Folk 1997 Items

Kelasea / Colored Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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In this new album, Matjé delivers stories sung or rapped in French on tropical music. His light and poetic words but heavy with meaning mingle, among others, with Colombian Cumbia, Brazilian Forro, African Soukous, Reunion Maloya, Malagasy Salegy...Although drawing on traditional music, this new opus is anchored in modernity and we sometimes feel Hip hop influences in the flow or production of certain titles.His solar and catchy music exudes a positive energy inviting to dance while the careful and poetic writing leads to take a step back and reflect.

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Kelsea Ballerini

LP | 2020 | EU | Original (Black River)

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Wiggy Thump)

Whiskey Myers

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2023 | UK | Original (Far Out)

Fabiano Do Nascimento

Mundo Solo

Release: 2023 / UK – Original

Genre: Rock & Indie

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Far Out Recordings proudly presents the new album from Brazilian guitarist and composer Fabiano do Nascimento: Mundo Solo. Recorded at his home studio in Los Angeles (2020) the album is fundamentally the sound of a man alone with his instruments.

Utilizing a variety of guitars, including 6, 7 and 10 strings, Oktav guitar and electric baritone guitar, alongside a host of pedals and synthesizers, Fabiano tracked imagined landscapes with expressive, expansive improvisations, which tend toward the more ambient and atmospheric reaches of his recent output.

Adopting Hermeto Pascoal’s concept of Universal Music, a rejection of nationalistic tendencies in order to express all of one’s musical influences all at once, Fabiano avoided leaning too heavily on any particular musical language, without denying his own musical roots.

After studying classical piano as a child, the Rio de Janeiro native discovered the guitar aged 10. Studying under his late uncle, Lucio Nascimento, he eventually left Brazil for LA, where he soon became an in-demand player for his distinct and authentic sound. He has since released seven albums under his own name and collaborated with renowned Brazilian artists including Arthur Verocai and Airto Moreira, as well as experimental US saxophonist Sam Gendel.

Mundo Solo (Do Nascimento’s eighth), was recorded in one take per track, with occasional overdubs and a few appearances from collaborators and friends Julien Canthelm (drums on Etude 1), Ajurinã Zwarg, (percussion on CPMV) and Gabe Noel (Bass on Curumim).

Fabiano Do Nascimento’s consummate mastery of his instrument has afforded him a freedom of expression few can claim. Blending the emotional with the elemental, Mundo Solo is a stunning snapshot of solitude and the beauty which can blossom within it.

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Where Rock 'N' Roll Was Born: Celebrating 100 Years Of Sam Phillips

2LP | 2023 | US | Original (Sun)

47,99 €*

The LHI Years: Singles, Nudes & Backsides (196871)

Release: 2023 / US – Original

Genre: Rock & Indie

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Where Rock 'n' Roll Was Born: Celebrating 100 Years of Sam Phillips[2 LP] Determination and passion drove Sam Phillips to create Sun Records and change music forever, and Sun is celebrating his 100th birthday with a 2-lp anthology of songs he brought to life. The gatefold features archival photos and liners from Grammy-winning writer Robert Gordon about Phillips' legendary legacy. Known as "The Man Who Invented Rock 'n' Roll," tracks from artists like Johnny Cash and Jerry Lee Lewis remind listeners what the Big Bang of rock and roll sounded like in 1950s Memphis.

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Lee Hazlewood

2LP | 2012 | US | Reissue (Light In The Attic)

39,59 €* 43,99 € -10%

LP | 2023 | EU | Original (Türküola)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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Cuts from essential albums like Cowboy In Sweden Features duets with Suzi Jane Hokom, AnnMargret and Nina Lizell Audio remastered from original tapes Unreleased song “I Just Learned To Run” Indepth liner notes & unseen photographs As a true legend of the great American songbook and a rebellious pioneer who left behind a lengthy trail of echo laden pop masterpieces, Lee Hazlewood’s influence continues to reverberate today. Between 196871, Hazlewood not only released his finest solo work, but produced numerous artists on LHI. From acidfolk and countryrock to poppsych and soul, LHI issued dozens of long forgotten 45s and LPs. This series will include material from LHI (remastered for the first time from the original analog tapes), along with Lee’s output for other labels, rarities, and unreleased gems.

With his handlebar moustache and booming baritone, Lee Hazlewood was one of the defining stars of the late ‘60s. Though he’s perhaps best known for his work with Nancy Sinatra (including writing megahit “These Boots Are Made For Walking”), Hazlewood did stunning work away from that particular glamour queen and found latter day champions in Beck, Sonic Youth, and Jarvis Cocker. Now, for Record Store Day 2012, we are kicking off our excavation of the Lee Hazlewood archives with this anthology, Singles, Nudes & Backsides, collecting the best of Lee’s solo songs and duets from his LHI (Lee Hazlewood Industries) imprint.

As a true legend of the great American songbook and a rebellious pioneer who left behind a lengthy trail of echo laden pop masterpieces, Lee’s influence continues to reverberate today. Between 196871, Hazlewood not only released his finest solo work, but produced numerous artists on LHI. From acidfolk and countryrock to poppsych and soul, LHI issued dozens of long forgotten 45s and LPs. This series will include material from LHI (remastered for the first time from the original analog tapes), along with Lee’s output for other labels, rarities, and unreleased gems.

See the sleeve: surrounded by nude girls, each wearing a fake moustache, Hazlewood wears a suit, eversoslightly awkwardly playing the role of the ‘60s playboy. Just like the picture, the songs present a man conflicted; he’s the tenderhearted romantic, the brokenhearted loser and the rugged cowboy, all in one. It’s there in the western swing of “Califia (Stone Rider)”, the loneliness of ”The Bed” and the bleak beauty of ”If It’s Monday Morning.” Hazlewood’s tremulous voice was made for duets (indeed, he wrote ”Some Velvet Morning”, one of the greatest of all time); here, Suzi Jane Hokom, AnnMargret and Nina Lizell play counterpart to his manly tones.

In the wonderful liner notes, written by British journalist Wyndham Wallace, the writer describes his friend Hazlewood as “a curmudgeonly, unpredictable sort at the best of times, as impatient with his own talent as he is with other people.” The Hazlewood Wallace knew was puzzled by the growing interest in him in the last two decades of his life, which was ended by cancer at age 78. That late flurry of interest saw him perform at the Royal Festival Hall in 1999, his first ever solo performance in the UK.

A natural wanderer, Lee lived a big life, fighting in the Korean War, working as a radio DJ in Phoenix, Arizona, setting up Viv Records in the ‘50s, working as a bigshot LA producer in the ‘60s, signing Phil Spector to his Trey Records label and prematurely announcing retirement in the wake of the mid‘60s British invasion. He didn’t: Nancy Sinatra came along, the hits started flowing and he continued producing characterful solo albums into the ‘70s, which saw his move to Sweden. By 2007, Hazlewood was living in Vegas, and begrudgingly enjoying that flurry of latterday interest in his work. This landmark compilation promises to create many more converts.

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Fikret Kizilok

Köroglu Daglari

28,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | US | Original (Earth)

Dave Evans

Elephantasia

Holy Tongue / Beatrice Dillon / Lamin Fofana / Labour

Release: 2023 / US – Original

Genre: Rock & Indie

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'Elephantasia' is a glorious folk opus from 1972, long lost and attaining a legendary reputation for its candour and creativity, from the late Bangor-born singer/songwriter Dave Evans. Finally, the LP sees the light of day again via Earth Recordings, it is a true gem from the vaults of British folk history. For fans of Nick Drake, Bill Fay and Davy Graham - with a touch of Michael Chapman, Bert Jansch and Fahey for good measure.Dave Evans' story is like a Pinter play; he sailed the seas in the merchant navy, was taught guitar in a brief interlude by the "mythical" Morocco John, wound up sharing a room with Steve Tilston in 1963 when they attended Loughborough Art College and ran the local folk club, while learning to make stringed instruments, the art of wine making and ceramics. Over the next year, Dave got a domestic 2-track reel-to-reel tape recorder and experimented with its two speeds to produce the tracks 'Elephantasia' and 'Lady Portia'. He pulled in members of local prog band Squidd, including latter day Hawkwind member Steve Swindells on keyboards, John Merritt on bass and Rodney Matthews on drums, who also designed the 'Elephantasia' album cover, and went on to become a renowned fantasy artist.'Elephantasia' the album was originally released in 1972, fully exposing Dave's finger picking style, lilting vocal and his dalliance with the tape manipulation. It sold around 2000 copies and over the years became a talked about rarity, deemed too progressive for folk, too folk for the new prog heads. In best plot-thickening style, Dave tried two more releases and then disappeared. The scant sleeve notes recounted the songs' creation, featuring tales of experimentation in sound inspired by elephants, old memories recounted with all of the unpleasant bits edited out, storylines for escapists, the residents of St Agnes Park, broken beauty queens and a fat feline. It's an eclectic but beautifully fluent narrative from a finger picking maestro with a warm and engaging vocal style that wowed Peel a...

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Dey Sey / 2020 / Niary Ngorong / Etu Keur

2x12" | 2023 | UK | Original (Honest Jon's)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Four dazzling, extended engagements with mbalax master-drumming.

