Folk 1007 Items

Release: 2024 / Original

Genre: Rock & Indie

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Tina Turns The Country On!

Tina Turner

CD | 2024 | EU | Original (Parlophone Label Group)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Dandelion Albums & Bbc Recordings Collection

Bridget St.John

CD | 2024 | Original (Cherry Red)

31,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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CD | 2024 | EU | Original (Sony Music Catalog)

Willie Nelson

Last Leaf On The Tree

Release: 2024 / EU – Original

Genre: Rock & Indie

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CD | 2024 | Original (Borscht Beat)

Isabel Frey

Di Fliendike Pave

18,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Robert Johnson / Leadbelly / Charlie Patton Etc.

Country Blues - Four Classic Albums Plus

CD | 2024 | Original (Avid)

11,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Louisiana Man - The Singles Collection 1953-62

Rusty And Doug

CD | 2024 | EU | Original (Acrobat)

13,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Early Years - Complete Releases 1951-62

The Osborne Brothers

CD | 2024 | EU | Original (Acrobat)

13,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Best Of Country & Western

Ray Charles

CD | 2024 | Original (Tangerine)

Release: 2024 / Original

Genre: Rock & Indie

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CD | 2024 | Original (Strolling Bones)

Say Zuzu

Bull

Release: 2024 / Original

Genre: Rock & Indie

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CD | 2024 | EU | Original (Spaceflight)

Garrett T. Capps

Everyone Is Everyone

14,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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CD | 2024 | Original (Curb)

Kelsey Hart

Life With You

Release: 2024 / Original

Genre: Rock & Indie

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Rhiannon/Silkroad Ensemble Giddens

American Railroad

CD | 2024 | Original (Nonesuch)

18,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Tape | 2024 | JP | Original (De Kit)

The Dekits

De Kit 4 Key's

Release: 2024 / JP – Original

Genre: Rock & Indie

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THE Dekits is a folk quartet in which all members are Vocal & Guitar! To celebrate the band's relaunch, the first album released in 2011 is being re-released on cassette! A total of 12 songs that you will want to listen to and dance lightly to in various scenes of your daily life!

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Tape | 2024 | US | Original (Jackpot)

Mustafa Özkent

Genclik Ile Elele

15,99 €*

Sababa 5 / Yurika Hanashima

Release: 2024 / US – Original

Genre: Organic Grooves, Rock & Indie

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Originally released in Turkey 1973, Özkent’s masterpiece creation of an all instrumental Turkish Psychedelic Funk album filled with classic beats and breaks still inspires long time fans and first time listeners. The funky rhythms, hypnotic percussions, and heavy break beats makes this a holy grail amongst DJ’s and music fans alike. The original concept was futuristic and eluded categorization: traditional folk songs mixed with rock, jazz, blues, funk and psych, reconstructed for the new “hip” generation. (The monkey on a microphone album jacket also eludes categorization too.... or comprehension). The album was recorded live in just one day with some of the best studio musicians in Turkey. Lacking a multi-channel recording deck, Özkent used microphone techniques to emulate a total stereo effect and capture the heavy psychedelic effects and close-miked beat breaks. Özkent created his own unique guitar sound by adding extra frets and a clutch of effect pedals in order to create quarter notes and emulate turkish traditional scales. Mustafa Özkent has since made arrangements for hundreds of other artists in Turkey, but this unique album documents his most revered work—and the world is still just discovering this gem. The fact that only a handful of copies from the original pressing are known to still exist partly explains why, making this reissue a welcome addition to any record collection.

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Kokoro Pink Vinyl Edition

LP | 2024 | EU | Original (Batov)

27,99 €*

LP | 2024 | Original (Universal)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Middle Eastern psych, funk, disco, and Japanese folk and pop, converge to create a mesmerising new sound on "Kokoro", Sababa 5 and Yurika"s collaborative debut album for Batov Records, collecting four acclaimed singles and four brand new songs.

