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V.A. - Folklore Mexicano Vol. I
V.A.
Folklore Mexicano Vol. I
LP | MX | Original (SELEKTO)
9,99 €*
Release: MX – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: VG
V.A. - Folkadelic Volume 2 - The Acid Jam
V.A.
Folkadelic Volume 2 - The Acid Jam
2LP | 2023 | EU | Original (Mood Mosaic)
32,99 €*
Release: 2023 / EU – Original
Genre: Organic Grooves, Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Powerfull nice grooves from a series that might be beer named: "Acid folk renaissance " – as most of the work here come from the 70s, and a lot from those great years of the UK and US scene where it also seemed like there was plenty of folk in the music as well! A few of these cuts are downright acid , and all are filled with great instrumenta&on – in an approach that's a nice change from some of the more familiar Brit and US manners of the same genera&on. The &tles include, among the others: Nirvana’s Nova Sketch , Fi.y Foot Hose’s Rose, Pyranha ‘s Clepsydre , Kaleidoscope’s Keep your mind open, and more .
V.A. - Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition
V.A.
Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition
2LP | 2024 | US | Original (Light In The Attic)
58,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Preorder shipping from 2024-10-18
Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”
V.A. - Even The Forest Hums: Ukrainian Sonic Archives 1971-1996
V.A.
Even The Forest Hums: Ukrainian Sonic Archives 1971-1996
2LP | 2024 | US | Original (Light In The Attic)
55,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”
V.A. - Ethniques Psychedliques
V.A.
Ethniques Psychedliques
LP | 2023 | UK | Original (Platform 23)
22,99 €*
Release: 2023 / UK – Original
Genre: Organic Grooves, Rock & Indie, Electronic & Dance
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Platform 23 reunites once more with Vox Man Records to dig deep into their archives and shine a new light on. In the past they have done some mega well loved Alternative Funk compilations which got the label off to a fine start and now they dig into an array of cult cassette releases to bring us treasure from Audiologie N-4 - The Independant Psychedelic Trip and Audiologie 5 et 6 - Ethniques Urbaines. This is music from the avant-garde and post punk scenes that draws on wave, spoken word, dark dub and industrial for its eerie yet alluring charms, all with a real edge. Ethnic, idiosyncratic and psyched out, this is another great overview.
V.A. - Driftless Dreamers: In Cuca Country
V.A.
Driftless Dreamers: In Cuca Country
2LP | Original (Numero)
40,99 €*
Release: Original
Genre: Rock & Indie
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V.A. - Dog Days, Devil Fish & Darkest England : Songs & Tunes From 25 Years Of The Leigh Folk Festival
V.A.
Dog Days, Devil Fish & Darkest England : Songs & Tunes From 25 Years Of The Leigh Folk Festival
2LP | 2017 | UK | Original (Thames Delta Recording Co.)
16,99 €*
Release: 2017 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Limited edition.
V.A. - Disques Debs International - An Island Story: Biguine, Afro Latin & Musique Antillaise 1960-1972 Volume 1
V.A.
Disques Debs International - An Island Story: Biguine, Afro Latin & Musique Antillaise 1960-1972 Volume 1
2LP | 2018 | EU | Reissue (Strut)
31,99 €*
Release: 2018 / EU – Reissue
Genre: Rock & Indie
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Strut present the first ever compilation series to access the archives of one of the greatest of all French Caribbean labels, Disques Debs out of Guadeloupe. Set up by the late Henri Debs during the late ‘50s, the label and studio has continued for over 50 years, releasing over 300 7” singles and 200 LPs, covering styles varying from early biguine and bolero to zouk and reggae.
V.A. - Die BildKiller: GegenBILDlieder
V.A.
Die BildKiller: GegenBILDlieder
LP | 1981 | Original (Eigelstein Musikproduktion)
11,99 €*
Release: 1981 / Original
Genre: Rock & Indie
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Used Vinyl
Medium: Mint, Cover: VG+
Cover has one corner bend.
V.A. - Demoler! Demoler! Demoler!
V.A.
Demoler! Demoler! Demoler!
LP | 2024 | EU | Original (Munster)
25,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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V.A. - Dead Man's Town: A Tribute To Born In The U.S.A Red, White & Blue Vinyl Edition
V.A.
Dead Man's Town: A Tribute To Born In The U.S.A Red, White & Blue Vinyl Edition
LP | 2024 | US | Original (Lightning Rod)
27,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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2024 marks the 40th anniversary of Bruce Springsteen's 'Born In The U.S.A.' Although it would become his biggest selling album with seven top 1 0 singles on the Billboard Hot 100, Luther Dickinson of North Mississippi Allstars says "any of those songs could be played with acoustic guitar alone and still be great." Taking this idea as its premise, 'Dead Man's Town: A Tribute to Born in the U.S.A' strips the album's twelve indelible originals to the core, with contributions from Jason Isbell & Amanda Shires, Low, Nicole Atkins, Justin Townes Earle, Blitzen Trapper, Joe Pug, Trampled by Turtles, and more. Rolling Stone premiered Jason Isbell and Amanda Shires' Dave Cobb-produced cover of "Born I n The U.S.A," saying these artists are "reimagining 'Born in the U.S.A. with a reduced approach more influenced by that of the acoustic, "Nebraska."

