Folk 1279 Items

Trujillo, Peru 1971 - 1974

Release: 2023 / UK – Original

Genre: Rock & Indie

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Bob Martin began what would become his final studio album in a beach front condominium in Seabrook, New Hampshire in May 2008. The recordings sat dormant for the next 13 years. This album began when James Endeacott of 1965 Records sent Jerry David DeCicca to Charlottesville, Virginia to meet Martin, hoping to reissue Martin’s 1972 debut on RCA Records, Midwest Farm Disaster. DeCicca, who had co-produced the final recordings of folk-funk, Heartworn Highways’ songwriter, Larry Jon Wilson, for 1965 Records (and later reissued by Drag City Records) had played the LP for Endeacott several months earlier. Midwest Farm Disaster is that rare album that feels joyful and yet full of sorrow; Martin’s Lowell, Massachusetts voice yearning with a backbeat from Nashville session musicians, Norman Putnam and Kenny Buttrey, the later fresh from his “Heart of Gold” session. The reissue never happened, as Martin was already in the process of rescuing his forgotten masterpiece for his own self-release. But Bob and Jerry’s breakfast led to Martin’s daughter, Tami, hiring DeCicca and engineer, Jake Housh, who also worked on the Wilson album, to capture her father in a similar manner. After Midwest Farm Disaster, a second album for RCA was under contract, but when a record executive there wanted Martin to put his girlfriend’s poetry to music, Bob bailed on the deal. Martin continued to tour around with a pickup band until advice from his father resonated, and he left the road to raise a family. Bob worked as an educator, teaching math and computers, and even founded a school in West Virginia that taught traditional art forms in Appalachia like fiddle playing and weaving. Bob returned to the studio in 1982 to record Last Chance Rider for the June Appal, a label that focused on music from Appalachia and had released albums by Nimrod Workman, Si Kahn, and Betty Smith. In the late-90’s, Bob returned with two self-released CDs, The River Turns The Wheel and Next to Nothin’ that continued capturing stories of people and places that exhale their own mythologies. He wrote novels, cared for his family, and taught, and played only the occasional gig. But it’s this album, Seabrook, that finds Bob at his most wise and wistful; the histories of Lowell and his own life hanging longest in his voice. New songs about the West Virginia coal mines (“Three Miles Beneath This Mountain”) and living in an extended stay motel (“Midway Motel”) sit beside new and more urgent interpretations of late period classics, like “My Father Painted Houses,” and, for the first time, one of his oldest songs he didn’t record for Midwest Farm Disaster called “Give Me Light”, along with “Stay Awhile Sunshine,” which he had been singing to his family for decades and features Gary Mallaber (“Tupelo Honey”) on vibraphone. After DeCicca and Housh returned from the beach with Bob, they all agreed to flesh out the songs with other instrumentation to present as a draft for what the new record could be with a little more money and time. This was the time when the epilogue of musicians’ work was still of interest to labels. Everyone with a guitar over 65 was still in the shadow of Rubin’s Cash, and recent records by Loretta Lynn, Charlie Louvin, Soloman Burke, and Candi Staton were both fashionable and profitable. But Martin wasn’t as well known and his classic debut was only licensed for a limited physical release, proving him a difficult sell. Labels passed or made unreasonable requests, and Bob eventually lost interest; instead, choosing to record a solo acoustic live album, Live at the Bull Run, and tour Europe for the first time. There were hiccups of hope, like a feature in No Depression and a song in the TV show, Justified, but the new recordings quickly began collecting dusk. In the meantime, DeCicca continued producing records for other older artists, like Ed Askew’s For the World (Tin Angel), two Chris Gantry releases (Drag City), Will Beeley’s Highways and Heart Attacks (Tompkins Square), and reissue projects for the Numero Group (Elyse Weinberg, Rob Galbraith). Then, in 2021, DeCicca received a call from Bob’s daughter, Tami, giving him permission to finish the album as Bob’s health was failing. Upon revisiting the tracks with Housh, the album needed very little tidying up and the songs were completed with DeCicca’s former bandmates, The Black Swans, who had previously played on the original mock up back in 2008. With new technology and a new perspective, the album was completed, but not before Martin’s health had deteriorated more. Bob Martin passed away September 21, 2022 at 80 years of age. Sadly, he never heard his final album.

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Manzanita Y Su Conjunto

LP | 2021 | Original (Analog Africa)

LP | 2021 | EU | Original (Melody As Truth)

Release: 2021 / Original

Genre: Organic Grooves, Rock & Indie

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I was in Lima, hanging out with collector-extraordinaire Victor Zela, who had spent the previous few years pouring his passion for Peruvian Cumbia into the blog „la cumbia de mis viejos“, a trove of incredible music. But after the birth of his first child, his priorities shifted and he decided to part with some of his rarest LPs. I was one of the lucky few given an early chance to examine his treasures, and when I picked up the album Manzaneando com Manzanita, Victor said: “Take it! its one of the best LPs ever recorded in Perú … easily in the top five”. That was all the encouragement I needed … two years later many of the songs from that masterpiece have made it onto Manzanita y su Conjunto, a compilation of electrifying Cumbia sides from Manzanita’s golden era.

Berardo Hernández – better known as Manzanita – first surfaced during the psychedelic Cumbia craze. At the head of the scene were the magnificent Los Destellos, whose leader, Enrique Delgado, was such a six-string wizard that other guitarists found it impossible to escape his shadow. But when Manzanita arrived, his electric criollo style sent shockwaves through Lima’s music scene and posed a serious threat to Delgado’s dominance as king of the Peruvian guitar.

Manzanita had come to Lima from the coastal city of Trujillo, five hundred miles up the coast – a place where Spanish, African and indigenous populations had been living and making music together for centuries – and came of age at a time when the first wave of psychedelic rock from the US and UK was starting to sweep the airwaves. But the sounds of Cream and Hendrix disappeared from the radio just as quickly in 1968 when Juan Velasco seized control of the country in a military coup. The new regime, which favoured local traditions over cultural ‘imports’ from the north, was a blessing in disguise for the Peruvian music scene.

Record labels flourished as new bands, raised on a hybrid diet of electric guitars and Cuban rhythms, rushed in to fill the vacuum created by the lack of imported rock. A new genre, known as Peruvian cumbia, was born and Manzanita quickly became one of its most original voices.

Starting in 1969, Manzanita y su Conjunto released a steady stream of singles that used Cuban guaracha rhythms as the foundation for dazzling electric guitar lines. After countless 45s and several years on the touring circuit, the band signed to Virrey, an important Peruvian label, and recorded two LPs acknowledged as masterpieces among aficionados of tropical music. Most of the songs on Analog Africa’s new compilation Manzanita y su Conjunto are drawn from those legendary sessions of 1973 and 74.

Although he scored a few more hits in the later 70s, his dissatisfaction with the music industry caused him to withdraw from the scene for several years; and when he finally retired for good, the golden age of Peruvian cumbia was a distant memory. But when Manzanita was at the top of his game he had few equals. Victor Zela was right: this is some of the best music ever recorded in Perú.

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Suzanne Kraft

About You

Cuttin' Grass Volume 2: The Cowboy Arms Sessions Black Vinyl Ediiton

Release: 2021 / EU – Original

Genre: Rock & Indie

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About You is a set of hazy-haloed pop songs crackling with the flutters of fresh love amidst a mind full of memory flashes. Written in the whirlwind of a hopeful affair, instantly transformed into long distance romance, it’s a head rush of affection with the universe bending blurrily around it — an archive of yearning from a year that rifted warm bodies adrift; an outline of the in-betweens, the familiar and foreign, hopeful promise and heartbreak. Suzanne Kraft has shaved silver linings from cloud formations and ignited them into crackling flames. It’s a full circle journey that floats on shimmering guitar tones, fluid vocals, and gently persuasive drum tracks chugging towards their destiny while revelling in the unknown. About You is a folding of time and space in album form and stands aloft as Suzanne Kraft’s next big step in fully becoming himself.

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Sturgill Simpson

LP | 2021 | US | Original (High Top Mountain)

Release: 2021 / US – Original

Genre: Rock & Indie

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2LP | 2021 | EU | Original (DevilDuck Records)

The Dead South

Served Live

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2017 | US | Original (Verve)

Yusuf / Cat Stevens

The Laughing Apple

38,99 €*

3LP Box | 2013 | US | Original (Mobile Fidelity)

Release: 2017 / US – Original

Genre: Rock & Indie

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Limited edition for Record Store Day 2017!

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Bob Dylan

Blonde On Blonde Box Set

111,99 €*

Live From The Ryman Black Vinyl Edition

Release: 2013 / US – Original

Genre: Rock & Indie

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Limited, numbered box set edition on 45 rpm 180 gram audiophile vinyl!

