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Red Clay Strays - Moment Of Truth (Rootbeer Color Vinyl)
Red Clay Strays
Moment Of Truth (Rootbeer Color Vinyl)
LP | 2024 | WW | Original (Hbyco Rec.)
26,99 €*
Release: 2024 / WW – Original
Genre: Rock & Indie
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Skinny Lister - Pub Shed Bootleg Live EP
Skinny Lister
Pub Shed Bootleg Live EP
LP | 2024 | Original (Xtra Mile Ltd)
22,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Les Ogres De Barback - Perle Rare Cap' Ou Pas Cap' ? 45 Tours
Les Ogres De Barback
Perle Rare Cap' Ou Pas Cap' ? 45 Tours
7" | 2024 | Original (Irfan, Le Label)
11,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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American Aquarium - The Fear Of Standing Still
American Aquarium
The Fear Of Standing Still
LP | 2024 | Original (Losing Side - Thirty T)
27,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Kelsea Ballerini - Patterns
Kelsea Ballerini
Patterns
2LP | 2024 | Original (Black River Entertainment)
32,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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The Oak Ridge Boys - Mama's Boys
The Oak Ridge Boys
Mama's Boys
LP | 2024 | Original (Lightning Rod - Thirty)
26,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Scotty Mccreery - Rise & Fall
Scotty Mccreery
Rise & Fall
LP | 2024 | EU | Original (Triple Tigers)
25,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Riley Green - Don't Mind If I Do
Riley Green
Don't Mind If I Do
2LP | 2024 | Original (Universal)
38,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Jelly Roll - Beautifully Broken
Jelly Roll
Beautifully Broken
LP | 2024 | Original (Republic)
28,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Conner Smith - Smoky Mountains Limited Edition
Conner Smith
Smoky Mountains Limited Edition
LP | 2024 | Original (Universal)
25,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Cat Stevens - Matthew & Son Limited Edition
Cat Stevens
Matthew & Son Limited Edition
LP | 2024 | Original (Decca)
34,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Cat Stevens - New Masters Limited Edition
Cat Stevens
New Masters Limited Edition
LP | 2024 | Original (Decca)
34,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Shania Twain - Come On Over Diamond Ed. Limited Edition
Shania Twain
Come On Over Diamond Ed. Limited Edition
3LP | 2016 | Reissue (Mercury)
72,99 €*
Release: 2016 / Reissue
Genre: Rock & Indie
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Shania Twain - Come On Over Diamond Edition Limited Edition
Shania Twain
Come On Over Diamond Edition Limited Edition
2LP | 2016 | Reissue (Mercury)
43,99 €*
Release: 2016 / Reissue
Genre: Rock & Indie
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Willie Nelson - Shotgun Willie Atlantic 75 Series
Willie Nelson
Shotgun Willie Atlantic 75 Series
2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)
69,99 €*
Release: 2023 / US – Reissue
Genre: Rock & Indie
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180g 2LP 45rpm Gatefold Sleeve

Analogue Productions (Atlantic 75 Series)
Celebrating the 75th Anniversary of Atlantic Records!
Willie Nelson's breakthrough solo album!
180-gram 45 RPM double LP
Pressed at Quality Record Pressings
Tip-on old style gatefold double pocket jacket by Stoughton Printing

Before Shotgun Willie, Willie Nelson had struggled to gain widespread recognition as a solo artist, despite having written many successful songs for other artists. Nelson's big break came when he signed with Atlantic Records in 1973. The pivotal moment in his career came after Atlantic Records executive Jerry Wexler, known for his work with artists like Ray Charles and Aretha Franklin, took an interest in Nelson's music. Wexler saw potential in Nelson's unique approach to country music and signed him to the label. With the creative freedom offered by Atlantic Records, Nelson was able to record Shotgun Willie with the artistic freedom he had long desired. The album's unconventional sound and honest lyrics resonated with both critics and fans.

Shotgun Willie marked a new beginning for Willie Nelson's career, and it set the stage for his subsequent albums and his emergence as one of the most influential and iconic figures in the history of country music. The recording was one of the first albums of outlaw country — a new subgenre of country music and an alternative to the conservative restrictions of the Nashville sound, the dominant style in the genre at the time

The album — the first to feature Nelson with long hair and a beard on the cover — gained him the interest of younger audiences. It peaked at No. 41 on Billboard's Top Country Albums and the songs "Shotgun Willie" and "Stay All Night (Stay A Little Longer)" peaked at Nos. 60 and 22 on Hot Country Songs respectively.

We are so pleased to bring you this deluxe 180-gram 45 RPM 2LP Analogue Productions (Atlantic 75 Series) reissue of the timeless Willie Nelson classic, Shotgun Willie. Cue it up and prepare to be transported!
Avery Anna - Breakup Over Breakfast (Indies)
Avery Anna
Breakup Over Breakfast (Indies)
LP | 2024 | US | Original (Warner Music Nashville)
51,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Guy Van Nueten - Decent Music
Guy Van Nueten
Decent Music
LP | 2024 | EU | Original (Teles Music)
66,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Townes Van Zandt - For The Sake Of The Song Vinyl Me, Please Edition
Townes Van Zandt
For The Sake Of The Song Vinyl Me, Please Edition
LP | 1968 | US | Reissue (Vinyl Me, Please)
35,99 €*
Release: 1968 / US – Reissue
Genre: Rock & Indie
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Why you'll love it...
Townes Van Zandt’s work, as far-reaching and as universal as it has become, begs for possessorship. It’s a love language understood by all who find it, yet one that remains acutely difficult to translate to those who haven’t.



