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Zoufris Maracas - Blue De Lune
Zoufris Maracas
Blue De Lune
2LP | 2020 | EU | Original (Chapter Two)
23,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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Zephaniah Ohora - Listening To The Music
Zephaniah Ohora
Listening To The Music
LP | 2020 | EU | Original (Last Roundup)
17,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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Zeitgeist & Tucceri - Jin Mu
Zeitgeist & Tucceri
Jin Mu
LP | 2021 | EU | Original (La Sape)
19,99 €* 24,99 € -20%
Release: 2021 / EU – Original
Genre: Organic Grooves, Rock & Indie, Electronic & Dance
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Having worked together for several years on the project 'Zeitgeist Freedom Energy Exchange' Zeitgeist and Tucceri come together here in a very intimate and vulnerable setting. This recording offers a place of reflection and healing amongst an ever imposing and disposable pop culture. In a time where we fight for each others attention in 10 second social media grabs. The duo offer something of the opposite. An opportunity to tap out of the technological bombardment and allow the listener the place to reflect, to ponder, to imagine.
Zalagasper - 4
Zalagasper
4
LP | 2020 | EU | Original (Universal)
21,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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Yves Montand - Du Soleil Plein La Tete
Yves Montand
Du Soleil Plein La Tete
LP | 2020 | EU | Original (Diggers Factory / Ina)
25,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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Yoon Ji-Young - The Road Home White Vinyl Edition
Yoon Ji-Young
The Road Home White Vinyl Edition
LP | 2021 | JP | Reissue (Beat Ball Music)
17,99 €* 23,99 € -25%
Release: 2021 / JP – Reissue
Genre: Rock & Indie
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This is the vinyl reissue of the second album by folk singer and original composer of 'If I Had Wings on my Song', Yoon Ji-Young. After having released his debut effort, Yoon turned to Oasis Records for his second album. This work was undertaken with the wholehearted backing of musical partner and legendary Korean folk singer/songwriter Kim Min-ki. This album is unique in that it features an unlikely pairing of the socially critical metaphors of Kim's earlier works against the lush instrumentation of the Oasis studio session musicians. The album, with its arrangements incorporating chamber pop vibes as well as folk-rock elements, has a well-crafted quality to it that sets it apart from most gayo albums of its time. Perhaps due to Kim's outspoken lyrics, only small promotional batches of this album were produced at the time of its release. It soon faded into obscurity, going on to become a 'holy grail' rarity among collectors.
Yola - Stand For Myself
Yola
Stand For Myself
LP | 2021 | EU | Original (Concord)
23,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Yat-Kha - We Will Never Die Orange Vinyl Edition
Yat-Kha
We Will Never Die Orange Vinyl Edition
LP | 2021 | DE | Original (Lollipoppe Shoppe)
29,99 €*
Release: 2021 / DE – Original
Genre: Rock & Indie
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Witch Camp - I've Forgotten Now Who I Used To Be
Witch Camp
I've Forgotten Now Who I Used To Be
LP | 2021 | EU | Original (Six Degrees)
24,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Willie Nelson - That's Life
Willie Nelson
That's Life
LP | 2021 | US | Original (Sony Legacy)
29,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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Willie Nelson - That's Life
Willie Nelson
That's Life
LP | 2021 | EU | Original (Sony)
26,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Willie Nelson & Bobbie - December Day Willie's Stash Volume 1 White Vinyl Edition
Willie Nelson & Bobbie
December Day Willie's Stash Volume 1 White Vinyl Edition
2LP | 2014 | EU | Reissue (Music On Vinyl)
22,39 €* 31,99 € -30%
Release: 2014 / EU – Reissue
Genre: Rock & Indie
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Talk about a talented family: Willie Nelson and his Sister Bobbie Nelson each achieved massive success in country music. Even in their late 80’s, the Nelsons continue to make music and their influence can be heard through many artists in the genre. December Day, Willie’s Stash Vol. 1 is a collaboration album between the two, and upon release in 2014 it was met with positive reviews from music critics. The album spawned three singles: “Who’ll Buy My Memories”, “Laws of Nature” and “Summer of Roses / December Day”. The liner notes were written by Willie’s frequent collaborator Mickey Raphael. This record comes as a limited edition on snowy white vinyl.
William Fitzsimmons - Ready The Astronaut Clear Vinyl Edition
William Fitzsimmons
Ready The Astronaut Clear Vinyl Edition
LP+CD | 2021 | EU | Original (Grönland)
22,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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William Fitzsimmons - Gold In The Shadow
William Fitzsimmons
Gold In The Shadow
LP | 2011 | DE | Original (Grönland)
19,99 €*
Release: 2011 / DE – Original
Genre: Rock & Indie
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Will Hoge - Tiny Little Movies
Will Hoge
Tiny Little Movies
LP | 2020 | UK | Original (Soundly Music)
21,99 €*
Release: 2020 / UK – Original
Genre: Rock & Indie
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Wilco - The Whole Love (Expanded) Record Store Day 2024 Vinyl Edition
Wilco
The Whole Love (Expanded) Record Store Day 2024 Vinyl Edition
3LP | 2011 | EU | Reissue (Sony Music Catalog)
62,89 €* 73,99 € -15%
Release: 2011 / EU – Reissue
Genre: Rock & Indie
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Quantity: 4500
Release type: RSD Exclusive Release

Wilco’s legendary 2011 album now on three LP’s. Expanded to include all related single, EP and bonus tracks - plus A selection from The Loft's archive of live in-studio performances and previously unreleased alternate mixes and demos. Includes Wilco classics "Art of Almost", "Dawned on Me”, "Sunloathe” . 3LP Box
White Light / Jo Bogaert - Whale
White Light / Jo Bogaert
Whale
12" | 2021 | EU | Original (Stroom)
20,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Strange lovesongs from the Belgian Dender area in the early 80's

