Folk 5149 Items

Counin' The Miles Transparent Cammo Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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They’re back! This time the Finnish seers Mahti venture even deeper into the unknown on their third release Musiikki 3, assisted by the creativity of English musicians Richard Dawson and Sally Pilkington.

Limited Mirage Blue/green Marble Colored Vinyl LP With Download Code. Non-returnable.

The music reaches for space and roots at the same time bringing forth Mr. Dawson's earthy guitars and angelic voice while Ms. Pilkington weaves ethereal layerings with her synths and joins occasionally the choir.

Hannu Saha conjures ancient Karelian spirits with his kantele while Muumu, Lehtibabba and Mätky mesmerize the listener with their unique mix of electro, rock and noise.

The end result is an album full of Musiikki unlike you've never heard before!

“These ancient musicians played their ‘mahti’… and the sound they produced was called ‘musiikki’”

Hannu Saha - string kanteles ,Tomi Leppänen - sequencer/drum brain/synthesizers , Jussi Lehtisalo - noise/vocals, Teemu Elo - guitar/synthesizers, Richard Dawson - guitar/vocals , Sally Pilkington - keyboards/vocals

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Jesse Daniel

LP | 2024 | US | Original (Lightning Rod)

Mind Storm Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-07-19

For singer/songwriter Jesse Daniel, country music is nothing short of a life force. Hailing from a rural mountain town on California’s Central Coast, the Austin-based artist first explored his innate passion for music by playing drums in punk bands, then drifted down a troubled path that included years of battling addiction and spending time in and out of jail and rehab. As he took his first steps toward getting clean, Daniel immersed himself in the pure joy of writing country songs, fully embracing the unbridled vitality of California country and bringing a lived-in honesty to his lyrical storytelling. Since releasing his 2018 self-titled debut on his own record label, he’s earned great esteem as a country traditionalist and built a wildly devoted international following—thanks in no small part to his freewheeling live show and tendency to tour nearly 200 days a year. Recently signed to Lightning Rod Records, Daniel now offers up his fourth studio album Countin’ The Miles: a high-powered body of work born from his ardent belief in preserving country’s legacy.

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Master Wilburn Burchette

LP | 1977 | US | Reissue (Numero Group)

Soul Jazz Records presents

Release: 1977 / US – Reissue

Genre: Rock & Indie

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On 1977's Mind Storm, the final albummade prior to his emphatic retirement,Burchette employed "pink sound," aphenomenon known in acoustical scienceto open the mind to thrilling psychicrevelations, setting down two side-longpieces forming a reflecting crystal ball forsqualls of deep br ain imagery.

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Delta Swamp Rock - Sounds From The South: At The Crossroads Of Rock, Country and Soul

2LP | 2011 | UK | Reissue (Soul Jazz)

LP | 2024 | US | Original (Mercury Nashville)

Release: 2011 / UK – Reissue

Genre: Rock & Indie

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This new edition of Soul Jazz Records" classic Delta Swamp Rock features a killer all-star line-up of seminal artists who all first blended rock, soul and country together to create a stunning new sound of southern American music in the 1970s.Featuring the Allman Brothers, Dan Penn, Leon Russell, Tony Joe White, Johnny Cash, Bobbie Gentry, Big Star, Link Wray, Area Code 615 and loads more!

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Terri Clark

Greatest Hits: 1994-2004

35,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Girl From The Record Shop Record Store Day 2024 Edition

Frank Turner

7" | WW | Original (Xtra Mile)

Release: WW – Original

Genre: Rock & Indie

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Fire Horses / Silence On The Shore

Les Marquis

7" | 1967 | EU | Reissue (You Are The Cosmos)

12,99 €*

The Words Don't Fit The Picture Translucent Blue Vinyl Edition

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Les Marquis were an Austrian band active in the 1967-1971 period. Their debut single - Fire Horses - released in 1969, is one of the best Garage/Folk-Rock European gems of the late sixties. Limited edition of 400 copies.

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Willie Nelson

LP | 1972 | EU | Reissue (Music On Vinyl)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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180 GRAM AUDIOPHILE VINYL
FEATURING NELSON’S FIRST SOLO RECORDING OF “GOOD HEARTED WOMAN”
LIMITED EDITION OF 1500 INDIVIDUALLY NUMBERED COPIES ON TRANSLUCENT
BLUE COLOURED VINYL

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My Greatest Revenge: Flamenco Recordings, 1904-1938

LP | 2023 | UK | Reissue (Death Is Not The End)

Mary Lattimore And Walt Mcclements

Release: 2023 / UK – Reissue

Genre: Rock & Indie

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Death Is Not The End presents a limited LP pressing of their collection of haunted, brooding flamenco recordings taken from the early 1900s through to the late 1930s. Focussing in on the cante jondo (or "deep song") style, seen as the original manifestation of flamenco singing - from which other elements emerged, such as dancing and playing - this survey captures and documents tracks from the form's earliest recorded stars.

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Rain On The Road Black Vinyl Edition

LP | 2024 | US | Original (Thrill Jockey)

The Biggest Twang Of Them All Coke Boittle Clear Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Mary Lattimore and Walt McClements are two of contemporary music"s most renowned innovators. Each has managed to expand the perception of their instrument"s capabilities. Lattimore inventive harp processing and looping has brought the instrument to a new audience. Her prolific run of celestial solo albums and evocative film scores have redefined the instrument in the modern consciousness. Her genre-agnostic collaborations include work with Kurt Vile, Steve Gunn, Jeff Zeigler, Meg Baird, and Thurston Moore. McClements, who tours as a member of Weyes Blood, is an acclaimed composer in his own right, sculpting glacial atmospherics from the accordion. The Los Angeles based duo became quick friends on overlapping tours, sharing both a drive to push the sonic possibilities of their instruments and roots in North Carolina. Mary Lattimore and Walt McClements debut collaboration Rain on the Road blossomed out of that time spent on the road together, capturing the liminal existence of touring life in deeply cinematic compositions. Recorded in the cozy setting of McClements" apartment during a rainy December in LA, Rain on the Road unfurls as a series of sonic vignettes, rolling landscapes hewn from longform improvisations for harp and accordion. Embellished with additional instrumentation such as the shimmering constellations of hand bells on "Stolen Bells" that glisten like lights on wet pavement, or the stately piano figures on "The Top of Thomas Street"; their pastoral pieces manage to paint vivid images.

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Duane Eddy

LP | 1966 | US | Reissue (Sundazed)

The Water Is The Shovel Of The Shore

Release: 1966 / US – Reissue

Genre: Rock & Indie

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A Twangy Touch On 1960s Hits!

As one of America’s most influential guitarists, Duane Eddy’s famed twangy, reverb-drenched guitar shines on a wide variety of pop-rock hits, standards, and more!

Backed by two drummers, four more guitars, organ, piano, bass, saxes, and that's just the beginning, Duane goes unafraid at the kind of tunes that normally are "one person songs" Like "Ballad of the Green Berets" which becomes a twang-bang march under Duane's banner. Like "Monday, Monday" which was "The Mamas and Papas" and now has the wild newness of Duane Eddy.

After rising to fame in the late ‘50s with “Rebel Rouser,” Eddy’s influence on radio inspired musicians like George Harrison and Bruce Springsteen. Rockabilly and country music were both major factors in Eddy’s trademark sound; heavy, catchy guitar riffs over a ska-type beat. His hits included “Peter Gunn,” “Because They’re Young,” and “Twistin’ ‘n’ Twangin’.”

As music morphed into melodic sunshine pop, Eddy adapted his sound to fit chart hits of the ‘60s in his own twangy style.

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Shovel Dance Collective

2LP | 2022 | UK | Reissue (Memorials Of Distinction / Double Dare)

LP | 2024 | US | Original (Feeding Tube)

Release: 2022 / UK – Reissue

Genre: Rock & Indie

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The latest release from nine-piece folk group Shovel Dance Collective, orbiting around the concept of water. Combining on-site documentation of traditional songs, folk tunes and field recordings in long-form sound-collages. The results lie somewhere between folk music, music concrete and acoustic ecology. Released collaboratively by Memorials of Distinction and Double Dare.

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Joseph Allred

Folk Guitar

36,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Via Parigi)

Évohé Bègue

Bégayer

LP | 2013 | US | Reissue (Now-Again)

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie

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The "evohé" is the song of the Bacchants during the carnival. It is a bloody and humorous song that humiliates everything. In Euripides' work, the evohé is screamed when the city of Thebes is torn apart by fever and masquerade. Everyone laughs and sings, the maenads set the city on fire, masks pierce and disfigure the inhabitants, and Agave eats the head of King Pentheus, her son.