The contribution from Holy Tongue is chase-the-devil steppers — thumping, clangorous, reverberating — super-charged with energy and atmosphere. From the off drummer Valentina Magaletti detonates a hard rain of small bombs, rounds of fire, ticking fuses. Musical co-ordinates are somewhere between classic On-U Sound crew like African Head Charge, The Mothmen, and Creation Rebel, and the experimental funk of the Pop Group and 23 Skidoo, at their funkiest. Thrillingly, the two dubs are increasingly deranged.

Adjusting the same wavelengths as her superb Workaround LP, Beatrice Dillon plays spaced-out, abstract synth-work against the bodily physicality of the ancient, shifting mbalax rhythms. The music is poised, mindful, tentative; but also limber, fleet, and magical.

Phantasmagorical and efflorescent, Lamin Fofana’s one-two is simply stunning. Both excursions are wide-open, beautiful, epic, and propulsive — the first mix is banging and headlong, the second more syncopated and serpentine — teeming with freshly sublime, funkdafied updates on Jon Hassell’s Fourth World possible musics.

The two parts of LABOUR’s Etu Keur Gui engage the same sequence of drum patterns (called bakks) from different perspectives. The duo performed portions of this piece at the opening ceremony of the Dakar Biennial in 2022, at the Grand National Theater, with thirty sabar players from the family of Doudou Ndiaye Rose. This Wolof phrase for the inner-court of a home — a meeting-place — doubles here as a metaphor for inner space on a metaphysical level; and Pan Sonic, Muslimgauze, Zoviet France, early Shackleton… all ghost across the threshold.

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12" | 2023 | EU | Original (Rocky Hill)

Armenian White Label

15,29 €* 16,99 € -10%

LP | 2023 | EU | Original (Blod)

Release: 2023 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Next up on Rocky Hill is a limited edition, vinyl only white label, featuring 2 edits licensed from Terrestrial Funk and Darone Sassounian's compilation from 2021, and two original tracks from LA - based DJ and producer, Lara Sarkissian. The A side (Silk Road Side), features two previous exclusives from Darone's compilation on Terrestrial Funk titled, 'Silk Road: Journey of the Armenian Diaspora (1971 - 1982)'. The two edits on the A side were only available digitally, on CD, and Cassette formats. A1 features an edit of Marten Yorgantz's "Ammenain Serdov [De Tout Coeur]" from NY-based DJ duo, Fundido. A2 features an edit of Jozeph Sefian's "Karoun E Yegel" from Darone Sassounian. The B Side (Lara Sarkissian Side), features two original tracks sampling duduk (Armenian woodwind), songs - named as Lezginka Dance Scene and Ojakhum Nightmare. The tracks are reworks of the originals from 2016 - 2017, when Sarkissian began the creation of her own unique process of synthesizing duduk as percussion, bass and voice. Both tracks have been used in her early live sets from 2017 - 2018. They're finally available now only on vinyl. This is Rocky Hill.

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Blod

Ondskans Frö

Desert Wind Red Vinyl Edtion

Release: 2023 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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The seed of evil has been sown and all the trees have been infected. The trees infect the water, the animals, the air and the children. The fragmentation is becoming more and more apparent. Have the one you trusted the most turned its back on you? All of a sudden you are all alone. Can you drink the water? Dead fish float to the surface. The sky is slowly fading away. What do you do when the last day is here?

Ondskans Frö ('The Seed Of Evil') is an album about the last day of the earth, when the evil forces finally has taken over both the people and the nature. The album starts in the morning and takes the listener through a 24 hour journey towards a new dawn where everything is gone. Recorded during April and May 2023, all music and instruments by Gustaf Dicksson. Paste-on artwork on re-used old record jackets. Edition of 500 copies.

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Yasar Akpençe

7" | 2023 | EU | Original (Hot Casa)

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Yaşar Akpençe was born in 1966 in Istanbul (Türquiye) and can be consider as one of the best world darbouka player. He began his career in music at the age of 9 by playing Congo and carried on with the darbuka at 13 and made his musical dream come true by working with famous musicians. Akpençe has performed as a guest musician on numerous albums as well as being the founder of the percussion collective known as « Harem Group ». Yasar has performed with almost every major artist in Turkey, spanning many genres including pop, traditional. gypsy, jazz, arabesque and contemporary. The track « Desert Wind » was released in 2004 on his cd album « Passion Percussion » and we ‘re very proud to reissue it for the first time on vinyl. This track is a dance floor classic ! A perfect tool for DJ’s all over the world.

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Hani Polyphonic Singing In Yunnan China

LP | 2023 | EU | Original (Sublime Frequencies)

23,99 €* 29,99 € -20%

2LP | 2023 | EU | Reissue (Rabble Rouser)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Mystic choral beauty drifting far into the outer cosmos, this other worldly ensemble creates a contemporary avant-garde vocal fusion combined with strange instrumental accompaniment. The Hani are linguistically derived from the YI branch of the Tibeto-Burmese and number a million and a half in the southern part of Yunnan province in China above Laos (Phongsaly) and Vietnam (Dien Bien) where smaller Hani communities also live. As with many other ethnic groups of the area, an original traditional singing pattern is used with each singer adapting the words to the context. Many of these songs express intimate strong emotions that bring tears to the performers while they are singing. The choir that gathers all singers at the same time is considered to be a very unique style of vocal polyphony or heterophony. The cascading mournful feel of this music is beautifully transcendent. You’ve never heard anything like it. Instruments used by the ensemble include the Babi (single tree leaf ) and Mepa (rolled up tree leaf in a shape of a horn or mirliton), a Chiwo (3-stringed bowed instrument), a Labi (6-holed bamboo flute), a Lahe (3-stringed small lute) and a Meba (vertical reed instrument). Recorded by Laurent Jeanneau in 2011, this Limited Edition vinyl LP includes a two sided insert with photos, liner notes, and names of all the vocalists and accompanying musicians.

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The Unthanks

Last

Release: 2023 / EU – Reissue

Genre: Rock & Indie

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Live At Third Man Records

John Moreland

LP | 2023 | EU | Original (Third Man)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | US | Original (Discos Fantastico)

Los Darlings De Huanuco

Singles From 1970-1980

Release: 2023 / US – Original

Genre: Organic Grooves, Rock & Indie

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LP | 2023 | UK | Original (Blackford Hill)

Makushin

Move Into The Luminous

LP | 2023 | EU | Original (Mama Bird Recording Co.)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Move into the Luminous is the debut album by the trio Makushin.
Double bassist Jon Thorne (Lamb, Yorkston Thorne Khan), guitarist Peter Philipson (Jane Weaver, Fenella) and singer Nancy Elizabeth (Leaf Label, James Yorkston) lead this inspiring collective whose work explores the intersection between folk, jazz and ambient music.
The album also features contributions from Andrew Wasylyk, Raz Ullah, David A Jaycock and more.
Nancy Elizabeth is a singer and multi-instrumentalist who has released three chamber folk albums under her own name on the Leaf Label. She has also previously played with James Yorkston and recorded with the late ambient composer Susumu Yokota.
Jon Thorne is a double bassist best known as a member of the pioneering electronic band Lamb and, more recently, Yorkston Thorne Khan. He has worked with many other musicians, including Jon Hopkins, Robert Fripp and his mentor Danny Thompson, as well as releasing his own music.
Peter Philipson is a guitarist who has previously performed with Jane Weaver as her guitarist for a decade and has collaborated with her and Raz Ullah on two ambient albums under the artist name of Fenella. He has also released a number of instrumental guitar albums under his PJ Philipson guise.

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Haley Heynderickx

I Need To Start A Garden

Release: 2023 / EU – Original

Genre: Rock & Indie

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Keep Walkin': Singles, Demos & Rarities 1965-1978 8-Track Cartridge

Nancy Sinatra

Tape | 2023 | US | Original (Light In The Attic)