"The other night when I was talking to my friend I said: believe me, I wasn’t far from death when I lived in the hotel the only thing that he could do was take me in his arms and love me and kiss me and show me the difference between friendship and love but there is none"
Wheeler Walker Jr. - Fuck You Bitch: All-Time Greatest Hits
Wheeler Walker Jr.
Fuck You Bitch: All-Time Greatest Hits
LP | 2020 | EU | Original (Pepper Hill)
20,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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Wesley Schultz - Vignettes
Wesley Schultz
Vignettes
LP | 2021 | EU | Original (Universal)
18,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Wes Buckley - The Towering Ground
Wes Buckley
The Towering Ground
LP | 2021 | US | Original (Half A Million)
31,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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Wes has been working in and around the Berkshires for some time, performing solo, duo, or with full band. His music stretches out quite a bit, sometimes offering a more homespun, traditional mountain bus folky type feel, other times extending outward toward Dead spaces or even Arkestra-esque freakouts. He’s released records with Michael Hurley, self released CDs, and been collected on CD by the wonderful Mystra label. His record with us, The Towering Ground, will be his first LP and we’re very excited about it. The songs collected here maintain a bit of his folky character, but they offer something more in the way of a hazy, If I Could Only Remember My Name / Fred Neil’s 'The Dolphins' languor. The songwriting chops Wes displays are strong, and while he’s a New Englander, there’s a California sunset melancholy running through these tunes, recalling a bit of FJ McMahon’s mournfulness or John Wonderling’s knack for somehow still chilled-out grandiosity..."—Half A Million Records
Wayne Graham - One Percent Juice
Wayne Graham
One Percent Juice
LP | 2020 | EU | Original (Hometown Caravan)
19,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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Wardruna - Kvitravn
Wardruna
Kvitravn
2LP | 2021 | EU | Original (Columbia Local)
29,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Wangford Hank - Save Me The Waltz
Wangford Hank
Save Me The Waltz
LP | 2014 | UK | Original ($Incere $Ounds)
26,99 €*
Release: 2014 / UK – Original
Genre: Rock & Indie
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Wall Matthews - Spine River: The Guitar Music Of Wall Matthews, 1967-1981
Wall Matthews
Spine River: The Guitar Music Of Wall Matthews, 1967-1981
LP | 2020 | US | Original (Tompkins Square)
23,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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Guitarist Wall Matthews is the surviving member of experimental '70s collective, Entourage. Sampled by Four Tet, their name whispered in reverence through the decades, Entourage forged bold musical ideas on their two rare ’70s Folkways LPs. Tompkins Square released Ceremony of Dreams: Studio Sessions and Outtakes, 1972-1977, in 2017 to wide acclaim. Spine River: The Guitar Music of Wall Matthews, 1967-1981 is a collection of unreleased or obscure music by the master guitarist. This volume will be released as a limited edition LP, along with four other digital volumes of Wall's music, chronologically mapping his career.
Vladimir Misik - Nocni Obraz
Vladimir Misik
Nocni Obraz
LP | 2021 | EU | Reissue (Animal Music)
29,99 €* 39,99 € -25%
Release: 2021 / EU – Reissue
Genre: Rock & Indie
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Vivian Leva & Riley Calcagno - Vivian Leva & Riley Calcagno
Vivian Leva & Riley Calcagno
Vivian Leva & Riley Calcagno
LP | 2021 | Original (Free Dirt)
23,99 €*
Release: 2021 / Original
Genre: Rock & Indie
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Vincent Neil Emerson - Vincent Neil Emerson
Vincent Neil Emerson
Vincent Neil Emerson
LP | 2021 | EU | Original (La Honda)
21,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Valentina Cenni & Stefano Bollani - Via Dei Matti N 0
Valentina Cenni & Stefano Bollani
Via Dei Matti N 0
2LP | 2021 | EU | Original (Columbia)
34,99 €*
Release: 2021 / EU – Original
Genre: Organic Grooves, Rock & Indie
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V.A. - Zar: Songs For The Spirits
V.A.
Zar: Songs For The Spirits
2LP | 2021 | EG | Original (Juju Sounds)
25,99 €*
Release: 2021 / EG – Original
Genre: Rock & Indie
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V.A. - Zar: Songs For The Spirits
V.A.
Zar: Songs For The Spirits
CD | 2021 | EG | Original (Juju Sounds)
18,99 €*
Release: 2021 / EG – Original
Genre: Rock & Indie
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V.A. - Uzelli Elektro Saz
V.A.
Uzelli Elektro Saz
CD | 2020 | EU | Original (Uzelli)
17,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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Uzelli Kaset was established in 1971 by Muammer and Yavuz Uzelli in Frankfurt, Germany. Their music resonated not only with the longing that Gastarbeiter (guest workers) felt for the homelands and families they had left behind and the melancholy brought by their difficult living and working conditions in Germany, but also with the joy that welled up at village weddings on their days off, and the long car or train journeys home. Reaching the remotest corners of Germany as well as Turkey, Uzelli Kaset was soon more than just a music company; it became a companion to Turkish workers living far from home. Not counting the handful of 8-track tapes and 14 LPs released in the early days, the catalog consisted entirely of cassettes.
When they opened their Istanbul office in 1977, Uzelli moved beyond production and became successful in the areas of reproduction, distribution and marketing. Taking the catalogs of other production companies under its umbrella, it continued its rapid growth.
The 90s became the CD decade, and because Uzelli Kaset had not released its catalog in CD format, hundreds of albums remained unavailable to an entire new generation. Because the albums had not been released in LP form either, musical explorers ran into the same problem. Remaining active and serving in various areas of the music industry, Uzelli carefully preserved its visual, audio and document archives, ensuring their survival to the present day.
After an immense amount of work, this catalog, which had long awaited discovery by new generations, was finally released in digital format. For record collectors seeking the spirit of those times, we also began offering this special selection of compilation albums in vinyl format. As we created this series, our goal was to guide listeners toward new discoveries, and open new pages for music lovers to explore. Leaving our rich, multifaceted catalog to genuine musicians, curators and artists, our desire became to approach the recordings of that period from a different perspective.
We are overjoyed to know that our continuing meticulous work will bear fruits whose taste and aroma have been long forgotten.
Uzelli
V.A. - Turk Pop Muzik Tarihi 1960-70 Lp2
V.A.
Turk Pop Muzik Tarihi 1960-70 Lp2
LP | 2021 | TR | Original (Yapi Kredi Kültür Sanat Yayincilikq)
24,99 €*
Release: 2021 / TR – Original
Genre: Organic Grooves, Rock & Indie
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V.A. - Turk Pop Muzik Tarihi 1960-70 Lp1
V.A.
Turk Pop Muzik Tarihi 1960-70 Lp1
LP | 2021 | TR | Original (Yapi Kredi Kültür Sanat Yayincilikq)
24,99 €*
Release: 2021 / TR – Original
Genre: Organic Grooves, Rock & Indie
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V.A. - This Is Tehran
V.A.
This Is Tehran
LP | 2021 | EU | Original (30m)
27,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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V.A. - The Secret Museum Of Mankind - Guitars Vol. 1: Prologue To Modern Styles
V.A.
The Secret Museum Of Mankind - Guitars Vol. 1: Prologue To Modern Styles
LP | 2021 | EU | Original (Jalopy)
20,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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V.A. - The Rough Guide To Country Music
V.A.
The Rough Guide To Country Music
LP | 2020 | UK | Original (World Music Network)
13,49 €* 17,99 € -25%
Release: 2020 / UK – Original
Genre: Rock & Indie
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V.A. - The Rough Guide To African Beats
V.A.
The Rough Guide To African Beats
LP | 2020 | UK | Original (World Music Network)
17,99 €*
Release: 2020 / UK – Original
Genre: Rock & Indie
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V.A. - Sacred Soul Of North Carolina
V.A.
Sacred Soul Of North Carolina
2LP | 2021 | EU | Original (Bible & Tire Recording Company)
23,24 €* 30,99 € -25%
Release: 2021 / EU – Original
Genre: Rock & Indie
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V.A. - Rhythm Country & Blues
V.A.
Rhythm Country & Blues
LP | 2021 | US | Original (Geffen)
37,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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V.A. - Rhythm & Blues House Party Volume 2
V.A.
Rhythm & Blues House Party Volume 2
7" | 2021 | EU | Original (Koko Mojo)
11,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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V.A. - Pop Hits 12
V.A.
Pop Hits 12
LP | 2021 | EU | Original (Türküola / Arsivplak)
24,99 €*
Release: 2021 / EU – Original
Genre: Organic Grooves, Rock & Indie
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Turkish disco pop funk sound compilation album. Great soul-pop and disco-funk with amazing moog organ, keyboards/synths, bass, rhythm and wah guitars.. This compilation has the unique sound in Turkish Disco-Funk music with influences of soul, jazz, pop, rock and beats. Turkish instruments with great disco tunes and great female & male vocals.
V.A. - Peace Chant Volume 4
V.A.
Peace Chant Volume 4
LP | 2020 | JP | Original (Tramp)
31,99 €*
Release: 2020 / JP – Original
Genre: Rock & Indie
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V.A. - Peace Chant Volume 3
V.A.
Peace Chant Volume 3
LP | 2020 | JP | Original (Tramp)
31,99 €*
Release: 2020 / JP – Original
Genre: Rock & Indie
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V.A. - Native North America Volume 1: Aboriginal Folk, Rock And Country 1966-1985
V.A.
Native North America Volume 1: Aboriginal Folk, Rock And Country 1966-1985
2CD | 2014 | US | Reissue (Light In The Attic)
23,99 €*
Release: 2014 / US – Reissue
Genre: Rock & Indie
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2016 Grammys Best Historical Album Nominee
34 tracks newly re-mastered
Deluxe 3xLP set includes 60-page book housed in a “Tip-On” slipcase with three “Tip-On” jackets
Both 2xCD and 3xLP editions include comprehensive liner notes, artist interviews, unseen archival photos, and lyrics (with translations)
Vinyl pressed at RTI
Liner notes by Kevin “Sipreano” Howes

Largely unheard, criminally undocumented, but at their core, utterly revolutionary, the recordings of the diverse North American Aboriginal community will finally take their rightful place in our collective history in the form of Native North America (Vol. 1): Aboriginal Folk, Rock, and Country 1966–1985. An anthology of music that was once near-extinct and off-the-grid is now available for all to hear, in what is, without a doubt, Light In The Attic’s most ambitious and historically significant project in the label’s 12-year journey.

Native North America (Vol. 1) features music from the Indigenous peoples of Canada and the northern United States, recorded in the turbulent decades between 1966 to 1985. It represents the fusion of shifting global popular culture and a reawakening of Aboriginal spirituality and expression. The majority of this material has been widely unavailable for decades, hindered by lack of distribution or industry support and by limited mass media coverage, until now. You’ll hear Arctic garage rock from the Nunavik region of northern Quebec, melancholy Yup’ik folk from Alaska, and hushed country blues from the Wagmatcook First Nation reserve in Nova Scotia. You’ll hear echoes of Neil Young, Velvet Underground, Leonard Cohen, Creedence Clearwater Revival, Johnny Cash, and more among the songs, but injected with Native consciousness, storytelling, poetry, history, and ceremony.