Isbell says of his cover, ""Born In The U.S.A." is one of my favorites because so many people have seemingly misunderstood the lyrical content and the song's overall tone. When you listen to the demo, the dark, minor key arrangement makes it clear that this is not strictly a song of celebration. We wanted to stay true to that version." Amanda Shires adds, "I love that the song paints a picture of struggle in the face of the American dream, and the irony in the chorus is delivered with such force that it nearly transcends irony altogether."
V.A. - Country & Western Greatest Hits I
V.A.
Country & Western Greatest Hits I
LP | 1984 | RO | Original (Electrecord)
5,99 €*
Release: 1984 / RO – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Small sticker on on label and back cover.
V.A. - Country Guitar Hall Of Fame
V.A.
Country Guitar Hall Of Fame
LP | 1965 | US | Original (Starday)
11,99 €*
Release: 1965 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Copy closer to VG+
V.A. - Country Funk Volume 3 1975-1982 Orange & Blue Vinyl Edition
V.A.
Country Funk Volume 3 1975-1982 Orange & Blue Vinyl Edition
2LP | US | Reissue (Light In The Attic)
23,99 €*
Release: US – Reissue
Genre: Rock & Indie
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V.A. - Country Collected
V.A.
Country Collected
2LP | 2024 | EU | Original (Music On Vinyl)
28,79 €* 35,99 € -20%
Release: 2024 / EU – Original
Genre: Rock & Indie
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V.A. - Country - Classic 45s
V.A.
Country - Classic 45s
Box | 2017 | Original (Demon / Edsel)
21,99 €*
Release: 2017 / Original
Genre: Rock & Indie
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V.A. - Cosmic American Music: Motel California Neon Sky Vinyl Edition
V.A.
Cosmic American Music: Motel California Neon Sky Vinyl Edition
2LP | 2024 | US | Original (Numero Group)
41,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2024-10-11
Neon Sky Vinyl.A companion to 2016's private countryrock overview Cosmic American Music,this second volume goes way past GramParsons' "country-rock plastic dry-fuck"and explores the twangy falsettos andcommercial curiosity that sent the Eaglessoaring. Though rooted in the west coastfolk rock of the late-'60s, these newkids in town rendered a safe-for-thesuburbssound bleached of the hippie era'spolitical strife. 20 tracks, two LPs, andgatefold tip-on sleeve for easy seed andstem separating are included.
V.A. - Cosmic American Music: Motel California Black Vinyl Edition
V.A.
Cosmic American Music: Motel California Black Vinyl Edition
2LP | 2024 | US | Original (Numero Group)
38,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2024-10-11
A companion to 2016's private countryrock overview Cosmic American Music,this second volume goes way past GramParsons' "country-rock plastic dry-fuck"and explores the twangy falsettos andcommercial curiosity that sent the Eaglessoaring. Though rooted in the west coastfolk rock of the late-'60s, these newkids in town rendered a safe-for-thesuburbssound bleached of the hippie era'spolitical strife. 20 tracks, two LPs, andgatefold tip-on sleeve for easy seed andstem separating are included.
V.A. - Contemporary Guitar
V.A.
Contemporary Guitar
LP | 1966 | EU | Reissue (4 Men With Beards)
19,99 €*
Release: 1966 / EU – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
V.A. - Club Coco Colored Vinyl Edition
V.A.
Club Coco Colored Vinyl Edition
LP | 2021 | EU | Reissue (Les Disques Bongo Joe)
24,99 €*
Release: 2021 / EU – Reissue
Genre: Rock & Indie
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Bongo Joe presents "Club Coco", a summary outernational latin and afro rooted music compilation curated by Coco María.
V.A. - Classical Music Of North India ~Duet Of Sitar And Sarod~ = 北インドの古典音楽 ~シタールとサロッド~
V.A.
Classical Music Of North India ~Duet Of Sitar And Sarod~ = 北インドの古典音楽 ~シタールとサロッド~
LP | 1982 | JP | Original (Seven Seas)
19,99 €*
Release: 1982 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
V.A. - Christmas Dreamers: Yuletide Country (1960-1972) Colored Vinyl Edition
V.A.
Christmas Dreamers: Yuletide Country (1960-1972) Colored Vinyl Edition
LP | 2023 | US | Original (Numero Group)
26,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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Santa's Lager Colored Vinyl. Daddies don't always come home for Christmas. From the snow-covered plains of Wisconsin's Driftless region to the palm-lined avenues of Los Angeles, theloneliness of the holidays is a universal theme, best expressed by tear-in-thebeer country music hopefuls. Sung and strummed (and plucked) by an unlikely assortment of Nashville aspirants, our Christmas Dreamers spent the '60s gambling their futures on the AM airwaves of a forgotten America.
V.A. - Christmas Dreamers: Yuletide Country (1960-1972) Black Vinyl Edition
V.A.
