Folk 1610 Items

Release: 2020 / US – Original

Genre: Rock & Indie

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Joni Mitchell Archives Volume 4:The Asylum Years 1976-1980

Joni Mitchell

4LP | 2024 | Original (Rhino)

124,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2023 | US | Original (Craft)

Nanci Griffith

Working In Corners

118,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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Fragments-Time Out Of Mind Sessions 1996-1997:

Bob Dylan

4LP | 2023 | EU | Original (Sony Music Catalog)

114,94 €* 120,99 € -5%

Release: 2023 / EU – Original

Genre: Rock & Indie

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3LP Box | 2013 | US | Original (Mobile Fidelity)

Bob Dylan

Blonde On Blonde Box Set

110,99 €*

Real To Reel: Garech Browne And Claddagh Records

Release: 2013 / US – Original

Genre: Rock & Indie

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Limited, numbered box set edition on 45 rpm 180 gram audiophile vinyl!

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James Morrissey

LP | 2023 | EU | Original (Decca)

110,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Toshiko Yonekawa, Kiyoshi Yamaya & Contemporary Sound Orchestra

Tapestry 3LP Deluxe Boxset Edition

Box Set | 2023 | EU | Original (Cinedelic)

109,99 €*

LP | 2024 | Original (Essence Music Group)

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Following the release of the first volume of the Koto: Tapestry series, Cinedelic completes the series of 3 with the release of the remaining two valuable albums. 'Tapestry: Koto' is a 3-album series produced by Nippon Columbia in the mid-1970s dedicated to one of the main instruments of Japanese traditional music: Koto. The beauty of the trilogy curated by composer Kiyoshi Yamaya, whose chapters are respectively dedicated to Sea, Hillside and Country, lies in the fact that they are a modern translation of tradition using newer and more avant-garde sound idioms, integrating the koto with jazz musicians. An original mix, a 'crossover’ that allows for the awakening and the consequential spread of traditional music in larger contexts. The extreme accuracy of the marvellous recordings is also remarkable. The performers on this fabulous album are: Toshiko Yonekawa - learned to play the koto at an early age, performing in a public concert as early as 8 years old. For three years, from 1941 to 1944, she won prizes as the best performer in the Japanese Cultural Federation's competition for traditional trios. She also received an award from the Prime Minister. Many other important recognitions followed, until she became president of the Reichokai and executive director of the Sankyoku Association. In 1996, she was appointed Living National Treasure. As a koto player, her best-known characteristics are her extreme precision of intonation and rhythm and the unparalleled beauty of her sound. Kiyoshi Yamaya - born March 1932. He attended the Kunitachi College of Music. Between 1956 and 1960, he performed with 'Nobuo Hara and His Sharps & Flats' (clarinet, saxophone, etc.) and was responsible for composition and arrangement. In 1959, he formed the 'Modern Jazz Three Association' with Norio Maeda and Keitaro Miho, which contributed to the improvement of the level of composition and arrangement in Japanese jazz. In 1965, he became conductor of the 'Tokyo Union Orchestra' and received the Japan Record Award's Arrangement Award. His name appears on more than 100 albums. An unmissable session for those seeking new sounds. Original masters licensed by Nippon Columbia for the first ever reissue. Includes OBI and insert.

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Kasey Chambers

Backbone

109,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Preorder shipping from 2024-10-18

Its Lovely To Have You Here

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Kim Churchill

LP | 2024 | EU | Original (Kim Churchill)

96,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Devotion: Songs About Rivers & Spirits & Chil

Hiss Golden Messenger

4LP | 2018 | US | Original (Merge)

93,99 €*

Release: 2018 / US – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (EMI)

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Slim Dusty

Gone Truckin

92,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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In The Beginning Was The Puls - 50 Years Of Passion

3LP | 2024 | EU | Original (Kirkelig Kulturverksted)

91,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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4xLP | 2023 | Original (FPE)

Dragonchild

Black

78,99 €*

Release: 2023 / Original

Genre: Rock & Indie

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Crosby, Stills & Nash Atlantic 75 Series

Crosby, Stills & Nash

2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

75,99 €*

LP | 2024 | JP | Original (Nippon Columbia)

Release: 2023 / US – Reissue

Genre: Rock & Indie

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180g 2LP 45rpm. Analogue Productions (Atlantic 75 Series)
Celebrating the 75th Anniversary of Atlantic Records!
Crosby, Stills & Nash — The debut studio album from the rock supergroup!
180-gram 45 RPM double LP
Mastered directly from the original master tape by Bernie Grundman
Pressed at Quality Record Pressings
Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing

Several unique features set the debut studio album by folk rock supergroup Crosby, Stills & Nash, released in 1969 by Atlantic Records, apart. It's the only album by the band before adding Neil Young to their lineup. The album spawned two Top 40 singles, "Marrakesh Express" and "Suite: Judy Blue Eyes," which peaked respectively at No. 28 during the week of August 23, 1969, and at No. 21 during the week of December 6, 1969, on the U.S. Billboard Hot 100. The album itself peaked at No. 6 on the U.S. Billboard Top Pop Albums chart. It has been certified four times platinum by the RIAA for sales in excess of 4 million copies.

Instantly lifting the group to stardom, along with the Byrds' Sweetheart of the Rodeo and the Band's Music from Big Pink, the previous year, the album is cited by music reviewers for initiating sweeping changes in popular music. In 2021 the album held the rank of No. 161 on Rolling Stone's 500 Greatest Albums of All Time list.

Crosby, Stills & Nash was "the perfect blend of David Crosby's social conscience, Stephen Stills's virtuoso musicianship and Graham Nash's ability to craft the perfect pop melody for radio," writes Rolling Stone, in its review.