The stories behind the music presented on Native North America (Vol. 1) range from standard rock-and-roll dreams to transcendental epiphanies. They have been collected with love and respect by Vancouver-based record archaeologist and curator Kevin “Sipreano” Howes in a 15-year quest to unearth the history that falls between the notes of this unique music. Tirelessly, Howes scoured obscure, remote areas for the original vinyl recordings and the artists who made them, going so far as to send messages in Inuktitut over community radio airwaves in hopes that these lost cultural heroes would resurface.

With cooperation and guidance from the artists, producers, family members, and behind the scenes players, Native North America (Vol. 1) sheds real light on the painful struggles and deep traditions of the greater Indigenous community and the significance of its music. The songs speak of joy and spirituality, but also tell of real tragedy and strife, like that of Algonquin/Mohawk artist Willy Mitchell, whose music career was sparked by a bullet to the head from the gun of a trigger-happy police officer, or those of Inuk singer-songwriter Willie Thrasher, who was robbed of his family and traditional Inuit culture by the residential school system.

Considering the financially motivated destruction of our environment, the conservative political landscape, and corporate bottom-line dominance, it’s bittersweet to report that the revolutionary songs featured on Native North America hold as much meaning today as when they were originally recorded. Dedicated to legendary Métis singer-songwriter and poet Willie Dunn, featured on the anthology but who sadly passed away during its making, Native North America (Vol. 1) is only the beginning. A companion set featuring a crucial selection of folk, rock, and country from the United States’ Lower 48 and Mexico is currently in production.
V.A. - Nahma : A Gulf Polyphony
V.A.
Nahma : A Gulf Polyphony
LP | 2021 | EU | Original (Flee Project)
27,90 €*
Release: 2021 / EU – Original
Genre: Rock & Indie, Electronic & Dance
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The pearls of the Gulf have stoked the imagination and desire of people around the world for centuries their magnificence matched only by the courage of the divers who found them. This project aims to honor the memory of these valiant free-divers, their culture and their music by the means of a transmedia object including: A 2xLP vinyl compilation containing undisclosed original recordings of pearl divers and inspired modern-day compositions by artists like Tomaga, YPY, Aya Metwalli, Joakim, Tarek Yamani or Hieroglyphic Being.
V.A. - Mali: The Art Of Griots Of Kela, 1978-2019
V.A.
Mali: The Art Of Griots Of Kela, 1978-2019
LP | 2021 | EU | Original (Musee D'Ethnographie De Geneve)
21,99 €*
Release: 2021 / EU – Original
Genre: Organic Grooves, Rock & Indie
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About a hundred kilometers south-west of Bamako, on the left bank of the Niger River, the Malian village of Kela is known to be home to a large community of griot musicians (jeliw) mostly belonging to the Diabaté family. Their art is recognised throughout West Africa and many griots come from all over the world to stay there, sometimes for several years, in the hope of becoming immersed in it. The six pieces for voice accompanied by guitar or traditional koni lutes were recorded in 1978 (tracks 3 to 6) and in 2019 (tracks 1 to 3), in the same traditional dwelling, which still serves as a “studio". The accompanying booklet contains the testimonies of several important musicians who took part in the recording, and evoke key elements of their universe Points of interests - For the fans of the traditional repertoires of Mali’s famous griot musicians. - For music lovers who love the voices accompanied by the guitar and the traditional lutes of the griots.
V.A. - Laura Lies In
V.A.
Laura Lies In
LP | 2020 | UK | Original (Laura Lies In)
17,99 €*
Release: 2020 / UK – Original
Genre: Rock & Indie
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‘A celebration of the ever-expanding and evolving label family, Lli008 comprises an LP, a fifty-odd-page booklet (and eight page photobook and insert), further digital tracks and some web-based stuff contributed by friends new and old from far and wide.’
V.A. - Lagniappe Sessions, Volume 2 Record Store Day 2020 Edition
V.A.
Lagniappe Sessions, Volume 2 Record Store Day 2020 Edition
LP | 2020 | US | Original (ORG Music)
33,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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Record Store Day 2020 Release.
Limitation: 1500 copies.

Lagniappe (la ·gniappe) noun 'lan-?yap,' - 1. An extra or unexpected gift or benefit. 2. Something given or obtained as a gratuity or bonus. Launched in 2005, the blog Aquarium Drunkard has become a daily destination for many on a never ending quest for musical discovery. In 2011, Aquarium Drunkard established The Lagniappe Sessions, featuring some of the site's favorite artists covering some of their favorite artists. Released for RSD Black Friday in 2016, ''The Lagniappe Sessions Volume 1'' brought these sessions to vinyl for the first time. Aquarium Drunkard has now teamed up with ORG Music for a second volume of the series, featuring an eclectic group of artists including Kevin Morby, Mikal Cronin, Mountain Goats, Damien Jurado, and many more. The record, limited to 1,500 copies worldwide, comes pressed on clear vinyl exclusively for Record Store Day 2020.

