Folk 620 Items

Release: 2004 / Reissue

Genre: Rock & Indie

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LP | 2019 | EU | Original (Sony Music Japan)

Sachiko Kanenobu

Misora

32,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Balloon Ranger)

Ane Brun

Rarities 2

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2009 | EU | Reissue (Balloon Ranger)

Ane Brun

Sketches

20,99 €*

Release: 2009 / EU – Reissue

Genre: Rock & Indie

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2LP | 2024 | EU | Original (Balloon Ranger)

Ane Brun

Songs 2013 - 2023

39,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | UK | Original (Veego)

Kolida Babo

Spirits Of Mauronoros

LP | 2024 | JP | Original (Sony Music Japan)

Release: 2024 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Kolida Babo is the collaboration between two Greek woodwind musicians from separate regions - Socratis Votskos is from Pella, and Harris P. is from Athens. Their self-titled debut album was recorded in improvised live-take sessions beginning on the night of the “Kolida Babo” folk rituals of music and dance in northern Greece in winter 2013. They explore the ancient music of Armenia and the folk traditions of northern Greece’s Epirus and Thrace regions alongside abstract electronics and free jazz. Their debut album was released by MIC Records (London) in 2019 to rave reviews. Other notable releases include the Jazzman Records jazz45 series and the soundtrack for the documentary ''Gospel of Michiel'' and "Loxy". Their music was supported by BBC 6Music, BBC Radio 3 - Late Junction, NTS, Soho Radio, WorldWide Fm as well as the Greek National Radio. Last but not least, they have performed in various places around Greece and Europe including festivals like CTM, Archipelago Festival and Vinterjazz Festival. In their second full-length album Spirits of Mauronoros set to be released in 27/09/2024 by Veego Records, Kolida Babo revisit an old forgotten place in northern Epirus Greece, near the Greek-Albanian borders. A spiritual music journey dedicated to the old village of Mauronoros (Black Mountain) and its people. This village is one of the many villages in Greece that is totally abandoned as a result of the economic crises and cultural changes that Greece faced in the last century. This profound depopulation of the area left behind ruins that echo its past trials and tribulations. However the traditional sounds of the village keep reappearing in urban centers like ghosts that haunt everyday life. This sonic dialogue between "modern" and "traditional", between "the peaceful countryside" and " turbulent urban centers" sometimes looks irrelevant and outdated but is of great consequence. It transports the listener in an unspecified time and place devoid of any cultural and geopolitical connotations and thus leaves them wondering for a freer and more authentic way of life.

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Isao Suzuki

Blow Up

39,99 €*

Release: 2024 / JP – Original

Genre: Rock & Indie

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LP | 2022 | EU (La Munai)

Benyamin S.

Funky Kromong Volume 1

20,99 €*

LP | Original (River Lea)

Release: 2022 / EU

Genre: Rock & Indie, Pop

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Funky Kromong is a compilation from the multitalented Legendary Betawi artist Benyamin Suaeb. Consisting of 10 tracks from the 70s, this compilation is rich with Benyamin Suaeb’s eccentric vocals with tongue-in-cheek lyrics and walled with funk and psychedelic and traditional sounds. He made is own humorous style of psychedelic music that everyone could relate. We really hope you enjoy this record with beautiful nostalgia in mind. Don’t miss it.

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Ye Vagabonds

Hare's Lament

14,99 €*

LP | 2020 | Original (Free Dirt)

Release: Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Includes original inner sleeve.

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Cinder Well

No Summer

Release: 2020 / Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

88 Maestro Giora Feidman Blue Vinyl Edition

Giora Feidman

LP | 2024 | EU | Original (BuschFunk)

67,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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With His Hot And Blue Guitar / Sings The Songs That

Johnny Cash

LP | 2024 | EU | Original (Vinyl Passion)

17,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Rachel Unthank & The Winterset

The Bairns

2LP | 2023 | EU | Original (Rabble Rouser)

31,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Mercury)

Willie Nelson

The Great Divide

12,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Happy Birthday, Ruthy Baby

McGuinness Flint

LP | 1971 | DE | Original (Capitol)

8,49 €* 16,99 € -50%

Release: 1971 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

2LP | 2011 | UK | Original (Not Now)

Robert Johnson

The Complete Collection

20,99 €*

Release: 2011 / UK – Original

Genre: Rock & Indie

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Marjaa: The Battle Of The Hotels

Mayssa Jallad

LP | 2023 | CA | Original (Ruptured)

LP | 1986 | TR | Reissue (Sn Muzik)

Release: 2023 / CA – Original

Genre: Rock & Indie

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“Marjaa: The Battle of the Hotels” is a concept album born of the idea of merging singer/songwriter Mayssa Jallad’s two vocations: music and urban research/architectural history. Written in collaboration with producer Fadi Tabbal, the music builds upon Tabbal’s spatial approach to sound and Jallad’s research on Beirut’s Hotel District.

The album is a reference to Jallad’s Historic Preservation master's thesis, in which she detailed the history of the “Battle of the Hotels”, a 5-months battle that took place in Beirut at the beginning of the Lebanese Civil War, from October 22nd, 1975 to March 29th, 1976.
Jallad saw architecture as a main protagonist of the battle, as she discovered it was the first high rise urban battle in the world. The close of the battle resulted in the 15-year Green Line, an urban rift which split Beirut into “East and West”, restricting movement and communication and creating a violent divide that still resonates today.

The album comprises two parts. Part A: Dahaliz, is a stroll in the city, where Jallad tries (and fails) to follow an old map. Musician Youmna Saba is a companion in this journey of remembering the once winding corridors (“Dahaliz”) of the city, destroyed by new developments since the 1960s. Empty skyscrapers propel her onto a past filled with the violence of snipers, and a present filled with the glamorous injustice of empty luxury real estate endorsed by powerful warlords-turned-politicians.

In Part B: Maaraka, Jallad inhabits the building of the Battle of the Hotels, as its events unfold. She calls the fighting militias the Blues and Reds, respectively the Lebanese Front (Christian Nationalists) and the Lebanese National Movement (Pro-Palestinian leftists), leveling the playing field, and drawing a map of the battle through songwriting. Sary Moussa produces the conclusion of the battle in “Holiday Inn (March 21 to 29)”, which ends with the ultimate severance of the city of Beirut.

The music caters to post-war youth who have never been taught this difficult history. Once we consider the “Battle of the Hotels” as our common heritage, it provides an opportunity to teach the value of civil peace. It is also a call to protest for the renewal, rather than the recycling of the political class that has once destroyed the country and holds us, to this day, hostage of its violence.

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Sezen Aksu

Git

23,99 €*

Tape | 2022 | UK | Original (Kitchen Label)

Release: 1986 / TR – Reissue

Genre: Rock & Indie

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This is one of the best albums of the diva's musical career. Originally released in 1986 on CD and cassette, her 7th studio album is finally available on vinyl. With lyrics by Aysel Gurel, album concept and music by Onno Tunç, this album contains many hits such as "Değer mi", "Git", "Kolay Değil", "Unzile" and "Beni Unutma".

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Aspidistrafly

Altar Of Dreams

15,99 €*

LP | 2022 | UK | Original (Kitchen Label)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Aspidistrafly, the Singaporean duo comprising April Lee and producer Ricks Ang, return with Altar of Dreams, their first studio album in a decade.

While their last album A Little Fable introduced the world to their bucolic and wispy brand of folk songwriting, Altar of Dreams sees the duo – also the founders of Kitchen. Label – harness their experiences over the past decade to create a wholly new and inspired vision. In this new and third album, they drew upon a rich palette of shapes, sounds and movement: straddling between the visionary photography of Serge Lutens and Dora Maar, 80s Japanese ambient pop, musique concrète and the mournful strings of Béla Bartók.