One cannot explain what this song is; one would need to describe the flip side of the sung, its extremity. Perhaps one cannot even hear it... most likely, the song has already affected us before crossing the threshold of our lucidity. It wells up... It glides over memory; one cannot know its melody, there are no lyrics, no notation, no tradition, no learning... no university of the sung abyss can be established. The orgy of matter is sovereign and incommunicable; the song it gives birth to is always alien, foolish, and lost; it is a sung panic. -Pan's panic, offering a pack of blind dogs to Artemis and suggesting, in passing, to send them hunting in her debauchery. The dogs of naked nature run like mad at an impossible speed, devouring every creature they scent in the wind, consuming all flesh within their reach. One can imagine that the pack reappears invariably in too assertive human affairs, facing certainties against which its wildness imposes itself more violently than against anything else. For example: when we are a bit pleased with ourselves, sensing the impression of having composed, of having imposed our order on the order of matter... immediately, it seems we can hear them barking in the distance. We freeze, we listen, we would prefer to believe it's hallucinations. But no. It is indeed the order of matter returning to express itself with the dogs. Order pours over us, the carnival imposes itself, and while the dogs eat our heads, they offer to admit that the foundation of our order was all soft, all foolish and spongy, all decomposed, that the decomposed order from below, the sincerity of matter, had never ceased to be orgiastic. When the dogs devour us, it's because Pan has brought back the mud. He has ladled a large serving of material broth back onto us; he has made all things copulate again. One imagines a song that is not at all solemn but belongs to a kind of cold and sacred-less mystique; it is the grip of the sovereign jester. An apparently disorderly and boldly stammering song that sees itself overturned and enjoys it...

French Chanson, Noise, echoes of music from faraway and long ago, modified radio transistors and other old electronic gear… After releasing several sets of raw, almost entirely improvised direct-to-tape recordings duplicated by hand in a workshop on the border of the Bauges mountain chain, the Bégayer Trio made new friends. Orphans without a home, they were welcomed like brothers by the Parisian label Le Saule, spotted by the chic Geneva-based Bongo Joe Records, and thus were able to devote a year to the making of their debut album, “Terrain à mire. Une maison rétive. Contrainte par le toit.”

Co-produced by the two families mentioned above, the album was a first beam in the musical structure laid by this trio of Alpine fellows: what they sought was the most exact form of mutt-itude, a nomadic journey through intentionally scrambled ancient musical signs by way of French, Italian and Arabic song, gleefully following René Char’s aphorism, later borrowed and translated by Hannah Arendt as “Our inheritance was left to us by no testament.”

Bégayer’s mission– in the name of those without tradition, the rejects of a culture of scarcity born in the twilight of popular customs amidst the screams of Noise on village squares and in the flow of digital swarms– is to create a hitherto unknown genre of hybrid gypsy rhapsody. The culture of scarcity can be experiences as a kind of cruel joy, an occasion to bridge the unsteady interpretation of ancient practices with contemporary experiments and build upon singular variations and excess. Up to now, every stutter-song intended to produce a joyful though disquieting object whose obstinacy and cruel simplicity triggered a disturbance, a distancing, a studied thing that stares right back at us.

Now the trio has become a quintet working towards a new kind of concert : with no beginning and no end, in which concert-time and quotidian time merge in order to deliberately drain of any autonomy the temporality of performance. Through the vocals, the homemade percussion and numerous strange instruments, two immutable musical activities will be celebrated and brought to bear on each other: the song of the people, whose cry of hunger and togetherness breaks through the barrier between art and life – and the art of performance explored as communal effort to describe our times.

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Witch

Lukombo Vibes

Redsetter Eco-Mix Colored Vinyl Edition

Release: 2013 / US – Reissue

Genre: Rock & Indie

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Archival reissue of the Afro-prog-psych Zamrock masterpiece Presented For The First Time Ever In An Aged Copper Green Pressing The entirety of WITCH’s fourth album, restored and remastered from master tapes, and presented as an archival reissue in an aged copper green vinyl pressing. WITCH’s musical arc is contained to a five year span and, in retrospect, it is a logical one. The band’s fourth album - recorded after the band toured with Osibisa - makes use of traditional Zambian rhythms and folk melodies alongside progressive rock movements. It is the most "afro-rock" of WITCH’s oeuvre.

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Memorial

LP | 2024 | Original (Real Kind)

Release: 2024 / Original

Genre: Rock & Indie

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El Dorado Gold Vinyl Edition

Gizmo Varillas

LP | 2024 | EU | Original (Big Lake Music)

Release: 2024 / EU – Original

Genre: Rock & Indie

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No Other Sessions Record Store Day 2024 Edition

Gene Clark

2LP | 2024 | UK | Original (4AD)

38,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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The Sparrow And The Crow + Derivatives Record Store Day 2024 Edition

William Fitzsimmons

2LP | 2024 | EU | Original (Grönland)

39,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Drive & Cry Transparent Pink Vinyl Edition

Emily Nenni

LP | 2024 | US | Original (New West)

Drive & Cry Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Emily Nenni has written a follow-up to 2022’s critically acclaimed record, On The Ranch. Her debut album garnered her much success and introduced her to a devoted audience of music fans who celebrate the traditional side of country music while embracing the modern indie aesthetic that comes with that nod to the past. While writing her latest record, Drive & Cry, Nenni looked in the rearview mirror for inspiration but kept focus on the sound that she has become known for. “This is the first record I have completely written on my own. I spent a good bit of solitary time ruminating on things that had happened over the last year or two. Rethinking what I’m doing, how I’m doing it, who with, even in just the everyday. Change is hard but also such a gift.”

Nenni worked with producer John James Tourville (The Deslondes, Sunny War) to broaden her sound and bring in nuance to the recording. The record was engineered by Jake Davis and mixed by Matt Ross-Spang in Memphis, TN. The resulting recording is a matured country sound that focuses on the fun and the tears that come with all changes in life.

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Emily Nenni

LP | 2024 | US | Original (New West)

LP | 1970 | EU | Reissue (Endless Happiness)

Release: 2024 / US – Original

Genre: Rock & Indie

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Fotheringay

Wadada Magic Record Store Day 2024 Clear Turquoise Vinyl Edtion

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Fotheringay is the self-titled album by the group formed by Sandy Denny after she left Fairport Convention in 1969, and was the group’s only contemporaneous release. It was recorded in 1970 with former Eclection member and Denny’s future husband Trevor Lucas, with Gerry Conway, Jerry Donahue, and Pat Donaldson. The album includes five Sandy Denny compositions (one of which was co-written with Lucas), one song by Lucas, as well as one traditional song and two cover versions: Bob Dylan’s “Too Much of Nothing” and Gordon Lightfoot’s “The Way I Feel”.

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Suns Of Arqa

LP | 1983 | EU | Reissue (Lantern)

Long Story Short: Willie Nelson 90 Live At The Hollywood Bowl Volume 2 Record Store Day 2024 Vinyl Edition

Release: 1983 / EU – Reissue

Genre: Rock & Indie, Reggae & Dancehall

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Reissued for the very first time on vinyl "Wadada Magic", Suns Of Arqa's majestic second album. The wicked world of Michael Wadada is well represented here: an ever-changing kaleidoscope of tribal dub, early electronics , proto-wave and global beat. Special guests on vocals Prince Far I and Prince Hammer, while on bass the true genius of Lizard from Creation Rebel / Singer & Players.

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Willie Nelson

2LP | 2024 | EU | Original (Sony Music Catalog)

36,99 €*

Tape | 2024 | EU | Original (Irrlicht)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Quantity: 4500
Release type: RSD Exclusive Release

Exclusively to RSD retailers, is the 2nd vinyl volume of highlights from these legendary shows with 19 performances. Feat: The Avett Brothers, Edie Brickell, R. Cash, Sheryl Crow, Emmylou Harris, Warren Haynes, Daniel Lanois, Lyle Lovett,Booker T. Jones, Kris Kristofferson, Margo Price, N. Rateliff,Keith Richards, Charlie Sexton, Snoop Dogg, George Strait, Billy Strings ect

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Mats Erlandsson

28/4/23 Cs

11,99 €*

LP | 2024 | EU | Original (Discreet Music)

Release: 2024 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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"28/4/23" captures the atmospheric live performance of Swedish composer Mats Erlandsson at Fylkingen, Stockholm on the 28th of April, 2023. With exceptional delicacy, Erlandsson guides the audience through his signature electro-gothic soundscape of continuous tension; 40 minutes of processed field recordings, zither, feedback and Serge modular synthesizer.

Cyanotype prints and woodcut by Håkan Jonson. Released in an edition of 90 copies.