Six Organs of Admittance - Night Goat Zachary Cale - 1970 Steve Gunn - Astro Zombies Mikal Cronin - Can't Hardly Wait Scott Hirsch - So Far Away Nap Eyes - 2 Kool 2 Be 4-gotten Mountain Goats - Blood Bank Damien Jurado - Gimme A Break Mountain Man - Slow Burn RF Shannon - About Her Eyes Erin Rae - Duchess Kevin Morby - Random Rules Joan Shelley - I Would Be In Love (Anyway)
V.A. - Katebegiak
V.A.
Katebegiak
2LP | 2021 | EU | Original (Elkar)
38,99 €*
Release: 2021 / EU – Original
Genre: Organic Grooves, Rock & Indie
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Music produced in the 70’s in the Basque Country got trapped between two earth shattering artistic currents; Ez Dok Amairu in the 60s and Basque Radical Rock in the 80’s, and unfortunately, most of the lovely discs and tunes created at that magical time have been pushed to a remote (and sometimes even despised) corner of our collective memory. 60’s and 80’s music currents are almost opposite, and both work as magnetic poles with a very strong power of attraction, and maybe also as a burden for any of the later artistic currents. 60’s generation of artists searched within their rich and ancient cultural roots to acknowledge and update them, in proud, hopeful and unforgettable folk songs. The 80’s one on the other hand, worked in a flammable environment in constant social and political conflict and found in punk the perfect way to express their anger and weariness for so many unfulfilled promises and the lack of opportunities into short, noisy, direct and corrosive songs, technically sparse but full of energy and expressive power. Most of the “classic” names engraved in our memory come from one or the other like Benito Lertxundi, Mikel Laboa, Lourdes Iriondo and Xabier Lete or Kortatu, Hertzainak, Zarama, Las vulpes, Eskorbuto or Cicatriz. 70’s generation and their music works somehow as the “missing link” (“katebegia” in Basque) between the two. They loved folky tunes and don’t forget their ancient roots, but they also look outside for inspiration and experimentation. Just as the 80’s boys and girls found punk the 70’s guys found a completely different sonic and aesthetic landscape in the works of Grateful Dead, Fairport Convention, King Crimson, Soft Machine, Gong,… and worked closely with keen souls in other neighboring regions such as Maquina!, Pau Riba or Sisa in Catalonia or Smash and Triana in Andalusia. This resulted in more abstract and poetic lyrical content, much longer psych-folk-prog-jazz tunes, full of complex instrumental passages and mesmerizing structures of sheer ambition and masterful execution in many cases. But, most important of all, they found a voice of their own, rich, unique, and fascinating, and that’s what makes them so valuable to us. Not only to us, but also to lots of vinyl collectors and crate-diggers around the world, who have in many cases paid fortunes for some of the original editions of LPs that are the source of tunes in this compilation. Mikel Unzurrunzaga Schmitz aka DJ Makala, Dj and producer of worldwide scope and wisdom, noticed this fact first and decided to pay homage to these wonderful tunes through this masterful and dedicated selection for your pleasure and as an open invitation to dig deeper into your adventures in the dark and hidden side of Basque popular music. The album Katebegiak, now published by Elkar, contains 13 tunes on double LP gatefold edition from Haizea, Izukaitz, William S. Fischer, Magdalena, Enbor, Itoiz, Koska, Itziar, Errobi, Lisker, Amaia Zubiria & Pascal Gaigne, Gontzal Mendibil & Taldea and Urria, and the CD-Book edition adds an extra bonus track by the great unknown artist Juan Arkotxa. Along with this compilation, and as a sample of the era, we reissued two more little gems of which we have included a track on the compilation.
V.A. - Jugoton Funk Vol.1 - A Decade Of Non-Aligned Beats, Soul, Disco And Jazz 1969-1979
V.A.
Jugoton Funk Vol.1 - A Decade Of Non-Aligned Beats, Soul, Disco And Jazz 1969-1979
2LP | 2020 | EU (Everland Yu)
31,99 €*
Release: 2020 / EU
Genre: Rock & Indie
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Yugoslavia - six republics, four decades, one dictator and a single record label that ruled them all: Jugoton (Zagreb, Croatia). Jugoton was by far the country's largest label with the strongest and most diverse output that stretched from Balkan roots to contemporary trends and the sound of tomorrow . The early days of Yugoslavia featured strong censorship but by the end of the 60's the Communist party views softened up by a large degree. Westernized music already had a solid presence and first James Brown influenced compositions were released. Yugo funk, a term coined by DJ’s and crate diggers from the Balkans, encompasses a wide variety of performers and genres: from the 60's merseybeat rock bands, prog rock groovers and big band jazz orchestras to the late 70's sophisticated 4x4 funk and essentially everything in between. Jugoton Funk Vol.1, a first of its kind, celebrates the pioneer years of funk infused music released by Jugoton. While in pursuit of these treasures all over the Balkan region and beyond, the compilation’s selectors, Dr. Smeđi Šećer & Višeslav Laboš, both active as DJ's and crate diggers from the sole beginnings of the ex-Yu craze, wanted to capture the authentic and idiosyncratic funk sound of Jugoton and Yugoslavia. So here it is, comb your moustache, light up a fat one, turn up the amplifier and headbang away to these amazing tunes remastered from original master tapes dug out of the Jugoton vaults (now Croatia Records). - Compiled by Dr. Smeđi Šećer & Višeslav Laboš. Here’s the exclusive interview with Dr. Smeđi Šećer: www.psychedelicbabymag.com/2020/09/jugoton-funk-vol-1-a-decade-of-non-aligned-beats-soul-disco-and-jazz-1969-1979.html
V.A. - I'm Burning, I'm Burning Songs From The Greek Underground 1925-1940
V.A.
I'm Burning, I'm Burning Songs From The Greek Underground 1925-1940
LP | 2020 | EU | Original (Take It Acid Is)
14,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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This compilation features some great examples of rebetika songs from the 20's and 30's including some well known artists like Rosa Eskenazi, Markos Vamvakaris, Anestis Delias, Rita Abadzi and others. An excellent overview of the phenomenon for anyone interested in southern European folk music history.
V.A. - Habibi Funk: An Eclectic Selection Part 2
V.A.
Habibi Funk: An Eclectic Selection Part 2
2LP | 2021 | EU | Original (Habibi Funk)
32,99 €*
Release: 2021 / EU – Original
Genre: Organic Grooves, Rock & Indie
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Second compilation by Habibi Funk, following the success of the first part, featuring a wide range of music from North Africa and the Middle East.
V.A. - Futur Antérieur : Bongo Joe's 5 Years Anniversary
V.A.
Futur Antérieur : Bongo Joe's 5 Years Anniversary
2LP | 2021 | EU | Original (Les Disques Bongo Joe)
19,49 €* 25,99 € -25%
Release: 2021 / EU – Original
Genre: Rock & Indie
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V.A. - Fire Draw Near
V.A.
Fire Draw Near
LP | 2021 | EU | Original (River Lea)
32,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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V.A. - Ena Tefariki / Oriental Shake, Farfisa Madness & Rocking Bouzoukis From The Greek Laika Movement (1961-1973)
V.A.
Ena Tefariki / Oriental Shake, Farfisa Madness & Rocking Bouzoukis From The Greek Laika Movement (1961-1973)
2LP | 2021 | EU | Original (Radio Martiko)
34,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Includes 16 page booklet. Monster grooves, driven by a perfect symbiosis of fiery oriental rhythms and the deep, relaxed heartbeat of the bass line, with virtuosic, intoxicating solos on bouzoukis, Farfisa organs, clarinets and violins. This is the sound of laika, Greek-oriental pop music from the 60s and early 70s that sets every dance floor on fire!
V.A. - Country Funk Volume 3 1975-1982 Clear Vinyl Edition
V.A.
Country Funk Volume 3 1975-1982 Clear Vinyl Edition
2LP | 2021 | US | Original (Light In The Attic)
23,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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Volume 3 in LITA’s acclaimed Country Funk series! Featuring Dolly Parton, J.J. Cale, Conway Twitty, Larry Jon Wilson, and Billy Swan, amongst many others Includes previously unreleased track by Tony Joe White Newly remastered audio New original artwork by renowned artist J. William Myers (artist for Robert Altman’s Nashville, Waylon Jennings and Willie Nelson’s Waylon & Willie album, and LP covers for the Charlie Daniels Band) Description: The horse still bucks, the band still funks, and well…the fire still burns.

That’s right—Country Funk is back.

In the summer of 2012, a new sound blew in from the dusty desert. It was a sound difficult to pin down, to codify; a sound that, like some wild horse, resisted one’s grasp. But this was no trend, no flash-in-the-pan movement, no shotgun marriage of styles, no ma’am. This sound went back decades, back to the latter half of the 1960s and early 1970s when adventurous artists started to blend country hoedown harmony with the elation of gospel, the sexual thrust of the blues and a touch of inner-city grit. This was a new sound with a simple name: Country Funk.

Country Funk 1969-1975, first released in 2012 and co-produced by Zach Cowie, Patrick McCarthy and Matt Sullivan, brought together a disparate group of artists that were neither bound by geography nor a shared ideology, but connected through the simple feel of their songs. Country Funk is alternatively playful and melancholic, slow jammin’ and booty-shakin’. It’s a sound both studio slick and barroom raw, as evident in the artists featured on Volume I: Johnny Adams, Mac Davis, Dale Hawkins, Tony Joe White, Bobbie Gentry, Larry Jon Wilson, and many others. Just two years later, we chased Volume I with a new collection of songs for Country Funk 1967-1974 (lita 116, 2014). Volume II didn’t let up, dealing out all the loose-talking and lap-steel twangin’ one could handle. Heavy hitters like Willie Nelson, Townes Van Zandt, Kenny Rogers, Dolly Parton and J.J. Cale shared barstools with the lesser-known voices of Bill Wilson, Donnie Fritts and Thomas Jefferson Kaye.

With Country Funk Volume III 1975-1982 (lita 194) we’re here to say there’s more funk left in the trunk yet. This time around, the jeans are tighter, the hair is bigger and the disco ball spins along to a country-synth beat. Produced and compiled by Jason Morgan (Bay Area DJ/collector) and Patrick McCarthy (co-producer/compiler of Volume I & II), the tracklist features regulars Dolly Parton, J.J. Cale, Larry Jon Wilson and Tony Joe White (whose track is released here for the first time) alongside new faces like Steven Soles, Gary & Sandy, Conway Twitty, Travis Wammack, Billy Swan, Rob Galbraith, Brian Hyland, and so many more. As the 1970s began to wane and the 1980s approached, the Country Funk pallet expanded to include disco beats, heavy Moog synth bass lines and more clavinet than you could shake a stick at. Volume III shows artists continuing to buck traditional country tropes and production while embracing modern soul, disco, and coked-up 80s synth-pop. This is the true soundtrack of the Urban Cowboy. Saddle up, partners.
V.A. - Club Coco Colored Vinyl Edition
V.A.
Club Coco Colored Vinyl Edition
LP | 2021 | EU | Reissue (Les Disques Bongo Joe)
24,99 €*
Release: 2021 / EU – Reissue
Genre: Rock & Indie
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Bongo Joe presents "Club Coco", a summary outernational latin and afro rooted music compilation curated by Coco María.
V.A. - Club Coco Black Vinyl Edition
V.A.
Club Coco Black Vinyl Edition
LP | 2021 | EU | Reissue (Les Disques Bongo Joe)
25,99 €*
Release: 2021 / EU – Reissue
Genre: Rock & Indie
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Bongo Joe presents "Club Coco", a summary outernational latin and afro rooted music compilation curated by Coco María.
V.A. - Bob Stanley & Pete Wiggs Present Occasional Rain
V.A.
Bob Stanley & Pete Wiggs Present Occasional Rain
2LP | 2020 | UK | Original (Ace)
31,99 €*
Release: 2020 / UK – Original
Genre: Rock & Indie
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It’s the day after the 60s. You turn on the radio and there is news about John leaving the Beatles – or will Paul be the first to jump? There is insecurity and uncertainty. The rain filters into the post-psychedelic, pre-progressive sound; in times of upheaval, you always notice bad weather.