34,44 €* 52,99 € -35%

I Hope Hell Isn't Real Splatter Coloured Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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8-Track available on Pink, Yellow, Blue or White (Randomly selected). Due to limited capacity the full track-list is not included on the 8-Track Definitive collection of Nancy's rare singles, demos and previously unreleased cuts. Includes 3 previously unreleased tracks, plus 3 tracks making their vinyl debut. Deep booklet includes new Q&As with Nancy & Don Randi (The Wrecking Crew) - both conducted by Grammy®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive. Features audio freshly remastered from the original analog tapes by Grammy®-nominated engineer John Baldwin. Vinyl pressed at RTI. Double LP housed in a gatefold jacket with 24-page book Light in the Attic continues to celebrate the influential career of singer, actress, activist, and icon *Nancy Sinatra* with a captivating new collection, Keep Walkin’: Singles, Demos & Rarities 1965-1978. Exploring the lesser-known gems from Sinatra’s rich catalog through 25 B-sides, rare singles, covers, demos, and previously-unreleased recordings, Keep Walkin’ was remastered by the *Grammy®-nominated engineer John Baldwin* and available in a variety of formats, including vinyl, CD, 8-track, and digital. The 2LP set, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and accompanied by a 24-page booklet featuring an array of photos from the artist’s personal collection, as well as a new in-depth Q&A with Sinatra, conducted by the reissue’s Grammy®-nominated co-producer, Hunter Lea. The booklet also contains a fascinating interview with keyboardist Don Randi (The Wrecking Crew), who recently spoke to Lea about his hit-filled career and his 50 years of work with Nancy. Keep Walkin’: Singles, Demos & Rarities 1965-1978 serves as a companion to the widely-acclaimed 2021 career-spanning retrospective, Start Walkin’ 1965-1976, and marks the latest release in LITA’s ongoing Nancy Sinatra Archival Series, a partnership with the legendary artist, which honors her musical legacy through lovingly curated reissues (including her 1966 debut, Boots and the 1968 classic, Nancy & Lee), limited-edition merch, and other special releases. In 1965, 25-year-old Nancy Sinatra scored her first No.1 hit with “These Boots are Made for Walkin’,” a bold anthem for female empowerment. Brazen, sassy, and utterly infectious, it was a reintroduction of sorts for the eldest daughter of Frank Sinatra, who had been struggling to find a spotlight of her own amid a changing musical landscape. Suddenly, audiences who had initially brushed off Sinatra as too demure or out-of-touch were paying attention. Written and produced by Oklahoma-born songsmith Lee Hazlewood (with swaggering instrumentals, courtesy of Billy Strange and The Wrecking Crew), the song launched the singer’s career, as well as one of music’s most unlikely, yet compelling, creative partnerships. Over the next decade, Sinatra continued to notch multiple hits on both sides of the Atlantic, including “Sugar Town,” “How Does That Grab You, Darlin?,” and a haunting rendition of the Sonny Bono-penned “Bang Bang (My Baby Shot Me Down).” The singer also paired up with Hazlewood for a series of popular duets (“Summer Wine,” “Jackson,”* and *“Some Velvet Morning”) and collaborative albums. In between best-selling LPs like Boots (1966), How Does That Grab You (1966), and Nancy & Lee (1968), Sinatra performed the theme song to the 1967 James Bond film, You Only Live Twice, and collaborated with her father on the global chart-topper, “Somethin’ Stupid.” While these career landmarks are well-documented in the annals of pop culture history, however, much of Sinatra’s catalog remains sorely overlooked. As Keep Walkin’ co-producer Hunter Lea explains, “With the changing taste of the record-buying public in the late 1960s and the counterculture taking over, artists like Nancy Sinatra weren’t in the mainstream as they once were.” Despite that fact, “[Sinatra] kept working, recording, and performing at a voracious pace.” Lea continues, “This compilation is a celebration of some of the many glorious recordings that may have been overlooked, forgotten, or never even released at the time. The obscurity of some of these recordings doesn’t mask the genius, brilliance, and effort that went into them; on the contrary, it’s incredible to learn that some of the lost gems are just as rich as the national treasures.” Among the highlights is the spritely opener “The City Never Sleeps at Night,” which served as the B-Side to “These Boots Were Made for Walkin’.” Overshadowed by the colossal success of its A-side, it’s no surprise that the cinematic tune never had its proper due. Yet, Lea reveals, Hazlewood initially intended to make it the focus single. Another long-lost B-side is “The Last of the Secret Agents?,” which was paired with the Top 10 hit, “How Does That Grab You, Darlin’?” The playful song, written by Hazlewood, served as the theme to the 1966 comedy of the same name, in which Sinatra co-starred alongside Marty Allen and Steve Rossi. Keep Walkin’ also features several choice A-sides that were never included on albums and were overlooked for one reason or another. Among them is 1966’s “In Our Time,” a rebellious anthem for ‘60s youth, which references drug culture and women’s liberation, among other topics. Speaking to the Hazlewood-penned track, Sinatra recalls, “That was a fun song. Lee was starting to do his ‘anti’ stuff. He was cynical and it showed in his writing at some point.” But, despite the themes of the song, Nancy laments that she was never embraced by the counterculture. “[drugs] knocked me out of the picture completely. I was so far removed from the hip people in those days. I think they probably made fun of my stuff.” Another stylistic departure for both artists is “Love Eyes,” a bluesy, soulful single from 1966. The song, Nancy shares, is “one of my favorites. I think what helped Lee’s writing at that point was the bigger sound.… I really love it. I think it holds up to this day.” She adds that her dreamy vocal performance was inspired by early female R&B stars like Ruth Brown and LaVern Baker. The collection also features several outstanding covers, including a previously-unreleased rendition of the Barry Mann/Cynthia Weil classic, “I Just Can’t Help Believing” (a hit for both B.J. Thomas and Elvis Presley). This 1978 recording, reimagined as a duet, marked one of Sinatra’s brief reunions with Hazlewood, following his abrupt move to Sweden not long after 1972’s Nancy & Lee Again. Another choice track finds Nancy interpreting Neil Diamond’s “Glory Road.” Released as a single in 1971, it features one of the singer’s most cherished vocal performances. “After I worked on my voice and improved as a performer and as a singer, I embraced Neil Diamond. Anything I did by Neil Diamond, to me, is my best work.” Nancy also looks back fondly on her moving rendition of Bill Withers’ “Ain’t No Sunshine," released in 1973 as the B-side to “Sugar Me.” The recording (which features particularly lush orchestral arrangements by Billy Strange) reunited Nancy with another close collaborator, Jimmy Bowen, who produced the singer in the early ‘60s and later introduced her to Hazlewood. “I love Jimmy,” she declares. “The records we did early on…had a depth to them that I appreciated. He heard me and saw me in a different light; he saw me as a much more serious performer, which I appreciated.” Listeners will also be delighted to hear a pair of previously-unreleased demos: “Something Pretty” (the 1968 country hit, made famous by Wynn Stewart) and the theme to the 1965 Richard Rogers/Stephen Sondheim musical, Do I Hear a Waltz?, both of which were intended for a self-described “disco” record. Despite the two catchy takes featured on Keep Walkin’, Sinatra calls the shelved album “A disaster. I called it the disco fiasco!” Offering additional insight into Sinatra’s career is music director, songwriter, and keyboardist, Don Randi. A member of the hallowed *Wrecking Crew* collective, Randi was one of the most prolific session musicians of the ‘60s and ‘70s with hundreds of credits to his name, including The Beach Boys’ “Good Vibrations,” Linda Ronstadt’s “Different Drum,” and “These Boots are Made For Walkin’” – his first recording with Sinatra. For the next fifty years, he would be a fixture at her sessions and live shows. He also appears on nearly every track in this collection. Speaking to Lea, Randi delves deep into his time with Sinatra, with a palpable admiration for the singer. *“She was easy to work with,”* he shares. “She was always wonderful to musicians; nobody even comes close.” The keyboardist, who met Sinatra through Hazlewood, also recalls the magic of that partnership. “I always liked working with Nancy & Lee. They had something very special that they could get out of each other. It was a good team.” He continues, “Sinatra stood up for herself [around Lee]…He could be so cantankerous…but that’s Lee…. [Nancy] saw through it. She was so lovely and helpful to him a number of times when he really needed someone to talk to.” That said, Randi also appreciates the power of Sinatra’s solo performances. “I never thought she really needed [Hazlewood},”* he reveals. “I thought her shows were just as well with everybody else; they were excellent.” After stepping back from the industry in the ‘70s to focus on her young family, Sinatra returned to the spotlight in the mid-90s, releasing a string of new albums, including the star-studded Nancy Sinatra, which paired the artist with some of her biggest fans, including Morrissey, U2, Calexico, and Sonic Youth. Since then, Nancy’s legacy has only continued to grow. In more recent years, her impact has been recognized by the likes of Pitchfork, NPR, and Rolling Stone, while in 2020, “Boots” was inducted into the Grammy® Hall of Fame*. Today, Sinatra remains a force in the industry, as new generations discover her influential catalog, which boasts nearly 20 studio albums and dozens of charting singles.

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Roe Kapara

LP | 2023 | EU | Original (Epitaph Europe)

Release: 2023 / EU – Original

Genre: Rock & Indie

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For Lovers Only / Rain Suite

SG (Andrew Pekler)

LP | 2023 | EU | Original (Faitiche)

Live From The Ryman Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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SG is none other than Andrew Pekler returning to faitiche with an album of sentimental guitar escapism. »For Lovers Only / Rain Suite« features ten tracks made using only an electric guitar and a handful of effects pedals (plus some additional recordings of rain) and finds Pekler once again attempting to reconicile his tendencies towards kitsch, experimentation and minimalism.

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Charley Crockett

2LP | 2023 | EU | Original (Son Of Davy)

36,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Flying Wig Opaque Blue Vinyl Edition

Devendra Banhart

LP | 2023 | EU | Original (Mexican Summer)

32,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Artefactes Sonors De L'Underground Catala 1964-1979

Ricky Gil & Biscuit

LP | 2023 | EU | Original (Chesapik)

Feel Good Bubblegum Pink Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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This record is a jewel for followers of the more obscure sounds of the 1960’s and 1970’s. In Catalonia, at the end of Franco’s dictatorship, a group far-out singers and musicians experimented with genres such as folk-rock, rhythm&blues, garage rock, psychedelia or Catalan rumba. Their names were Pau Riba, Sisa, Ia & Batiste, Toti Soler, Gato Pérez, Guillermina Motta and many others, who were responsible for the creation of masterpieces such as Dioptria, Galeta Galàctica, Chichonera’s Cat or the Miniatura EP. Now, Barcelona’s power-pop mainstay Ricky Gil teams up with high-energy rockers Biscuit to recreate the repertoire of those pioneers. Together they have unearthed a dozen nuggets and have recorded a powerful, intense and fully enjoyable album, featuring the collaboration of some of the surviving original artists.