The world in which Aspidistrafly once inhabited was foggy and awash in faded memory. A feeling of being suspended in time felt inescapable with each listen. In Altar of Dreams, the fog is clearing up. At nine songs under 35 minutes, the album possesses all the defining hallmarks of Aspidistrafly – poetic lyricism, cosmic introspection, lush strings, surrealism, tenderness and texture. But what was once seemingly inscrutable has now been explored with astounding clarity, the duo maneuvering through a space-time continuum with delicate leaps.

‘How To Find A Marblewing’, the opening track, is a heady sound collage of early internet sounds, film, anime, and chopped-and-screwed 90s J-pop. It’s a presence deeply embedded throughout the record, a method Lee describes as “a form of environmental/tape treatment”.

The compositions glimmer with sincerity, addressing all at once destruction, mystery, uncertainty, hopes and dreams. The resulting music is backed by an opulence only possible with a line-up of guest musicians. ‘The Voice of Flowers’ is stirring in its balance of flute, clarinet, tenor saxophone and piano, bolstered by a string quartet. Kitchen. Label artist haruka nakamura features on the track alongside Kyo Ichinose (who arranged the strings for the album) and wind instrumentalist Araki Shin.

‘Interlude: Chrysalises and Larvae’ takes the heavy path downward, adopting its name from the 1973 surrealist odyssey The Hourglass Sanatorium. It leads into ‘Companion to Owls’, a gothic pop paean to mortality inspired by the Book of Job.

Before the namesake centrepiece of the album, another interlude arrives in ‘A Ceremonial Ode’, both of which were stirred by a series of regal Shiseido ads from the 1980s starring model Sayoko Yamaguchi. ‘Altar of Dreams’ is haunted by the lucid dreams that once provided escapism for Lee. Its tranquility belies a simmering tension, just as how a lucid dream would offer control in the face of the unknown. “In one of them, I was floating in a vast darkness safe and secure, and then I fell into a turbulent mirage where I willingly allowed myself to be swept away further and further from reality, hoping that I would never wake up,” she says. “Needless to say I did, and ended up writing this song on one of these dead nights.”

If the title track replicates the feeling of falling deep into that spiral, ‘Silk and Satins’ is a direct analysis of the phenomenon. Warped frequencies collide with nature and television sound effects – the latter sourced from 80s Singaporean horror series Mystery – within an inter-dimensional music world. The track was made with featured artist Sugai KEN, whose own work is an endless scroll of intoxicating found sounds.

‘Quintessence’, the sweeping closing track, distills all the elements scattered across the album into a coda that beautifully refuses to resolve. At first an exercise in guitar looping, the song was then written without a beginning and end in mind. “I’d like to think of it as poetry that’s sung,” says Lee.

In Altar of Dreams, Aspidistrafly are renewed and hopeful. They’ve emerged from a decade spent reframing the world they see through vivid dreams and memories. Now, it’s all yours to experience.

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Aspidistrafly

Altar Of Dreams

2LP | 2016 | EU | Original (Repertoire)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Magna Carta

Tomorrow Never Comes

31,99 €*

Release: 2016 / EU – Original

Genre: Rock & Indie

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LP | 2022 | UK | Original (Ici D'Ailleurs)

Yann Tiersen

Avant La Chute

17,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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Free The Witch Black Vinyl Edition

Green Lung

LP | 2022 | EU | Original (Svart)

The Greatest Hits Collection

Release: 2022 / EU – Original

Genre: Rock & Indie

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Black vinyl, insert

Green Lung are “Britain’s finest folk horror -indebted heavy metalers” (The Guardian), and this is where it all started for the band in 2018. The five track demo recording Free The Witch, including the bonus track When The Axe Comes Down, now reissued on standalone vinyl.

Remastered for vinyl by the spectacular John Davis (Lana Del Rey, Led Zeppelin, Royal Blood…) at Metropolis Studios in the UK and adorned by striking covert art by the band’s perennial collaborator Richard Wells.

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Alan Jackson

2LP | 2020 | EU | Original (Sony)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Genre: Rock & Indie

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John Berberian And The Rock East Ensemble

Middle Eastern Rock Black Vinyl Edition

LP | 1969 | US | Reissue (Modern Harmonic)

2LP | 2020 | UK | Original (Ace)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Crazed time signatures abound as musicians from the West look East for inspiration, infusing their rock and jazz sounds with vibes looted from India and the Far East. A true marriage of Western and (Middle) Eastern music with a fuzzed-out psychedelic edge. Released originally in 1969, Middle Eastern Rock is a unique, compelling fusion record from Armenian-American oud player John Berberian. The Rock East Ensemble, Beberian's backing band, consists of the artist's standard group, which specializes in traditional Armenian music with a jazz edge, and American session musicians who bring more of a rock sound. The results, which blend elements of psychedelia, free jazz, surf music, and various klezmer, African, and Middle Eastern textures, are dazzling, and are sure to thrill anyone with a taste for rare "outside" albums. ' AllMusic Review by Anthony Tognazzini

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Bob Stanley & Pete Wiggs

Occasional Rain

Blues In Mono Black Vinyl Edition

Release: 2020 / UK – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG+

Clear Vinyl Edition.
Cover as new with a dented corner.

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Seasick Steve

LP | 2021 | US | Original (There's A Dead Skunk)

LP | 2021 | EU | Original (New Friends Music)

Release: 2021 / US – Original

Genre: Rock & Indie

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“Blues in Mono” is a timeless tribute to traditional, acoustic country blues recorded with a microphone from the 1940s, with Seasick Steve performing the songs solo, direct to an old tape machine. This was then cut direct to lacquers with no computer involved at all during the process. The old skool way of making a record. This is an album that fans have been crying out for, for years. “Blues in Mono” finds Seasick Steve giving some of his finest performances to deliver a fresh, stripped down blues album that offers the perfect antidote for the troubled times in which we live.

“It’s just me and an acoustic guitar, playing old country blues. I always wanted to do it but never felt worthy, but then I realised that I better hurry up and do it ‘cos I ain’t never gonna feel worthy!” says Steve. “I tried to make it so that if you was listening you’d think I was sitting with you in your house.”

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Orla Gartland

Woman On The Internet

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Akira)

Rosie Carney

Bare

21,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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2LP | 2009 | EU | Reissue (Columbia)

John Mayer

Battle Studies

Release: 2009 / EU – Reissue

Genre: Rock & Indie

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LP | 1988 | EU | Reissue (Columbia)

Leonard Cohen

I'm Your Man

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Rock Your Soul Volume 1: Blue Eyed Soul & Sounds From The Land Of The Free

2LP | 2016 | EU | Original (BBE Music)

21,99 €*

Release: 2016 / EU – Original

Genre: Rock & Indie

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Compiled by Zaf Chowdry also responsible for Suss'd amazing 'P&P' and 'Deep Disco Culture' series. Co-compiled with music enthusiast and broadcaster Mark Taylor. A great genre of music given an arguably absurd title. A collecton of predominately white singer/songwriters from America's west coast influenced by African-americans R & B artists as much as soft rock, country, disco and jazz.

