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The Unthanks - Lines-Part One: Lillian Bilocca
The Unthanks
Lines-Part One: Lillian Bilocca
LP | 2018 | EU | Reissue (Rabble Rouser)
19,99 €*
Release: 2018 / EU – Reissue
Genre: Rock & Indie
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The Unthanks - Diversions Volume 4 The Songs And Poems Of Molly Dra
The Unthanks
Diversions Volume 4 The Songs And Poems Of Molly Dra
LP | 2017 | EU | Reissue (Rabble Rouser)
24,99 €*
Release: 2017 / EU – Reissue
Genre: Rock & Indie
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Flook - Ancora
Flook
Ancora
LP | 2019 | EU | Reissue (Flatfish)
21,99 €*
Release: 2019 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Quilting - Quilting
Quilting
Quilting
LP | 2022 | CA | Original (Telephone Explosion)
21,99 €*
Release: 2022 / CA – Original
Genre: Organic Grooves, Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
The mesmerizing debut LP by Nova Scotia’s Quilting on October 7, 2022. The album is a quietly stunning collection of pastoral ambience dotted with moments of tension that reflects the maritime environment in which it was created, inadvertently paying homage to the light and darkness of rural life.

Co-founded by Holy Fuck’s Brian Borcherdt, the quartet is comprised of a diverse and accomplished collection of musicians who came together when he moved back to his home province in 2019 after a lengthy stay in Toronto.

The shock of settling into a town of 600 people was softened almost immediately by a care package left on Borcherdt’s front porch. It included the curious juxtaposition of homemade preserves and a circuit-bent keyboard. His interest was piqued. As luck would have it, his new neighbour happened to be renowned folk guitarist Kim Barlow.

“Kim was in the process of organizing an improvisation series featuring over a dozen Nova Scotia-based musicians. The series struggled under lockdown restrictions, and on the second attempt only the four of us showed up.” Borcherdt recalls. “We didn't really know each other that well, were a bit shy and played very quietly. However, we really enjoyed how spacious our jam was.”

One week after their initial jam, Borcherdt was invited to perform a solo set at a Halifax-based experimental festival called Open Waters. He instead volunteered the same lineup: himself, Barlow, distinguished Isle Of Skye harpist (and Berklee professor) Mairi Chaimbeul, and Sahara Nasr, a noted songwriter and player of the rare Indian Sarangi. It wasn’t long before they began recording and soon realized a name was necessary to make the project official.

“When we get together to play music, it's our 'poker night'. That led us to think of other community or 'grown-up' gatherings, similar or antiquated... like barnraising bees, quilting bees.” Explains Borcherdt. “We were sort of quilting: four corners of fabric, texture, sewing threads, telling a story, all making one complete piece while drinking a few beers. We could've also called it ‘Therapy’.”

While providing a necessary distraction from early-COVID life, Quilting also offered a chance to improvise within a uniquely ambient soundspace. This was a welcome change for some of the members, including Borcherdt, who was used to creating music with decidedly more volume.

“Space is welcome. Writing in Quilting is a spontaneous and thoughtful process, very synesthetic and, of course, collaborative. I've only really gotten to explore space and silence with solo music.” He reflects. “With my other bands, even when spontaneous and improvised, the result is dense and cathartic, expressive through pulse and rhythm and volume. With Quilting we get to drift, no beats, no safety net. Every note counts. Yet rather than being stressed or scrutinized under a microscope we all have fun and daydream a bit.”

Sonics aside, Quilting has also given all four members the chance to experiment with the boundaries created by headquartering in a remote area not commonly associated with the avant-garde music community.

“Nova Scotia, unlike other provinces, has basically one city, one place where musicians congregate, play shows and hang out. Anything happening outside of Halifax can be considered an experiment, a test to see anything can get off the ground.” Borcherdt explains. “ In Toronto there's already an infrastructure, whether you play the same venues or build your own new thing- there's an audience, there are friends and like-minded individuals. It's healthier. Here we have to take what we get. But the good news is that it's kind of a blank slate.”

The LP, which features hand-calligraphed cover art from Upstate New York-based artist and musician Sarah Le Puerta, features five songs all recorded live off-the-floor in a single live performance. Moods range from reflective to unsettled, and even at its loudest parts a sense of intimacy persists.

“This album feels like a complete picture, a snapshot of one fun night.” He states. “That seems to me to be a perfect introduction. The listener gets to “attend” the concert, which is an amazing way to discover new music.”
Elijah McLaughlin Ensemble - Elijah McLaughlin Ensemble II
Elijah McLaughlin Ensemble
Elijah McLaughlin Ensemble II
LP | 2022 | US | Original (Tompkins Square)
26,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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"If there was a silver lining to the cloud of uncertainty that was life during the early days of the pandemic, it was that all of the isolation provided a clear break from the entrenched routines of day to day life. This respite allowed me to see in sharp contrast all of the things that were important in my life, and all of the things that were trivial, and thus expendable. It was during this time that I began to write in earnest for this second Elijah McLaughlin Ensemble record." "Over the course of a year, I would bring my new compositions to my collaborators (Jason Toth and Joel Styzens), and usually after a very limited number of rehearsals we would enter the studio at the Fine Arts Building in Chicago and record the songs on an old Tascam ½” tape machine. There were four such studio sessions, in which all recorded material was culled down to these 9 songs. We recorded the material with a strong improvisational approach, and a couple of these songs are essentially first takes. I am very proud of the material on this album, and the energy we captured in the studio. I am glad to partner with Tompkins Square in sharing this album with the world." "The Chicago group, which features Elijah McLaughlin on 12 and 6 string guitars, Joel Styzens on hammered dulcimer, and Jason Toth on upright bass, blends elements of American primitivism guitar styles, with free jazz and modern classical music together into something daringly original and stunningly beautiful."—Record Crates United
Jean-Claude Vannier - La Bete Noire / Paris N'Existe Pas
Jean-Claude Vannier
La Bete Noire / Paris N'Existe Pas
LP | 2022 | UK | Original (Finders Keepers)
21,99 €*
Release: 2022 / UK – Original
Genre: Rock & Indie
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With a discography held in such high esteem amongst fans of conceptual French pop and soundtrack composition, the likelihood of finding an unturned stone amongst maestro Jean-Claude Vannier’s fertile psychedelic rockery falls somewhere between slim and skeletal. Even the most intrepid explorers of the most fearless and fastidious nature should naturally expect to encounter one or two shadowy characters when braving the oblique corners of the Vannier vault, but few lost souls cast a darker silhouette than the cinematic obscurity known only as »La Bête Noire« (The Black Beast).
V.A. - Minna Miteru 2
V.A.
Minna Miteru 2
2LP | 2022 | EU | Original (Morr Music)
33,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Following the »Minna Miteru« compilation, released in 2020, Morr Music announces a sequel, dedicated to Japanese indie music, overflowing with surprises and welcome discoveries. Like its predecessor, »Minna Miteru 2« is compiled by Saya of Tenniscoats, with the support of Markus Acher (The Notwist). It’s also another part of the Minna Miteru universe, alongside retrospective albums by The Andersens (»There Is A Sound«, 2020) and yumbo (»The Fruit Of Errata«, 2021). Taken together, these albums suggest a scene in rude health, sharing a unique vibration. If its predecessor circled around Tenniscoats and their close friends, the second volume, though featuring a collaboration between Tenniscoats and Deerhoof as oneone, reaches far further afield, drawing from music old and new, far and wide. Consistent across »Minna Miteru 2« is a sense of wonder and a cheerful unpredictability: you never quite know what you’ll hear next. There are some gorgeous indie pop songs here, like Yuko Kono’s »Ginger« or HOSE’s »Baseball«, but there are other sounds too, like Kariu Kenji’s blue-hued electro-pop, or the wheezing pipe-organ ambient of Fuji||||||||||ta: »Minna Miteru 2« hints at new kinds of beauty. Some of the more widely known names here contribute typically gorgeous melodies – Kama Aina’s »Wedding Song«, from 2005’s »Hawaii Hawaii« CD, is a reflective tune that combines a country-ish lilt with hints of slack-key guitar. Shugo Tokumaru’s »5 A.M.« is a delirious psychedelic pop mantra, drawn from his excellent 2005 album, »L.S.T.«. Many of the revelations, though, come from artists and groups relatively unknown outside Japan. The lovely, disorienting glitch-folk of Wasurerogusa features Aki Tsuyuko, perhaps best known for her albums on Thrill Jockey and Jim O’Rourke’s Moikai label, collaborating with psych-folk legends Eddie Marcon. There’s also the delightful synth-pop of Jonathan Conditioner; the electronic dreamscape of Chaplin, whose opening »Out Cont« runs along several parallel paths at once; the twinkling, acoustic jangle at the heart of mmm’s luscious »Blue«; and a curious collection of miniatures, from acts like tenshinkun, Daisuke Tanabe and Nnmie, that embrace a childlike curiosity, essaying a kind of toytown pop-tronica. The twenty-six songs on »Minna Miteru 2« repeatedly catch you unawares, upending your expectations and signaling both the breadth and depth of the Japanese indie underground. It’s a compilation of play and pleasure, but also of bold experiment smuggled into the everyday through pop music’s welcoming moods, magically creating a new world for the listener, spun out of the air and woven in between your ears.
Chris Forsyth / Dave Harrington / Ryan Jewell / Spencer Zahn - First Flight
Chris Forsyth / Dave Harrington / Ryan Jewell / Spencer Zahn
First Flight
LP | 2022 | UK | Original (Algorithm Free)
31,99 €*
Release: 2022 / UK – Original
Genre: Rock & Indie, Electronic & Dance
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"First Flight" documents about 40 minutes of jams recorded during the third week of my September residency at Nublu last year, and, for me, this show was just about the most enjoyable hour of music I played all year.

The ideal of the residency was to mix things up with special guests, different band lineups, and varied set lists, keeping things fresh and new week-to-week, and this show was the wild card of the bunch.

That's because although Ryan and I have played together for years, and Dave and Spencer have played together for years, neither half of the band had ever met each other. I was tangentially aware of Dave and his music and was intrigued by what I'd heard, so I thought it was a cool idea when Chris Tart, the residency promoter, suggested a collaboration.

So, about 30 minutes after we'd all heard each others voices for the first time, we got up and played for a little over an hour, uninterrupted. The only thing discussed beforehand was that we shouldn't discuss anything beforehand - not a key or a riff to start with, nothing - so as to preserve maximum spontaneity.