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Jaime Wyatt

Irish Rock N Roll Pink Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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“I’m still learning how to experience joy, how to be free, how to be comfortable in my own skin,” says Jaime Wyatt. “A lot of us grow up feeling like we have to hide who we are just to be accepted, but that comes from a place of fear and judgment. I wrote these songs as a way of letting go of all that, as permission to feel good.” Feel Good, Wyatt’s extraordinary new album, is more than just a permission slip, though: it’s an invitation. Recorded with Black Pumas’ Adrian Quesada, the record is bold and ecstatic, built on tight, intoxicating grooves that belie the songs’ substantial emotional stakes. Wyatt’s writing is raw and intuitive here, tapping into the deep recesses of her subconscious as she reckons with grief and growth, and her delivery is visceral to match, cutting straight to the bone with equal parts sensitivity and swagger. Taken as a whole, the collection stands as a radical act of creative liberation from an artist already known for pushing limits, a genre-defying work of healing and self-love that tips its cap to everything from Al Green and Otis Redding to Waylon Jennings and Bobbie Gentry in its relentless pursuit of peace and pleasure.

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The Mary Wallopers

LP | 2023 | EU | Original (BC)

36,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | JP | Original (Jet Set)

Paris Match

Type III

53,99 €*

Release: 2023 / JP – Original

Genre: Rock & Indie

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Hillbillies In Hell: Wake Me Up! Brimstone And Beauty From The Nashville Pulpit (1952-1974)

LP | 2023 | Original (Iron Mountain Analogue Research)

Hey Good Lookin': Hits Collection 1947-55

Release: 2023 / Original

Genre: Rock & Indie

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* SEE Dan Johnson spy Four Horsemen Riding Fast! * Hear Rhys Evans catch THE Devil Train! * Witness The Revelators Quartet and the great power of the Atom Bomb! * Limited Edition Deluxe Gatefold LP with exclusive scholarly liner notes by Alvin Lucia! * Full dynamic range 2023 remasters direct from the first-generation analogue master tapes! * Limited to 666 copies! * 222 (randomly inserted) ‘Armageddon Red’ LPs / 222 (randomly inserted) ‘Soul Apocalypse’ Splatter LPs / 222 (randomly inserted) ‘Purgatory Black’ Black LPs! Raw Revelations for Rapturous Times... In this era of tumult and strife, shadow and light...take these seeds and let them grow. Apocalyptic Visions and Luciferian Combat, Armageddon Fever Dreams and Biblical Torments, Restless Redemptions and Ultimate Resurrections. Some collected from the acclaimed and out-of-print 'Hillbillies In Hell' series, some newly unearthed into the light of day, some burning with Evangelistic passion, some bountiful with the beauty and peace of the Final Light - all presented in this all-new volume. Spiritual Sleeper Awake! This world is but a kingdom of veils... Years in the making – ‘Hillbillies In Hell: Wake Me Up!' is your Good Book through the uncanny valley of the End Times - a dusty clutch of Hellfire Preachers, Satanic Traps and Tests, Diabolic Jousts, Backwoods Mountain Messiahs, Plagues and Pestilence, the Creator's Smite and God's Blazing Light. A deep catacomb of marginal 45s - some of these sides may be familiar, some are impossibly rare and are reissued here for the very first time. All for your proselytic listening pleasure.

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Hank Williams

LP | 2023 | EU | Original (Acrobat)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Kashual Plastik)

Laure Boer

Les Cities Englouties

LP | 2019 | EU | Reissue (Batov)

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Laure Boer is Kashual again. And not so Plastik. Zoning dark-ish into her inner realms of journey music. Poetic, psychic, reflective, ejective. She sings. Weeps. Speaks. Intimate looping narratives, celebrating personal glories and all those worries. Stylistically alternating from electroacoustic dimensions to drone guitar amp personas, from folk melodiousness to witchy avant-notes. Ten drifters for the Lomaxed creatures, earthbound, and always up there in the luminaries. Music that rubs off on the now, that loses itself in itself, always remaining welcoming. Contemporary folk for folks without country. Echoing endlessly scenic. Longing for roots minus rooting. The voice is the home. In every noise. In every chord, loop, reverberation. A humming along record. Shredded. Edgy. With a sense for radical pain. Noisy anthems in the sky. Traditional, freshly packaged, and forward-thinking folkloric. A true album of soul. Composed. Improvised. Realized. A poem without ink. Dim times. The sun shines. We hum along to “Les Cités Englouties”, transporting echoes from sunken cities and their legends. Archaic ballads, dialoging with raconteurs from centuries past, broadcasting archetypal tales, and airy mythology of the living that fall into life. All transmitted in a meaningful sphere - even if neither the sender nor the receiver can articulate, what that meaning might be.

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El Khat

Saadia Jefferson

19,99 €*

Release: 2019 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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LP | 2023 | EU | Original (Les Disques Magnétiques)

Pekodjinn

Dharba

Release: 2023 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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LP | 2015 | EU | Original (ZYX)

Astor Piazzolla

Tango Argentino

17,99 €*

Release: 2015 / EU – Original

Genre: Rock & Indie

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La Vie En Rose-The Collection & Biografie

Edith Piaf

LP | 2021 | EU | Original (ZYX)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Zango Colored Vinyl Edition

Witch

LP | 2023 | UK | Original (Partisan)

Zango Black Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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Witch was the first band in Zambia to release a commercial album — 1973’s Introduction. Blending the rock and roll sounds of The Rolling Stones together with more traditional, African rhythms, Witch pioneered a new genre dubbed Zamrock, and during their brief, yet prolific existence, Witch (an acronym for We Intend To Cause Havoc) released 7 albums and were the most revered band in the country.

In 2023, Witch will release their 8th studio album, Zango, via Desert Daze Sound — a new Partisan imprint A&Red by the founder of the Desert Daze festival, Phil Pirrone. On Zango, bandleader Emmanuel “Jagari” Chanda is joined by Patrick Mwondela on keys, Nico Mauskoviç on drums and percussion, Stefan Lilov and JJ Whitefield on guitars, and Jacco Gardner on bass, who is also credited with producing the album alongside Witch. The album features collaborations with Keith Kabwe (Amanaz), Theresa Ng’ambi, Hanna Tembo, and Sampa The Great.

Recorded in the same studio in Zambia where the band’s sensational 1975 album Lazy Bones had been made some 46 years prior – DB Studios – Zango tells the story of the band’s phoenix-like rebirth into its current supergroup-like state. The album is full of international and inter-generational collaborations that chart musical histories from Zambia and beyond.

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Witch

LP | 2023 | UK | Original (Partisan)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Amazigh Freedom Rock 1973-1983

Les Abranis

LP | 2023 | EU | Original (Les Disques Bongo Joe)

LP | 2023 | EU | Original (Not Now)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Over 11 electrifying tracks, Amazigh Freedom Rock 1973-1983 highlights their legacy as the underground kings of Kabyle rock. Les Disques Bongo Joe return to the scorching Kabyle rock of Abranis, the pioneering Algerian band that blended traditional Berber music with western rock, folk, disco, and funk, all the while proudly celebrating their Kabyle heritage. Amazigh Freedom Rock is a comprehensive look into their discography, from the garage-rock experimentations of their early days to their lushly orchestrated North African fusion masterpieces of the 1980s.

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Chet Atkins

The Very Best Of

17,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Buck Owens & His Buckaroos

Christmas With Buck Owens And His Buckaroos

LP | 2022 | EU | Original (Sundazed)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Tape | 2023 | US | Original (Tompkins Square)

Muireann Bradley

I Kept The Old Blues

13,99 €*

LP | 2015 | US | Reissue (Fat Possum)