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Wayfaring Strangers - Cosmic American Music

2LP | 2016 | US | Original (Numero Group)

27,99 €*

LP | 1984 | EU | Reissue (Türküola / Arsivplak)

Release: 2016 / US – Original

Genre: Rock & Indie

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As progenitor and contemptuous poster boy for the music that came to be Cosmic American, Gram Parsons found himself mired in a recording career spent mostly in scouting the perimeters of chart success. “He hated country-rock,” Parsons collaborator Emmylou Harris would later reflect. “He thought that bands like the Eagles were pretty much missing the point.” Parsons had been orbiting the idea of Cosmic American Music for some time. In ‘68, he’d parted ways with the Byrds and was looking to take air with a new project. “It’s basically a Southern soul group playing country and gospel-oriented music with a steel guitar” he told Melody Maker, on the subject of The Flying Burrito Brothers. So it was that when A&M’s Burrito Brothers debut The Gilded Palace of Sin made it to shelves in February of 1969, early adherents to the Cosmic American gospel were already echoing its message from areas flanking Gram Parsons’ Southern California hills and canyons. There was F.J. McMahon in coastal Santa Barbara, Mistress Mary further inland in Hacienda Heights, and Plain Jane of Albuquerque, New Mexico, each responding by committing their own private readings to tape before for day one of the 1970s. Parsons himself might’ve disdained them, had he even been aware of such minor ripples, shimmering at the edges of his desert oasis. But these were true believers all the same, given over fully to his roots music concept, each filling vinyl grooves with non-rock instrumentation like fiddle, banjo, and pedal steel guitar, the last undoubtedly Cosmic American Music’s most distinguishing stringed signifier.

Only too predictably, big labels did the grunt work of confining and defining the movement, as ABC, United Artists, RCA, and more played catch-up with Asylum’s raptor rock juggernaut, via backwoods crossover also-rans with names like Gladstone, American Flyer, and Silverado. Twang reigned, the shitkickers kicked shit, and the vaguely western-sounding guitar records piled up. Country-rock became “the dominant American rock style of the 1970s,” as Peter Doggett’s comprehensive Are You Ready for the Country put it much later. Wayfaring Strangers: Cosmic American Music picks up and dusts off golden ingots from the dollar-bin detritus of that domination, to reconstruct events as seen from the genre’s real Wild West—America’s one-off private press label substructure.

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Arif Sag

Anadolu Döktürmeleri

19,99 €*

The Fear Of Standing Still (Blue)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Still shrink wrapped but opened.
Cover as new with a dented corner.
Record with just a few paper scuffs.

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American Aquarium

LP | 2024 | WW | Original

Release: 2024 / WW – Original

Genre: Rock & Indie

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LP | 2024 | Original (Kaitlin Butts)

Kaitlin Butts

What Else Can She Do

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | Original (Relapse)

De Mannen Broeders

Sober Maal

Release: 2024 / Original

Genre: Rock & Indie

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Preorder shipping from 2024-10-11

2LP | 2024 | Original (Borealis)

Home In Halifax

Release: 2024 / Original

Genre: Rock & Indie

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From Coffee House To Concert Hall

2LP | 2024 | Original (Borealis)

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | Original (Borealis)

For The Family

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | Original (Borealis)

Northwest Passage

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | Original (Borealis)

Fogarty's Cove

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Son Of Davy)

Charley Crockett

Welcome To Hard Times

21,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2024 | UK | Original (Soundway)

Dar Disku

2LP | 2024 | UK | Original (Riaz)

Release: 2024 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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The debut album from Bahraini-born, British-based musical duo Dar Disku is a celebration of their Arabic heritage and multicultural influences that melds golden age West Asian and North African sounds with a contemporary dance floor focus. Recorded between the UK, Algeria, Turkey and Tunisia, the album seamlessly crosses from disco to Raï, piano house to Turkish psychedelia, ambient to bollywood and features guest artists from Algeria, Turkey and Bahrain as well as legendary Indian singer Asha Puthli.

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Jaubi

A Sound Heart

LP | 2024 | Original (Liula)

Release: 2024 / UK – Original

Genre: Organic Grooves, Rock & Indie

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The core members of Jaubi are true masters of their craft, coming from a rich lineage of accomplished musicians. Kashif Ali Dhani is a classically trained tabla master from the Punjab gharana, and is the accompanist of choice on the local scene for some of Pakistan's great classical vocalists and instrumentalists, as well as in Europe and the USA. Zohaib Hassan Khan is a 7th generation sarangi master, who has performed globally, and is one of only 3 professional sarangi players left in Pakistan. Multi-instrumentalist, composer and Jaubi bandleader Ali Riaz Baqar aka Ila Zair began his musical journey as a hip-hop enthusiast, evolving into a jazz guitarist following the exposure to the genre’s rich sampling culture. He then became a disciple of the Senia-Shahjahanpur gharana, a lineage of musicians specialising in the sarod. His playing now focuses on merging North Indian classical music with modern jazz harmony on a traditional, unaltered 6-string electric guitar.

The collaborative relationship between the core group and wider collaborators dates back to April 2019, when 22a label founder and multi-instrumentalist Tenderlonious and EABS/Bloto keyboard and synth maestro Marek ‘Latarnik’ Pędziwiatr travelled to Lahore, Pakistan to take part in some improvised recording sessions with Jaubi. Nothing whatsoever was written down during the recording sessions – no sheet music, no song titles. It was sincere, bottled lightning. All egos were left behind, with hearts and souls being opened and poured into the music. The result has been described as spiritual jazz-fusion meets psychedelic Hindustani classical with nods to golden era hip hop.

An adventurous and absorbing record ‘A Sound Heart’ is the next chapter for Jaubi, both sonically and spiritually. The title is inspired from a verse in the Holy Qu’ran (26:89), where one comes to God with a spiritual or sound heart (Qalb) which is sincere, without doubts and free of materialistic attachments. Importantly it refers to a state where the heart is spiritually healthy and content with only God. A Sound Heart’s basis is goodness, rooted in love. In this case, it is the love for one’s creator. The album also acts as a tribute to fallen heroes, paying respect to the greatness that has come before, casting new light via cross-cultural collaboration and improvisation.

Throughout this incredible journey, meditative ragas blend with Herbie Hancock-esque motifs, joined by lament-filled contemporary melodies intertwining with the intricate sounds of the sarangi and earthy layering of the tabla. A true masterpiece of composition from start to finish.

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Ray Lamontagne

Long Way Home

Release: 2024 / Original

Genre: Rock & Indie

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LP | 1971 | JP | Original (Ode)

Carole King

Music

7,99 €*

Release: 1971 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: G+, Cover: Generic

Japanese pressing.
Record has some hairlines and a few superficial scratches.
Ships in a brand new plain sleeve.

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Forever Gamblin' On You Black Vinyl Edition

LP | 2024 | EU | Original (Forager)

2LP | 2024 | EU | Original (Shukai)

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie

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A full tank of gas, the gentle glow from the radio dial, & stretches of open highway await, Forever Gamblin’ On You meanders through miles of soulful AOR, funky folk, & dusty soft rock obscurities. A follow up to Sky Dust Drifter, this compilation was gleaned from American private press oddities & rarities of the 70s & 80s, all of which are seeing their first official reissues on this album. A celebration of love, rebirth, and exploration radiating like the warmth of a loved one from the passenger seat.

Featuring “Feeling The Fire”, a jazzy, AOR grooving declaration of love and desire taken from the sole release from The Mad Brother. The compilations’ title track “Forever Gamblin On You” by Petroc And Pals, features an echo-laden folk rock recollection of hard feelings delivered with swelling guitar in a mournful soft psychedelia. Angie Pepper’s “Miss You Too Much” dwells on a past love, rolling along with an effortlessly cool rhythm section, while Roy McComas croons of his manifested “angel of love” on the swirling psych folk cut “Girl Of My Dreams”.