Christmas Dreamers: Yuletide Country (1960-1972) Black Vinyl Edition
LP | 2023 | US | Original (Numero Group)
26,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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Daddies don't always come home for Christmas. From the snow-covered plains of Wisconsin's Driftless region to the palm-lined avenues of Los Angeles, the loneliness of the holidays is a universal theme, best expressed by tear-in-the-beer country music hopefuls. Sung and strummed (and plucked) by an unlikely assortment of Nashville aspirants, our Christmas Dreamers spent the '60s gambling their futures on the AM airwaves of a forgotten America.
V.A. - Chansons Et Dances Populaires Tsiganes Russes Et Hongroises
V.A.
Chansons Et Dances Populaires Tsiganes Russes Et Hongroises
LP | 1973 | JP | Original (Barclay)
6,99 €*
Release: 1973 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
V.A. - Cancionero Folklórico De Las Islas Canarias
V.A.
Cancionero Folklórico De Las Islas Canarias
LP | 1961 | ES | Original (Hispavox)
11,99 €*
Release: 1961 / ES – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Vinyl close to VG+
V.A. - Broken Hearts - Die schönsten Country Songs voll Gefühl, Sehnsucht und Harmonie
V.A.
Broken Hearts - Die schönsten Country Songs voll Gefühl, Sehnsucht und Harmonie
LP | DE | Original (K-Tel)
3,99 €*
Release: DE – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
V.A. - Brazil Classics 1: Beleza Tropical
V.A.
Brazil Classics 1: Beleza Tropical
2LP | 1989 | EU | Reissue (Luaka Bop)
33,99 €*
Release: 1989 / EU – Reissue
Genre: Rock & Indie
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First released in 1989, these songs represent but a small sampling of the fruits of a flowering in Brazilian creativity. The innovations in structure, lyrics and arrangements, combined with a very restrained but heartfelt intensity, are unique to Brazilian pop music... and in their own way, are as radical, seductive and beautiful as the best english language pop
V.A. - Bollywood Nuggets
V.A.
Bollywood Nuggets
LP | 2024 | EU (Akenaton)
22,99 €*
Release: 2024 / EU
Genre: Organic Grooves, Rock & Indie, Soundtracks
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A collection of mind blowing songs from Hindi films 1958-1984. 12 musical gems from the Bollywood vaults with a wide variety of styles thrown in the mix, from the classic to the rare, a must! An astonishing overview of the magnificent musical talents populating Bollywood films. With a predilection for movies with a strong musical backbone where songs and musical numbers play a pivotal role, the Hindi cinema boom gave birth to a strong and creative music industry where composers, musicians, musical directors, conductors, producers, singing actors, and playback singers (singers who provide vocals for the musical parts of roles played by actors or actresses) found a perfect place to develop their careers. A sample of those incredible talents is included in this compilation, the ideal point to start digging deeper into the lush garden of musical delights that is Bollywood
V.A. - Blues In The Bottle
V.A.
Blues In The Bottle
LP | 1988 | UK | Original (Big Beat)
4,99 €*
Release: 1988 / UK – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
V.A. - Blaze (Original Cast Recording)
V.A.
Blaze (Original Cast Recording)
LP | 2018 | US | Original (Cinewax)
16,99 €*
Release: 2018 / US – Original
Genre: Rock & Indie, Soundtracks
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
V.A. - Beirut And Beyond
V.A.
Beirut And Beyond
LP | 2024 | EU | Original (Balcoon)
26,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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V.A. - Austrian Folk Music Volume 1 - The Eastern Provinces (Upper Austria, Styria, Lower Austria, Vienna, Burgenland)
V.A.
Austrian Folk Music Volume 1 - The Eastern Provinces (Upper Austria, Styria, Lower Austria, Vienna, Burgenland)
LP | 1967 | AT | Reissue (Roots)
14,99 €*
Release: 1967 / AT – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG
Small writing on cover.
Includes booklet.
V.A. - As 12 Mais Sertanejas Vol. 2
V.A.
As 12 Mais Sertanejas Vol. 2
LP | 1979 | BR | Original (Chantecler)
9,99 €*
Release: 1979 / BR – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
V.A. - Armenian White Label
V.A.
Armenian White Label
12" | 2023 | EU | Original (Rocky Hill)
14,44 €* 16,99 € -15%
Release: 2023 / EU – Original
Genre: Rock & Indie, Electronic & Dance
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Next up on Rocky Hill is a limited edition, vinyl only white label, featuring 2 edits licensed from Terrestrial Funk and Darone Sassounian's compilation from 2021, and two original tracks from LA - based DJ and producer, Lara Sarkissian. The A side (Silk Road Side), features two previous exclusives from Darone's compilation on Terrestrial Funk titled, 'Silk Road: Journey of the Armenian Diaspora (1971 - 1982)'. The two edits on the A side were only available digitally, on CD, and Cassette formats. A1 features an edit of Marten Yorgantz's "Ammenain Serdov [De Tout Coeur]" from NY-based DJ duo, Fundido. A2 features an edit of Jozeph Sefian's "Karoun E Yegel" from Darone Sassounian. The B Side (Lara Sarkissian Side), features two original tracks sampling duduk (Armenian woodwind), songs - named as Lezginka Dance Scene and Ojakhum Nightmare. The tracks are reworks of the originals from 2016 - 2017, when Sarkissian began the creation of her own unique process of synthesizing duduk as percussion, bass and voice. Both tracks have been used in her early live sets from 2017 - 2018. They're finally available now only on vinyl. This is Rocky Hill.