“Occasional Rain” is the sequel to Bob Stanley and Pete Wiggs’ highly successful “English Weather” collection (“Really compelling and immersive: it’s a pleasure to lose yourself in it” - Alexis Petridis, the Guardian). This is the sound of young bands experimenting in a period of flux, feeling for a new direction, exploring jazz and folk – as many songs are led by mellotron, piano and flute as they are by guitar. Lyrically, there are two themes that crop up regularly: the search for a home that isn’t there anymore – the certainties of the optimistic 60s, the physical reality of terraced streets – and the rain. For the former, there’s Cressida’s gentle, keening ‘Home And Where I Long To Be’, while Duncan Browne’s shape-shifting ‘Ragged Rain Life’ feels like a decent summary of Britain in both 1970 and 2020.

“Occasional Rain” puts the era’s bigger names (Traffic, Yes, Moody Blues) and the lesser known (Mandy More, Shape Of The Rain, Tonton Macoute) side by side. Like its predecessor “English Weather”, it evokes the turn of the new decade, a beautiful state of fuzzy confusion, and the feel of a wet Saturday afternoon at the dawn of the 70s spent flicking through the racks, wondering whether to buy the new Tull album or maybe take a chance on that Christine Harwood album in the bargain bin (go on, you won’t regret it).
V.A. - Americana Railroad Black Friday Record Store Day Vinyl Edition
V.A.
Americana Railroad Black Friday Record Store Day Vinyl Edition
2LP | 2021 | EU | Original (Renew)
33,59 €* 41,99 € -20%
Release: 2021 / EU – Original
Genre: Rock & Indie
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2LP, Gatefold This collection consists of 19 classic and original train songs performed by a variety of artists from the worlds of Americana and Rock. None of these tracks have been previously released and most feature innovative takes on songs you are likely familiar with. Together they tell a story of the intersection of the history of railroads and popular music in America.
V.A. - Altin Mikrofon 1966
V.A.
Altin Mikrofon 1966
LP | 2020 | TR | Original (Dogan Music Company)
21,99 €*
Release: 2020 / TR – Original
Genre: Rock & Indie
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Altın Mikrofon (Golden Microphone) is a music contest organized in 1965 by "Hürriyet", one of the biggest newspapers of the time. The first Golden Microphone contest was organized in 1965. The qualifiers of the 2nd Competition organized in 1966 were held in 9 hours in front of a jury including the famous artist Zeki Müren. This time 7 finalists were selected and their contest tracks were released as 45 rpm singles. They gave concerts in Izmir, Ankara, Istanbul, Bursa, Bursa, Eskişehir, Samsun and Konya. The last concert was again held in Istanbul. Silhouettes won the contest with 4563 votes. Second place was Blue Lights with 2850 votes, just like last year. The third with 2382 votes was Selçuk Alagöz. The finalists Kent Yedilisi, T.P.A.O.Batman Orkestrası, Cahit Oben, Siluetler, Ali Atasagun, Mavi Işıklar and Selçuk Alagöz Orkestrası shaped the Turkish Pop Music and Anatolian Rock movement
V.A. - Altin Mikrofon 1965
V.A.
Altin Mikrofon 1965
2LP | 2020 | TR | Original (Dogan Music Company)
30,99 €*
Release: 2020 / TR – Original
Genre: Rock & Indie
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Altın Mikrofon (Golden Microphone) is a music contest organized in 1965 by "Hürriyet", one of the biggest newspapers of the time. The first Golden Microphone contest was organized in 1965. The goal with this competition was to support Turkish Light Western Music, which is just beginning to emerge. Hürriyet explained the purpose of the contest by saying, "The Golden Microphone Gift Contest is designed to give a new direction to Turkish music by utilizing the rich techniques and forms of western music and playing it with western instruments." 78 artists participated in the first competition, which was a record among the competitions of the period. The first prize for the winning artist was to be made into a record and to play in a music hall on a regular basis. Forty-one artists submitted their works to the competition and these songs were evaluated by a jury of 80 people. Of the artists who participated, 10 made it to the finals. These 2 albums were originally released as single 45 rpm in 1965. Many of the artists featured on the album later became famous and shaped Turkish Pop Music. Among the artists featured on the album are Cahit Oben Orchestra, Silüetler, Mavi Işıklar Orchestra and the Selçuk Alagöz Orchestra became the pioneering representatives of the movement later called "anatolian Rock"
Ultramarine - Folk
Ultramarine
Folk
LP | 2020 | EU | Original (Foam On A Wave)
21,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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For their first outing, new London-based reissue label Foam On A Wave resurface the remarkable debut album from one of the UK's foremost artists of 'ambient techno', Ultramarine's 'Folk'. Like the surrealist collage of the sleeve designed by Benoît Hennebert, Ultramarine weave together unique instrumentation and sonic influences into rich, ethereal soundscapes, now fully remastered for its 30th anniversary. Ian Cooper and Paul Hammond admitted they weren't totally sure what they were doing when they signed a record deal with the famously bohemian label Les Disques du Crépuscule and found themselves on their way to Brussels. There, over a two week stint, the Essex duo recorded the album - drawing on a kaleidoscopic palette influenced by both the Canterbury scene's jazz-infused psychedelia, as well as the contemporary Benelux scene, with particular nods to the likes of Benjamin Lew, The Durutti Column and Anna Domino. Conceived at a time when technology began reshaping the process of recording and production, the band's interest in fusing the organic and the electronic is apparent, and one that has remained with them throughout their career. 'Folk' both sits apart from and serves as a precursor to the 'pastoral techno' sound Ultramarine went on to pioneer. Following US and European tours alongside Orbital and Bjork, a few more albums and collaborations with the likes of Robert Wyatt and Kevin Ayers, plus remixes for and by Everything But The Girl, Carl Craig, Luke Slater and more, they folded the project for a number of years. Last year the band returned to their inaugural imprint with the ethereal 'Signals Into Space'. Albeit somewhat sparser, more sedate, it is in some ways a coming full-circle to the jazz-laden, analogue sound of their debut, which makes reissuing 'Folk' feel all the more timely.
Trùc Mai - Sài Gòn
Trùc Mai
Sài Gòn
7" | 2021 | EU | Original (Saigon Supersound)
11,99 €*
Release: 2021 / EU – Original
Genre: Organic Grooves, Rock & Indie
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Not many cities in the world are gifted with a timeless anthem of their own. We all know “New York, New York”, a song widely known across its city borders. For many Vietnamese, the beautiful Cha Cha Cha tune “Sài Gòn” has a similar reputation. The tune was written by Hanoi-born composer Y-Van. Like many of his generation, he moved to the South in 1954 after The Geneva Accords partitioned Vietnam temporarily into two states. There he became one of the most famous and prolifc songwriters in South Vietnamese pop music. His revered songs are still sung and covered to this day. “Sài Gòn”, which he wrote in 1965, was recorded for the frst time by Saigonese-born singer Trúc Mai for the Sóng Nhạc label. It is one of his most iconic compositions and has been recorded countless times since. Trúc Mai rose to prominence during the late 1950s as a popular headliner in the cabaret circuit of Saigon, earning her the title, "Nữ Hoàng Mambo" (the Queen of the Mambo). Her reputation helped make the 1965 recording of “Sai Gon” an instant hit. It was so successful that it was one of only a few songs to appear on multiple 7” vinyl releases. However, that same year, Trúc Mai took a seven-year hiatus from the music industry to take care of her family. But she returned in 1972 to record “Sai Gon” again, this time with another producer, Duy Khánh – also a successful singer and musician. They released this track on his “reel 2 reel” tape series, “Cỏ May”. After the war ended in 1975, Trúc Mai and her family left Vietnam to begin their new lives in the United States, where she continued her successful music career with the overseas community.The Sài Gòn sung about in the song refers geographically to today's Districts 1 & 3 in Ho Chi Minh City, the name given in 1975, after reunifcation. But colloquially, the city is still afectionately called Sài Gòn by many of its residents, and even the airport retains the ‘sgn’ designation as its abbreviation. Despite being recorded over 55 years ago, the unbroken popularity of this life-afrming ode to the city is proven when, whether in Sài Gòn or Hanoi; the south or north; whether young or old, when the song plays, everyone immediately joins in to sing along to the chorus…Saigon đẹp lắm Saigon ơi! Saigon ơi! (Saigon is so beautiful! Saigon oi! Saigon oi!) The two extensively restored mixes are supplemented with a 2021 edit by Saigon Supersound producer and DJ Jan Hagenkötter, who tries to preserve the vibes of the original and at the same time to wrap it in a contemporary garment.
Trio Tekke - Strovilos
Trio Tekke
Strovilos
LP | 2020 | UK | Original (World Music Network)
17,99 €*
Release: 2020 / UK – Original
Genre: Rock & Indie
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Tre Burt - You, Yeah, You
Tre Burt
You, Yeah, You
LP | 2021 | EU | Original (Oh Boy)
21,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Toti Soler - Toti Soler
Toti Soler
Toti Soler
LP | 2021 | EU | Original (Munster)