No one understood this better than his earliest fans. It’s perhaps why his first studio album, For the Sake of the Song, remains a point of controversy among anyone who discovered Townes Van Zandt outside of these LP’s grooves. Townes Van Zandt the songwriter was the antithesis of bells and whistles, and so an album with such accoutrements, as this album has in spades, rings false — however unfairly — among purists. Taken in context, though, For the Sake of the Song is a gorgeous study in polarity. Each anchor is an artist from wildly different backgrounds, united under the profound effect of songcraft.
Chalino Sanchez - 15 Exitos 15 Vinyl Me, Please Edition
Chalino Sanchez
15 Exitos 15 Vinyl Me, Please Edition
2LP | 2024 | US | Reissue (Vinyl Me, Please)
43,99 €*
Release: 2024 / US – Reissue
Genre: Rock & Indie
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Why you'll love it...
15 Éxitos 15 came out three years after the last show he’d play (Chalino was shot and killed the day of the concert in 1992). It collects “Nieves De Enero,” and 14 other songs Chalino performed throughout his life: “Los Chismes,” an ode to gossip and its impact on a relationship. “A Todo Sinaloa,” a heartfelt song about his homeland. And “Cuatro Espadas,” a song that equates heartbreak to being stabbed in the chest. Chalino didn’t get to see his fame in his life, but his legend lives on, through this album, and his songs.
Waylon Jennings - The Taker/Tulsa Vinyl Me, Please Edition
Waylon Jennings
The Taker/Tulsa Vinyl Me, Please Edition
LP | 1971 | US | Reissue (Vinyl Me, Please)
35,99 €*
Release: 1971 / US – Reissue
Genre: Rock & Indie
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Why you'll love it...
If there is a single album nexus point between what Waylon’s early career was like, and what his Imperial King of Country era was like, it’s The Taker/Tulsa: The one album from his pre-outlaw period that stands above the rest, a record that would help break an outsider songwriter to the Nashville mainstream, prove Waylon had instincts that couldn’t be taught and was maybe onto something that would
flower into all his commercial success later on.
Pistol Annies - Annie Up Vinyl Me, Please Edition
Pistol Annies
Annie Up Vinyl Me, Please Edition
LP | 2013 | US | Reissue (Vinyl Me, Please)
35,99 €*
Release: 2013 / US – Reissue
Genre: Rock & Indie
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Dolly Parton - For God And Country Vinyl Me, Please Edition
Dolly Parton
For God And Country Vinyl Me, Please Edition
2LP | 2003 | US | Reissue (Vinyl Me, Please)
43,99 €*
Release: 2003 / US – Reissue
Genre: Rock & Indie
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Why you'll love it...
Dolly's 2003 star-spangled masterpiece features "God Bless The USA," "Go to Hell," "Color Me America" and "Tie a Yellow Ribbon." If this album doesn't make you say "MURICA" nothing will.

Limited to 2000 copies, the VMP exclusive version of Dolly Parton's For God and Country is pressed on "Red, White and Bluegrass" vinyl at GZ Vinyl. The 2LPs will arrive in a widespine, reverse board, numbered jacket.
Jeannie C. Reilly - Harper Valley P.T.A. Vinyl Me, Please Edition
Jeannie C. Reilly
Harper Valley P.T.A. Vinyl Me, Please Edition
LP | 2024 | US | Reissue (Vinyl Me, Please)
35,99 €*
Release: 2024 / US – Reissue
Genre: Rock & Indie
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Why you'll love it...
Discovered by Shelby Singleton, Jeannie C. Riley rose to fame upon recording Tom T. Hall's "Harper Valley P.T.A." The track (which was recorded live in two takes) shot to #1 on the Country and Pop charts in 1968, making the crossover hit singer the first woman to hold the spots simultaneously. Remastered in mono from the original tapes, this deluxe version includes an additional Clark Bentley track, "Yesterday All Day Long."

Limited to 1000 copies, the VMP exclusive edition of Jeannie C. Reilly's Harper Valley P.T.A. is pressed on Opaque Green vinyl at Softwax Record Pressing. The 1LP mono remaster will arrive in a single, direct-to-board jacket.
Reba Mcentire - For My Broken Heart Vinyl Me, Please Edition
Reba Mcentire
For My Broken Heart Vinyl Me, Please Edition
LP | 2024 | US | Reissue (Vinyl Me, Please)
35,99 €*
Release: 2024 / US – Reissue
Genre: Rock & Indie
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Why you'll love it...
These are stories without redemption, without a cheerful twist or upbeat perspective. If country music so often pulls from the blues’ signature blend of pathos and humor, For My Broken Heart doesn’t shy from expressing heartfelt, deep sadness without an easy antidote. It’s most potent on the album’s closer, ‘’If I Had Only Known'' — a song so gutting McEntire has rarely performed it live. In the studio, she could barely get through it. The understandable emotion in her usually strong, unwavering voice is audible throughout; there are shakes that don’t sound intentional, words that trail off instead of being hit with her typical punch. It is a song seemingly written for the occasion, one that might have sounded maudlin without the simple arrangement and the raw emotion that Reba put into it.
Alan Jackson - A Lot About Livin' (And A Little 'Bout Love) Vinyl Me, Please Edition
Alan Jackson
A Lot About Livin' (And A Little 'Bout Love) Vinyl Me, Please Edition
LP | 2024 | US | Reissue (Vinyl Me, Please)
35,99 €*
Release: 2024 / US – Reissue
Genre: Rock & Indie
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Why you'll love it...
“Alan Jackson’s 'A Lot About Livin’ (And a Little ’Bout Love)' is maybe the most straight-ahead album to top the country charts in the modern era. It’s an album that could have come out in 1992, 2002 or 1972, in that it’s built on the pillars of country music: honest songwriting and a kickass band. It’s an album that strips all artifice and is easy to love; you just get the straight dope of Jackson’s life lessons on everything from romantic disappointment to how to get over a fight with your wife. It’s a rare album that delivers on its title — nothing more, nothing less."
Charlie Worsham - Rubberband Vinyl Me, Please Edition
Charlie Worsham
Rubberband Vinyl Me, Please Edition
LP | 2024 | US | Reissue (Vinyl Me, Please)
35,99 €*
Release: 2024 / US – Reissue
Genre: Rock & Indie
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Why you'll love it...
He may have done so quietly, but, with his debut album, Rubberband, Charlie Worsham changed the course of country music during one of the genre’s uncharted times. In Nashville, a town that favors the hit, Rubberband displayed construction and instrumental excellence without sacrificing broad appeal. Worsham helped welcome banjo, mandolin, and slide guitar back to Music Row; he also showed that paying respect to the greats or honoring tradition didn’t mean sacrificing innovation or individuality.
Townes Van Zandt - Live At The Old Quarter, Houston, Texas Vinyl Me, Please Edition
Townes Van Zandt
Live At The Old Quarter, Houston, Texas Vinyl Me, Please Edition
2LP | 1977 | US | Reissue (Vinyl Me, Please)
43,99 €*
Release: 1977 / US – Reissue
Genre: Rock & Indie
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Why you'll love it...
Live at The Old Quarter, Houston, Texas, the 1977 record from troubadour Townes Van Zandt, is the VMP Country Record of the Month for November 2022. It's here on exclusive 2LP Black & White Galaxy vinyl with lacquers cut by...
John Prine - Sweet Revenge Vinyl Me, Please Edition
John Prine
Sweet Revenge Vinyl Me, Please Edition
LP | 1973 | US | Reissue (Vinyl Me, Please)
35,99 €*
Release: 1973 / US – Reissue
Genre: Rock & Indie
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Why you'll love it...
For all of its humor and goofiness, Sweet Revenge remains grounded in its observant reverence for humanity in all its contradictory and weird manifestations. The wild and wonderful products of Prine’s active imagination, after all, are just more ways to tell a story. Behind the self-assurance, the rock ’n’ roll attitude and the off-kilter punchlines, there’s still the same songwriter who captured the world with his debut: a poet who could build a world inside of a song, drop you inside of it, turn it upside down and, above all, make you feel like it belongs to you.
Loretta Lynn, Tammy Wynette & Dolly Parton - Honky Tonk Angels Vinyl Me, Please Edition
Loretta Lynn, Tammy Wynette & Dolly Parton
Honky Tonk Angels Vinyl Me, Please Edition
LP | 1993 | US | Reissue (Vinyl Me, Please)
35,99 €*
Release: 1993 / US – Reissue
Genre: Rock & Indie
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Why you'll love it...
Hot on the heels of Waylon, Kris, Johnny and Willie's The Highwaymen supergroup, three of the biggest names in vintage country, Loretta Lynn, Dolly Parton and Tammy Wynette, joined up in the early 90s for an album. Named after a Kitty Wells song, Honky Tonk Angels captures all 3 performers playing off each other, clearly having a blast in the studio. It's making its US vinyl debut with VMP.