V.A. - Antologia Della Canzone Napoletana
V.A.
Antologia Della Canzone Napoletana
LP | 2024 | EU | Original (La Canzonetta)
45,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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V.A. - A Slice Of Swingin' Pig Vol. I
V.A.
A Slice Of Swingin' Pig Vol. I
LP | 1988 | LU (The Swingin' Pig)
9,99 €*
Release: 1988 / LU
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: Generic
V.A. - A Guide To The Birdsong Of Western Africa
V.A.
A Guide To The Birdsong Of Western Africa
LP | 2022 | EU | Original (Shika Shika)
20,79 €* 25,99 € -20%
Release: 2022 / EU – Original
Genre: Rock & Indie
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V.A. - 50s & 60s Country & Western Hits Vol. 1
V.A.
50s & 60s Country & Western Hits Vol. 1
LP | 2024 | DE | Original (ZYX Music)
17,99 €*
Release: 2024 / DE – Original
Genre: Rock & Indie
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Preorder shipping from 2024-10-25
V.A. - 20 Pop-Hits
V.A.
20 Pop-Hits
LP | 1976 | DE | Original (Buddah)
3,99 €*
Release: 1976 / DE – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG, Cover: VG
Utah Phillips - Starlight On The Rails: A Songbook
Utah Phillips
Starlight On The Rails: A Songbook
4CD | 2005 | Original (AK Press Audio)
19,99 €*
Release: 2005 / Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: VG
Utah Phillips And Ani DiFranco - The Past Didn't Go Anywhere
Utah Phillips And Ani DiFranco
The Past Didn't Go Anywhere
CD | 1996 | US | Original (Righteous Babe)
3,99 €*
Release: 1996 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
CD comes in a soft case, instead of the original crystal case. All booklets included.
Urubamba - Urubamba
Urubamba
Urubamba
LP | 1974 | JP | Original (CBS/Sony)
5,99 €*
Release: 1974 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: Near Mint
OBI not included.
Includes original insert.
Urban & 4 - Lipanj, Srpanj, Kolovoz
Urban & 4
Lipanj, Srpanj, Kolovoz
LP | 2023 | EU | Original (Croatia)
30,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Uphollow / The Blue Ontario - Uphollow / The Blue Ontario
Uphollow / The Blue Ontario
Uphollow / The Blue Ontario
7" | 1998 | US | Original (The Best Sex I Ever Had Recordings)
3,99 €*
Release: 1998 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
close to NM. With insert
Unknown Artist - Wersitime I
Unknown Artist
Wersitime I
LP | 1973 | DE | Original (Wersi)
6,99 €*
Release: 1973 / DE – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Unknown Artist - Church Music Of The Black People
Unknown Artist
Church Music Of The Black People
LP | 1978 | JP | Original (Seven Seas)
7,99 €*
Release: 1978 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Tyler Hubbard - Strong
Tyler Hubbard
Strong
LP | 2024 | Original (Mercury)
28,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Twisted Pine - Love Your Mind
Twisted Pine
Love Your Mind
LP | 2024 | US | Original (Signature Sounds)
27,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2024-10-18
Turin Brakes - The Optimist LP
Turin Brakes
The Optimist LP
2LP | 2000 | UK | Reissue (Two Piers)
30,99 €*
Release: 2000 / UK – Reissue
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
Limited edition. 2021 reissue. Original inner sleeves. close to NM
Turin Brakes - The Optimist LP
Turin Brakes
The Optimist LP
2LP | 2000 | UK | Reissue (Two Piers)
40,99 €*
Release: 2000 / UK – Reissue
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: Sealed, Cover: Sealed
Still sealed. Limited edition. 2021 reissue. Shrink wrap is partially opened but vinyl is still sealed. tiny wear.
Tuomas Palonen - Tuomas Palonen
Tuomas Palonen
Tuomas Palonen
LP | 2018 | FI | Original (Palatsi)
17,99 €*
Release: 2018 / FI – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Tuna Universitaria De Compostela - Tuna Universitaria Compostelana
Tuna Universitaria De Compostela
Tuna Universitaria Compostelana
LP | 1975 | ES | Original (Mirman's)
3,99 €*
Release: 1975 / ES – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG+
Tucker Zimmerman - Dance Of Love Mixed Coloured Vinyl Edition
Tucker Zimmerman
Dance Of Love Mixed Coloured Vinyl Edition
LP | 2024 | Original (4AD/Beggars Group)
27,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Preorder shipping from 2024-10-11
Tucker Zimmerman - Dance Of Love Black Vinyl Edition
Tucker Zimmerman
Dance Of Love Black Vinyl Edition
LP | 2024 | Original (4AD/Beggars Group)
27,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Preorder shipping from 2024-10-11
Truth & Salvage Co. - Truth & Salvage Co.