17,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Like A Long Drag Of Hashish In The Morning When The Alarm Clock Rings In The Open Air, The Synthesis That Works In This Album Is Aromatic, Hypnotic, Luminescent_ Somewhere Between Hispalis And The Catalan Mediterranean. Spanish Guitar And Flamenco Metonymies Flourish On This Transitional Instrumental Work That Ablutions In Flamenco Waters, Scented With Folk-Blues Salts. This 1973 Album Is Seminal In Creating Flamenco Fusion. The Arid But Magnetic Notes Of The First Track On The Album, 'Sardana Flamenca' Delve Deeper Into The Subconscious, Which Soler Recorded On His Own With His Spanish Guitar, Except The Electric Pieces Where Members Of The Band Om Helped Out. Reissued On Vinyl For The First Time. Includes An Insert With Notes And A Rare Toti Soler Photo. * * * Detailed Description:Toti Soler's Self-Titled Second Album Together With Sabicas, Smash From 1971-72 And The Recording Paco De Lucía Made With Jazzman Pedro Iturralde, Were Seminal In Creating Flamenco Fusion, A Blend That Has Travelled Far. They Altered The Perception Of Said Music Redefining Its Limits And Possibilities. Soler's Syncretism Between Hispalis And The Catalan Mediterranean, Another Form Of Fusion, Was Released Perhaps Paradoxically By Edigsa, The Label That The Guitarist Worked With The Most, The Founding Spirit Of Which Was To Safeguard The Local Language, Catalan. In 1972, The Ancient Call Of Flamenco Took Soler To Andalusia, Where He Studied Under The Renowned Guitarist Diego Del Gastor. When He Returned To Barcelona, He Commenced A Long Parallel Chapter As Acoustic Accompanist For The Singer-Songwriter Ovidi Montllor From Alcoy, Leaving Rock And The Electric Guitar Behind. However, Watts And Rock Still Pulse Through In His Second Lp (Self-Titled But Also Referred To As "El Gat Blanc"), 1973, But Play A Minor Role. Spanish Guitar And Flamenco Metonymies Flourish On This Theoretically Transitional Instrumental Work, Which Would Become One The Most Popular Of His Discography. The Arid But Mag...
Tom Waits - The Early Years Volume 1
Tom Waits
The Early Years Volume 1
LP | 2011 | US | Original (Manifesto)
27,99 €*
Release: 2011 / US – Original
Genre: Rock & Indie
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Tom Waits - Gun Street Boy: The Bridge School Benefit Broadcast
Tom Waits
Gun Street Boy: The Bridge School Benefit Broadcast
LP | 2021 | EU (Mind Control)
20,99 €*
Release: 2021 / EU
Genre: Rock & Indie
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Stunning Tom Waits set from a live FM Broadcast recorded at the Bridge School Benefit, Shoreline Amphitheatre, Mountain View, CA, 30th October 1999.
Tom Liwa Singt Texte Von Axel Ressler - 6 / 8 Rot
Tom Liwa Singt Texte Von Axel Ressler
6 / 8 Rot
LP | 2021 | EU | Original (Tom Liwa)
22,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Tim Easton - You Don't Really Know Me
Tim Easton
You Don't Really Know Me
LP | 2021 | US | Original (Black Mesa)
23,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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Tigana Santana - Vida-Código
Tigana Santana
Vida-Código
LP | 2020 | EU | Original (Ajabu!)
24,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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Thov G. Wetterhus - Stålslått
Thov G. Wetterhus
Stålslått
LP | 2021 | EU | Original (Motvind)
16,49 €* 21,99 € -25%
Release: 2021 / EU – Original
Genre: Rock & Indie
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The Zen Circus - Nati Per Subire
The Zen Circus
Nati Per Subire
LP | 2011 | EU | Original (USM)
28,49 €* 37,99 € -25%
Release: 2011 / EU – Original
Genre: Rock & Indie
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The Wood Brothers - Kingdom In My Mind
The Wood Brothers
Kingdom In My Mind
LP | 2020 | EU | Original (Honey Jar)
21,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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The Waterboys - How Long Will I Love You 2021 Record Store Day 2021 Edition
The Waterboys
How Long Will I Love You 2021 Record Store Day 2021 Edition
12" | 2021 (Chrysalis)
16,99 €*
Release: 2021
Genre: Rock & Indie
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Record Store Day 2021 Release. The Waterboys 1990 single has been remixed for 2021, featuring new vocals by Mike Scott. This new version is bring released as new single ahead of an upcoming multi disc box set of the album ‘Room To Roam’. The track was
The Unthanks - Diversions Vol.5-Live And Unaccompanied Dvd
The Unthanks
Diversions Vol.5-Live And Unaccompanied Dvd
LP | 2020 | EU | Reissue (Rabble Rouser)
34,19 €* 37,99 € -10%
Release: 2020 / EU – Reissue
Genre: Rock & Indie
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The Tallest Man On Earth - Shallow Grave
The Tallest Man On Earth
Shallow Grave
LP | 2011 | US | Reissue (Dead Oceans)
26,99 €*
Release: 2011 / US – Reissue
Genre: Rock & Indie
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The Tallest Man on Earth released one of 2008's most powerful records, one that Pitchfork praised, calling Kristian Matsson "a natural-born folksinger, earnest, clever, and comforting." Shallow Grave could not have been more simple, just Matsson's commanding vocals with an acoustic guitar or banjo, recorded at his home in Dalarna, Sweden. Although the album was released on the Swedish label Gravitation without the help of widespread distribution, the story of The Tallest Man on Earth spread far and wide through word of mouth. In April 2010 The Tallest Man on Earth released the critically acclaimed album The Wild Hunt and has played dozens of sold-out shows on both sides of the Atlantic. Now, Gravitation is pleased to make Shallow Grave widely available on vinyl for the first time.
The Staves - Good Woman
The Staves
Good Woman
LP | 2021 | EU | Original (Warner)
23,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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The Staves - Good Woman
The Staves
Good Woman
LP | 2021 | EU | Original (Warner)
26,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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The Shires - Good Years
The Shires
Good Years
LP | 2020 | EU | Reissue (BMG Rights Management)
25,99 €*
Release: 2020 / EU – Reissue
Genre: Rock & Indie
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The Rangers - The Rangers
The Rangers
The Rangers
LP | 2021 | EU | Original (Supraphon)
27,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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The O'Reillys And The Paddyhats - Dogs On The Leash Orange Black Marbled Vinyl Edition
The O'Reillys And The Paddyhats
Dogs On The Leash Orange Black Marbled Vinyl Edition
LP | 2020 | EU | Reissue (Metalville)
28,99 €*
Release: 2020 / EU – Reissue
Genre: Rock & Indie
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The Mystery Of The Bulgarian Voices - Shandai Ya / Stanka Black Vinyl Edition
The Mystery Of The Bulgarian Voices
Shandai Ya / Stanka Black Vinyl Edition
LP | 2020 | EU | Original (Prophecy)
10,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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The Midnight Pine - Live At A.D. Splattered Grey Vinyl Edition
The Midnight Pine
Live At A.D. Splattered Grey Vinyl Edition
LP | 2020 | US | Original (The Redwoods Music)
22,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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Part retrospective, part metamorphosis, The Midnight Pine Live at A.D. finds a band fully realizing itself with searing, updated interpretations of its carefully produced studio recordings. When The Midnight Pine first appeared in 2013, it established an ethereal take on western Americana, the sound of acoustic strums and humming organ keys channeled by the cool night air, adorned by rattling chains, hand-claps, and transistor radio sweeps. Against this backdrop emerged the staggering talent of Shelbi Bennett, who’s preternaturally practiced voice reveals a combination of sweetness and power rarely seen since the days of Dusty Springfield and Cass Elliot. Over the course of three albums, the psychedelic folk of those first stirrings has evolved, as has the band itself. Since signing with the Redwoods Music label in 2015, The Midnight Pine has increasingly drawn from The Redwoods’ collective of accomplished Southern California musicians, swelling to seven members, who’ve added layers upon layers of vintage tones and fleshed out percussion to build on the songs penned by prolific lyricist and co-founder of the band, Alfred Howard. Recorded live at the Audio Design recording studio, where most Redwoods Music recordings are produced using analog equipment, these updated tunes represent The Midnight Pine as it currently stands, with more spirited rock underpinnings informed by electric guitar tones, chewy basslines, and the timeless vibe of Rhodes organ. The new arrangements also give Bennett a chance to build on her own performances. Working with familiar material embellished over countless live performances, her vocals on this new release are less constrained, yet at the same time more refined, offering tantalizing glimpse of the direction this young singer and band are heading.
The Master Musicians Of Joujouka - Live In Paris
The Master Musicians Of Joujouka
Live In Paris
2LP | 2021 | EU | Original (Unlistenable)
13,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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50 years since their first LP “Brian Jones presents the Pipes of Pan at Joujouka” was released, The Master Musicians of Joujouka are releasing a stunning double LP recorded live at Centre Georges Pompidou, Paris in 2016. The recordings are a full immersion into the Joujouka sound with disc one featuring hypnotic flutes and drum and a side of songs with mountain violin played by virtuoso Ahmed Talha with lead vocals by the late Abdeslam Boukhzar. Disc two features the truly hypnotic rhiat suite of Boujeloud, recorded in its entirety for the very first time. The Master Musicians of Joujouka have been known since Brian Jones publicised this amazing music in the 1960’s and of course also to those who are fans of William S Burroughs. This is a live recording from the Centre Pompidou in Paris in 2016. Which offers a chance to listen to the music without the usual background detritus provided when they are recorded in their homeland. The concert was part of the Beat generation exhibition. Gatefold double LP, the first time it has been released on vinyl.
The Mallory-Hall Band - The Last Special
The Mallory-Hall Band
The Last Special
LP | 2021 | UK | Original (Outernational)
20,99 €*
Release: 2021 / UK – Original
Genre: Rock & Indie