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Arv & Miljö

Jorden Först

22,79 €* 23,99 € -5%

2LP | 2024 | EU | Original (Meriuba)

Release: 2024 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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An emotionally charged and bizarrely evocative look at radical environmental advocacy groups, mainly Earth First! and Earth Liberation Front, channeled through the memories of the Swedish Plogbill-movement and their actions throughout the early 90's. Monologue, snippets of interview segments, protest songs and site recordings are mixed up with the rather raw kosmische synth music Arv & Miljö has explored during the last couple of years. The result is a mesmerizing and multi-faceted audio collage; charmingly disorienting and chaotic but also harmonic and oddly soothing. Ultimately, Jorden Först is not so much about a certain cause or organization as it is about dedication, passion and the spirit of change. Originally released as a very limited CDr on Förfall in 2021, Jorden Först was quickly hailed as one of the absolute highlights in the vast Arv & Miljö discography among the ones that heard it. The recording was extended and slightly reworked and remixed for vinyl in July 2022. Edition of 500 copies, printed on brown kraftboard covers with insert. Mastered by Lasse Marhaug. Discreet Music 17.

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Mama Sissoko

Live

Release: 2024 / EU – Original

Genre: Rock & Indie

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CD | 2024 | EU | Original (Efficient Space)

Someone Like Me

17,99 €*

LP | 2023 | CA | Original (Purple Pyramid Rec.)

Release: 2024 / EU – Original

Genre: Rock & Indie

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A humanity-reminding suite of miracle moments, Someone Like Me unites a geographically unbound cast of real people in pursuit of a meaningful connection. Taping their lived experience in economic studios in quiet English counties, Pacific Northwest woodland retreats and the big city bustle of Sydney and Los Angeles, these kindred spirits rendered sheer beauty in the process. Custom pressed folk songs of love, loss and the lord saviour.

Illuminating minor works from seasoned players such as former Syndicate Of Sound chart-topper Sharkey and late-era Canned Heat lynchpin James Thornbury, the collection simultaneously honours the fleeting amateurism of hobby musicians. With their one shot at tangible vinyl, freshman Lynne Ann Kingan realised her loose bubblegum rocker on campus time, while U.S. Navy recruit Fred Potts cut his unconditionally serene ballad remotely stationed on a Spanish naval base. Spartan production continues to reign with Jon Betmead’s hair-raising gospel, howling into infinite space, and Goldrust’s stripped back garden hymn.

Throughout the hour-long reflection, faith has an intermittent yet revelatory presence, most overtly with the divine choral soul of Seventh-day Adventist quartet Remnant. More subtly, Gary Ramey and Jim Kennedy both turned to song in their spiritual quests, offering their all to a universal power. An irrefutable compilation cornerstone, the National Office For Black Catholics showcased Charles Murphy’s lionhearted account of the Black experience at a 1971 concert. Five years earlier, high school seniors The Superwomen would use their hauntingly angelic harmonies to address racial inequity with a breathless take on ‘Lowlands’.

Reaching the furthest corners, Someone Like Me secures the inaugural licence of three homespun masterpieces. Discovered by fluke in the digital haystacks of Youtube and Soundcloud, Jim Huxley’s bedroom pop earworm melds peacefully into Charlie Webster’s synthesized reverie. Meanwhile, Hollywood’s John Agostino introduces us to the bizarre world of tax scam records, with the artist only now learning that his tender psych-folk demos were leaked via a 1977 bootleg.

Compiled and lovingly restored by armchair digger Mikey Young (Eddy Current Suppression Ring/The Green Child), Someone Like Me pays due service to seventeen rarefied journals of truth and devotion. Adorned with visual artist Chris Fallon’s figure and flora dream extractions, the uniting songbook is further detailed by expansive track-by-track liner notes and a forward from San Franciscan poet Rod Roland.

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Outlaws

It's About Pride

Release: 2023 / CA – Original

Genre: Rock & Indie

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Maria Somerville

All My People

LP | 2019 | EU | Reissue

LP | 2024 | EU | Original (Black Truffle)

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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Big tip! Revised 8 track version of Maria Somerville's much lorded debut album. Features and additonal cut 'Lakes' - a 5+ minute blown out instrumental record live on tour in 2019.

" Stirring and beautiful songs, with a consistent optimism underlying even the murkiest of moments."

Recorded in Connemara and Dublin. Mixed by Brendan Jenkinson. Mastered by The Bastard.

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Dagar Brothers

Berlin 1964 - Live

12,99 €*

LP | 2023 | EU | Original (Motvind)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Following on from last year’s acclaimed Vrindavan 1982 by rudra veena master Z.M. Dagar, Black Truffle is thrilled to present a pair of archival releases from the Dagar Brothers, among the most revered 20th century exponents of the ancient North Indian dhrupad tradition. The vocal duo of Moinuddin and Aminuddin Dagar (sometimes referred to as the ‘senior’ Dagar Brothers to distinguish them from their younger siblings, Zahiruddin and Faiyazuddin Dagar), belonged to the nineteenth generation of a family of musicians in which dhrupad tradition has been kept alive through patrilinear transmission, each generation undergoing a rigorous education of many years’ duration that can include singing up to twelve hours each day. Famed for the meditative purity of their approach to dhrupad, the Dagar Brothers helped to keep the tradition alive in the years after Indian independence in 1947, when the royal courts that had traditionally patronised dhrupad musicians were abolished. Many Western listeners were first introduced to dhrupad by the Dagar Brothers’ tour of Europe in 1964-65 and their LP in UNESCO’s ‘Musical Anthology of the Orient’ collection, both organised by pioneering musicologist and scholar of Indian culture Alain Daniélou. Documents from this tour are especially precious, as Moinuddin Dagar passed away in 1966. Unheard until now, Berlin 1964 – Live (released alongside Bt114, a newly discovered studio session from the same trip) documents a concert held at the Charlottenburg Palace in September 1964. Accompanied only by Moinuddin’s wife Saiyur on tanpura and Raja Chatrapati Singh on pakhawaj (a large double-headed drum), the brothers present stunning performances of two ragas stretching out over 65 minutes, exemplifying what a journalist at the time called the ‘pristine severity’ of their style. Much of each piece is taken up by the alap, the highly improvised exposition section where the notes of the raga are gradually introduced as the singing builds in intensity. As Francesca Cassio points out in her extensive liner notes, both performances are somewhat unorthodox in beginning with the raga scale being sung in its entirety, ascending and descending; this is probably, as she suggests, a strategy to introduce the European audience to the language of the music they are about to hear. From there, both ragas settle into alaps of breathtaking beauty, with the two brothers trading long solo passages that move gradually from extended held notes at the bottom of the scale to animated melodic variations as it ascends in pitch. Within the atmosphere of meditative attention, the range of melodic, rhythmic, and timbral invention is remarkable. Especially on the opening ‘Rāga Miyān kī Todī’, the final moments of the alap find the voices at a peak of intensity, their microtonal ornamentation taking on an ecstatic, warbling quality. Only once the wordless, free-floating alap is over and the composition proper begins to the brothers sing in unison, joined by the pakhawaj for a rhythmic section that in both ragas develops gradually into a propulsive display of melodic invention and metrical nuance. Accompanied by detailed liner notes and striking archival images, Berlin 1964 – Live is a rare document of these masterful exponents of one of the world’s most profound musical traditions.

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Andreas Røysum Ensemble

Mysterier

21,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Amatssou Deluxe Bonus Tracks Picture Disc Edition

Tinariwen

LP | 2024 | EU | Original (Wedge)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Twilight Record Store Day 2024 Edition

Yoko Maeno

LP | 2024 | JP | Original (Nippon Columbia)

37,99 €*

Release: 2024 / JP – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Creature Music Ltd.)

Davy Graham

Midnight Man Black

Release: 2019 / EU – Original

Genre: Rock & Indie

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Greatest Hits Red Vinyl Edition

Justin Moore

LP | 2024 | US | Original (Valory)

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Lolipop)

Jordan Jones

And I You

34,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | Original (Cooking Vinyl)

Sam Lee

Songdreaming

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (La Ruche)

Joe Bel

Family Tree

Release: 2023 / EU – Original

Genre: Rock & Indie

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2LP | 2024 | US | Original (Unrock)

Sir Richard Bishop

Saginaw Racket

41,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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2CD | 2024 | UK | Original (RCA)

Andre 3000

New Blue Sun

20,99 €*

Twice As Nice And Half The Price

Release: 2024 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Released via RCA Records - If its a triple album of instrumental flute music you've been waiting for, then wait no longer - Andre Benjamin - best known as Andre 3000 - is one of the most celebrated artists of the last three decades, an auteur whose work in music, film, fine arts, and fashion, continues to influence the cultural landscape on a global scale. As one half of Outkast, Andre established a brand new voice within rap that had never been experienced before when the pair emerged in the early '90s. ''This album is the most honest and interesting offering I can give today. I never could have imagined in high school, when I started rapping and doing music that I would be here right now playing wind instruments. Ha. This life ride always surprises me. I'm here for it.' - Andre 3000. Stock is very limited & will be allocated.