Forever Gamblin’ On You unfolds as a hopeful yet equally melancholic collection of nomadic anthems, primed for a memorable journey along the back roads of familiar American landscapes.

Original artwork by Arina Kokoreva. House in a case wrapped style jacket for a period correct look & feel. Includes a 12”x24” fold out poster insert.

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Cukor Bila Smert'

46,99 €*

LP | 2022 | EU | Original (Losing Side)

Release: 2024 / EU – Original

Genre: Rock & Indie

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The founders of Cukor Bila Smert’ (Ukrainian: Цукор– Біла Смерть, English: Sugar – White Death) band were Svitlana Okhrimenko (a.k.a. Svitlana Nianio), Oleksandr Kohanovs’kyi, and Tamila Mazur, who studied at the Reinhold Glier Kyiv Academy of Music in 1984-1988. In the summer of 1988, they got acquainted with Eugene Taran, a young guitarist and artist. He joined the band and also became the ideologist of Sugar – White Death. Moreover, Eugene coined the name for the band: the irony towards the Yellow Press. The musicians gathered at Kohanovs’kyi’s house, where they spent their free time not only playing music but also listening to and discussing new records and thinking about the conception of their new project.

For two years, the band recorded a few home-made albums, such as “Rhododendrons Coral Aspides” in 1988 (which is considered lost), where Kostyantyn Dovzhenko took part as a guitarist and sound engineer. He also replaced Taran during the recording session because Eugene was passing an exam at that time. The band also recorded another album – “Lilies and Amaralises,” in 1989, which is also considered lost. Eugene remembers that the band made a lot of recordings but did not pay so much attention to them. Sugar – White Death played live occasionally but spent more time creating their own sound, which was named by Oleksii Dekhtyar (a founder of “Ivanov Down”) as a “sugar calypso sound.” At that time, the music was mostly created by Oleksandr Kohanovs’kyi, and the lyrics were written by Svitlana Okhrimenko and Eugene Taran.

In February 1990, a quartet came to the Scientists House Studio in Kyiv, where they had one studio session only, recorded by Valerii Papchenko. Musicians played live for about one take. This session was represented on the “Mannered Music” compilation by several blocks – “Venus with Long Neck,” “The New Sissies,” and “Rhododendrons Coral Aspides,” which was shortened to “Rhododendrons” on the cassette (two songs from which – “Summer Will Not Come” and “The Great Hen-Yuan’ River,” dedicated to Grigorii Khoroshylov, the sinologist from Kyiv). The compilation cover design was created by Eugene Taran. Later, this tape got to Vlodek Nakonechnyj, the founder of Koka Records, a young Polish label, who released “Mannered Music” on cassettes and made efforts to invite Sugar – White Death to play several gigs in Poland.

In November 1990, Sugar – White Death played their last gig as a quartet in Kharkiv. They were invited by Sergii Myasoyedov, who curated the art association “Nova Scena” (The New Scene). The band played selected tracks from the albums “The New Sissies” and “The Shellfishes in Gold Wrappers” (the last one is also considered lost). Due to Sergii Myasoyedov's efforts, the performance was documented: he saved a lot of photos and fragments of soundboard recordings on reel-to-reel tape.

Later, Oleksandr Kohanovs’kyi and Tamila Mazur left Sugar – White Death: Oleksandr founded his own project Pan Kifared, and Tamila became a bass player of Shake Hi-Fi (whose co-founder was Eugene Taran). Sugar became a duo of Svitlana and Eugene. They started to focus on their next work: “Antinoy Is Leaving” in late 1990.

In 1992, they were also invited by Sergii Myasoyedov for a studio session in Kharkiv, where due to the efforts of Oleksandr Vakulenko, Sugar recorded the new album called “All Secrets Of A Poem”. Some tracks from the work (“Dead Ceremony,” “Vienna Is Sleeping,” and “Untitled”) were released on their next and last album, “Selo” (“The Village”). The rest compositions were published as a part of the compilation for the first time.

In the autumn of 1992, the musicians went to Poland, where Vlodek Nakonechnyj, who wanted Sugar to come to a “real” studio, organized their last recording session. Although the journey’s beginning was unsuccessful (Eugene’s guitar was taken away by a customs officer when crossing the border), the musicians worked fast during the session at the Arek Was studio at Marki on an 8-track reel-to-reel machine. Boleslav Blazhchyk took part as a cellist, playing the parts created by Svitlana. The album was completed in three days – the musicians spent two days recording and one-day mixing, mostly done by Eugene Taran. In 1993, this work was released as “Selo” (“The Village”) album on cassette tapes by Koka Records (remastered by Tadeusz Sudnik). Later, Sugar – White Death was disbanded.

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American Aquarium

Chicamacomico

Release: 2022 / EU – Original

Genre: Rock & Indie

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Along The Way Teal Vinyl Edition

Colbie Caillat

LP | 2023 | EU | Original (BFD)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Transilvania Smile (1994)

Svitlana Nianio

12" | 2023 | EU | Original (Shukai)

The Line Of Time And The Plane Of Now Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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(First official release) Original soundtrack for the dance-theatre performance 'Transilvania Smile' by Svitlana Nianio recorded in phantonstudio, Cologne, 1994-1995This album is one of the most personal and insightful works of Svitlana Nianio from the 90s, which you can now get to know in its original form and sound.

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Shira Small

LP | 1974 | US | Reissue (Numero Group)

LP | 2023 | UK | Original (BC)

Release: 1974 / US – Reissue

Genre: Rock & Indie

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Real people music recorded at a Quaker Boarding school in the mid-'70s. Mixing soft psych, vocal jazz, and sunshine soul, Shira Small and her high school music teacher Lars Clutterham created a peerless artifact of outsider magic. Imagination, wonder, the existential dread of Vietnam and math class and getting caught smoking weed in Nixon's America... it's all here. Is your life alright?

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The Mary Wallopers

Release: 2023 / UK – Original

Genre: Rock & Indie

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2LP | 2022 | EU | Original (Les Disques Bongo Joe)

Lalalar

Bi Cinnete Bakar

27,99 €*

LP | 1989 | US | Original (Columbia)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Bongo Joe presents brand new sounds from the cutting-edge of the 21st century Istanbul underground by powerhouse Turkish trio Lalalar. Riding a wave of fierce energy and acclaim generated by their show-stopping festival performances at Le Guess Who and Trans Musicales, they now unleash their hotly-anticipated debut album, "Bi Cinnete Bakar". The brainchild of three of Turkey's most active and innovative alternative artists - Ali Güçlü Simsek, Barlas Tan Özemek and Kaan Düzarat - the album is a thrilling mix of punk energy, dark electronics and Turkish instrumentation and samples.

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Andreas Vollenweider

Dancing With The Lion

12,99 €*

LP | 1986 | EU | Reissue (Columbia)

Release: 1989 / US – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Original US pressing.

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Paul Simon

Graceland

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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2LP | 1975 | EU | Reissue (Columbia)

Bob Dylan

The Basement Tapes

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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OST Quentin Tarantino's Once Upon A Time In Hollywood

2LP | 2019 | EU | Original (Columbia)

33,99 €*

New Skin For The Old Ceremony

Release: 2019 / EU – Original

Genre: Rock & Indie, Pop, Soundtracks

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The fantastic soundtrack of the new Tarantino comes in a double gatefold sleeve with inlay and poster.

A phenomenal soundtrack to a phenomenal movie. Tarantino once again proves that he not only has a great taste when it comes to music, but he also takes a good amount of time to dig through record collections to pick gems for his soundtracks and arrange the 22 songs 9 era-specific radio advertisements.
This should become a movie soundtrack classic.