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Outernational Sounds very proudly Presents The Mallory-Hall Band "Song of Soweto" & "The Last Special". Limited, fully licensed digital and vinyl reissues of two crucial South African sessions led by Charles Mallory and Al Hall, Jnr., featuring Kirk Lightsey, Marshall Royal, Rudolph Johnson, Billy Brooks and more! Essential companion pieces to Kirk Lightsey’s legendary ‘Habiba’. Featuring tracks: Song Of Soweto: Side A – ‘Song of Soweto’, ‘Hamba Samba’; Side B – ‘Cape Town Blues’, ‘Moroka Rock’, ‘The African Night’ The Last Special: Side A - ‘The Last Special’, ‘Princess of Joh’Burg’; Side B - ‘Amafu (Clouds)’, ‘Blue Mabone’ Never released outside South Africa, and out of print since 1974, Outernational Sounds presents two long-lost Johannesburg sessions from the Mallory-Hall Band – an all-star review of West Coast jazz stars who toured apartheid South Africa in the mid-1970s. Sanifu Al Hall, Jnr. is a musician’s musician. During a storied career stretching across six decades, Hall has recorded with the greats of the music including Freddie Hubbard, Doug Carn, and Johnny Hammond, and leads his own Cosmos Dwellerz Arkestra. But until recent years, the only records on which he had appeared as leader were a brace of rich, funky LPs, Song Of Soweto and The Last Special, issued only in South Africa under the moniker of The Mallory-Hall Band (named for Hall and his co-leader, guitarist Charles Mallory – musical director for Martha Reeves and the Vandellas, Mallory was conductor for Dusty Springfield touring bands, and had worked with John Lee Hooker, Stevie Wonder, and many others). Neither LP had any wider release, and both have remained out of print since 1974. How did a young stalwart of the Los Angeles jazz scene end up in a recording studio in apartheid South Africa? Al Hall, Jnr. and Charles Mallory had arrived in South Africa as part of the touring band for the singer Lovelace Watkins. Sometimes billed as ‘the Black Sinatra’, the Detroit-born Watkins sang standards and ballroom classics on the Las Vegas circuit. He never made it big in the US, but in his 1970s heyday he was a huge star in southern Africa, and 1974 he hired a jazz big band to accompany him on a tour of South Africa – Hall and Mallory were part of the line-up, alongside Mastersounds bassist Monk Montgomery, pianist Kirk Lightsey, tenorist Rudolph Johnson, drummer Billy Brooks, and Marshall Royal, musical director of the Count Basie band. The tour was a huge success, and during downtime from performing, members of the group managed to independently record no fewer than three albums. Lightsey and Johnson’s stunning Habiba was the first (reissued as Outernational Sounds OTR.013), and it was followed by two crucial sessions led by Hall and Mallory – Song of Soweto and The Last Special, issued on the local IRC imprint. Visiting apartheid South Africa in 1974 was a controversial choice for any artist. Numerous artistic and cultural bodies around the world had already announced that their members would boycott the country in solidarity with the struggle against apartheid, and working in South Africa was severely frowned on by anti-apartheid activists everywhere. For a Black band, touring the country to play to mostly white audiences could have been seen by many both inside and outside South Africa as a questionable decision. ‘It was a batch of mixed reactions when I choose to visit South Africa whilst apartheid policies were in place,’ Hall recalls. ‘To me the choice was a simple one – “I wanna see for myself!” I also wanted to be a part of breaking down racial barriers, having been down some of the same roads in my own country.’ The albums were recorded by a twelve-piece band at Johannesburg’s Video Sounds Studios in December 1974, and feature the legendary pianist Kirk Lightsey, Black Jazz recording artist Rudolph Johnson, and the rest of the touring band. Both records are superbly arranged slabs of peak 1970s funky big band soul jazz, with tasteful Latin inflections and more than a nod to South Africa’s upful township jazz sound. They are the sonic traces left by a seasoned African American band who were touring South Africa in the depths of the apartheid era, and who immediately moved beyond the segregated hotels and ballrooms to build links with local South African players and audiences. Never previously available outside South Africa, Outernational Sounds’ new editions of Song of Soweto and The Last Special (alongside our edition of Kirk Lightsey’s Habiba) represents the first time these albums have been in print for nearly fifty years. Fully licensed from Gallo Records and pressed at Pallas in Germany from Gallo’s original masters, they feature new sleeve notes from Francis Gooding (The Wire) based on interviews with Al Hall, Jnr., and a reminiscence from pianist Kirk Lightsey.
The Mallory-Hall Band - Song Of Soweto
The Mallory-Hall Band
Song Of Soweto
LP | 2021 | UK | Original (Outernational)
20,99 €*
Release: 2021 / UK – Original
Genre: Rock & Indie
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Outernational Sounds very proudly Presents The Mallory-Hall Band "Song of Soweto" & "The Last Special". Limited, fully licensed digital and vinyl reissues of two crucial South African sessions led by Charles Mallory and Al Hall, Jnr., featuring Kirk Lightsey, Marshall Royal, Rudolph Johnson, Billy Brooks and more! Essential companion pieces to Kirk Lightsey’s legendary ‘Habiba’. Featuring tracks: Song Of Soweto: Side A – ‘Song of Soweto’, ‘Hamba Samba’; Side B – ‘Cape Town Blues’, ‘Moroka Rock’, ‘The African Night’ The Last Special: Side A - ‘The Last Special’, ‘Princess of Joh’Burg’; Side B - ‘Amafu (Clouds)’, ‘Blue Mabone’ Never released outside South Africa, and out of print since 1974, Outernational Sounds presents two long-lost Johannesburg sessions from the Mallory-Hall Band – an all-star review of West Coast jazz stars who toured apartheid South Africa in the mid-1970s. Sanifu Al Hall, Jnr. is a musician’s musician. During a storied career stretching across six decades, Hall has recorded with the greats of the music including Freddie Hubbard, Doug Carn, and Johnny Hammond, and leads his own Cosmos Dwellerz Arkestra. But until recent years, the only records on which he had appeared as leader were a brace of rich, funky LPs, Song Of Soweto and The Last Special, issued only in South Africa under the moniker of The Mallory-Hall Band (named for Hall and his co-leader, guitarist Charles Mallory – musical director for Martha Reeves and the Vandellas, Mallory was conductor for Dusty Springfield touring bands, and had worked with John Lee Hooker, Stevie Wonder, and many others). Neither LP had any wider release, and both have remained out of print since 1974. How did a young stalwart of the Los Angeles jazz scene end up in a recording studio in apartheid South Africa? Al Hall, Jnr. and Charles Mallory had arrived in South Africa as part of the touring band for the singer Lovelace Watkins. Sometimes billed as ‘the Black Sinatra’, the Detroit-born Watkins sang standards and ballroom classics on the Las Vegas circuit. He never made it big in the US, but in his 1970s heyday he was a huge star in southern Africa, and 1974 he hired a jazz big band to accompany him on a tour of South Africa – Hall and Mallory were part of the line-up, alongside Mastersounds bassist Monk Montgomery, pianist Kirk Lightsey, tenorist Rudolph Johnson, drummer Billy Brooks, and Marshall Royal, musical director of the Count Basie band. The tour was a huge success, and during downtime from performing, members of the group managed to independently record no fewer than three albums. Lightsey and Johnson’s stunning Habiba was the first (reissued as Outernational Sounds OTR.013), and it was followed by two crucial sessions led by Hall and Mallory – Song of Soweto and The Last Special, issued on the local IRC imprint. Visiting apartheid South Africa in 1974 was a controversial choice for any artist. Numerous artistic and cultural bodies around the world had already announced that their members would boycott the country in solidarity with the struggle against apartheid, and working in South Africa was severely frowned on by anti-apartheid activists everywhere. For a Black band, touring the country to play to mostly white audiences could have been seen by many both inside and outside South Africa as a questionable decision. ‘It was a batch of mixed reactions when I choose to visit South Africa whilst apartheid policies were in place,’ Hall recalls. ‘To me the choice was a simple one – “I wanna see for myself!” I also wanted to be a part of breaking down racial barriers, having been down some of the same roads in my own country.’ The albums were recorded by a twelve-piece band at Johannesburg’s Video Sounds Studios in December 1974, and feature the legendary pianist Kirk Lightsey, Black Jazz recording artist Rudolph Johnson, and the rest of the touring band. Both records are superbly arranged slabs of peak 1970s funky big band soul jazz, with tasteful Latin inflections and more than a nod to South Africa’s upful township jazz sound. They are the sonic traces left by a seasoned African American band who were touring South Africa in the depths of the apartheid era, and who immediately moved beyond the segregated hotels and ballrooms to build links with local South African players and audiences. Never previously available outside South Africa, Outernational Sounds’ new editions of Song of Soweto and The Last Special (alongside our edition of Kirk Lightsey’s Habiba) represents the first time these albums have been in print for nearly fifty years. Fully licensed from Gallo Records and pressed at Pallas in Germany from Gallo’s original masters, they feature new sleeve notes from Francis Gooding (The Wire) based on interviews with Al Hall, Jnr., and a reminiscence from pianist Kirk Lightsey.
The Jaguars - Rock With The Jaguars EP
The Jaguars
Rock With The Jaguars EP
7" | 2021 | EU | Original (Koko Mojo)
11,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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The Infamous Stringdusters - Dust The Halls: An Acoustic Christmas Holiday!
The Infamous Stringdusters
Dust The Halls: An Acoustic Christmas Holiday!
LP | 2020 | Original (Regime Music Group)
19,99 €*
Release: 2020 / Original
Genre: Rock & Indie
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The Infamous Stringdusters aus Nashville gelten als eine der besten und innovativsten Bluegrass-Bands unserer Zeit, sie traten mit Dolly Parton, Earl Scruggs und Bobby Osborne auf, belegten mehrmals die #1 der US-Bluegrass-Charts und erhielten 2018 sogar einen Grammy Award für das beste Bluegrass-Album. Nun veröffentlichen sie das Weihnachtsalbum "Dust The Halls" mit 10 zeitlosen Xmas-Klassikern in ihrem unverwechselbaren, groovy Style.

