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All Items / HHV Records / Vinyl, CD & Tape / Rock & Indie / Folk

Folk 5442 Items

Hip Hop 85 Organic Grooves 1526 Rock & Indie 54857 Indierock | Alternative 24826 Classic Rock 4794 Punk | Hardcore 6091 Metal 8217 Folk 5442 Rock 'n' Roll 1444 Electronic & Dance 1019 Reggae & Dancehall 74 Pop 1993 Classical Music 42 Soundtracks 138 Childrens 59
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Richard Edwards - Two Sad Little Islands Drift Together, Two Lonely Little Monkeys Find A Tree (Rare And Unreleased) 2015-2023 Orange Creamsicle Splatter Vinyl Edition
Richard Edwards
Two Sad Little Islands Drift Together, Two Lonely Little Monkeys Find A Tree (Rare And Unreleased) 2015-2023 Orange Creamsicle Splatter Vinyl Edition
3LP | 2023 | US | Original (Profound Discomfort)
66,99 €*
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Release: 2023 / US – Original
Genre: Rock & Indie
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"The most underrated songwriter of our times" - Los Angeles Review Of Book.
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Alexander ''Skip'' Spence - Andoaragain Record Store Day 2019 Edition
Alexander ''Skip'' Spence
Andoaragain Record Store Day 2019 Edition
3LP | 2019 | US | Original (Modern Harmonic)
64,99 €*
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Release: 2019 / US – Original
Genre: Rock & Indie
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AndOarAgain provides unparalleled access to what David Fricke calls ''the most harrowing and compelling artifacts of rock & roll's most euphoric era, across three dozen unheard tracks! A triple LP pressed at RTI, AndOarAgain features nearly two hours of unheard music on the way to Oar –along with roads not taken–that both clarifies and muddies the enigma of how psychedelic legend Alexander ''Skip'' Spence determined the final state of his iconic masterpiece.
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Carly Pearce - Hummingbird Yellow Vinyl Edition
Carly Pearce
Hummingbird Yellow Vinyl Edition
2LP | 2024 | US | Original (Big Machine)
64,99 €*
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Release: 2024 / US – Original
Genre: Rock & Indie
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Xavier Grall - La Sone Des Pluies Et Des Tombes
Xavier Grall
La Sone Des Pluies Et Des Tombes
LP | FR | Original (Disques Velia)
64,99 €*
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Release: FR – Original
Genre: Rock & Indie
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Used Vinyl
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Loren Auerbach With Bert Jansch - Colours Are Fading Fast
Loren Auerbach With Bert Jansch
Colours Are Fading Fast
| 2016 | US | Reissue (Earth)
64,99 €*
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Release: 2016 / US – Reissue
Genre: Rock & Indie
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Hillbilly Thomists - Marigold
Hillbilly Thomists
Marigold
LP | 2024 | Original (Vere Music)
63,99 €*
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Release: 2024 / Original
Genre: Rock & Indie
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V.A. - Woodstock - Music From The Original Soundtrack And More
V.A.
Woodstock - Music From The Original Soundtrack And More
3LP | 2020 | EU | Reissue (Cotillion)
62,99 €*
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Release: 2020 / EU – Reissue
Genre: Rock & Indie, Soundtracks
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Wilco - The Whole Love (Expanded) Record Store Day 2024 Vinyl Edition
Wilco
The Whole Love (Expanded) Record Store Day 2024 Vinyl Edition
3LP | 2011 | EU | Reissue (Sony Music Catalog)
62,89 €* 73,99 € -15%
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Release: 2011 / EU – Reissue
Genre: Rock & Indie
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Quantity: 4500
Release type: RSD Exclusive Release