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Leonard Cohen

LP | 1974 | EU | Reissue (Columbia)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Derya Yildirim & Grup Simsek

Nem Kaldi

12" | 2017 | CH | Original (Bongo Joe / Catapulte)

16,99 €*

La Onda De Elia Y Elizabeth

Release: 2017 / CH – Original

Genre: Rock & Indie

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The debut-EP of this Anatolian psych-pop sensation consists of four heart-melting gems in which Turkish folk music meets groove and electric action! Singer/multi-instrumentist Derya Yildirim teams up with fantastic drummer Greta Eacott (G-Bop Orchestra, One-Take Records) and three-quarters of Orchestre Du Montplaisant (Antonin Voyant, Graham Mushnik and Andrea Piro). With members originating from Turkey, Germany, France, Italy and Great Britain, Grup Simsek encapsulates the Outernational generation. Unlike in western pop culture, Turkish pop music is often focused on traditionalised songs and endless ways of reimagining these. Grup Simsek take the righteous and rich Turkish poetry to the future whilst not losing awareness of the past.

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Elia Y Elizabeth

LP | 2014 | EU | Original (Vampisoul)

Greatest Hits & Favorites

Release: 2014 / EU – Original

Genre: Rock & Indie

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The recordings that the sisters Elia and Elizabeth Fleta made, hand in hand with music arranger Jimmy Salcedo in the early seventies in their native Colombia, remained hidden like lost pearls in the undervalued musical pop history of Latin America until today. Their concise and natural mix of styles sways between soft-pop with a touch of tropical-pastoral funk, singer-songwriter sweetened by the subtle perfume of Caribbean music and the psychedelia of a world in the midst of discovering all the possibilities offered by the recording studio. These elements blended graciously and fortuitously, brimming with freshness, in a perfect partnership of sharp melodies with lyrics inspired by a genuine juvenile curiosity about life's mysteries, love and nature in their simplest forms.

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Johnny Cash

2LP | 2010 | EU | Original (Vinyl Passion)

Release: 2010 / EU – Original

Genre: Organic Grooves, Rock & Indie

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LP | 2022 | US | Original (Double Double Whammy)

Florist

11,99 €*

LP | 1984 | US | Original (Dancing Cat)

Release: 2022 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: G+, Cover: VG+

Deep Purple Vinyl Edition.
Records are slightly warped but still enjoyable.
Cover as new with faintly worn corners.
Includes original inner sleeves.

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Shad Weathersby

Light Outside That Door

12,99 €*

LP | 2022 | EU | Reissue (Bonfire)

Release: 1984 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

US AMEX Vinyl. Original inner sleeve. With hype sticker and promo stamp.

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The Free Design

Kites Are Fun

11,99 €*

The Series Of Music For Young Adults: Iranian Folk Songs

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: G+, Cover: VG+

Limited Red Vinyl Edition
Still shrink wrapped but opened.
Record is slightly warped but still enjoyable.

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Pari Zanganeh

LP | 2022 | ES | Reissue (Pharaway Sounds)

LP | 1974 | TR | Reissue (Ada Müzik)

Release: 2022 / ES – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Limited Blue Vinyl Edition.
Cover as new with slightly dented corners.
Includes OBI.

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3 Hür El

Hur El Arsiv

19,99 €*

LP | 1975 | EU | Reissue (Dialogo)

Release: 1974 / TR – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Small light scuff on side A.

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Piero Umiliani

Continente Nero

19,99 €*

LP | 1970 | EU | Reissue (Dialogo)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Still shrink wrapped but opened.
Cover as new with slightly dented corners.
Record with just a few paper scuffs.
Includes OBI.

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Piero Umiliani

Africa

14,99 €*

Cold Spaghetti Black Vinyl Editoin

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Still shrink wrapped but opened.
Record with just a few paper scuffs.
Includes OBI.

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Andre Ethier

LP | 2024 | Original (Telephone Explosion)

Cold Spaghetti Indie Exclusive Milky Clear Vinyl Edition

Release: 2024 / Original

Genre: Rock & Indie

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Indie Retail Vinyl Exclusive! 100 copies of limited edition - milky clear vinyl. It's no coincidence that Cold Spaghetti, the title of André Ethier's latest solo LP, is sure to recall Fresh Pepper, the seven-piece group he co-helmed with Joseph Shabason to produce a lone, self-titled 2022 album. Not only does the supporting cast of musicians on the current recording overlap with the aforementioned band's personnel, there's a key thematic link between the two projects, despite the fact that they contrast each other sharply in most other regards.

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Andre Ethier

LP | 2024 | Original (Telephone Explosion)

Modern Sounds In Country And Western Music

Release: 2024 / Original

Genre: Rock & Indie

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Ray Charles

LP | 2024 | Original (Tangerine)

Modern Sounds In Country And Western Music Vol. 2

Release: 2024 / Original

Genre: Rock & Indie

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The iconic, game changing Modern Sounds in Country And Western albums, combined into a single release for CD in the 2000s, will be restored and released individually, as originally intended. The significance of these records cannot be overlooked. They are proof that great country music is malleable, and open to interpretation.

Volume 1 quickly became one of the best-selling albums recorded by a Black musician of the time, as well as one of the best-selling country albums. It topped the Billboard Pop Album Chart of a month, and spawned four hit singles, including “I Can’t Stop Loving” which reached number one on the Billboard Hot 100, R&B, and the Adult Contemporary Charts, was nominated for Record Of The Year, and won the GRAMMY for Best Rhythm & Blues Recording at the 5th Annual Grammy Awards in 1963. “You Don’t Know Me” met with similar success. Ray Charles remains the first and only Black performer to earn a GRAMMY Award and a #1 Billboard Pop Chart Hit with a country and western song as he did with “l Can’t Stop Loving You.”

Volume 2 followed its predecessor by just six months, and is widely regarded as just as strong, if not stronger than the first - the second made with the confidence that this formula or country & soul works. With three hit singles on both the R&B and Pop charts, including the #1 hit You Are My Sunshine, both volumes changed the course of popular music and remain a testament to the genius of Ray Charles.

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Ray Charles

LP | 2024 | Original (Tangerine)

100% Sahara Guitar Black Vinyl Edition

Release: 2024 / Original

Genre: Rock & Indie

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Etran De L'Air

LP | 2024 | US | Original (Sahel Sounds)

27,99 €*

Eye Of The Hunter / Live At The I.C.A.

Release: 2024 / US – Original

Genre: Rock & Indie

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Etran de L'Aïr the STARS OF THE AIR, the longest running wedding band inAGADEZ, capital of Tuareg guitar, return with a new album of sun-schlazeddesert sound! Their first album, No.1, brought their music to critics and fans.Their second album, Agadez, sent them into the international touring circuit.And now they're back with 100% SAHARA GUITAR, ready to take on theworld, with those swinging melodies, like a sandstorm blowing in fromacross the sea.Etran de L'Aïr are 100% SAHARA, and that goes same for the band, all sonsof AGADEZ, including brothers Moussa, Abdoulaye, and Abdourahamane,and their dear friend, the youngest of the group, Alghabid. All the brotherswrite and play guitar, swapping out instruments while Alghabid keeps theFOUR ON THE FLOOR.In 100% SAHARA GUITAR, Etran de L'Aïr are back to claim the throne, withtheir first studio album! And what a sound it is. Recorded in sunny studios onthe WEST COAST, the brothers take that old Agadez sound to new levels,adding even more guitars into the mix, weaving layers of reverb-ladenmelodies and shimmering harmonies into a tapestry of sound. How muchguitar can they fit into one record? The answer is 100%.