The band was brought together after Crosby was fired from The Byrds, Stills's band, Buffalo Springfield had broken up (a band which also featured later member, Neil Young) and Nash's departure from The Hollies. The three decided to form a band after an informal jam led them to discover how well their voices harmonized. Released in May 1969, the band would perform nine of the album's 10 songs at Woodstock, which was the second time they ever did, in August of the same year.

The album features some of CSN's most well known and iconic songs; "Suite: Judy Blue Eyes," "Marrakesh Express," "Guinnevere," "Wooden Ships," "Helplessly Hoping" and "Long Time Gone." This album saw a shift in sound to what was popular at the time — blues based rock, opting for a more folk rock, and sometimes jazz-based sound. It would lay the foundations for the California Sound that would be popularised out of Laurel Canyon in the ‘70s. Artists such as The Eagles, Jackson Browne and Fleetwood Mac would take inspiration from the sound of this record.

All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Bernie Grundman and cut at 45 RPM. Pressed on 180-gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.

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Kegawa No Maries

The End

73,99 €*

Release: 2024 / JP – Original

Genre: Rock & Indie

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LP | 2024 | JP | Original (Nippon Columbia)

Kegawa No Maries

Tin Pan Alley

73,99 €*

Release: 2024 / JP – Original

Genre: Rock & Indie

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LP | 2024 | JP | Original (Nippon Columbia)

Kegawa No Maries

73,99 €*

Release: 2024 / JP – Original

Genre: Rock & Indie

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Chu Kosaka & Four Joe Half

Motto Motto

LP | 2024 | JP | Original (Sony Music Direct)

72,99 €*

Release: 2024 / JP – Original

Genre: Rock & Indie

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The Exciting Wilson Pickett Atlantic 75 Series

Wilson Pickett

2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

70,99 €*

2LP | 2024 | Original (Reprise)

Release: 2023 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-10-18

Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

R&B, soul singer Wilson Pickett's classic third album

Features "In the Midnight Hour," "Land of a Thousand Dances" and "Ninety-nine and a Half (Won't Do)"

180-gram 45 RPM double LP

Pressed at Quality Record Pressings

Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing

The Exciting Wilson Pickett, released in 1966, was R&B and soul singer Wilson Pickett's third album, charting at No. 3 on the U.S. Billboard R&B albums chart and No. 21 on the popular albums chart, becoming the highest-charting studio album of Pickett's career.

The making of the album saw Pickett end his relationship with Stax Studios in Memphis, Tennessee, where he had cut his early singles, and move to Fame Studios in Muscle Shoals, Alabama, where he would record for the next two years. According to AllMusic, this album firmly established Picket's "stature as a major '60s soul man," launching four major crossover hits.

The chart-toppers include "In the Midnight Hour" reached No. 1 on the Billboard R&B singles chart and No. 21 on the pop singles chart. "Land of a Thousand Dances" reached No. 1 and No. 6 respectively, his biggest pop hit. "Ninety-nine and a Half (Won't Do)" reached No. 13 and No. 53. "634-5789 (Soulsville, U.S.A.)," a song which Pickett had not on first hearing liked, reached No. 1 and No. 13.

The deeper album cuts hold significant appeal as well and include standards "Something You Got," "Barefootin'" and "Mercy Mercy" as well as several original tunes with Memphis Soul greats Steve Cropper, Eddie Floyd, and David Porter.

Pressed on 180-gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.

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Billy Strings

Highway Prayers

70,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Shotgun Willie Atlantic 75 Series

Willie Nelson

2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

69,99 €*

Diamonds And Rust In The Bullring 45rpm, 200g Vinyl Ediiton

Release: 2023 / US – Reissue

Genre: Rock & Indie

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180g 2LP 45rpm Gatefold Sleeve

Analogue Productions (Atlantic 75 Series)
Celebrating the 75th Anniversary of Atlantic Records!
Willie Nelson's breakthrough solo album!
180-gram 45 RPM double LP
Pressed at Quality Record Pressings
Tip-on old style gatefold double pocket jacket by Stoughton Printing

Before Shotgun Willie, Willie Nelson had struggled to gain widespread recognition as a solo artist, despite having written many successful songs for other artists. Nelson's big break came when he signed with Atlantic Records in 1973. The pivotal moment in his career came after Atlantic Records executive Jerry Wexler, known for his work with artists like Ray Charles and Aretha Franklin, took an interest in Nelson's music. Wexler saw potential in Nelson's unique approach to country music and signed him to the label. With the creative freedom offered by Atlantic Records, Nelson was able to record Shotgun Willie with the artistic freedom he had long desired. The album's unconventional sound and honest lyrics resonated with both critics and fans.

Shotgun Willie marked a new beginning for Willie Nelson's career, and it set the stage for his subsequent albums and his emergence as one of the most influential and iconic figures in the history of country music. The recording was one of the first albums of outlaw country — a new subgenre of country music and an alternative to the conservative restrictions of the Nashville sound, the dominant style in the genre at the time

The album — the first to feature Nelson with long hair and a beard on the cover — gained him the interest of younger audiences. It peaked at No. 41 on Billboard's Top Country Albums and the songs "Shotgun Willie" and "Stay All Night (Stay A Little Longer)" peaked at Nos. 60 and 22 on Hot Country Songs respectively.

We are so pleased to bring you this deluxe 180-gram 45 RPM 2LP Analogue Productions (Atlantic 75 Series) reissue of the timeless Willie Nelson classic, Shotgun Willie. Cue it up and prepare to be transported!