Release: 2023 / US – Original

Genre: Rock & Indie

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Muireann Bradley is a young blues, ragtime, roots and folk guitarist and singer based in Ballybofey in County Donegal Ireland. Tompkins Square actually signed her when she was 13, but because of Covid and just “growing up", the process of recording took place over three years. She will be 17 in December, 2023. "This is my first album. Most of these tunes were originally recorded by the great blues men and women who were making records from the 1920s and 1930s right up in some cases to the early 1970s. I have also found inspiration for the renditions recorded here in the playing of some of the musicians who began recording this music in the 1960s and later, and who in some cases learned at the feet of the greats. Many of these guitarists played pivotal roles in the 1960s blues revival and subsequent 'rediscovery' of many of the greats of country blues. I grew up steeped in these old blues in the hills overlooking the valley of the River Finn just outside the town of Ballybofey in County Donegal. My father would play this music constantly at home and wherever we went in the car and talk about it endlessly whether anyone was listening or not, telling stories about the lives of these musicians as if they were legend, mythology or the evening news. My father could of course play all this stuff on guitar, I remember watching him when I was very young and thinking 'I want to be able to do that'. When I was nine he agreed to teach me and bought me my first little travel guitar. I worked hard to learn how to play but as time wore on I seemed to have less and less time to practice as I became more and more invested in the combat sports I was regularly training and competing in. Then in March 2020 the first Covid lockdowns happened and all contact sports were shut down. I was lost for a while but soon found my way back to the guitar. I was now listening, playing and practicing with a new intensity and focus. In a very serious moment I wrote out a list of tunes I was going to learn. The first tune on that list was Blind Blake’s 'Police Dog Blues'. I’m not sure now how long it took to get that arrangement together but when it was ready we videoed me performing it and posted it on YouTube. It ended up getting a lot of attention, I remember my parents being quite shocked and soon after that Josh Rosenthal got in touch… and here we are! Each individual track on this album was recorded live in the studio and represents one entire take with me singing and backing myself up on guitar simultaneously. Most are either first or second takes. Nothing has been added or taken away, no overdubs or modern recording tricks of any kind have been used at all so at least in some respects this album has been recorded in the same way as those classics of the 1920s and 1930s. I hope you enjoy the record."—Muireann Bradley May 2023

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Jake Xerxes Fussell

Release: 2015 / US – Reissue

Genre: Rock & Indie

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Bbc Paris Theatre London 1972

Judee Sill

LP | 2022 | EU (Chush)

19,99 €*

LP | 2022 | EU (La Munai)

Release: 2022 / EU

Genre: Rock & Indie

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A singer-songwriter who wrote for the Turtles, Sill - in her early 1970s heyday - was compared to Asylum label contemporaries like Joni Mitchell, though her music had stronger spiritual overtones. This nearly forgotten performance reveals a true talent that deserved so much more during her short lifetime. Judee Sill grew up in a very troubled home and came through it with some truly great music to tell so many stories that many of the more sentient listeners will appreciate.

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Benyamin S.

Funky Kromong Volume 1

Live At The Whole Coffeehouse, Minneapolis Mn, November 1973 - Fm Broadcast

Release: 2022 / EU

Genre: Rock & Indie, Pop

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Funky Kromong is a compilation from the multitalented Legendary Betawi artist Benyamin Suaeb. Consisting of 10 tracks from the 70s, this compilation is rich with Benyamin Suaeb’s eccentric vocals with tongue-in-cheek lyrics and walled with funk and psychedelic and traditional sounds. He made is own humorous style of psychedelic music that everyone could relate. We really hope you enjoy this record with beautiful nostalgia in mind. Don’t miss it.

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Townes Van Zandt

LP | 2023 | EU (Mind Control)

LP | 2018 | US | Reissue (Fire)

Release: 2023 / EU

Genre: Rock & Indie

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The Whole Coffeehouse set is nothing but the man and his guitar. The focus here is acute and sharp, the Whole Coffeehouse in 1973 is an essential addition to the late great Van Zandt discography. Van Zandt's lyrics and melodies were filled with the kind of haunting truth and succulent beauty that were instinctive.

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Kristin Hersh

Possible Dust Clouds

Release: 2018 / US – Reissue

Genre: Rock & Indie

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LP | 2023 | EU | Original (1301 Media)

Christoph Bouet

Roadkill Madness

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | Original (Spirit Voyage)

Ajeet Kaur

Let It Breathe

37,99 €*

Release: 2023 / Original

Genre: Rock & Indie

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I Saw A Star Behind Your Eyes, Don't Let It Die Away

Bennett Wilson Poole

LP | 2023 | UK | Original (Bwp)

19,99 €*

LP | 2013 | EU | Reissue (Balloon Ranger)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Nearly five years on from their acclaimed debut, Bennett Wilson Poole reveal the follow up. It's been a long time coming, but... That eponymous first album was only ever intended as a one-off collaborative project — a serendipitous series of events which began with a late evening session where the trio wrote ‘Hate Won't Win’. A response to the murder of MP Jo Cox, it was something of a fresh take on Crosby Stills Nash and Young’s classic protest song ‘Ohio’. The release saw Bennett Wilson Poole embraced by the Americana community, playing live on the Andrew Marr show and crowned as ‘UK Artist of the Year’ at the 2019 UK Americana Awards, in front of a watching crowd including Graham Nash himself. The new album came together in similar fashion; Robin (Bennett) and Danny (Wilson) started writing new songs late into the night whilst on tour to promote the first record — a tour which unfolded from a three-night residency in a London pub into a year-long odyssey culminating in a headline show in Hall One at King’s Place — and before they knew it, there were enough songs to begin recording an unplanned second album. Where the first record drank deep from 70s US west coast folk-rock, the second has been heavily spiked with 1960s British psychedelia, even featuring a cover by legendary counterculture artist John Hurford (whose credits include 60s artwork for Oz Magazine and International Times).* Tony Poole’s meticulous and inspired production has spun Robin and Danny’s fresh batch of songs into a delicate web of musical delight. Fans of the ‘spot the reference’ game Tony started on the first record won’t be disappointed this time either, as there are plenty more to be found here. As with the first album, the lyrics don’t shy away from current affairs – by the end of that year of touring, the band were already playing “I Wanna Love You (But I Can’t Right Now)”, reflecting on the state of US politics, yet optimistic that the problems are only temporary. Many of the tracks on the new album feature live rhythm section Fin Kenny (drums) and Joe Bennett

(bass) for the first time on a BWP record.

The title of the album comes from the lyrics of ‘Help Me See My Way’, the first single, a prayer for strength in difficult times, the trippy animated video for which was originally issued during lockdown. The dreamy positivity of the line "I saw a star behind your eyes" is tempered with the plea "don't let it die away", a message which feels as important as ever two years on.

All three collaborators have had critical acclaim in their own right. Danny Wilson’s credentials go back to his days in Grand Drive with brother Julian, and his consistent high calibre output with his Champions of the World led them to sweeping the board at the first UK Americana Awards with Album, Artist and Song of the year awards richly deserved; Tony Poole’s Starry Eyed and Laughing were hailed as “the English Byrds” on the back of their two CBS-released albums in the mid-seventies and he has since built an enviable reputation as producer and engineer; Robin Bennett has been relentlessly turning out timeless songs from his Oxfordshire base in bands from Goldrush to The Dreaming Spires

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Ane Brun

Rarities

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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Roadkill Madness Deluxe Edition

Christoph Bouet

LP | 2023 | EU | Original (1301 Media)

39,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | UK | Original (Air Rytmo)

Mick Strauss

Southern Wave

Release: 2023 / UK – Original

Genre: Rock & Indie

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Cash Cabin Sessions Volume 3

Todd Snider

LP | 2023 | UK | Original (Aimless)

Release: 2023 / UK – Original

Genre: Rock & Indie

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LP | 2023 | UK | Original (Abstract Logix)

John McLaughlin

Liberation Time

38,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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The Meetings Of The Waters

Fionn Regan

LP | 2017 | UK | Reissue (Abbey)

Release: 2017 / UK – Reissue

Genre: Rock & Indie

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12" | 2023 | UK | Original (83817 Echoe)

Francesca Lombardo

Remembrance The Remixes

12,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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12" | 2023 | UK | Original (83817 Echoe)

Francesca Lombardo

Rememberance EP

12,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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Of Shadows Deluxe Edition

Fabrizio Cammarata

LP | 2023 | UK | Original (800a)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Dessy Lemon/Ready For Drowning

Nuba Nour

7" | 2023 | UK | Original (30ips)

8,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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Lukas Nelson & Promise Of The Real

Sticks And Stones

LP | 2023 | EU | Original (6 Ace)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | UK | Original (Platform 23)

Ethniques Psychedliques

Mixtape Live Colored Vinyl Edition

Release: 2023 / UK – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Platform 23 reunites once more with Vox Man Records to dig deep into their archives and shine a new light on. In the past they have done some mega well loved Alternative Funk compilations which got the label off to a fine start and now they dig into an array of cult cassette releases to bring us treasure from Audiologie N-4 - The Independant Psychedelic Trip and Audiologie 5 et 6 - Ethniques Urbaines. This is music from the avant-garde and post punk scenes that draws on wave, spoken word, dark dub and industrial for its eerie yet alluring charms, all with a real edge. Ethnic, idiosyncratic and psyched out, this is another great overview.