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Midland

Barely Blue Gold Marble

36,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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2LP | 2024 | Original (Universal)

Riley Green

Don't Mind If I Do

38,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Drain My Brain Purple Vinyl Edition

Shel Silverstein

LP | 2024 | UK | Original (Janus)

36,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-29

Hello, I'm Dolly Vinyl Me, Please Edition

Dolly Parton

LP | 2024 | US | Original (Vinyl Me, Please)

33,99 €*

Eisernet Lied - Vinylpostcard

Release: 2024 / US – Original

Genre: Rock & Indie

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Why you'll love it...
'Hello, I'm Dolly' is Dolly Parton's debut album and the Vinyl Me, Parton Record of the Month for October 2023. It's pressed on 180g Flame Galaxy vinyl with AAA lacquers cut from tapes by Ryan Smith at Sterling Sound.

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Sporti

Postcard | 2024 | DE | Original

13,99 €*

Christmas Bells Are Ringing

Release: 2024 / DE – Original

Genre: Rock & Indie

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This is the very first time a Vinylpostcard is used as fan merch for a soccer team.

And not just any soccer team, but the legendary Union Berlin!

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Clay Aiken

LP | 2024 | EU | Original (Alvis)

35,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-22

LP | 2024 | US | Original (Sony Music Nashville)

Nate Smith

California Gold

46,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996

V.A.

2LP | 2024 | US | Original (Light In The Attic)

55,99 €*

Taifu13Gou / Tsumetaionna

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

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Fumio Nunoya

7" | 2024 | JP | Original (Universal Music Japan)

Release: 2024 / JP – Original

Genre: Rock & Indie

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7" | 2024 | JP | Original (Universal Music Japan)

Asako Toki

A Night In New York

Release: 2024 / JP – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Signature Sounds)

Twisted Pine

Love Your Mind

27,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Gone Away Backward Red Vinyl Edition

Robbie Fulks

LP | 2024 | US | Original (Bloodshot)

28,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Crying Time 2024 Remaster

Ray Charles

LP | 2024 | Original (Tangerine)

28,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Country And Western Meets Rhythm And Blues 2024 Remaster

Ray Charles

LP | 2024 | Original (Tangerine)

28,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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2LP | 2024 | Original (Not Now)

V.A.

The Best Of Country

36,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Gusstaff)

Gmm

Wesele

24,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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The work of GMM carries the echo of folk wedding melodies inspired by Oskar Kolberg"s collections, interpreted in modern arrangements with electrifying sound.The trio, consisting of Michal Górczynski, Michal Marecki and Patryk "TikTak" Matela, explores the roots of the Mazovian tradition, translating them into the language of contemporary music. Oskar Kolberg"s descriptions and a collection of melodies specific to the Polish region of Mazovia give the GMM band a foundation for creative existence in this old world and transferring it to the modern world.The freshly recorded album opens the traditional wedding gates in an unexpected way, where folk nostalgia meets contemporary avant-garde. The contrabass clarinet weaves deep, warm sounds into the compositions, adding them mystery, while the spinet boldly carries a note of baroque sophistication, creating a pleasantly contrasting texture. The modernity of synthesizers and dynamic beatbox balancing between stillness and dense, dirty tones, gives the whole mix a modern touch.In this characteristic journey full of rhythmic complexity and harmonic discoveries, you will find depth, a cynical smile and plenty of room for your own reflections.

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12" | 2024 | EU | Original (Pias)

Baasch

Iv!I / Iv!Ii

31,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Wonderland Strawberry Red Vinyl Edition

Holly Macve

LP | 2024 | UK | Original (Loving Memory)

29,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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Hard Believer 10 Year Anniversary Edition

Fink

LP | 2024 | Original (R'COUP'D)

47,99 €*

Afro-Indigenous Music From The North-Western Andes

Release: 2024 / Original

Genre: Rock & Indie

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The 3LP reissue includes session & live versions of album tracks available on vinyl for the very first time. It also includes an expanded booklet featuring additional photos & "writing off” extract about the album.

