Folk 5542 Items

LP | 2020 | EU | Original (Universal)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Isasa’s fourth LP is a guitar excursion from a skillful, humble guide. Minimal, contemplative songs, rich in atmosphere and warm in spirit.

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Brunori Sas

Volume 2 Poveri Cristi

33,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2017 | EU | Original (Lullabies For Insomniacs)

Million Brazilians

Red Rose And Obsidian

18,99 €*

LP | 2022 | CA | Original (Geoffroy)

Release: 2017 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Millions Brazilians formed in Portland, Oregon in 2006. Founding members Grant Corum and Suzanne Stone have been central to the band since it’s inception, while a rotating line-up backs them depending on the latest vision for the sound. TIP!
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The band carry out their own interpretation of a genre bending ethos that has evolved throughout the American underground. Drifting between boundless compositions, focused energetic improvisations and experimental collaborations that embrace a weird sort of transcendence.

Their next installment Red Rose and Obsidian was recorded in Maine and engineered by Big Blood’s Caleb Mulkerin. Both he and the band deliver a powerful yet fragile and personal release. The mythical and evocative recordings are inspired by Maine's rugged coastlines; mournful ripples of sound wash up on the shore, whilst a lonesome, at times harrowing saxophone drifts through the rolling mountains, providing unsettling melodic interludes. Electronic treatments veil organic sounds, a fleeting whistle meets spontaneously with spacey flutes, mutated rock rhythms are topped off with the soaring vocals of Suzanne Stone who leads the listeners into the magical world of the Million Brazilians.

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Geoffroy

Live Slow Die Wise

Release: 2022 / CA – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Vacancy)

Barrie-James

Strange Desire

A Child In The Sun: Radio Sessions 1969-1970

Release: 2022 / EU – Original

Genre: Rock & Indie

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Limited to 1800 copies with obi strip & sleeve notes. Rare Soul-Jazz-Funk album from 1985. First ever vinyl reissue. Jazz guitarist Calvin Keys is a legend among soul-jazz-funk fans for both his work as a session & touring musician and for the catalog of classic releases under his own name. Key’s playing style is lean & muscular and his unique phrasing balances sophisticated jazz harmonics with funky R&B & soul grooves. Since the 1960s Calvin Keys has performed/recorded with renowned artists such as Ahmad Jamal, Ray Charles, Pharoah Sanders and Joe Henderson. He is also a mentor to young talent, offers private lessons, and is a frequent teacher at the yearly happening ‘Jazz Camp West’.

Calvin Keys was born in 1943 in Omaha, Nebraska. His first musical influence was his father Otis, a well-known drummer in the city's music scene…he passed the music bug on to Calvin, who picked up the guitar early. Keys landed his first notable gig as a member of Eddie 'Cleanhead' Vinson's band when he was 17 and then went on to play with Preston Love (of the Count Basie Orchestra). Later on, he would also join The Jimmy Smith Trio and then worked through the rest of the 1960’s with legends such as Jimmy McGriff, Richard 'Groove' Holmes and Brother Jack McDuff.

After moving to Los Angeles in the 1970’s, he signed to Gene Russell's now-legendary Black Jazz label where he cut his first two albums: Shawn-Neeq (1971) & Proceed with Caution (1974). Next to his own output on Black Jazz Records, Calvin Keys also did session work for the label and played on several of its hit records. At this point in time Keys also auditioned for the Ray Charles Orchestra…his unique phrasing and his ability to balance sophisticated jazz harmonics with tough R&B and soul grooves were showcased nightly in Charles’ band. Before relocating to San Francisco in 1975, he also played on Billy Brooks' jazz-funk classic ‘Windows of the Mind’ (1974) and focused on more live and session work. Keys then joined Ahmad Jamal's group and spent close to a decade with the pianist, touring the globe and recording six albums with him.