I think this music demonstrates a real connection on stage. In other words, each player was completely present and actively listening on the bandstand. Listening back, there are moments I can hear Ryan saying - musically - "Hey, let's go over here! Check this out!," or Spencer being like "Wouldn't it be cool to go down this path?" And we followed. And it was cool.

In my mind, that listening thing is the number one most important factor in any collaboration or cooperative effort, but especially in improvised music.

And I think it's fair to say that a little more listening, a little more presence, would do the whole world some good right about now, don't you think?

-Chris Forsyth
Shane Parish - Liverpool
Shane Parish
Liverpool
LP | 2022 | US | Original (Dear Life)
36,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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After months of developing elaborate acoustic guitar versions of the songs for what he at first intended to be a solo acoustic guitar album, a burst of inspiration hit and he rearranged the music for electric guitar, where he has long been at home with his two decades of work as composer and bandleader for morphing avant-prog outfit Ahleuchatistas. What Parish ended up with are arrangements in his intuitive, intense, and intimate style, more directly aligned with his flagship electric band. While acoustic guitar produces resonance through tactile manipulation, the electric guitar harnesses the flow of electricity, allowing Parish to cut a more urgent and colorful slice through our historical moment with these haunting melodies which were first formed under the most ruthless of working conditions, defiantly affirming the creative human spirit’s ability to burst forth from any circumstances.
Cass McCombs - Heartmind
Cass McCombs
Heartmind
LP | 2022 | EU | Original (Anti)
24,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Say Zuzu - Here Again: A Retrospective 1994-2002
Say Zuzu
Here Again: A Retrospective 1994-2002
2LP | 2022 | UK | Original (Strolling Bones)
28,99 €*
Release: 2022 / UK – Original
Genre: Rock & Indie
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Charley Crockett - Man From Waco
Charley Crockett
Man From Waco
LP | 2022 | EU | Original (Son Of Davy)
26,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Michael Chapman - And Then There Were Three
Michael Chapman
And Then There Were Three
2LP | 2022 | EU | Original (Lantern Heights)
37,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Fully licensed, ltd to 500 copies double 180 gr. vinyl. Here’s Lantern Heights’ personal tribute to the one and only Michael Chapman, a hero in his own right, a ‘Fully Qualified Survivor’ (just to mention one of his most successful creations). An unreleased live album on vinyl in the form of an astonishing trio.” A live set recorded at Nottingham’s Playhouse Theatre on July 23rd 1977 by Chapman and a power house rhythm section in Lindisfarne bassist Rod Clements and former John Mayall drummer Keef Hartley. Some of his best-loved songs are showcased in “And There Were Three” – a jocular reference to Chapman’s ever-shrinking band, also known as ‘a beast with three heads’.
Bob Wayne - Outlaw Carnie Green Vinyl Edtion
Bob Wayne
Outlaw Carnie Green Vinyl Edtion
LP | 2011 | EU | Reissue (Svart)
28,99 €*
Release: 2011 / EU – Reissue
Genre: Rock & Indie
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Bob Wayne lives and breathes both country music and punk rock, and has worked with a very diverse cast of artists in his career, from Hank Williams III to Exodus. A true outlaw and a DIY spirit, he is incessantly on tour or working on new music. Some years ago he got signed by a metal label, being the first country artist on Century Media.

This album, Outlaw Carnies, was Wayne’s debut for Century Media/People Like You in 2011. Long sold out on vinyl, Svart Records are happy to present an authorised vinyl reissue, available on classic black and limited dirty swamp green wax.
Bob Wayne - Outlaw Carnie Black Vinyl Edition
Bob Wayne
Outlaw Carnie Black Vinyl Edition
LP | 2011 | EU | Reissue (Svart)
31,99 €*
Release: 2011 / EU – Reissue
Genre: Rock & Indie
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Bob Wayne lives and breathes both country music and punk rock, and has worked with a very diverse cast of artists in his career, from Hank Williams III to Exodus. A true outlaw and a DIY spirit, he is incessantly on tour or working on new music. Some years ago he got signed by a metal label, being the first country artist on Century Media.

This album, Outlaw Carnies, was Wayne’s debut for Century Media/People Like You in 2011. Long sold out on vinyl, Svart Records are happy to present an authorised vinyl reissue, available on classic black and limited dirty swamp green wax.
Zemi17 - Gamelatron Bidadari
Zemi17
Gamelatron Bidadari
LP | 2022 | US | Original (The Bunker New York)
22,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie, Electronic & Dance
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The Gamelatron is many things; one could call it a sculpture, a multimodal installation, an instrument, a robot, a feat of engineering, a vision—and it is all of these things. More importantly, though, it is a concept sustained by Aaron Taylor Kuffner, aka Zemi17, whose Gamelatrons are “sound producing kinetic sculptures” designed to create an immersive, visceral experience for the listener. Not a small feat, and yet the ambitions of Zemi17 are absolutely realized in this long-standing project, culminating now in his third release for The Bunker NY: Gamelatron Bidadari.

The Gamelatron Bidadari is not just a name—it is one of seventy-plus musical sculptures that Zemi17 has conceptualized, designed, and fabricated. Therefore, it would be inaccurate to think of this release as simply a series of arrangements composed in a finite period of time. Rather, it’s a window into a project and a process that is much larger than any single album can encapsulate. Gamelatron Bidardi is the culmination of more than a decade of work, and is central to Zemi17’s evolution, not only as a musician but as an artist.

Having studied gamelan for many years in Indonesian villages and at the Institut Seni Indonesia in Yogyakarta, Kuffner is a musician, an artist, technologist, and craftsman. The gongs in his sculptures are co-created with master Indonesian artisans. Each Gamelatron composition is site-responsive, meaning its sounds are composed for the acoustics and intentions of the space it inhabits, whether it’s an art gallery, a wooded landscape, or the inner temple of Burning Man. The Gamelatron does not stand alone: it is in constant co-creation with its physical environment, and in dialogue with gamelan’s long-standing history.

Originally exhibited at the Smithsonian Renwick as part of a show entitled, No Spectators: The Art of Burning Man, the Gamelatron Bidadari produces sounds that are delicate yet strong, and deeply hypnotic. Textured chiming creates intricate polyrhythmic patterns that are both complex and simple, or in a word, elegant. On Gamelan Bidadari, Zemi17 refrains from adhering to the strict musical structures; his approach to composition is free flowing.

He says, “I want to evoke what the music tells me it has to offer. It is like following water to its conclusion (or non-conclusion).” The arrangements on this album, written by Zemi17 and performed by the robotic arms of the Gamelatron, leaves the listener feeling enchanted, nourished and enriched.

A sense of the mystical comes through in the tonal quality of the instrument, and is conceptually felt in the sculpture’s name: the Bidadari, which loosely translates to “forest nymph.” The music conjures up natural wonder, and the four sculptures that make up the Gamelatron Bidadari, in fact, resemble trees. They are four independent yet connected entities, each with a large gong situated at their structural base—the sonic “roots” of the sculpture—while smaller gongs branch off of a golden, trunk-like spine. The Gamelatron Bidadari is as physically stunning as it is mesmerizing to the ear. A kind of divinity is invoked through its sound, or a sacred cohesion between past and present, tradition and new form. Meant to be viscerally experienced, the sounds of the Gamelatron call for sublime togetherness. Gamelatron Bidadari is not just an album but the crystallization of Kuffner’s work; it is a condensed yet spacious glimpse into the sonic power of Zemi17’s Gamelatrons, which have already been heard and experienced live by over a million people.
Twain - Noon
Twain
Noon
2LP | 2022 | US | Original (Keeled Scaless)
27,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Matthew Davidson is a prolific contributor to beloved projects including Big Thief, whose latest album Dragon New Warm Mountain I Believe in You features Davidson's distinct contributions on six songs, as well as a current member of Buck Meek's band. Davidson is also a former member of The Low Anthem, Spirit Family Reunion, and Deslondes and has toured with the likes of Langhorne Slim, Courtney Marie Andrews and more. He made his label debut as Twain with Rare Feeling in 2017. Twain's music resonates a transcendental weight, his performances reliably noted as raw and intensely emotional. The long-awaited album from Twain released via Keeled Scales is his first-ever double LP titled Noon. Twain's first album in three years, Noon looks to explore the balancing exercise between soul-fantasy and self-scrutiny. The songs on Noon try to sit in the liminal state between the spirit's ambition for itself and the often harsh truth of the present. The hope is to erode the barrier between those two states. 'Twain' is Mat Davidson's approach to reconcile those two states, and to forget that they could ever exist in opposition.
Paisley Fields - Limp Wrist
Paisley Fields
Limp Wrist
LP | 2022 | EU | Original (Don Giovanni)
28,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Foster & Allen - We'll Meet Again
Foster & Allen
We'll Meet Again
LP | 2022 | UK | Original (Demon)
30,99 €*
Release: 2022 / UK – Original
Genre: Rock & Indie
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Barbara - Premiers Micros
Barbara
Premiers Micros
LP | 2022 | EU | Original (Diggers Factory / Inasound)
30,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Alhaji Waziri Oshomah - World Spirituality Classics 3: The Muslim Highlife
Alhaji Waziri Oshomah
World Spirituality Classics 3: The Muslim Highlife
2LP | 2022 | US | Original (Luaka Bop)
34,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Alhaji Waziri Oshomah begins his sermon before a dancing crowd. His lyrics warn about the vice of jealousy but the congregation is here to get down. We're in a small part of Edo State in southern Nigeria called Afenmailand, which is known for being a harmonious region where Muslims and Christians live and dance together. The atmosphere is one of enjoyment, excitement, and pleasure, because to see Waziri perform is to be addressed, body and soul. He's the creator of a unique dance music that's fused with local folk styles, highlife, and Western pop, and imbued with Islamic values - and he's the greatest entertainer in all of Edo State. They call him the Etsako Super Star.
Aspidistrafly - A Little Fable
Aspidistrafly
A Little Fable
LP | 2022 | UK | Original (Kitchen Label)
23,99 €* 29,99 € -20%
Release: 2022 / UK – Original
Genre: Rock & Indie
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“I went mourning without the sun; I am a companion to owls.”

