marshall Royal, musical director of the Count Basie band. The tour was a huge success, and during downtime from performing, members of the group managed to independently record no fewer than three albums. Lightsey and Johnson’s stunning Habiba was the first (reissued as Outernational Sounds OTR.013), and it was followed by two crucial sessions led by Hall and Mallory – Song of Soweto and The Last Special, issued on the local IRC imprint. Visiting apartheid South Africa in 1974 was a controversial choice for any artist. Numerous artistic and cultural bodies around the world had already announced that their members would boycott the country in solidarity with the struggle against apartheid, and working in South Africa was severely frowned on by anti-apartheid activists everywhere. For a Black band, touring the country to play to mostly white audiences could have been seen by many both inside and outside South Africa as a questionable decision. ‘It was a batch of mixed reactions when I choose to visit South Africa whilst apartheid policies were in place,’ Hall recalls. ‘To me the choice was a simple one – “I wanna see for myself!” I also wanted to be a part of breaking down racial barriers, having been down some of the same roads in my own country.’ The albums were recorded by a twelve-piece band at Johannesburg’s Video Sounds Studios in December 1974, and feature the legendary pianist Kirk Lightsey, Black Jazz recording artist Rudolph Johnson, and the rest of the touring band. Both records are superbly arranged slabs of peak 1970s funky big band soul jazz, with tasteful Latin inflections and more than a nod to South Africa’s upful township jazz sound. They are the sonic traces left by a seasoned African American band who were touring South Africa in the depths of the apartheid era, and who immediately moved beyond the segregated hotels and ballrooms to build links with local South African players and audiences. Never previously available outside South Africa, Outernational Sounds’ new editions of Song of Soweto and The Last Special (alongside our edition of Kirk Lightsey’s Habiba) represents the first time these albums have been in print for nearly fifty years. Fully licensed from Gallo Records and pressed at Pallas in Germany from Gallo’s original masters, they feature new sleeve notes from Francis Gooding (The Wire) based on interviews with Al Hall, Jnr., and a reminiscence from pianist Kirk Lightsey.
The Mallory-Hall Band - Song Of Soweto
The Mallory-Hall Band
Song Of Soweto
LP | 2021 | UK | Original (Outernational)
20,99 €*
Release: 2021 / UK – Original
Genre: Rock & Indie
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Outernational Sounds very proudly Presents The Mallory-Hall Band "Song of Soweto" & "The Last Special". Limited, fully licensed digital and vinyl reissues of two crucial South African sessions led by Charles Mallory and Al Hall, Jnr., featuring Kirk Lightsey, Marshall Royal, Rudolph Johnson, Billy Brooks and more! Essential companion pieces to Kirk Lightsey’s legendary ‘Habiba’. Featuring tracks: Song Of Soweto: Side A – ‘Song of Soweto’, ‘Hamba Samba’; Side B – ‘Cape Town Blues’, ‘Moroka Rock’, ‘The African Night’ The Last Special: Side A - ‘The Last Special’, ‘Princess of Joh’Burg’; Side B - ‘Amafu (Clouds)’, ‘Blue Mabone’ Never released outside South Africa, and out of print since 1974, Outernational Sounds presents two long-lost Johannesburg sessions from the Mallory-Hall Band – an all-star review of West Coast jazz stars who toured apartheid South Africa in the mid-1970s. Sanifu Al Hall, Jnr. is a musician’s musician. During a storied career stretching across six decades, Hall has recorded with the greats of the music including Freddie Hubbard, Doug Carn, and Johnny Hammond, and leads his own Cosmos Dwellerz Arkestra. But until recent years, the only records on which he had appeared as leader were a brace of rich, funky LPs, Song Of Soweto and The Last Special, issued only in South Africa under the moniker of The Mallory-Hall Band (named for Hall and his co-leader, guitarist Charles Mallory – musical director for Martha Reeves and the Vandellas, Mallory was conductor for Dusty Springfield touring bands, and had worked with John Lee Hooker, Stevie Wonder, and many others). Neither LP had any wider release, and both have remained out of print since 1974. How did a young stalwart of the Los Angeles jazz scene end up in a recording studio in apartheid South Africa? Al Hall, Jnr. and Charles Mallory had arrived in South Africa as part of the touring band for the singer Lovelace Watkins. Sometimes billed as ‘the Black Sinatra’, the Detroit-born Watkins sang standards and ballroom classics on the Las Vegas circuit. He never made it big in the US, but in his 1970s heyday he was a huge star in southern Africa, and 1974 he hired a jazz big band to accompany him on a tour of South Africa – Hall and Mallory were part of the line-up, alongside Mastersounds bassist Monk Montgomery, pianist Kirk Lightsey, tenorist Rudolph Johnson, drummer Billy Brooks, and Marshall Royal, musical director of the Count Basie band. The tour was a huge success, and during downtime from performing, members of the group managed to independently record no fewer than three albums. Lightsey and Johnson’s stunning Habiba was the first (reissued as Outernational Sounds OTR.013), and it was followed by two crucial sessions led by Hall and Mallory – Song of Soweto and The Last Special, issued on the local IRC imprint. Visiting apartheid South Africa in 1974 was a controversial choice for any artist. Numerous artistic and cultural bodies around the world had already announced that their members would boycott the country in solidarity with the struggle against apartheid, and working in South Africa was severely frowned on by anti-apartheid activists everywhere. For a Black band, touring the country to play to mostly white audiences could have been seen by many both inside and outside South Africa as a questionable decision. ‘It was a batch of mixed reactions when I choose to visit South Africa whilst apartheid policies were in place,’ Hall recalls. ‘To me the choice was a simple one – “I wanna see for myself!” I also wanted to be a part of breaking down racial barriers, having been down some of the same roads in my own country.’ The albums were recorded by a twelve-piece band at Johannesburg’s Video Sounds Studios in December 1974, and feature the legendary pianist Kirk Lightsey, Black Jazz recording artist Rudolph Johnson, and the rest of the touring band. Both records are superbly arranged slabs of peak 1970s funky big band soul jazz, with tasteful Latin inflections and more than a nod to South Africa’s upful township jazz sound. They are the sonic traces left by a seasoned African American band who were touring South Africa in the depths of the apartheid era, and who immediately moved beyond the segregated hotels and ballrooms to build links with local South African players and audiences. Never previously available outside South Africa, Outernational Sounds’ new editions of Song of Soweto and The Last Special (alongside our edition of Kirk Lightsey’s Habiba) represents the first time these albums have been in print for nearly fifty years. Fully licensed from Gallo Records and pressed at Pallas in Germany from Gallo’s original masters, they feature new sleeve notes from Francis Gooding (The Wire) based on interviews with Al Hall, Jnr., and a reminiscence from pianist Kirk Lightsey.
The Jaguars - Rock With The Jaguars EP
The Jaguars
Rock With The Jaguars EP
7" | 2021 | EU | Original (Koko Mojo)
11,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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