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Joan Baez

2LP | 2020 | US | Original (Analogue Productions)

69,99 €*

5LP | 2018 | EU | Original (Asthmatic Kitty)

Release: 2020 / US – Original

Genre: Rock & Indie

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A very difficult-to-find LP, originally released on a small, independent label. Originally released on a very limited run of vinyl. The original LPs are demanding a nice price on the Asian market. A beautiful recording with absolutely fantastic sound. Includes a performance of her hit song "Diamonds and Rust" as well as the audiophile classic "Famous Blue Raincoat." This may be an under-the-radar title, but it's a can't miss for the discerning audiophile. The album chronicles a show performed by Baez in a bullring, naturally, in Bilbao, Spain, in 1988, and it demonstates what makes her such a draw overseas. Half of the collection, side two of the LP, consists of songs sung in Spanish. Now we've upped the ante even more for true audiophile bliss — the 45 RPM 2LP version reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. Natural tonalities, superb balances, pristine clarity and more are all revealed. »This record was made in a bullring in Bilbao, Spain, in 1988. It is dedicated to the Mayor and the people of Bilbao, who came out between thunderstorms to see me perform. The song in Catalan "Txoria Txori" is about a sweet little bird ... I want to thank Pasku who taught it to me, and thank the Bilbao public for singing it so beautifully.« — Joan Baez. Illustrations by Joan Baez; additional vocals Mercedes Sosa.

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Sufjan Stevens

Songs For Christmas

68,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Copper Feast)

Endless Valley

Kaskashir

68,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-10-25

88 Maestro Giora Feidman Blue Vinyl Edition

Giora Feidman

LP | 2024 | EU | Original (BuschFunk)

67,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Teles Music)

Guy Van Nueten

Decent Music

66,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-08

LP | 2024 | JP | Original (Cutting Edge)

X0o0x_

Ningyou

66,99 €*

Release: 2024 / JP – Original

Genre: Rock & Indie

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Two Sad Little Islands Drift Together, Two Lonely Little Monkeys Find A Tree (Rare And Unreleased) 2015-2023 Orange Creamsicle Splatter Vinyl Edition

Richard Edwards

3LP | 2023 | US | Original (Profound Discomfort)

66,99 €*

Hummingbird Yellow Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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"The most underrated songwriter of our times" - Los Angeles Review Of Book.

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Carly Pearce

2LP | 2024 | US | Original (Big Machine)

64,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Warner Music Nashville)

Cody Johnson

Leather Deluxe Edition

63,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-01

LP | 2024 | Original (Vere Music)

Hillbilly Thomists

Marigold

63,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Singlar Och Andra Sidor Clear Vinyl Edition

Agnetha Fältskog

LP | 2024 | EU | Original (Cupol)

62,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Whole Love (Expanded) Record Store Day 2024 Vinyl Edition

Wilco

3LP | 2011 | EU | Reissue (Sony Music Catalog)

62,89 €* 73,99 € -15%

So Much For Forever / The Gospel Sessions / Vol. 2

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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Quantity: 4500
Release type: RSD Exclusive Release

Wilco’s legendary 2011 album now on three LP’s. Expanded to include all related single, EP and bonus tracks - plus A selection from The Loft's archive of live in-studio performances and previously unreleased alternate mixes and demos. Includes Wilco classics "Art of Almost", "Dawned on Me”, "Sunloathe” . 3LP Box

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Authentic Unlimited

LP | 2024 | US | Original (New Day)

61,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | AU | Original (Mistletone)

Orbweavers

New Moon / Silver Moon

61,99 €*

Release: 2024 / AU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Playing For Change)

Playing For Change

Songs For Humanity

60,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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We Still Cant Say Goodbye: A Musicians Tribute To Chet Atkins

LP | 2024 | EU | Original (Morningstar Music)

60,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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2LP | 2024 | EU | Original (Everland)

Boban Petrovic

Zur / Zora

59,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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In A Lifetime Super Deluxe Bookpack Edition

Clannad

2LP+LP+4CD+7"+Book+4Cards+Poster | 2020 | EU | Original (Warner)

58,99 €*

LP | 2024 | AU | Original (Ada Global)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Box including a 4CD Anthology, 2LP on black vinyl, 1 LP of Macalla, a 7", a book, 4 post cards and a poster.

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Henry Wagons

Four Seasons

58,99 €*

Release: 2024 / AU – Original

Genre: Rock & Indie

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LP | 2023 | JP | Original (Vap)

Vsq No Sporta

Avatama

58,99 €*

Release: 2023 / JP – Original

Genre: Rock & Indie

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Keep Walkin': Singles, Demos & Rarities 1965-1978 Blue Vinyl Edition

Nancy Sinatra

2LP | 2023 | US | Original (Light In The Attic)

57,99 €*

LP | 2024 | US | Original (Mean Dorris Music)