Wilco’s legendary 2011 album now on three LP’s. Expanded to include all related single, EP and bonus tracks - plus A selection from The Loft's archive of live in-studio performances and previously unreleased alternate mixes and demos. Includes Wilco classics "Art of Almost", "Dawned on Me”, "Sunloathe” . 3LP Box
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Orbweavers - New Moon / Silver Moon
Orbweavers
New Moon / Silver Moon
LP | 2024 | AU | Original (Mistletone)
61,99 €*
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Release: 2024 / AU – Original
Genre: Rock & Indie
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Agnetha Fältskog - Singlar Och Andra Sidor Clear Vinyl Edition
Agnetha Fältskog
Singlar Och Andra Sidor Clear Vinyl Edition
LP | 2024 | EU | Original (Cupol)
61,99 €*
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Release: 2024 / EU – Original
Genre: Rock & Indie
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Duncan Browne - Give Me Take You
Duncan Browne
Give Me Take You
LP | 1987 | DE | Reissue (Immediate)
60,99 €*
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Release: 1987 / DE – Reissue
Genre: Rock & Indie
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White vinyl. German reissue from 1987. Tear in opening.
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Bob Dylan - Triplicate
Bob Dylan
Triplicate
3LP | 2017 | US | Original (Columbia)
60,99 €*
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Release: 2017 / US – Original
Genre: Rock & Indie
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Bob Dylan - Bootleg Series Volume 1-3
Bob Dylan
Bootleg Series Volume 1-3
5LP | 2017 | EU | Original (Columbia)
60,99 €*
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Release: 2017 / EU – Original
Genre: Rock & Indie
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Better Oblivion Community Center - Better Oblivion Community Center
Better Oblivion Community Center
Better Oblivion Community Center
LP | 2019 | US | Original (Dead Oceans)
60,99 €*
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Release: 2019 / US – Original
Genre: Rock & Indie
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V.A. - We Still Cant Say Goodbye: A Musicians Tribute To Chet Atkins
V.A.
We Still Cant Say Goodbye: A Musicians Tribute To Chet Atkins
LP | 2024 | EU | Original (Morningstar Music)
60,99 €*
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Release: 2024 / EU – Original
Genre: Rock & Indie
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Steve Wynn & The Miracle 3 - Static Transmission
Steve Wynn & The Miracle 3
Static Transmission
2LP | 2003 | DE | Original (Blue Rose)
60,99 €*
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Release: 2003 / DE – Original
Genre: Rock & Indie, Pop
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Emahoy Tsegue Maryam Guebrou - Spielt Eigene Kompositionen
Emahoy Tsegue Maryam Guebrou
Spielt Eigene Kompositionen
LP | 2016 | US | Reissue (Mississippi/Change)
59,99 €*
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Release: 2016 / US – Reissue
Genre: Organic Grooves, Rock & Indie
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Medium: VG+, Cover: VG+
US reissue from 2016. Black labels. Vinyl with a couple of light scuffs. Copy close to NM
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Nouvelle Vague - Bande À Part
Nouvelle Vague
Bande À Part
LP | 2016 | DE | Reissue (Kwaidan)
59,99 €*
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Release: 2016 / DE – Reissue
Genre: Organic Grooves, Rock & Indie, Electronic & Dance
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Medium: Near Mint, Cover: Near Mint
Pink Transparent vinyl. Cover signed by the band on the back.
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Carole King - Tapestry
Carole King
Tapestry
LP | 1971 | US | Reissue (Mobile Fidelity)
59,99 €*
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Release: 1971 / US – Reissue
Genre: Rock & Indie
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Bob Dylan - Nashville Skyline
Bob Dylan
Nashville Skyline
LP | 1969 | JP | Original (CBS/Sony)
59,99 €*
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Release: 1969 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
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Zhao Jiping, Jonathan Lee , Sandy Lam - 霸王別姬電影原聲帶 = Farewell To My Concubine Original Motion Picture Soundtrack
Zhao Jiping, Jonathan Lee , Sandy Lam
霸王別姬電影原聲帶 = Farewell To My Concubine Original Motion Picture Soundtrack
LP | 2020 | TW | Original (Rock Records & Tapes)
59,99 €*
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Release: 2020 / TW – Original
Genre: Rock & Indie, Pop, Soundtracks
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Boban Petrovic - Zur / Zora
Boban Petrovic
Zur / Zora
2LP | 2024 | EU | Original (Everland)
59,99 €*
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Release: 2024 / EU – Original
Genre: Rock & Indie
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Picture
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Harry Smith
Harry Smith's Anthology Of American Folk Music, Volume Four
| 2007 | US | Reissue (Revenant)
59,99 €*
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Release: 2007 / US – Reissue
Genre: Organic Grooves, Rock & Indie
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Christoph Bouet - Groeninger Bad 23
Christoph Bouet
Groeninger Bad 23
LP | 2024 | EU | Original (1301 Media)
59,84 €* 62,99 € -5%
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Release: 2024 / EU – Original
Genre: Rock & Indie
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Clannad - In A Lifetime Super Deluxe Bookpack Edition
Clannad
In A Lifetime Super Deluxe Bookpack Edition
2LP+LP+4CD+7"+Book+4Cards+Poster | 2020 | EU | Original (Warner)
58,99 €*
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Release: 2020 / EU – Original
Genre: Rock & Indie
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Box including a 4CD Anthology, 2LP on black vinyl, 1 LP of Macalla, a 7", a book, 4 post cards and a poster.
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Wardruna - Birna Amber Vinyl Edition
Wardruna
Birna Amber Vinyl Edition
2LP | 2025 | EU | Original (By Norse Music)
58,99 €*
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Release: 2025 / EU – Original
Genre: Rock & Indie
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V.A. - Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition
V.A.
Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition
2LP | 2024 | US | Original (Light In The Attic)
58,99 €*
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Release: 2024 / US – Original
Genre: Rock & Indie
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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”
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Henry Wagons - Four Seasons
Henry Wagons
Four Seasons
LP | 2024 | AU | Original (Ada Global)
58,99 €*
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Release: 2024 / AU – Original
Genre: Rock & Indie
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Johnny Cash - Songwriter Clear With Black Splatter Vinyl Edition
Johnny Cash
Songwriter Clear With Black Splatter Vinyl Edition
LP | 2024 | Original (Universal)
58,99 €*
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Release: 2024 / Original
Genre: Rock & Indie
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Limited Clear with Black Splatter Colored Vinyl. Johnny Cash recorded an album's worth of self-penned songs in 1993. Shortly thereafter, he released the American Recordings albums and re-established himself as one of the world's greatest songwriters, introducing him to a new generation of fans. Songwriter's unreleased 11 songs have been updated and produced by his son John Carter Cash and co-producer David Ferguson.
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Vsq No Sporta - Avatama
Vsq No Sporta
Avatama
LP | 2023 | JP | Original (Vap)
58,99 €*
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Release: 2023 / JP – Original
Genre: Rock & Indie
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B.J. Ward - Vocal Ease
B.J. Ward
Vocal Ease
LP | 2019 | JP | Original (Universal Japan / Dessinee)
57,99 €*
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Release: 2019 / JP – Original
Genre: Rock & Indie
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Japanese import
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Kasey Chambers - Dragonfly
Kasey Chambers
Dragonfly
2x12" | 2017 | AU | Original (Essence Group Entertainment)
57,99 €*
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Release: 2017 / AU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Sealed, Cover: Sealed
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Freebo - Smoking Blues
Freebo
Smoking Blues
LP | 1998 | JP | Reissue (Universal Music Japan)
57,99 €*
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Release: 1998 / JP – Reissue
Genre: Rock & Indie
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Nancy Sinatra - Keep Walkin': Singles, Demos & Rarities 1965-1978 Blue Vinyl Edition
Nancy Sinatra
Keep Walkin': Singles, Demos & Rarities 1965-1978 Blue Vinyl Edition
2LP | 2023 | US | Original (Light In The Attic)
57,99 €*
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Release: 2023 / US – Original
Genre: Rock & Indie