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Heron

2LP | 1971 | EU (Trading Places)

Daudra Dura Orange Vinyl Edition

Release: 1971 / EU

Genre: Rock & Indie

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Formed in suburban Maidenhead by singer Tony Pook, guitarist/pianist Roy Apps and guitarist Robert Collins, Heron solidified when Collins was replaced by uitarist/mandolin player GT Moore. After a debut album recorded at the Pook family farm, specially priced double LP Twice As Nice And Half The Price achieved a fuller sound with guitarist Mike Cooper, bassist Mike Finesilver, drummer Terry Gittins and guitarist Willie Boazman. The epic set sounds absolutely brilliant from start to finish, with strong vocal harmonies, intricate guitar interplay and excellent musical communication. Arguably Heron at their absolute best!

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Forndom

LP | 2024 | EU | Original (Nordvis)

Jason Isbell & The 400 Unit

Release: 2024 / EU – Original

Genre: Rock & Indie

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Re-issue on orange vinyl. Limited to 250 copies. Embark on a journey to realms untold with Forndom and the musical mastery of Ludvig Swärd. Presenting “Dauðra Dura”, a mesmerising debut album following the dreamlike echoes of the 2015 EP “Flykt”. At the heart of “Dauðra Dura” lies a profound musical portrayal of Death, as seen through the eyes of the old north. Listen closely, for the distant drums beckon you to explore the mystic “Dauðra Dura” – the very gates of bereavement. Delve into Forndom’s universe, where melodies breathe life into ancient Scandinavian traditions and beliefs.Since this album was released in 2016, it has amassed nearly a combined 40 million Spotify plays. Meanwhile, Ludvig has carved out a name for himself across multiple music scenes with celebrated tours and appearances at prestigious festivals.

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Live From Alabama

2LP | 2012 | US | Reissue (Lightning Rod)

34,99 €*

CD | 2023 | EU | Original (Putojefe)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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In August of 2012, Jason Isbell and The 400 Unit assembled in their home state of Alabama in front of a couple of sold-out concert halls to record their first live album, Live From Alabama. After years of hard touring, the critically-lauded band has gelled into a versatile rock and roll squad that is equally at ease performing Muscle Shoals soul to hardcore country to balls-out rock. Live From Alabama’s tracklist mines some of Isbell’s most popular songs and includes a pair of inspired covers in Neil Young’s “Like a Hurricane” and Candi Staton’s “Heart on a String.”

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Dorothy Carter

Waillee Waillee

17,99 €*

Unplugged Live At Folkscene Studios Orange Marble Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Reverse board tip on with silver pantone print. The first ever reissue of Dorothy Carter's 1978 folk/psych/drone masterpiece. A truly unique album in Dorothy's catalog of otherwise traditional psaltery folk music, Waillee Waillee's essence sits in the confluence of Dorothy's mastery of the dulcimer; its shimmering notes fully enmeshed with the tremulous, cavernous drones of Bob Rutman's bowed steel cello. The core of this album, Dorothy's only with a full band, lies in the contradiction of traditional psych-folk idioms and the minimal avant-garde, referencing Henry Flynt and Laraaji as much as Karen Dalton. This LP version includes 12 page booklet with unpublished manuscripts, drawings, photographs, and songbooks of the songs from the album, as well as extended liner notes from friends and family of Dorothy Carter, including notable musicians such as Laraaji, Bob Rutman, and Alexander Hacke (of Einstürzende Neubauten). Drops soon - a joint release between Palto Flats & Putojefe Records.

Dorothy Carter was many things - a virtuoso player, storyteller, historian of Celtic and Appalachian folk music, avid lifelong busker, avant-garde musician, and itinerant troubadour, laying a framework for music that existed both within and outside of standard folk idioms - never better represented than on her 1978 masterwork, Waillee Waillee. Underscored by Bob Rutman’s cavernous bowing of the steel cello, the richness of Waillee Waillee’s sound produces an album unlike any other in her discography. In particular, its two side-ending pieces, “Summer Rhapsody” and “Tree of Life,’’ glide with the shimmering filigree of hammered dulcimer and Dorothy Carter’s ephemeral voice floating over Rutman’s droning buzz of the steel cello. The elements of these two tracks suggest something akin to a transcendental Appalachian raga or whirling cosmic folk music, an effortless combination that serves to add additional substance to the remaining tracks on the album.

The title track is one of her most enduring compositions, often performed in stripped down versions throughout her career, and one of her sole recordings featuring a full band, with the contrapuntal interplay of tremulous flute, vibrating steel cello, bass and drums. Lyrically and tonally, her voice would never sound as stirring and refi ned as on this, her most outwardly accessible song.

She counted musical colleagues as diverse as Constance Demby, Einstürzende Neubauten and Laraaji, as well as her lifelong artistic partner and friend Bob Rutman, whose imprint is felt throughout the grooves of this record. The master tapes for this recording were fortuitously discovered in Rutman’s Berlin studio, many, many years later. As recounted in Laraaji’s contribution to the liner notes, Dorothy was “someone who really influenced my early zither exploration and vocabulary and inspired my shift toward hammered zither performance and recording,” after encountering him busking on the sidewalk one day in the 1970s. Later, when living in Berlin in the early 1990s, Dorothy would begin work on manuscripts detailing the history of the dulcimer family and providing extensive sheet music, selected material of which is reproduced in the twelve page booklet included with this release. Dorothy would find later success touring and performing in the late 90s with the ensemble Mediæval Bæbes, which she led with British musician Katherine Blake, playing a prominent role on their first four albums.

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Tom Waits

LP | EU | Original (Second)

Release: EU – Original

Genre: Rock & Indie

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The Tinker And The Crab / Wear Your Love Like Heaven (Mono)

Donovan

7" | 2023 | UK | Original (The state51 Conspiracy)

7" | 2024 | EU | Original (Les Disques Bongo Joe)

Release: 2023 / UK – Original

Genre: Rock & Indie

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A special 7 inch single presentation of the classic Donovan tracks (The Tinker and the Crab / Wear Your Love Like Heaven) taken from his seminal double album A Gift from a Flower to a Garden.

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Nusantara Beat

Kota Bandung / Layung

15,99 €*

LP | 2024 | EU | Original (Old Omens)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Nusantara Beat strikes back with a brand new 7""! After the success of Djanger / Borondong Garing, Bongo Joe Records and Lamunai Records cooperate again to delvier these two amazing tracks fusing modern influenced grooves and traditional Indonesian sonorities!

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John Moreland

In The Throes

Release: 2024 / EU – Original

Genre: Rock & Indie

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Country Outlaw-Take This Job & Shove It

Johnny Paycheck

LP | 2021 | CA | Original (Cleopatra)

Release: 2021 / CA – Original

Genre: Rock & Indie

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Live From Cain's Ballroom

Jessi Colter

LP | 2014 | EU | Original (Black Country)

Release: 2014 / EU – Original

Genre: Rock & Indie

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LP | 2023 | UK | Original (Far Out)

Fabiano Do Nascimento

Mundo Solo

LP | 1971 | CA | Reissue (Return To Analog)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Far Out Recordings proudly presents the new album from Brazilian guitarist and composer Fabiano do Nascimento: Mundo Solo. Recorded at his home studio in Los Angeles (2020) the album is fundamentally the sound of a man alone with his instruments.

Utilizing a variety of guitars, including 6, 7 and 10 strings, Oktav guitar and electric baritone guitar, alongside a host of pedals and synthesizers, Fabiano tracked imagined landscapes with expressive, expansive improvisations, which tend toward the more ambient and atmospheric reaches of his recent output.

Adopting Hermeto Pascoal’s concept of Universal Music, a rejection of nationalistic tendencies in order to express all of one’s musical influences all at once, Fabiano avoided leaning too heavily on any particular musical language, without denying his own musical roots.

After studying classical piano as a child, the Rio de Janeiro native discovered the guitar aged 10. Studying under his late uncle, Lucio Nascimento, he eventually left Brazil for LA, where he soon became an in-demand player for his distinct and authentic sound. He has since released seven albums under his own name and collaborated with renowned Brazilian artists including Arthur Verocai and Airto Moreira, as well as experimental US saxophonist Sam Gendel.

Mundo Solo (Do Nascimento’s eighth), was recorded in one take per track, with occasional overdubs and a few appearances from collaborators and friends Julien Canthelm (drums on Etude 1), Ajurinã Zwarg, (percussion on CPMV) and Gabe Noel (Bass on Curumim).

