Folk 790 Items

Scott Kelly, Steve Von Till & Wino

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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“Authentic and personal, at times it reminds this writer of luminaries such as Jackson C. Frank, PF Sloan, Skip Spence, and Phil Orchs while never feeling derivative. The songs are melodic and haunting, fueled by existential woes, political angst, and good ol’ fashioned love. Scott’s rich voice has an unpretentious gravitas, his simple-yet-effective guitar playing ranging from delicate fingerpicking to angry bashing. Created at home on a Tascam 4-Track Portastudio, the recording features few frills and is all the better for it. Unlike most mid-80s records it sounds like it could have come from any time since the late ’60s onwards. As a testament to its greatness, and despite the late recording date, it even gets a nod on Patrick Lundborg’s “Acid Archives” compilation website, Lysergiawhere it’s described thus: “Late phase downer-loner folk and singer-songwriter trip, mostly acoustic, some tracks with a small band.” – Andrew Ure for Ugly Things.

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Songs Of Townes Van Zandt

LP | 2012 | EU | Original (Myproudmountain)

25,99 €*

Release: 2012 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Hands In The Dark)

Schatterau

24,99 €*

LP | 2024 | Original (Curb)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Here is the debut, self-titled album from Schatterau, a Hamburg-based three-piece band consisting of Daniel Jahn, Jonas Meyer and Tobias Rutkowski.

Having dug out their old 4-track cassette recorder, the group turned it into an instrument, spending many hours exploring textures, creating countless tape loops and weaving them into this elegantly crafted inaugural work of 15 miniatures.

At times, some of these fully realised, lo-fi ambient tales have a warm dream-like feel to them; the seemingly familiar then forms a powerful nostalgic statement. By contrast, some of those song-based vignettes tell poignant stories of blank space, self-alienation, impenetrable silence and growing up in the post-GDR era in a small town on the East German Baltic Sea.

The referents Schatterau grasps at seem to unravel as the journey goes by, making the listening of this impressively generous debut a playful experience, an inviting mellow walk down one and all’s inner memory lane.

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Sawyer Brown

Desperado Troubadours

25,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Batov)

Satellites

25,99 €*

LP | 2023 | US | Original (Rounder)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Lost somewhere between the mysterious alleys of 70s Istanbul and the scorching sun and crystal blue sea of Jaffa, Tel Aviv, Satellites self-titled debut album is set to be released on Batov Records.

The Şatellites’ sound shimmers between traditional Turkish folk and instrumentation, ethereal psychedelic guitar leads and groovy dance-floor baselines. The resulting concoction of songs draws on cross continental influence yet at its core is a desire to illuminate the vivid qualities of classic Turkish music, honouring the Anatolian folk and psych artists from this golden era of music.

From the funky disco beat of Disko Arabesque to the celestial lead guitar in Yağmur Yağar Taş Üstüne, the band add fire and flair to time-honoured pieces of Turkish music, giving them new meanings. Covering important tracks such as female singer Kamuran Akkor’s track Olurmu Dersin, and musician and guitarist Zafer Dilek’s Yekte, the album covers an array of original pieces of different musical styles and sounds, that once have and continue to flow out of Turkey.

The band boasts six members; Ariel Harrosh (Bass) Lotan Yaish (Drums), Yuli Shafriri (Vocals), Tsuf Mishali (Keys and Synths), Tal Eyal (Percussion) and Itamar Kluger (Diwan saz, both electric and acoustic, electric baglama, Greek 4 double string bouzouki). They came together some years after band leader Itamar Kluger discovered the saz whilst travelling the Kaçkar mountains in Turkey’s eastern region. The saz being a long-necked, plucked stringed instrument native to the rural areas of the country, which remains an integral part of Şatellites’ union, and plays predominance throughout the bands’ album and music.

In the same way the guitar was electrified in the 1930s, the electrification of the saz in the 1960s led to an explosion of rock music dredged in middle eastern influence, a musical genre fittingly called “Anatolian Rock” and based on the principles of Anglo-American and psychedelic rock music, yet incorporating the style, rhythm, and scales of traditional Anatolian folk music.

As such, throughout the creation of the album, the band conceived the idea of intertwining differing elements such as the groove of funk, the rhythm of disco, and the reverb of psychedelic, with traditional middle-eastern rhythm and structure, opening up the wealth of Turkish music to the western world, so that anyone and everyone can relate to something from the album.

With that said, Şatellites emphasise that their music is not fundamentally Turkish music, on the contrary, they merely try to sound as close to the genre as possible. Their sole aim is to honour this amazing culture and to present it to the world in a more accessible and attainable form.

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Sarah Jarosz

Polaroid Lovers

30,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Melody Place)

Sara Evans

Unbroke

37,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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They Call Me Contry Blue Vinyl Edition

Sanford Clark

LP | 1968 | US | Reissue (Numero Group)

29,99 €*

LP | 1978 | US | Original (Family Owl Productions)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Propelled by his 1956 Lee Hazlewood-produced hit "The Fool," Sanford Clark was already a rockabilly legend in his own right by the time he swapped his hair gel and switchblade for a pair of cowboy boots on They Call Me Country. Recorded between 1965-67 and originally released as a series of singles for Phoenix's Ramco label, the 12 tracks on this LP borrow Bakersfield's outlaw sound and ignore Nashville's countrypolitan flair, standing as a true lost masterpiece of country music's third generation. Clark's booming baritone tells tales of bar fights, heartaches, and drinking til you can't stand, while Waylon Jennings provides a backdrop of fuzzed out guitar twang. Mastered from the original session tapes and back on vinyl for the first time since the Nixon administration.

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Sandy Nassan

8,99 €*

Tape | EU | Original (Alam El Phan)

Release: 1978 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: G+

Includes signed insert by Sandy.
Cover with seam split.