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Definitive collection of Nancy's rare singles, demos and previously unreleased cuts. Includes 3 previously unreleased tracks, plus 3 tracks making their vinyl debut. Deep booklet includes new Q&As with Nancy & Don Randi (The Wrecking Crew) - both conducted by Grammy®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive. Features audio freshly remastered from the original analog tapes by Grammy®-nominated engineer John Baldwin. Vinyl pressed at RTI. Double LP housed in a gatefold jacket with 24-page book Light in the Attic continues to celebrate the influential career of singer, actress, activist, and icon *Nancy Sinatra* with a captivating new collection, Keep Walkin’: Singles, Demos & Rarities 1965-1978. Exploring the lesser-known gems from Sinatra’s rich catalog through 25 B-sides, rare singles, covers, demos, and previously-unreleased recordings, Keep Walkin’ was remastered by the *Grammy®-nominated engineer John Baldwin* and available in a variety of formats, including vinyl, CD, 8-track, and digital. The 2LP set, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and accompanied by a 24-page booklet featuring an array of photos from the artist’s personal collection, as well as a new in-depth Q&A with Sinatra, conducted by the reissue’s Grammy®-nominated co-producer, Hunter Lea. The booklet also contains a fascinating interview with keyboardist Don Randi (The Wrecking Crew), who recently spoke to Lea about his hit-filled career and his 50 years of work with Nancy. Keep Walkin’: Singles, Demos & Rarities 1965-1978 serves as a companion to the widely-acclaimed 2021 career-spanning retrospective, Start Walkin’ 1965-1976, and marks the latest release in LITA’s ongoing Nancy Sinatra Archival Series, a partnership with the legendary artist, which honors her musical legacy through lovingly curated reissues (including her 1966 debut, Boots and the 1968 classic, Nancy & Lee), limited-edition merch, and other special releases. In 1965, 25-year-old Nancy Sinatra scored her first No.1 hit with “These Boots are Made for Walkin’,” a bold anthem for female empowerment. Brazen, sassy, and utterly infectious, it was a reintroduction of sorts for the eldest daughter of Frank Sinatra, who had been struggling to find a spotlight of her own amid a changing musical landscape. Suddenly, audiences who had initially brushed off Sinatra as too demure or out-of-touch were paying attention. Written and produced by Oklahoma-born songsmith Lee Hazlewood (with swaggering instrumentals, courtesy of Billy Strange and The Wrecking Crew), the song launched the singer’s career, as well as one of music’s most unlikely, yet compelling, creative partnerships. Over the next decade, Sinatra continued to notch multiple hits on both sides of the Atlantic, including “Sugar Town,” “How Does That Grab You, Darlin?,” and a haunting rendition of the Sonny Bono-penned “Bang Bang (My Baby Shot Me Down).” The singer also paired up with Hazlewood for a series of popular duets (“Summer Wine,” “Jackson,”* and *“Some Velvet Morning”) and collaborative albums. In between best-selling LPs like Boots (1966), How Does That Grab You (1966), and Nancy & Lee (1968), Sinatra performed the theme song to the 1967 James Bond film, You Only Live Twice, and collaborated with her father on the global chart-topper, “Somethin’ Stupid.” While these career landmarks are well-documented in the annals of pop culture history, however, much of Sinatra’s catalog remains sorely overlooked. As Keep Walkin’ co-producer Hunter Lea explains, “With the changing taste of the record-buying public in the late 1960s and the counterculture taking over, artists like Nancy Sinatra weren’t in the mainstream as they once were.” Despite that fact, “[Sinatra] kept working, recording, and performing at a voracious pace.” Lea continues, “This compilation is a celebration of some of the many glorious recordings that may have been overlooked, forgotten, or never even released at the time. The obscurity of some of these recordings doesn’t mask the genius, brilliance, and effort that went into them; on the contrary, it’s incredible to learn that some of the lost gems are just as rich as the national treasures.” Among the highlights is the spritely opener “The City Never Sleeps at Night,” which served as the B-Side to “These Boots Were Made for Walkin’.” Overshadowed by the colossal success of its A-side, it’s no surprise that the cinematic tune never had its proper due. Yet, Lea reveals, Hazlewood initially intended to make it the focus single. Another long-lost B-side is “The Last of the Secret Agents?,” which was paired with the Top 10 hit, “How Does That Grab You, Darlin’?” The playful song, written by Hazlewood, served as the theme to the 1966 comedy of the same name, in which Sinatra co-starred alongside Marty Allen and Steve Rossi. Keep Walkin’ also features several choice A-sides that were never included on albums and were overlooked for one reason or another. Among them is 1966’s “In Our Time,” a rebellious anthem for ‘60s youth, which references drug culture and women’s liberation, among other topics. Speaking to the Hazlewood-penned track, Sinatra recalls, “That was a fun song. Lee was starting to do his ‘anti’ stuff. He was cynical and it showed in his writing at some point.” But, despite the themes of the song, Nancy laments that she was never embraced by the counterculture. “[drugs] knocked me out of the picture completely. I was so far removed from the hip people in those days. I think they probably made fun of my stuff.” Another stylistic departure for both artists is “Love Eyes,” a bluesy, soulful single from 1966. The song, Nancy shares, is “one of my favorites. I think what helped Lee’s writing at that point was the bigger sound.… I really love it. I think it holds up to this day.” She adds that her dreamy vocal performance was inspired by early female R&B stars like Ruth Brown and LaVern Baker. The collection also features several outstanding covers, including a previously-unreleased rendition of the Barry Mann/Cynthia Weil classic, “I Just Can’t Help Believing” (a hit for both B.J. Thomas and Elvis Presley). This 1978 recording, reimagined as a duet, marked one of Sinatra’s brief reunions with Hazlewood, following his abrupt move to Sweden not long after 1972’s Nancy & Lee Again. Another choice track finds Nancy interpreting Neil Diamond’s “Glory Road.” Released as a single in 1971, it features one of the singer’s most cherished vocal performances. “After I worked on my voice and improved as a performer and as a singer, I embraced Neil Diamond. Anything I did by Neil Diamond, to me, is my best work.” Nancy also looks back fondly on her moving rendition of Bill Withers’ “Ain’t No Sunshine," released in 1973 as the B-side to “Sugar Me.” The recording (which features particularly lush orchestral arrangements by Billy Strange) reunited Nancy with another close collaborator, Jimmy Bowen, who produced the singer in the early ‘60s and later introduced her to Hazlewood. “I love Jimmy,” she declares. “The records we did early on…had a depth to them that I appreciated. He heard me and saw me in a different light; he saw me as a much more serious performer, which I appreciated.” Listeners will also be delighted to hear a pair of previously-unreleased demos: “Something Pretty” (the 1968 country hit, made famous by Wynn Stewart) and the theme to the 1965 Richard Rogers/Stephen Sondheim musical, Do I Hear a Waltz?, both of which were intended for a self-described “disco” record. Despite the two catchy takes featured on Keep Walkin’, Sinatra calls the shelved album “A disaster. I called it the disco fiasco!” Offering additional insight into Sinatra’s career is music director, songwriter, and keyboardist, Don Randi. A member of the hallowed *Wrecking Crew* collective, Randi was one of the most prolific session musicians of the ‘60s and ‘70s with hundreds of credits to his name, including The Beach Boys’ “Good Vibrations,” Linda Ronstadt’s “Different Drum,” and “These Boots are Made For Walkin’” – his first recording with Sinatra. For the next fifty years, he would be a fixture at her sessions and live shows. He also appears on nearly every track in this collection. Speaking to Lea, Randi delves deep into his time with Sinatra, with a palpable admiration for the singer. *“She was easy to work with,”* he shares. “She was always wonderful to musicians; nobody even comes close.” The keyboardist, who met Sinatra through Hazlewood, also recalls the magic of that partnership. “I always liked working with Nancy & Lee. They had something very special that they could get out of each other. It was a good team.” He continues, “Sinatra stood up for herself [around Lee]…He could be so cantankerous…but that’s Lee…. [Nancy] saw through it. She was so lovely and helpful to him a number of times when he really needed someone to talk to.” That said, Randi also appreciates the power of Sinatra’s solo performances. “I never thought she really needed [Hazlewood},”* he reveals. “I thought her shows were just as well with everybody else; they were excellent.” After stepping back from the industry in the ‘70s to focus on her young family, Sinatra returned to the spotlight in the mid-90s, releasing a string of new albums, including the star-studded Nancy Sinatra, which paired the artist with some of her biggest fans, including Morrissey, U2, Calexico, and Sonic Youth. Since then, Nancy’s legacy has only continued to grow. In more recent years, her impact has been recognized by the likes of Pitchfork, NPR, and Rolling Stone, while in 2020, “Boots” was inducted into the Grammy® Hall of Fame*. Today, Sinatra remains a force in the industry, as new generations discover her influential catalog, which boasts nearly 20 studio albums and dozens of charting singles.
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Nancy Sinatra - Keep Walkin': Singles, Demos & Rarities 1965-1978 Yellow Vinyl Edition
Nancy Sinatra
Keep Walkin': Singles, Demos & Rarities 1965-1978 Yellow Vinyl Edition
2LP | 2023 | US | Original (Light In The Attic)
57,99 €*
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Release: 2023 / US – Original
Genre: Rock & Indie