The 1980’s and 1990’s also proved similarly fruitful for Calvin Keys…he was a ‘first-call’ studio & live sideman and amassed massive credits for touring with all-stars from the likes of Tony Bennett, Pharoah Sanders and Sonny Stitt. He released two more fantastic solo albums: Full Court Press (1985) & Maria’s First (1985), this time on Olive Branch Records. In 1991 he was featured on the recordings for the original score of the film ‘Dying Young’ composed by James Newton Howard. Next to all of this, his session and live work with his own trio continued at a relentless pace. He settled down in the Bay area and played a multitude of gigs throughout the 1990’s.

After being sidelined in 1997 by heart surgery, Calvin Keys entered the new millennium with a bang! He released five widely acclaimed Jazz-charting albums & worked with major players from the likes of Taj Mahal (Santana, Miles Davis), Chester Thompson (Tower Of Power), Big John Patton (Blue Note), Phil Ranelin (Tribe), Sonny Fortune (Roy Ayers, Strata East), Buell Neidlinger (Lionel Richie, Quincy Jones), Peter Erskine (Joni Mitchell, Weather Report) and Lonnie Smith. There’s no such thing as ‘slowing down’ for Mr. Keys!

On the album we are proudly presenting you today (Full Court Press) you’ll find seven sublime tracks recorded in 1984 and released in 1985 on the Olive Branch label. This was Calvin Key’s first solo album since his recordings for Black Jazz Records back in the 1970’s. Full Court Press features an impressive arsenal of working road dogs that Keys had shared the stage with over the years. Included are: Maxayn Lewis (The Ikettes, Morris Day), Mike Thompson (Freddie Hubbard), James Gadson (Marvin Gaye, Herbie Hancock), Donny Beck (Buddy Miles, Bobby Lyle)…and many others.

Full Court Press is THE dictionary definition of smooth (yet funky) soul-jazz, with washes of warm, laid back grooves pinned under Keys’ endless dancing up and down the fretboard. The playing is ‘deep in the pocket’ and comes off elegant and effortless. Fluid rhythmic fingerpicking that makes you forget all about time and space. This essential release deserves a prominent place in your record collection!

Tidal Waves Music now proudly presents the First ever vinyl reissue of “Full Court Press” (originally released on Olive Branch Records in 1985). This rare record (vintage copies are not easy to come by) now comes as a deluxe 180g vinyl edition, strictly limited to 1800 copies worldwide with obi strip and features the original artwork by John Heard (Azar Lawrence, Count Basie) & sleeve notes by Sherman Ferguson (Pharoah Sanders Quartet). Released exclusively for Record Store Day 2022 and available in participating stores on April 23, 2022.

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Ed Askew

LP | 2017 | US | Original (Drag City)

Release: 2017 / US – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (American Dreams)

Ono

Red Summer

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 1988 | EU | Reissue (Sony Music Catalog)

Down In The Groove

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Wild Boy: The Lost Songs Of Eden Ahbez Colored Vinyl Edition

Eden Ahbez

LP | 2016 | EU | Reissue (Everland Psych)

32,99 €*

LP | 1982 | UK | Reissue (Shadow World Archive)

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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“Wild Boy …” is a reissue of the well-known 2016 release curated by Brian Chidester, renowned researcher and biographer of Eden Ahbez. Especially for this album, Brian wrote an interesting text about Abi’s life, which definitely became the decoration of the release. With the new 2020 re-release, we went a little further and kept what is commonly referred to as studio cuts. It’s a few more minutes in the studio with ahbez himself, full of emotion and life. In addition, to the delight of fans, the edition includes an additional composition Nature Boy (Mantovani Orchestra). Especially, it is worth noting the outstanding mastering prepared from practically decomposed tapes by the Grammy-nominated Jessica Thompson, which guarantees the deepest and warmth possible sound. Jessica a huge ahbez fan and we’re highly appreciated for what she has done to save his music for the future. Eden Ahbez is definitely at the origin of psychedelic music and this release can be taken as further proof. Over the past twenty years, the iconic figure of the world’s first hippie Eden ahbez has become famous primarily for his 1948 song “Nature Boy”, praising universal love, and his amazingly solo album from the 1960s called “Eden’s Island” – one from the first concept albums in the history of music and probably the first psychedelic music album. “Wild Boy: The Lost Songs Of Eden Ahbez” deepens understanding of the origins of the psychedelic movement in the 1950s. The disc contains a musical selection of works by Eden ahbez himself, written by him in the period after Nature Boy. The inclusion of songs such as “Palm Springs” – Ray Anthony Orchestra and “Hey Jacques” by Erta Kitt gives the listener the chance to discover for the first time the little-known recordings of world-famous artists composed by Eden ahbez. Through “Wild Boy” and “Surfer John” you can hear the author’s handling of absurd rock and exotic experimentation, as well as sweet psychedelic pop like Monterey (with Paul Horn on flute). Overall, Wild Boy: The Lost Songs Of Eden Ahbez offers an overview of the lost works of 1949-1971 with seven unpublished recordings and eight rare singles.