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Samira Saeed

Kol De Eshaat

Release: EU – Original

Genre: Rock & Indie

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Sam Reider And The Human Hands

The Golem And Other Tales

LP | 2024 | Original (Human Hands Music)

35,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | Original (Cooking Vinyl)

Sam Lee

Songdreaming

Release: 2024 / Original

Genre: Rock & Indie

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2LP | 2017 | US | Original (Axster Bingham)

Ryan Bingham

Ryan Bingham Live

24,99 €*

Release: 2017 / US – Original

Genre: Rock & Indie

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LP | 2024 | Original (True North)

Ruth Moody

Wanderer

Release: 2024 / Original

Genre: Rock & Indie

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Bubuj Bulan / Naghm El Uns

Rully DJohan / Munif

12" | 2023 | UK | Original (Soundway)

14,99 €*

3LP | 2018 | EU | Original (One Little Independent)

Release: 2023 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Following on from Soundway’s 2022 compilation, Padang Moonrise, are two late 1960s tracks from Java, Indonesia. one instrumental psychedelic organ version of Classic Indonesian track ‘Bubuj Bulan’ and the other a raw funk cut sung in Arabic. Rully Djohan recorded this unique, psychedelic instrumental version of Benny Corda’s classic ‘Bubuj Bulan’ for his album of instrumental organ versions of popular Indonesian songs recorded in 1971-72. With echoes of Indian, Ethiopian and Egyptian jazz melded with traditional Javanese music this version is a shimmering, dubbed-out take on a song that has been recorded by many Indonesian vocalists. Djohan is backed by The Galaxies Band, and led by one of Indonesia’s most original band leaders and arrangers Jopie Item, who also plays sitar and guitar alongside Djohan’s electric organ. On the flip-side, Munif Bahasuan delivers a deep funk track sung in Arabic. Munif was a Jakarta-based vocalist who sung mostly in Arabic and English. Jakarta has a small population of Arabic, ethnically Middle Eastern people who settled in Indonesia via connections with Islam and Islamic culture, the dominant religion in Java, Sumatra and many other of the main islands in the Indonesian archipelago.

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Ruby Throat

Stone Dress

Release: 2018 / EU – Original

Genre: Rock & Indie

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In Dreams The Greatest Hits

Roy Orbison

2LP | 1987 | DE | Original (Virgin)

Release: 1987 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1978 | GDR | Original (AMIGA)

Roger Whittaker

3,99 €*

Release: 1978 / GDR – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1972 | US | Original (Mercury)

Rod Stewart

Never A Dull Moment

2LP | UK | Original (Honest Jon's)

Release: 1972 / US – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing.

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Rocket Juice & The Moon

Manuela Dub

27,99 €*

Release: UK – Original

Genre: Rock & Indie

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Lullaby Renditions Of Johnny Cash

CD | 2018 | US | Original (Rockabye Baby Music)

Release: 2018 / US – Original

Genre: Rock & Indie, Childrens

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Lullaby Renditions Of Johnny Cash

LP | 2024 | US | Original (Rockabye Baby Music)

36,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie, Childrens

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Lullaby Renditions Of Dolly Parton

LP | 2023 | US | Original (Rockabye Baby Music)

32,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie, Pop, Childrens

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Lullaby Renditions Of Dolly Parton

CD | 2021 | US | Original (Rockabye Baby Music)

Release: 2021 / US – Original

Genre: Rock & Indie, Pop, Childrens

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Laiko Rock From Turkey 1968-1974

Risar & Kupa 4

LP | 2021 | EU | Original (Ironhand)

15,99 €*

Tu, Forse Non Essenzialmente Tu / I Tuoi Occhi Sono Pieni Di Sale 50th Anniversary Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Kupa 4 (Kupa Dörtlüsü) was a band formed of Greek and Turkish musicians who lived in a mutual culture in İstanbul (or Constantinople). Their roots connected to rebetiko and laiko, but they were also children of the revolution. Therefore while playing in a tradition of a laiko band, they also had influences from beat and surf. Groovy drumming, Killer Farfisa, and bouzouki-like electric guitar sounds are the key elements in Kupa 4's soundscape.

The band rocked the taverns in Turkey and attracted both minorities' and Turks' attention until the Cyprus crisis in 1974. In this compilation, you will be hearing the recordings of Kupa 4, where they performed a unique laiko beat/surf style made in Turkey. Plus, in 2 tracks, you will listen to the band performing as an influential Anatolian Rock band.

Presented with a liner notes, archieve photos and a great re-mastered sound.

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Rino Gaetano

7" | 1974 | EU | Reissue (RCA)

20,99 €*

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Ingresso Libero 50th Anniversary Picture Discl Edition

Rino Gaetano

LP | 1974 | EU | Reissue (RCA)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Ingresso Libero 50th Anniversary Black Vinyl Edition

Rino Gaetano

LP | 1974 | EU | Reissue (RCA)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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LP | 2016 | EU | Original (Decor)

Richmond Fontaine

The Fitzgerald

Release: 2016 / EU – Original

Genre: Rock & Indie

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LP | 1971 | DE | Original (Metro)

Richie Havens

Indian Rope Man

14,99 €*

Release: 1971 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

LP+CD | 2015 | US | Original (Nonesuch)

Rhiannon Giddens

Tomorrow Is My Turn

32,99 €*

Release: 2015 / US – Original

Genre: Rock & Indie

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Im Banne Einer Blassen Stunde

Renate Thormelen

LP | 1968 | GDR | Original (LITERA)

3,99 €*

Release: 1968 / GDR – Original

Genre: Rock & Indie, Pop, Comics, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1974 | US | Reissue (Mobile Fidelity)

Ravi Shankar

Shankar Family & Friends

49,99 €*

Release: 1974 / US – Reissue

Genre: Rock & Indie

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Dancing On The Head Of The Serpent

Rasa

LP | 1982 | EU | Original (Lotus Eye Music)

3,99 €*

LP | 1980 | JP | Original (MCA)

Release: 1982 / EU – Original

Genre: Organic Grooves, Rock & Indie, Reggae & Dancehall

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Used Vinyl

Medium: VG+, Cover: VG

Cover is close to VG+!