Truth & Salvage Co.
Truth & Salvage Co.
CD | 2010 | US | Original (Megaforce)
3,99 €*
Release: 2010 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: VG+
Trust Fund - Has It Been A While?
Trust Fund
Has It Been A While?
LP | 2024 | EU | Original (Tapete)
27,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-01
Truck Stop - Truck-Stop
Truck Stop
Truck-Stop
LP | 1973 | DE | Original (Telefunken)
4,99 €*
Release: 1973 / DE – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG+
Trio Matamoros - Musica Tradicional Cubana
Trio Matamoros
Musica Tradicional Cubana
LP | 1976 | JP | Original (Areito)
18,99 €*
Release: 1976 / JP – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Trio Los Delfines - Adoro - Trio Los Delfines Latin Best Hits
Trio Los Delfines
Adoro - Trio Los Delfines Latin Best Hits
LP | 1973 | JP | Original (Express)
9,99 €*
Release: 1973 / JP – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG+, Cover: Near Mint
Includes OBI.
Trio Los Andes - Flûte Indienne - El Condor Pasa
Trio Los Andes
Flûte Indienne - El Condor Pasa
LP | 1971 | FR | Original (Music For Pleasure)
7,99 €*
Release: 1971 / FR – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG
Trio Bel Canto - Τρίο Μπελκάντο
Trio Bel Canto
Τρίο Μπελκάντο
LP | 1969 | GR | Original (Regal)
14,99 €*
Release: 1969 / GR – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Trio Athénée - Khasapiko
Trio Athénée
Khasapiko
7" | FR | Original (Pacific)
4,99 €*
Release: FR – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Small writing on back cover.
Trini Lopez - Deluxe Edition
Trini Lopez
Deluxe Edition
2LP | 1970 | JP | Original (Reprise)
9,99 €*
Release: 1970 / JP – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
Japanese pressing.
Trevor Lucas - Overlander Orange Vinyl Edition
Trevor Lucas
Overlander Orange Vinyl Edition
LP | 1966 | US | Reissue (Fire)
26,39 €* 32,99 € -20%
Release: 1966 / US – Reissue
Genre: Rock & Indie
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Ultra-rare 1966 solo album by singer/songwriter Trevor Lucas of Fairport Convention, Fotheringay, and Election. This Australian born folk legend recorded his own songs and a handful of covers – mostly solo acoustic, occasionally accompanied by bass, concertina, and fiddle. First ever authorized reissue (by his estate) of this gem.
Trembling Bells - The Sovereign Self
Trembling Bells
The Sovereign Self
CD | 2015 | EU | Original (Tin Angel)
8,99 €*
Release: 2015 / EU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Trembling Bells - The Constant Pageant
Trembling Bells
The Constant Pageant
CD | 2011 | UK | Original (Honest Jon's)
9,99 €*
Release: 2011 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Trembling Bells - Carbeth
Trembling Bells
Carbeth
CD | 2009 | EU | Original (Honest Jon's)
5,99 €*
Release: 2009 / EU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Trembling Bells / Alex Rex - Trembling Bells / Alex Rex
Trembling Bells / Alex Rex
Trembling Bells / Alex Rex
10" | 2019 | UK | Original (Tin Angel)
11,99 €*
Release: 2019 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Clear vinyl!
Trembling Bells - Abandoned Love
Trembling Bells
Abandoned Love
CD | 2010 | EU | Original (Honest Jon's)
9,99 €*
Release: 2010 / EU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Picture
Coming Soon
Trei Parale
Romania. 100 Minute Black Vinyl Edition
LP | 2023 | EU | Original (Electrecord)
43,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Tre Burt - Traffic Fiction
Tre Burt
Traffic Fiction
LP | 2023 | EU | Original (Oh Boy - Thirty Tigers)
24,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Green vinyl.
Tre Burt - Traffic Fiction
Tre Burt
Traffic Fiction
LP | 2023 | EU | Original
25,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Tre Burt - Traffic Fiction
Tre Burt
Traffic Fiction
LP | 2023 | EU | Original (Oh Boy - Thirty Tigers)
26,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Tre Burt - Caught It From The Rye
Tre Burt
Caught It From The Rye
LP | 2020 | US | Original (Oh Boy)
21,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Cover and vinyl are close to NM.
Travis Tritt - Proud Of The Country
Travis Tritt
Proud Of The Country
LP | 2024 | EU | Original (Painted Desert)
50,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Travesia - Ni Un Minuto Mas De Dolor
Travesia
Ni Un Minuto Mas De Dolor
LP | 2022 | EU | Original (Vampisoul)
26,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Trampled By Turtles - Wildflowers
Trampled By Turtles
Wildflowers
7" | 2018 | EU | Original (Banjodad)
11,99 €*
Release: 2018 / EU – Original
Genre: Rock & Indie
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Trampled By Turtles - Stars And Satellites
Trampled By Turtles
Stars And Satellites
LP | 2022 | EU | Original (Banjodad)
26,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Traffic - John Barleycorn Must Die
Traffic
John Barleycorn Must Die
LP | 1971 | US | Original (United Artists)
16,99 €*
Release: 1971 / US – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
All Disc Pressing.