In the autumn/winter of 2010, Singapore-based April Lee and Ricks Ang of Aspidistrafly (also founders of Kitchen. Label) embarked on the recording of their second album A Little Fable in Japan in collaboration with several artists. Fascinated by the patina of time and themes of folklore, A Little Fable narrates a surrealist procession of tales, twelve compositions simmering one into the other lyrically and picturesquely. This album sees the duo returning to a warm, organic palette of closely-whispered vocals, fingerpicked guitar, string arrangements and their trademark texture-focused arrangements. Featuring guest collaborators Kyo Ichinose, Seigen Tokuzawa, haruka nakamura, Junya Yanagidaira (ironomi), honagayoko, Akira Kosemura, Janis Crunch and more.

A dusty bottom drawer of forgotten memoirs is unlocked, and the album opens with a mourning, solitary cello while a harmonium drone forebodes an oscillating motif of glockenspiel tones, or sprinkled stars if you will. In Landscape With A Fairy, a tale of loss and longing during the earliest dawn mist – the world in its daily transition – is daubed in the hues of intensified sunlight, foliage or shadows, only to be diffused and faded by time, not unlike Andrei Tarkovsky’s polaroids of the Russian countryside. April Lee’s intimate vocals and acoustic guitar gently break the silence of a cold morning, backed by graceful string flourishes arranged by Kyo Ichinose. Kitchen. Label’s very own haruka nakamura and Junya Yanagidaira (ironomi) add harmonizing colors of the guitar and piano respectively.

Tracing the mysterious migration routes of nocturnal animals, Homeward Waltz skips home along a breadcrumbed-path with ephemeral glimpses of forest sights, ornamented by violins and other curious sounds before fulminating into a amorphous guitar drone, as Seigen Tokuzawa’s improvised cello strokes drift and wander with split-second apparitions in the night sky. Sounds of wooden creaks and early morning spoon-in-coffee stirrings permeate the spontaneous atmosphere of Cocina. honagayoko’s quaint and chopped piano phrases waltz with spliced vocals and flute.

Emerging from the darkened foliage into a vast, cryptic hemisphere, the second half of the album teeters on the frailty and transitoriness of the world. A Little Fable’s voyage reaches a turning point by SEA OF Glass. Ricks Ang constructs a prolonged arpeggio of sonorous looping guitar motifs that float in and out of focus, reverberating almost like a narcotic percussion across tumultuous oceans. Now distanced and gauzy, sounds of surging waves open Countless White Moons in a misty indefiniteness, yet held together charmingly by Akira Kosemura’s luminous piano. The elusive narration in Language OF Flowers tells of a deliberate escape from the passage of time with a folkloric enchantress who wordlessly casts her spells. In Gensei, April Lee relates an unspoken anguish in her tender, wavering vibrato while Janis Crunch’s somber piano and chorus vocals loom like a harbinger of death. The last chapter Twinkling Fall, the second track to feature haruka nakamura, now shuts the drawer of secrets, dissipated monochrome colours restored once again to full bloom.

A Little Fable is available on CD and the digital format on 15th December 2011. The physical CD copy comes in a 48-page artbook edition (21 x 15cm) featuring photographs and collages by April Lee and Miu Nozaka, with styling by Rika M. Orrery, who have, from their expeditions during the making of this album, directed a dream sequence around the encompassing atmosphere of a secluded hilltop cottage, a forest hued in the splendor of autumn and distant, rocky shores.
Aspidistrafly - Altar Of Dreams
Aspidistrafly
Altar Of Dreams
CD | 2022 | UK | Original (Kitchen Label)
25,99 €*
Release: 2022 / UK – Original
Genre: Rock & Indie
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Aspidistrafly, the Singaporean duo comprising April Lee and producer Ricks Ang, return with Altar of Dreams, their first studio album in a decade.

While their last album A Little Fable introduced the world to their bucolic and wispy brand of folk songwriting, Altar of Dreams sees the duo – also the founders of Kitchen. Label – harness their experiences over the past decade to create a wholly new and inspired vision. In this new and third album, they drew upon a rich palette of shapes, sounds and movement: straddling between the visionary photography of Serge Lutens and Dora Maar, 80s Japanese ambient pop, musique concrète and the mournful strings of Béla Bartók.

The world in which Aspidistrafly once inhabited was foggy and awash in faded memory. A feeling of being suspended in time felt inescapable with each listen. In Altar of Dreams, the fog is clearing up. At nine songs under 35 minutes, the album possesses all the defining hallmarks of Aspidistrafly – poetic lyricism, cosmic introspection, lush strings, surrealism, tenderness and texture. But what was once seemingly inscrutable has now been explored with astounding clarity, the duo maneuvering through a space-time continuum with delicate leaps.

‘How To Find A Marblewing’, the opening track, is a heady sound collage of early internet sounds, film, anime, and chopped-and-screwed 90s J-pop. It’s a presence deeply embedded throughout the record, a method Lee describes as “a form of environmental/tape treatment”.

The compositions glimmer with sincerity, addressing all at once destruction, mystery, uncertainty, hopes and dreams. The resulting music is backed by an opulence only possible with a line-up of guest musicians. ‘The Voice of Flowers’ is stirring in its balance of flute, clarinet, tenor saxophone and piano, bolstered by a string quartet. Kitchen. Label artist haruka nakamura features on the track alongside Kyo Ichinose (who arranged the strings for the album) and wind instrumentalist Araki Shin.

‘Interlude: Chrysalises and Larvae’ takes the heavy path downward, adopting its name from the 1973 surrealist odyssey The Hourglass Sanatorium. It leads into ‘Companion to Owls’, a gothic pop paean to mortality inspired by the Book of Job.

Before the namesake centrepiece of the album, another interlude arrives in ‘A Ceremonial Ode’, both of which were stirred by a series of regal Shiseido ads from the 1980s starring model Sayoko Yamaguchi. ‘Altar of Dreams’ is haunted by the lucid dreams that once provided escapism for Lee. Its tranquility belies a simmering tension, just as how a lucid dream would offer control in the face of the unknown. “In one of them, I was floating in a vast darkness safe and secure, and then I fell into a turbulent mirage where I willingly allowed myself to be swept away further and further from reality, hoping that I would never wake up,” she says. “Needless to say I did, and ended up writing this song on one of these dead nights.”

If the title track replicates the feeling of falling deep into that spiral, ‘Silk and Satins’ is a direct analysis of the phenomenon. Warped frequencies collide with nature and television sound effects – the latter sourced from 80s Singaporean horror series Mystery – within an inter-dimensional music world. The track was made with featured artist Sugai KEN, whose own work is an endless scroll of intoxicating found sounds.

‘Quintessence’, the sweeping closing track, distills all the elements scattered across the album into a coda that beautifully refuses to resolve. At first an exercise in guitar looping, the song was then written without a beginning and end in mind. “I’d like to think of it as poetry that’s sung,” says Lee.