Release: 2023 / US – Original

Genre: Rock & Indie

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Definitive collection of Nancy's rare singles, demos and previously unreleased cuts. Includes 3 previously unreleased tracks, plus 3 tracks making their vinyl debut. Deep booklet includes new Q&As with Nancy & Don Randi (The Wrecking Crew) - both conducted by Grammy®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive. Features audio freshly remastered from the original analog tapes by Grammy®-nominated engineer John Baldwin. Vinyl pressed at RTI. Double LP housed in a gatefold jacket with 24-page book Light in the Attic continues to celebrate the influential career of singer, actress, activist, and icon *Nancy Sinatra* with a captivating new collection, Keep Walkin’: Singles, Demos & Rarities 1965-1978. Exploring the lesser-known gems from Sinatra’s rich catalog through 25 B-sides, rare singles, covers, demos, and previously-unreleased recordings, Keep Walkin’ was remastered by the *Grammy®-nominated engineer John Baldwin* and available in a variety of formats, including vinyl, CD, 8-track, and digital. The 2LP set, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and accompanied by a 24-page booklet featuring an array of photos from the artist’s personal collection, as well as a new in-depth Q&A with Sinatra, conducted by the reissue’s Grammy®-nominated co-producer, Hunter Lea. The booklet also contains a fascinating interview with keyboardist Don Randi (The Wrecking Crew), who recently spoke to Lea about his hit-filled career and his 50 years of work with Nancy. Keep Walkin’: Singles, Demos & Rarities 1965-1978 serves as a companion to the widely-acclaimed 2021 career-spanning retrospective, Start Walkin’ 1965-1976, and marks the latest release in LITA’s ongoing Nancy Sinatra Archival Series, a partnership with the legendary artist, which honors her musical legacy through lovingly curated reissues (including her 1966 debut, Boots and the 1968 classic, Nancy & Lee), limited-edition merch, and other special releases. In 1965, 25-year-old Nancy Sinatra scored her first No.1 hit with “These Boots are Made for Walkin’,” a bold anthem for female empowerment. Brazen, sassy, and utterly infectious, it was a reintroduction of sorts for the eldest daughter of Frank Sinatra, who had been struggling to find a spotlight of her own amid a changing musical landscape. Suddenly, audiences who had initially brushed off Sinatra as too demure or out-of-touch were paying attention. Written and produced by Oklahoma-born songsmith Lee Hazlewood (with swaggering instrumentals, courtesy of Billy Strange and The Wrecking Crew), the song launched the singer’s career, as well as one of music’s most unlikely, yet compelling, creative partnerships. Over the next decade, Sinatra continued to notch multiple hits on both sides of the Atlantic, including “Sugar Town,” “How Does That Grab You, Darlin?,” and a haunting rendition of the Sonny Bono-penned “Bang Bang (My Baby Shot Me Down).” The singer also paired up with Hazlewood for a series of popular duets (“Summer Wine,” “Jackson,”* and *“Some Velvet Morning”) and collaborative albums. In between best-selling LPs like Boots (1966), How Does That Grab You (1966), and Nancy & Lee (1968), Sinatra performed the theme song to the 1967 James Bond film, You Only Live Twice, and collaborated with her father on the global chart-topper, “Somethin’ Stupid.” While these career landmarks are well-documented in the annals of pop culture history, however, much of Sinatra’s catalog remains sorely overlooked. As Keep Walkin’ co-producer Hunter Lea explains, “With the changing taste of the record-buying public in the late 1960s and the counterculture taking over, artists like Nancy Sinatra weren’t in the mainstream as they once were.” Despite that fact, “[Sinatra] kept working, recording, and performing at a voracious pace.” Lea continues, “This compilation is a celebration of some of the many glorious recordings that may have been overlooked, forgotten, or never even released at the time. The obscurity of some of these recordings doesn’t mask the genius, brilliance, and effort that went into them; on the contrary, it’s incredible to learn that some of the lost gems are just as rich as the national treasures.” Among the highlights is the spritely opener “The City Never Sleeps at Night,” which served as the B-Side to “These Boots Were Made for Walkin’.” Overshadowed by the colossal success of its A-side, it’s no surprise that the cinematic tune never had its proper due. Yet, Lea reveals, Hazlewood initially intended to make it the focus single. Another long-lost B-side is “The Last of the Secret Agents?,” which was paired with the Top 10 hit, “How Does That Grab You, Darlin’?” The playful song, written by Hazlewood, served as the theme to the 1966 comedy of the same name, in which Sinatra co-starred alongside Marty Allen and Steve Rossi. Keep Walkin’ also features several choice A-sides that were never included on albums and were overlooked for one reason or another. Among them is 1966’s “In Our Time,” a rebellious anthem for ‘60s youth, which references drug culture and women’s liberation, among other topics. Speaking to the Hazlewood-penned track, Sinatra recalls, “That was a fun song. Lee was starting to do his ‘anti’ stuff. He was cynical and it showed in his writing at some point.” But, despite the themes of the song, Nancy laments that she was never embraced by the counterculture. “[drugs] knocked me out of the picture completely. I was so far removed from the hip people in those days. I think they probably made fun of my stuff.” Another stylistic departure for both artists is “Love Eyes,” a bluesy, soulful single from 1966. The song, Nancy shares, is “one of my favorites. I think what helped Lee’s writing at that point was the bigger sound.… I really love it. I think it holds up to this day.” She adds that her dreamy vocal performance was inspired by early female R&B stars like Ruth Brown and LaVern Baker. The collection also features several outstanding covers, including a previously-unreleased rendition of the Barry Mann/Cynthia Weil classic, “I Just Can’t Help Believing” (a hit for both B.J. Thomas and Elvis Presley). This 1978 recording, reimagined as a duet, marked one of Sinatra’s brief reunions with Hazlewood, following his abrupt move to Sweden not long after 1972’s Nancy & Lee Again. Another choice track finds Nancy interpreting Neil Diamond’s “Glory Road.” Released as a single in 1971, it features one of the singer’s most cherished vocal performances. “After I worked on my voice and improved as a performer and as a singer, I embraced Neil Diamond. Anything I did by Neil Diamond, to me, is my best work.” Nancy also looks back fondly on her moving rendition of Bill Withers’ “Ain’t No Sunshine," released in 1973 as the B-side to “Sugar Me.” The recording (which features particularly lush orchestral arrangements by Billy Strange) reunited Nancy with another close collaborator, Jimmy Bowen, who produced the singer in the early ‘60s and later introduced her to Hazlewood. “I love Jimmy,” she declares. “The records we did early on…had a depth to them that I appreciated. He heard me and saw me in a different light; he saw me as a much more serious performer, which I appreciated.” Listeners will also be delighted to hear a pair of previously-unreleased demos: “Something Pretty” (the 1968 country hit, made famous by Wynn Stewart) and the theme to the 1965 Richard Rogers/Stephen Sondheim musical, Do I Hear a Waltz?, both of which were intended for a self-described “disco” record. Despite the two catchy takes featured on Keep Walkin’, Sinatra calls the shelved album “A disaster. I called it the disco fiasco!” Offering additional insight into Sinatra’s career is music director, songwriter, and keyboardist, Don Randi. A member of the hallowed *Wrecking Crew* collective, Randi was one of the most prolific session musicians of the ‘60s and ‘70s with hundreds of credits to his name, including The Beach Boys’ “Good Vibrations,” Linda Ronstadt’s “Different Drum,” and “These Boots are Made For Walkin’” – his first recording with Sinatra. For the next fifty years, he would be a fixture at her sessions and live shows. He also appears on nearly every track in this collection. Speaking to Lea, Randi delves deep into his time with Sinatra, with a palpable admiration for the singer. *“She was easy to work with,”* he shares. “She was always wonderful to musicians; nobody even comes close.” The keyboardist, who met Sinatra through Hazlewood, also recalls the magic of that partnership. “I always liked working with Nancy & Lee. They had something very special that they could get out of each other. It was a good team.” He continues, “Sinatra stood up for herself [around Lee]…He could be so cantankerous…but that’s Lee…. [Nancy] saw through it. She was so lovely and helpful to him a number of times when he really needed someone to talk to.” That said, Randi also appreciates the power of Sinatra’s solo performances. “I never thought she really needed [Hazlewood},”* he reveals. “I thought her shows were just as well with everybody else; they were excellent.” After stepping back from the industry in the ‘70s to focus on her young family, Sinatra returned to the spotlight in the mid-90s, releasing a string of new albums, including the star-studded Nancy Sinatra, which paired the artist with some of her biggest fans, including Morrissey, U2, Calexico, and Sonic Youth. Since then, Nancy’s legacy has only continued to grow. In more recent years, her impact has been recognized by the likes of Pitchfork, NPR, and Rolling Stone, while in 2020, “Boots” was inducted into the Grammy® Hall of Fame*. Today, Sinatra remains a force in the industry, as new generations discover her influential catalog, which boasts nearly 20 studio albums and dozens of charting singles.