Fabiano Do Nascimento’s consummate mastery of his instrument has afforded him a freedom of expression few can claim. Blending the emotional with the elemental, Mundo Solo is a stunning snapshot of solitude and the beauty which can blossom within it.

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Hawk

African Day

LP | 2023 | EU | Original (Türküola)

Release: 1971 / CA – Reissue

Genre: Rock & Indie

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"It's dark and still in the chief's village protected by mountains of the great southern regions of Africa..." so begins the seventeen minute epic 'African Day' that kicks off the greatest Afro-psychedelic concept album ever made — first released on Parlophone in 1971. Hawk’s music on this epochal album is a fusion of tribal African rhythms with acoustic hippie music elements — long solo jams, saxophone breaks, percussion — sounding at times like an African version of Embryo fronted by Tim Buckley! In Johannesburg, bursting, like Durban, with musicians aeons ahead of their time, Hawk added the sunburnt, brown prairies of Africa to the genre of the concept album — the heady, steady beat of drums, and enough cross-rhythms to make you dizzy. Add the mesmerizing voices – and the telling of a story. Tuck in the ranging flute, the saxophone. The deep bass buzz. And the hypnotic talking drums. Music the African way: earthy stuff – virile, extraordinary, substantial. Hawk were listening to a lot of Hugh Tracey tapes (the Afro-musicologist who travelled Africa capturing sounds and music on tape for posterity). They went to Swaziland and came back with their own sounds: drums and a burning desire to make their own brand of African music. From all of this came "African Day.” Our Lion/RTA reissue comes with an LP-sized 12-page booklet which includes a complete band history by music writer Owen Coetzer, packed with photos, plus the story of the re-discovery of the multi-track master tapes and the transfer of those newfound tapes that resulted in this very reissue.

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Fikret Kizilok

Köroglu Daglari

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Putojefe)

Dorothy Carter

Waillee Waillee

Lucy Kruger & The Lost Boys

Release: 2023 / EU – Original

Genre: Rock & Indie

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Sleeping Tapes For Some Girls

LP | 2019 | EU | Reissue

17,99 €*

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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The Texas Tapes Purple Vinyl Edition

Rainer & Das Combo

LP | 2017 | UK | Reissue (Fire)

18,74 €* 24,99 € -25%

Release: 2017 / UK – Reissue

Genre: Rock & Indie

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LP | 2021 | US | Original (Husky Pants)

Ryley Walker

Course In Fable

19,99 €*

Release: 2021 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Brazil Classics 1: Beleza Tropical

2LP | 1989 | EU | Reissue (Luaka Bop)

2LP | 2024 | EU | Original (Black Powder Soul)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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First released in 1989, these songs represent but a small sampling of the fruits of a flowering in Brazilian creativity. The innovations in structure, lyrics and arrangements, combined with a very restrained but heartfelt intensity, are unique to Brazilian pop music... and in their own way, are as radical, seductive and beautiful as the best english language pop

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Taylor McCall

Mellow War

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2023 | UK | Original (Clay Pipe Music)

Vic Mars

The Beacons

Bakirköy Akil Hastanesi'nde Remastered Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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Clay Pipe Music is thrilled to announce The Beacons by Vic Mars - the enigmatic producers third LP for the label. Since 2019s Inner Roads and Outer Paths his music has found a new audience having been used as the soundtrack to the game I am Dead by British interactive studio Hollow Ponds.

While his previous two albums were inspired by the pastoral landscapes of Herefordshire, The Beacons, embarks on a journey westward into Wales, inviting listeners into the rugged terrain of the Brecon Beacons and the Black Mountains. Using a darker more ominous sonic palette, and pushing the sound of the Moog synthesizer to the fore, The Beacons captures the feel of mountains silhouetted against dramatic skies, craggy summits and the overall grandeur of the landscape and its rich folklore.

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Zen

LP | 2023 | EU | Original (Zel Zele)

37,99 €*

LP | 2023 | EU | Original (Mama Bird Recording Co.)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Zel Zele is thrilled to announce the first-time vinyl issue of Turkish improv band ZeN"s iconic album "Bakirköy Akil Hastanesi"nde". Performed live in Istanbul"s Bakirköy Psychiatric Hospital for an audience of patients, doctors and visitors, this exceptional recording offers an entrancing blend of krautrock, psychedelic and free anatolian sounds. Perhaps one of the most unusual albums of Turkey"s underground musichistory, "Bakirköy Akil Hastanesi"nde" is a testament to improvisation in its purest form. Originally released in 1999 in cassette and CD, this co-release with Ada Müzik brings the album back into the spotlight:

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Dean Johnson

Nothing For Me, Please

Release: 2023 / EU – Original

Genre: Rock & Indie

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Hank Wilson Volume 2 Black Friday Record Store Day 2023 Vinyl Edition

Leon Russell

LP | 2023 (Dark Horse)

23,74 €* 24,99 € -5%

Greatest Hits International Version

Release: 2023

Genre: Rock & Indie

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Quantity: 1700
Release type: RSD Exclusive Release

Dark Horse Records is proud to reissue Leon RUSSELL’s 1984 album Hank Wilson Vol. II on limited Red Vinyl for Record Store Day Black Friday. The album notably features a duet with Willie Nelson on the country standard “Wabash Cannonball,” plus takes on classics by Hank Williams, Lefty Frizzell, and Don Gibson. Russell was born in Oklahoma, had a home in Tulsa, and grew up around country and blues music. After making successful rock albums, touring, and releasing the concert album Leon Live, he returned to his roots under the name of a fictional musical personality: Hank Wilson. His second outing under this assumed name, Hank Wilson, Vol. II, was self-produced in 1981 at Leon’s Paradise Studios in Burbank, California.

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Shania Twain

2LP | 2023 | CZ | Original (Mercury)

38,99 €*

Release: 2023 / CZ – Original

Genre: Rock & Indie

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Toshiko Yonekawa, Kiyoshi Yamaya & Contemporary Sound Orchestra

Tapestry: Koto & The Occident Country

LP | 1976 | EU | Reissue (Cinedelic)

Toshiko Yonekawa, Kiyoshi Yamaya & Contemporary Sound Orchestra

Release: 1976 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Following the release of the first volume of the Koto: Tapestry series, Cinedelic completes the series of 3 with the release of the remaining two valuable albums. 'Tapestry: Koto' is a 3-album series produced by Nippon Columbia in the mid-1970s dedicated to one of the main instruments of Japanese traditional music: Koto. The beauty of the trilogy curated by composer Kiyoshi Yamaya, whose chapters are respectively dedicated to Sea, Hillside and Country, lies in the fact that they are a modern translation of tradition using newer and more avant-garde sound idioms, integrating the koto with jazz musicians. An original mix, a 'crossover’ that allows for the awakening and the consequential spread of traditional music in larger contexts. The extreme accuracy of the marvellous recordings is also remarkable. The performers on this fabulous album are: Toshiko Yonekawa - learned to play the koto at an early age, performing in a public concert as early as 8 years old. For three years, from 1941 to 1944, she won prizes as the best performer in the Japanese Cultural Federation's competition for traditional trios. She also received an award from the Prime Minister. Many other important recognitions followed until she became president of the Reichokai and executive director of the Sankyoku Association. In 1996, she was appointed Living National Treasure. As a koto player, her best-known characteristics are her extreme precision of intonation and rhythm and the unparalleled beauty of her sound. Kiyoshi Yamaya - born March 1932. He attended the Kunitachi College of Music. Between 1956 and 1960, he performed with 'Nobuo Hara and His Sharps & Flats' (clarinet, saxophone, etc.) and was responsible for composition and arrangement. In 1959, he formed the 'Modern Jazz Three Association' with Norio Maeda and Keitaro Miho, which contributed to the improvement of the level of composition and arrangement in Japanese jazz. In 1965, he became conductor of the 'Tokyo Union Orchestra' and received the Japan Record Award's Arrangement Award. His name appears on more than 100 albums. An unmissable session for those seeking new sounds. Original masters licensed by Nippon Columbia for the first ever reissue. Includes OBI and insert.