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Juyungo

LP | 2024 | UK | Original (Honest Jon's)

31,99 €*

LP | 2024 | Original (Single Lock)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Juyungo Afro-Indigenous Music From The North-Western Andes Hjrlp089 2LP £16

‘Since the 16th century, the Ecuadorian province of Esmeraldas has been home to a unique Afro-Indigenous culture originating in the integration of the Indigenous Chachi and Nigua peoples with African Maroon communities. Juyungo documents significant Esmeraldan artists and bands playing the Afro-Ecuadorian folklore of the province, as well as including some older field recordings. Based mostly on the marimba, whose origins lie partly in the African balafon, partly in Indigenous percussion instruments, the music is laced with call and response chants, ambient insect and bird noise, the filigree finger-styles of the Andean guitar tradition and the panpipes of the mountains. This is resonant insider roots music at its headiest — the mystic revelation of Esmeraldas, gully deep and lustral.’ - Francis Gooding, The Wire.

The fifth in our series of LPs compiling classic music from Ecuador. Customary Honest Jons runnings: a beautiful gatefold sleeve; superior pressing, with vivid, intimate sound; full-size, sixteen-page booklet, in colour throughout, with detailed, fascinating, bi-lingual notes, and stunning photographs.

The music is transfixing, magical; not like anything else. From start to finish, this album is continuously, profoundly immersive; a kind of journeying, trippy meditation about slavery and cultural resistance, identity and mix, places and spaces, futures and pasts. It’s inscrutable to net-surfing, algorithms, Shuffle. But for a taste try the insurgent marimba roller Agua Largo, jet-propelled by Rosa Huila’s rapturous blend of African spiritualist and Christian chant. ‘Healing music,’ Zakia called it on Gilles Peterson’s BBC show recently. And the ravishing pasillo Kasilla Shungulla — ‘calm your heart’ in the Quichua language — a duet between the Peruvian master-guitarist Raúl García Zárate and viola da gamba by Juan Luis Restrepo from Medellin, recorded in a baroque church in Buzbanza, Colombia.

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Gravel Springs

Crow's Nest Meditations

26,99 €*

LP | 2024 | Original (Inside)

Release: 2024 / Original

Genre: Rock & Indie

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Luther Dickinson, 10-time Grammy nominated North Mississippi All Star, joins up with noted Bay Area mensch David Katznelson to chase the spirits and get weird. World Boogie is Coming!This is the debut project from Luther Dickinson and David Katznelson, who famously signed The Flaming Lips. It also features the last known audio of Jim Dickinson and is limited to 400 foil stamped numbered vinyl copies.

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Jackson Browne

For Everyman

30,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | Original (Xtra Mile Ltd)

Skinny Lister

Pub Shed Bootleg Live EP

22,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | Original (Tommy Jackson)

Randy Rogers Band

Hellbent

25,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Borrowed Time Gold Vinyl Edition

Southall

LP | 2024 | EU | Original (Smoklahoma)

29,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Smithereens Red & Yellow Splatter Vinyl Edition

Dan Reeder

LP | 2024 | EU | Original (Oh Boy)

26,99 €*

LP | 2024 | Original (Tommy Jackson)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Red & Yellow Splatter Vinyl.Dan Reeder is a multi-faceted artist, recently championed byboygenius. He is Oh Boy Records longest signed artist, andwas personally signed by the legendary John Prine himself.Reeder is releasing a collection of songs titled,Smithereens, aneclectic mix of songs, many recorded and played on gear hebuilt. A true DIY maestro, Dan seamlessly assumes the roles ofproducer, mixer, mastering engineer, and visual artist,imbuing every facet of his artistry with his distinct touch. Hismusical stylings often draw comparisons to the likes of BlazeFoley, Bon Iver, Sufjan Stevens, and Ween.

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Randy Rogers Band

Nothing Shines Like Neon

25,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Tape | 2024 | US | Original (Dear Life)

Anne Malin

Strange Power!