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Charley Crockett

2LP | 2023 | EU | Original (Son Of Davy)

36,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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La Vie En Rose-The Collection & Biografie

Edith Piaf

LP | 2021 | EU | Original (ZYX)

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Wah Wah)

Bazali Bam

Action

LP | 2021 | US | Original (Merge)

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Extremely rare, under the radar afro-psychedelic LP from South Africa. This mysterious band was produced by African funk master, composer, guitarist and producer Almon Sandisa Memela, who was active since the mid 1950s, first as a musician and guitar teacher and then also as a producer. He is famous for his 1970s Afro funk works Funky Africa and the very sought after Broken Shoes.

Action features a cool mixture of incipient afro-funk and garage pop/psych, with one of its songs having been compiled on the famous Next Stop... Soweto compilation series that helped ignite the current fever for African music.

Riyl: Ofege, Blo, Aktion, The Apostles, Sjob Movement, Soweto and the likes.

First ever vinyl reissue, reproducing the original sleeve artwork and with remastered sound. 500 copies only.

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Hiss Golden Messenger

Quietly Blowing It

Release: 2021 / US – Original

Genre: Rock & Indie

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Built For Fighting Yellow Transparent Vinyl Edition

Damian Wilson

LP | 2016 | UK | Reissue (Blacklake)

LP | 2019 | EU | Original (Pharaway Sounds)

Release: 2016 / UK – Reissue

Genre: Rock & Indie

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The album, produced by Andrew Holdsworth, is Damian’s first solo album in more than 10 years. Following suit with his previous solo releases, Built for Fighting is a singer-songwriter album containing 11 new original songs and a cover of Depeche Mode’s Somebody. The album is mixed and mastered in Sweden by the Fascination Street duo Jens Bogren and Tony Lindgren.

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Nese Karaböcek

Yali, Yali

21,99 €*

Release: 2019 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Nese Karaböcek is a popular Arabesque singer and film / TV star from Turkey. She started singing at a very young age and has a vast recording career. “Yali Yali” is a selection of her grooviest tracks from the 70s, including the massive psych-funk dancefloor bomb title track plus another fabulous examples of Anadolu pop-funk, mixing Turkish melodies and instruments with disco arrangements, Moogs keyboards, funky drums...

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Music From Saharan Cellphones

LP | 2011 | US | Reissue (Sahel Sounds)

18,99 €*

LP | 2011 | US | Reissue (Craft)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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The first vinyl release on the Sahel Sounds label, known from their Mississippi release Ishilan-n-Tenere! A compilation of the most popular music circulating the Sahara desert on the unofficial network of cellphones -- where mp3s are stored, played, and traded in very literal peer to peer bluetooth transfers. The contemporary West African sound from the new school of DIY production with little or no commercial release outside of their locales, from spaced out Tuareg Autotune, Ivorian Club Jams, Mauritanian Synth, and Malian Hip Hop electro. Collected from memory cards by and released on cassette, the vinyl comes after a years plus of tracking down the composers.

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Merle Haggard

Working In Tennessee

35,99 €*

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Jason Isbell & The 400 Unit

Live From Alabama

2LP | 2012 | US | Reissue (Lightning Rod)

34,99 €*

Holy Tongue / Beatrice Dillon / Lamin Fofana / Labour

Release: 2012 / US – Reissue

Genre: Rock & Indie

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In August of 2012, Jason Isbell and The 400 Unit assembled in their home state of Alabama in front of a couple of sold-out concert halls to record their first live album, Live From Alabama. After years of hard touring, the critically-lauded band has gelled into a versatile rock and roll squad that is equally at ease performing Muscle Shoals soul to hardcore country to balls-out rock. Live From Alabama’s tracklist mines some of Isbell’s most popular songs and includes a pair of inspired covers in Neil Young’s “Like a Hurricane” and Candi Staton’s “Heart on a String.”

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Dey Sey / 2020 / Niary Ngorong / Etu Keur

2x12" | 2023 | UK | Original (Honest Jon's)

25,99 €*

En Kötü Iyi Olur Marbled Gold Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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Four dazzling, extended engagements with mbalax master-drumming.

The contribution from Holy Tongue is chase-the-devil steppers — thumping, clangorous, reverberating — super-charged with energy and atmosphere. From the off drummer Valentina Magaletti detonates a hard rain of small bombs, rounds of fire, ticking fuses. Musical co-ordinates are somewhere between classic On-U Sound crew like African Head Charge, The Mothmen, and Creation Rebel, and the experimental funk of the Pop Group and 23 Skidoo, at their funkiest. Thrillingly, the two dubs are increasingly deranged.

Adjusting the same wavelengths as her superb Workaround LP, Beatrice Dillon plays spaced-out, abstract synth-work against the bodily physicality of the ancient, shifting mbalax rhythms. The music is poised, mindful, tentative; but also limber, fleet, and magical.

Phantasmagorical and efflorescent, Lamin Fofana’s one-two is simply stunning. Both excursions are wide-open, beautiful, epic, and propulsive — the first mix is banging and headlong, the second more syncopated and serpentine — teeming with freshly sublime, funkdafied updates on Jon Hassell’s Fourth World possible musics.

The two parts of LABOUR’s Etu Keur Gui engage the same sequence of drum patterns (called bakks) from different perspectives. The duo performed portions of this piece at the opening ceremony of the Dakar Biennial in 2022, at the Grand National Theater, with thirty sabar players from the family of Doudou Ndiaye Rose. This Wolof phrase for the inner-court of a home — a meeting-place — doubles here as a metaphor for inner space on a metaphysical level; and Pan Sonic, Muslimgauze, Zoviet France, early Shackleton… all ghost across the threshold.

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Lalalar

LP | 2023 | EU | Original (Les Disques Bongo Joe)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Les Disques Magnétiques)

Pekodjinn

Dharba

Release: 2023 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Spiritczualic Enhancement Center

Who Corrupted Our Wave, Back In 1969?

Tape | 2019 | EU | Original (Kinship)

9,99 €*

Lucy Kruger & The Lost Boys

Release: 2019 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Who Corrupted Our Wave, Back in 1969? is composed of tracks recorded live during a Sunday confusion at Berlin’s Klunkerkranich. Aimed at transferring the dub-laden substance of their debut at Fusion Festival, one week earlier, this sunset-session is a drive through dense traffic in psychonautic space. Hypersonic textures arise from layers of transmutative dialogues between seven instrumentalists. These musicians have gathered in the exiled Spiritczualic Enhancement Center, geared towards spontaneous pre-temporal alignment. A collective channeling of Free Beat sonic-organisms born from the ether, “Who Corrupted Our Wave, Back In 1969?” is a b-rave album producing an inter-era entanglement, empowered by the portals of a caravan traveling outside of time.
" If Woodstock had happened in an alien, technological advanced universe, this is probably how it would have sounded like but we might’ve never got to experience it. Fortunately, it was recorded this year in Berlin by seven illuminated musicians that created a timeless dialogue of textures, grooves and beats, which you can use as a post-hippie spaceship to take you wherever the fuck you want."
Gabriel Leașcu - The Attic
Downloadcode + sticker included.

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Sleeping Tapes For Some Girls

LP | 2019 | EU | Reissue

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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LP | 2021 | EU | Reissue (Astigmatic)

Jaubi

Nafs At Peace 6th Press

LP | 2023 | CA | Original (Constellation)

Release: 2021 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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JAUBI continue the Nafs journey, which commenced with the single “Satanic Nafs” (featuring the remix by legendary LA producers The Gaslamp Killer & Mophono) released in March 2021. Now JAUBI draw on the elements of North Indian classical music, Hip-Hop and modal/spiritual jazz in their debut LP entitled “Nafs At Peace”.

The journey officially began back in April 2019 when London’s multi- instrumentalist and 22a Record label boss Ed “Tenderlonious” Cawthorne and Polish pianist/composer Marek “Latarnik” Pędziwiatr of EABS/Błoto, visited the group to record in Lahore.

Together they channelled their personal struggles at that time into the two recording sessions allowing the musicians to find a spiritual path to transcendence through this musical purge.

Nothing whatsoever was written down during the recording sessions - no sheet music and no song titles, which allowed the six musicians to forget about their worldly issues. In many ways, the journey represents a struggle for purity, an expression of gratitude, and an acknowledgement that the musician's inspiration comes from a higher power.

The album cover portrays the mother of JAUBI’s bandleader, tearfully praying to God to get her son through that dark period of his life, which is what the mothers of the other musicians also did for their children.
The first step of the journey can be heard on “Satanic Nafs” which refers to the lowest level of the Self which was released 26th March 2021 through Astigmatic Records.