Limited to 2000 copies, the VMP exclusive version of Loretta Lynn, Dolly Parton, and Tammy Wynette's Honky Tonk Angels is pressed on 180g Blue & Pink vinyl at Memphis Record Pressing (MRP). The 1LP will arrive in a single, reverse board, foil-stamped and numbered jacket.
Bobby Gentry - Ode To Billie Joe Vinyl Me, Please Edition
Bobby Gentry
Ode To Billie Joe Vinyl Me, Please Edition
LP | 2024 | US | Reissue (Vinyl Me, Please)
35,99 €*
Release: 2024 / US – Reissue
Genre: Rock & Indie
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Why you'll love it...
Few artists can say they knocked the Beatles off their pedestal, but Bobbie Gentry is one of them. The Mississippi-born singer-songwriter with the one-of-a-kind voice and similarly singular songwriting perspective scored a No. 1 album with her debut Ode to Billie Joe in 1967, temporarily ousting the Fab Four’s seminal Sgt. Pepper’s Lonely Hearts Club Band from a weeks-long stint atop the Billboard 200.

Topping the Beatles is a remarkable feat on its own, but especially so for a debut artist who approached music stardom with a skeptical curiosity before suddenly tapping out, and eventually vanishing, while at the top of her game. Ode to Billie Joe itself is both a time capsule of its era — the turbulent and transformative late ’60s — as well as a primer for Gentry’s chameleonic artistry.
Bob Wills And His Texas Playboys - Take It Away: Best Of The Lost Transcriptions For Tiffany Music 1946-1947 Vinyl Me, Please Edition
Bob Wills And His Texas Playboys
Take It Away: Best Of The Lost Transcriptions For Tiffany Music 1946-1947 Vinyl Me, Please Edition
LP | 2024 | US | Reissue (Vinyl Me, Please)
35,99 €*
Release: 2024 / US – Reissue
Genre: Rock & Indie
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Why you'll love it...
In 1970, Willie Nelson was still a couple of years from being the Willie Nelson of popular imagination, the guy with the bandana and the joint, making outlaw country records that scared the suits. His 10th studio album—being reissued here for the first time ever on vinyl—is when the facade of the clean-cut '60s version of Nelson started to break, when the clean shaved face and the clean sounds of RCA started to wear on the singer, who was performing to raucous nightclub audiences that didn't like his records for being buttoned up. Boasting a mix of covers and originals, and the start of Nelson's outlaw phase, 'Both Sides Now' is a rarity in the Nelson canon, an underrated piece that is important in telling the full arc of his recorded career. It belongs on the shelves of every Nelson fan, and now, thanks to this reissue, that's possible.
Ronnie Milsap - There's No Gettin' Over Me Vinyl Me, Please Edition
Ronnie Milsap
There's No Gettin' Over Me Vinyl Me, Please Edition
LP | 1981 | US | Reissue (Vinyl Me, Please)
35,99 €*
Release: 1981 / US – Reissue
Genre: Rock & Indie
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Why you'll love it...
Milsap’s origins are undoubtedly country, though the majority of his middle catalog, where There’s No Gettin’ Over Me falls, is not. It takes a while. No one will ever accuse Ronnie Milsap of overnight success, but by 1973, he skyrockets. Country music began to merge with the mainstream in powerful and unchangeable ways — ways still happening today. A boy born without vision in the distal mountains of North Carolina had a whole lot to do with that.
Clint Black - Killin' Time Vinyl Me, Please Edition
Clint Black
Killin' Time Vinyl Me, Please Edition
LP | 1989 | US | Reissue (Vinyl Me, Please)
35,99 €*
Release: 1989 / US – Reissue
Genre: Rock & Indie
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Why you'll love it...
Killin’ Time was Black’s debut LP, and it captured everything that made him a superstar in Texas’ honky tonk circuit: He could make you dance and he could make you weep in equal measure. Featuring the massive hit singles “Killin’ Time,” “A Better Man,” “Nobody’s Home” and “Walkin’ Away,” this anniversary is the perfect time to remember Clint’s immortal mark on country music. This edition is pressed on 180g Brown Galaxy vinyl and comes from new lacquers cut by Barry Grint at AIR Mastering.
Endless Valley - Kaskashir
Endless Valley
Kaskashir
LP | 2024 | EU | Original (Copper Feast)
55,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Mac Powell - I Love Jesus
Mac Powell
I Love Jesus
LP | 2024 | US | Original (Sparrow)
45,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Lovelytheband - Lovelytheband Red Vinyl Edition
Lovelytheband
Lovelytheband Red Vinyl Edition
LP | 2024 | EU | Original (Happy Accident)
40,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Joseph Habedank - Autobiography Coke Bottle Clear Vinyl Edition
Joseph Habedank
Autobiography Coke Bottle Clear Vinyl Edition
LP | 2024 | US | Original (New Day)
40,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Crowder - Milk & Cookies: A Merry Crowder Christmas
Crowder
Milk & Cookies: A Merry Crowder Christmas
LP | 2024 | EU | Original (Sixstepsrecords)
45,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie, Christmas
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Luke Combs - This One's For You
Luke Combs
This One's For You
LP | US | Original (Columbia)
28,99 €*
Release: US – Original
Genre: Rock & Indie
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Jimmy Buffett - Songs You Know By Heart
Jimmy Buffett
Songs You Know By Heart
LP | 1985 | Reissue (Geffen)
35,99 €*
Release: 1985 / Reissue
Genre: Rock & Indie
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Willie Nelson - Willie And The Boys: Willie's Stash Volume 2
Willie Nelson
Willie And The Boys: Willie's Stash Volume 2
LP | 2017 | US | Original (Legacy)
28,99 €*
Release: 2017 / US – Original
Genre: Rock & Indie
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Jessica Lea Mayfield - Sorry Is Gone
Jessica Lea Mayfield
Sorry Is Gone
LP | 2017 | UK | Original (ATO)
34,99 €*
Release: 2017 / UK – Original
Genre: Rock & Indie
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Bob Dylan - Blonde On Blonde