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Angelo Kelly

2LP | 2023 | EU | Original (Universal)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Vijaya Anand / Asia Classics 1

Dance Raja Dance

LP | 2023 | US | Original (Luaka Bop)

Release: 2023 / US – Original

Genre: Rock & Indie

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Shoukichi Kina / Asia Classics 2

Peppermint Tea House Punk Vinyl Edition

LP | 2023 | US | Original (Luaka Bop)

Release: 2023 / US – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Drag City)

Xylouris White

The Forest In Me

LP | 2023 | EU | Original (Watusi)

Release: 2023 / EU – Original

Genre: Rock & Indie

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More in tune now with the rhythm of the sun and moon, Xylouris White (Dirty Jim White and George Xylouris) speak to each other across great distances with the intuition and fellowship that can only be found over years in each other"s company. With fewer distractions, appreciative of the freedom to play with new sounds and spaces, they carve The Forest In Me from unbelievably thin air.Once you set the needle down on the record and hear for yourself, the intimacies and impressionism, abstraction and unfiltered emotion found in The Forest In Me, you may wonder what was the mood of the room in which this music came to be. George, Jim and long-time producer (and secret third member) Guy Picciotto share their thoughts:Guy Picciotto: "In late 2019, we had begun taking steps to working on new material. In a haphazard fashion, Jim and I started tracking drums in my basement, cutting them up into shapes with no set landing in mind. Some of it we sent to Giorgos in Crete - he responded with his lyra and his lute. Without intention we had initiated a process that would soon become more ruthlessly mandated by the world events that separated and isolated us to three corners of the globe in the following year."Giorgos Xylouris: "While we were recording, I noticed that the music had a certain solitude about it, both from the title and from inside. That led us to find more music from within that we had not yet discovered."Jim White: "The idea emerged, naturally nourished and nourishing a record with none of our usual angles and themes, no verbal language, no angst nor sudden dynamics, a more subtle structure. And we found The Forest In Me."The first revelation from The Forest In Me is "Latin White", in which Jim"s jaunty pattern sets the stage for George"s Cretan lyra and lute figurations, giving this short dance piece the feel of a welcome hoedown around the campfire, warding off the encroaching darkness of an emptied world. The repetitions, gathered to induce joy, have a glassy-eyed mechanical drive to them;...

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Steve Gunn

Nakama

LP | 2023 | EU | Original (Not Now)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Steve Gunn has always had one foot in indie rock and the other in an expansive improvisational scene. His songwriter albums alternate with freewheeling jams, most notably in his Gunn-Truscinski Duo, but are not confined to that. So when Gunn decided to revisit Other You, it made sense that he brought in some guests from the far side of the commercial/experimental spectrum to reimagine his songs. Nakama presents five tracks from that last album, reshaped by artists that Gunn admires. The process loosens the songs up considerably.

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Buck Owens

Essential

Release: 2023 / EU – Original

Genre: Rock & Indie

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Pretty Much Your Standard Ranch Stash

Michael Nesmith

LP | 2023 | EU | Original (7a)

37,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | UK | Original (Worried Songs)

Bob Martin

Seabrook

LP | 2023 | CA | Original (Constellation)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Bob Martin began what would become his final studio album in a beach front condominium in Seabrook, New Hampshire in May 2008. The recordings sat dormant for the next 13 years. This album began when James Endeacott of 1965 Records sent Jerry David DeCicca to Charlottesville, Virginia to meet Martin, hoping to reissue Martin’s 1972 debut on RCA Records, Midwest Farm Disaster. DeCicca, who had co-produced the final recordings of folk-funk, Heartworn Highways’ songwriter, Larry Jon Wilson, for 1965 Records (and later reissued by Drag City Records) had played the LP for Endeacott several months earlier. Midwest Farm Disaster is that rare album that feels joyful and yet full of sorrow; Martin’s Lowell, Massachusetts voice yearning with a backbeat from Nashville session musicians, Norman Putnam and Kenny Buttrey, the later fresh from his “Heart of Gold” session. The reissue never happened, as Martin was already in the process of rescuing his forgotten masterpiece for his own self-release. But Bob and Jerry’s breakfast led to Martin’s daughter, Tami, hiring DeCicca and engineer, Jake Housh, who also worked on the Wilson album, to capture her father in a similar manner. After Midwest Farm Disaster, a second album for RCA was under contract, but when a record executive there wanted Martin to put his girlfriend’s poetry to music, Bob bailed on the deal. Martin continued to tour around with a pickup band until advice from his father resonated, and he left the road to raise a family. Bob worked as an educator, teaching math and computers, and even founded a school in West Virginia that taught traditional art forms in Appalachia like fiddle playing and weaving. Bob returned to the studio in 1982 to record Last Chance Rider for the June Appal, a label that focused on music from Appalachia and had released albums by Nimrod Workman, Si Kahn, and Betty Smith. In the late-90’s, Bob returned with two self-released CDs, The River Turns The Wheel and Next to Nothin’ that continued capturing stories of people and places that exhale their own mythologies. He wrote novels, cared for his family, and taught, and played only the occasional gig. But it’s this album, Seabrook, that finds Bob at his most wise and wistful; the histories of Lowell and his own life hanging longest in his voice. New songs about the West Virginia coal mines (“Three Miles Beneath This Mountain”) and living in an extended stay motel (“Midway Motel”) sit beside new and more urgent interpretations of late period classics, like “My Father Painted Houses,” and, for the first time, one of his oldest songs he didn’t record for Midwest Farm Disaster called “Give Me Light”, along with “Stay Awhile Sunshine,” which he had been singing to his family for decades and features Gary Mallaber (“Tupelo Honey”) on vibraphone. After DeCicca and Housh returned from the beach with Bob, they all agreed to flesh out the songs with other instrumentation to present as a draft for what the new record could be with a little more money and time. This was the time when the epilogue of musicians’ work was still of interest to labels. Everyone with a guitar over 65 was still in the shadow of Rubin’s Cash, and recent records by Loretta Lynn, Charlie Louvin, Soloman Burke, and Candi Staton were both fashionable and profitable. But Martin wasn’t as well known and his classic debut was only licensed for a limited physical release, proving him a difficult sell. Labels passed or made unreasonable requests, and Bob eventually lost interest; instead, choosing to record a solo acoustic live album, Live at the Bull Run, and tour Europe for the first time. There were hiccups of hope, like a feature in No Depression and a song in the TV show, Justified, but the new recordings quickly began collecting dusk. In the meantime, DeCicca continued producing records for other older artists, like Ed Askew’s For the World (Tin Angel), two Chris Gantry releases (Drag City), Will Beeley’s Highways and Heart Attacks (Tompkins Square), and reissue projects for the Numero Group (Elyse Weinberg, Rob Galbraith). Then, in 2021, DeCicca received a call from Bob’s daughter, Tami, giving him permission to finish the album as Bob’s health was failing. Upon revisiting the tracks with Housh, the album needed very little tidying up and the songs were completed with DeCicca’s former bandmates, The Black Swans, who had previously played on the original mock up back in 2008. With new technology and a new perspective, the album was completed, but not before Martin’s health had deteriorated more. Bob Martin passed away September 21, 2022 at 80 years of age. Sadly, he never heard his final album.

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ALL HANDS_MAKE LIGHT

Darling The Dawn

LP | 2023 | EU | Original (Spaceflight)

Release: 2023 / CA – Original

Genre: Rock & Indie, Electronic & Dance

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ALL Hands_make Light is the recently minted duo of Ariel Engle (La Force, Patrick Watson, Broken Social Scene) and Efrim Manuel Menuck (Godspeed You! Black Emperor, Thee Silver Mt. Zion). Longtime friends, collaborators, and stalwarts of the Montréal post-punk community, this is their first full-fledged project together. Ah_ml weaves these two unique voices through lustrous tendrils of blown-out tones and drones, expanding on Menuck's eponymous modular and analog synth-based work of recent years, now imbued with an additionally searing, soulful warmth and melodicism through Engle's singing. "Darling The Dawn" is a spellbinding album of preternaturally genre-bending sonics and songwriting: a sort of electronic shoegaze suffused with freak-folk, kosmische, darkwave and post-industrial, flowing from ambient minimalism to pulsing maximalism, conjuring traditionals sung in the haze of earliest light accompanied by overdriven circuit boards powered with ungrounded wires. Engle and Menuck see ALL Hands_make Light in a folk lineage traced through the likes of Pentangle and Trees to White Magic and Amps For Christ. While there's no discernable guitar or acoustic instrumentation on the album (warm distorted synths provide the palette, along with signal-processed violin from fellow-traveller Jessica Moss), off-kilter drone incantations like "A Sparrow's Lift" and "A Workers' Graveyard (Poor Eternal)" perhaps sit most overtly within these seams of the skewed-folk substratum. The dichotomic ritualism of Can is an adjacent signpost, where methodical longform soundscaping combines with a feeling of extemporized immediacy. The album's tremendous 10-minute centerpieces "We Live On A Fucking Planet And Baby That's The Sun" and the motorik-driven "The Sons And Daughters Of Poor Eternal" also make this influence explicit thanks in part to the resplendent drumming of guest Liam O'Neil (Suuns), who helps propel both tracks to their spiralling peaks. Above all it's the singing and lyrics, in method and melodic delivery, that conjure certain freak-folk furrows. Engle calls this "music inspired by ancestor music, sea shanties for seas we've never sailed" and the duo have indeed forged a collection on "Darling The Dawn" where vocals often feel strangely rooted in traditionals, while the instrumentation resonates out-of-time, in a liminal space at once glisteningly synthetic and oxidized in analog patina. As the album title suggests, sleepless anxiety/euphoria and a sense of somatic channeling is vital to these songs: "I mostly kept the first thought I had, like a cold read, I wanted the melodies to be immediate and to surprise me, not a laboured process; it's about being a weather vane, guided by preconscious impulses" says Engle. For Menuck, the record started "with an idea of making a long thing about `the Dawn', the different weights of its radiance, the way it kisses our dumb faces when we rise and leave the night behind, the heaviness of that light when you haven't slept." "Darling The Dawn" captures a wholly compelling collaboration between Engle and Menuck in an album of genuine thematic power, thrumming with alternately tender and serrated beauty as only their combined strengths and sensibilities could conjure. Thanks for listening.