The album title ‘Nafs At Peace’ refers to the last purification step the self has been through. At this level, the Self no longer struggles because one has complete love of God, by becoming at peace and tranquil with God’s will. We hope all can achieve the stage of “Nafs At Peace” … Inshallah.

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ALL HANDS_MAKE LIGHT

Darling The Dawn

Release: 2023 / CA – Original

Genre: Rock & Indie, Electronic & Dance

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ALL Hands_make Light is the recently minted duo of Ariel Engle (La Force, Patrick Watson, Broken Social Scene) and Efrim Manuel Menuck (Godspeed You! Black Emperor, Thee Silver Mt. Zion). Longtime friends, collaborators, and stalwarts of the Montréal post-punk community, this is their first full-fledged project together. Ah_ml weaves these two unique voices through lustrous tendrils of blown-out tones and drones, expanding on Menuck's eponymous modular and analog synth-based work of recent years, now imbued with an additionally searing, soulful warmth and melodicism through Engle's singing. "Darling The Dawn" is a spellbinding album of preternaturally genre-bending sonics and songwriting: a sort of electronic shoegaze suffused with freak-folk, kosmische, darkwave and post-industrial, flowing from ambient minimalism to pulsing maximalism, conjuring traditionals sung in the haze of earliest light accompanied by overdriven circuit boards powered with ungrounded wires. Engle and Menuck see ALL Hands_make Light in a folk lineage traced through the likes of Pentangle and Trees to White Magic and Amps For Christ. While there's no discernable guitar or acoustic instrumentation on the album (warm distorted synths provide the palette, along with signal-processed violin from fellow-traveller Jessica Moss), off-kilter drone incantations like "A Sparrow's Lift" and "A Workers' Graveyard (Poor Eternal)" perhaps sit most overtly within these seams of the skewed-folk substratum. The dichotomic ritualism of Can is an adjacent signpost, where methodical longform soundscaping combines with a feeling of extemporized immediacy. The album's tremendous 10-minute centerpieces "We Live On A Fucking Planet And Baby That's The Sun" and the motorik-driven "The Sons And Daughters Of Poor Eternal" also make this influence explicit thanks in part to the resplendent drumming of guest Liam O'Neil (Suuns), who helps propel both tracks to their spiralling peaks. Above all it's the singing and lyrics, in method and melodic delivery, that conjure certain freak-folk furrows. Engle calls this "music inspired by ancestor music, sea shanties for seas we've never sailed" and the duo have indeed forged a collection on "Darling The Dawn" where vocals often feel strangely rooted in traditionals, while the instrumentation resonates out-of-time, in a liminal space at once glisteningly synthetic and oxidized in analog patina. As the album title suggests, sleepless anxiety/euphoria and a sense of somatic channeling is vital to these songs: "I mostly kept the first thought I had, like a cold read, I wanted the melodies to be immediate and to surprise me, not a laboured process; it's about being a weather vane, guided by preconscious impulses" says Engle. For Menuck, the record started "with an idea of making a long thing about `the Dawn', the different weights of its radiance, the way it kisses our dumb faces when we rise and leave the night behind, the heaviness of that light when you haven't slept." "Darling The Dawn" captures a wholly compelling collaboration between Engle and Menuck in an album of genuine thematic power, thrumming with alternately tender and serrated beauty as only their combined strengths and sensibilities could conjure. Thanks for listening.

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LP | 2021 | EU | Original (Türküola / Arsivplak)

Pop Hits 12

LP | 2023 | EU | Original (Radioservis)

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Turkish disco pop funk sound compilation album. Great soul-pop and disco-funk with amazing moog organ, keyboards/synths, bass, rhythm and wah guitars.. This compilation has the unique sound in Turkish Disco-Funk music with influences of soul, jazz, pop, rock and beats. Turkish instruments with great disco tunes and great female & male vocals.

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Karel Kryl

Plzen 90

32,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Shotgun Willie Atlantic 75 Series

Willie Nelson

2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

86,99 €*

Magic Lady Black Vinyl Edition

Release: 2023 / US – Reissue

Genre: Rock & Indie

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180g 2LP 45rpm Gatefold Sleeve

Analogue Productions (Atlantic 75 Series)
Celebrating the 75th Anniversary of Atlantic Records!
Willie Nelson's breakthrough solo album!
180-gram 45 RPM double LP
Pressed at Quality Record Pressings
Tip-on old style gatefold double pocket jacket by Stoughton Printing

Before Shotgun Willie, Willie Nelson had struggled to gain widespread recognition as a solo artist, despite having written many successful songs for other artists. Nelson's big break came when he signed with Atlantic Records in 1973. The pivotal moment in his career came after Atlantic Records executive Jerry Wexler, known for his work with artists like Ray Charles and Aretha Franklin, took an interest in Nelson's music. Wexler saw potential in Nelson's unique approach to country music and signed him to the label. With the creative freedom offered by Atlantic Records, Nelson was able to record Shotgun Willie with the artistic freedom he had long desired. The album's unconventional sound and honest lyrics resonated with both critics and fans.

Shotgun Willie marked a new beginning for Willie Nelson's career, and it set the stage for his subsequent albums and his emergence as one of the most influential and iconic figures in the history of country music. The recording was one of the first albums of outlaw country — a new subgenre of country music and an alternative to the conservative restrictions of the Nashville sound, the dominant style in the genre at the time

The album — the first to feature Nelson with long hair and a beard on the cover — gained him the interest of younger audiences. It peaked at No. 41 on Billboard's Top Country Albums and the songs "Shotgun Willie" and "Stay All Night (Stay A Little Longer)" peaked at Nos. 60 and 22 on Hot Country Songs respectively.

We are so pleased to bring you this deluxe 180-gram 45 RPM 2LP Analogue Productions (Atlantic 75 Series) reissue of the timeless Willie Nelson classic, Shotgun Willie. Cue it up and prepare to be transported!

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Mandy Morton & Spriguns

LP | 2023 | EU | Original (Guerssen)

LP | 2023 | Original (Centricity)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Magical UK folk-rock with psychedelic / West Coast influences. It was originally self-released by Mandy Morton in 1978, after the two Spriguns albums for Decca. “Magic Lady” was dedicated to Sandy Denny, who had just passed away that same year. It was available on black vinyl with a few copies (20 aprox) pressed on blue color. Both versions are very hard to find today.

Terrific songwriting, superb musicianship and beautiful vocals. Recorded at Spaceward Studios, produced by Mike Kemp in conjunction with Mandy, mastered at Abbey Road and featuring guest appearances by Tim Hart (Steeleye Span) and Graeme Taylor (Gryphon, Albion Band).

*Original artwork in hard cardboard sleeve + OBI *Sourced from the original masters *Insert with liner notes by Mandy Morton and photos

“…one of the best things Mandy Morton did, perhaps the very best…” –Patrick Lundborg (Galactic Ramble)

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Katy Nichole

Jesus Changed My Life

35,99 €*

Release: 2023 / Original

Genre: Rock & Indie

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Bubuj Bulan / Naghm El Uns

Rully DJohan / Munif

12" | 2023 | UK | Original (Soundway)

14,99 €*

LP | 2021 | EU | Original (Motor Entertainment)

Release: 2023 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Following on from Soundway’s 2022 compilation, Padang Moonrise, are two late 1960s tracks from Java, Indonesia. one instrumental psychedelic organ version of Classic Indonesian track ‘Bubuj Bulan’ and the other a raw funk cut sung in Arabic. Rully Djohan recorded this unique, psychedelic instrumental version of Benny Corda’s classic ‘Bubuj Bulan’ for his album of instrumental organ versions of popular Indonesian songs recorded in 1971-72. With echoes of Indian, Ethiopian and Egyptian jazz melded with traditional Javanese music this version is a shimmering, dubbed-out take on a song that has been recorded by many Indonesian vocalists. Djohan is backed by The Galaxies Band, and led by one of Indonesia’s most original band leaders and arrangers Jopie Item, who also plays sitar and guitar alongside Djohan’s electric organ. On the flip-side, Munif Bahasuan delivers a deep funk track sung in Arabic. Munif was a Jakarta-based vocalist who sung mostly in Arabic and English. Jakarta has a small population of Arabic, ethnically Middle Eastern people who settled in Indonesia via connections with Islam and Islamic culture, the dominant religion in Java, Sumatra and many other of the main islands in the Indonesian archipelago.

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Alice Phoebe Lou

Glow

Release: 2021 / EU – Original

Genre: Rock & Indie, Pop

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LP | 2015 | EU | Reissue (Oh Boy)

John Prine

September 78

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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Between The Earth And Sky

Lankum

2LP | 2017 | EU | Original (Rough Trade)

30,99 €*

Release: 2017 / EU – Original

Genre: Rock & Indie

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The Monsters Burn In Hell

LP+CD | 2016 | EU | Original (Voodoo Rhythm)

2LP | 2015 | US | Original (Mercury)

Release: 2016 / EU – Original

Genre: Rock & Indie

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A variety of Voodoo Rhythm artists pay tribute to The
Monsters! Featured acts include Urban Junior, King Automatic,
The Devils, Roy And The Devils Motorcycle, Delaney Davidson,
The Seniles, Rolando Bruno, Sudden Infant and others.