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Gleeman

Something To Say

56,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Book+LP | 2023 | EU | Original (Jimmy Draht)

Glitzerbox 2

56,99 €*

LP | 2024 | EU | Original (1301 Media)

Release: 2023 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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This compilation contains folk songs, experimental collages, field recordings and lo-fi pop by artists like Maxine Funke, Tenniscoats, A Happy Return, Benoit Pioulard, New North Wales, among others. All tracks are exclusive or have never been released on vinyl before. It is accompanied by a 20-pages book with illustrations with works by Petra Péterffy, Laurent Impeduglia, Nadine Spengler, Michael Dumontier, Tomoko Mori and Nicholas Stevenson.

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Christoph Bouet

Groeninger Bad 23

56,69 €* 62,99 € -10%

Release: 2024 / EU – Original

Genre: Rock & Indie

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996

2LP | 2024 | US | Original (Light In The Attic)

2012 - Pink Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

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Mukimukimanmansu

LP | 2024 | US | Original (Beatball)

Release: 2024 / US – Original

Genre: Rock & Indie

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Best Of The Rest: Rare And Unreleased Recordings Record Store Day 2023 Edition

Phil Ochs

2LP | 2020 | UK | Reissue (Liberation Hall)

Release: 2020 / UK – Reissue

Genre: Rock & Indie

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Smoky Mountain Dna: Family / Faith & Fables

Dolly Parton & Family

LP | 2024 | US | Original (Owepar)

Release: 2024 / US – Original

Genre: Rock & Indie

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Keep Walkin': Singles, Demos & Rarities 1965-1978 Yellow Vinyl Edition

Nancy Sinatra

2LP | 2023 | US | Original (Light In The Attic)

55,09 €* 57,99 € -5%

LP | 2024 | US | Original (Roman Label / Bayon)

Release: 2023 / US – Original

Genre: Rock & Indie

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Never Young Beach

Yashinoki House

54,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Roman Label / Bayon)

Never Young Beach

Fam Fam

54,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Stampede Bone Colored Vinyl Edition

Orville Peck

2LP | 2024 | US | Original (Warner)

54,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2023 | JP | Original (Jet Set)

Paris Match

Type III

53,99 €*

Release: 2023 / JP – Original

Genre: Rock & Indie

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Weak Point White Vinyl Edition

Hannes Aitman

LP | 2024 | EU | Original (Freebird Entertainment)

53,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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2LP | 2023 | EU (Nukleuz Blue)

Istanbul 70 Volume I-VI

52,99 €*

LP | 2023 | UK | Original (Wrasse)

Release: 2023 / EU

Genre: Rock & Indie

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Quantity: 950
Release type: 'RSD First' Release

The original 2011 release is one of the first projects that globally focused on the golden era of Turkish popular music of the 1970s. Back then, both originals and a selection of remixes were released and created serious hype in collector scenes with rare (300 copies each) 7"s that have never been pressed again. Meanwhile, the Turkish psychedelic-folk-disco style got more popular and some collectors discovered it via this series.

Now at its 10th anniversary Nublu Records is compiling these 12 remixes under a special edition double-LP pressed on 180g purple vinyl.