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Definitive collection of Nancy's rare singles, demos and previously unreleased cuts. Includes 3 previously unreleased tracks, plus 3 tracks making their vinyl debut. Deep booklet includes new Q&As with Nancy & Don Randi (The Wrecking Crew) - both conducted by Grammy®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive. Features audio freshly remastered from the original analog tapes by Grammy®-nominated engineer John Baldwin. Vinyl pressed at RTI. Double LP housed in a gatefold jacket with 24-page book Light in the Attic continues to celebrate the influential career of singer, actress, activist, and icon *Nancy Sinatra* with a captivating new collection, Keep Walkin’: Singles, Demos & Rarities 1965-1978. Exploring the lesser-known gems from Sinatra’s rich catalog through 25 B-sides, rare singles, covers, demos, and previously-unreleased recordings, Keep Walkin’ was remastered by the *Grammy®-nominated engineer John Baldwin* and available in a variety of formats, including vinyl, CD, 8-track, and digital. The 2LP set, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and accompanied by a 24-page booklet featuring an array of photos from the artist’s personal collection, as well as a new in-depth Q&A with Sinatra, conducted by the reissue’s Grammy®-nominated co-producer, Hunter Lea. The booklet also contains a fascinating interview with keyboardist Don Randi (The Wrecking Crew), who recently spoke to Lea about his hit-filled career and his 50 years of work with Nancy. Keep Walkin’: Singles, Demos & Rarities 1965-1978 serves as a companion to the widely-acclaimed 2021 career-spanning retrospective, Start Walkin’ 1965-1976, and marks the latest release in LITA’s ongoing Nancy Sinatra Archival Series, a partnership with the legendary artist, which honors her musical legacy through lovingly curated reissues (including her 1966 debut, Boots and the 1968 classic, Nancy & Lee), limited-edition merch, and other special releases. In 1965, 25-year-old Nancy Sinatra scored her first No.1 hit with “These Boots are Made for Walkin’,” a bold anthem for female empowerment. Brazen, sassy, and utterly infectious, it was a reintroduction of sorts for the eldest daughter of Frank Sinatra, who had been struggling to find a spotlight of her own amid a changing musical landscape. Suddenly, audiences who had initially brushed off Sinatra as too demure or out-of-touch were paying attention. Written and produced by Oklahoma-born songsmith Lee Hazlewood (with swaggering instrumentals, courtesy of Billy Strange and The Wrecking Crew), the song launched the singer’s career, as well as one of music’s most unlikely, yet compelling, creative partnerships. Over the next decade, Sinatra continued to notch multiple hits on both sides of the Atlantic, including “Sugar Town,” “How Does That Grab You, Darlin?,” and a haunting rendition of the Sonny Bono-penned “Bang Bang (My Baby Shot Me Down).” The singer also paired up with Hazlewood for a series of popular duets (“Summer Wine,” “Jackson,”* and *“Some Velvet Morning”) and collaborative albums. In between best-selling LPs like Boots (1966), How Does That Grab You (1966), and Nancy & Lee (1968), Sinatra performed the theme song to the 1967 James Bond film, You Only Live Twice, and collaborated with her father on the global chart-topper, “Somethin’ Stupid.” While these career landmarks are well-documented in the annals of pop culture history, however, much of Sinatra’s catalog remains sorely overlooked. As Keep Walkin’ co-producer Hunter Lea explains, “With the changing taste of the record-buying public in the late 1960s and the counterculture taking over, artists like Nancy Sinatra weren’t in the mainstream as they once were.” Despite that fact, “[Sinatra] kept working, recording, and performing at a voracious pace.” Lea continues, “This compilation is a celebration of some of the many glorious recordings that may have been overlooked, forgotten, or never even released at the time. The obscurity of some of these recordings doesn’t mask the genius, brilliance, and effort that went into them; on the contrary, it’s incredible to learn that some of the lost gems are just as rich as the national treasures.” Among the highlights is the spritely opener “The City Never Sleeps at Night,” which served as the B-Side to “These Boots Were Made for Walkin’.” Overshadowed by the colossal success of its A-side, it’s no surprise that the cinematic tune never had its proper due. Yet, Lea reveals, Hazlewood initially intended to make it the focus single. Another long-lost B-side is “The Last of the Secret Agents?,” which was paired with the Top 10 hit, “How Does That Grab You, Darlin’?” The playful song, written by Hazlewood, served as the theme to the 1966 comedy of the same name, in which Sinatra co-starred alongside Marty Allen and Steve Rossi. Keep Walkin’ also features several choice A-sides that were never included on albums and were overlooked for one reason or another. Among them is 1966’s “In Our Time,” a rebellious anthem for ‘60s youth, which references drug culture and women’s liberation, among other topics. Speaking to the Hazlewood-penned track, Sinatra recalls, “That was a fun song. Lee was starting to do his ‘anti’ stuff. He was cynical and it showed in his writing at some point.” But, despite the themes of the song, Nancy laments that she was never embraced by the counterculture. “[drugs] knocked me out of the picture completely. I was so far removed from the hip people in those days. I think they probably made fun of my stuff.” Another stylistic departure for both artists is “Love Eyes,” a bluesy, soulful single from 1966. The song, Nancy shares, is “one of my favorites. I think what helped Lee’s writing at that point was the bigger sound.… I really love it. I think it holds up to this day.” She adds that her dreamy vocal performance was inspired by early female R&B stars like Ruth Brown and LaVern Baker. The collection also features several outstanding covers, including a previously-unreleased rendition of the Barry Mann/Cynthia Weil classic, “I Just Can’t Help Believing” (a hit for both B.J. Thomas and Elvis Presley). This 1978 recording, reimagined as a duet, marked one of Sinatra’s brief reunions with Hazlewood, following his abrupt move to Sweden not long after 1972’s Nancy & Lee Again. Another choice track finds Nancy interpreting Neil Diamond’s “Glory Road.” Released as a single in 1971, it features one of the singer’s most cherished vocal performances. “After I worked on my voice and improved as a performer and as a singer, I embraced Neil Diamond. Anything I did by Neil Diamond, to me, is my best work.” Nancy also looks back fondly on her moving rendition of Bill Withers’ “Ain’t No Sunshine," released in 1973 as the B-side to “Sugar Me.” The recording (which features particularly lush orchestral arrangements by Billy Strange) reunited Nancy with another close collaborator, Jimmy Bowen, who produced the singer in the early ‘60s and later introduced her to Hazlewood. “I love Jimmy,” she declares. “The records we did early on…had a depth to them that I appreciated. He heard me and saw me in a different light; he saw me as a much more serious performer, which I appreciated.” Listeners will also be delighted to hear a pair of previously-unreleased demos: “Something Pretty” (the 1968 country hit, made famous by Wynn Stewart) and the theme to the 1965 Richard Rogers/Stephen Sondheim musical, Do I Hear a Waltz?, both of which were intended for a self-described “disco” record. Despite the two catchy takes featured on Keep Walkin’, Sinatra calls the shelved album “A disaster. I called it the disco fiasco!” Offering additional insight into Sinatra’s career is music director, songwriter, and keyboardist, Don Randi. A member of the hallowed *Wrecking Crew* collective, Randi was one of the most prolific session musicians of the ‘60s and ‘70s with hundreds of credits to his name, including The Beach Boys’ “Good Vibrations,” Linda Ronstadt’s “Different Drum,” and “These Boots are Made For Walkin’” – his first recording with Sinatra. For the next fifty years, he would be a fixture at her sessions and live shows. He also appears on nearly every track in this collection. Speaking to Lea, Randi delves deep into his time with Sinatra, with a palpable admiration for the singer. *“She was easy to work with,”* he shares. “She was always wonderful to musicians; nobody even comes close.” The keyboardist, who met Sinatra through Hazlewood, also recalls the magic of that partnership. “I always liked working with Nancy & Lee. They had something very special that they could get out of each other. It was a good team.” He continues, “Sinatra stood up for herself [around Lee]…He could be so cantankerous…but that’s Lee…. [Nancy] saw through it. She was so lovely and helpful to him a number of times when he really needed someone to talk to.” That said, Randi also appreciates the power of Sinatra’s solo performances. “I never thought she really needed [Hazlewood},”* he reveals. “I thought her shows were just as well with everybody else; they were excellent.” After stepping back from the industry in the ‘70s to focus on her young family, Sinatra returned to the spotlight in the mid-90s, releasing a string of new albums, including the star-studded Nancy Sinatra, which paired the artist with some of her biggest fans, including Morrissey, U2, Calexico, and Sonic Youth. Since then, Nancy’s legacy has only continued to grow. In more recent years, her impact has been recognized by the likes of Pitchfork, NPR, and Rolling Stone, while in 2020, “Boots” was inducted into the Grammy® Hall of Fame*. Today, Sinatra remains a force in the industry, as new generations discover her influential catalog, which boasts nearly 20 studio albums and dozens of charting singles.
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Norio Maeda And Tin Pan Alley - Soul Samba
Norio Maeda And Tin Pan Alley
Soul Samba
LP | 1977 | JP | Reissue (Lawson)
57,99 €*
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Release: 1977 / JP – Reissue
Genre: Rock & Indie
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* Originally released in 1977 * Featuring covers of 'The Girl from Ipanema' and 'The Look of Love' * Pressed on Black Vinyl A masterpiece of samba released in 1977, featuring Norio Maeda, a major pianist and arranger in the jazz world, and Tin Pan Alley by Haruomi Hosono, Shigeru Suzuki, and Tatsuo Hayashi. This album features several of the greatest Bossa Nova numbers such as 'Wave', 'One Note Samba', 'The Girl from Ipanema', 'Summer Samba', and famous songs such as 'The Look of Love' by Burt Bacharach. This is an album full of highlights.
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Strength In Numbers - The Telluride Sessions
Strength In Numbers
The Telluride Sessions
LP | 1989 | US | Original (MCA)
56,99 €* 75,99 € -25%
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Release: 1989 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG
US original.