In Altar of Dreams, Aspidistrafly are renewed and hopeful. They’ve emerged from a decade spent reframing the world they see through vivid dreams and memories. Now, it’s all yours to experience.
Steve Von Till - A Life Unto Itself
Steve Von Till
A Life Unto Itself
LP | 2015 | US | Reissue (Neurot)
27,99 €*
Release: 2015 / US – Reissue
Genre: Rock & Indie
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Steve Von Till, best known as Californian heavyweights Neurosis' singer and guitarist, is due to release a new solo album, A Life Unto Itself on his main band's Neurot Recordings Von Till enlisted Randall Dunn, production supremo and Master Musicians of Bukkake founder, to helm the desk, as well as bringing in Eyvind Kang on viola and percussionist Pat Schowe. 'A Life Unto Itself' also showcases J. Kardong on pedal steel, texturising Von Till's baritone gravel and sun-bleached skeleton of...
Bruno Bavota & Chantal Acda - A Closer Distance Transparent Purple Vinyl Edition
Bruno Bavota & Chantal Acda
A Closer Distance Transparent Purple Vinyl Edition
LP | 2023 | US | Original (Temporary Residence)
30,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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When Italian composer Bruno Bavota and Dutch songwriter Chantal Acda first met several years ago, they knew almost instantly that they wanted to make music together. Bavota was already a fan of Acda's dreamy, orchestral folk, and in Bavota's intimate, picturesque piano compositions, Acda saw a potential for collaboration that was begging to be explored. As it would happen, the inherent loneliness and isolation of the Covid-19 pandemic would provide a most unusual opportunity to craft an album together - without ever being ion the same room. Originally conceived as a brief two- or three-song EP, A Closer Distance is the result of a month of seemingly endless and effortless creative connections between Bavota and Acda. Spawned from the opening piano phrase that became the album's title track, the nine songs that make up A Closer Distance were written and recorded by Bavota and Acda in their respective homes. No stranger to long-distance collaboration - having worked with an array of artists from Alan Sparhawk and Mimi Parker of Low to guitar legend Bill Frisell - even Acda was surprised by the ease and pace with which A Closer Distance came together: "This all came so weirdly natural. It woke up a part of me that had been asleep for a while." Mostly built around Bavota's solitary piano arrangements and Acda's layered, ethereal vocals, the songs on A Closer Distance reflect the intimacy and tranquility of their conception. It is a magical collection that connects to the listener with the same air of comfort and familiarity that inspired its creation.
Bruno Bavota & Chantal Acda - A Closer Distance Black Vinyl Edition
Bruno Bavota & Chantal Acda
A Closer Distance Black Vinyl Edition
LP | 2023 | US | Original (Temporary Residence)
26,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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When Italian composer Bruno Bavota and Dutch songwriter Chantal Acda first met several years ago, they knew almost instantly that they wanted to make music together. Bavota was already a fan of Acda's dreamy, orchestral folk, and in Bavota's intimate, picturesque piano compositions, Acda saw a potential for collaboration that was begging to be explored. As it would happen, the inherent loneliness and isolation of the Covid-19 pandemic would provide a most unusual opportunity to craft an album together - without ever being ion the same room. Originally conceived as a brief two- or three-song EP, A Closer Distance is the result of a month of seemingly endless and effortless creative connections between Bavota and Acda. Spawned from the opening piano phrase that became the album's title track, the nine songs that make up A Closer Distance were written and recorded by Bavota and Acda in their respective homes. No stranger to long-distance collaboration - having worked with an array of artists from Alan Sparhawk and Mimi Parker of Low to guitar legend Bill Frisell - even Acda was surprised by the ease and pace with which A Closer Distance came together: "This all came so weirdly natural. It woke up a part of me that had been asleep for a while." Mostly built around Bavota's solitary piano arrangements and Acda's layered, ethereal vocals, the songs on A Closer Distance reflect the intimacy and tranquility of their conception. It is a magical collection that connects to the listener with the same air of comfort and familiarity that inspired its creation.
Bill Orcutt - Music For Four Guitars
Bill Orcutt
Music For Four Guitars
LP | 2022 | US | Original (Palilalia)
35,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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In a trajectory full of about-faces, Music for Four Guitars splices the formal innovations of Bill Orcutt's software-based music into the lobe-frying, blown-out Fender hyperdrive of his most frenetic workouts with Corsano or Hoyos. And while the guitar tone here is resolutely treble-kicked—or, as Orcutt puts it, 'a bridge pickup rather than a neck pickup record'—it still wades the same melodic streams as his previous LPs (yet, as Heraclitus taught us, that stream is utterly different the second time around). Although it's a true left-field listen, Music for Four Guitars is bizarrely meditative, a Bill Orcutt Buddha Machine, a glimpse of the world of icy beauty haunting the latitudes high above the Delta (down where the climate suits your clothes)..."—Tom Carter
Magna Carta - Tomorrow Never Comes
Magna Carta
Tomorrow Never Comes
2LP | 2016 | EU | Original (Repertoire)
31,99 €*
Release: 2016 / EU – Original
Genre: Rock & Indie
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Magna Carta - Seasons
Magna Carta
Seasons
LP | 2017 | EU | Original (Repertoire)
26,99 €*
Release: 2017 / EU – Original
Genre: Rock & Indie
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Magna Carta - Lord Of The Ages
Magna Carta
Lord Of The Ages
LP | 2016 | EU | Original (Repertoire)
23,99 €*
Release: 2016 / EU – Original
Genre: Rock & Indie
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Nyamakye Junction - Dasein
Nyamakye Junction
Dasein
LP | 2022 | UK | Original (Kitto)
17,99 €*
Release: 2022 / UK – Original
Genre: Rock & Indie
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Born of chance meetings in Accra, the band brings together a Burundian producer and vocalist, Betina Quest; with a Ghanaian singer-songwriter, Eli A Free; and a German percussionist and multi instrumentalist, Ma.ttic. Nyamekye Junction take their name from a bustling junction in the Ghanaian capital, where a number of major roads merge, embodying the musical approach of the band: a singular sound at the junction of their cultural heritages.
Claude - A Lot's Gonna Change
Claude
A Lot's Gonna Change
LP | 2022 | US | Original (American Dreams)
23,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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“This album is a snapshot of my early-to-mid twenties — formative, sometimes confusing years.” That’s Chicago singer-songwriter Claudia Ferme, AKA Claude, on her debut album a lot’s gonna change. For years she’s tinkered away, self-releasing a 12” EP titled Enactor in 2021, and playing shows across the city. Her first full-length has been a long time in the making, with sketches of ditties happening as early as 2017. Since then, she’s refined her craft - words, melodies, and sound - crystallizing in this collection, buttressed by Windy City Wunderkind Michael Mac’s (Tasha, Devin Shaffer, Mia Joy) woozy, lush production. It’s an evocative, relatable assemblage, detailing the peaks and pitfalls of early adult life, all the while maintaining a sense of humor, a bit of hope, and piles of earworms.
Nikki Lane - Denim & Diamonds Opaque Yellow Vinyl Edition
Nikki Lane
Denim & Diamonds Opaque Yellow Vinyl Edition
LP | 2022 | US | Original (New West)
31,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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From the first bass note within the driving drum beat you can tell something is different about the new record from Nikki Lane. The backbeat feels like a gutsy strut while the lead guitar feels like a revved up engine shifting gears. Denim & Diamonds comes out firing, spit shining the cowboy boots and tossing on a jean jacket. Produced by Joshua Homme (Queens of the Stone Age), Denim & Diamonds has the Highway Queen embracing a more rock-oriented sound while still maintaining the heartfelt outlaw country sound she has developed across her previous three releases. Denim & Diamonds still has the fuck-off flare of which Nikki has come to be known. Her stylized, story-telling lyrics are all there as well as her catchy country hooks. The outlaw country sound is now balanced out with a gritty guitar and a machine gun snare that echoes the sound of 70’s rock. Nikki Lane has made a record that sounds new and old. Familiar and surprising. She embraces where she has come from, (“First High”, “Born Tough”) the lessons learned along the way, (“Good Enough”, “Try Harder”) all while doing things her way, (“Denim & Diamonds”, “Black Widow”).
Kris Kristofferson - Live At Gilley's Pasadena, TX: September 15, 1981 White Marbled Vinyl Edition
Kris Kristofferson
Live At Gilley's Pasadena, TX: September 15, 1981 White Marbled Vinyl Edition
LP | 2022 | US | Original (New West)
31,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Recorded live on September 15, 1981, Live At Gilley’s captures Kris Kristofferson at a time in his career where he and his band were firing on all cylinders. Kristofferson was with a full band out of the road that featured Stephen Bruton, Donnie Fritts and Billy Swan. On this night, the band stopped by Gilley’s Honkytonk in Pasadena, Texas to deliver a one in a lifetime performance featuring the hits, “Me And Bobby McGee”, “The Pilgrim” and “Sunday Mornin’ Comin’ Down.” “What a great album this is! Classic Kristofferson songs throughout, and live!! Kris was in his prime and his vocals were outstanding and very soulful as always.” - George Strait “Kris Kristofferson was such an amazing songwriter, a great performer, and was a good match for our crowd. It was totally jam-packed every night, but we’d have an especially big crowd whenever an artist like Kris would come to town.” - Mickey Gilley
Town Mountain - Lines In The Leave Colored Vinyl Edition
Town Mountain
Lines In The Leave Colored Vinyl Edition
LP | 2022 | US | Original (New West)
25,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Hailing from Asheville, North Carolina, Town Mountain is the sum of all its vast and intricate influences — this bastion of alt-country rebellion and honky-tonk attitude pushed through the hardscrabble Southern Appalachian lens of its origin. With their latest album, Lines in the Levee, Town Mountain creates a collage of sound and scope within the same template of freedom found in the round-robin fashion of the musical institution that is The Band — a solidarity also found in the incendiary live shows Town Mountain is now revered for from coast-to-coast, this devil-may-care gang of strings and swagger. Recorded at Ronnie’s Place (part of the Sound Stage Studios) on Music Row in the heart of Nashville, Lines in the Levee is a bona fide workshop in the seamless blend of Americana, country, bluegrass and folk roots — this crossroads of deep influences and cultivated visions each member of Town Mountain brings to the table.
Charlie Daniels & Friends - Volunteer Jam 1 1974: The Legend Begins
Charlie Daniels & Friends
Volunteer Jam 1 1974: The Legend Begins
2LP | 2023 | EU | Original (BFD)
33,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Syko Friend - The Code
Syko Friend
The Code
LP | 2022 | EU | Original (Post Present Medium)