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Chris Stapleton

Traveller

36,99 €*

Release: 2015 / US – Original

Genre: Rock & Indie

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2LP | 2012 | Reissue (Wilderland)

Anais Mitchell

Hadestown

Release: 2012 / Reissue

Genre: Rock & Indie

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Mongolian Music From 70's Volume 1

LP | 2023 | EU | Original (Everland Psych)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Kostas Bezos And The White Birds

LP | 2017 | US | Reissue (Mississippi)

Blues In Mono Black Vinyl Edition

Release: 2017 / US – Reissue

Genre: Rock & Indie

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The first-ever compilation of "havagies", the nearly forgotten Hawaiian-influenced music of 1930s Greece, focused on the compositions of Kostas Bezos and his ensemble White Birds. A world-class slide guitarist, political cartoonist and sleepless Bohemian, Kostas Bezos created some of the most unique music of any era: surrealist guitar portraits blending Athens and Honolulu, haunting tropical serenades, wild acoustic orchestras, and heartbreaking steel guitar duets. Incredibly, this is the same musician responsible for the legendary "Kostis" rebetika recordings (see A. Kostis "The Jail's a Fine School" [OLV-002 / MRP-098]).

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Seasick Steve

LP | 2021 | US | Original (There's A Dead Skunk)

LP | 2021 | EU | Original (Banjodad)

Release: 2021 / US – Original

Genre: Rock & Indie

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“Blues in Mono” is a timeless tribute to traditional, acoustic country blues recorded with a microphone from the 1940s, with Seasick Steve performing the songs solo, direct to an old tape machine. This was then cut direct to lacquers with no computer involved at all during the process. The old skool way of making a record. This is an album that fans have been crying out for, for years. “Blues in Mono” finds Seasick Steve giving some of his finest performances to deliver a fresh, stripped down blues album that offers the perfect antidote for the troubled times in which we live.

“It’s just me and an acoustic guitar, playing old country blues. I always wanted to do it but never felt worthy, but then I realised that I better hurry up and do it ‘cos I ain’t never gonna feel worthy!” says Steve. “I tried to make it so that if you was listening you’d think I was sitting with you in your house.”

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Trampled By Turtles

Blue Sky & The Devil

Release: 2021 / EU – Original

Genre: Rock & Indie

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7" | 2021 | EU | Original (Nunorthern Soul)

El Turronero

New Hondo

12,99 €*

Afrique Victime Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Those who pay close attention to DJ Harvey’s sets should already be familiar with NuNorthern Soul’s next single, a fully licensed reissue of a sought-after 1980 promotional seven-inch from legendary Spanish Flamenco singer Manuel Mancheño Peña, better known as El Turronero (‘The Nougat’). Both ‘Las Penas’ and ‘Si Yo Volviera A Nacer’ have long been secret weapons in the sets of dusty-fingered Balearic DJs, with Harvey regularly dropping the tracks during his sessions at Pikes Hotel on the White Isle. Both tracks first appeared on Pena’s 1980 album New Hondo, a set that updated the then veteran Flamenco artist’s sound for the disco era. Whereas most of his previous albums were more traditional Flamenco affairs, New Hondo combined his throaty, effervescent Flamenco singing style with the driving grooves, swooping orchestration and spacey synthesizer sounds of European disco. To promote the album, Spanish label DB Belter pressed up a promotional “45” featuring two of the most club-friendly cuts on the album. It’s this release that is being reissued for the very first time by NuNorthern Soul. A-side ‘Las Penas’ is undoubtedly an off-kilter, late-night disco classic. Built around a flanged, action-packed disco-funk bassline, metronomic beats. soaring and layered female backing vocals, intergalactic synth sounds and stirring strings, the track steps up a level when ‘El Turronero’ takes to the microphone to belt out an infectious, energetic vocal in his trademark Flamenco style. It’s the kind of cut that’s as haunting and intoxicating as it is funky and floor friendly. Flipside ‘Si You Volviera A Nacer’, another of New Hendo’s most sought-after tracks, is another unique and righteous concoction. Looser, groovier and warmer in tone, it sees another sublime, Flamenco style lead vocal from Pena accompanied by even funkier bass, spiralling ’70s synthesizer sounds, sweaty drums and some seriously exotic instrumental flourishes (think sitar and kalimba). It’s every bit as alluring as the more driving A-side, and equally as playable. Both tracks may be unusual in comparison to the artist’s other releases, but they expertly capture a moment in time, when disco dominated dancefloors all over the world and inspired even the most traditional and historic of European musical styles. Quite a number of flamenco-disco records were made in Spain during the late ’70s and early ’80s, but very few are quite as magical as these.

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Mdou Moctar

LP | 2021 | EU | Original (Matador)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Back in October, Artist To Watch alum Mdou Moctar returned with a new song called “Chismiten.” The song accompanied news that the virtuosic Tuareg guitarist had signed to Matador, with a promise of a new album on the way. Today Moctar’s back with the official announcement: That new album is called Afrique Victime, and it’s out in May. Turns out “Chismiten” is the album’s opener, and along with today’s the announcement Moctar’s shared another new song called “Tala Tannam.” “‘Tala Tannam’ means your tears,” Moctar said in a statement. “It is another love song of which I’m very fond.”

“While the song talks about love, we wanted to show the love between friendships and the love of Niger,” Moctar’s bassist Mikey Coltun added. “The video includes friends and family — in the Tuareg community in villages around Niamey as well as Hausa people from villages in the Dosso region.”

Part of Moctar’s rise to prominence in the West was thanks to his searing, psychedelic style of guitar-playing. Afrique Victime promises more of that.

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Ena Tefariki / Oriental Shake, Farfisa Madness & Rocking Bouzoukis From The Greek Laika Movement (1961-1973)

2LP | 2021 | EU | Original (Radio Martiko)

34,99 €*

We Fucked A Flame Into Being

Release: 2021 / EU – Original

Genre: Rock & Indie

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Includes 16 page booklet. Monster grooves, driven by a perfect symbiosis of fiery oriental rhythms and the deep, relaxed heartbeat of the bass line, with virtuosic, intoxicating solos on bouzoukis, Farfisa organs, clarinets and violins. This is the sound of laika, Greek-oriental pop music from the 60s and early 70s that sets every dance floor on fire!

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Warhaus

LP | 2016 | EU | Original (Pias)

Release: 2016 / EU – Original

Genre: Rock & Indie

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Tous Les Garcons Et Les Filles

Francoise Hardy

LP | 2013 | EU | Original (Vinyl Passion)

Release: 2013 / EU – Original

Genre: Rock & Indie

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LP | 2015 | US | Reissue (Fat Possum)

Jake Xerxes Fussell

Release: 2015 / US – Reissue

Genre: Rock & Indie

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The Moon Also Rises Moon Colored Vinyl Edition

Johnny Flynn

LP | 2023 | EU | Original (Transgressive)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | UK (Rhino / Warner)

Gordon Lightfoot

Now Playing

30,99 €*

LP | 2019 | EU | Reissue (Batov)

Release: 2023 / UK

Genre: Rock & Indie

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Part of Rhino's "Now Playing" Series! - A troubadour is defined as a "wandering storyteller." It's the perfect word for Gordon Lightfoot. For over 60 years, the Canadian singer-songwriter has told us memorable tales of rivers and highways, trains and shipwrecks, and all the love, loss, and loneliness he's experienced along the way. These original recordings of his classic hits and album tracks radiate all the humanity and hard-won wisdom that have helped make Lightfoot a legend.