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Tapestry: Koto & The Occident Hillside

LP | 1976 | EU | Reissue (Cinedelic)

LP | 1998 | JP | Reissue (Universal Japan)

Release: 1976 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Freebo

Smoking Blues

56,99 €*

Release: 1998 / JP – Reissue

Genre: Rock & Indie

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My Window Faces The South

Sweet Megg

LP | 2023 | Original (Turtle Bay)

39,99 €*

Release: 2023 / Original

Genre: Rock & Indie

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Live At Third Man Records

John Moreland

LP | 2023 | EU | Original (Third Man)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | CZ | Original (Capitol)

Darius Rucker

Carolyn's Boy

Release: 2023 / CZ – Original

Genre: Rock & Indie

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LP | 1975 | US | Reissue (Discos Fantastico)

Grupo Celeste

El Fabuloso

Release: 1975 / US – Reissue

Genre: Rock & Indie

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LP | 2023 | US | Original (Rounder)

Sarah Jarosz

Polaroid Lovers

Release: 2023 / US – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Hyperjazz)

Khalab

Layers

21,84 €* 22,99 € -5%

Lösrivelse Tekster Av Edvard Munch Edition

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Every person we meet, every moment we live through, all the love we feel, and the losses we endure, add another layer to the intricate pattern of our lives. Like multicolored threads, these layers twist together to form a complex, vibrant tapestry — a reflection of our life journey until this point. On his new album Layers, Khalab acknowledges and celebrates the encounters that have shaped his ever-evolving musical vision. The record, out on August 25th with his own Hyperjazz Records, represents the culmination of a creative journey that began with his Eunoto EP (Black Acre Records, 2015), evolved with the Afro-Futuristic soundscapes of 2018’s highly acclaimed album Black Noise 2084 (On The Corner Records/!K7), and has since developed further through a series of experiences and deep musical collaborations. Layers summons all the alchemy of Khalab’s live performances, and embodies the transcendental power of music making as a collective art form. Over the past five years, Khalab has shared the stage at Italian and International festivals with many exceptional musicians, an experience which has sharpened the musicality of his compositions and enhanced the depth and complexity of his sound. “Since the release of Black Noise 2084 I’ve increasingly developed the stage and band dynamic, focusing on arranging with the musicians in mind, and this album was almost entirely conceived together with musicians I’ve collaborated with” says Khalab. In a testament to the label’s close-knit and highly collaborative nature, Khalab's live band includes a cadre of musicians from the Hyperjazz family, including David Paulis and Enrico Truzzi of Phresoul, as well Pietro Santangelo, Fabio Sasso, and longstanding creative-partner Nicola Guida. The album’s nine tracks feature an impressive lineup of collaborators old and new, including UK drummer and producer Emanative, Burkinabe singer, guitarist, and m’bira player Gabin Dabiré (passed away a few weeks ago), Italian producer Clap! Clap!, multi-wind instrumentalist Tamar Osborn, drummer and producer Tommaso Cappellato, British-Bahraini trumpeter Yazz Ahmed, Bristol’s vocalist and producer Grove, multi-instrumentalist Tenderlonious, Italian jazz singer Alessia Obino and British-born Nigerian spoken-word artist Joshua Idehen. Layers still revolves around the key components of Khalab’s sound — dark and trancey electronics and his research into Black music and all its evolutions — but with a bigger emphasis on harmonic arrangements. Across the album, Khalab’s productions twist and pulsate into mesmerizing motifs, as the interplay between different instruments coalesce into focused melodies and rich, complex textures. Khalab and his collaborators masterfully blend gloomy and radiant tones, eliciting feelings of both doom and hope. The album will be preceded by three lead singles: “Layers” feat. Joshua idehen, “Tunnel Of Jealousy” feat. Lady Blue Eyes, and “Female Side” feat. Tommaso Cappellato.

For Khalab, Layers represents the end point of a journey that began with the synthesis of ancestral rhythms and electronic experimentation on Black Noise 2084, and has taken him on a meandering route through a Mauritanian refugee camp (M’berra, Real World Recordings, 2021), and deep into the catalogs of legendary Italian labels Soul Note and Black Saint (for the Hyperituals compilations, released on his own Hyperjazz label). In Khalab’s own words: “For me this feels like coming full circle, because everything will be more experimental going forward”. Credits All tracks written & arranged by Khalab Produced by Khalab & DJ Knuf With the vital contribution of these amazing musicians: A1. Yazz Ahmed (flugelhorn, trumpet), Alessia Obino (voice), Nicola Guida (synths), Fabio Sasso (drums) A2. Emanative (drums), Tamar Osborn (baritone saxophone), Grove (lyrics, voice) A3. Lady Blue Eyes (voice) A4. Cristiano Crisci (synths), Pietro Santangelo (tenor saxophone) A5. Joshua Idehen (lyrics, voice), Cristiano Crisci (additional synths) B1. Tommaso Cappellato (synths), Enrico Truzzi (drums), David Paulis (electric bass), Cristiano Crisci (additional synths) B2. Gabin Dabiré (voice, m’bira) B3. Tenderlonious (flute) B4. Magnus PI (percussion), Alessia Obino (voice), Pietro Santangelo (tenor saxophone), Enrico Truzzi (drums) Mix by DJ Knuf at Studio 33, Rome Remix by Khalab at Studio 33, Rome Megamix by Satori Stereo Saiyan Mastered by Frank Merritt at The Carvery, London Visual project design by Marco Klefisch

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Kari Bremnes

LP | 2023 | EU | Original (Kirkelig Kulturverksted)

37,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Keep Walkin': Singles, Demos & Rarities 1965-1978 Blue Vinyl Edition

Nancy Sinatra

2LP | 2023 | US | Original (Light In The Attic)