24,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Syko Friend's third LP, 'The Code,' wanders endless margins and endless centers, reveling in every sound, every feeling, every word. It balances the vastness of choice with the certainty of an individual path. This path belongs to Sophie Weil, the sole member of Syko Friend, who acknowledges this swing of extremes, this movement from the center to the edge: "I do want people to understand what's going on," she affirms, "but I know it's weird."Weil plays guitar like it's a faucet, the warm roundness of bathwater just a half-turn from a furious scalding, another full turn from the whole-body shiver of winter rain. Her foundation is a roaming kind of fingerpicking, the nimble, leave-only-footprints comfort of a regular hike. But Weil knows the switchbacks and undergrowth too, constricting the guitar into a staticky bludgeon, or clearing out all melody for the raw nerve glower of a single minor chord. It's an exemplary kind of American Primitive guitar work, the quiet revelation of intensely personal, timely expression found through century-old folk and blues forms. Weil's vocals-curious, fervent, dynamic and certain-fit perfectly with her playing. It's the voice of an observer, of a listener. Many lifetimes are woven through this singing, slight modulations and lung-full bursts of sound revealing half-conversations, slight revelations, world-obliterating moments of connection.For Fans of Rosa Yemen, Kendra Smith, Cynthia Dall, Nico, Neil Young's Dead Man soundtrack, Heather Leigh.,
Andy Moor & Yannis Kirikiades - Rebetika Lp
Andy Moor & Yannis Kirikiades
Rebetika Lp
LP | 2016 | EU | Original (Discrepant)
17,99 €*
Release: 2016 / EU – Original
Genre: Organic Grooves, Rock & Indie, Electronic & Dance
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O Morto - The Forest, The People And The Spirits Green Vinyl Edition
O Morto
The Forest, The People And The Spirits Green Vinyl Edition
LP | 2017 | EU | Original (Discrepant)
17,99 €*
Release: 2017 / EU – Original
Genre: Organic Grooves, Rock & Indie, Electronic & Dance
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Pali Meursault - Stridulations
Pali Meursault
Stridulations
LP | 2018 | EU | Original (Discrepant)
17,99 €* 19,99 € -10%
Release: 2018 / EU – Original
Genre: Organic Grooves, Rock & Indie, Electronic & Dance
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Babau - Stock Fantasy Zone
Babau
Stock Fantasy Zone
Tape | 2022 | EU | Original (Sucata Tapes)
12,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves, Rock & Indie, Electronic & Dance
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Tiago Sousa - Organic Music Tapes Volume 1
Tiago Sousa
Organic Music Tapes Volume 1
Tape | 2022 | EU | Original (Sucata Tapes)
12,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves, Rock & Indie, Electronic & Dance
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Tony Rice - Guitar
Tony Rice
Guitar
LP | 2022 | EU | Original (Rebel)
25,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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BKO - Djine Bora
BKO
Djine Bora
LP | 2022 | EU | Original (Les Disques Bongo Joe)
26,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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In response to the current political and ecological turmoil, the famous Malian quintet BKO appeals to the magical spirit of the djinn with Djine Bora (the appearance of the genie). An explosive and mystical third album, embodied by a music of resistance, the fruit of their unique experimentation with Mandingo music and their extraordinary history.
R.L. Burnside - Long Distance Call: Europe, 1982
R.L. Burnside
Long Distance Call: Europe, 1982
LP | 2022 | EU | Original (Fat Possum)
26,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Maher & Sousou Cissoko - Africa Moo Baalu
Maher & Sousou Cissoko
Africa Moo Baalu
LP | 2022 | EU | Original (Ajabu!)
24,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Kris Kristofferson - Live At Gilley's-Pasadena, TX: September 15, 1981 Black Vinyl Edition
Kris Kristofferson
Live At Gilley's-Pasadena, TX: September 15, 1981 Black Vinyl Edition
LP | 2022 | EU | Original (New West)
31,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Kaji Hitoshi - Bokuh Ha Folksinger
Kaji Hitoshi
Bokuh Ha Folksinger
LP | 2022 | JP | Original (Homesick Entertainment)
52,99 €*
Release: 2022 / JP – Original
Genre: Rock & Indie
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The long-awaited first analogue release of the debut album by the isolated, nameless, genius folk singer Hitoshi Kaji! Kaji Hitoshi, a convinced folk figure, passed away suddenly at the young age of 40 in 2011. Produced by Hiroki Misawa (letter, Labcry), this painfully delicate and gentle masterpiece has been revived in analogue format! Kaji started his band career in Osaka in the late '80s, and after numerous bands such as Human Gas, Peeping Mania and the 60's GS-style Uzose, he began his storytelling career around '90. After his regrettable sudden death in 2011, he was supported by numerous followers and released a documentary film and two best albums. He released a documentary film and two best-selling albums. Released in 2001, the album contains a number of songs that reveal the feelings of an adult who can't fully grow up. The album contains a total of 11 songs that have caused a storm of praise and sympathy, exposing the feelings of adults who can't grow up. Sad and tender, it is a piece of folk music history that will live on for generations to come.
Misako Oshiro - Tumai Takahashi / Uya Nu Kukuru
Misako Oshiro
Tumai Takahashi / Uya Nu Kukuru
7" | 2022 | JP | Original (Tuff Vinyl)
31,99 €*
Release: 2022 / JP – Original
Genre: Rock & Indie
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Two songs recorded in 2007 at Kadena Studio One in Kadena, Okinawa, come back alive on 7" analog vinyl after 15 years. The recording is a miraculous session produced by Makoto Kubota and is surely precious being their very first performance in Japan. “Tumai Takahashi” is often sung in a set with “Yatcya guwa” but in this recording it is performed as a stand-alone song, which makes it very rare. The coupling song “Uya nu Kukuru” is a classic piece by Teihan China, Misako Oshiro's mentor. Misako Oshiro sings with Kanako Horiuchi, her top pupil, in a relaxed and lustrous voice.
Anoushka Shankar & Metropole Orkest & Jules Buckley - Between Us... Feat. & Metropole Orkest & Jules Buckley V.A. - Wewantsounds Presents Pierre Barouh And The Saravah Sound
V.A.
Wewantsounds Presents Pierre Barouh And The Saravah Sound
2LP | 2022 | EU | Original (Wewantsounds)
35,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Wewantsounds is delighted to present the first retrospective on vinyl of Saravah Records, one of the most influential French labels founded in Paris by singer, songwriter and producer Pierre Barouh in 1966. Featuring Brigitte Fontaine, Jacques Higelin, Alfred Panou, and many rare tracks reissued on vinyl for the first time, the set gives a glimpse of the free-form, groovy sound of the label between 1965 and 1976. Supervised by Pierre Barouh's son and Saravah historian, Benjamin Barouh, The 2-lp Gatefold set comes with a 4p insert featuring liner notes (Eng/Fr) by Benjamin plus an exclusive interview of Barouh's partner Fernand Boruso by Jacques Denis telling fascinating anecdotes around the label.
John Prine - German Afternoons
John Prine
German Afternoons
LP | 2022 | EU | Reissue (Oh Boy)
27,99 €*
Release: 2022 / EU – Reissue
Genre: Rock & Indie
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Laszlo Tolcsvay - '68
Laszlo Tolcsvay
'68
LP | 2018 | EU | Reissue (Grund)
19,79 €* 21,99 € -10%
Release: 2018 / EU – Reissue
Genre: Rock & Indie
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Iva Bittova, Antonin Fajt, Babacka, Ivo Viktorin & Vladimir Vaclavek - Pro Radost / For Joy
Iva Bittova, Antonin Fajt, Babacka, Ivo Viktorin & Vladimir Vaclavek
Pro Radost / For Joy
LP | 2021 | EU | Original (Indies Scope)
26,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Sadao China - Akabana
Sadao China
Akabana
LP | 2022 | JP | Original (Tuff Vinyl)
51,99 €*
Release: 2022 / JP – Original
Genre: Rock & Indie
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This is an innovative work of Okinawan Pops, based on Okinawa island songs and subtly blended with the essence of reggae, soul, rock, and beyond, with unique laid-back feel good vibes. The rare masterpiece includes many originals such as “Bye Bye Okinawa” “Akabana” and “Kijimuna Blues” Nenes' hit songs produced by Sadao China in the 90ʼs.
Watkins Family Hour - Watkins Family Hour Volume 2
Watkins Family Hour
Watkins Family Hour Volume 2
LP | 2022 | EU | Original (Family Hour)
26,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Amelia Cuni - Mumbai 04.02.1996
Amelia Cuni
Mumbai 04.02.1996
2LP | 2022 | EU | Original (Black Truffle)
32,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie, Electronic & Dance
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Following on from the stunning recording of her 1992 performance at the Berlin Parampara Festival (BT079), Black Truffle is pleased to continue its documentation of the work of Berlin-based Italian singer Amelia Cuni, one of the great contemporary exponents of dhrupad, the oldest surviving style of North Indian classical vocal music. Beautifully recorded in concert at Vishweshwarayya Hall, Mumbai. 04.02.1996 presents expansive performances of three ragas stretching across four sides and almost one and a half hours of music. Beginning with the serene Raga Lalit, Cuni dwells for over twenty-five minutes on its opening alap movement, accompanied only by tanpura, her limpid yet full-bodied voice moving from graceful exposition in free tempo to increasingly rhythmically active variations, gradually spiralling upward in register. She is then joined by master pakwahaj player Manik Munde for the raga’s dhrupad and dhamar sections, the resonant tone of the drum and his constant invention with the complex 14-beat cycle serving as the perfect accompaniment for Cuni’s ecstatic melodic developments. On the more solemn Raga Bhairav, Cuni’s alap, again stretching out over a whole side, is particularly notable for its powerful held notes and mastery of microtonal movement of pitch. After Munde returns for another rhythmically intricate dhamar movement, the record ends with the buoyancy of the Raga Alhaiya Bilaval, whose mode has, for the Western listener, an unmistakably ‘major’ quality. The rapturous applause that greets the performance is reflected in a remarkable selection of press clippings contemporary with the recording, which demonstrate Cuni’s success with Indian critics. Arriving in a gorgeous gatefold featuring stunning colour photographs of Cuni taken by legendary Australian fashion photographer Robyn Beeche (who resided in India from the early 90s), Mumbai. 04.02.1996 is a document of indescribable beauty and a moving testament to music’s ability to cross national and cultural borders.
Hangtown - Tales From The Gun
Hangtown
Tales From The Gun
LP | 2022 | US | Original (Altered State Of Reverb)
25,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Delayed by Covid, delayed by manufacturing errors, delayed by existential dread... Hangtown and the Altered State of Reverb are proud to present: Tales From The Gun. Hangtown is a post-apocalyptic spaghetti western surf rock band hailing from San Francisco. Founded in 2016 from a solo album by multi-instrumentalist Robb Grimes (also of SF's thrash metal quartet Asada Messiah). The music envisions a dust blown, post-apocalyptic world, and the sad and twisted stories from the inhabitants therein. Old Man Grimes is joined by long-term collaborators, Nick Poulos, MAT Fogel, Resse Douglas and Sandeep Bhutta, who have crafted together a wild genre-bending live show after years of gigging the West Coast. Tales From The Gun is their first full length album as collaborators, undoubtedly one of the strangest album offerings to come out of the bay area this year. A dark blend of cinematic western music, garage surf punk, and doomy western murder ballads, all from the desolate wasteland known as Hangtown.
Anne Malin - Summer Angel
Anne Malin
Summer Angel
LP | 2022 | US | Original (Dear Life)
33,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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In poet and songwriter Anne Malin’s “Summer Angel,” tales of love and violence intersect in dreamlike soundscapes. Conceived in response to the poem “Summer Angel” by Alfred Starr Hamilton and Marianne Faithfull’s rendition of Morrissey’s “Dear God Please Help Me,” Anne Malin sings with childlike wonder and a sense of harrowing indictment, playing with the lyric as a multilayered tool for self-expression and self-protection alike.