Bob Dylan
Blonde On Blonde
2LP | 1966 | EU | Reissue (Legacy)
26,99 €*
Release: 1966 / EU – Reissue
Genre: Rock & Indie
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180 gram pressing!
Heilung - Futha Yellow / Blue Marbled Vinyl Edition
Heilung
Futha Yellow / Blue Marbled Vinyl Edition
LP | 2024 | EU | Original (Season Of Mist)
46,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Dar Disku - Dar Disku
Dar Disku
Dar Disku
LP | 2024 | UK | Original (Soundway)
25,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie, Electronic & Dance
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The debut album from Bahraini-born, British-based musical duo Dar Disku is a celebration of their Arabic heritage and multicultural influences that melds golden age West Asian and North African sounds with a contemporary dance floor focus. Recorded between the UK, Algeria, Turkey and Tunisia, the album seamlessly crosses from disco to Raï, piano house to Turkish psychedelia, ambient to bollywood and features guest artists from Algeria, Turkey and Bahrain as well as legendary Indian singer Asha Puthli.
Wick Bambix - When Things Grow Teeth
Wick Bambix
When Things Grow Teeth
LP | 2024 | EU | Original (Rookie)
20,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Mary Gauthier - Drag Queens In Limousines Translucent Tri-Color Vinyl Edition
Mary Gauthier
Drag Queens In Limousines Translucent Tri-Color Vinyl Edition
LP | 2024 | EU | Original (Cow Pie)
34,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Heilung - Lifa Iotungard
Heilung
Lifa Iotungard
2LP | 2024 | EU | Original (Season Of Mist)
46,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Heilung don’t play “shows”. They perform a ritual. Christopher Juul, Maria Franz, Kai Uwe Faust and their Nordic collective sweep audiences into rapture with throat singing, primordial rhythms, subtle electronic textures, a mesmerizing light show, an army of warriors and bursts of fire. What better place on earth to experience their ancient ritual than Red Rocks? The world-famous venue - which is located outside of Denver, Colorado, tucked between two giant sandstones - was once home to indigenous tribes. When Heilung performed on October 5th 2021, they recognized this history by inviting Natives to join the prayer that opens all of their rituals. “Remember that we all are brothers. All people, beasts, trees, and stones, and wind. We all descend from the one great being.” What followed was a night that no one would forget. Experience the magic of Heilung’s very first Red Rocks performance again and again on CD and vinyl. CD11. Opening Ceremony (01:03)2. In Maidjan (12:30)3. Alfadhirhaiti (07:23)4. Krigsgaldr (09:04)5. Hakkerskaldyr (03:33)6. Svanrand (03:31)CD27. Norupo (05:42)8. Othan (10:21)9. Traust (09:41)10. Elddansurin (07:25)11. Hamrer Hippyer (13:32)
Oliver Anthony Music - Hymnal Of A Troubled Mans Mind
Oliver Anthony Music
Hymnal Of A Troubled Mans Mind
LP | 2024 | UK | Original (Oliver Anthony Music)
29,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Julia Fordham - Earth Mate
Julia Fordham
Earth Mate
LP | 2024 | UK | Original (444 Records)
31,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Ananda Shankar - Sa-Re-Ga Machan
Ananda Shankar
Sa-Re-Ga Machan
LP | 1981 | EU | Reissue (Life Goes On)
24,99 €*
Release: 1981 / EU – Reissue
Genre: Rock & Indie
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Steely Dan - Live At Record Plant Los Angeles 1974
Steely Dan
Live At Record Plant Los Angeles 1974
LP | 2024 | EU (Whp)
24,99 €*
Release: 2024 / EU
Genre: Rock & Indie
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Donald Fagen and Walter Becker are two of the most sophisticated minds in the American Pop idiom. Originally broadcast live on Kmet FM, the famous Record Plant Studio concert was part of the 1974 promotional tour for the band's third album "Pretzel Logic". In front of a small audience and backed by a stellar band featuring classy session players like drummer Jeff Porcaro and keyboardist Michael Mc Donald, Fagen and Becker deliver immaculate versions of classic songs including "Do it Again", "Rikki Don't Lose That Number", and "Reelin' In The Years'' and other gems like "Bodhisattva", and "The Boston Rag".
Willie Nelson - Last Leaf On The Tree Colored Vinyl Edition
Willie Nelson
Last Leaf On The Tree Colored Vinyl Edition
2LP | 2024 | EU | Original (Sony Music Catalog)
26,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Hamish Hawk - A Firmer Hand
Hamish Hawk
A Firmer Hand
Tape | 2024 | UK | Original (So)
13,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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V.A. - 50s & 60s Country & Western Hits Vol. 1
V.A.
50s & 60s Country & Western Hits Vol. 1
LP | 2024 | DE | Original (ZYX Music)
17,99 €*
Release: 2024 / DE – Original
Genre: Rock & Indie
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Juyungo - Afro-Indigenous Music From The North-Western Andes
Juyungo
Afro-Indigenous Music From The North-Western Andes
LP | 2024 | UK | Original (Honest Jon's)
31,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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‘Since the 16th century, the Ecuadorian province of Esmeraldas has been home to a unique Afro-Indigenous culture originating in the integration of the Indigenous Chachi and Nigua peoples with African Maroon communities. Juyungo documents significant Esmeraldan artists and bands playing the Afro-Ecuadorian folklore of the province, as well as including some older field recordings. Based mostly on the marimba, whose origins lie partly in the African balafon, partly in Indigenous percussion instruments, the music is laced with call and response chants, ambient insect and bird noise, the filigree finger-styles of the Andean guitar tradition and the panpipes of the mountains. This is resonant insider roots music at its headiest — the mystic revelation of Esmeraldas, gully deep and lustral.’ - Francis Gooding, The Wire.