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Claude Francois

Soul Songs

52,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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LP | 2023 | UK | Original (Wrasse)

Claude Francois

Les Annees Yeye

52,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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Ma Ningen Purple Vinyl Edition

Atarashii Gakko!

12" | 2024 | JP | Original (Atarashii Gakko!)

51,99 €*

Release: 2024 / JP – Original

Genre: Rock & Indie

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Keep Walkin': Singles, Demos & Rarities 1965-1978 Black Vinyl Edition

Nancy Sinatra

2LP | 2023 | US | Original (Light In The Attic)

51,99 €*

LP | 2024 | US | Original (Sparrow)

Release: 2023 / US – Original

Genre: Rock & Indie

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Mac Powell

I Love Jesus

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Painted Desert)

Travis Tritt

Proud Of The Country

Release: 2024 / EU – Original

Genre: Rock & Indie

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Sapporo Kyoikubunkakaikan 1980

Morita Douji

2LP | 2024 | JP | Original (P-Vine)

Glad Christmas Comes Royal Blue Vinyl Edition

Release: 2024 / JP – Original

Genre: Rock & Indie

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The only officially released live recordings of Doji Morita have been "Tokyo Cathedral Saint Mary Live" and "FM Tokyo Pioneer Sound Approach Live Recording", both recorded in 1978. This album contains live recordings in 1980, and this is the first time ever that recordings from this period have been released.

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Eliza Carthy & Jon Boden

2LP | 2023 | UK | Original (Hudson)

Release: 2023 / UK – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Beatball)

Mukimukimanmansu

2012 Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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2LP | 2024 | Original (Real Gone Music)

Mary Chapin Carpenter

Stones In The Road

Release: 2024 / Original

Genre: Rock & Indie

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Kanazoe / Clotilde Rullaud / Abdoulaye Traore / Boubacar DJiga & Achille Nacoulma

Picture
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Kananaye

LP | 2024 | EU | Original (Tzigart)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Live At The Capitol Theater Oct 21, 1978 Marble Vinyl Edition

Harry Chapin

3LP | 2023 | EU | Original (Renaissance)

Tredici Canzoni Urgenti Orange Vinyl Edtion

Release: 2023 / EU – Original

Genre: Rock & Indie

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Clear Marble Vinyl.Harold Forster Chapin was an American singer, songwriter, philanthropist, and hunger activist best known for his folk rock and pop rock songs. He achieved worldwide success in the 1970s. Chapin, a Grammy Award-winning artist and Grammy Hall of Fame inductee, has sold over 16 million records worldwide. This is an intimate concert with just Harry and his guitar.

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Vinicio Capossela

2LP | 2023 | EU | Original (La Cupa Srl)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | US | Original (Absolute Label Service)

Finbar Furey

Moments In Time

Release: 2023 / US – Original

Genre: Rock & Indie

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Zia Mohiuddin Dagar & Zia Fariduddin Dagar

Raag Malkauns & Ragini Miyan Ki Todi

3LP | 2024 | EU | Original (Black Sweat)

Little Plastic Castle Orange Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie

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These recordings were made in Bombay in 1968 by Bengt Berger (Bitter Funeral Beer Band) during a stay with Ustad Zia Mohiuddin Dagar, who was primarily responsible for the revival of the Rudra Veena as a solo concert instrument. His home in the suburb of Chembur was at the time the magical haunt of a plethora of fantastic musicians, including Ritwik Sanyal and K. Sridhar, who took part in the session. In perfect and stern Duphrad vocal style, these two Raga lead us to different atmospheres and perceptions : Malkauns is the contemplative state of the evening, of the abandonment of the senses before the breaking of the silence in the night; Miyan Ki Todi is the first breath of the morning, the gentle awakening of the limbs before a puja. The two Dagar brothers, Mohiuddin on the Rudra and Fariduddin on the chant, complement each other, become ocean and fire, stillness and storm, in an intimate and tight dialogue of exploration and expressive subtlety, in which the purity of an Indian summer becomes the highest symbol of beauty and freedom of spirit. Originally released on CD by Country & Eastern.

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Ani Difranco

2LP | 2023 | EU | Original (Righteous Babe)

Release: 2023 / EU – Original

Genre: Rock & Indie

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3rd Sea Glass Vinyl Edition

Mitchell Tenpenny

LP | 2024 | US | Original (Sony Music Nashville)

Release: 2024 / US – Original

Genre: Rock & Indie

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Where Rock 'N' Roll Was Born: Celebrating 100 Years Of Sam Phillips

2LP | 2023 | US | Original (Sun)

Hard Believer 10 Year Anniversary Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Where Rock 'n' Roll Was Born: Celebrating 100 Years of Sam Phillips[2 LP] Determination and passion drove Sam Phillips to create Sun Records and change music forever, and Sun is celebrating his 100th birthday with a 2-lp anthology of songs he brought to life. The gatefold features archival photos and liners from Grammy-winning writer Robert Gordon about Phillips' legendary legacy. Known as "The Man Who Invented Rock 'n' Roll," tracks from artists like Johnny Cash and Jerry Lee Lewis remind listeners what the Big Bang of rock and roll sounded like in 1950s Memphis.

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Fink

LP | 2024 | Original (R'COUP'D)

LP | 2024 | JP | Original (Tuff Beats)

Release: 2024 / Original

Genre: Rock & Indie

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The 3LP reissue includes session & live versions of album tracks available on vinyl for the very first time. It also includes an expanded booklet featuring additional photos & "writing off” extract about the album.