Tracy Chapman - Tracy Chapman
Tracy Chapman
Tracy Chapman
LP | 1988 | EU | Reissue (Elektra)
44,99 €*
Release: 1988 / EU – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG+
Price tag tear. Original inner sleeve. EU reissue.
Tracy Chapman - Fast Car
Tracy Chapman
Fast Car
12" | 1988 | US (Elektra)
13,29 €* 13,99 € -5%
Release: 1988 / US
Genre: Rock & Indie
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Townes Van Zandt - Townes Van Zandt
Townes Van Zandt
Townes Van Zandt
LP | 2007 | Reissue (Tvz / Fat Possum Recor)
29,99 €*
Release: 2007 / Reissue
Genre: Rock & Indie
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Preorder shipping from 2024-11-29
Townes Van Zandt - The Nashville Sessions
Townes Van Zandt
The Nashville Sessions
LP | 1993 | UK | Reissue (Charly)
32,99 €*
Release: 1993 / UK – Reissue
Genre: Rock & Indie
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Preorder shipping from 2024-10-11
Townes Van Zandt - Road Songs
Townes Van Zandt
Road Songs
CD | 1993 | DE | Original (Chlodwig Musik)
16,99 €*
Release: 1993 / DE – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Generic
CD comes in a soft case, instead of the original crystal case. All booklets included.
Townes Van Zandt - Live At The Old Quarter, Houston, Texas Vinyl Me, Please Edition
Townes Van Zandt
Live At The Old Quarter, Houston, Texas Vinyl Me, Please Edition
2LP | 1977 | US | Reissue (Vinyl Me, Please)
43,99 €*
Release: 1977 / US – Reissue
Genre: Rock & Indie
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Preorder shipping from 2024-10-18
Why you'll love it...
Live at The Old Quarter, Houston, Texas, the 1977 record from troubadour Townes Van Zandt, is the VMP Country Record of the Month for November 2022. It's here on exclusive 2LP Black & White Galaxy vinyl with lacquers cut by...
Townes Van Zandt - For The Sake Of The Song Vinyl Me, Please Edition
Townes Van Zandt
For The Sake Of The Song Vinyl Me, Please Edition
LP | 1968 | US | Reissue (Vinyl Me, Please)
35,99 €*
Release: 1968 / US – Reissue
Genre: Rock & Indie
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Why you'll love it...
Townes Van Zandt’s work, as far-reaching and as universal as it has become, begs for possessorship. It’s a love language understood by all who find it, yet one that remains acutely difficult to translate to those who haven’t.



No one understood this better than his earliest fans. It’s perhaps why his first studio album, For the Sake of the Song, remains a point of controversy among anyone who discovered Townes Van Zandt outside of these LP’s grooves. Townes Van Zandt the songwriter was the antithesis of bells and whistles, and so an album with such accoutrements, as this album has in spades, rings false — however unfairly — among purists. Taken in context, though, For the Sake of the Song is a gorgeous study in polarity. Each anchor is an artist from wildly different backgrounds, united under the profound effect of songcraft.
Townes Van Zandt - Flying Shoes
Townes Van Zandt
Flying Shoes
LP | 1978 | US | Reissue (Fat Possum)
29,99 €*
Release: 1978 / US – Reissue
Genre: Rock & Indie
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Townes Van Zandt - Delta Momma Blues
Townes Van Zandt
Delta Momma Blues
LP | 2007 | US | Reissue (Fat Possum)
22,99 €*
Release: 2007 / US – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: Near Mint
Vinyl with a couple of light scuffs and a hairline on Side 1. Still in shrink, but opened, with hype sticker
Tout Bleu - Tout Bleu
Tout Bleu
Tout Bleu
LP | 2018 | CH | Original (Les Disques Bongo Joe)
7,99 €*
Release: 2018 / CH – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG+
Touki - Plastic Man
Touki
Plastic Man
LP | 2024 | EU | Original (Captain Pouch)
31,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Touki, the collective created by British-Senegalese musician Amadou Diagne and Franco-American Cory Seznec - is back with the release of their second album Plastic Man. Like their debut Right of Passage, this album was made possible by an Arts Council England grant and recorded at the renowned Real World Studios with final touches performed at producer Oscar Cainer’s London studio. For this new adventure, however, they brought on board virtuosic American cellist/violinist Duncan Wickel to help arrange the music.Plastic Man focuses on climate change, environmental activism and spiritual matters—weaving together West African fables, personal stories and large social, economic and political questions facing our world. The photography for the album, taken by Italian photo-journalist Giulio Piscitelli in the Libyan desert, harks both to the continually unfolding human tragedy of displaced populations, and the plague of plastic pollution.About the music:Touki’s sound infuses East and West African styles and traditions with Appalachian banjo, folk motifs, and orchestral arrangements. Diagne’s powerful percussion, Seznec’s muted guitar-picking, and Wickel’s cello-grooves provide a rhythmic foundation, while vocals, kora and violins add beautiful texture and emotional depth. The scorching sounds of Endris Hassen’s