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Rafe Van Hoy

Prisoner Of The Sky

LP | 1985 | EU | Reissue (Naya Beat)

Release: 1980 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

No Obi, with insert.

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Pinky Ann Rihal

Tere Liye (Hindi Disco)

12" | 2023 | UK | Original (Soundway)

Release: 1985 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Cult South Asian New Wave! Naya Beat is proud to announce its second release, Tere Liye, the highly sought after and impossible to find New Wave album by the unsung pioneers of the British Asian music scene, Pinky Ann Rihal. Remastered for vinyl by multi Grammy-nominated Frank Merritt at The Carvery and available for the first time since its limited 1985 release, the album is as fresh and relevant today as it was 37 years ago. South Asian New Wave. Four words that you will rarely see together. Pinky Ann Rihal were the brainchild of two London-based Punjabi immigrants and progressive rock musicians – Harry Rihal and Jati Sodhi – at a time in the U.K. when progressive rock musicians were almost exclusively white and Punjabi musicians were almost exclusively making Bhangra. Encouraged by their friend and disco pioneer Biddu (yes, that Biddu!), they cut ‘Tere Liye’ – a one-off Hindi-language New Wave album with producer John Hamilton and vocalists Pinky Rihal (married to Harry) and Anne Barrett (married to John). It is an album that exemplifies the cultural collaboration and musical synthesis of the time. Complementing the rich, cosmic and layered synths and drum programming of Hamilton and the distorted guitars of Rihal and Sodhi are the Hindi lyrics of vocalists Pinky and Anne. The result is an amazing one-of-a-kind South Asian New Wave album. Nothing like it has come out before or since. Stymied on its original release by bungled distribution, poor marketing and plenty of bad luck, this incredible album seemed destined to be lost to history. With Asian electronic music in the U.K. seeing a rebirth and capturing imaginations around the world,‘Tere Liye’ can finally take its rightful place as one of the pioneering albums of the Asian underground. This is Naya Beat’s second release in a series of reissues, reworks and remixes, and compilations dedicated to uncovering electronic and dance music from the overlooked ‘80s and ‘90s South Asian music scene. Their first release Naya Beat Volume 1: South Asian Dance and Electronic Music 1983-1992 was named by the Vinyl Factory as the Number 1 reissue of 2021

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Pigeon

Backslider

16,99 €*

LP | 1979 | JP | Original (Better Days)

Release: 2023 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker

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Peter Rowan

Hiroshima Mon Amour

39,99 €*

Release: 1979 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing, comes with Obi and inserts.

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This Is Peter, Paul & Mary

2LP | 1969 | JP | Original (Warner Bros. - Seven Arts)

4,99 €*

Release: 1969 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: G+, Cover: VG

Japanese pressing without OBI. Vinyl 1 has many scuffs, hairlines and sticky spots.

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The Most Beautiful Songs Of Peter, Paul And Mary

2LP | DE | Reissue (Warner Bros.)

5,99 €*

Release: DE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

The Best Of Peter, Paul And Mary

LP | 1966 | JP | Original (Warner Bros.)

Release: 1966 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Red vinyl. Japanese pressing.

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Peter, Paul And Mary: The Best Collection

LP | 1983 | JP | Original (Warner Bros.)

LP | 1981 | UK | Reissue (Track)

Release: 1983 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: G+, Cover: VG

Japanese pressing without OBI, with insert. Vinyl with foxing and marks. Cover close to VG+

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Pete Townshend

Who Came First

10,99 €*

Release: 1981 / UK – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Pete Seeger's Greatest Hits

Pete Seeger

LP | 1969 | JP | Original (CBS/Sony)

17,99 €*

Perth County Conspiracy (Kanada)

Release: 1969 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. close to NM. With insert

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Perth County Conspiracy

LP | 1975 | GDR | Original (AMIGA)

5,99 €*

Release: 1975 / GDR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1973 | US | Original (Columbia)

There Goes Rhymin' Simon

Release: 1973 / US – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Cover has a cut corner.

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LP | 1972 | JP | Original (CBS/Sony)

Release: 1972 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing, no Obi.

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LP | 1980 | JP | Original (Warner Bros.)

One-Trick Pony

Release: 1980 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

No Obi, with insert.

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LP | 1983 | JP | Original (Warner Bros.)

Hearts And Bones

Release: 1983 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

No Obi, with insert.

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LP | 1977 | US | Original (Columbia)

Greatest Hits, Etc.