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Asuka Kuroiwa

Kaibutsu

Release: 2024 / JP – Original

Genre: Rock & Indie

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The Endless Coloured Way: The Songs Of Nick Drake Grey Vinyl Edition

2LP+7" | 2023 | UK | Original (Chrysalis)

Bela Fleck & Toumani Diabate

Release: 2023 / UK – Original

Genre: Rock & Indie

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The Endless Coloured Ways is a collection of songs by legendary singer/ songwriter, Nick Drake, performed and recorded by over 30 incredible artists from a range of different backgrounds, genres, age groups and audiences From Fontaines D.C. to Guy Garvey, Aurora to Feist, and Self-Esteem to David Gray, each artist has offered their own incredible take on a timeless classic "Nick Drake was not that concerned with promoting himself as an artist but I think he would have been overjoyed to hear his art promoted by so many vibrant and talented artists such as the ones we approached. Each track is an example of a fellow artist adopting Nick's art as if it was their own, submitting to the song, and the results prove to me that talent can so often win out over mere skill or 'personality'. We are honoured and so grateful to all our friends, old and new, who took part in the making of this set." - Cally Calloman, Bryter Music "Having initially exchanged a list of our favourite artists and realised how much our tastes overlapped, Cally and I set out on this venture with one simple brief - to ask the artists to ignore the original recording of Nick's in terms of arrangement, production and singing style; basically, we were asking them to reinvent the song. First of all, it was humbling to hear so many similar responses, saying how important Nick's music was to them, and how much they wanted to be part of this project. But as the results came in one by one, we were staggered by the brilliance and invention that each artist had shown. They had done what we asked - they had made the song their own." - Jeremy Lascelles, Chrysalis Records

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Ripple Effect

LP | 2020 | EU | Original (Craft)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Eden & Johns East River String Band

Drunken Barrel House Blues

LP | 2011 | CZ | Original (East River)

Release: 2011 / CZ – Original

Genre: Rock & Indie

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Psych! British Prog. Rock. Folk. And Blues 1966-1973

LP | 2024 | Original (UMC)

Release: 2024 / Original

Genre: Rock & Indie, Pop

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2LP | 2024 | EU | Original (Season Of Mist)

Heilung

Lifa Iotungard

Futha Yellow / Blue Marbled Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Heilung don’t play “shows”. They perform a ritual. Christopher Juul, Maria Franz, Kai Uwe Faust and their Nordic collective sweep audiences into rapture with throat singing, primordial rhythms, subtle electronic textures, a mesmerizing light show, an army of warriors and bursts of fire. What better place on earth to experience their ancient ritual than Red Rocks? The world-famous venue - which is located outside of Denver, Colorado, tucked between two giant sandstones - was once home to indigenous tribes. When Heilung performed on October 5th 2021, they recognized this history by inviting Natives to join the prayer that opens all of their rituals. “Remember that we all are brothers. All people, beasts, trees, and stones, and wind. We all descend from the one great being.” What followed was a night that no one would forget. Experience the magic of Heilung’s very first Red Rocks performance again and again on CD and vinyl. CD11. Opening Ceremony (01:03)2. In Maidjan (12:30)3. Alfadhirhaiti (07:23)4. Krigsgaldr (09:04)5. Hakkerskaldyr (03:33)6. Svanrand (03:31)CD27. Norupo (05:42)8. Othan (10:21)9. Traust (09:41)10. Elddansurin (07:25)11. Hamrer Hippyer (13:32)

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Heilung

LP | 2024 | EU | Original (Season Of Mist)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Sony Music Nashville)

Nate Smith

California Gold

Release: 2024 / US – Original

Genre: Rock & Indie

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2LP | 2024 | EU | Original (Shukai)

Cukor Bila Smert'

Little Plastic Castle Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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The founders of Cukor Bila Smert’ (Ukrainian: Цукор– Біла Смерть, English: Sugar – White Death) band were Svitlana Okhrimenko (a.k.a. Svitlana Nianio), Oleksandr Kohanovs’kyi, and Tamila Mazur, who studied at the Reinhold Glier Kyiv Academy of Music in 1984-1988. In the summer of 1988, they got acquainted with Eugene Taran, a young guitarist and artist. He joined the band and also became the ideologist of Sugar – White Death. Moreover, Eugene coined the name for the band: the irony towards the Yellow Press. The musicians gathered at Kohanovs’kyi’s house, where they spent their free time not only playing music but also listening to and discussing new records and thinking about the conception of their new project.

For two years, the band recorded a few home-made albums, such as “Rhododendrons Coral Aspides” in 1988 (which is considered lost), where Kostyantyn Dovzhenko took part as a guitarist and sound engineer. He also replaced Taran during the recording session because Eugene was passing an exam at that time. The band also recorded another album – “Lilies and Amaralises,” in 1989, which is also considered lost. Eugene remembers that the band made a lot of recordings but did not pay so much attention to them. Sugar – White Death played live occasionally but spent more time creating their own sound, which was named by Oleksii Dekhtyar (a founder of “Ivanov Down”) as a “sugar calypso sound.” At that time, the music was mostly created by Oleksandr Kohanovs’kyi, and the lyrics were written by Svitlana Okhrimenko and Eugene Taran.

In February 1990, a quartet came to the Scientists House Studio in Kyiv, where they had one studio session only, recorded by Valerii Papchenko. Musicians played live for about one take. This session was represented on the “Mannered Music” compilation by several blocks – “Venus with Long Neck,” “The New Sissies,” and “Rhododendrons Coral Aspides,” which was shortened to “Rhododendrons” on the cassette (two songs from which – “Summer Will Not Come” and “The Great Hen-Yuan’ River,” dedicated to Grigorii Khoroshylov, the sinologist from Kyiv). The compilation cover design was created by Eugene Taran. Later, this tape got to Vlodek Nakonechnyj, the founder of Koka Records, a young Polish label, who released “Mannered Music” on cassettes and made efforts to invite Sugar – White Death to play several gigs in Poland.