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Brendan Perry

LP+LP+All Media | 2023 | EU | Reissue (4AD)

39,99 €*

Trésors De La Chanson Judéo-Arabbe

Release: 2023 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Transparent Blue and green vinyl.
Still shrink wrapped but opened.
Cover as new with slightly dented corners.
Records are close to VG+

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Lili Boniche

LP | 2024 | EU | Original (Elmir)

LP | 2023 | EU | Original (RCA International)

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Algerian singer and musician Lili Boniche was born in Algiers on March 14, 1921, and died on March 6, 2008. He was famous for his contribution to Judeo-Arabic music, and particularly associated with chaâbi, a musical genre popular in Algeria that blends Arab, Berber and French influences.

Born Eliaou Élie Boniche, and he grew up in a Sephardic Jewish family and became interested in music at an early age. His musical career really took off in the 1940s and 1950s, when he recorded numerous hits that helped popularize the Judeo-Arabic repertoire. His unique style blended elements of Arabic music, jazz and tango, creating a captivating musical fusion. He is widely recognized for his mastery of the lute and his distinctive voice. His lyrics were often poetic, reflecting the everyday life, love and culture of his time.

Lili Boniche left an indelible mark on the North African music scene. His legacy lives on in his recordings, which continue to be listened to and enjoyed by music lovers the world over.

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Colter Wall

Little Songs

29,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Genre: Rock & Indie

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2LP | 1975 | Reissue (Knitting Factory)

Fela Kuti

He Miss Road

Release: 1975 / Reissue

Genre: Rock & Indie

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Najib Alhoush & The Free Music

Free Music Part 1

LP | 2023 | EU | Original (Habibi Funk)

Nancy Sinatra & Lee Hazlewood

Release: 2023 / EU – Original

Genre: Rock & Indie

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Blisteringly groovy collection of completely off-the-radar songs by Libyan composer / producer Najib Alhoush’s group The Free Music, circa 1976. Releasing an astonishing 10 albums, all impressively strong and equally infused by soul, funk, disco and reggae, The Free Music created a distinctly infectious groove that unfortunately didn’t make an impact outside of Libya due to the complex political situation at the time. There is a reason it says “Part 1” in the title.

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Nancy & Lee Again 8-Track Tape

Tape | 1972 | US | Reissue (Light In The Attic)

23,99 €*

The Midwest Book Of The Dead

Release: 1972 / US – Reissue

Genre: Rock & Indie

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* First ever reissue of Nancy & Leeâ€™s 1972 classic
* Newly remastered from the original analog tapes by GRAMMYÂ®-nominated engineer John Baldwin

Light in the Attic Records is proud to present the next installment of the _Nancy Sinatra Archival Series_ with the first ever reissue of the classic 1972 album _Nancy & Lee Again_. Recorded during a 1972 reunion between Nancy and the enigmatic Hazlewood, the album contains some of the pairâ€™s most enduring and ambitious duets including the epic â€Arkansas Coal (Suite),â€ the sensual â€œParis Summerâ€ and the incredibly powerful Dolly Parton-penned â€œDown From Dover.â€ Equal parts daring, psychedelic, cinematic, and sweet, _Nancy & Lee Again_ reveals with each track a timeless, natural chemistry between two artists who would remain influential for generations to come.

_Nancy & Lee Again_ is available in a variety of formats, including vinyl, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and is accompanied by a 20-page booklet, featuring an array of photos from the legendary singer, actress, and activistâ€™s personal collection, as well as in-depth Q&A with Nancy Sinatra, conducted by the reissueâ€™s Grammyâ®-nominated co-producer, Hunter Lea (also available in the CD package). All formats have been beautifully designed by Darryl Norsen of D. Norsen Design, and include two bonus tracks, â€œMachine Gun Kellyâ€ (first time on vinyl) and the previously unreleased â€œThink Iâ€™m Coming Down.â€

In addition to the black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

A limited-edition merchandise capsule, including a custom chain stitched denim jacket, embroidered pillow, canvas tote and apparel collaboration with LA-based Midnight Rider will accompany the release at Nancyâ€™s Bootique at *NancySinatra.com*.

Nancyâ€™s impact on fashion, music, and culture will also be celebrated at Modernism Week in Palm Springs this February with three events, including a roundtable discussion featuring Kii Arens (Visual Artist), Alison Martino (Vintage Los Angeles), Hunter Lea (Record Producer), Don Randi (The Wrecking Crew), and Amanda Erlinger (daughter of Nancy Sinatra, and co-author of the book _Nancy Sinatra: One For Your Dreams_), a double decker bus tour featuring audio commentary from Nancy at notable locations, and a Nancy Sinatra Tribute street party on Arenas to close out the weekâ€™s festivities.

*more About _nancy & LEE AGAIN_:*

The incongruous, yet glorious, creative partnership between Nancy Sinatra and Lee Hazlewood was well underway when the two singular artists reunited to record 1972â€™s _Nancy & Lee Again_, a follow-up to their bestselling duet debut, _Nancy & Lee_. Nancy, the eldest daughter of Frank Sinatra, had been working with the Oklahoma-born songwriter since 1965, when she topped the pop charts with â€œThese Boots Are Made For Walkinâ€™.â€ Over the next five years, the two artists forged a prolific relationship in the studio, with Hazlewood writing and producing many of Nancyâ€™s solo hits. Soon, the duo found success with a series of duets, including â€œSand,â€ â€œSummer Wine,â€ and â€œSome Velvet Morningâ€ â€“ all of which appeared on their highly-influential 1968 debut.

Not long after the critical acclaim and chart success of Nancy & Lee died down, however, Hazlewood unexpectedly relocated to Sweden, leaving his musical partner in the proverbial dust. America, meanwhile, was in the midst of a cultural shift, as the Vietnam War waged on. By the turn of the decade, the musical landscape had changed significantly. â€œTrivial music and not profound music became unimportant,â€ recalls Nancy, speaking to Hunter Lea. â€œIt was a tough time.â€ And yet, despite the circumstances, the stars somehow aligned for the duo to record some of their most magnificent music together.

Returning to Los Angeles for the project, Hazlewood â€“ who reprised his role as producer â€“ chose to take a new direction with the duoâ€™s sophomore album. Nancy recalls, â€œIt was more dramatic; it was more fun to do, more challenging to doâ€¦. It was more grandiose.â€ For the lush, orchestral arrangements, they collaborated with Larry Muhoberac (an original member of Elvis Presleyâ€™s TCB band, whose early â€˜70s credits also included Barbra Streisand, Neil Diamond, and Lalo Schifrin) and Clark Gassman, who had worked on Hazlewoodâ€™s 1970 LP, _Cowboy in Sweden_. Backing vocals from brothers John and Tom Bahler, who remain two of the most recorded singers in history, added additional texture to several songs.

The big sound that Nancy describes above is exemplified in the albumâ€™s cinematic opener, â€œArkansas Coal (Suite).â€ Clocking in at nearly six minutes long, the dynamic overture tells the tale of an ill-fated coal miner (sung by Hazlewood), while Nancy adjusts her vocals to sing as both the minerâ€™s daughter and his wife. Hazlewoodâ€™s knack for vivid, nuanced storytelling shines throughout _Nancy & Lee Again_, particularly in â€œParis Summer,â€ which details the conflict that a married woman faces, as she engages in a passionate affair. Another highlight is the country-inspired hit, â€œDid You Ever,â€ which was released as the albumâ€™s lead single. After it landed at No.2 on the U.K. pop charts, the song served as an alternate title track in several countries, including LP pressings in the U.K., Germany, and Canada.