The fifth in our series of LPs compiling classic music from Ecuador. Customary Honest Jons runnings: a beautiful gatefold sleeve; superior pressing, with vivid, intimate sound; full-size, sixteen-page booklet, in colour throughout, with detailed, fascinating, bi-lingual notes, and stunning photographs.

The music is transfixing, magical; not like anything else. From start to finish, this album is continuously, profoundly immersive; a kind of journeying, trippy meditation about slavery and cultural resistance, identity and mix, places and spaces, futures and pasts. It’s inscrutable to net-surfing, algorithms, Shuffle. But for a taste try the insurgent marimba roller Agua Largo, jet-propelled by Rosa Huila’s rapturous blend of African spiritualist and Christian chant. ‘Healing music,’ Zakia called it on Gilles Peterson’s BBC show recently. And the ravishing pasillo Kasilla Shungulla — ‘calm your heart’ in the Quichua language — a duet between the Peruvian master-guitarist Raúl García Zárate and viola da gamba by Juan Luis Restrepo from Medellin, recorded in a baroque church in Buzbanza, Colombia.
Maalem Houssam Guinia - Dead Of Night
Maalem Houssam Guinia
Dead Of Night
LP | 2024 | UK | Original (Hive Mind)
21,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Maalem Houssam Guinia Dead of Night

Hmrlp035 LP £12 Allah Allah Daym Molana Jangari Jahwari Bouri Bouriama Ya Jowadi Samaoui Matinba Mosawiyin (Souiri)

"Raw, deep and spiritual Gnawa music from Morocco to carry you through the night...

Recorded in a single late night session in a house in Casablanca, using a Tascam field recorder and 2 microphones, Dead of Night is the incredible new solo album from Maalem Houssam Guinia, the son of Maalem Mahmoud Guinia, and one of Morocco's most exciting young Gnawa masters.

The album was recorded live on the night of 3rd January 2022 in a relaxed session that lasted into the early hours of the next morning, and it captures Houssam at his most natural, singing and playing the Gnawa songs that have been with him since his birth, completely solo and free without percussion or backing vocals. Houssam described the album as containing the songs he knows best as these were the pieces his father would play and sing late into the night in their home when he was an infant.

What you'll hear on Dead of Night is raw, deep Gnawa music in its purest form played by a young Maalem who has been immersed in the culture his whole life and is a master of his craft. The whole performance has been beautifully and sympathetically captured by bassist and producer Karl-Erik Enkelman."

Voice & Guimbri by Maalem Houssam Guinia. Recording & Production by Karl-Erik Enkelmann. Mastering by Julian Tardo. Photography by Bader Naggay. Design by Marc Teare.