LP | 2024 | EU | Original (Bright Carvings)

Release: 2024 / US – Original

Genre: Rock & Indie

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Strange Power!, the fifth record from Durham, NC-based songwriter and poet Anne Malin Ringwalt, emerges from the darkest waters of the self into a world remade. Releasing inconjunction with her second book of poetry, What Floods (Inside the Castle, Oct. 2024), Strange Power! overflows with Ringwalt's teeming and sensuous personal symbolry: glowing lilacs andgentle queens, dolphins wild and girls who grew up brave _ T.S. Eliot sung by Cat Power, backedby Mount Eerie. She sings: "I rose up from water."Ringwalt writes and performs with the authority of a lifetime spent harnessing the alchemy of storytelling; her belief in the power of words to heal and transform is palpable in each achingly- delivered lyric. Made amidst profound inner and outer change, Strange Power! also sees Ringwalttaking up the role of self-producer for the first time, mirroring and supporting the record's Orphic quest by gathering contributions from a coterie of friends wielding an electric range ofAmerican instruments. Violins, vibraphones, drum machines, electric guitars dappled with springreverb, wind-blown shells, and a host of other numinous sounds form an unfurling and shadowy world which was then carefully honed during the mixing process (shepherded by MichaelCormier-O'Leary and Lucas Knapp) _ settling the final record in an eerie meridian betweenspareness and verdancy.The result is a beguiling and darkly blooming realm: the sound of a personal cosmos beingremade, piece by piece. Ringwalt is at the height of her spirit as both songwriter-poet and singer, her willowy voice by turns conjuring and keening as she reckons with her deep past and thestories told since. Opening track "The Pines" sets the stage for a record of truly life-long scope: "I was a child, now Ihold her / I was asleep for many years." Some songs, like the gorgeous "North Carolina" and "TheSaint," were written as early as 2013 but, Ringwalt says, "insisted upon being remembered" as therecord took shape; in its final form, they serve as inc...

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Filigree

43,99 €*

LP | 2024 | UK | Original (Hive Mind)

Release: 2024 / EU – Original

Genre: Rock & Indie

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First in our Specialist Series of 157 released copies aimed at connoisseurs of the truly Esoteric. A feast for Femvox Folk-Rock lovers, salvaged from the only surviving 1973 IBC LP Acetate. A handful of Gothic Trad Arr., a superb electric rendition of Meet on the Ledge, a couple of carefully selected sad Coffee-House covers and three self-composed numbers (of which The Snow Maiden is a stone-cold classic of spooky, witchy folk) make up a beautifully balanced album. The Stars are the two Female vocalists, both sing solo with astonishing range and purity and together are a heavenly choir. To give context, Filigree helped out on Sweet Williams Ghost and Sunday Afternoons. Beautiful, evocative original Gig Flyer Artwork is used on the Fully Laminated sleeve, two inserts. Lovers of Early Steeleye Span, Spriguns, Fairport’s stop here! Barcodes on Stickers, No Shrink-wrap.

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Maalem Houssam Guinia

Dead Of Night

21,99 €*

LP | 2024 | EU | Original (Exile On Mainstream)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Maalem Houssam Guinia Dead of Night

Hmrlp035 LP £12 Allah Allah Daym Molana Jangari Jahwari Bouri Bouriama Ya Jowadi Samaoui Matinba Mosawiyin (Souiri)

"Raw, deep and spiritual Gnawa music from Morocco to carry you through the night...

Recorded in a single late night session in a house in Casablanca, using a Tascam field recorder and 2 microphones, Dead of Night is the incredible new solo album from Maalem Houssam Guinia, the son of Maalem Mahmoud Guinia, and one of Morocco's most exciting young Gnawa masters.

The album was recorded live on the night of 3rd January 2022 in a relaxed session that lasted into the early hours of the next morning, and it captures Houssam at his most natural, singing and playing the Gnawa songs that have been with him since his birth, completely solo and free without percussion or backing vocals. Houssam described the album as containing the songs he knows best as these were the pieces his father would play and sing late into the night in their home when he was an infant.

What you'll hear on Dead of Night is raw, deep Gnawa music in its purest form played by a young Maalem who has been immersed in the culture his whole life and is a master of his craft. The whole performance has been beautifully and sympathetically captured by bassist and producer Karl-Erik Enkelman."

Voice & Guimbri by Maalem Houssam Guinia. Recording & Production by Karl-Erik Enkelmann. Mastering by Julian Tardo. Photography by Bader Naggay. Design by Marc Teare.

With thanks to Hamza Guinia, Khalil Mounji, Karl-Erik Enkelmann & Karl Jonas Winqvist.

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