Record close to near mint, faint surface noise audible in the run-ins of the first track on both sides but just for a few rounds.

Cover close to VG+ with just a small seam split at the lower edge.
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Stevie Nicks - Bella Donna Deluxe Record Store Day 2022 Vinyl Edition
Stevie Nicks
Bella Donna Deluxe Record Store Day 2022 Vinyl Edition
2LP | 1981 | EU | Reissue (Rhino Atlantic)
56,99 €*
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Release: 1981 / EU – Reissue
Genre: Rock & Indie
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Limited to 15000 copies.

Vinyl version of Remastered Original Album + LP of Studio masters, B-sides and demos (many for the first time on vinyl) from the 2016 Bella Donna Deluxe Edition.
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John Grant - Boy From Michigan Deluxe Edition
John Grant
Boy From Michigan Deluxe Edition
2LP | 2021 | UK | Original (Bella Union)
56,99 €*
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Release: 2021 / UK – Original
Genre: Rock & Indie
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Gleeman - Something To Say
Gleeman
Something To Say
LP | 2024 | US | Original (Mean Dorris Music)
56,99 €*
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Release: 2024 / US – Original
Genre: Rock & Indie
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Bob Frank - Broke Again Record Store Day 2024 Red Vinyl Edition
Bob Frank
Broke Again Record Store Day 2024 Red Vinyl Edition
LP | 1972 | US | Reissue (Real Gone Music)
56,99 €*
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Release: 1972 / US – Reissue
Genre: Rock & Indie
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Originally released in 1972 on Vanguard Records, Bob Frank’s self-titled debut album took elements of Dylan, Johnny Cash, and Ian Tyson and filtered it thru a pot-smoked haze and the infusion of Frank’s long-time friend, Memphis guru Jim Dickinson. Dickinson and Frank shared a mutual admiration that ran so deep that on Dickinson’s own 1972 debut album Dixie Fried (released on Atlantic Records), he recorded one of Bob Frank’s songs “Wild Bill Jones.” But despite the Dickinson/Memphis connection, Bob Frank’s only LP for Vanguard became a forgotten, hard to find relic - until Light in the Attic reissued it to great acclaim in 2014. Now, from Real Gone comes more 1972 Vanguard Bob Frank recordings (all previously unreleased studio songs) coupled with a live set from the Old Quarter in Houston 1973 (the first-ever vintage live Bob Frank recordings to be released). Includes an insert with extensive liner notes detailing Frank’s career self-sabotage by Pat Thomas and the director of the documentary Within A Few Degrees: A Little Gest of Bob Frank, Isaac Pingree. 20 tracks, all unreleased, pressed on stems ‘n’ seeds “marijuana” vinyl.
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Patty Griffin - American Kid
Patty Griffin
American Kid
2LP | 2013 | EU | Original (New West)
56,99 €*
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Release: 2013 / EU – Original
Genre: Rock & Indie
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Used Vinyl
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V.A. - Glitzerbox 2
V.A.
Glitzerbox 2
Book+LP | 2023 | EU | Original (Jimmy Draht)
56,99 €*
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Release: 2023 / EU – Original
Genre: Rock & Indie, Electronic & Dance
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This compilation contains folk songs, experimental collages, field recordings and lo-fi pop by artists like Maxine Funke, Tenniscoats, A Happy Return, Benoit Pioulard, New North Wales, among others. All tracks are exclusive or have never been released on vinyl before. It is accompanied by a 20-pages book with illustrations with works by Petra Péterffy, Laurent Impeduglia, Nadine Spengler, Michael Dumontier, Tomoko Mori and Nicholas Stevenson.
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Phil Ochs - Best Of The Rest: Rare And Unreleased Recordings Record Store Day 2023 Edition
Phil Ochs
Best Of The Rest: Rare And Unreleased Recordings Record Store Day 2023 Edition
2LP | 2020 | UK | Reissue (Liberation Hall)
55,99 €*
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Release: 2020 / UK – Reissue
Genre: Rock & Indie
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Jennifer Warnes - Another Time, Another Place
Jennifer Warnes
Another Time, Another Place
LP | 2019 | UK (Impex)
55,99 €*
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Release: 2019 / UK
Genre: Rock & Indie
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V.A. - Even The Forest Hums: Ukrainian Sonic Archives 1971-1996
V.A.
Even The Forest Hums: Ukrainian Sonic Archives 1971-1996
2LP | 2024 | US | Original (Light In The Attic)
55,99 €*
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Release: 2024 / US – Original
Genre: Rock & Indie
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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”
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Daughter - Stereo Mind Game
Daughter
Stereo Mind Game
LP+CD+All Media | 2023 | UK | Original (4AD)
55,99 €*
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Release: 2023 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Sealed, Cover: Sealed
Still sealed. Green vinyl Limited edition.
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Billy Strings - Me / And / Dad
Billy Strings
Me / And / Dad
LP | 2022 | EU | Original (Rounder)
55,99 €*
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Release: 2022 / EU – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: Sealed, Cover: Sealed
Still sealed with hype sticker. Purple vinyl Limited edition.
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Magica - People
Magica
People
LP | 1984 | DE | Original (Not On Label)
55,99 €*
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Release: 1984 / DE – Original
Genre: Organic Grooves, Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
close to NM
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Willie Nelson - Shotgun Willie
Willie Nelson
Shotgun Willie
LP | 1973 | US | Reissue (Atlantic)
55,99 €*
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Release: 1973 / US – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: VG+
2009 reissue. Few paper scuffs.
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Night Moves - Pennied Days
Night Moves
Pennied Days
LP+10" | 2016 | US | Original (Domino)
55,99 €*
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Release: 2016 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
LP and 10" are close to NM. Original inner sleeves. Limited edition.
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Mukimukimanmansu - 2012 - Pink Vinyl Edition
Mukimukimanmansu
2012 - Pink Vinyl Edition
LP | 2024 | US | Original (Beatball)
55,99 €*
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Release: 2024 / US – Original
Genre: Rock & Indie
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Iain Matthews & The Salmon Smokers - Fake Tan
Iain Matthews & The Salmon Smokers
Fake Tan
LP | 2020 | NO | Original (New Noise)
55,99 €*
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Release: 2020 / NO – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Limited Edition.
Clear Vinyl.
Record is close to NM.
Includes original inner sleeve.
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Damon Albarn - The Nearer The Fountain, More Pure The Stream Flows Deluxe Vinyl Edition
Damon Albarn
The Nearer The Fountain, More Pure The Stream Flows Deluxe Vinyl Edition
LP+7" | 2021 | UK | Original (Transgressive)
55,19 €* 68,99 € -20%
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Release: 2021 / UK – Original
Genre: Rock & Indie
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V.A. - If Music Presents: You Need This!
V.A.
If Music Presents: You Need This!
4LP | 2022 | UK | Original (BBE Music)
54,99 €*
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Release: 2022 / UK – Original
Genre: Rock & Indie
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Milk Carton Kids - Prologue
Milk Carton Kids
Prologue
3LP | 2021 | EU | Original (Milk Carton Kids)
54,99 €*
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Release: 2021 / EU – Original
Genre: Rock & Indie
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Beach Fossils - What A Pleasure
Beach Fossils
What A Pleasure
12" | 2011 | US | Original (Captured Tracks)
54,99 €*
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Release: 2011 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Cover with very slightly bumped corner. Red vinyl. Copy closer to NM
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Never Young Beach - Yashinoki House
Never Young Beach
Yashinoki House
LP | 2024 | US | Original (Roman Label / Bayon)
54,99 €*
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Release: 2024 / US – Original
Genre: Rock & Indie
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Never Young Beach - Fam Fam
Never Young Beach
Fam Fam
LP | 2024 | US | Original (Roman Label / Bayon)
54,99 €*
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Release: 2024 / US – Original
Genre: Rock & Indie
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Orville Peck - Stampede Bone Colored Vinyl Edition
Orville Peck
Stampede Bone Colored Vinyl Edition
2LP | 2024 | US | Original (Warner Bros.)
54,99 €*
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Release: 2024 / US – Original
Genre: Rock & Indie
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Hannes Aitman - Weak Point White Vinyl Edition
Hannes Aitman
Weak Point White Vinyl Edition
LP | 2024 | EU | Original (Freebird Entertainment)
53,99 €*
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Release: 2024 / EU – Original
Genre: Rock & Indie
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Paris Match - Type III
Paris Match
Type III
LP | 2023 | JP | Original (Jet Set)
53,99 €*
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Release: 2023 / JP – Original
Genre: Rock & Indie
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Kaji Hitoshi - Bokuh Ha Folksinger
Kaji Hitoshi
Bokuh Ha Folksinger
LP | 2022 | JP | Original (Homesick Entertainment)
52,99 €*
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Release: 2022 / JP – Original
Genre: Rock & Indie
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The long-awaited first analogue release of the debut album by the isolated, nameless, genius folk singer Hitoshi Kaji! Kaji Hitoshi, a convinced folk figure, passed away suddenly at the young age of 40 in 2011. Produced by Hiroki Misawa (letter, Labcry), this painfully delicate and gentle masterpiece has been revived in analogue format! Kaji started his band career in Osaka in the late '80s, and after numerous bands such as Human Gas, Peeping Mania and the 60's GS-style Uzose, he began his storytelling career around '90. After his regrettable sudden death in 2011, he was supported by numerous followers and released a documentary film and two best albums. He released a documentary film and two best-selling albums. Released in 2001, the album contains a number of songs that reveal the feelings of an adult who can't fully grow up. The album contains a total of 11 songs that have caused a storm of praise and sympathy, exposing the feelings of adults who can't grow up. Sad and tender, it is a piece of folk music history that will live on for generations to come.
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Wardruna - Birna Black Vinyl Edition
Wardruna
Birna Black Vinyl Edition
2LP | 2025 | EU | Original (By Norse Music)
52,99 €*
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Release: 2025 / EU – Original
Genre: Rock & Indie
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Neil Gardner - Said The Blackbird
Neil Gardner
Said The Blackbird
LP | 1972 | AU | Reissue (Half A Cow)
52,99 €*
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Release: 1972 / AU – Reissue
Genre: Rock & Indie
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V.A. - Istanbul 70 Volume I-VI
V.A.
Istanbul 70 Volume I-VI
2LP | 2023 | EU (Nukleuz Blue)
52,99 €*
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Release: 2023 / EU
Genre: Rock & Indie
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Quantity: 950
Release type: 'RSD First' Release