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Tender Things

That Texas Touch

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | US | Original (Bloodshot)

Layng Martine jr.

Music Man

Release: 2023 / US – Original

Genre: Rock & Indie

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America Dream Reserve 2023 Edition

2LP | 2023 | EU | Original (Smiling C)

35,99 €*

Grief In The Kitchen And Mirth In The Hall

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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2023 edition with new artwork and sleeve. Come with insert/liner notes.

"Welcome to the America Dream Reserve, home to husband & wife duos, pub legends, one-man-bands, preachers’ sons, and country-lounge entertainers..."

About: America Dream Reserve is a home for kindred souls. An hour-long journey into the world of lo-fi drumcomputer folk, disco-pop-lounge, haunting ballads, obscure vanity pressings, and synthesized string ensembles. A collaborative compilation between Charles Bals, creator of the inimitable Club Meduse, and Smiling C.

Compiled by: Charles Bals & Henry Jones.

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Alasdair Roberts

LP | 2023 | US | Original (Drag City)

LP | 2023 | EU | Original (Musica Macondo)

Release: 2023 / US – Original

Genre: Rock & Indie

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Critically-acclaimed, criminally-overachieving Glasgow-based singer and guitarist Alasdair Roberts is known as a superlative original songwriter as well as an interpreter of traditional songs from Scotland and beyond. For the past twenty years, his recordings have alternated between these two complimentary poles, with "pop" records such as The Amber Gatherers and A Wonder Working Stone nestling in his expansive back catalogue alongside "folk" albums such as No Earthly Man and What News (with Amble Skuse and David McGuinness). Additionally, all of these records possess a further dimension, derived from their collation of songs together into one album-length statement. This is part of Alasdair"s great achievement in his career - for him, this thing of music and song hasn"t come the eons it"s travelled to simply entertain.These impulses fully present and well honed, Alasdair returns to his roots with Grief in the Kitchen and Mirth in the Hall, his fifth full-length collection of traditional song. Recorded live in the studio, it is an entirely solo collection of twelve traditional ballads and songs sparsely arranged for acoustic guitar, piano and voice. The majority of the songs originate in Alasdair"s homeland of Scotland, with a couple from Ireland and one from Prince Edward Island on Canada"s eastern seaboard too.The record takes its title from a line in the final verse of one of its songs, "The Baron o" Brackley" - a ballad of feuding clans and matrimonial betrayal from the north-east of Scotland. Grief in the Kitchen and Mirth in the Hall: it"s a title which goes some way towards encapsulating many of the record"s themes. Collectively the songs treat of various conflicts and tensions - those of gender; of class, status and position; and of geography and tribal belonging - and the roles and responsibilities expected at the various intersections of these constructs. That we should never forget!As with many of Alasdair"s recordings, Grief in the Kitchen and Mirth in the Hall contains ballads aplenty...

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Samuele Strufaldi

Davorio

2LP | 2023 | EU | Original (True North)

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Through a musical collaboration between Italian musician Samuele Strufaldi and the villagers of Gohouo-Zagna in the Ivory Coast, a new album called Davorio released on Música Macondo Records, will raise money for a new community library and space in the village. Davorio is the joint efforts of Samuele Strufaldi, and the Guéré musicians of Gohouo-Zagna, located in the Ivory Coast’s Guemon region. The record is a cross-cultural-conversation that tells the villagers’ stories through a modern musical language; one that blends together Guéré music, jazz, and electronica. More than just a record, Davorio is a story about the villagers of Gohouo-Zagna, with their lives, traditions, and cultures animated across the album’s 16-tracks. The profits from the vinyl and digital music streams of the project and the money raised from a Go Fund Me fundraising page, will be used to help construct a library for the villagers, that will provide them with the infrastructure to help further their culture and storytelling for years to come.

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Bruce Cockburn

O Sun O Moon

Release: 2023 / EU – Original

Genre: Rock & Indie

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CD | 2023 | EU | Original (Fördämning Arkiv)

Troth

Uncut Flowers

14,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Hot on the heels of their third album Forget The Curse (Mammas Mysteriska Jukebox, 2023), Fördämning Arkiv presents a Troth anthology compiling early non-album material and other odds and ends from the Australian duo. A massive 15-track retrospective, Uncut Flowers consists of the tracks from the Our Opaque Wreath cassette (Moontown Records, 2019), The Optimist (Essential Minerals, 2019), the Garland And Gauze 7" (Altered States Tapes, 2020) as well as various compilation contributions. 74 minutes.

"In evidence throughout is Troth’s penchant for capturing and collecting sounds from their environments, transforming field recordings, organic and non-organic sonic sources into textures of a palette that they then compose and improvise with. There’s a virtuosity of sampling and sound manipulation. The recurrent sounds from Besseny and Bowman’s intrepid field and bush explorations often verge on an indistinguishability between the synthesised and the concrete-organic. Permutated hand percussion or the throbbing of a waterfall; xylophonic melody or the tape loop of a bird call. The clank and tings of unidentified objects, matter itself writhing in the veggie garden. An environment starts speaking from iron gates in a paddock anywhere, close to the damp leaf and loam of a forest floor far below unseen birds and their cacophony of song and chatter. Tracks often collapse into a grey zone stretched between composition and improvisation." - Chris Colla

Digipack in an edition of 500 copies including a 8-page booklet with liner notes, photos etc. Mastered by Joakim Karlsson. Artwork by Charlott Malmenholt. Fördämning Arkiv 10.

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The Endless Coloured Way: The Songs Of Nick Drake Black Vinyl Edition

2LP | 2023 | UK | Original (Chrysalis)

33,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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The Endless Coloured Ways is a collection of songs by legendary singer/ songwriter, Nick Drake, performed and recorded by over 30 incredible artists from a range of different backgrounds, genres, age groups and audiences From Fontaines D.C. to Guy Garvey, Aurora to Feist, and Self-Esteem to David Gray, each artist has offered their own incredible take on a timeless classic "Nick Drake was not that concerned with promoting himself as an artist but I think he would have been overjoyed to hear his art promoted by so many vibrant and talented artists such as the ones we approached. Each track is an example of a fellow artist adopting Nick's art as if it was their own, submitting to the song, and the results prove to me that talent can so often win out over mere skill or 'personality'. We are honoured and so grateful to all our friends, old and new, who took part in the making of this set." - Cally Calloman, Bryter Music "Having initially exchanged a list of our favourite artists and realised how much our tastes overlapped, Cally and I set out on this venture with one simple brief - to ask the artists to ignore the original recording of Nick's in terms of arrangement, production and singing style; basically, we were asking them to reinvent the song. First of all, it was humbling to hear so many similar responses, saying how important Nick's music was to them, and how much they wanted to be part of this project. But as the results came in one by one, we were staggered by the brilliance and invention that each artist had shown. They had done what we asked - they had made the song their own." - Jeremy Lascelles, Chrysalis Records

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The Endless Coloured Way: The Songs Of Nick Drake Grey Vinyl Edition

2LP+7" | 2023 | UK | Original (Chrysalis)

47,99 €*

LP | 2023 | EU | Original (Logan Halstead Records)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Logan Halstead

Dark Black Coal

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Relapse)

Dorthia Cottrell

Death Folk Country

Release: 2023 / EU – Original

Genre: Rock & Indie

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Rhinestone Tomboy Deep Purple Vinyl Edition

Mya Byrne

LP | 2023 | US | Original (Kill Rockstars Nashville)

LP | 2023 | US | Original (Signature Sounds)

Release: 2023 / US – Original

Genre: Rock & Indie

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Playing Americana steeped with potent branches of blues, rock, glam and country music, Mya Byrne is every bit the voice of the outsider that built the foundation of the genre, where we behold stages beaming with the light of those who are so willing to stand tall and confident in the entirety of their truth. Here Byrne stands too. Americana has many champions, but there are scarce few like Byrne; a queer trans woman creating ripples that will find themselves born again and again as waves. On Rhinestone Tomboy, Byrne’s forthcoming record and first release under the Kill Rock Stars Nashville imprint label, we are treated to a portrait painted with shades of Byrne’s youth, one spent listening to stacks of dusty 45s and 8-tracks blasting from blown speakers out the window of a Chevy. Songs that opened the trailhead to a lifelong journey that informed Byrne’s musical landscape.

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Eilen Jewell

Get Behind The Wheel

28,99 €*

Shaver, Billy Joe & Eddie

Release: 2023 / US – Original

Genre: Rock & Indie

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Hailed by American Songwriter as “one of America’s most intriguing, creative, and idiosyncratic voices,” Eilen Jewell rises from the ashes on her captivating new album, Get Behind The Wheel, picking up the pieces of her shattered world and finding new purpose after watching her marriage, her band, and what felt like her entire career fall apart in a series of heartbreaking implosions. Co-produced by multi-instrumental wizard Will Kimbrough (Todd Snider, Hayes Carll), the 11-song collection pushes the acclaimed singer and songwriter’s trademark blend of vintage roots-noir into more psychedelic territory, with spacious, cinematic arrangements complementing her revelatory explorations of grief, loss, resilience, and redemption. The band’s performances are electrifying here, resulting in Jewell’s boldest album yet, a powerful work of artistic alchemy that transforms heartache into genuine creative rebirth.