48,99 €*

Keep Walkin': Singles, Demos & Rarities 1965-1978 Black Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Definitive collection of Nancy's rare singles, demos and previously unreleased cuts. Includes 3 previously unreleased tracks, plus 3 tracks making their vinyl debut. Deep booklet includes new Q&As with Nancy & Don Randi (The Wrecking Crew) - both conducted by Grammy®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive. Features audio freshly remastered from the original analog tapes by Grammy®-nominated engineer John Baldwin. Vinyl pressed at RTI. Double LP housed in a gatefold jacket with 24-page book Light in the Attic continues to celebrate the influential career of singer, actress, activist, and icon *Nancy Sinatra* with a captivating new collection, Keep Walkin’: Singles, Demos & Rarities 1965-1978. Exploring the lesser-known gems from Sinatra’s rich catalog through 25 B-sides, rare singles, covers, demos, and previously-unreleased recordings, Keep Walkin’ was remastered by the *Grammy®-nominated engineer John Baldwin* and available in a variety of formats, including vinyl, CD, 8-track, and digital. The 2LP set, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and accompanied by a 24-page booklet featuring an array of photos from the artist’s personal collection, as well as a new in-depth Q&A with Sinatra, conducted by the reissue’s Grammy®-nominated co-producer, Hunter Lea. The booklet also contains a fascinating interview with keyboardist Don Randi (The Wrecking Crew), who recently spoke to Lea about his hit-filled career and his 50 years of work with Nancy. Keep Walkin’: Singles, Demos & Rarities 1965-1978 serves as a companion to the widely-acclaimed 2021 career-spanning retrospective, Start Walkin’ 1965-1976, and marks the latest release in LITA’s ongoing Nancy Sinatra Archival Series, a partnership with the legendary artist, which honors her musical legacy through lovingly curated reissues (including her 1966 debut, Boots and the 1968 classic, Nancy & Lee), limited-edition merch, and other special releases. In 1965, 25-year-old Nancy Sinatra scored her first No.1 hit with “These Boots are Made for Walkin’,” a bold anthem for female empowerment. Brazen, sassy, and utterly infectious, it was a reintroduction of sorts for the eldest daughter of Frank Sinatra, who had been struggling to find a spotlight of her own amid a changing musical landscape. Suddenly, audiences who had initially brushed off Sinatra as too demure or out-of-touch were paying attention. Written and produced by Oklahoma-born songsmith Lee Hazlewood (with swaggering instrumentals, courtesy of Billy Strange and The Wrecking Crew), the song launched the singer’s career, as well as one of music’s most unlikely, yet compelling, creative partnerships. Over the next decade, Sinatra continued to notch multiple hits on both sides of the Atlantic, including “Sugar Town,” “How Does That Grab You, Darlin?,” and a haunting rendition of the Sonny Bono-penned “Bang Bang (My Baby Shot Me Down).” The singer also paired up with Hazlewood for a series of popular duets (“Summer Wine,” “Jackson,”* and *“Some Velvet Morning”) and collaborative albums. In between best-selling LPs like Boots (1966), How Does That Grab You (1966), and Nancy & Lee (1968), Sinatra performed the theme song to the 1967 James Bond film, You Only Live Twice, and collaborated with her father on the global chart-topper, “Somethin’ Stupid.” While these career landmarks are well-documented in the annals of pop culture history, however, much of Sinatra’s catalog remains sorely overlooked. As Keep Walkin’ co-producer Hunter Lea explains, “With the changing taste of the record-buying public in the late 1960s and the counterculture taking over, artists like Nancy Sinatra weren’t in the mainstream as they once were.” Despite that fact, “[Sinatra] kept working, recording, and performing at a voracious pace.” Lea continues, “This compilation is a celebration of some of the many glorious recordings that may have been overlooked, forgotten, or never even released at the time. The obscurity of some of these recordings doesn’t mask the genius, brilliance, and effort that went into them; on the contrary, it’s incredible to learn that some of the lost gems are just as rich as the national treasures.” Among the highlights is the spritely opener “The City Never Sleeps at Night,” which served as the B-Side to “These Boots Were Made for Walkin’.” Overshadowed by the colossal success of its A-side, it’s no surprise that the cinematic tune never had its proper due. Yet, Lea reveals, Hazlewood initially intended to make it the focus single. Another long-lost B-side is “The Last of the Secret Agents?,” which was paired with the Top 10 hit, “How Does That Grab You, Darlin’?” The playful song, written by Hazlewood, served as the theme to the 1966 comedy of the same name, in which Sinatra co-starred alongside Marty Allen and Steve Rossi. Keep Walkin’ also features several choice A-sides that were never included on albums and were overlooked for one reason or another. Among them is 1966’s “In Our Time,” a rebellious anthem for ‘60s youth, which references drug culture and women’s liberation, among other topics. Speaking to the Hazlewood-penned track, Sinatra recalls, “That was a fun song. Lee was starting to do his ‘anti’ stuff. He was cynical and it showed in his writing at some point.” But, despite the themes of the song, Nancy laments that she was never embraced by the counterculture. “[drugs] knocked me out of the picture completely. I was so far removed from the hip people in those days. I think they probably made fun of my stuff.” Another stylistic departure for both artists is “Love Eyes,” a bluesy, soulful single from 1966. The song, Nancy shares, is “one of my favorites. I think what helped Lee’s writing at that point was the bigger sound.… I really love it. I think it holds up to this day.” She adds that her dreamy vocal performance was inspired by early female R&B stars like Ruth Brown and LaVern Baker. The collection also features several outstanding covers, including a previously-unreleased rendition of the Barry Mann/Cynthia Weil classic, “I Just Can’t Help Believing” (a hit for both B.J. Thomas and Elvis Presley). This 1978 recording, reimagined as a duet, marked one of Sinatra’s brief reunions with Hazlewood, following his abrupt move to Sweden not long after 1972’s Nancy & Lee Again. Another choice track finds Nancy interpreting Neil Diamond’s “Glory Road.” Released as a single in 1971, it features one of the singer’s most cherished vocal performances. “After I worked on my voice and improved as a performer and as a singer, I embraced Neil Diamond. Anything I did by Neil Diamond, to me, is my best work.” Nancy also looks back fondly on her moving rendition of Bill Withers’ “Ain’t No Sunshine," released in 1973 as the B-side to “Sugar Me.” The recording (which features particularly lush orchestral arrangements by Billy Strange) reunited Nancy with another close collaborator, Jimmy Bowen, who produced the singer in the early ‘60s and later introduced her to Hazlewood. “I love Jimmy,” she declares. “The records we did early on…had a depth to them that I appreciated. He heard me and saw me in a different light; he saw me as a much more serious performer, which I appreciated.” Listeners will also be delighted to hear a pair of previously-unreleased demos: “Something Pretty” (the 1968 country hit, made famous by Wynn Stewart) and the theme to the 1965 Richard Rogers/Stephen Sondheim musical, Do I Hear a Waltz?, both of which were intended for a self-described “disco” record. Despite the two catchy takes featured on Keep Walkin’, Sinatra calls the shelved album “A disaster. I called it the disco fiasco!” Offering additional insight into Sinatra’s career is music director, songwriter, and keyboardist, Don Randi. A member of the hallowed *Wrecking Crew* collective, Randi was one of the most prolific session musicians of the ‘60s and ‘70s with hundreds of credits to his name, including The Beach Boys’ “Good Vibrations,” Linda Ronstadt’s “Different Drum,” and “These Boots are Made For Walkin’” – his first recording with Sinatra. For the next fifty years, he would be a fixture at her sessions and live shows. He also appears on nearly every track in this collection. Speaking to Lea, Randi delves deep into his time with Sinatra, with a palpable admiration for the singer. *“She was easy to work with,”* he shares. “She was always wonderful to musicians; nobody even comes close.” The keyboardist, who met Sinatra through Hazlewood, also recalls the magic of that partnership. “I always liked working with Nancy & Lee. They had something very special that they could get out of each other. It was a good team.” He continues, “Sinatra stood up for herself [around Lee]…He could be so cantankerous…but that’s Lee…. [Nancy] saw through it. She was so lovely and helpful to him a number of times when he really needed someone to talk to.” That said, Randi also appreciates the power of Sinatra’s solo performances. “I never thought she really needed [Hazlewood},”* he reveals. “I thought her shows were just as well with everybody else; they were excellent.” After stepping back from the industry in the ‘70s to focus on her young family, Sinatra returned to the spotlight in the mid-90s, releasing a string of new albums, including the star-studded Nancy Sinatra, which paired the artist with some of her biggest fans, including Morrissey, U2, Calexico, and Sonic Youth. Since then, Nancy’s legacy has only continued to grow. In more recent years, her impact has been recognized by the likes of Pitchfork, NPR, and Rolling Stone, while in 2020, “Boots” was inducted into the Grammy® Hall of Fame*. Today, Sinatra remains a force in the industry, as new generations discover her influential catalog, which boasts nearly 20 studio albums and dozens of charting singles.

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Nancy Sinatra

2LP | 2023 | US | Original (Light In The Attic)

43,99 €*

Court And Spark 2022 Remaster

Release: 2023 / US – Original

Genre: Rock & Indie

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Joni Mitchell

LP | 2023 | US | Original (Elektra)

Release: 2023 / US – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Alien Transistor)

Gratin Carnival

Such December

This River Only Brings Poison

Release: 2023 / EU – Original

Genre: Rock & Indie

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Alien Transistor announces a reissue of Such December, the fourth album by Japanese indie folk-pop artist, Gratin Carnival. Listeners might already know Gratin Carnival from their appearance on the Alien Parade Japan compilation of indie pop groups working with brass and woodwind. Gratin Carnival's "Just Watching" was one of the many highlights of that compilation, and its gentle bossa-folk glide reappears on Such December. Originally released in 2020, Such December captures beautifully the happy-sad charm of Gratin Carnival. The project of Koreyuki Mitsunaga, Gratin Carnival started in 2011; Mitsunaga had been home recording for some time and decided on the name as an umbrella for his music-making. Mitsunaga's main instruments are guitar, which he uses to great effect throughout, his gorgeous acoustic playing reminiscent of players like Ueno Takashi of Tenniscoats or João Gilberto, and alto saxophone and clarinet. Those three instruments make up the core of Gratin Carnival's sound, along with Mitsunaga's charmingly doleful singing. Recording at his parents' home, with a four-track cassette recorder and a MacBook, Mitsunaga created Such December during 2020, though the songs on it stretch back to 2016. As with plenty of musicians from the Japanese underground, Mitsunaga is involved in other music, too -- he's been working with The Otoasobi Project, which performs music in collaboration with individuals with learning disabilities, and their families; and he's also involved in improvised music. With Such December, though, you get to hear Mitsunaga's music at its most personal and individual, ten songs of still, gorgeously poised indie folk-pop, where the swooning clang of six strings meets the breathy bliss of woodwind and brass.

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Dakota Suite

2LP | 2023 | EU | Original (Karaoke Kalk)

35,99 €*

Javelin Lemonade Colored Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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»This River Only Brings Poison« was released in 2002 as the sixth full-length album of Chris Hooson’s Dakota Suite project. This first-ever vinyl edition of the record includes four bonus pieces and makes it possible for fans to re-evaluate one of the most crucial Dakota Suite albums in the project’s vast discography while also providing new listeners with an entry point into its intricate musical cosmos. »This River Only Brings Poison« turns out as a sonically rich and stylistically versatile as it is emotionally multi-layered.