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Lining Time

Strike

17,59 €* 31,99 € -45%

LP | 2023 | EU | Original (Kraak)

Release: 1982 / UK – Reissue

Genre: Organic Grooves, Rock & Indie

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Here I AM is the first thing. A powerful incantation sung in full choral style at Dartington College of Arts in 1982 and captured on tape, now in 1s and 0s for all eternity. It’s a bold phrase, this assertion of existence, this permanent claiming of space in time; these three words we were made to sing in church, that we used to recite one after another at the beginning of class. Doing so might seem mundane, or easy, but it’s not. What’s easy is not. Not declaring one’s presence, not showing up at all. Claire Bushe, Cathy Frost, Lisa Halse, Cathy Josefowitz, and Mara de Wit showed up, took a side. They called themselves Lining Time. They were here. ANY Woman CAN SAY I’M A Witch, they said. Strike is the album Lining Time made. It plays out like a freedom spell, like liberatory healing magic. Reveling in the power of the voice, Lining Time sing. Not at us, but for us. As if by putting voice to the traumas inflicted by the patriarchy and capital, they could be made right. As if the whole world might join in and sing along, might join in and take action - might join in and strike.There’s nothing exclusive about the music Lining Time made. Like many of the best and weirdest records of the post-punk era, Strike wears its amateurism as a badge of honour, flies it like a flag to rally around. It is inclusive to the extreme. Which isn’t to say anyone could’ve made Strike. That’s the thing. The music preserved here is too weirdly spare and idiosyncratic - and wildly overconfident in the way that only the young and young at heart can be. Sometimes it’s almost protest folk, acappella or accompanied by a single acoustic guitar, as on ‘It’s Possible’. Sometimes schoolroom auxiliary percussion clunks out a cyclical, ritual rhythm, as on the title track. At no point does it feel less than singular. Still, this is music about and for universal sisterhood. It invites solidarity. Take up an instrument for the cause and sing your own song. Time Passes Time Passes Time Passes Time Recorded music often functions like a time capsule. It’s not rare that an album is “lost”. Rather, it’s rare that a work is heard widely at the time it was made. Often, it’s barely heard at all. It just exists somewhere, a cave painting or an ancient piece of graffiti, waiting to be stumbled upon for whatever reason. The reason, in Strike’s case, is a wonderful posthumous exhibition of Cathy Josefowitz’s artwork, The Thinking Body, a cooperative effort between Kunsthaus Langenthal, Centre Culturel Suisse, Paris, Macro Roma, Les Amis de Cathy Josefowitz, and Elise Lammer. It’s possible that some might be tempted to think of Lining Time as a sideshow curiosity to the main event, but that’d be foolish. Strike, nearly forty years old, is as alive and relevant as it was when it was recorded in the wake of the Reclaim the Night march. If anything, it’s shocking how potent and necessary its message remains today.

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Jef Mertens

No Mathematics

LP | 2023 | UK | Original (Strolling Bones)

Release: 2023 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Circling Ragas OF Resounding Power From THE Beating Heart OF Belgian Dronevolk

Hailing from Geel, Jef Mertens has been researching, documenting and subtly exploring the experimental music scene in Belgium and beyond for the better part of two decades. As a filmmaker, he’s dug deep in the realm of Flemish primitive fringe (Dronevolk) and chronicled the makings of giants like Sonic Youth and Borbetomagus. After running the now-defunct free tape label Dadaist Tapes, Mertens comes with a release of his own: NO Mathematics, the first record collab between Kraak and Feeding Tube. It’s an entrancing debut, where shruti box and guitar conjoin to create circling ragas of solemn yet resounding force.