“Summer Angel" wields prisms in the face of sexual abuse and its nonlinear aftermath, asking: what is healing, what is self-harm, and what might freedom look like? These songs, brought into full form with collaborators Will Ringwalt-Johnson, Trevor Nikrant, Jake Smith, DJ Young, and JayVe Montgomery, reveal Anne Malin’s fluid vocal range: capable of operatic force and cutting delivery, and confident in navigating the grey areas in between.

Echoing Henry Mancini and Songs: Ohia in equal measure, “Summer Angel” is Anne Malin’s most ambitious project yet. Produced by Andrija Tokic (Josephine Foster, Alabama Shakes) at the Bomb Shelter in Nashville, TN, Anne Malin and her collaborators worked with ease and humor, benefiting from Tokic’s vibrant conceptions of the songs. Tokic embraced an inappropriateness in production, collaging sounds—from saxophone, pedal steel, and orchestral percussion, to name a few—with agile nonchalance.

The band, chosen for their breadth of experience with song-form genres as well as fully improvised music, dynamically constructed sonic environments around the initial live tracking. Anne Malin, committed to one-take vocal delivery during the band’s live tracking, similarly embraced the possibilities of improvisation and the many shapes a song can take.
Jacqueline Taieb - Play It Like Jacqueline Remix Album
Jacqueline Taieb
Play It Like Jacqueline Remix Album
LP | 2022 | EU | Original (Diggers Factory / Fgl Productions)
34,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Pedro Lima - Recordar E Viver: Antologia 1 (1976-87)
Pedro Lima
Recordar E Viver: Antologia 1 (1976-87)
2LP | 2022 | EU | Original (Les Disques Bongo Joe)
27,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Pedro Lima was certainly the most iconic singer from Sao Tomé Island. Born in 1944, his career began at teenage, with his faithful band Os Leonenses, who were mostly members of his family and shared most of his musical life; and lasted until his death on January 31st, 2019. Until the very end, he kept performing big events all around the country, and was among the very few singers and bands from Sao Tomé & Principe that recorded in Luanda Angola for N'Gola and Merengue labels in the 70's, and in Lisbon for the essential Iefe imprint in the 80's. Respected father of 27 children from 4 different wives, people named him "A voz do povo de Sao Tomé", the people's voice of the island, as he always made very clear his political views on internal affairs and backed since day one the revolutionary party that took power after the independence obtained from Portugal on July 12th 1975. A powerful and free soul, expressing through his beautifully soft and deep voice range, the concerns of the poor, in this often-troubled country.
Trampled By Turtles - Alpenglow
Trampled By Turtles
Alpenglow
LP | 2022 | EU | Original (Banjodad)
23,79 €* 27,99 € -15%
Release: 2022 / EU – Original
Genre: Rock & Indie
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Blod - Knutna Nävar
Blod
Knutna Nävar
LP | 2022 | EU | Original (Aguirre)
23,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie, Electronic & Dance
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Edition of 500 includes insert & large poster.

Swedish progg is not to be confused with "prog" as in progressive rock music. When we are talking about progg, we are refering to the Swedish music movement influenced by the political climate of the late 60's, to some extent the hippie movement and in many cases also Swedish folk music. Music highly driven by an political agenda. Blod's Knutna Nävar, originally released in an edition of 150 copies on Förlag För Fri Musik in 2018 and later a small cassette run, is pretty much a lost progg classic from the 70's. This is not a case of copying a certain sound though, far from it, neither are ideas really rehashed nor does the album feel nostalgic in that sense. Rather it feels like if someone has read about the progg movement and all the records but never actually heard it, yet decided to do an album and somehow managed to succeed big time.

Further developing the sound palette and ambience initiated with parts of the Leendet Från Helvetet recording, the music feels slightly louder and more in your face. It's like it's more of everything. The melodies are immediate and it's quite impossible to resist the brash catchiness of it all. Albeit mentioning progg music and it's importance for this recording, the actual musical side of Knutna Nävar has in reality more in common with soundtrack/library music and Swedish composers like the late Björn Isfält when you attempt to break it down. The crude DIY approach and anything-goes mentality just adds an extra dimension to it all and ultimately places the music somewhere else. There's a rather blunt use of samples throughout the record (sources probably best to leave out, though you don't have to be a Einstein to figure these out), but then again this is made by the same guy that gave the world the Abba album. Those samples have managed to become an integral part of the music through the few years that has passed and though well familiar with the records those snippets are now to me genuinely Blod and nothing else.
Blod - Leendet Fran Helvetet
Blod
Leendet Fran Helvetet
LP | 2022 | EU | Original (Aguirre)
23,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie, Electronic & Dance
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Edition of 500. Includes insert.

It's been a true pleasure but also a rather chaotic experience to follow the progress of Blod from a close distance since the beginning. I have fond memories of receiving the odd cassettes from the early days, like the severely fucked up Unga Röster (later issued as an LP on Förlag För Fri Musik) and the awfully mesmerising Prat Om Depression recording. Returning to Leendet Från Helvetet for the first time for long a while, it's quite evident that the album marked a new phase in the troubled Blod universe. There's few traces left of the found tapes/audial voyeurism and brutish stop/rec editing that made up the first few releases, instead we are served with what is pretty much a proper album in a, sort of, traditional sense.

The record opens with a sole beat from a hand drum soon accompanied by a beautiful and very Blod-ish subtle melody from a glockenspiel but it only takes a few minutes before Gustaf's past as a free jazz aficionado is noticeable with the rather rough saxophone burst of 'Natten'. It's not until the title track that things kicks off for real though, most likely the first example of the sound and, maybe more so, very special feeling that I would say most people associate Blod with nowadays. To me, it's the sound of growing up in Sweden in the 80's; having two channels on the TV, eating brown food, rainy summers, taping commercial stuff on the radio, playing D&D in a purple tent in the garden. Memories of that certain bright light that can occur during the Scandinavian summers, those warm days when the skies are foggy. Long windswept grass and a very peculiar feeling of utter boredom. Arguably, Blod has never sounded more Blod than on this track, this is the very essence of the man's work right here. The progamm continues on side B with the solemn piano piece 'Lust', another saxophone rager and then the flipside's centrepiece 'Tro, Hopp & Kärlek' which pretty much mirrors the title track in it's larger-than-life scope and pure beauty.
Henry Kawahara - Minami-Kaze A Wave
Henry Kawahara
Minami-Kaze A Wave
7" | 2022 | EU | Original (EM)
16,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves, Rock & Indie, Electronic & Dance
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Special! Limited** One-sided 7-inch. Cover art is printed on specialty paper with aluminum vapor deposition.

"Minami-kaze α Wave (Southerly wind alpha wave)“ is a very rare ‘vocal piece’ that Henry Kawahara has produced, and released under the name HMD (H Music Deperception) in 1993. The song is a vocal version of the cyber-occult exotic instrumental piece "Nanpu“ included in the compilation “Cybernetic Defiance and Orgasm: The Essential Henry Kawahara” [em1197tcd/dlp]. This track is a rare example that proves he had also a genius for producing ‘pops’ in the general sense of the word, and which seems to have challenged head-on the pop songs produced by Haruomi Hosono or Tetsuya Komuro in the 80s-90s.

The Henry Kawahara project on EM Records was developed only with the enthusiasm of proving Kawahara's existence if he is to be erased as nothing in the current art context, and we have confirmed that there are a lot of supporters all over the world for our opinion when we released "Cybernetic Defiance and Orgasm" (several articles and interviews have been given). This single is a 'prescription' for the sequel, tentatively titled "Cybernetic Defiance and Orgasm 2: Other Sides of Henry Kawahara," which is currently in the process of being prepared.

This 7” is a limited one-off release, not included in the full compilation released in 2021
Markus Acher - Like A Plane Colored Vinyl Edition
Markus Acher
Like A Plane Colored Vinyl Edition
10" | 2022 | US | Original (Moone)
32,99 €*
Release: 2022 / US – Original
Genre: Organic Grooves, Rock & Indie
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Markus Acher (best known as singer of The Notwist) typically produces his own music under the name Rayon – this time, however, is a different story. Using his real name, he sends a signal re: the circumstances he recorded the music in - at home in his old apartment in Munich, in a private setting, in a time when there was hardly anything else available. Accordingly, and rather fittingly, the four songs represent a bridge to the outside world: Acher tore the doors to his balcony wide open, inviting the outside in , capturing its sound on tape: rain falling, engine noise of passing cars. And at the same time the songs pushed outward, into that sphere that remained off-limits to us for some time (“Like a plane they can go everywhere”).