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Sufjan Stevens

LP | 2023 | EU | Original (Asthmatic Kitty)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Javelin Black Vinyl Edition

Sufjan Stevens

LP | 2023 | EU | Original (Asthmatic Kitty)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Southern Star Coke Bottle Clear Vinyl Edition

Brent Cobb

LP | 2023 | EU | Original (Ol' Buddy)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Flying Wig Opaque Blue Vinyl Edition

Devendra Banhart

LP | 2023 | EU | Original (Mexican Summer)

Release: 2023 / EU – Original

Genre: Rock & Indie

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A Cat In The Rain Opaque Tan Vinyl Edition

Turnpike Troubadours

LP | 2023 | EU | Original (Bossier City)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 1990 | EU | Original (Wewantsounds)

Nagat

Eyoun El Alb

LP | 2023 | EU | Original (April)

Release: 1990 / EU – Original

Genre: Rock & Indie

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First-ever Vinyl Release OF Cult 1980 Cassette-only Album BY Egyptian Singer Nagat EL Saghira, Curated AND Annotated BY Disco Arabesquo. Includes Production BY Egyptian Funk Legend Hany Shenouda
Following the highly-acclaimed "Sharayet El Disco" compilation, Wewantsounds is delighted to team up with Disco Arabesquo for the reissue of Nagat El Seghira's cult 1980 album "Eyoun El Alb"
Originally released only on cassette on the Egyptian label Soutelphan, the album has since become a sought-after classic on the Arabic groove scene and this is the first time it is released on vinyl. Consisting of four tracks, the album features two tracks produced by Hany Shenouda whose group Al Massrieen is a reference on the Arabic disco funk scene.
Remastered for vinyl by Colorsound Studio in Paris, the album features the original cassette artwork plus a two page colour insert featuring liner notes by Disco Arabesquo.
When it comes to Arabic Divas, Oum Kalthoum, Fairuz and Warda usually take the lead in the poll list. But in her native Egypt, singer Nagat Al Saghira comes very close to this triumvirate. Born in Cairo in 1938, Nagat began singing when she was still a child gaining her stage name "El-Saghira" ("the young one") at this occasion as she started giving concerts at the age of seven, pushed by her father, the famed calligrapher Muhamad Hosny (Nagat's half-sister is the renowned actress Soad Hosny).
Nagat quickly rose to fame in the late forties and became an essential part of classic period of Arabic music, interpreting songs by such titans as Mohamed Abdel Wahab, Baligh Hamdy and Kamal Al Taweel. She also sang the works of Syrian poet Nizar Qabbani whom she introduced to a mainstream audience. Nagat started singing shorter songs but then upgraded to longer ones, often performing/recording them live as it was the trend in the 60s and 70s.
One such song is "Eyoun El Alb" ("Eyes of the Heart") which makes up the whole of Side 1 of the original cassette. Written by Mohamed El Mougy and Abd al-Rahman al-Abdouni, Eyoun El Alb is a love song made up of several distinct sections enhancing Nagat's hypnotic singing, accompanied by a percussion-heavy, traditional Egyptian orchestra.
Side 2 is the "diggers" groovier side featuring two floaters,"Bahlam Ma'ak" ("I Dream with You") and "Ana Basha El Bahr" ("I Adore The Sea") produced by cult Egyptian musician and producer Hany Shenouda, whose albums with his group Al Massrieen are highly sought after on the Arabic funk and Disco scene. One Al Massrieen track features on the "Sharayet el Disco" set compiled by Disco Arabesquo who notes that "Hany Shenouda had made waves with his new musical style that weaved in western funk and disco sounds into Egyptian music"
Both tracks feature an infectious slow-burning groove and incorporate funk influences with fat bass and lines of synth and clavinet that adds a funky tone to Nagat's soft singing. The third track "Fakra" ("Do You Remember") brings the best of both world with a syncopated rhythm and arrangements that are slightly more traditional than the Shenouda-produced tracks.
Originally released in Egypt on Cassette in 1980 on the venerable Soutlephan label, the album is now making its vinyl debut on Wewantsounds annotated by Disco Arabesquo and remastered for vinyl by Colorsound Studio in Paris for the joy of Arabic funk and Global beats worldwide.

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Nana Rashid

Music For Betty

LP | 2023 | EU | Original (RCA International)

Release: 2023 / EU – Original

Genre: Rock & Indie

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With a timeless, emotive vocal quality reminiscent of the great Nina Simone, Danish vocalist Nana Rashid is proud to present "Music For Betty", her debut on April Records, this spring. Backed by critically acclaimed trio Little North, the record presents 8 gems which showcase an artist with a commanding stage presence and a knack for storytelling that belies her youth. Walking a tightrope between an homage to her idols and an undeniably modern, self-assured performance, the vocalist places herself in the present through her charged lyricism, and political/spiritual undertones.The heart and soul of everything Rashid does is rooted in the belief that music can remind us of what we have in common - our humanity. A reference to the first track "Poor Blue Betty", the album"s name is a tribute to the parts of ourselves we dismiss but still so badly desire as they are what make us whole. The eight tracks on the record were written and chosen out of a wish to make music for the dismissed parts of Rashid"s soul as a tool to reintegrate them into herself.A follow-up to her 2016 release "Sorrow In Sunlight", her use of piano trio Little North adds an extra dimension to the cohesion of the music. Appearing on the cover of Spotify"s "State of Jazz" playlist (twice!) and with a glowing review in Downbeat Magazine for their 2022 album "Familiar Places", their subtle musicianship shines a light on Rashid"s power-ful vocal and allows the lyricism and songwriting to speak for themselves.The arrangements are naked and raw, yet elegant. The piano trio has a dusty and at times almost cinematic sound to it. In other places, the trio slides into punchy, organic pression supporting the wailing messages of unfairness and sorrow. From the spacious, Scandinavian-jazz tinged "Goodbye My Love", to the world of texture and extended techniques from pianist Benjamin Norholm Jacobsen in "Johnny Guitar" to the laid-back groove of "Mother, Father" with an American attitude, the album flows through a sea of influences, grounded by i...

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Colter Wall

Little Songs

Release: 2023 / EU – Original

Genre: Rock & Indie

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Bluegrass Marbled Vinyl Edition

Willie Nelson

LP | 2023 | EU | Original (Sony Music Catalog)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Sahel Black Vinyl Edition

Bombino

LP | 2023 | UK | Original (Partisan)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Genre: Rock & Indie

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London Is The Place For Me 8

2LP (Honest Jons)

32,99 €*

Genre: Rock & Indie

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Hillbillies In Hell: Wake Me Up! Brimstone And Beauty From The Nashville Pulpit (1952-1974)

LP | 2023 | Original (Iron Mountain Analogue Research)

Folk Funk & Trippy Troubadours Volume Two

Release: 2023 / Original

Genre: Rock & Indie

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* SEE Dan Johnson spy Four Horsemen Riding Fast! * Hear Rhys Evans catch THE Devil Train! * Witness The Revelators Quartet and the great power of the Atom Bomb! * Limited Edition Deluxe Gatefold LP with exclusive scholarly liner notes by Alvin Lucia! * Full dynamic range 2023 remasters direct from the first-generation analogue master tapes! * Limited to 666 copies! * 222 (randomly inserted) ‘Armageddon Red’ LPs / 222 (randomly inserted) ‘Soul Apocalypse’ Splatter LPs / 222 (randomly inserted) ‘Purgatory Black’ Black LPs! Raw Revelations for Rapturous Times... In this era of tumult and strife, shadow and light...take these seeds and let them grow. Apocalyptic Visions and Luciferian Combat, Armageddon Fever Dreams and Biblical Torments, Restless Redemptions and Ultimate Resurrections. Some collected from the acclaimed and out-of-print 'Hillbillies In Hell' series, some newly unearthed into the light of day, some burning with Evangelistic passion, some bountiful with the beauty and peace of the Final Light - all presented in this all-new volume. Spiritual Sleeper Awake! This world is but a kingdom of veils... Years in the making – ‘Hillbillies In Hell: Wake Me Up!' is your Good Book through the uncanny valley of the End Times - a dusty clutch of Hellfire Preachers, Satanic Traps and Tests, Diabolic Jousts, Backwoods Mountain Messiahs, Plagues and Pestilence, the Creator's Smite and God's Blazing Light. A deep catacomb of marginal 45s - some of these sides may be familiar, some are impossibly rare and are reissued here for the very first time. All for your proselytic listening pleasure.

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Paul Hillery Presents

2LP | 2023 | UK | Original (Re:Warm)

44,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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Muslimgauze Vs The Rootsman

The Return To The City Of DJinn

2LP | 2023 | EU | Original (Via Parigi)

LP | 2023 | US | Original (Dear Life)

Release: 2023 / EU – Original

Genre: Rock & Indie, Electronic & Dance, Reggae & Dancehall

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The second part of the famous collaboration between two UK based electronic pioneers: John Bolloten aka The Rootsman and Bryn Jones aka Muslimgauze. For this album the original The Rootsman material from his albums “Into The Light” and “52 Days to Timbuktu” was remixed and deconstructed by Muslimgauze. As always with Bryn Jones, all material is inspired by Arab culture. We hear distorted dub rhythms, sawn-off loops, traditional music, male and female voices and then distorted rhythms again. Closing your eyes, you can find yourself in the middle of an eastern city, walk along its noisy streets, admire the ancient architecture. This noise can tell amazing stories!

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Florry

The Holey Bible