One of the most emotionally-charged moments on _Nancy & Lee Again_ is a cover of Dolly Partonâ€™s â€œDown From Dover.â€ The heartbreaking tune tells the tale of a pregnant teenager, who has been abandoned by her lover and her family and ultimately gives birth to a stillborn baby. While Partonâ€™s 1970 version was sung from the teenagerâ€™s point of view, Hazlewood and Sinatra transformed the country song into a duet. Hazlewood, who offers the manâ€™s side of the story, sings in a notably deeper octave than his signature baritone.

Another poignant selection is â€œCongratulations,â€ which describes a soldier coming home from Vietnam. â€œHis face has grown old and his eyes have grown cold/And they tell you of where he has been/Congratulations, you sure made a man out of him,â€ Hazlewood sings, pointedly. Nancy, who performs as the vetâ€™s wife, argues that the song had a deeper meaning for her duet partner. â€œLee started out a hawk, he was an army guy, so he was all for the war in the beginning. We didnâ€™t talk about it, but at some point, he changed radically. â€˜Congratulationsâ€™ was almost like an apology from him. I donâ€™t want to put words in his mouth, but it was as though he was saying â€˜Iâ€™m really sorry.â€™â€

The song â€œFriendship Trainâ€ could also be interpreted as an apology of sorts â€“ this time to Nancy. â€œYou've been hurt and I've been hurt/Now we're living pain,â€ the tune opens. When Hazlewood moved to Sweden without telling his longtime musical partner, Sinatra was understandably upset. â€œI felt pretty betrayed. I mean, who does that? Who just up and disappears like that? Iâ€™ll never understand it,â€ she reveals. But the uplifting duet â€“ a slice of â€˜70s pop perfection â€“ offers reaffirming words of love between friends. â€œ[Lee] felt things very deeply and tended to express his feelings in song instead of in real life,â€ explains Nancy.

The 10-track album closes with the stripped-down â€œGot It Together.â€ Backed by an acoustic guitar, the song is equal parts playful and candid, as the duo has an impromptu, spoken-word conversation about their lives. â€œI wish that weâ€™d quit getting so old,â€ laments Nancy, who later shares her wish to have children (she would do so in the next few years). Hazlewood, meanwhile, attempts to remedy his past wrongdoings â€“ this time asking his partner, â€œCan I go back to Sweden?â€ With that, Nancy gives her blessing.

This definitive reissue of _Nancy & Lee Again_ also includes two bonus tracks. Both are stylistic departures for the duo â€“ but fit right in with the psychedelic pop of the era. The first one, â€œThink Iâ€™m Coming Down,â€ is a harmony-filled reflection on a toxic relationship. â€œI think that was one of [Leeâ€™s] drug things. I donâ€™t mean that he used drugs; I mean that he was trying to be part of that culture. Trying to be hip,â€ explains Nancy, who delivers an emotive vocal performance on the solo track. Also included is â€œMachine Gun Kelly,â€ penned by a staple of the 70s singer-songwriter movement, Danny Kortchmar (James Taylor, Carole King, Linda Ronstadt). Recorded several months after the release of the album, the song found Nancy reuniting with Billy Strange, who arranged many of her solo albums, as well as Nancy & Lee. Sinatra and Hazlewood first performed â€œMachine Gun Kellyâ€ during their residency at Las Vegasâ€™ Riviera Hotel in February 1972 (later released as a concert documentary on Swedish television). While the recording has long remained a career favorite of Nancyâ€™s, it would be decades before it was officially released.

_Nancy & Lee Again_ remains a creative high point in the careers of Sinatra and Hazlewood and, upon its release, garnered rave reviews from Billboard, _Record World_, and _Cash Box_, among others. Yet, _Nancy & Lee Again_ never received the spotlight it so utterly deserved. â€œWe didnâ€™t have label support at all in those days,â€ recalls Nancy. â€œWithout the strength of a label, records die. We were old. We were old-fashioned. We were just not what was happening. Itâ€™s a very ageist kind of business.â€ Nevertheless, she adds, â€œI think itâ€™s a very good album. I think itâ€™s timeless.â€ Now, after years of being a sought-after rarity, this gem in the Sinatra-Hazlewood canon can finally get its due.

Five decades later, Nancyâ€™s legacy only continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums â€“ her duets with Hazlewood among them â€“ and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when â€œThese Boots Are Made For Walkinâ€™â€ was inducted into the Grammyâ® Hall of Fame. That same year, Sinatra partnered with Light in the Attic for *Nancy Sinatra: Start Walkinâ€™ 1965-1976*, a definitive survey of her most prolific period. Lita has also reissued Sinatraâ€™s classic debut, *Boots*, and her iconic, 1968 album with Lee Hazlewood, *Nancy & Lee*. The label looks forward to celebrating Nancy over the coming years with a variety of special releases, exclusive merchandise, and more.

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Wes Tirey

LP | 2022 | EU | Original (Mapache)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Wes Tirey’s The Midwest Book Of The Dead, is an intimate study of the Midwestern condition. A double album, it tells of silos like chapels, spiders in the cane, of drunkards and saints and fugitives; it speaks of wild geese, and the good life, rhinestone suits, Coca Colas, and dishes drying on the rack. Sincerity, sensuality, and humor all reside in the candor and weight of these songs — its playing and arrangements, rich but unfettered, and Tirey’s voice grown several feet deeper and more sonorous. It is a sublime expansion of a trademark style he has come to call “rustic minimalism”.

The Midwest Book of the Dead finds Tirey both solo for acoustic laments and backed by close collaborators for barroom ballads, with Ryan Gustafson (Hiss Golden Messenger, Phil Cook, Charlie Parr) taking the helm as producer.

This assemblage of strangers and stories and snapshots of lives that make up The Midwest Book of the Dead, Tirey likens to “the book of photographs that you find at a Goodwill” — perhaps in Dayton, or Fayetteville, or in any of the stops on the highways that separate them. And while there are clues laid out across these lyrics, he believes there is an open-endedness to these songs. Still, the clues carry us on, into this land of high corn and pool halls, of farmboys, rusty Fords, and fathers like Elvis. Blue herons, hearts of steel, vinegar and piss; a land where people might rise “with everything to show, strong and comely as a colt.” They are songs told straight and sincere, but that are nonetheless beguiling; the work of a master songwriter, a craftsman, an artist; a man who will always be part of the Midwest.

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Genre: Rock & Indie

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Country Funk Volume 3 1975-1982 Clear Vinyl Edition

2LP | 2021 | US | Original (Light In The Attic)

23,99 €*

Leadbelly / Big Bill Broonzy / Josh White

Release: 2021 / US – Original

Genre: Rock & Indie

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Volume 3 in LITA’s acclaimed Country Funk series! Featuring Dolly Parton, J.J. Cale, Conway Twitty, Larry Jon Wilson, and Billy Swan, amongst many others Includes previously unreleased track by Tony Joe White Newly remastered audio New original artwork by renowned artist J. William Myers (artist for Robert Altman’s Nashville, Waylon Jennings and Willie Nelson’s Waylon & Willie album, and LP covers for the Charlie Daniels Band) Description: The horse still bucks, the band still funks, and well…the fire still burns.

That’s right—Country Funk is back.

In the summer of 2012, a new sound blew in from the dusty desert. It was a sound difficult to pin down, to codify; a sound that, like some wild horse, resisted one’s grasp. But this was no trend, no flash-in-the-pan movement, no shotgun marriage of styles, no ma’am. This sound went back decades, back to the latter half of the 1960s and early 1970s when adventurous artists started to blend country hoedown harmony with the elation of gospel, the sexual thrust of the blues and a touch of inner-city grit. This was a new sound with a simple name: Country Funk.