masenqo (one-stringed bowed lute) are peppered throughout the album, providing punctual pitstops at an Ethiopian azmari-bet. The songwriting is steeped in stories and parables. The title track is an mbalax-inspired homage to climate activist Modou Fall, who dresses up as a plastic kankurang (a Mandé protective spirit) to draw attention to the plastic pollution overtaking Senegal’s coastline. Tunes like “Wounded Bird Fly Again” and “God Among Men” are inspired by western Kenyan omutibo acoustic guitar music - the latter a song that rails against society’s obsession with “titans of industry,” pointing out that many who claim to be changing the world for the better are actually responsible for environmental devastation. “Don’t Look Away” is a haunting song about migrants and refugees inspired by the book At Sea There Are No Taxis by Roberto Saviano (in which the artists discovered Piscitelli’s work). “Harit” is a rollicking Malinké-inspired tune about trying to find common ground in a time of bitter divisiveness. The soulful “Yirmane” admonishes political corruption in Senegal. On a lighter note, “Fula Cowboy” puts a West African spin on the American western. Here the Nomadic Fula pastoralists are portrayed as zen cowboys governed by a moral code in which the absence of physical, material and social needs, and the mastery of self are paramount. “Diallo Djeri” is about these same pastoralists and the challenges involved in sustainable livestock farming and keeping their families healthy.Instrumental tunes like “Mabrat Allé” (Is There Light) and “Wenchi Breakdown” are references to Cory’s stint in Ethiopia, where, despite some difficulties - power cuts were a regular occurrence and car troubles in the countryside proved disastrous - he had an intensely rich, unforgettable experience. “La-Hi-La-Ha” and “Tellem Dreams” wed Malian grooves with Appalachian fiddle, while “Djarama” is an up-tempo thank you to hardworking women in Senegal, from rural cultivators of rice in Casamance to Dakaroises mothers raising kids and scraping by making beignets, food and clothing.As they sail through the crosscurrents of our complex world, Touki, which signifies “journey” in Wolof, Amadou’s mother tongue, understands that the musical voyage itself is the destination.
Touchy Mob / Tellavision - Cake
Touchy Mob / Tellavision
Cake
12" | 2013 | DE | Original (Bloody Hands)
5,99 €*
Release: 2013 / DE – Original
Genre: Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: VG, Cover: G+
Tear on cover.
Toshiko Yonekawa, Kiyoshi Yamaya & Contemporary Sound Orchestra - Tapestry: Koto & The Occident Hillside
Toshiko Yonekawa, Kiyoshi Yamaya & Contemporary Sound Orchestra
Tapestry: Koto & The Occident Hillside
LP | 1976 | EU | Reissue (Cinedelic)
25,99 €*
Release: 1976 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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Following the release of the first volume of the Koto: Tapestry series, Cinedelic completes the series of 3 with the release of the remaining two valuable albums. 'Tapestry: Koto' is a 3-album series produced by Nippon Columbia in the mid-1970s dedicated to one of the main instruments of Japanese traditional music: Koto. The beauty of the trilogy curated by composer Kiyoshi Yamaya, whose chapters are respectively dedicated to Sea, Hillside and Country, lies in the fact that they are a modern translation of tradition using newer and more avant-garde sound idioms, integrating the koto with jazz musicians. An original mix, a 'crossover’ that allows for the awakening and the consequential spread of traditional music in larger contexts. The extreme accuracy of the marvellous recordings is also remarkable. The performers on this fabulous album are: Toshiko Yonekawa - learned to play the koto at an early age, performing in a public concert as early as 8 years old. For three years, from 1941 to 1944, she won prizes as the best performer in the Japanese Cultural Federation's competition for traditional trios. She also received an award from the Prime Minister. Many other important recognitions followed until she became president of the Reichokai and executive director of the Sankyoku Association. In 1996, she was appointed Living National Treasure. As a koto player, her best-known characteristics are her extreme precision of intonation and rhythm and the unparalleled beauty of her sound. Kiyoshi Yamaya - born March 1932. He attended the Kunitachi College of Music. Between 1956 and 1960, he performed with 'Nobuo Hara and His Sharps & Flats' (clarinet, saxophone, etc.) and was responsible for composition and arrangement. In 1959, he formed the 'Modern Jazz Three Association' with Norio Maeda and Keitaro Miho, which contributed to the improvement of the level of composition and arrangement in Japanese jazz. In 1965, he became conductor of the 'Tokyo Union Orchestra' and received the Japan Record Award's Arrangement Award. His name appears on more than 100 albums. An unmissable session for those seeking new sounds. Original masters licensed by Nippon Columbia for the first ever reissue. Includes OBI and insert.