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El Khat

Saadia Jefferson

19,99 €*

Release: 2019 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Amatssou White Vinyl Edition

Tinariwen

LP | 2023 | EU | Original (Wedge)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | US | Original (Palilalia)

Bill Orcutt

Jump On It

Release: 2023 / US – Original

Genre: Rock & Indie

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"It's been ten years since Bill Orcutt released A History of Every One, a compendium of hacksaw renditions of American standards on acoustic guitar—and since ten years is a blink of an eye, you are forgiven for not immediately realizing that we've gone an entire decade waiting for Jump On It, the next Orcutt solo acoustic record. As those of us of 'a certain age' will tell you (ad nauseam), a decade is a blink of an eye containing an infinity of experiential moments, and if this record is any gauge, the weight of those experiences have squashed Orcutt's rough edges, feathered his stop-motion timing into a languid lyrical flow, and snapped the shackles tethering his instant compositional skills to the imperative to deconstruct guitar history. In short, Jump On It is a collection of canonical, mature acoustic guitar soli to contrast against the fractured downtown conceits of previous acoustic releases. For those paying attention to the arc of Orcutt's electric records, which chart a course from Quine's choppiness to Thompson-ian/ Verlaine-ian flow, it should be no surprise that the ten-year gap between acoustic records should expose a similar underlying journey. But what's maybe more surprising is that Jump On It , with its living-room aesthetics and big reverb, packs a disarming intimacy absent from the formal starkness of Orcutt's earlier acoustic outings. Although you might sense the looming human in the audible breath whispering intermittently between chords (a physical flourish reminiscent of the late Jack Rose), such documentarian signposts are the exception rather than the rule. Not quite refuting (yet not quite embracing) the polish of revered watershed records by Bert Jansch, John Renbourn, or Bola Sete, Jump On It treads a path between the raw and the refined, exemplified in tracks such as 'The Life of Jesus' and 'In a Column of Air' that alternate swaying chords with Orcutt's trademark angular quicksilver runs (cut brickwall short). While you won't mistake Jump On It for incidental music, at least not if taken at full strength, stray passages radiate a conversational beauty that would please the most dissonance-adverse listener. Strangely, some of the melted lockstep grooves found in Jump On It evoke nothing other than Music for Four Guitars. While many of the linear runs are clearly improvised, and the phrasing distinctly slurred, intuitive and non-mechanical, the strummed chords hint at a cellular construction similar to Jump On It 's electric predecessor. (Orcutt states that he prefers to keep his strategies obscure—but that implies there is in fact a strategy). Whatever the case, I also hear Satie in Music for Four Guitars, and I hear him here too, hidden within Jump On It 's lilting repetition, which I easily imagine stretching to an infinitely-distant horizon. Like each of Satie's three Gymnopedies, each facet of Jump On It is a tiny miniature bound in a slim volume, an earworm you might savor again and again upon awakening or before drifting off. Each track is a key to a memory, a building block in a shining anamnesis leading to the recollection that hey, we're all humans in a shared cosmos, and music is one way we might make that universe go down easy. And who wouldn't jump on that?"—Tom Carter. Recorded Spring/Summer 2022 at the Living Room, San Francisco. Mixed and mastered by Chuck Johnson.

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Ecuatoriana - El Universo Paralelo

LP | 2023 | EU | Original (Analog Africa)

32,99 €*

On Turquoise & White Swirled Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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On 12 February 1949 an angry mob stormed into the centre of the Ecuadorian capital of Quito, burning the offices of the city’s main newspaper and its oldest radio station to the ground.

On that tragic day Radio Quito had just broadcast a local adaptation of H.G. Wells’s The War of the Worlds. The novel – first published in 1898 and famously adapted into a radio series by Orson Welles – is one of the earliest stories to depict a conflict between mankind and a hostile race of extra-terrestrials. The large audience - not understanding that it was pure fiction - believed that intergalactic intelligence had invaded the country as all hell broke loose. Thousands began running the streets of Quito looking for shelter, chaos broke out, causing a deadly stampede. People blamed the broadcaster for the tragedy, formed a dense crowd and stormed Radio Quito, setting it ablaze. Several musicians, who were there performing, were killed.

In the decades after the second world war, outer space was on everyone’s mind and the ‘space race’ of the 1950s and 60s not only produced groundbreaking efforts to launch artificial satellites, send space probes to Mars and land a human on the moon, it also had a huge impact on the movie and music industry which was taking advantage of the world‘s fascination with space voyages and lunar missions to create instruments capable of mimicking imaginary interstellar sounds. These synthesised space effects that captivated the imagination of a whole generation of young Ecuadoreans coincided with a period in which workers and musicians from the provinces started flocking to Quito and to the commercial port of Guayaquil, some hoping to find regular work, others looking to break into the musical big leagues by getting hired by one of the prestigious urban radio station. These artists brought riches of rhythms to the major Ecuadorian cities who would soon witness the explosion of what would be known as “Andean Cumbia”.

That fusion, of tropical electronics mixed in with Andean melodies and lyrics describing the cruel reality of migrant workers, achieved massive success. And so while budding Ecuadorian UFOlogy lead to widespread extraterrestrial sightings, Ecuadorian musicians began released various albums consisting of traditional music combined with synthesisers in order to bring their traditional music into the space age. One of these musicians is Polibio Mayorga who had travelled 160km from his hometown of Chisalata to Quito where he showcased his talent as he championed the art of modernising his region’s ancestral rhythms - Huaynito, Sanjuanito, Albazo and many others - using the latest in electronic instruments.

After 4 years with Los Locos del Ritmo, one of Ecuador’s most popular bands, Polibio joined Fadisa (Fabrica De Discos S.A) in 1973 as a solo musician and songwriter before becoming their musical director a year later. While there he would team up with saxophonist extraordinaire Olmedo Torres, and for 10 years they would compose and arrange hits, not only for themselves but also for their fellow artists in the Fadisa family. Although Fadisa had countless labels in their roster, the jewel in their crown was Rondador and it was on that imprint that Polibio would release “Ponchito de Colores” and his famous album “La Farra Está Aquí”. With their novel use of Moog synthesiser, both become huge hit records and were broadcast constantly by Cosmopolita and Marañón de Quito – the two major radio stations of the capital. This led to a surge of interest in Andean cumbia, and the subsequent record sales helped to revive the country’s flagging music industry, turning Polibio into Ecuador’s most influential musician.

Polibio has never considered his music to be “tropical psychedelia” - although he thinks it would make a good name for a band. He has the sense of humour of a genius and the ability to make anyone laugh, yet he remains discreet, eloquent and humble … but as a musician he is daring and visionary, with an intrepid, vigorous style almost impossible to imitate. More than perhaps any of his peers, Polibio Mayorga established a unique place for himself at the vanguard of tropical music.

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Altin Gün

LP | 2019 | US | Original (ATO)

LP | 2016 | US | Original (Pepper Hill)

Release: 2019 / US – Original

Genre: Organic Grooves, Rock & Indie

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Altin Gün’s breakthrough debut album ‘On’ is being released on vinyl for the first time in the U.S.! This release will have a custom Stoughton vintage style tip-on jacket. It is being pressed on turquoise/white swirl vinyl.

On their debut album, Altin Gun showed what happens when you open the doors between Turkish folk songs and a dirty blend of funk rhythms, wah-wah guitars and analogue organs. Featuring their hit version of “Goca Dünya”!

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Wheeler Walker Jr

Redneck Shit

Release: 2016 / US – Original

Genre: Rock & Indie

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LP | 2015 | EU | Original (Tutl)

Eivor

Slor

Release: 2015 / EU – Original

Genre: Rock & Indie

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LP | 2011 | UK | Original (Wichita)

First Aid Kit

The Lion's Roar

Release: 2011 / UK – Original

Genre: Rock & Indie

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CD | 2023 | EU | Original (Tapete)

Robert Forster

The Candle And The Flame

19,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2012 | US | Reissue (Hollywood)

ZZ Ward

Til The Casket Drops

Release: 2012 / US – Reissue

Genre: Rock & Indie

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Emahoy Tsege Mariam Gebru

Spielt Eigene Kompositionen

LP | 2012 | US | Reissue (Mississippi)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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LP | 2023 | EU | Original (Habibi Funk)

Roger Fakhr

East Of Any Place

25,99 €*

LP | 2021 | EU | Original (Bader Molden)

Release: 2023 / EU – Original

Genre: Rock & Indie

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"East of Any Place,” out December 1st via Habibi Funk, is a treasure trove of songs discovered alongside Rogér Fakhr's acclaimed 2021 album, "Fine Anyway." These tracks, hidden for decades and only passed between a handful of people, offer a glimpse into Rogér’s musical genius and the vibrant scene of Lebanon during a period marked by civil war and social upheaval. This release serves as a companion to "Fine Anyway," feat studio tracks that didn't make it into the previous album.

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Anna Mabo

Notre Dame

Release: 2021 / EU – Original

Genre: Rock & Indie

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Isyanlar / Yalniz Olu Balikar

Lalalar

7" | 2019 | EU | Original (Les Disques Bongo Joe)

12,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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Derya Yildirim & Grup Simsek

Nem Kaldi

12" | 2017 | CH | Original (Bongo Joe / Catapulte)

Sahel Black Vinyl Edition

Release: 2017 / CH – Original

Genre: Rock & Indie

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The debut-EP of this Anatolian psych-pop sensation consists of four heart-melting gems in which Turkish folk music meets groove and electric action! Singer/multi-instrumentist Derya Yildirim teams up with fantastic drummer Greta Eacott (G-Bop Orchestra, One-Take Records) and three-quarters of Orchestre Du Montplaisant (Antonin Voyant, Graham Mushnik and Andrea Piro). With members originating from Turkey, Germany, France, Italy and Great Britain, Grup Simsek encapsulates the Outernational generation. Unlike in western pop culture, Turkish pop music is often focused on traditionalised songs and endless ways of reimagining these. Grup Simsek take the righteous and rich Turkish poetry to the future whilst not losing awareness of the past.