In November 1990, Sugar – White Death played their last gig as a quartet in Kharkiv. They were invited by Sergii Myasoyedov, who curated the art association “Nova Scena” (The New Scene). The band played selected tracks from the albums “The New Sissies” and “The Shellfishes in Gold Wrappers” (the last one is also considered lost). Due to Sergii Myasoyedov's efforts, the performance was documented: he saved a lot of photos and fragments of soundboard recordings on reel-to-reel tape.

Later, Oleksandr Kohanovs’kyi and Tamila Mazur left Sugar – White Death: Oleksandr founded his own project Pan Kifared, and Tamila became a bass player of Shake Hi-Fi (whose co-founder was Eugene Taran). Sugar became a duo of Svitlana and Eugene. They started to focus on their next work: “Antinoy Is Leaving” in late 1990.

In 1992, they were also invited by Sergii Myasoyedov for a studio session in Kharkiv, where due to the efforts of Oleksandr Vakulenko, Sugar recorded the new album called “All Secrets Of A Poem”. Some tracks from the work (“Dead Ceremony,” “Vienna Is Sleeping,” and “Untitled”) were released on their next and last album, “Selo” (“The Village”). The rest compositions were published as a part of the compilation for the first time.

In the autumn of 1992, the musicians went to Poland, where Vlodek Nakonechnyj, who wanted Sugar to come to a “real” studio, organized their last recording session. Although the journey’s beginning was unsuccessful (Eugene’s guitar was taken away by a customs officer when crossing the border), the musicians worked fast during the session at the Arek Was studio at Marki on an 8-track reel-to-reel machine. Boleslav Blazhchyk took part as a cellist, playing the parts created by Svitlana. The album was completed in three days – the musicians spent two days recording and one-day mixing, mostly done by Eugene Taran. In 1993, this work was released as “Selo” (“The Village”) album on cassette tapes by Koka Records (remastered by Tadeusz Sudnik). Later, Sugar – White Death was disbanded.

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Ani Difranco

2LP | 2023 | EU | Original (Righteous Babe)

The Butterfield Blues Band

Release: 2023 / EU – Original

Genre: Rock & Indie

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Live At Woodstock

2LP | 2020 | US | Original (Run Out Groove Vinyl)

Lovelytheband Red Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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First time that Butterfields incendiary live set at Woodstock is available on vinyl
Remastered for maximum fidelity with lacquers cut at Sam Phillips Recording Studio
Features all new artwork, pressed on 2-140g records and comes in a deluxe gatefold tip-on jacket

Paul Vaughn Butterfield was an American blues harmonica player, singer and band leader. After an early training in classical flute, he developed an interest in blues harmonica and explored the blues scene in his native Chicago.

Butterfield met aspiring blues guitarist Elvin Bishop in the early 1960s and with bassist Jerome Arnold and drummer Sam Lay (both from Howlin Wolfs touring band), the new group secured a highly successful club engagement at Big Johns Folk Club in Chicago which brought them to the attention of producer Paul A. Rothchild. During their engagement, Butterfield met and occasionally sat in with guitarist Mike Bloomfield. Rothchild was impressed with the chemistry between the two and persuaded Paul to bring Bloomfield into the band and eventually signed them to Elektra Records in 1964. Rothchild assumed the role of group manager and used his folk contacts to book them at the Newport Folk Festival in 1965. The band added keyboardist Mark Naftalin, and its debut album, The Paul Butterfield Blues Band was finally successfully recorded in mid-1965 and released later that year. The album reached number 123 in the Billboard 200 chart, but its influence was felt way beyond the sales figures. In July 1966, the sextet recorded their second full length album, EastWest. The album consisted of more varied material and reached number 65 on the album charts. With Bishop and Naftalin remaining, the band added bassist Bugsy Maugh, drummer Phillip Wilson, and saxophonists David Sanborn and Gene Dinwiddie. This lineup recorded the bands third album, The Resurrection of Pigboy Crabshaw in 1967. The album cut back on instrumental jams and focused more on an R&B influenced horn-driven sound. It was Butterfields highest-charting album, reaching number 52 on the chart. On the next album, In My Own Dream, the band continued to move away from its roots in Chicago blues towards a more soul-influenced, horn-based sound. The album reached number 79 on the Billboard chart and by the end of 1968, both Bishop and Naftalin had left the band.

The band was invited to perform at the Woodstock Festival on August 18, 1969. They performed seven songs, and although its performance did not appear in the film Woodstock, one song, Love March, was included on the original album release Woodstock: Music From the Original Soundtrack and More, released in 1970. In 2009, Butterfield was included in the expanded 40th Anniversary Edition Woodstock video, and an additional two songs appeared on the box set Woodstock: 40 Years On: Back to Yasgurs Farm. Finally, in August 2019, Rhino Entertainment released the web-only, 38 CD/blu-ray, numbered and limited box set: WoodstockBack to the Garden: The Definitive 50th Anniversary Archive which included Butterfields complete set. Run Out Groove will issue this incendiary live set on vinyl for the very first time with new artwork and deluxe packaging!

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Lovelytheband

LP | 2024 | EU | Original (Happy Accident)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Milk & Cookies: A Merry Crowder Christmas

Crowder

LP | 2024 | EU | Original (Sixstepsrecords)

Release: 2024 / EU – Original

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Brooks & Dunn

Reboot II

Release: 2024 / US – Original

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Luke Bryan

Mind Of A Country Boy

Release: 2024 / Original

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LP | 2024 | JP | Original (Cassetron)

Catbug

Musjemeesje