With thanks to Hamza Guinia, Khalil Mounji, Karl-Erik Enkelmann & Karl Jonas Winqvist.
Ane Brun - It All Starts With One
Ane Brun
It All Starts With One
2LP | 2011 | EU | Reissue (Balloon Ranger)
23,99 €*
Release: 2011 / EU – Reissue
Genre: Rock & Indie
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Mari Nakamoto - Mari Nakamoto III
Mari Nakamoto
Mari Nakamoto III
LP | 2024 | JP | Original (Sony Music Japan)
39,99 €*
Release: 2024 / JP – Original
Genre: Rock & Indie
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Isao Suzuki - Blow Up
Isao Suzuki
Blow Up
LP | 2024 | JP | Original (Sony Music Japan)
39,99 €*
Release: 2024 / JP – Original
Genre: Rock & Indie
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Iris Dement - My Life 30th Anniversary Maroon Vinyl Edition
Iris Dement
My Life 30th Anniversary Maroon Vinyl Edition
LP | 1994 | US | Reissue (Yep Roc)
28,99 €*
Release: 1994 / US – Reissue
Genre: Rock & Indie
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My Life, Americana trailblazer Iris DeMent’s sophomore album, cemented her legacy as one of the nation’s greatest living songwriters. Dedicated to her father, Patrick Shaw DeMent, who died in 1992, the album illustrates DeMent’s razorsharp songwriting on originals like “Sweet Is the Melody,” “No Time to Cry” and the title track. The songs “are jewels of universal longing” (Chicago Tribune) and “it is nearly impossible to exaggerate the beauty of these recordings.” (AllMusic). The album is being officially reissued for the first time for its 30th anniversary, pressed on maroon color vinyl and remastered by Mike Westbrook of MW Audio. The lacquer is cut by renowned mastering engineer Kevin Gray and is pressed at the state-of-the-art audiophile facilities at Citizen Vinyl in Asheville, North Carolina. This pressing is limited to 2,000 copies worldwide.
Mary Gauthier - Drag Queens In Limousines Translucent Ruby Vinyl Edition
Mary Gauthier
Drag Queens In Limousines Translucent Ruby Vinyl Edition
LP | 2024 | Original (Kill Rock Stars Nashville)
28,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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25 years ago, this record sprang on the scene— a record holding a voice impossible to draw comparison to, and lyrics and stories alien to anything that resonated from The Opry’s stage beforehand. Mary was the first openly queer person to play The Opry, and for us at KRS, this record encapsulates things new, exciting, bold, while being an absolute standout to what the realm of Americana has to offer. This is an authentic American experience, cliches weren’t needed. Mary is a legend. This record will always feel new, exciting, and bold.
Yasmin Williams - Acadia
Yasmin Williams
Acadia
LP | 2024 | Original (Nonesuch)
33,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Emily Nenni - Drive & Cry Transparent Pink Vinyl Edition
Emily Nenni
Drive & Cry Transparent Pink Vinyl Edition
LP | 2024 | US | Original (New West)
27,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Emily Nenni has written a follow-up to 2022’s critically acclaimed record, On The Ranch. Her debut album garnered her much success and introduced her to a devoted audience of music fans who celebrate the traditional side of country music while embracing the modern indie aesthetic that comes with that nod to the past. While writing her latest record, Drive & Cry, Nenni looked in the rearview mirror for inspiration but kept focus on the sound that she has become known for. “This is the first record I have completely written on my own. I spent a good bit of solitary time ruminating on things that had happened over the last year or two. Rethinking what I’m doing, how I’m doing it, who with, even in just the everyday. Change is hard but also such a gift.”