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Victory

Release: 2023 / US – Original

Genre: Rock & Indie

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Shaver

Electric Shaver

Release: 2023 / US – Original

Genre: Rock & Indie

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Shaver

Earth Rolls On

Release: 2023 / US – Original

Genre: Rock & Indie

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LP | 2023 | UK | Original (Ici D'Ailleurs)

Matt Elliott

The End Of Days

LP | 2023 | EU | Original (Easy Lovin Records)

Release: 2023 / UK – Original

Genre: Rock & Indie

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On the ninth solo album from the French-based British musician behind Third Eye Foundation, it is near impossible not to draw comparisons to the late great bard Leonard Cohen. Elliott’s accomplished Spanish infused guitar craft further adds to the resemblance.

Although it remains rooted in darkness, Elliott’s approach to folk is also rich with a sense of warmth folk, embellished with gorgeous classical arrangements of composer David Chalmin, Gaspar Claus’ cello, and Jeff Hallam’s bass.

Of course, one could file Matt Elliott in one genre or another. While “Folk” appears to be the general consensus, the Englishman would be more in line with a long running tradition of lamentation songs that can be found on every single continent. Whether it is Greek rebetic songs, Portuguese Fado, Delta Blues, Balkan fanfares, Yiddish melancholy and Cape Verdean Saudade, you can hear it all in Matt Elliott's music.

Those are the songs of an uprooted and stateless artist, a true musical storyteller who’s voice had never felt so free, rough and sincere. Like no other, on "The End Of Days", Matt Elliot sings the infinitely small space that lies in-between intense joy and absolute sorrow, sitting on a fence at the border that separates the unspeakable and what is shared.

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Miles Miller

Solid Gold

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (BFD)

Melonie Cannon

A Tribute To Vern Gosdin

32,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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10" | 2023 | EU | Original (Doghouse & Bone)

The Cactus Candies

Candle Light Rodeo

7" | 2022 | US | Original (Dead Oceans)

Release: 2023 / EU – Original

Genre: Rock & Indie

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"The Cactus Candies" is a sweet and hot combo from Nantes, France.Their music is dedicated to early era of country Music :the 1950"s Hillbilly and Western-Swing."

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Bill Fay / Julia Jacklin

Just To Be A Part

11,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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Best Of The Rest: Rare And Unreleased Recordings Record Store Day 2023 Edition

Phil Ochs

2LP | 2020 | UK | Reissue (Liberation Hall)

55,99 €*

Release: 2020 / UK – Reissue

Genre: Rock & Indie

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Sound Emporium Record Store Day 2023

Jason Isbell & Amanda Sh

LP | 2023 | US | Original (Southeastern)

LP | 2023 | EU | Original (AD93)

Release: 2023 / US – Original

Genre: Rock & Indie

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Limited edition of 11750 copies worldwide. RSD first release.
Single-sided 12" EP featuring two new originals from RSD US Ambassadors Jason Isbell & Amanda Shires, a reimagined version of "Tour of Duty" from the Jason Isbell and The 400 Unit album Here We Rest, and a cover of Richard Thompson's "Beeswing". Side B holds a stunning vinyl etching designed by Pearl Rachinsky-Moreland.

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Joanne Robertson

Blue Car

LP | 2023 | US | Original (Palilalia)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Limited copies. Another essential from JR.

"‘Blue Car’ is a collection of songs from Joanne's archive of unreleased solo recordings, similar to 2020's ‘Painting Stupid Girls’, these tracks attempt to record the moment, and where she was at emotionally that day, similar to diary entries. The dates she wrote these songs is unknown, they span roughly a ten year period. "

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Bill Orcutt

Jump On It

28,99 €*

Linda Smith & Nancy Andfrews

Release: 2023 / US – Original

Genre: Rock & Indie

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"It's been ten years since Bill Orcutt released A History of Every One, a compendium of hacksaw renditions of American standards on acoustic guitar—and since ten years is a blink of an eye, you are forgiven for not immediately realizing that we've gone an entire decade waiting for Jump On It, the next Orcutt solo acoustic record. As those of us of 'a certain age' will tell you (ad nauseam), a decade is a blink of an eye containing an infinity of experiential moments, and if this record is any gauge, the weight of those experiences have squashed Orcutt's rough edges, feathered his stop-motion timing into a languid lyrical flow, and snapped the shackles tethering his instant compositional skills to the imperative to deconstruct guitar history. In short, Jump On It is a collection of canonical, mature acoustic guitar soli to contrast against the fractured downtown conceits of previous acoustic releases. For those paying attention to the arc of Orcutt's electric records, which chart a course from Quine's choppiness to Thompson-ian/ Verlaine-ian flow, it should be no surprise that the ten-year gap between acoustic records should expose a similar underlying journey. But what's maybe more surprising is that Jump On It , with its living-room aesthetics and big reverb, packs a disarming intimacy absent from the formal starkness of Orcutt's earlier acoustic outings. Although you might sense the looming human in the audible breath whispering intermittently between chords (a physical flourish reminiscent of the late Jack Rose), such documentarian signposts are the exception rather than the rule. Not quite refuting (yet not quite embracing) the polish of revered watershed records by Bert Jansch, John Renbourn, or Bola Sete, Jump On It treads a path between the raw and the refined, exemplified in tracks such as 'The Life of Jesus' and 'In a Column of Air' that alternate swaying chords with Orcutt's trademark angular quicksilver runs (cut brickwall short). While you won't mistake Jump On It for incidental music, at least not if taken at full strength, stray passages radiate a conversational beauty that would please the most dissonance-adverse listener. Strangely, some of the melted lockstep grooves found in Jump On It evoke nothing other than Music for Four Guitars. While many of the linear runs are clearly improvised, and the phrasing distinctly slurred, intuitive and non-mechanical, the strummed chords hint at a cellular construction similar to Jump On It 's electric predecessor. (Orcutt states that he prefers to keep his strategies obscure—but that implies there is in fact a strategy). Whatever the case, I also hear Satie in Music for Four Guitars, and I hear him here too, hidden within Jump On It 's lilting repetition, which I easily imagine stretching to an infinitely-distant horizon. Like each of Satie's three Gymnopedies, each facet of Jump On It is a tiny miniature bound in a slim volume, an earworm you might savor again and again upon awakening or before drifting off. Each track is a key to a memory, a building block in a shining anamnesis leading to the recollection that hey, we're all humans in a shared cosmos, and music is one way we might make that universe go down easy. And who wouldn't jump on that?"—Tom Carter. Recorded Spring/Summer 2022 at the Living Room, San Francisco. Mixed and mastered by Chuck Johnson.

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A Passing Cloud

LP | 2023 | US | Original (Grapefruit / Getrude Tapes)

Tape | 2023 | US | Original (Tompkins Square)

Release: 2023 / US – Original

Genre: Rock & Indie

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In 1983, Nancy Andrews and Linda Smith shared a big house in Baltimore with a continuously revolving cast of artists and musicians. It was there the like-minded artists formed their first band, Ceramic Madonna Head (with Plastic Arms), a short-lived project which included housemates Elizabeth Downing and Peggy Bitzer. By the time the lease was up, Smith and Bitzer had decided to move to New York where they would form a new band called The Woods while Andrews and Downing remained in Baltimore and formed a performance art band called Lambs Eat Ivy. While playing guitar in The Woods in the mid-’80s Smith purchased her first 4-track cassette recorder and embarked on a pioneering decade of solo, DIY home recording with a series of cassettes and 7-inch records of smart and moody singer-songwriter bedroom pop music. This trailblazing period was recently documented on the Captured Tracks retrospective compilation Till Another Time: 1988-1996. Her band, The Woods, made a record which was shelved for decades but will finally see release in 2023. During this same period Andrews pursued art, animation and filmmaking with occasional forays into music including another short-lived collaboration with Smith called The Gertrudes as well as a 7-inch under the alias Pinky on Harriet Records in 1992. The friends stayed in touch but hadn’t worked on a project together in nearly thirty years. In 2020, Smith rediscovered in the back of a drawer some old tapes of Andrews’s songs she had recorded for her in the ’90s. In the process of digitizing the old recordings she was inspired to reach out and float the idea of a new collaborative recording project with her old friend. A Passing Cloud is the fruit of their rekindled long-distance musical conversation. They began the songwriting process by flipping through Andrews’s pulp fiction collection and pulling provocative phrases from the lurid titles and hard-boiled storylines. Then, they set out to create new stories from personal, feminist perspectives. All the songs were composed incrementally by passing tracks back and forth between Maine and Maryland during the late pandemic. A Passing Cloud’s lovely and beguiling pop music may be borne out of isolation but it draws one in with a carefully rendered intimacy made possible by decades of artistic collaboration.

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Bobby Lee

Endless Skywalks

14,99 €*