"With a nod to the past and a firm foot down on the gas toward the future, the 'Dusters... don't leave bluegrass behind, they're stretching it from within." - New York Times
The Dead South - Served Live
The Dead South
Served Live
2LP | 2021 | EU | Original (DevilDuck Records)
26,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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The Chicks - The Essential The Chicks
The Chicks
The Essential The Chicks
2LP | 2020 | EU | Original (Sony)
26,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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The Butterfield Blues Band - Live At Woodstock
The Butterfield Blues Band
Live At Woodstock
2LP | 2020 | US | Original (Run Out Groove Vinyl)
45,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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First time that Butterfields incendiary live set at Woodstock is available on vinyl
Remastered for maximum fidelity with lacquers cut at Sam Phillips Recording Studio
Features all new artwork, pressed on 2-140g records and comes in a deluxe gatefold tip-on jacket

Paul Vaughn Butterfield was an American blues harmonica player, singer and band leader. After an early training in classical flute, he developed an interest in blues harmonica and explored the blues scene in his native Chicago.

Butterfield met aspiring blues guitarist Elvin Bishop in the early 1960s and with bassist Jerome Arnold and drummer Sam Lay (both from Howlin Wolf’s touring band), the new group secured a highly successful club engagement at Big John’s Folk Club in Chicago which brought them to the attention of producer Paul A. Rothchild. During their engagement, Butterfield met and occasionally sat in with guitarist Mike Bloomfield. Rothchild was impressed with the chemistry between the two and persuaded Paul to bring Bloomfield into the band and eventually signed them to Elektra Records in 1964. Rothchild assumed the role of group manager and used his folk contacts to book them at the Newport Folk Festival in 1965. The band added keyboardist Mark Naftalin, and its debut album, The Paul Butterfield Blues Band was finally successfully recorded in mid-1965 and released later that year. The album reached number 123 in the Billboard 200 chart, but its influence was felt way beyond the sales figures. In July 1966, the sextet recorded their second full length album, EastWest. The album consisted of more varied material and reached number 65 on the album charts. With Bishop and Naftalin remaining, the band added bassist Bugsy Maugh, drummer Phillip Wilson, and saxophonists David Sanborn and Gene Dinwiddie. This lineup recorded the band’s third album, The Resurrection of Pigboy Crabshaw in 1967. The album cut back on instrumental jams and focused more on an R&B influenced horn-driven sound. It was Butterfield’s highest-charting album, reaching number 52 on the chart. On the next album, In My Own Dream, the band continued to move away from its roots in Chicago blues towards a more soul-influenced, horn-based sound. The album reached number 79 on the Billboard chart and by the end of 1968, both Bishop and Naftalin had left the band.

The band was invited to perform at the Woodstock Festival on August 18, 1969. They performed seven songs, and although its performance did not appear in the film Woodstock, one song, “Love March,” was included on the original album release Woodstock: Music From the Original Soundtrack and More, released in 1970. In 2009, Butterfield was included in the expanded 40th Anniversary Edition Woodstock video, and an additional two songs appeared on the box set Woodstock: 40 Years On: Back to Yasgur’s Farm. Finally, in August 2019, Rhino Entertainment released the web-only, 38 CD/blu-ray, numbered and limited box set: Woodstock–Back to the Garden: The Definitive 50th Anniversary Archive which included Butterfield’s complete set. Run Out Groove will issue this incendiary live set on vinyl for the very first time with new artwork and deluxe packaging!
Thalia Zedek - Been Here And Gone Gold Vinyl Edition
Thalia Zedek
Been Here And Gone Gold Vinyl Edition
LP | 2021 | US | Original (Thrill Jockey)
31,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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In celebration of the 20th anniversary of the release legendary singer/ guitarist Thalia Zedek's Been Here and Gone, Thrill Jockey is proud to present the album unlike it has ever been heard before: on vinyl, re-mastered by Sarah Register. Thalia Zedek has been one of the most enduring rock musicians of the past four decades. From her auspicious beginnings in bands Uzi, Live Skull, and Dangerous Birds to her wider recognition in Come, Zedek established herself as a singular voice accruing accolades from critics and contemporaries including J. Mascis, Kurt Cobain, and Bob Mould. Been Here and Gone, her debut solo release originally released on Matador in 2001 on CD, marked a turning point in Zedek's music. As Come was coming to a close, Zedek began exploring writing and performing as a solo artist, eventually backed by violist David Curry, pianist Mel Lederman (both of which went on to perform with Zedek for two decades), as well as former Come bandmates Chris Brokaw and Daniel Coughlin. The idiosyncrasies of her voice were laid bare for the first time, revealing an even greater depth to her unique songwriting. The more spacious and rich arrangements sprawl and whisper with powerful vulnerability. "There was definitely something magical about the making of Been Here and Gone," says Zedek. "I'm not sure if it was because it was made at a studio called Higher Power in a recently desanctified church in Stuyvesant, NY, or if it was because it was the end of a century, not to mention a millennium, the end of a decade of being in Come, the longest running band I'd had up to that point, and the end of 5 years of unhappy breakups and tumultuous relationships in my personal life." The eleven tracks that comprise Been Here and Gone embody that tension of uncertainty with a hopeful edge of renewal. Zedek's indelible resilience lifts even the somberest laments into triumphs. Even on the album's three cover tunes, including a haunting rendition of Leonard Cohen's "Dance Me to the End of Love," Zedek's voice and guitar color every note with raw emotion, making each passing gesture personal. Been Here and Gone channels the thunder and roar of Zedek's past into a fragile magnificence.
Terry Allen & The Panhandle Mystery Band - Just Like Moby Dick
Terry Allen & The Panhandle Mystery Band
Just Like Moby Dick
2LP | 2020 | US | Original (Paradise Of Bachelors)
27,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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Tennessee Jet - Country
Tennessee Jet
Country
LP | 2020 | EU | Original (Tennessee Jet Music)
21,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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