Nenni worked with producer John James Tourville (The Deslondes, Sunny War) to broaden her sound and bring in nuance to the recording. The record was engineered by Jake Davis and mixed by Matt Ross-Spang in Memphis, TN. The resulting recording is a matured country sound that focuses on the fun and the tears that come with all changes in life.
Da Silva - Grand Hotel
Da Silva
Grand Hotel
LP | 2024 | Original (Adf Bayard Musique)
24,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Elias Ronnenfelt - Heavy Glory
Elias Ronnenfelt
Heavy Glory
LP | 2024 | EU | Original (Escho)
28,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Elias Rønnenfelt is a musician and poet best known as the lead singer and lyricist of Iceage. Heavy Glory is his debut solo album. Out October 25th via Escho. Heavy Glory was recorded in Copenhagen in chapters and moments over the course of a year. Collaborators include Iceage's Dan Kjær Nielsen, Danish punk godfather Peter Peter, and singers Joanne Robertson (Elias and Joanne have collaborated before, on a number of recent Dean Blunt releases) and Fauzia. "I've done this so many times," Rønnenfelt explains, speaking of the process of crafting a long player, "but capturing and crystallising an album remains a singular ritual, just with different circumstances. We are capturing something that is hard to hold down." Heavy Glory is a record that examines all the things that lovers do, from the most desperate to the most pure. The lover haunts the record, reappearing and provoking Rønnenfelt, pulling him in and pushing him away. Songs like "Close" describe the line between jealousy and protectiveness. "Unarmed" is a song of surrender. "River of Madeleine" harnesses toughness in the name of preservation, staying up all night to protect his lover's dreams. "Stalker" is an epic third-person story song in the tradition of the murder ballad. The record closes with two covers. The first, Spacemen 3's "Sound of Confusion," is a mission statement of the life Rønnenfelt has found and inherited in music. "Here it comes," the song famously promises, and flares out into noise. It is a joyful noise, because this life, in all its grit, is the life he chose. The second, Townes Van Zandt's "No Place to Fall," is a sweet plea, Rønnenfelt's final invitation to join him on his journey. This journey - this story, this record - will repeat and continue. It never stops. Rønnenfelt's life as an artist results in a sound that wobbles and rocks but never loses its centre, both fragile and tough, and always moving forward. It is dreamy yet bombastic, held together by the passion of certainty. Co-produced by Rønnenfelt and Nis Bysted.
Trust Fund - Has It Been A While?
Trust Fund
Has It Been A While?
LP | 2024 | EU | Original (Tapete)
27,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Shack - H.M.S. Fable Light Blue Vinyl Edition
Shack
H.M.S. Fable Light Blue Vinyl Edition
LP | 1999 | UK | Reissue (Shack Songs)
32,99 €*
Release: 1999 / UK – Reissue
Genre: Rock & Indie
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Pierre Richard - Nuit A Jour
Pierre Richard
Nuit A Jour
LP | 2020 | Original (Modulor)
25,99 €*
Release: 2020 / Original
Genre: Rock & Indie
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In 2011, the French writer, Ingrid Astier met with the Hanak brothers, Frédéric and JB and expressed a desire to work with them. This came to be in 2013: when the two brothers and their band dDamage appear over in the pages of Ingrid Astier’s novel “Angle Mort” (dead corner), published by Gallimard. In 2014, Ingrid Astier publishes a new book, which stands out from the previous ones due to its poetic character and its alphabet form, “le petit éloge de la nuit” (the Little Praise of the Night), "a magnificent tribute to the power of the night" according to François Busnel. host and producer of La Grande Librairie on French television. The friendship story continues, and this time we see a double-page spread from the book entrusted to the two brothers. Immediately, the desire to bring “le petit éloge de la nuit” (the Little Praise of the Night), to music arose. Ingrid Astier then enabled the bridge between two extremely different worlds, and the improbable meeting between Pierre Richard and JB Hanak took place. In 2017, “le petit éloge de la nuit” (the Little Praise of the Night), was adapted to theater and had a successful run of more than fifty performances at the Rond-Point des Champs-Elysées theatre (Paris), a three-season tour in France, Switzerland, Belgium and Luxembourg, and finally a revival in June 2019 at La Scala in Paris. The three artists met again at the end of 2019, this time wanting to convert all their work into the album format. It will be “Nuit à jour” (Night to Day). Something more pop than their improvised concerts, more glam than their theatrical adaptation. JB Hanak is on guitar, bass, synth and rhythmic programming, consumed with a desire to reveal with each changing track a different facet of this imagined nocturnal universe. Ingrid Astier, is of course involved covering the direction of the actors as well as the writing of the lyrics, very much as would be found in the cinema. And then, there is Pierre Richard. At one moment a dreamer, the next a cowboy, suddenly Mafioso and then a nocturnal animal. Thinker, lover, philosopher, astronaut or sandman. Pierre Richard is an actor, an actor of immense presence confined too often to comic roles. “Nuit à Jour” offers him roles he has not had in the movies ... And it is breathtaking, both in its register and in a sense of deep renewal.
Joni Mitchell - Joni Mitchell Archives Volume 4:The Asylum Years 1976-1980
Joni Mitchell
Joni Mitchell Archives Volume 4:The Asylum Years 1976-1980
4LP | 2024 | Original (Rhino)
124,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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George Strait - Cowboys And Dreamers
George Strait
Cowboys And Dreamers
2LP | 2024 | US | Original (MCA)
38,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Magick Brother & Mystic Sister - Tarot Pt. I
Magick Brother & Mystic Sister
Tarot Pt. I
LP | 2024 | EU | Original (Sound Effects)
32,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Magick Brother & Mystic Sister, the mysterious band from Barcelona, return with not one, but 2 albums! 'Tarot Part I' and 'Tarot Part II' (follows ca. 2 months after #1) is a concept album in 2 parts, a psychedelic record, a kaleidoscope of songs based upon the Major Arcana of the Tarot, a cross-cultural dream language. With their signature imaginative compositions, featuring space-age keys and spiraling synthesizers, intricate guitar mosaics and bass lines, powerful drums, tribal percussion and exotic instruments carving textures for atmospheric feminine vocals, Mbms merge a kind of dream-prog, of the Canterbury variety, with retro-futuristic sounds and magic folk atmospheres, shaping up their own universe, thus turning the 'Tarot' concept into an unmissable experience! The band decided to release the record in two parts, giving the listener more time to meditate upon the music. This is an album that is meant to be listened to and experienced visually on vinyl, its sleeve recalling the bold designs of the late 1960s - early 1970s - when the two records are combined, the interior gatefolds form an astrological mandala, a planetary wheel. For this album Mbms, (Eva Muntada (synthesizers, mellotron, organ, piano), Xavier Sandoval (bass and guitar), Alejandro Carmona (drums) and, new member of the band, Toni Jagwar (sitar) are joined by Maya Fernandez (flute) on two songs, Glenn Brigman (vocals) and Didac Fernandez (percussion).
Keith Urban - High
Keith Urban
High
LP | 2024 | US | Original (Capitol)
28,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Khaled Barkat, Cheb Tati & Asif - Maghreb K7 Club - Disco Singles Volume 3
Khaled Barkat, Cheb Tati & Asif
Maghreb K7 Club - Disco Singles Volume 3
12" | 2024 | EU | Original (Sofa / Les Disques Bongo Joe)
18,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves, Rock & Indie, Electronic & Dance
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Here's the third installment of Sofa Records' Disco Single series! Featuring four standout tracks from Algeria's 1980s music scene, this collection showcases the cultural diversity and creativity of the country. Listen here. Galouli Enshara (a1) and Zourini (b1) are two captivating pop-boogie-funk tracks by Khaled Barkat, a self-taught multi-instrumentalist from Algiers. Produced by Khaled himself in 1983, and recorded at the esteemed brothers Torki’s studio in Algiers along with his friends—and talented musicians —Yazid Fentazi, Redouane Ayoub, Mustapha Mekerkeband Mhenni Benlala. The album, if he had a certain success (Khaled Barkat is considered as a pop music iconin his country)was somewhat overshadowed by the popularity of other genres in Algeria, such as raï music. We're thrilled to put if for the first time on vinyl! And spread this music to a wider audience. Dub El Hammam (a2) is by raï vocalist Cheb Tati, hailing from Oran. In the 1980s, as raï gained recognition in the global music industry, Tati was brought to London in 1989 to record an album with reggae/dub producer Denis Bovell. Among other tracks, this heavy, top-notch 1980s digital dub track resulted from their collaboration. Last but not least, the final track on the single is sourced from the only known recording of Asif, a Kabyle band from Lille formed by three brothers. The band was created in the late 1970s, and the selected track, Tafsut (b2), was recorded in 1985. A beautiful pop-boogie tune that we considered a marvelous conclusion to this single. This record was made in collaboration with Les Disques Bongo Joe. All tracks are fully licensed.
Rodney Crowell - The Houston Kid Vinyl Me, Please Edition
Rodney Crowell
The Houston Kid Vinyl Me, Please Edition
LP | 2001 | US | Reissue (Vinyl Me, Please)
33,99 €*
Release: 2001 / US – Reissue
Genre: Rock & Indie
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Why you'll love it...
The conventional way of talking about The Houston Kid, Rodney Crowell’s 2001 release and the greatest achievement of his 50-year career, is autobiographically. From this way of thinking, the album pretty straightforwardly looks at Crowell’s life growing up in the poor, white working-class parts of Houston, Texas in the 1950s and 1960s, the only child of J.W. and Addie Cauzette Crowell’s tempestuous, dysfunctional union. Hearing The Houston Kid this way isn’t wrong, of course, but it is incomplete.