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Bombino

LP | 2023 | UK | Original (Partisan)

27,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Wagram)

Johnny Cash

I Walk The Line

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | JP | Original (P-Vine)

Isato Nakagawa

Solar Wind

35,99 €*

2LP | 2015 | EU | Original (Rabble Rouser)

Release: 2023 / JP – Original

Genre: Rock & Indie

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Known as one of the greatest fingerstyle guitarists of his generation, the late Isato Nakagawa’s “Solar Wind” is getting a long awaited analog reissue!

With incredible technical talent and an ear for beautiful melodies, Nakagawa was a pioneer of Japan’s fingerstyle guitar scene, mentoring world-renown guitarists such as Kotaro Oshio and Masaaki Kishibe. Originally released over two decades ago, ‘Solar Wind’ saw Nakagawa at the height of his powers, a guitarist confident in both his compositional skills and unrivaled technical ability. Of course, this talent is disguised, with melodies often so simple they could be from lullabies. Yet at times, his talent is on full display, with moving harmonies so complex it seems impossible that he’s playing with only two hands. Whether you want to sit down and study the music of a master, or simply sit back and listen to beautiful guitar melodies, this album is perfect. Reissued on vinyl for the first time ever with an obi strip, this album has never looked or sounded this good! Don’t miss Isato Nakagawa’s Solar Wind, only from P-vine Records.

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The Unthanks

Mount The Air

Release: 2015 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Obsolete)

Jilala

This Wild Willing Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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First time these tracks appear on vinyl – Pressed on 180 Gram Black Vinyl
Recorded by Brion Gysin & Paul Bowles in Morocco 1965
Limited Edition of 300 Copies

Until Now, Jilala has been a much sought-after phantom in relation to their better-known musical and spiritual contemporaries, The Master Musicians of Jajouka. Culled from three and a half hours of 1965 recordings by writers/artists/poets Brion Gysin and Paul Bowles, the first batch of Jilala recordings were released on a 1965 LP that was scarce even upon its initial release. The second batch of recordings, which this LP has drawn from, came in the form of a CD by Baraka Foundation in 1998, which is also now long out of print.

The Jilala brotherhood -- like the better-known Jajouka culture -- has pre-Islamic roots in Sufi mysticism that span across northern Africa from Morocco to India. Jilala shares the kinds of small, portable instruments historically favored by nomadic cultures. Even among the more ardent aficionados of “world music” these recordings have seldom been heard.

In the original liner notes Ira Cohen provides a breakdown of the Jilala ensemble: 'The instruments used are the shebaba, a long transversal cane flute, which leads the way; the bendir, a handheld drum resembling a tambourine without cymbals; and the karkabat which is a double castanet made of metal. On this record, there are usually three flutes, six drums and one pair of castanets.' In conjunction with the qraqaba - an iron analog to the wooden castanets featured heavily in the Flamenco music of the Roma people that also flourished over the centuries mere miles to the north in southern Spain.

These bendir drums provide a range very similar to that covered in contemporary popular music by the bass drum, snare, and cymbals that make up a standard drum kit. The Trance-inducing grooves were major influences on such bands as Led Zeppelin, Agitation Free, Can and the Rolling Stones. The collective rhythms are often reminiscent of early hip-hop.

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Glen Hansard

2LP | 2019 | EU | Original (Anti)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Moritz von Oswald & Ordo Sakhna

2x10" | 2017 | UK | Original (Honest Jons)

Guds Spelemän Remastered 2023 Edition

Release: 2017 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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A kind of intimate scrapbook of the startling collaboration between the techno maestro and this long-standing musical collective based in Bishkek, devoted to the roots music of Kyrgyzstan. Loose-leaved but balanced, lucid and intimate, it sets out from stunning a cappella and virtuosic komuz and kylak, mouth harp and traditional percussion: not field, but expert studio recordings, using marvellous vintage microphones, made over several days in Berlin. Further, a few of these are deftly treated by Moritz, using Reichian de-synced double-tracking, and discreet effects. Also two ten-minute dubs: a deadly, signature Berlin steppers, plus its version; and an echoing, mystical drum session, recorded live on stage in Bishkek. And a side-long, dream-like summation: the locomotive, oceanic, clangorous, dread Facets.

Ravishing, rooted, searching music; beautifully presented.

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Garmarna

LP | 2023 | EU | Original (Massproduktion)

LP | 2023 | US | Original (Dear Life)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Red vinyl.Massproduktion and Garmarnas most successful album -Guds Spelemän from 1996 - finally remastered and re-designed and on vinyl for the first time.Guds Spelemän was really a challenge to record and finalize. Recorded on several occasions and on five different locations, in between the bands constant touring, it was a really a feat to finalize. But the chemistry between the band and producer Sank made magic in the studio and the will to do something completely new was at maximum. Guds Spelemäns seamless mix of machines and electronic sounds with the bloodiest of medieval ballads and Emma Härdelins exceptional voice is really something else.Garmarna had just made international fame by being frontpage news on Billboard and touring all over the world and just before the recording they played for a crowd of 10 000 in Stockholm. So they were really a band on the way yp. And bringing an exceptional album - Guds Spelemän - resulted in both a Swedish and international success. Besides earning a Swedish Grammy and gold record it also became a large export success. The album was licenced to some 14 countries and released all over the world in different versions. In a few years Garmarna would sell close to 90 000 records all over the world.It been remasted from the original analog 12 inch master to real brilliance by the legendary Björn Engelmann at Cutting Room. The original artwork has been reworked by Lia Jacobi and its now released on vinyl for the first time in a beautiful gatefold sleeve.

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Florry

The Holey Bible

27,99 €*

My Name Is Suzie Ungerleider Orange Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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For Francie Medosch, leader of rag tag Philly country-rock outfit Florry, the 11 songs on their Dear Life Records debut “The Holey Bible” urgently radiate a place of hard-won optimism, and pull no punches in laying out the patient road it sometimes takes to get there. “The Holey Bible” aspires to the special feeling of raucous intimacy achieved by the best records in the outlaw country canon, and strikes that rare balance between a display of careful honesty, and an invitation to a party.

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Suzie Ungerleider

LP | 2021 | EU | Original (MVKA)

Release: 2021 / EU – Original

Genre: Rock & Indie

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7" | 2021 | EU | Original (Saigon Supersound)

Trùc Mai

Sài Gòn

11,99 €*

LP | 2019 | UK | Original (Finders Keepers)

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Not many cities in the world are gifted with a timeless anthem of their own. We all know “New York, New York”, a song widely known across its city borders. For many Vietnamese, the beautiful Cha Cha Cha tune “Sài Gòn” has a similar reputation. The tune was written by Hanoi-born composer Y-Van. Like many of his generation, he moved to the South in 1954 after The Geneva Accords partitioned Vietnam temporarily into two states. There he became one of the most famous and prolifc songwriters in South Vietnamese pop music. His revered songs are still sung and covered to this day. “Sài Gòn”, which he wrote in 1965, was recorded for the frst time by Saigonese-born singer Trúc Mai for the Sóng Nhạc label. It is one of his most iconic compositions and has been recorded countless times since. Trúc Mai rose to prominence during the late 1950s as a popular headliner in the cabaret circuit of Saigon, earning her the title, "Nữ Hoàng Mambo" (the Queen of the Mambo). Her reputation helped make the 1965 recording of “Sai Gon” an instant hit. It was so successful that it was one of only a few songs to appear on multiple 7” vinyl releases. However, that same year, Trúc Mai took a seven-year hiatus from the music industry to take care of her family. But she returned in 1972 to record “Sai Gon” again, this time with another producer, Duy Khánh – also a successful singer and musician. They released this track on his “reel 2 reel” tape series, “Cỏ May”. After the war ended in 1975, Trúc Mai and her family left Vietnam to begin their new lives in the United States, where she continued her successful music career with the overseas community.The Sài Gòn sung about in the song refers geographically to today's Districts 1 & 3 in Ho Chi Minh City, the name given in 1975, after reunifcation. But colloquially, the city is still afectionately called Sài Gòn by many of its residents, and even the airport retains the ‘sgn’ designation as its abbreviation. Despite being recorded over 55 years ago, the unbroken popularity of this life-afrming ode to the city is proven when, whether in Sài Gòn or Hanoi; the south or north; whether young or old, when the song plays, everyone immediately joins in to sing along to the chorus…Saigon đẹp lắm Saigon ơi! Saigon ơi! (Saigon is so beautiful! Saigon oi! Saigon oi!) The two extensively restored mixes are supplemented with a 2021 edit by Saigon Supersound producer and DJ Jan Hagenkötter, who tries to preserve the vibes of the original and at the same time to wrap it in a contemporary garment.