The original 2011 release is one of the first projects that globally focused on the golden era of Turkish popular music of the 1970s. Back then, both originals and a selection of remixes were released and created serious hype in collector scenes with rare (300 copies each) 7"s that have never been pressed again. Meanwhile, the Turkish psychedelic-folk-disco style got more popular and some collectors discovered it via this series.

Now at its 10th anniversary Nublu Records is compiling these 12 remixes under a special edition double-LP pressed on 180g purple vinyl.
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Claude Francois - Soul Songs
Claude Francois
Soul Songs
LP | 2023 | UK | Original (Wrasse)
52,99 €*
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Release: 2023 / UK – Original
Genre: Rock & Indie
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Claude Francois - Les Annees Yeye
Claude Francois
Les Annees Yeye
LP | 2023 | UK | Original (Wrasse)
52,99 €*
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Release: 2023 / UK – Original
Genre: Rock & Indie
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Sadao China - Akabana
Sadao China
Akabana
LP | 2022 | JP | Original (Tuff Vinyl)
51,99 €*
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Release: 2022 / JP – Original
Genre: Rock & Indie
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This is an innovative work of Okinawan Pops, based on Okinawa island songs and subtly blended with the essence of reggae, soul, rock, and beyond, with unique laid-back feel good vibes. The rare masterpiece includes many originals such as “Bye Bye Okinawa” “Akabana” and “Kijimuna Blues” Nenes' hit songs produced by Sadao China in the 90ʼs.
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Karen Dalton - In My Own Time 50th Anniversary Edition 8-Track Cartridge Edition / 8-Spur-Kassette
Karen Dalton
In My Own Time 50th Anniversary Edition 8-Track Cartridge Edition / 8-Spur-Kassette
8Track | 1972 | US | Reissue (Light In The Attic)
51,99 €*
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Release: 1972 / US – Reissue
Genre: Rock & Indie
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Karen Dalton’s 1971 album, In My Own Time, stands as a true masterpiece by one of music’s most mysterious, enigmatic, and enduringly influential artists. Celebrating the album’s 50th anniversary, Light in the Attic is honored to present a newly remastered (2021) edition of the album on LP, CD, cassette, and 8-Track.

All audio has been newly remastered by Dave Cooley, while lacquers were cut by Phil Rodriguez at Elysian Masters.

The Oklahoma-raised Karen Dalton (1937-1993) brought a range of influences to her work. As Lenny Kaye writes in the liner notes, one can hear “the jazz of Ella Fitzgerald and Billie Holiday, the immersion of Nina Simone, the Appalachian keen of Jean Ritchie, [and] the R&B and country that had to seep in as she made her way to New York."

Armed with a long-necked banjo and a 12-stringed guitar, Dalton set herself apart from her peers with her distinctive, world-weary vocals. In the early ‘60s, she became a fixture in the Greenwich Village folk scene, interpreting traditional material, blues standards, and the songs of her contemporaries, including Tim Hardin, Fred Neil, and Richard Tucker, whom she later married. Bob Dylan, meanwhile, was instantly taken with her artistry. “My favorite singer in the place was Karen Dalton,” he recalled in Chronicles: Volume One (Simon & Schuster, 2004). “Karen had a voice like Billie Holiday and played the guitar like Jimmy Reed.”

Those who knew Dalton understood that she was not interested in bowing to the whims of the record industry. On stage, she rarely interacted with audience members. In the studio, she was equally as uncomfortable with the recording process. Her 1969 debut, It’s So Hard to Tell Who’s Going To Love You The Best, reissued by Light in the Attic in 2009, was captured on the sly when Dalton assumed that she was rehearsing songs. When Woodstock co-promoter Michael Lang approached Dalton about recording a follow-up for his new imprint, Just Sunshine, she was dubious, to say the least. The album would have to be made on her own terms, in her own time. That turned out to be a six-month period at Bearsville Studios in Woodstock, NY.

Producing the album was bassist Harvey Brooks, who played alongside Dalton on It’s So Hard to Tell Who’s Going To Love You The Best. Brooks, who prided himself on being “simple, solid and supportive,” understood Dalton’s process, but was also willing to offer gentle encouragement, and challenge the artist to push her creative bounds. “I tried to present her with a flexible situation,” he told Kaye. “I left the decisions to her, to determine the tempo, feel. She was very quiet, and I brought all of it to her; if she needed more, I’d present options. Everyone was sensitive to her. She was the leader.”

Dalton, who rarely performed her own compositions, selected a range of material to interpret—from traditionals like “Katie Cruel” and “Same Old Man” to Paul Butterfield’s “In My Own Dream” and Richard Tucker’s “Are You Leaving For The Country.” She also expanded upon her typical repertoire, peppering in such R&B hits as “When a Man Loves a Woman” and “How Sweet It Is.” In a departure from her previous LP, Dalton’s new recording offered fuller, more pop-forward arrangements, featuring a slew of talented studio musicians.