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Say Zuzu

No Time To Lose

Release: 2023 / UK – Original

Genre: Rock & Indie

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2LP | 2023 | UK | Original (Sound Pollution / Threeman)

Fredlös

34,99 €*

Love The Stranger Black Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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Fredlös came together in the Spring of 2021, rising from the ashes of previous musical adventures, based in the country around Nortallje, northeast of Stockholm. United by a deep sense of their historical roots and a love of dark sounds, they create a truly epic landscape, blending heavy guitars with more traditional instruments and a need to relate history true to the facts. The result is a brooding yet effortlessly melodic sound where the listener can survive and thrive in the dark. Fredlös' self-titled debut album will be released in the Spring of 2023 and contains 9 dark, heavy, intense songs. Lyrically the album is a journey through the late Middle Ages, recounting the historical events from the perspective of the common people. Musically it's a tour de force that defies any one description, weaving metal, rock, folk, and traditional music themes into a rich and varied tapestry. Before the album, Autumn 2022 will see the release of the band's first single Warm Wet Soil - 7 minutes 22 seconds of swirling, dynamic, beautiful heavy music introducing the first chapter of Fredlos, where you are implored to reject the light and embrace the wet warm soil.

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Friendship

LP | 2022 | US | Original (Merge)

Pocket Moon Black Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Friendship's Merge debut, Love the Stranger, moves like a country record skipping in just the right spot, leaving its fellow travelers longing for a place they've only visited in their dreams. Guitarist Peter Gill, drummer Michael Cormier-O'Leary, bassist Jon Samuels, and hawkeyed balladeer Dan Wriggins map out the group's particular, breathtaking landscape and invite the listener to share in its glory. Between instrumental pit stops at "Kum & Go" and "Quickchek," local references in Love the Stranger create a catalog of human perception, presented as roadside attractions. From grape jelly residue ("Ramekin") to the site of a demolished cathedral ("St. Bonaventure") to King of the Hill quotations ("Smooth Pursuit"), the record's images craft a symbolic language of high and low Americana, both evocative and consistently accessible. Spending time with Love the Stranger creates a community _ one in which the window between the listener and the musicmaker shatters in full, until all that remains are the fragments you decide to pick up together. Like its sprawling lyrical references, Love the Stranger's production is both familiar and capacious enough for pedal steel, synth strings, airy folk guitar field recordings, and Midi pad exploration to work in vital harmony. Influenced by Friendship's punk and indie peers as much as road-star forebears like Lucinda Williams and Lambchop, Wriggins says of the recording sessions: "I wanted the album to sound like Emmylou Harris and the Hot Band in the '70s. Pete wanted it to sound like a semi full of spent fuel rods, barreling towards a runaway truck ramp. Jon kept reminding us that the studio is an instrument, and Michael wanted it to sound like the breakdown two-and-a-half minutes into Shuggie Otis' `Strawberry Letter 23.'" Friendship is probably already your favorite band's favorite band, a long-revered Iykyk of DIY with a devoted cult following from Wawa to In-N-Out. With Love the Stranger, the Friendship universe only continues to expand and grow more open-hearted, more inviting, with every passing note. It's a record that locates the listener exactly where the listener is, and wherever that may be, makes a friend out of them, too.