Release: 1977 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1986 | EU | Reissue (Columbia)

Graceland

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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LP | 1976 | US | Reissue (Now-Again)

Paul Ngozi

The Ghetto

29,99 €*

Folk Funk & Trippy Troubadours Volume Two

Release: 1976 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-07-12

Celebrated Zambian guitarist and bandleader Paul Ngozi’s concept album about the stuggles of those living in Africa’s 1970s townships Includes Oversized 8 Page Booklet That Details Paul Ngozi and The Ngozi Family’s Arc, Including Rare Photographs, Discography And Annotation The third entry in an era-defining reissue series on Now-Again centered around this Zamrock legend and his band - previous entries include Day Of Judgement and 45,000 Volts "Zambia’s Zamrock movement that exploded in the 1970s...provided young musicians access to European and American music, and created a unique sound. At its root, Zamrock melded fuzz-toned psychedelia, chugging garage rock and roiling funk with a broad mix of African cadences and beats...enlivening a scene that included bands like Musi-O-Tunya, Amanaz and the Ngozi Family” - Zamrock was a bona-fide rock scene: on the African continent, only Nigeria can claim one so comprehensive, and Nigeria’s was largely catalyzed and funded by subsidiaries of the European major labels. Zamrock was as independent as the newly-named country, formerly known as Northern Rhodesia. Zamrock is starting in its completeness, especially for a scene that emerged, unfurled and disappeared so quickly. From Musi-O-Tunyaís fusion of Fela’s Afro-beat, Hendrix’s rock, South African jazz and traditional Zambian melodies and rhythms to Salty Dog’s acid folk/rock, Zambia’s rock scene contained all of rock’s subgenres. Zamrock was much more than an imitation of American and European rock music: it quickly became a uniquely Zambian movement, befitting of its name. Witch, Paul Ngozi and Amanaz sound nothing like other rock music from the African continent - or elsewhere.

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Paul Hillery Presents

2LP | 2023 | UK | Original (Re:Warm)

44,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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LP | 1981 | US | Original (Philadelphia International)

Patti LaBelle

The Spirit's In It

12" | 2023 | EU | Original (Apport)

Release: 1981 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Writing on cover.
Includes original inner sleeve.

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Patrick Wolf

The Night Safari

Release: 2023 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Antes De Existir O Mundo Blue Vinyl Edition

Passaro

LP | 2022 | UK | Original (Shika Shika)

28,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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Передай Добро По Кругу = Pass Around The Good

Сато

LP | 2019 | RU | Reissue (Soviet Grail)

35,99 €*

Release: 2019 / RU – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

The Series Of Music For Young Adults: Iranian Folk Songs Blue Vinyl Edition

Pari Zangeneh

LP | 1976 | EU | Reissue (Pharaway Sounds)

28,99 €*

Pape Nziengui Et Son Groupe

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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Blue Vinyl Limited TO 318 Hand-numbered Copies

Travel back in time to the modern pre-Revolution Teheran and dig this wonderful, ear-catching album from 1976 by Iranian female singer Pari Zangeneh. Traditional Persian folk songs with a lovely, sweet psychedelic flavor with the use of beautiful strings, flutes, charming and tasty drumming, some organ and orchestration, percussions… imagine a Persian version of Mellow Candle or Vashti Bunyan and you’re there! Born in 1939 in Kermanshah (Iran), Pari Zangeneh is a Soprano singer that lost her sight after a car accident in 1972. Her work over the years on restoring traditional Persian music and regional folk songs is invaluable. In 1976 she recorded this very unique album commissioned by Kānoon (Institute for the Intellectual Development of Children and Young Adults), a social organization that produced many kinds of materials (books, films, records) for children in Iran. The arrangements were done by Varoujan (famous for his work with Googoosh, Dariush, etc…) *Sourced from the original masters *Hard cardboard sleeve + OBI

* Includes download card

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Kadi Yombo

Tape | 2022 | US | Original (Awesome Tapes From Africa)

12,99 €*

Papa Wemba Et Viva La Musica

Release: 2022 / US – Original

Genre: Organic Grooves, Rock & Indie

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Kadi Yombo, published in 1989, is the most successful album in the quest for a fusion between tradition and modernity in Bwiti harp music of the Tsogho people of Gabon. Combining beating rattles with a layer of synthesizers, Papé Nziengui blends in a contrapuntal dialogue characteristic of harp playing: male song in appeal and female choir in response, male voice of the musical arc and rhythms of female worship. But above all it's Tsogho ritual music and modern studio orchestration. The result is an initiatory itinerary of 10 musical pieces which are all milestones likely to be simultaneously listened to, danced, meditated on, and soon acclaimed. In the years since, Nziengui has traveled he world from Lagos to Paris, from Tokyo to Cordoba, from Brussels to Mexico City to become a true icon, the emblem of Gabonese music. Like Bob Dylan, "electrifying" folk and Bob Marley mixing rock with reggae, some purists have criticized Nziengui for having distorted the music of harp by imposing a cross with modern instruments. They even went so far as to claim that Nziengui was just an average harpist covering his shortcomings with stunts that were only good for impressing neophytes; like playing a harp placed upside down behind his back or playing two or three harps simultaneously. Sincere convictions or venomous defamations, in any case, Nziengui never gave in to such attacks, imposing himself on the contrary to pay homage to the elders (Yves Mouenga, Jean Honoré Miabé, Vickoss Ekondo) while instructing the maximum of young people. He is thus the promoter of many young talents, the most prominent of which is certainly his nephew Jean Pierre Mingongué. In a conservative society where the sacred is confused with secrecy, exposing the mysteries of Bwiti in broad daylight can be punished by exclusion or even execution. Papé Nziengui has always claimed that he faces such risks because he never felt enslaved to a community that governs his life, that regulates his conduct, that has a right of censorship over his activities. Like Ravi Shankar, the famous sitarist, Papé Nziengui is a man of rupture but also of openness, a transmitter of culture. As proof, he has established himself in Libreville, Gabo's capital, as the main harpist for sessions and concerts, accompanying the greatest national artists (Akendengué, Rompavè, Annie-Flore Batchiellilys, Les Champs sur la Lowé, etc.) as well as foreign artists (Papa Wemba, Manu Dibango, Kassav', Toups Bebey, etc.). In 1988, he was the first harpist to release an album in the form of a cassette produced by the French Cultural Center (Papé Nziengui, Chants et Musiques Tsogho). At the same time, he created his own group (Bovenga), combining traditional music instruments (musical bow, drums, various percussion instruments, etc.) in the framework of a true national orchestra, which gave the first concert and the first tours of a traditional music that was both modern and dynamic, thus "democratizing" the harp, to the dismay of certain purists. On the other hand, in modern music, dominated by the logic of profit or even commercialism, artistic creation must often be adjusted for a specific audience based on reason rather than heart. But instead of allowing himself to be distorted, Papé Nziengui has always tried to produce music that is not a caricature, worthy in its expression as in its content, of the sacredness and transcendence of the music of the Origins. This is what makes Nziengui-not only the musician, but the man-someone whose age hasn't altered any of his freshness or authenticity.