While ‘70s audiences may not have been ready for Dalton’s music, a new generation was about to discover her work. In the decades following her death, a slew of artists would name Karen Dalton as an influence, including Lucinda Williams, Joanna Newsom, Nick Cave, Angel Olsen, Devendra Banhart, Sharon Van Etten, Courtney Barnett, and Adele. In the recent acclaimed film documentary Karen Dalton: In My Own Time, Cave muses on Dalton’s unique appeal: “There’s a sort of demand made upon the listener,” he explains. “Whether you like it or not, you have to enter her world. And it’s a despairing world.” Peter Walker, who also appears in the film, elaborates on this idea: “If she can feel a certain way in her music and play it in such a way that you feel that way, then that’s really the most magical thing [one] can do.” He adds, “She had a deep and profound and loving soul…you can hear it in her music.”
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Townes Van Zandt - Live at the Old Quarter Black Vinyl Edition
Townes Van Zandt
Live at the Old Quarter Black Vinyl Edition
2LP | 2009 | US | Reissue (Fat Possum)
51,99 €*
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Release: 2009 / US – Reissue
Genre: Rock & Indie
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180g vinyl
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Atarashii Gakko! - Ma Ningen Purple Vinyl Edition
Atarashii Gakko!
Ma Ningen Purple Vinyl Edition
12" | 2024 | JP | Original (Atarashii Gakko!)
51,99 €*
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Release: 2024 / JP – Original
Genre: Rock & Indie
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Bandabardo - Iniziali Bi Bi Red Vinyl Edition
Bandabardo
Iniziali Bi Bi Red Vinyl Edition
2LP | 1998 | EU | Reissue (The Saifam Group)
51,99 €*
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Release: 1998 / EU – Reissue
Genre: Rock & Indie
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Lee Hazlewood - Cowboy In Sweden Deluxe Edition
Lee Hazlewood
Cowboy In Sweden Deluxe Edition
2LP | 2016 | US | Reissue (Light In The Attic)
51,99 €*
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Release: 2016 / US – Reissue
Genre: Rock & Indie
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Newly Expanded Deluxe Double LP Edition! Double LP expanded edition includes outtakes, demos and instrumentals, including 10 previously unreleased recordings 26 total tracks Album remastered from pristine LHI master tapes by GRAMMY®nominated mastering engineer John Baldwin Liner notes by GRAMMY®nominated reissue producer Hunter Lea including interviews with Torbjörn Axelman, Suzi Jane Hokom, Nina Lizell, Don Randi, Hal Blaine and Shel Talmy Rare film production photos from the Torbjörn Axelman archive Double LP housed in a gatefold jacket By the end of the 1960s Lee Hazlewood’s LHI Records had burned piles of cash, gone through a half dozen distributors and failed to achieve the kind of chart success “Boots” had promised. Fortunately for Lee there was a land where he was still on the top of the charts, a place where women flowed like Brännvin...Sweden was calling. Released as the last LHI LP, Cowboy in Sweden was a soundtrack to the 1970 cult classic film of the same name starring Lee Hazlewood. The film was a surreal psychedelic account of Lee’s journey to his new homeland, while the soundtrack was a perfect compilation of Hazlewood’s orchestral melancholy country pop songs. Recorded over a prolific globe trotting three year period, Lee’s peak on LHI records was ironically the label’s swan song.
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Eddie Spaghetti - The Sauce
Eddie Spaghetti
The Sauce
LP | 2003 | US | Original (Mid-Fi)
51,74 €* 68,99 € -25%
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Release: 2003 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG+
Vinyl with scuffs and hairlines. Cover with a slightly bumped corner
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Lee Hazlewood - 13 Deluxe Edition
Lee Hazlewood
13 Deluxe Edition
2LP | 1972 | US | Reissue (Light In The Attic)
51,29 €* 53,99 € -5%
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Release: 1972 / US – Reissue
Genre: Rock & Indie
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Newly Expanded Deluxe Double LP Edition! Includes the original 1972 album, plus all of Larry Mark's acoustic demos and tracks from his unreleased 1970 LHI LP for the first time on vinyl Previously unreleased session outtake of “Cold Hard Times” plus demos of obscure Hazlewood compositions “Drums,” “The Start,” “Susie,” “Miracle on 19th Street,” and “Peppermint Morning” 30 total tracks Remastered by GRAMMY®nominated mastering engineer John Baldwin Liner notes by GRAMMY®nominated reissue producer Hunter Lea including interviews with Larry Marks, Joe Cannon, Torbjörn Axelman & Suzi Jane Hokom Lee Hazlewood comic strip, the story of 13 told through original artwork by Jess Rotter Double LP housed in a gatefold jacket “Pimps… whores… pushers… dopers… gangsters… and bottom of the human chain shitheels. Now you’re probably thinking I’m writing about major record companies and their unscrupulous executives… and lawyers. You could be right… but this time… You’re Wrong! I’m describing the characters in my album ‘13’ …Some I knew… some I invented … some are true… some are false… some I liked… some I didn’t. But they all had a story to tell and I told it…none of ‘em seem to care… and I don’t either… have fun…" Lee Hazlewood



“He (Lee) took my voice off the album and put his voice on the album. Now don’t forget these were in my keys, it was my charts, it was my everything. Lee Hazlewood was not even remotely going to be considered as an artist for this album and that’s the way he wanted it.” Larry Marks



The album 13 was never supposed to be a Lee Hazlewood album. It is perhaps the strangest record in one of the most varied discographies in music. The Bombastic brass heavy funk, deep blues and soul paired with Hazlewood’s subterranean baritone would be best enjoyed with a tall Chivas in an offstrip seedy Vegas lounge. By 1972 Lee Hazlewood had settled in his new homeland of Sweden. His days were spent carousing, making movies with Torbjӧrn Axelman and releasing albums. To keep up his prolific recorded output, Lee began to mine the recently defunct LHI Records archives for material. One such gem, was an unreleased album by Larry Marks (lhi producer, artist and the voice of the first ScoobyDoo theme). Larry’s concept was to take Hazlewood’s strongest compositions and arrange them in a soul vibe. An album was completed, but with no distribution in America and no funding, Lee had no vehicle to release Larry’s record. The tapes were taken to Sweden, Larry’s voice was wiped and Hazlewood’s was dubbed… 13 was born.
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Avery Anna - Breakup Over Breakfast (Indies)
Avery Anna
Breakup Over Breakfast (Indies)
LP | 2024 | US | Original (Warner Music Nashville)
50,99 €*
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Release: 2024 / US – Original
Genre: Rock & Indie
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Travis Tritt - Proud Of The Country
Travis Tritt
Proud Of The Country
LP | 2024 | EU | Original (Painted Desert)
50,99 €*
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Release: 2024 / EU – Original
Genre: Rock & Indie
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Morita Douji - Sapporo Kyoikubunkakaikan 1980
Morita Douji
Sapporo Kyoikubunkakaikan 1980
2LP | 2024 | JP | Original (P-Vine)
50,99 €*
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Release: 2024 / JP – Original
Genre: Rock & Indie
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The only officially released live recordings of Doji Morita have been "Tokyo Cathedral Saint Mary Live" and "FM Tokyo Pioneer Sound Approach Live Recording", both recorded in 1978. This album contains live recordings in 1980, and this is the first time ever that recordings from this period have been released.
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Eliza Carthy & Jon Boden - Glad Christmas Comes Royal Blue Vinyl Edition
Eliza Carthy & Jon Boden
Glad Christmas Comes Royal Blue Vinyl Edition
2LP | 2023 | UK | Original (Hudson)
50,99 €*
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Release: 2023 / UK – Original
Genre: Rock & Indie
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Chuck Ragan - Live At Skaters Palace
Chuck Ragan
Live At Skaters Palace
2LP | 2014 | DE | Original (Uncle M)
49,99 €*
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Release: 2014 / DE – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Includes slipmat.
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Hexvessel - Dawnbearer Box Set Edition
Hexvessel
Dawnbearer Box Set Edition
2LP | 2022 | EU | Original (Svart)
49,99 €*
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Release: 2022 / EU – Original
Genre: Rock & Indie
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Limited Svart exclusive box set edition. The demo LP will not be available separately.

Hexvessel and Svart Records celebrate the 10 year anniversary of Hexvessel’s debut album Dawnbearer with a set of reissues, including CD, double vinyl plus an exclusive vinyl box set with a bonus LP containing demos and early versions of tracks on the album.