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Miquela

I A De Sars

Release: 2019 / UK – Original

Genre: Rock & Indie

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Weaving a fragile thread through collectible outsider genres such as acid folk,
French jazz, Braziliana and world music it is virtually incomprehensible that
this incredible one-off solo album by mononymous Occitan language singer,
songwriter and activist Miquela.

Released and well-received in incredibly small numbers by a supportive and
emotional Occitan fan base, this would be Miquela’s only ever solo LP.

Captured via a humble makeshift studio set-up in a classroom in 1977, this
startlingly crystalline recording is one of the best examples you are likely to
hear, not shying from ambitious small string arrangements and intimate Gallic
jazz infusions this LP represents the quiet storm erupting from the pride and
protection of the ancient “romance” language known as Occitan, as spoken by
less than 1.5 million people in Southern France.

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LP | 2017 | EU | Original (Wagram)

Spirit Of French Songs

15,99 €*

Release: 2017 / EU – Original

Genre: Rock & Indie

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2LP | 2016 | EU | Original (Efficient Space)

Sky Girl

2LP | 2014 | US | Original (Verve)

Release: 2016 / EU – Original

Genre: Rock & Indie

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2024 restock. Sky Girl is a mysteriously unshakeable companion, a deeply melancholic and sentimental journey through folk-pop, new wave and art music micro presses that span 1961-1991. It's a DIY collection of different genres, from different countries across different decades, that are all bound by the same longing sentiment. A concept compilation! A seemingly disparate suite of selections of forgotten fables by more or less never-knowns, Sky Girl forms a beautifully coherent and utterly sublime whole deftly compiled by French collectors DJ Sundae and Julien Dechery. From Scott Seskind's adolescent musical road movie to Karen Marks' icy Oz-wave, the charming DIY storytelling of Italian-American go-getter Joe Tossini and the ethereal slow dance themes of Parisian artists Nini Raviolette and Hugo Weris, Sky Girl resonates on a wide spectrum historically, geographically and stylistically. It unites in a singular, longing, almost intangible ambience. If the names sound wholly unfamiliar that doesn't matter, the nature of the compositions swiftly nurtures an intimacy with these lonely, poignant, openhearted wanderers. Most were available in a very limited capacity at the time of their release, some were never really released at all - Gary Davenport declined to release "Sarra" after he split with the girl for whom the track is named - years later a friend convinced Davenport to allow him to put 100 copies online to sell and DJ Sundae was quick enough to snare one. Beyond their scarcity, these tracks are bound together by a certain raw beauty that's achievable when music is made and no one is listening. Sky Girl comprises of fifteen officially licensed songs, a two year international scavenger hunt through long-folded home label operations, the depths of internet forums and traceless acetates. Both compilers are well trained record sleuths - DJ Sundae's labels Hollie and Idle Press have reissued Arthur Russell affiliate Nirosta Steel and DIY relic Pitch, while Julien Dechery previously compiled Fire Star, a retrospective on Tamil film composer Ilaiyaraaja, for Bombay Connection. Released by popular NTS show "Noise In My Head" offshoot Efficient Space, Sky Girl is enriched with artwork from Perks and Mini mutant Misha Hollenbach and appropriately elegant sleeve notes courtesy of Ivan Smagghe. Includes digital download. Also features: Linda Smith, Bruce Langhorne, The Seraphims, Some of My Best Friends Are Canadians, The Rising Storm, Warfield Spillers, Joyce Heath, Angel, Nora Guthrie and Once.

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Blake Mills

Heigh Ho

42,99 €*

Release: 2014 / US – Original

Genre: Rock & Indie

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LP | 2012 | EU | Original (Columbia)

Leonard Cohen

Old Ideas

Release: 2012 / EU – Original

Genre: Rock & Indie, Pop

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Guitars Cadillacs Etc. Etc.

Dwight Yoakam

LP | 2016 | EU | Reissue (Rhino)

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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Crosby, Stills & Nash Atlantic 75 Series

Crosby, Stills & Nash

2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

75,99 €*

Desert Wind Red Vinyl Edtion

Release: 2023 / US – Reissue

Genre: Rock & Indie

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180g 2LP 45rpm. Analogue Productions (Atlantic 75 Series)
Celebrating the 75th Anniversary of Atlantic Records!
Crosby, Stills & Nash — The debut studio album from the rock supergroup!
180-gram 45 RPM double LP
Mastered directly from the original master tape by Bernie Grundman
Pressed at Quality Record Pressings
Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing

Several unique features set the debut studio album by folk rock supergroup Crosby, Stills & Nash, released in 1969 by Atlantic Records, apart. It's the only album by the band before adding Neil Young to their lineup. The album spawned two Top 40 singles, "Marrakesh Express" and "Suite: Judy Blue Eyes," which peaked respectively at No. 28 during the week of August 23, 1969, and at No. 21 during the week of December 6, 1969, on the U.S. Billboard Hot 100. The album itself peaked at No. 6 on the U.S. Billboard Top Pop Albums chart. It has been certified four times platinum by the RIAA for sales in excess of 4 million copies.

Instantly lifting the group to stardom, along with the Byrds' Sweetheart of the Rodeo and the Band's Music from Big Pink, the previous year, the album is cited by music reviewers for initiating sweeping changes in popular music. In 2021 the album held the rank of No. 161 on Rolling Stone's 500 Greatest Albums of All Time list.

Crosby, Stills & Nash was "the perfect blend of David Crosby's social conscience, Stephen Stills's virtuoso musicianship and Graham Nash's ability to craft the perfect pop melody for radio," writes Rolling Stone, in its review.

The band was brought together after Crosby was fired from The Byrds, Stills's band, Buffalo Springfield had broken up (a band which also featured later member, Neil Young) and Nash's departure from The Hollies. The three decided to form a band after an informal jam led them to discover how well their voices harmonized. Released in May 1969, the band would perform nine of the album's 10 songs at Woodstock, which was the second time they ever did, in August of the same year.

The album features some of CSN's most well known and iconic songs; "Suite: Judy Blue Eyes," "Marrakesh Express," "Guinnevere," "Wooden Ships," "Helplessly Hoping" and "Long Time Gone." This album saw a shift in sound to what was popular at the time — blues based rock, opting for a more folk rock, and sometimes jazz-based sound. It would lay the foundations for the California Sound that would be popularised out of Laurel Canyon in the ‘70s. Artists such as The Eagles, Jackson Browne and Fleetwood Mac would take inspiration from the sound of this record.

All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Bernie Grundman and cut at 45 RPM. Pressed on 180-gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.

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Yasar Akpençe

7" | 2023 | EU | Original (Hot Casa)

Linda Smith & Nancy Andfrews

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Yaşar Akpençe was born in 1966 in Istanbul (Türquiye) and can be consider as one of the best world darbouka player. He began his career in music at the age of 9 by playing Congo and carried on with the darbuka at 13 and made his musical dream come true by working with famous musicians. Akpençe has performed as a guest musician on numerous albums as well as being the founder of the percussion collective known as « Harem Group ». Yasar has performed with almost every major artist in Turkey, spanning many genres including pop, traditional. gypsy, jazz, arabesque and contemporary. The track « Desert Wind » was released in 2004 on his cd album « Passion Percussion » and we ‘re very proud to reissue it for the first time on vinyl. This track is a dance floor classic ! A perfect tool for DJ’s all over the world.