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Papa Wemba Et l'orchestre Viva La Musica

2LP | 1986 | JP | Original (Pili-Pili)

Orchestra „Doina Gorjului” Dirijor: Gelu Barabancea

Release: 1986 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

No Obi, with insert.

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Gorj

LP | 1973 | RO | Original (Electrecord)

Orchester Des Wachregiments "Feliks Dzierzynski" Berlin, Chor Des Wachregiments "Feliks Dzierzynski" Berlin

Release: 1973 / RO – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl close to VG+

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Du, Unsere Republik

LP | 1979 | GDR | Original (Not On Label)

Release: 1979 / GDR – Original

Genre: Rock & Indie, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG

LP | 2023 | EU | Original (Agogo)

Opez

Social Limbo

Buena Vista Social Club Presents (Limited Purple Color Vinyl)

Release: 2023 / EU – Original

Genre: Rock & Indie

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A collection of eleven dreamy, rough, abundant instrumental songs which have the guts to subsist and survive the fluidity of our times. With his melodies Massi Amadori tells the nostalgia and melancholy of a lived, loved and consumed Italy.

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Omara Portuondo

LP | 2021 | UK | Reissue (BMG)

34,99 €*

Olivia Newton-John's Greatest Hits

Release: 2021 / UK – Reissue

Genre: Rock & Indie

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Limited Purple Color Vinyl For National Album Day 2021 - Celebrating Women In Music. 1500 Units for UK. Omara Portuondo, the leading lady of the Buena Vista Social Club, is one of Cuba’s most celebrated voices. The album ‘Buena Vista Social Club Presents Omara Portuondo’ was released in 2000 in the wake of the phenomenal reception of the original Buena Vista Social Club album. Recently remastered from the analogue masters specially for its first LP release, this edition sees the album pressed on limited edition purple vinyl.

Omara is backed by a dream band formed of many of the original Buena Vista Social Club members including Ibrahim Ferrer (vocals), Rubén González (piano), Compay Segundo (guitar) and Orlando ‘Cachaito’ Lopez (bass).

“The kind of record that forces you to stop worrying and enjoy life to the fullest.. an exquisite trip to the heart of Afro-Cuba.” – Rolling Stone

“This album adds yet another magical chapter to the Buena Vista legend.” - Uncut

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Olivia Newton-John

LP | 1977 | JP | Original (EMI)

14,99 €*

2LP | 1976 | JP | Original (EMI)

Release: 1977 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing. tiny wear

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Olivia Newton-John

Crystal Lady

Sigarasi Yaldizi / Mastika

Release: 1976 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI. Original inner sleeves.

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Oldu O Zaman

7" | 2023 | EU | Original (Les Disques Bongo Joe)

13,99 €*

LP | 2022 | US | Original (Green Cookie)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Cansu Ak, Tolga Horasanli and Mehmet Koray Erol came together in 2019 to produce their own music with creating the band "oldu o zaman". Since they gathered as a band, 2 songs written, composed and arranged by them have been released by Avrupa Müzik. After that, the band decided to make their mutual dream which is covering and arranging Turkish traditional well-known folk songs with psychedelic and electronic elements to create a unique sound with their own touch. There was a psychedelic music trend in 70"s used in traditional Anatolian folk songs. Oldu o Zaman rearranged famous tavern song "Sigarasi Yaldizli" and a well known Turkish gipsy song "Mastika" by using this trend in electronic form.

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Ojibo Afrobeat

Ojiboland

Release: 2022 / US – Original

Genre: Rock & Indie

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LP | 1963 | JP | Original (Vanguard)

Odetta

The Art Of Odetta

Release: 1963 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1991 | EU | Reissue (Decca)

Nusrat Fateh Ali Khan

Shahbaaz

28,99 €*

Release: 1991 / EU – Reissue

Genre: Rock & Indie

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7" | 2024 | EU | Original (Les Disques Bongo Joe)

Nusantara Beat

Kota Bandung / Layung

15,99 €*

LP | 2020 | US | Original (Third Man)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Nusantara Beat strikes back with a brand new 7""! After the success of Djanger / Borondong Garing, Bongo Joe Records and Lamunai Records cooperate again to delvier these two amazing tracks fusing modern influenced grooves and traditional Indonesian sonorities!

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North Americans

Roped In

Release: 2020 / US – Original

Genre: Rock & Indie

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I'm The Sky: Studio And Demo Recordings, 1964-1971

Norma Tanega

2LP | 2022 | EU (Anthology)

35,99 €*

Release: 2022 / EU

Genre: Rock & Indie

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LP | 1971 | US | Original (United Artists)

Nitty Gritty Dirt Band

All The Good Times

LP | 1974 | UK | Reissue (Time Capsule)

Release: 1971 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Cover has a cut corner.

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Niningashi

Heavy Way

Nils Berg & Mikael Augustsson

Release: 1974 / UK – Reissue

Genre: Rock & Indie

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A long-lost Japanese acid folk gem, Niningashi’s 1974 private press debut Heavy Way shimmers with originality, deft song writing and a dream-like groove.

Although he was training as a pharmacist, Kazuhisa Okubo was much more interested in prescribing musical medicine.