“Dawnbearer is a very important album for us, being our first album but also the first original album release for Svart Records. It’s also a very special record for our fans, and one that’s particularly close to my heart, in a world of its own when compared to the other records we have made. Considering that it’s been out of print now for some time, I’m delighted to be able to oversee a reissue of this album, together with original demos and out-takes, and liner notes showing the making of this album which carries the initial DNA of Hexvessel’s musical and spiritual journey”, says band leader Mat McNerney, “We haven’t touched a thing on the original layout, but added some bonus material for the limited edition, should you wish to own a luxury edition of this, our now classic debut.”

Hexvessel band was founded by English singer/songwriter Mat McNerney (Beastmilk, Grave Pleasures, Carpenter Brut etc) after he moved to Finland in 2009. Their style of music has been referred to as “forest folk” or as Noisey/Vice puts it: “Weaving English folk, lilting Americana, and mushroom-induced psychedelia”. Their debut album 'Dawnbearer' was released worldwide in 2011 on Svart Records and is considered to be an influential classic record of the modern Occult Rock revival. Highly popular with Hexvessel fans and unique in their catalogue, featuring guitars by Andrew McIvor (Code), violin work of Daniel Pioro (who works on Paul Thomas Anderson’s soundtracks with Jonny Greenwood from Radiohead), the early production work of Jaime Gomez Arellano (Ghost, Paradise Lost), and guest vocals from Carl Michael Eide (Virus, Ved Buens Ende, Aura Noir).

“Think Woven Hand, haunted ’60s/’70s pastoral folk, or a darker riff on Midlake. McNerney covers Clive Palmer’s post-Incredible String Band crew C.O.B. and successfully transforms and darkens Paul Simon’s “Diamonds On The Soles Of Her Shoes.” He quotes Crowley, Truman Capote, Isaac Babel, etc. Unlike black metal-ready folk, this is folk by a talented, ambitious black metal musician. But the energy’s there. As is the atmosphere.” - Stereogum

“(Part of) a new wave of bands who share many of the original occult bands' musical and philosophical characteristics, spearheaded by Ghost, from Sweden, and the Devil's Blood, from Holland – have begun to lure in a new generation of fans, predominantly from the metal scene, their names alone – Ancient VVisdom, Hexvessel, Blood Ceremony– point to a focused step back to the age of Wheatley and Hammer. ” - The Guardian (2011)
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Surya Botofasina - Everyone's Children
Surya Botofasina
Everyone's Children
2LP | 2022 | US | Original (Spiritmuse)
49,99 €*
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Release: 2022 / US – Original
Genre: Rock & Indie
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The phenomenal debut album by an extraordinary keyboardist and composer Surya Botofasina. Surya was taught in the tradition of Alice Coltrane, by Swamini Turiyasangitananda herself, at her Ashram in California where he grew up. Produced by and co-performed with Carlos Niño in Los Angeles, this is a unique, deep listening masterpiece of spiritual jazz and meditative sounds from a progressive Sonic Artist devoted to: "OneLove. Family. Music."
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The Flying Burrito Bros - The Gilded Palace Of Sin
The Flying Burrito Bros
The Gilded Palace Of Sin
LP | 1969 | US | Reissue (Intervention)
49,99 €*
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Release: 1969 / US – Reissue
Genre: Rock & Indie
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Mary Chapin Carpenter - Stones In The Road
Mary Chapin Carpenter
Stones In The Road
2LP | 2024 | Original (Real Gone Music)
49,99 €*
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Release: 2024 / Original
Genre: Rock & Indie
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Picture
Coming Soon
Kanazoe / Clotilde Rullaud / Abdoulaye Traore / Boubacar DJiga & Achille Nacoulma
Kananaye
LP | 2024 | EU | Original (Tzigart)
49,99 €*
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Release: 2024 / EU – Original
Genre: Rock & Indie
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Heilung - Lifa Iotungard Clear Vinyl Edition
Heilung
Lifa Iotungard Clear Vinyl Edition
2LP | 2024 | EU | Original (Season Of Mist)
49,99 €*
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Release: 2024 / EU – Original
Genre: Rock & Indie
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Preorder shipping from 2024-10-18
Heilung don’t play “shows”. They perform a ritual. Christopher Juul, Maria Franz, Kai Uwe Faust and their Nordic collective sweep audiences into rapture with throat singing, primordial rhythms, subtle electronic textures, a mesmerizing light show, an army of warriors and bursts of fire. What better place on earth to experience their ancient ritual than Red Rocks? The world-famous venue - which is located outside of Denver, Colorado, tucked between two giant sandstones - was once home to indigenous tribes. When Heilung performed on October 5th 2021, they recognized this history by inviting Natives to join the prayer that opens all of their rituals. “Remember that we all are brothers. All people, beasts, trees, and stones, and wind. We all descend from the one great being.” What followed was a night that no one would forget. Experience the magic of Heilung’s very first Red Rocks performance again and again on CD and vinyl. CD11. Opening Ceremony (01:03)2. In Maidjan (12:30)3. Alfadhirhaiti (07:23)4. Krigsgaldr (09:04)5. Hakkerskaldyr (03:33)6. Svanrand (03:31)CD27. Norupo (05:42)8. Othan (10:21)9. Traust (09:41)10. Elddansurin (07:25)11. Hamrer Hippyer (13:32)
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Abdullah Miniawy x DJ Hvad - Notice A Tiny Scratch For The Blue Behind
Abdullah Miniawy x DJ Hvad
Notice A Tiny Scratch For The Blue Behind
LP | 2022 | DK | Original (Ulllu)
49,99 €*
Incl. VAT plus Shipping Costs
Release: 2022 / DK – Original
Genre: Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: VG+
Vinyl with a couple of light scuffs. Cover with light ring wear
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Slovenska Gruda - Pesmi
Slovenska Gruda
Pesmi
LP | 1983 | EU | Reissue (Dezela)
49,99 €*
Incl. VAT plus Shipping Costs
Release: 1983 / EU – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: Near Mint
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Lee Hazlewood - Lee Hazlewoodism - Its Cause And Cure
Lee Hazlewood
Lee Hazlewoodism - Its Cause And Cure
LP | 2015 | US | Reissue (Light In The Attic)
49,99 €*
Incl. VAT plus Shipping Costs
Release: 2015 / US – Reissue
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
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V.A. - This Record Belongs To
V.A.
This Record Belongs To
LP | 2015 | US | Original (Light In The Attic)
49,99 €*
Incl. VAT plus Shipping Costs
Release: 2015 / US – Original
Genre: Organic Grooves, Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
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Lynched - Cold Old Fire
Lynched
Cold Old Fire
2LP | 2017 | IE | Reissue (Psalm O' The Vine Records)
49,99 €*
Incl. VAT plus Shipping Costs
Release: 2017 / IE – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Cover has a slightly bumped corner.
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Ryan Adams & The Cardinals - Cold roses
Ryan Adams & The Cardinals
Cold roses
2LP | 2005 | US | Original (Lost Highway)
49,99 €*
Incl. VAT plus Shipping Costs
Release: 2005 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
180g
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The Shacklefords - The Shacklefords
The Shacklefords
The Shacklefords
LP | 1966 | DE | Original (Capitol)
49,99 €*
Incl. VAT plus Shipping Costs
Release: 1966 / DE – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: G+
Sleeve has wear and scuffs.
LP has surface marks.
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Mukimukimanmansu - 2012 Black Vinyl Edition
Mukimukimanmansu
2012 Black Vinyl Edition
LP | 2024 | US | Original (Beatball)
49,99 €*
Incl. VAT plus Shipping Costs
Release: 2024 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2024-10-18
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The Grateful Dead - Live/Dead
The Grateful Dead
Live/Dead
2LP | 1969 | UK | Original (Warner Bros.)
49,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Record has scuffs and hairlines.
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