The four tracks - arranged for harmonium, acoustic guitar, banjo, glockenspiel, percussion, a children's harp and vocals - were released digitally in 2021 via the Japanese independent platform Minna Kikeru, run by Saya (member of the duo Tenniscoats and Markus Acher's bandmate in Spirit Fest), among others. For two songs of «Like A Plane», Saya contributed vocal tracks as well.
Marina Allen - Centrifics
Marina Allen
Centrifics
LP | 2022 | UK | Original (Fire)
26,99 €*
Release: 2022 / UK – Original
Genre: Rock & Indie
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LA-based musician Marina Allen's spectacular debut proper, and follow up to last years acclaimed 18 minute mini-opus, 'Candlepower'. 'Centrifics' is a joyful collection of observations and questions about the self, the world, and how they interact. Awe-inspiring reflections accompany mesmerizing melodies while Allen's extraordinary range and depth of singing showcases a wide array of influences from Karen Carpenter to Karen Dalton, from Joanna Newsom to Fiona Apple, from Cate Le Bon to Waxahatchee, via Meredith Monk and the New York avant-garde. While the more DIY Candlepower, pieced together over a couple of years was subversive, and obscure, Centrifics is more joyful, funny and direct. Lilting melodies deliver serious messages: "For me a lot of the magic rises in the studio as my arrangements emerge and shift. I had wonderful collaborators on Centrifics who were willing to go along with the cinematic flow I tend to envision. Chris Cohen and later, Ben Varian and I, worked off barebones tracks, adding only those thoughts and lines and instruments that we were certain could amplify the meaning. Other beautiful contributions came from Emily Elhaj, Logan Hone, Jasper McMahon and Joachim Polack." Produced, engineered, and mixed by Chris Cohen, o-engineered by Jonny Kosmo. Classic Black Vinyl, postcard. DL Card. "A songwriter of rare skill and intensity" Clash "Exquisite melodies and cool, pure, dreamy delivery" Mojo "Intensely personal and widely universal" Paste
Courtney Marie Andrews - Loose Future
Courtney Marie Andrews
Loose Future
LP | 2022 | EU | Original (Fat Possum)
30,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Courtney Marie Andrews - Loose Future
Courtney Marie Andrews
Loose Future
LP | 2022 | EU | Original (Fat Possum)
27,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Bonny Light Horseman - Rolling Golden Holy
Bonny Light Horseman
Rolling Golden Holy
LP | 2022 | EU | Original (37d03d)
24,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Bonny Light Horseman's self-titled debut was a folk masterclass, reimagining centuries-old standards with effortless grace and wonder. Those Grammy-nominated, listtopping recordings not only suggested renewed possibilities for aging songbooks but also marked the arrival of a trio fully capable of reorienting the wider folk landscape. Still, if it felt at all like the work of some short-lived supergroup or a one-off diversion (it never was), Rolling Golden Holy rebuffs the notion with preternatural beauty and charm, and imagination. These songs, all originals, follow the paths of the traditional tunes the band cherishes to new frontiers, the sounds and situations of history given the gravity and shape of now. This is a band working at the edge of modern folk. After the release of their debut, Anaïs Mitchell, Josh Kaufman, and Eric D. Johnson began discussing their next steps, loosely planning on writing and recording stints. Those sessions were delayed for all the unpredictable but nowfamiliar reasons until the Spring of 2021, when the trio reconvened with their families in tow in upstate New York. Their chemistry remained intact. Johnson's wife Annie had listened to him work with dozens of collaborators over the decades, but, listening in from one room over, she noted he'd never seemed so at ease and productive as he was with Kaufman and Mitchell in Woodstock. They were perfecting "California," a timely and incorruptible classic about moving on in search of something else, something more. These sessions were a series of "yes, and" encounters, each one encouraging the others to take an idea and run with it further to the new safety net they've built together, for one another. These songs continually suggest and embody an unspoken continuum between traditional and modern folk. Mitchell finds self-sustaining adoration in steamy backseats, nighttime visions, and seasonal storms during "Summer Dream," crisscrossing generational symbols to tie past, present, and future into a Gordian knot of devotion. Johnson reaches back to 19th-century wartime on "Someone to Weep for Me" to empathize with someone else descended from "a long line of nobodies," just trying to live long enough to feel like he's mattered to anyone at all, a notion that knows neither age nor border. Johnson and Mitchell trade lines on "Exile," their luminous response to another of humanity's eternal conundrums_how to revel in relationships that we know will one day leave us lonely. Love and loss, death and fear: the songs may be different, but the emotional sources remain. The band thrives in rendering fresh wisdom and insight from old models, whether scraps of ancient songs or the spark of entwined voices. Theirs is a space created for sharing, learning, singing, and playing as one. Rolling Golden Holy is the band's testament to partnership and trust at a moment when we crave such connections so much. They fully appreciate what they have found in one another. On Rolling Golden Holy, we get to live inside that magic, too.
Emel - Kelmti Horra 10th Anniversary Edition
Emel
Kelmti Horra 10th Anniversary Edition
2LP | 2022 | EU | Original (World Village)
31,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Bob Lind - Since There Were Circles
Bob Lind
Since There Were Circles
LP | 2022 | US | Original (Antarctica Starts Here)
24,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Originally released in 1971 on Capitol Records.Recorded at the Record Plant with Doug Dillard, Gene Clark, Bernie Leadon and Carol Kaye. Recommended for fans of Gene Clark's No Other, Bobby Charles' self-titled album and Lee Hazlewood's Cowboy in Sweden Singer-songwriter Bob Lind will forever be immortalized by his 1965 hit, "Elusive Butterfly," but his career is so much more interesting than the fading wonder of that one hit. Once a hard-partying buddy of Charles Bukowski, Lind was the inspiration for the character "Dinky Summers," a down-on-his-luck folk singer in Bukowski's 1978 novel Women. Lind also doubled as a writer, penning a number of novels and plays as well as serving as a long-time staff writer at the lowbrow tabloid Weekly World News. If that wasn't enough, Lind is also responsible for one of the greatest major-label "loner" albums of all time, 1971's Since There Were Circles. After several years languishing without a second hit for the World Pacific label, Lind signed to Capitol and went into the studio with some of the biggest names in the LA country-rock scene including Doug Dillard, Gene Clark, Bernie Leadon and legendary session bassist Carol Kaye. While the record was well-received critically, it sold poorly and marked Lind's bitter departure from the music business for several decades. The intervening half-century has been incredibly kind to Since There Were Circles, and it is now regarded as a cult masterpiece that pairs perfectly with Gene Clark's No Other, Bobby Charles' self-titled Bearsville album and Lee Hazlewood's Cowboy in Sweden. Lind's songwriting here is vastly darker and more self-reflective than anything from his folk-pop period, and the production is simultaneously loose and rootsy, yet lushly orchestrated and occasionally bombastic. Lind somehow manages to bring it all together with wry delivery and literate detail.
Nikki Lane - Denim & Diamonds Black Vinyl Edition
Nikki Lane
Denim & Diamonds Black Vinyl Edition
LP | 2022 | EU | Original (New West)
31,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Clube Tormenta - O Som Do Labirinto Clear Vinyl Edition
Clube Tormenta
O Som Do Labirinto Clear Vinyl Edition
LP | 2022 | UG | Original (Nyege Nyege Tapes)
24,99 €*
Release: 2022 / UG – Original
Genre: Rock & Indie
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Will Hoge - Wings On My Shoes
Will Hoge
Wings On My Shoes
LP | 2022 | EU | Original (Will Hoge)
29,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Chris Canterbury - Quaalude Lullabies
Chris Canterbury
Quaalude Lullabies
LP | 2022 | EU | Original (Rancho Deluxe)
29,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Wade Bowen - Somewhere Between The Secret And The Truth
Wade Bowen
Somewhere Between The Secret And The Truth
LP | 2022 | EU | Original (Bowen Sounds)
23,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Yann Tiersen - Avant La Chute
Yann Tiersen
Avant La Chute
LP | 2022 | UK | Original (Ici D'Ailleurs)
17,99 €*
Release: 2022 / UK – Original
Genre: Rock & Indie
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Blod - Pilgrimssanger
Blod
Pilgrimssanger
LP | 2022 | EU | Original (Discreet Music)
23,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Pilgrimssånger is the first of two new Blod albums deeply inspired by the Swedish Christian parish culture. The songs deals with human connection and solitude in a life built upon faith. The lyrics depicts exposure and anxiety but also joy and belief among free church members, the complexity of the relationships in the community with its leaders and priests and - ultimately - God. The songs are mainly influenced by Swedish folk music, psalms and choral music.

While being an heavy album, Gustafs' intention has still been to fill the listener with hope and light rather than the opposite. As usual with Blod, the approach has been to highlight the beautiful things in generally ugly contexts, something that has probably never been as evident as on Pilgrimssånger.