A coming-of-age album, Heavy Way captured a turning point in Okubo’s life, and Japanese society more widely as a nostalgia for the pastoral calm of the traditional life, met the cosmopolitan thrill of coffee, sex and cigarettes in the big city.

Intoxicated by Tokyo, driven by a passion for music and surrounded by a thriving acid folk scene, the young student filtered his experiences through a psychedelic cocktail of soulful influences from the US and Japan.

Niningashi was his first band, and Heavy Way was their only album. It was honest and raw, deep and strangely funky, in an off-beat kind of way. Across nine tracks, Okubo and the 6-piece band put their own spin on the new folk sound of Japan, combining witty lyrics with electric guitar-driven solos and crisp, understated grooves.

Melancholy and profound, opening track ‘Ameagari’ feels like a synthesis of Harvest-era Neil Young and Haruomi Hosono’s Happy End. Then there’s the whimsical washboard country sound of ‘Semai Boku No Heyade’; the moody, low-lit charm of ‘Restaurant’; and ‘Hitoribotchi’, a sensitive portrayal of childhood, steeped in memories of rainfall that will resonate with fans of Woo and Mac Demarco.

While Okubo would go on to taste success with psychedelic folk bands Neko and Kaze, the latter of which scored three #1 albums, little is known about his mysterious debut with Niningashi.

Self-released by Okubo in 1974, and featuring album artwork by his brother, it has slowly generated a cult following online, intrigued by its soft and enchanting sound. So few records were ultimately pressed that those remaining have fetched up to £1,500 online.

Featured on Time Capsule’s era-spanning collection Nippon Acid Folk, Niningashi’s Heavy Way is a deep-cut grail of a vibrant time in Japan’s musical history, where even the pharmacists were making jams.

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Gubbstol 1937

LP (Hoob)

20,99 €*

Genre: Rock & Indie

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Denim & Diamonds Opaque Yellow Vinyl Edition

Nikki Lane

LP | 2022 | US | Original (New West)

Heroine Clear Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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From the first bass note within the driving drum beat you can tell something is different about the new record from Nikki Lane. The backbeat feels like a gutsy strut while the lead guitar feels like a revved up engine shifting gears. Denim & Diamonds comes out firing, spit shining the cowboy boots and tossing on a jean jacket. Produced by Joshua Homme (Queens of the Stone Age), Denim & Diamonds has the Highway Queen embracing a more rock-oriented sound while still maintaining the heartfelt outlaw country sound she has developed across her previous three releases. Denim & Diamonds still has the fuck-off flare of which Nikki has come to be known. Her stylized, story-telling lyrics are all there as well as her catchy country hooks. The outlaw country sound is now balanced out with a gritty guitar and a machine gun snare that echoes the sound of 70’s rock. Nikki Lane has made a record that sounds new and old. Familiar and surprising. She embraces where she has come from, (“First High”, “Born Tough”) the lessons learned along the way, (“Good Enough”, “Try Harder”) all while doing things her way, (“Denim & Diamonds”, “Black Widow”).

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Nico

LP | 2019 | EU | Original (Tiger Bay)

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2013 | EU | Reissue (Island)

Pink Moon

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Mint, Cover: Sealed

LP | 1969 | US | Reissue (Island)

Five Leaves Left

38,99 €*

Release: 1969 / US – Reissue

Genre: Rock & Indie

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LP | 2013 | EU | Reissue (Island)

Five Leaves Left

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Mint, Cover: Sealed

LP | 1970 | DE | Reissue (Motown)

Bryter Layter

36,99 €*

Release: 1970 / DE – Reissue

Genre: Rock & Indie

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LP | 2013 | EU | Reissue (Island)

Bryter Layter

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Mint, Cover: Sealed

Nick Cave & The Bad Seeds

Tender Prey

LP | 2014 | EU | Reissue (Mute)

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Mint, Cover: Sealed

10" | 2022 | Original (Cave Things)

Nick Cave

Seven Psalms

Release: 2022 / Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Musica Para 10m2 De Relva Sintetica

Niagara

Tape | 2024 | EU | Original (Sucata Tapes)

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie

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LP | IT | Original (Base)

New Order

Low-life

27,99 €*

LP | 2015 | TR | Original (Bayar Müzik)

Release: IT – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Copy close to VG+

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Neset Ertas

Ölümsüz Türküler 1

LP | 1988 | EU | Reissue (Supraphon)

Release: 2015 / TR – Original

Genre: Rock & Indie

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Neşet Ertaş is a Turkish folk poet, the last great representative of Turkish culture and musical tradition. He is also known as the "Bozkırın Tezenesi ". On the albums he released from the 1950’s onwards, he recorded Central Anatolian folk songs and dance tunes as well as the folk songs he learned from his father Muharrem Ertaş. Starting in the 1960’s, he began to write both lyrics and compositions. He used the pseudonym "Garip", and from the 1970’s onwards, his folk songs were interpreted by many artists of the period. In 2009, he was deemed worthy of being included in UNESCO's Living Human Treasure inventory. This album contains 10 songs performed by the great master in 1998. "Güzel Ne Güzel Olmuşsun", "Hapishanelere Güneş Doğmuyor", "Neredesin Sen" and "Zahide" are the most remarkable tracks on the album

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Nerez

Na Vareny Nudli

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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LP | 2020 | EU | Original (Reprise)

Neil Young

Homegrown (1975)

Nathaniel Rateliff And The Night Sweats

Release: 2020 / EU – Original

Genre: Rock & Indie

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Neil Young finally releases his 1975 album "Homegrown" which was shelved back then due to him feeling uncomfortable with it being to personal.

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Nathaniel Rateliff & The Night Sweats

LP | 2015 | EU | Original (Stax)

33,99 €*

LP | 1973 | EU | Reissue (Sudiphone)

Release: 2015 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed.