Country Funk 1969-1975, first released in 2012 and co-produced by Zach Cowie, Patrick McCarthy and Matt Sullivan, brought together a disparate group of artists that were neither bound by geography nor a shared ideology, but connected through the simple feel of their songs. Country Funk is alternatively playful and melancholic, slow jammin’ and booty-shakin’. It’s a sound both studio slick and barroom raw, as evident in the artists featured on Volume I: Johnny Adams, Mac Davis, Dale Hawkins, Tony Joe White, Bobbie Gentry, Larry Jon Wilson, and many others. Just two years later, we chased Volume I with a new collection of songs for Country Funk 1967-1974 (lita 116, 2014). Volume II didn’t let up, dealing out all the loose-talking and lap-steel twangin’ one could handle. Heavy hitters like Willie Nelson, Townes Van Zandt, Kenny Rogers, Dolly Parton and J.J. Cale shared barstools with the lesser-known voices of Bill Wilson, Donnie Fritts and Thomas Jefferson Kaye.

With Country Funk Volume III 1975-1982 (lita 194) we’re here to say there’s more funk left in the trunk yet. This time around, the jeans are tighter, the hair is bigger and the disco ball spins along to a country-synth beat. Produced and compiled by Jason Morgan (Bay Area DJ/collector) and Patrick McCarthy (co-producer/compiler of Volume I & II), the tracklist features regulars Dolly Parton, J.J. Cale, Larry Jon Wilson and Tony Joe White (whose track is released here for the first time) alongside new faces like Steven Soles, Gary & Sandy, Conway Twitty, Travis Wammack, Billy Swan, Rob Galbraith, Brian Hyland, and so many more. As the 1970s began to wane and the 1980s approached, the Country Funk pallet expanded to include disco beats, heavy Moog synth bass lines and more clavinet than you could shake a stick at. Volume III shows artists continuing to buck traditional country tropes and production while embracing modern soul, disco, and coked-up 80s synth-pop. This is the true soundtrack of the Urban Cowboy. Saddle up, partners.

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Three Of A Kind (3 Top Stars Of Folk Song)

LP | 1964 | US | Original (Stereo Spectrum)

4,99 €*

Release: 1964 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

The King Of Sudanese Jazz

Sharhabil Ahmed

LP | 2020 | EU | Original (Habibi Funk)

LP | 1975 | EU | Reissue (Warner Bros.)

Release: 2020 / EU – Original

Genre: Organic Grooves, Rock & Indie

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We're super happy to announce our 13th release by Sharhabil Ahmed, the actual King of Sudanese Jazz (he actually won that title in a competition in the early 1970s). Sonically it sounds very different from what Jazz is understood to sound like outside of Sudan. It’s an incredible unique mix of rock’n’roll, funk, surf, traditional sudanese music and influences from Congolese sounds. Original copies of Sharhabil recordings are often hard to find, so we’re happy they will now be widely available. “Argos Farfish” which was featured on our last comp amassed close to 400.000 plays already.

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Neil Young & Crazy Horse

Zuma

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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LP | 2020 | EU | Original (Innovative Leisure)

Hanni El Khatib

Flight

LP | 1962 | US | Reissue (Duke)

Release: 2020 / EU – Original

Genre: Rock & Indie

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In the life of any interesting artist, there is the perpetual war between the
simplicity of public perception and the complexities of reality. Consider Hanni
El Khatib, a definitive purveyor of visceral, blues-wracked, punk-spiked,
soul-warped, knife fight rock n’ roll over the last decade. You may be familiar
with him through any one of his four acclaimed solo albums on Innovative
Leisure, his work with Dan Auerbach of the Black Keys, or as one of the rare
polymaths able to artfully blend serrated guitars and hardcore rap on collaborations with GZA and Freddie Gibbs. And while these are all real things that
could accurately yield a sketch of the multi-dimensional Los Angeles-based
artist, they amount to little more than a black and white pencil sketch.
From 2010 until 2017, there was the usual cycle that consumes most working
21st musicians: make an album, and tour it for the next 18 months. Return
home, rinse and repeat. And with it came the predictable pitfalls that ensnare
too many artists whose professional obligations require high-octane performances before 1,000 or more strangers every night. It is a dream until that
one night when it isn’t any longer, and despite his gratitude for his fans and
station in life, El Khatib found himself wracked by depression and anxiety.
What had once been joyous creative outlet felt like a job. In the wake of the
release of 2017’s Savage Times, it became readily apparent that if El Khatib
didn’t make drastic changes to his lifestyle, there might not be a life to speak
of. So he quit drinking, stopped touring, and took an indefinite hiatus from the
studio. But eventually, the desire to create songs slowly returned.
What would eventually become El Khatib’s fifth studio album, the virtuosic
but characteristically raw FLIGHT began as spontaneous experimentation.
Over the last several years, El Khatib had become close friends with Leon
Michels, best known as the mastermind of the soul controllers, the El Michels
Affair, but who has also quietly racked up producer credits for the likes of pop
juggernauts like Lana Del Rey, Rick Ross, Travis Scott, A$AP Rocky, and
Eminem -- as well as frequently working in sessions with Grammy-winning
super-producer Mark Ronson. The finished result is a rollicking sampledelic
opus that recalls the beautiful chaos that the Dust Brothers created on Paul’s
Boutique and Odelay. It’s the type of thing that Dilla and Madlib would’ve
created if they had come up on The Cramps.
The irony, of course, is that for a record that sounds like little else El Khatib
has ever done, it’s the most complete embodiment of who he is as an artist.
It’s a record both dense and intricate yet direct and spontaneous. It is garage
rock, it is hip-hop, it is soul, it is blues, it is psychedelic, but more than
anything, it’s a brilliant Hanni El Khatib record -- one that taps into the adolescent spirit of creation that first stirred him to make songs in the first place.
Here he is on his fifth album, back for the first time.

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Bobby Bland

Two Steps From The Blues

8,99 €*

LP | 1958 | US | Reissue (Columbia)

Release: 1962 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: G+, Cover: G

1962 Mono Repress! Cover with completely open top and bottom spine. Vinyl with many scuffs and hairlines

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Ravi Shankar

The Sounds Of India

17,99 €*

Ry Cooder & Vishwa Mohan Bhatt

Release: 1958 / US – Reissue

Genre: Organic Grooves, Rock & Indie, Classical Music

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Used Vinyl

Medium: VG+, Cover: VG+

US reissue.

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A Meeting By The River

2LP | 1993 | US | Reissue (Analogue Productions)

75,99 €*

LP | 1966 | UK | Reissue (The state51 Conspiracy)

Release: 1993 / US – Reissue

Genre: Rock & Indie

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Winner of Best World Music Album in the 1994 Grammy Awards. The illustrated booklet [from the CD edition] contains four pages of notes describing the equipment used for the recording and background on Ry Cooder & V.M. Bhatt, Bhatt's mohan vina (an instrument he designed himself, featuring twelve sympathetic strings, three melody strings and five drone strings, played -like Cooder's guitar- with a slide), the recording and the circumstances that brought them together. The second drummer, Joachim Cooder, is Ry Cooder's son. NB: In the book that came with the 1993 [i]Trance Europe Express[/i] 2CD compilation, Alex Paterson of The Orb included this release among his top 12 ambient albums of all-time, adding "I only wish we [The Orb] could have produced some of this record. It would be a match made in heaven."

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Donovan

Sunshine Superman

18,99 €*