Pilgrimssånger features guest apperances by Elin Engströmd and Anna Johannesson on vocals and percussion. Joakim Karlsson mixed and mastered the album. Edition of 500 copies with screenprinted covers, lyric book and additional insert. Discreet Music 08.
Nebala - Lustuz Lathu Wothuz Alu
Nebala
Lustuz Lathu Wothuz Alu
2LP | 2022 | UK | Original (By Norse Music)
44,99 €*
Release: 2022 / UK – Original
Genre: Rock & Indie
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The Northman songwriter and actor, and former Heilung singer Jonas Lorentzen releases the debut full-length album of his solo project Nebala: “Lustuz Laþu Wōþuz Alu” on through By Norse Music! After being involved with Heilung for two years, and more recently with the worldwide-acclaimed movie The Northman as songwriter and actor, Jonas Lorentzen decided to focus on his own musical expression, based on a reimagination of Nordic Folk and spiritually driven music. The result is Nebala, spearheaded by Jonas Lorentzen, but assisted and graced by powerful talents such as Sebastian Gainsbourough (Vessel, The Northman, Manchester Collective), Kjell Braaten (Wardruna, Origami Galaktika) as well as non-musician minds assisting in the conceptual development, Doctor Mathias Nordvig (Professor of Pre-Christian Religion at CU Boulder) and Philosopher Naina Gupta (University of Kingston). “Lustuz Laþu Wōþuz Alu” is Nebala’s first full-length studio album and invites the listeners to dive into Old Norse Mythology. Nebala in Proto-Germanic means “the void”; the void through which all life originates. Sexuality is the essence of all life form. Through this album Nebala initiates sexuality into a space of sacredness. Using traditional frame drums, lyre, tagelharpa, Tibetan singing bowls, and throat singing, Jonas Lorentzen has developed a unique Indo-Nordic sound for Nebala that toys with timescapes, soundscapes, and cultural boundaries to bring you back to the primordial experience of music itself. He comments on the album: “When you let yourself be taken by desire and lust, you will be consumed by what the ancient Germanic peoples called Laþu. The ancestor of our modern word “to let,” laþu suggests giving into natural desire and emotion. When Wōdan sought the deepest knowledge of the cosmos he had to brave the dangers of the deep caves in Hnitbjörg and let himself be taken by the desire of Gunlaþu, the forceful goddess of the underworld.”
V.A. - Future Nuggets Volume 4 Colored Vinyl Edition
V.A.
Future Nuggets Volume 4 Colored Vinyl Edition
2LP | 2022 | EU | Original (Fun In The Church)
19,49 €* 25,99 € -25%
Release: 2022 / EU – Original
Genre: Rock & Indie
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V.A. - Future Nuggets Volume 4 Black Vinyl Edition
V.A.
Future Nuggets Volume 4 Black Vinyl Edition
2LP | 2022 | EU | Original (Fun In The Church)
25,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Glenn Jones - Vade Mecum Translucent Red Vinyl Edition
Glenn Jones
Vade Mecum Translucent Red Vinyl Edition
LP | 2022 | US | Original (Thrill Jockey)
34,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Exploring the complexity of personal experience, emotions and our shared histories, Vade Mecum finds Jones painting his music in boundaryless colors, captivatingly vivid. Issued on black and limited-edition red vinyl, packaged in a gatefold jacket with image oriented across both sides in a classic 1970's Style. Package includes notes and tunings for each song and download card.
Salar Salman - Salar Salman
Salar Salman
Salar Salman
12" | 2022 | EU | Original (AM)
21,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves, Rock & Indie
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Salar Salman (1959), an exceptional musician and composer, was born in Kirkuk, a city in Kurdistan — the North of Iraq. As a young boy he was famed in his village for his rich and warm voice. When he develloped his talent as a guitar player he was seen as one of the best guitar players from North Iraq. As his fingers found a way to accompany his moving voice, he was able to share his songs with a broader audience. Salar Salman's songs about love, tenderness and soreness affected many people and delivered him the nickname 'Santana of Kurdistan'. Unanswered love, hidden love, lost love, failing love — his lyrics resonated with his peers in their integrity and honesty. But it was not only his new way of storytelling that moved many; the way he composed music was something new. Moving away from the more traditional, folkloric, often monotonous sound, his melodies moved freely. Inspired by Afro-Western sounds from the 70’s and 80’s, like jazz, psychedelic rock or flamenco, he was able to give a new meaning to his own musical heritage and to create an alternative sound that is still influencing younger generations of Iraqi Kurdish musicians today.
Glenn Jones - Vade Mecum Black Vinyl Edition
Glenn Jones
Vade Mecum Black Vinyl Edition
LP | 2022 | US | Original (Thrill Jockey)
31,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Remmy Onagala & Orchestre Super Matimila - Songs For The Poor Man
Remmy Onagala & Orchestre Super Matimila
Songs For The Poor Man
LP | 2022 | EU | Original (Decca)
22,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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King Wasiu Ayinde Marshal I - Talazo Fuji Music Party!
King Wasiu Ayinde Marshal I
Talazo Fuji Music Party!
LP | 2022 | EU | Original (Decca)
20,69 €* 22,99 € -10%
Release: 2022 / EU – Original
Genre: Rock & Indie
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Back in Nigeria in 1995 everybody knew King Wasiu Ayinde Marshal I. Just
about every house party and club floor, every shop front and car window,
pulsed to such megahits as ‘Talazo’ and ‘Consolidation’; to the percussion-rich
polyrhythms and Yoruba chants typical of Fuji music, a genre this one-time
roadie (for Fuji music icon Ayinde Barrister) had customised by adding more
percussion – congas, the sakara frame drum – and an attitude straight off the
street.
Wasiu Ayinde had nearly twenty years’ worth of national fame under his floor
length robes (and occasional zebra-striped jumpsuits) when he played his first
ever WOMAD Festival that same year. Booked in for a session at Real World
Recording Week shortly afterwards, the artist and his 16-piece band were
inadvertently delayed and pulled in to Real World Studios in Box, Wiltshire eight
hours late. The recording went ahead regardless. Against the clock. On-thefly. With a small live audience in party mode and microphones placed about
the floor, Wasiu Ayinde and his crew rode the adrenalin, summoning a set that
moved from trance-like call-and-response and vibrant Afropop ballads to those
aforementioned megahits, all of it soaked in groove and feeling. A kingly feat,
that seems even more majestic now.
Deli Teli - Tsifteteli Club
Deli Teli
Tsifteteli Club
LP | 2022 | EU | Original (Rebel Up)
19,94 €* 20,99 € -5%
Release: 2022 / EU – Original
Genre: Rock & Indie
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Bongos, bouzouki and Farfisa organ galore! The explosive cocktail of rock'n'roll and traditional Tsifteteli hailing from 1960's Greece is still alive thanks to Deli Teli: the Marseille-based quartet performs a string of forgotten hits that once set Athens on fire, with a contagious energy and a subtle dose of Mediterranean drama.
Joe Pug - Nation Of Heat Revisited
Joe Pug
Nation Of Heat Revisited
10" | 2022 | UK | Original (Loose Music)
24,99 €*
Release: 2022 / UK – Original
Genre: Rock & Indie
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Maurice Louca - Elephantine Orange Vinyl Edition
Maurice Louca
Elephantine Orange Vinyl Edition
LP | 2022 | EU | Original (Sub Rosa)
18,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie, Electronic & Dance
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On »Elephantine«, Cairo-based Maurice Louca guides a 12-piece ensemble through a 38-minute work that might best be described as panoramic. Elements of free improvisation, Sun Ra's cosmic jazz, gorgeous Arabic melody, trancelike African and Yemeni music and minimalism meet in his wholly unique compositional vision. Louca also makes vital contributions on guitar and piano, and inspires stirring performances from a global lineup.
Katie Bejsiuk - The Woman In The Moon
Katie Bejsiuk
The Woman In The Moon
LP | 2022 | US | Original (Double Double Whammy)
25,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Katie Bennett, singer-songwriter behind the bygone indie pop band Free Cake for Every Creature, spent the last three years exploring what it means to be her. She looked into the mirror and then she stepped into it; extended her arms forward, reached for the hands that reached back, and came together whole as Katie Bejsiuk. The name Bejsiuk is the singer-songwriter's original surname: her father, a first generation American with parents from Ukraine, changed it before she was born. By reclaiming the name for her solo project, the first new music we've heard from Katie since Free Cake disbanded in 2019, she has conjoined with a shadow version of herself who holds hands with her past, present, and future. And with the release of her debut album, The Woman on the Moon, out June 24 on Double Double Whammy, listeners are offered the most wholly version of Katie yet. The Woman on the Moon gently nods to the pre-band days of Free Cake - when it was just Katie and her guitar - but with a musical evolution cultivated from years of self-inquiry during which her confidence, direction, and self-possession bloomed. Whereas Free Cake buoyantly focused on the ecstatic wonders and wounds of youth in real time, Katie Bejsiuk pans out with wisdom and retrospection that comes with age. The Woman on the Moon is composed of 12 exquisite and refined songs that evoke the sensory through introspective lyrics and salve the heart with Katie's tranquilizing, cadenced vocals that devoted fans have clung to for over a decade.
Corb Lund - Songs My Friends Wrote Indie Exclusive Autographed Black And Clear Smoke Vinyl Edition
Corb Lund
Songs My Friends Wrote Indie Exclusive Autographed Black And Clear Smoke Vinyl Edition
LP | 2022 | US | Original (New West)
34,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Songs My Friends Wrote is an album I've been threatening to make for years. It's a bunch of tracks that are my versions of a bunch of...songs my friends wrote. I'm fortunate to count a lot of world class songwriters as good pals and I wanted to shine a little light on some of my favorite examples of their work. In most cases I've picked relatively obscure songs that have always spoken to me, even though many of them won't be so familiar to people. The best part about recording all these tunes was that they reminded me of all the people who I haven't been able to hang out with for the past two years because of the plague we've all been dealing with. All of these tunes bring a smile to my face and I hope they do the same for you. - Corb Lund
Friendship - Love The Stranger Blue & White Vinyl Edition
Friendship
Love The Stranger Blue & White Vinyl Edition
LP | 2022 | US | Original (Merge)
24,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Friendship's Merge debut, Love the Stranger, moves like a country record skipping in just the right spot, leaving its fellow travelers longing for a place they've only visited in their dreams. Guitarist Peter Gill, drummer Michael Cormier-O'Leary, bassist Jon Samuels, and hawkeyed balladeer Dan Wriggins map out the group's particular, breathtaking landscape and invite the listener to share in its glory. Between instrumental pit stops at "Kum & Go" and "Quickchek," local references in Love the Stranger create a catalog of human perception, presented as roadside attractions. From grape jelly residue ("Ramekin") to the site of a demolished cathedral ("St. Bonaventure") to King of the Hill quotations ("Smooth Pursuit"), the record's images craft a symbolic language of high and low Americana, both evocative and consistently accessible. Spending time with Love the Stranger creates a community _ one in which the window between the listener and the musicmaker shatters in full, until all that remains are the fragments you decide to pick up together. Like its sprawling lyrical references, Love the Stranger's production is both familiar and capacious enough for pedal steel, synth strings, airy folk guitar field recordings, and Midi pad exploration to work in vital harmony. Influenced by Friendship's punk and indie peers as much as road-star forebears like Lucinda Williams and Lambchop, Wriggins says of the recording sessions: "I wanted the album to sound like Emmylou Harris and the Hot Band in the '70s. Pete wanted it to sound like a semi full of spent fuel rods, barreling towards a runaway truck ramp. Jon kept reminding us that the studio is an instrument, and Michael wanted it to sound like the breakdown two-and-a-half minutes into Shuggie Otis' `Strawberry Letter 23.'" Friendship is probably already your favorite band's favorite band, a long-revered Iykyk of DIY with a devoted cult following from Wawa to In-N-Out. With Love the Stranger, the Friendship universe only continues to expand and grow more open-hearted, more inviting, with every passing note. It's a record that locates the listener exactly where the listener is, and wherever that may be, makes a friend out of them, too.
Friendship - Love The Stranger Black Vinyl Edition
Friendship
Love The Stranger Black Vinyl Edition
LP | 2022 | US | Original (Merge)
23,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Friendship's Merge debut, Love the Stranger, moves like a country record skipping in just the right spot, leaving its fellow travelers longing for a place they've only visited in their dreams. Guitarist Peter Gill, drummer Michael Cormier-O'Leary, bassist Jon Samuels, and hawkeyed balladeer Dan Wriggins map out the group's particular, breathtaking landscape and invite the listener to share in its glory. Between instrumental pit stops at "Kum & Go" and "Quickchek," local references in Love the Stranger create a catalog of human perception, presented as roadside attractions. From grape jelly residue ("Ramekin") to the site of a demolished cathedral ("St. Bonaventure") to King of the Hill quotations ("Smooth Pursuit"), the record's images craft a symbolic language of high and low Americana, both evocative and consistently accessible. Spending time with Love the Stranger creates a community _ one in which the window between the listener and the musicmaker shatters in full, until all that remains are the fragments you decide to pick up together. Like its sprawling lyrical references, Love the Stranger's production is both familiar and capacious enough for pedal steel, synth strings, airy folk guitar field recordings, and Midi pad exploration to work in vital harmony. Influenced by Friendship's punk and indie peers as much as road-star forebears like Lucinda Williams and Lambchop, Wriggins says of the recording sessions: "I wanted the album to sound like Emmylou Harris and the Hot Band in the '70s. Pete wanted it to sound like a semi full of spent fuel rods, barreling towards a runaway truck ramp. Jon kept reminding us that the studio is an instrument, and Michael wanted it to sound like the breakdown two-and-a-half minutes into Shuggie Otis' `Strawberry Letter 23.'" Friendship is probably already your favorite band's favorite band, a long-revered Iykyk of DIY with a devoted cult following from Wawa to In-N-Out. With Love the Stranger, the Friendship universe only continues to expand and grow more open-hearted, more inviting, with every passing note. It's a record that locates the listener exactly where the listener is, and wherever that may be, makes a friend out of them, too.
Dendê & Band - Agô
Dendê & Band
Agô
CD | 2022 | US | Original (Ropeadope)
16,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Dendê Macêdo is a percussionist, singer, composer, bandleader, teacher, and multi-instrumentalist. He’s been a professional musician since the age of 14, when he appeared in the frontline of Timbalada, Carlinhos Brown’s superstar percussion ensemble. Since 2001, he’s been developing his solo career, splitting his time between the US and Bahia and working with his folkloric group Ologundê and his flagship band Dendê & Band. Now on their second album, Dendê & Band have cultivated a unique sound where Afro-Brazilian traditions like samba de roda and candomble have been seamlessly melded with world rhythms like rumba, afrobeat and mbalax. Dendê & Band have recently performed at venues such as the Glastonbury Festival in the UK, the Skirball Cultural Center in Los Angeles; the KW Latinfest in Canada; the Penang World Music Festival in Malaysia; Summerdance in Chicago and the Chile Pepper Fiesta at the Brooklyn Botanical Gardens.
Clinton Fearon - Breaking News
Clinton Fearon
Breaking News
LP | 2022 | EU (Baco)
25,99 €*
Release: 2022 / EU
Genre: Rock & Indie, Reggae & Dancehall
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