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Nass El Ghiwane

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Nancy & Lee Again Clear W/ Black White Vinyl Edition

Nancy Sinatra

LP | 1972 | US | Reissue (Light In The Attic)

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Nancy Sinatra & Lee Hazlewood

Nancy & Lee Black Vinyl Edition

LP | 1968 | US | Reissue (Light In The Attic)

24,99 €*

Nancy Sinatra & Lee Hazlewood

Release: 1968 / US – Reissue

Genre: Rock & Indie

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First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive
Beautifully packaged and expanded gatefold LP featuring a 20-page booklet

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

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Nancy & Lee Again Black Vinyl Edition

LP | 1972 | US | Reissue (Light In The Attic)

Nancy Sinatra & Lee Hazlewood

Release: 1972 / US – Reissue

Genre: Rock & Indie

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* LP available on Standard Black Wax plus Special Limited Color Editions * First ever reissue of Nancy & Leeâ€™s 1972 classic * Includes bonus tracks â€œMachine Gun Kellyâ€ and the previously unreleased â€œThink Iâ€™m Coming Downâ€ * Newly remastered from the original analog tapes by GRAMMYÂ®-nominated engineer John Baldwin * Vinyl pressed at RTI * Beautifully packaged and expanded gatefold LP featuring a 20-page booklet * Q&A with Nancy & GRAMMYÂ®-nominated reissue co-producer Hunter Lea * Never-before-seen photos from Nancy Sinatraâ€™s personal archive

Light in the Attic Records is proud to present the next installment of the _Nancy Sinatra Archival Series_ with the first ever reissue of the classic 1972 album _Nancy & Lee Again_. Recorded during a 1972 reunion between Nancy and the enigmatic Hazlewood, the album contains some of the pairâ€™s most enduring and ambitious duets including the epic â€Arkansas Coal (Suite),â€ the sensual â€œParis Summerâ€ and the incredibly powerful Dolly Parton-penned â€œDown From Dover.â€ Equal parts daring, psychedelic, cinematic, and sweet, _Nancy & Lee Again_ reveals with each track a timeless, natural chemistry between two artists who would remain influential for generations to come.

_Nancy & Lee Again_ is available in a variety of formats, including vinyl, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and is accompanied by a 20-page booklet, featuring an array of photos from the legendary singer, actress, and activistâ€™s personal collection, as well as in-depth Q&A with Nancy Sinatra, conducted by the reissueâ€™s Grammyâ®-nominated co-producer, Hunter Lea (also available in the CD package). All formats have been beautifully designed by Darryl Norsen of D. Norsen Design, and include two bonus tracks, â€œMachine Gun Kellyâ€ (first time on vinyl) and the previously unreleased â€œThink Iâ€™m Coming Down.â€

In addition to the black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

A limited-edition merchandise capsule, including a custom chain stitched denim jacket, embroidered pillow, canvas tote and apparel collaboration with LA-based Midnight Rider will accompany the release at Nancyâ€™s Bootique at *NancySinatra.com*.

Nancyâ€™s impact on fashion, music, and culture will also be celebrated at Modernism Week in Palm Springs this February with three events, including a roundtable discussion featuring Kii Arens (Visual Artist), Alison Martino (Vintage Los Angeles), Hunter Lea (Record Producer), Don Randi (The Wrecking Crew), and Amanda Erlinger (daughter of Nancy Sinatra, and co-author of the book _Nancy Sinatra: One For Your Dreams_), a double decker bus tour featuring audio commentary from Nancy at notable locations, and a Nancy Sinatra Tribute street party on Arenas to close out the weekâ€™s festivities.

*more About _nancy & LEE AGAIN_:*

The incongruous, yet glorious, creative partnership between Nancy Sinatra and Lee Hazlewood was well underway when the two singular artists reunited to record 1972â€™s _Nancy & Lee Again_, a follow-up to their bestselling duet debut, _Nancy & Lee_. Nancy, the eldest daughter of Frank Sinatra, had been working with the Oklahoma-born songwriter since 1965, when she topped the pop charts with â€œThese Boots Are Made For Walkinâ€™.â€ Over the next five years, the two artists forged a prolific relationship in the studio, with Hazlewood writing and producing many of Nancyâ€™s solo hits. Soon, the duo found success with a series of duets, including â€œSand,â€ â€œSummer Wine,â€ and â€œSome Velvet Morningâ€ â€“ all of which appeared on their highly-influential 1968 debut.

Not long after the critical acclaim and chart success of Nancy & Lee died down, however, Hazlewood unexpectedly relocated to Sweden, leaving his musical partner in the proverbial dust. America, meanwhile, was in the midst of a cultural shift, as the Vietnam War waged on. By the turn of the decade, the musical landscape had changed significantly. â€œTrivial music and not profound music became unimportant,â€ recalls Nancy, speaking to Hunter Lea. â€œIt was a tough time.â€ And yet, despite the circumstances, the stars somehow aligned for the duo to record some of their most magnificent music together.

Returning to Los Angeles for the project, Hazlewood â€“ who reprised his role as producer â€“ chose to take a new direction with the duoâ€™s sophomore album. Nancy recalls, â€œIt was more dramatic; it was more fun to do, more challenging to doâ€¦. It was more grandiose.â€ For the lush, orchestral arrangements, they collaborated with Larry Muhoberac (an original member of Elvis Presleyâ€™s TCB band, whose early â€˜70s credits also included Barbra Streisand, Neil Diamond, and Lalo Schifrin) and Clark Gassman, who had worked on Hazlewoodâ€™s 1970 LP, _Cowboy in Sweden_. Backing vocals from brothers John and Tom Bahler, who remain two of the most recorded singers in history, added additional texture to several songs.