Toshiko Yonekawa, Kiyoshi Yamaya & Contemporary Sound Orchestra - Tapestry: Koto & The Occident Country
Toshiko Yonekawa, Kiyoshi Yamaya & Contemporary Sound Orchestra
Tapestry: Koto & The Occident Country
LP | 1976 | EU | Reissue (Cinedelic)
25,99 €*
Release: 1976 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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Following the release of the first volume of the Koto: Tapestry series, Cinedelic completes the series of 3 with the release of the remaining two valuable albums. 'Tapestry: Koto' is a 3-album series produced by Nippon Columbia in the mid-1970s dedicated to one of the main instruments of Japanese traditional music: Koto. The beauty of the trilogy curated by composer Kiyoshi Yamaya, whose chapters are respectively dedicated to Sea, Hillside and Country, lies in the fact that they are a modern translation of tradition using newer and more avant-garde sound idioms, integrating the koto with jazz musicians. An original mix, a 'crossover’ that allows for the awakening and the consequential spread of traditional music in larger contexts. The extreme accuracy of the marvellous recordings is also remarkable. The performers on this fabulous album are: Toshiko Yonekawa - learned to play the koto at an early age, performing in a public concert as early as 8 years old. For three years, from 1941 to 1944, she won prizes as the best performer in the Japanese Cultural Federation's competition for traditional trios. She also received an award from the Prime Minister. Many other important recognitions followed until she became president of the Reichokai and executive director of the Sankyoku Association. In 1996, she was appointed Living National Treasure. As a koto player, her best-known characteristics are her extreme precision of intonation and rhythm and the unparalleled beauty of her sound. Kiyoshi Yamaya - born March 1932. He attended the Kunitachi College of Music. Between 1956 and 1960, he performed with 'Nobuo Hara and His Sharps & Flats' (clarinet, saxophone, etc.) and was responsible for composition and arrangement. In 1959, he formed the 'Modern Jazz Three Association' with Norio Maeda and Keitaro Miho, which contributed to the improvement of the level of composition and arrangement in Japanese jazz. In 1965, he became conductor of the 'Tokyo Union Orchestra' and received the Japan Record Award's Arrangement Award. His name appears on more than 100 albums. An unmissable session for those seeking new sounds. Original masters licensed by Nippon Columbia for the first ever reissue. Includes OBI and insert.
Toshiko Yonekawa, Kiyoshi Yamaya & Contemporary Sound Orchestra - Tapestry 3LP Deluxe Boxset Edition
Toshiko Yonekawa, Kiyoshi Yamaya & Contemporary Sound Orchestra
Tapestry 3LP Deluxe Boxset Edition
Box Set | 2023 | EU | Original (Cinedelic)
109,99 €*
Release: 2023 / EU – Original
Genre: Organic Grooves, Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Following the release of the first volume of the Koto: Tapestry series, Cinedelic completes the series of 3 with the release of the remaining two valuable albums. 'Tapestry: Koto' is a 3-album series produced by Nippon Columbia in the mid-1970s dedicated to one of the main instruments of Japanese traditional music: Koto. The beauty of the trilogy curated by composer Kiyoshi Yamaya, whose chapters are respectively dedicated to Sea, Hillside and Country, lies in the fact that they are a modern translation of tradition using newer and more avant-garde sound idioms, integrating the koto with jazz musicians. An original mix, a 'crossover’ that allows for the awakening and the consequential spread of traditional music in larger contexts. The extreme accuracy of the marvellous recordings is also remarkable. The performers on this fabulous album are: Toshiko Yonekawa - learned to play the koto at an early age, performing in a public concert as early as 8 years old. For three years, from 1941 to 1944, she won prizes as the best performer in the Japanese Cultural Federation's competition for traditional trios. She also received an award from the Prime Minister. Many other important recognitions followed, until she became president of the Reichokai and executive director of the Sankyoku Association. In 1996, she was appointed Living National Treasure. As a koto player, her best-known characteristics are her extreme precision of intonation and rhythm and the unparalleled beauty of her sound. Kiyoshi Yamaya - born March 1932. He attended the Kunitachi College of Music. Between 1956 and 1960, he performed with 'Nobuo Hara and His Sharps & Flats' (clarinet, saxophone, etc.) and was responsible for composition and arrangement. In 1959, he formed the 'Modern Jazz Three Association' with Norio Maeda and Keitaro Miho, which contributed to the improvement of the level of composition and arrangement in Japanese jazz. In 1965, he became conductor of the 'Tokyo Union Orchestra' and received the Japan Record Award's Arrangement Award. His name appears on more than 100 albums. An unmissable session for those seeking new sounds. Original masters licensed by Nippon Columbia for the first ever reissue. Includes OBI and insert.
Torgeir Waldemar - Mercy
Torgeir Waldemar
Mercy
LP | 2024 | EU | Original (Jansen)
35,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Preorder shipping from 2024-10-18
Tony Rice - Native American
Tony Rice
Native American
LP | 2024 | Original (Real Gone Music)
38,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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