For starters, if it’s Crowell’s actual life story we’re after, we’d be better off reading Chinaberry Sidewalks: A Memoir, the book project he began around the same time but didn’t publish until 2011. For another thing, The Houston Kid’s details and effects are autobiographically inspired, sure, but also rife with exaggerations, omissions and flat-out fictions. You know, art.
Dave Van Ronk - Folksinger Vinyl Me, Please Edition
Dave Van Ronk
Folksinger Vinyl Me, Please Edition
LP | 1972 | US | Reissue (Vinyl Me, Please)
33,99 €*
Release: 1972 / US – Reissue
Genre: Rock & Indie
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Why you'll love it...
“Dave Van Ronk was bemused by the title of this album. He didn’t think of himself as a folksinger and had mixed feelings about what he wryly called ‘the Great Folk Scare’ of the 1960s. And yet, he was a central figure on that scene and this album was instrumental in shaping a new sense of what it meant to be a folk musician. A generation of guitarists took him as a model and honed their skills on his arrangements of ‘Come Back Baby’ and ‘Cocaine Blues,’ and his masterful reimagining of older traditions made him a defining voice of the folk-blues revival, showing that a young, urban performer could reshape songs from rural sources into modern, personal statements that were as rough and honest as anything from the hills or prairies.”
Shelby Lynne - I Am Shelby Lynne 25th Anniversary Edition
Shelby Lynne
I Am Shelby Lynne 25th Anniversary Edition
LP | 2024 | US | Original (Monument)
35,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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I AM SHELBY LYNNE (25th ANNIVERSARY EDITION) Limited edition colored vinyl celebrating 25 years of GRAMMY-award winner, Shelby Lynne's album, I Am Shelby Lynne / Led by co-presidents Shane McAnally and Jason Owens and GM Katie McCartney, Monument will reissue Lynne's landmark album, I Am Shelby Lynne, on April 5 in celebration of the record's 25th anniversary with a limited-edition vinyl release to come early this summer.
Jalek Blount & Mali Obomsawin - Symbiont
Jalek Blount & Mali Obomsawin
Symbiont
LP | 2024 | US | Original (Smithsonian Folkways)
22,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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From the first notes of symbiont, the radical new collaborative album and document of Black and Indigenous futurism from Jake Blount and Mali Obomsawin, the listener is met with rising tidewaters, massive droughts, and the appearance of an iconoclastic uprising amidst the world's indifference. Questions of future or present tense swirl around the music as the duo unspools the intertwined threads of racial and climate justice. Amid rumbling synthesizer drones, the thrum of banjo, and the thwack of drum machines, a whisper of truth can be heard: this crisis has been unfolding for centuries.
Josh Turner - This Country Music Thing Gold Vinyl Edition
Josh Turner
This Country Music Thing Gold Vinyl Edition
LP | 2024 | US | Original (MCA Nashville)
36,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Johnny Cash - Songwriter Clear With Black Splatter Vinyl Edition
Johnny Cash
Songwriter Clear With Black Splatter Vinyl Edition
LP | 2024 | Original (Universal)
60,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Limited Clear with Black Splatter Colored Vinyl. Johnny Cash recorded an album's worth of self-penned songs in 1993. Shortly thereafter, he released the American Recordings albums and re-established himself as one of the world's greatest songwriters, introducing him to a new generation of fans. Songwriter's unreleased 11 songs have been updated and produced by his son John Carter Cash and co-producer David Ferguson.
Alan Jackson - Don't Rock The Jukebox
Alan Jackson
Don't Rock The Jukebox
LP | 2024 | US | Original (Sony Legacy)
32,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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ALAN JACKSON - Don't Rock The Jukebox - Don't Rock the Jukebox is the second studio album from country music superstar Alan Jackson. It was released on May 14, 1991 and produced three Number One singles on the Hot Country Songs charts - "Someday," "Dallas," and "Love's Got a Hold On You."
Silverada - Silverada
Silverada
Silverada
LP | 2024 | US | Original (Edgewater Music)
36,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Capercallie - Re-Loved
Capercallie
Re-Loved
2LP | 2024 | UK | Original (Vertical)
37,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Lost Leaders - Hungry Ghosts
Lost Leaders
Hungry Ghosts
LP | 2024 | US | Original (Mother West)
24,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Midland - Barely Blue
Midland
Barely Blue
LP | 2024 | US | Original (Big Machine)
27,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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GRAMMY-nominated trio Midland return with Barely Blue, an 8-song collection exploring the tides of loneliness and the stoicism of holding one's own while imbuing an unparalleled sense of vulnerability that breaks down the facade of masculinity and honors the spirit of loving, losing and moving on. Lead singer/guitarist Mark Wystrach, bassist/vocalist Cameron Duddy and guitarist/vocalist Jess Carson lean into a space where lonely is acknowledged, life goes on and steel guitars are what binds it all together.
Johnny Cash - Original Sun Sound Of Johnny Cash
Johnny Cash
Original Sun Sound Of Johnny Cash
LP | 2024 | US | Original (Sun)
32,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Limited transparent violet colored vinyl LP pressing. Unreleased until 1964, six years after Johnny Cash's 1958 departure from Sun Records for Columbia Records, Original Sun Sound of Johnny Cash spans both his first and final recordings for the label. The early "Wide Open Road" shows the singer still under the influence of Hank Williams, but the sardonic, Charlie Rich-penned "Thanks a Lot," from one of his final Sun sessions, finds Cash beholden to no one but himself.
Marty Robbins - Return Of The Gunfighter
Marty Robbins
Return Of The Gunfighter
LP | 2024 | US | Original (Sony Legacy)
25,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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On this 1963 release, well-known country singer, Marty Robbins, continued to showcase his love for cowboys and six-shooters with a "sequel" to the successful 1959 album, Gunfighter Ballads And Trail Songs. The Return of the Gunfighter album even propelled Robbins to pursue acting just 2 short years later.
Glen Campbell - Adios
Glen Campbell
Adios
LP | 2017 | US | Reissue (Universal)
26,99 €*
Release: 2017 / US – Reissue
Genre: Rock & Indie
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Glen Campbell - Galveston
Glen Campbell
Galveston
LP | 1969 | US | Reissue (Universal)
29,99 €*
Release: 1969 / US – Reissue
Genre: Rock & Indie
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V.A. - Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition
V.A.
Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition
2LP | 2024 | US | Original (Light In The Attic)
58,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”
V.A. - Even The Forest Hums: Ukrainian Sonic Archives 1971-1996
V.A.
Even The Forest Hums: Ukrainian Sonic Archives 1971-1996
2LP | 2024 | US | Original (Light In The Attic)
55,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”
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