The big sound that Nancy describes above is exemplified in the albumâ€™s cinematic opener, â€œArkansas Coal (Suite).â€ Clocking in at nearly six minutes long, the dynamic overture tells the tale of an ill-fated coal miner (sung by Hazlewood), while Nancy adjusts her vocals to sing as both the minerâ€™s daughter and his wife. Hazlewoodâ€™s knack for vivid, nuanced storytelling shines throughout _Nancy & Lee Again_, particularly in â€œParis Summer,â€ which details the conflict that a married woman faces, as she engages in a passionate affair. Another highlight is the country-inspired hit, â€œDid You Ever,â€ which was released as the albumâ€™s lead single. After it landed at No.2 on the U.K. pop charts, the song served as an alternate title track in several countries, including LP pressings in the U.K., Germany, and Canada.

One of the most emotionally-charged moments on _Nancy & Lee Again_ is a cover of Dolly Partonâ€™s â€œDown From Dover.â€ The heartbreaking tune tells the tale of a pregnant teenager, who has been abandoned by her lover and her family and ultimately gives birth to a stillborn baby. While Partonâ€™s 1970 version was sung from the teenagerâ€™s point of view, Hazlewood and Sinatra transformed the country song into a duet. Hazlewood, who offers the manâ€™s side of the story, sings in a notably deeper octave than his signature baritone.

Another poignant selection is â€œCongratulations,â€ which describes a soldier coming home from Vietnam. â€œHis face has grown old and his eyes have grown cold/And they tell you of where he has been/Congratulations, you sure made a man out of him,â€ Hazlewood sings, pointedly. Nancy, who performs as the vetâ€™s wife, argues that the song had a deeper meaning for her duet partner. â€œLee started out a hawk, he was an army guy, so he was all for the war in the beginning. We didnâ€™t talk about it, but at some point, he changed radically. â€˜Congratulationsâ€™ was almost like an apology from him. I donâ€™t want to put words in his mouth, but it was as though he was saying â€˜Iâ€™m really sorry.â€™â€

The song â€œFriendship Trainâ€ could also be interpreted as an apology of sorts â€“ this time to Nancy. â€œYou've been hurt and I've been hurt/Now we're living pain,â€ the tune opens. When Hazlewood moved to Sweden without telling his longtime musical partner, Sinatra was understandably upset. â€œI felt pretty betrayed. I mean, who does that? Who just up and disappears like that? Iâ€™ll never understand it,â€ she reveals. But the uplifting duet â€“ a slice of â€˜70s pop perfection â€“ offers reaffirming words of love between friends. â€œ[Lee] felt things very deeply and tended to express his feelings in song instead of in real life,â€ explains Nancy.

The 10-track album closes with the stripped-down â€œGot It Together.â€ Backed by an acoustic guitar, the song is equal parts playful and candid, as the duo has an impromptu, spoken-word conversation about their lives. â€œI wish that weâ€™d quit getting so old,â€ laments Nancy, who later shares her wish to have children (she would do so in the next few years). Hazlewood, meanwhile, attempts to remedy his past wrongdoings â€“ this time asking his partner, â€œCan I go back to Sweden?â€ With that, Nancy gives her blessing.

This definitive reissue of _Nancy & Lee Again_ also includes two bonus tracks. Both are stylistic departures for the duo â€“ but fit right in with the psychedelic pop of the era. The first one, â€œThink Iâ€™m Coming Down,â€ is a harmony-filled reflection on a toxic relationship. â€œI think that was one of [Leeâ€™s] drug things. I donâ€™t mean that he used drugs; I mean that he was trying to be part of that culture. Trying to be hip,â€ explains Nancy, who delivers an emotive vocal performance on the solo track. Also included is â€œMachine Gun Kelly,â€ penned by a staple of the 70s singer-songwriter movement, Danny Kortchmar (James Taylor, Carole King, Linda Ronstadt). Recorded several months after the release of the album, the song found Nancy reuniting with Billy Strange, who arranged many of her solo albums, as well as Nancy & Lee. Sinatra and Hazlewood first performed â€œMachine Gun Kellyâ€ during their residency at Las Vegasâ€™ Riviera Hotel in February 1972 (later released as a concert documentary on Swedish television). While the recording has long remained a career favorite of Nancyâ€™s, it would be decades before it was officially released.

_Nancy & Lee Again_ remains a creative high point in the careers of Sinatra and Hazlewood and, upon its release, garnered rave reviews from Billboard, _Record World_, and _Cash Box_, among others. Yet, _Nancy & Lee Again_ never received the spotlight it so utterly deserved. â€œWe didnâ€™t have label support at all in those days,â€ recalls Nancy. â€œWithout the strength of a label, records die. We were old. We were old-fashioned. We were just not what was happening. Itâ€™s a very ageist kind of business.â€ Nevertheless, she adds, â€œI think itâ€™s a very good album. I think itâ€™s timeless.â€ Now, after years of being a sought-after rarity, this gem in the Sinatra-Hazlewood canon can finally get its due.

Five decades later, Nancyâ€™s legacy only continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums â€“ her duets with Hazlewood among them â€“ and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when â€œThese Boots Are Made For Walkinâ€™â€ was inducted into the Grammyâ® Hall of Fame. That same year, Sinatra partnered with Light in the Attic for *Nancy Sinatra: Start Walkinâ€™ 1965-1976*, a definitive survey of her most prolific period. Lita has also reissued Sinatraâ€™s classic debut, *Boots*, and her iconic, 1968 album with Lee Hazlewood, *Nancy & Lee*. The label looks forward to celebrating Nancy over the coming years with a variety of special releases, exclusive merchandise, and more.

Go to Item

Nancy & Lee Again 8-Track Tape

Tape | 1972 | US | Reissue (Light In The Attic)