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A Passing Cloud

LP | 2023 | US | Original (Grapefruit / Getrude Tapes)

LP | 2010 | US | Reissue (Mississippi)

Release: 2023 / US – Original

Genre: Rock & Indie

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In 1983, Nancy Andrews and Linda Smith shared a big house in Baltimore with a continuously revolving cast of artists and musicians. It was there the like-minded artists formed their first band, Ceramic Madonna Head (with Plastic Arms), a short-lived project which included housemates Elizabeth Downing and Peggy Bitzer. By the time the lease was up, Smith and Bitzer had decided to move to New York where they would form a new band called The Woods while Andrews and Downing remained in Baltimore and formed a performance art band called Lambs Eat Ivy. While playing guitar in The Woods in the mid-’80s Smith purchased her first 4-track cassette recorder and embarked on a pioneering decade of solo, DIY home recording with a series of cassettes and 7-inch records of smart and moody singer-songwriter bedroom pop music. This trailblazing period was recently documented on the Captured Tracks retrospective compilation Till Another Time: 1988-1996. Her band, The Woods, made a record which was shelved for decades but will finally see release in 2023. During this same period Andrews pursued art, animation and filmmaking with occasional forays into music including another short-lived collaboration with Smith called The Gertrudes as well as a 7-inch under the alias Pinky on Harriet Records in 1992. The friends stayed in touch but hadn’t worked on a project together in nearly thirty years. In 2020, Smith rediscovered in the back of a drawer some old tapes of Andrews’s songs she had recorded for her in the ’90s. In the process of digitizing the old recordings she was inspired to reach out and float the idea of a new collaborative recording project with her old friend. A Passing Cloud is the fruit of their rekindled long-distance musical conversation. They began the songwriting process by flipping through Andrews’s pulp fiction collection and pulling provocative phrases from the lurid titles and hard-boiled storylines. Then, they set out to create new stories from personal, feminist perspectives. All the songs were composed incrementally by passing tracks back and forth between Maine and Maryland during the late pandemic. A Passing Cloud’s lovely and beguiling pop music may be borne out of isolation but it draws one in with a carefully rendered intimacy made possible by decades of artistic collaboration.

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Michael Hurley

Blue Hills

LP | 2023 | US | Original (Scissor Tail Editions)

Release: 2010 / US – Reissue

Genre: Rock & Indie

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On this LP we find Michael Hurley stretching out on six longer than usual compositions that are heartbreaking & beautiful as anything he's ever done.Side one features Hurley on a creaky pump organ and a Hammond organ. Side two starts out with two newer compositions - just Michael on guitar & vocals. The record ends with a stunning version of Tea Song (which Michael originally wrote & recorded way back in 1963).A sustained feeling of loss & need for redemption haunts this record. It ain't easy listening, but then what worth a damn is?Includes insert with Michael's notes on the songs and some artwork.

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John Fizer

Treasure Man

Emahoy Tsege Mariam Gebru

Release: 2023 / US – Original

Genre: Rock & Indie

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Since Barely saved from obscurity by a series of chance events, John FIZER's only recorded album Treasure Man will finally see the light of day. Forty-five years in the making, while for the last twenty-nine years Fizer has been “living rough” couch surfing, sleeping in play structures, friend’s backyards and more recently his old Volvo station wagon. Fizer is currently residing in a nursing facility in Northern California. Below is the story of how this never before heard album came to Scissor Tail’s attention. James Johnson (producer) says: “I used to walk my daughter to school and passed the original Peet’s coffee every day. Across the street was Berkeley’s beloved John ‘Treasure Man’ Fizer playing chess, doing crosswords and waiting next to the treasure tree which he had filled with gemstones and various magical trinkets. To this day any child passing by is welcome to choose a treasure. Over many stops with my daughter I got to know John, a fountain of love, intelligence and humor and as quirky and feisty as can be. We became friends. Eventually he showed me a few old cassettes of cassettes of cassettes in poor condition of him performing and asked if I could make them sound better. I agreed to take a listen. Such amazing songs! So I proceeded to remaster the cassettes while continuing to ask John at least four times over several months if he had the original master studio recordings. The answer was always no. About the time I finally had his cassette sourced recordings sounding as good as they could be and he popped up with a 15 inches per second 1/4’ half track, state of the art analog master reel-to-reel recorded at the legendary Mountain Ears recording studio in 1977 with some very fine studio musicians including RAY Bonneville, Brad "honeyboy" Hayes, Erik "bobo" JohnSON and Brian "sluggo" Brown. John had found the original reel! It had been residing for decades in the bowels of John’s old 1980 Volvo station wagon, which also serves as his home, and was covered in strangely beautiful mold but that was the day I knew the world would hear John’s music the way it was meant to be be...big, fat, analog. The next few years were spent cleaning and remastering the album with some of the worlds finest restoration specialists.”

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LP | 2016 | US | Reissue (Mississippi)

LP | 2021 | TR | Original (Pasaj)

Release: 2016 / US – Reissue

Genre: Rock & Indie

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The second LP compendium of Emahoy Tsege Mariam Gebru's early solo piano works, recorded throughout the 1960s - finally available again. Emahoy Tsege Mariam Gebru is a true original - her compositions and unique playing style live somewhere between Erik Satie, Debussy, liturgical music of the Coptic Ethiopian Church, and Ethiopian traditional music. It is some of the most moving piano music you will ever hear!These original compositions, performed by Emahoy Tsege Mariam Gebru herself on solo piano, were originally self-released in Germany in small editions as fundraisers for orphanages, support organizations for widows of war victims, and other philanthropic causes. We are humbled and proud to present this album in collaboration with the EMAHOY TSEGE MARIAM MUSIC PUBLISHER and Foundation, and to assist in continuing her life-long mission of using music as a vessel to care for those who have been abandoned by society, or harmed by strife.Black vinyl LP comes in black inner-sleeves and heavy cardstock jacket with color printing and gold-foil stamping, and song notes by the composer herself. Restored and remastered by Timothy Stollenwerk.

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Müslüm Gürses

Sandik

21,99 €*

LP | 2019 | EU | Original (Türküola)

Release: 2021 / TR – Original

Genre: Rock & Indie

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2021 remaster, 180g black vinyl. Muslum Gurses was a phenomenon singer and then actor for 40 years in his career. Semi Kurdish / Turkish man who was born in south east region of Turkiye. His music was inspired by Arabic, Kurdish and Turkish influence. This album is a nice blend of middle east folk music. Melancholic sound of his voice will be haunting you. It is worth to take a listen.

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Baris Manco

Iste Baris Iste Manco

21,99 €*

Coin Coin Chapter One: Gens De Couleur Libre

Release: 2019 / EU – Original

Genre: Rock & Indie

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Türküola gratefully presents an other Barış Manço compilation which gives a full retrospective of the best years of the Turkish psychedelic rock legend. The compilation focuses on the 1967-1971 era of Manço, which is mainly considered as the psychedelic years when the typical Anatolian Pop sound was evolving and Manço was more a rocker than a semi conservative pop folk singer of a neo-Ottoman aura. In the compilation we hear his works with his bands Les Mistigris (Seher Vakti), Kaygısızlar (near in all songs including Bebek, Boğaziçi etc.), Etc (in Dağlar Dağlar 1 &2 , Küçük Bir Gece Müziği (which is a psyche- adaptation Mozart’s “Eine Kleine Nacht Musik” and Derule), Moğollar (Binboğanın Kızı, İşte Hendek İşte Deve). “Binboğanın Kızı” explodes a prog- rock bomb with the legendary Moğollar with Hammond solos of Murat Ses, “Ağlama Değmez Hayat” pushes the limits of Turkish traditional music instruments with its raw but powerful groove, “Küçük Bir Gece Müziği” covers Mozart with its powerful guitars with screaming wah wah pedals, “Boğaziçi” (Bosphorus) gives a mystical and psychedelic mood which would later be a signature of Manço in his electronic prog years . “İşte Barış İşte Manço” will be a good start for the absolute beginners, thanks to traditional Türküola quality...

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Matana Roberts

2x10" | 2011 | CA | Original (Constellation)

Release: 2011 / CA – Original

Genre: Organic Grooves, Rock & Indie

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LP | 2023 | EU | Original (Türküola)

Fikret Kizilok

Köroglu Daglari

Release: 2023 / EU – Original

Genre: Rock & Indie

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12" | 2023 | UK | Original (Bubblewrap)

Georgia Ruth

Kingfisher

Najib Alhoush & The Free Music

Release: 2023 / UK – Original

Genre: Rock & Indie

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The five songs on the Kingfisher EP deal in nostalgia, lost time, and the peculiar pleasure of sadness. It was recorded in StudiOwz in Pembrokeshire in December 2021, engineered by Iwan Morgan (who co-produced along with Georgia, and with whom she worked on her last album Mai). Musicians include Stephen Black (Group Listening, Sweet Baboo) and Iwan Huws, and with additional percussion by Osian Williams, and string arrangements by Owain Roberts. Georgia’s one-year-old son Idris features in the background of a few of the songs, if you listen closely enough! Glassy electronic beats and improvised vocals sit alongside dreamy Americana.

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Free Music Part 1

LP | 2023 | EU | Original (Habibi Funk)

25,99 €*

Voices From The Empty Moor (Songs Of Anne Briggs) Sea Foam Colored Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Blisteringly groovy collection of completely off-the-radar songs by Libyan composer / producer Najib Alhoush’s group The Free Music, circa 1976. Releasing an astonishing 10 albums, all impressively strong and equally infused by soul, funk, disco and reggae, The Free Music created a distinctly infectious groove that unfortunately didn’t make an impact outside of Libya due to the complex political situation at the time. There is a reason it says “Part 1” in the title.

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Devin Hoff

LP | 2021 | US | Original (Kill Rock Stars)