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Simon Joyner

LP | 2019 | EU | Original (BB*Island)

Release: 2019 / EU – Original

Genre: Rock & Indie

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John Mayall & The Bluesbreakers

Spinning Coin

LP | 2021 | EU | Reissue (Music On Vinyl)

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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2LP | 1980 | IN | Original (Polydor)

Talat Aziz

Live

6,59 €* 21,99 € -70%

Release: 1980 / IN – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

The Butterfield Blues Band

Live At Woodstock

2LP | 2020 | US | Original (Run Out Groove Vinyl)

45,99 €*

Kizaki Ondo Preservation Society / Clark Naito

Release: 2020 / US – Original

Genre: Rock & Indie

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First time that Butterfields incendiary live set at Woodstock is available on vinyl
Remastered for maximum fidelity with lacquers cut at Sam Phillips Recording Studio
Features all new artwork, pressed on 2-140g records and comes in a deluxe gatefold tip-on jacket

Paul Vaughn Butterfield was an American blues harmonica player, singer and band leader. After an early training in classical flute, he developed an interest in blues harmonica and explored the blues scene in his native Chicago.

Butterfield met aspiring blues guitarist Elvin Bishop in the early 1960s and with bassist Jerome Arnold and drummer Sam Lay (both from Howlin Wolfs touring band), the new group secured a highly successful club engagement at Big Johns Folk Club in Chicago which brought them to the attention of producer Paul A. Rothchild. During their engagement, Butterfield met and occasionally sat in with guitarist Mike Bloomfield. Rothchild was impressed with the chemistry between the two and persuaded Paul to bring Bloomfield into the band and eventually signed them to Elektra Records in 1964. Rothchild assumed the role of group manager and used his folk contacts to book them at the Newport Folk Festival in 1965. The band added keyboardist Mark Naftalin, and its debut album, The Paul Butterfield Blues Band was finally successfully recorded in mid-1965 and released later that year. The album reached number 123 in the Billboard 200 chart, but its influence was felt way beyond the sales figures. In July 1966, the sextet recorded their second full length album, EastWest. The album consisted of more varied material and reached number 65 on the album charts. With Bishop and Naftalin remaining, the band added bassist Bugsy Maugh, drummer Phillip Wilson, and saxophonists David Sanborn and Gene Dinwiddie. This lineup recorded the bands third album, The Resurrection of Pigboy Crabshaw in 1967. The album cut back on instrumental jams and focused more on an R&B influenced horn-driven sound. It was Butterfields highest-charting album, reaching number 52 on the chart. On the next album, In My Own Dream, the band continued to move away from its roots in Chicago blues towards a more soul-influenced, horn-based sound. The album reached number 79 on the Billboard chart and by the end of 1968, both Bishop and Naftalin had left the band.

The band was invited to perform at the Woodstock Festival on August 18, 1969. They performed seven songs, and although its performance did not appear in the film Woodstock, one song, Love March, was included on the original album release Woodstock: Music From the Original Soundtrack and More, released in 1970. In 2009, Butterfield was included in the expanded 40th Anniversary Edition Woodstock video, and an additional two songs appeared on the box set Woodstock: 40 Years On: Back to Yasgurs Farm. Finally, in August 2019, Rhino Entertainment released the web-only, 38 CD/blu-ray, numbered and limited box set: WoodstockBack to the Garden: The Definitive 50th Anniversary Archive which included Butterfields complete set. Run Out Groove will issue this incendiary live set on vinyl for the very first time with new artwork and deluxe packaging!

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Kizaki Ondo

LP | 2018 | UK | Original (EM)

20,99 €*

Trench Of Loneliness Colored Vinyl Edition

Release: 2018 / UK – Original

Genre: Rock & Indie, Reggae & Dancehall

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“Kizaki Ondo” is a folk song from Nitta Kizaki town in Gunma, north of Tokyo. Played annually by local performers at the Bon-Odori traditional summer dance festival, it features unabashed lyrics about prostitution along with a rhythmic drive sure to appeal to fans of contemporary electronic genres as well as aficionados of traditional musics. The first track is a wildly echoing vocal version recorded in 1980, redolent of humid summer nights; the second track, recorded in 1981, is an instrumental version, both by the Kizaki Ondo Preservation Society. The other two tracks are extensions of tradition, with Tokyo-based producer Clark Naito’s 2018 revisions of “Kizaki Ondo”, providing trap-inspired interpretations, with a vocal version using the original lyrics, along with a sweet instrumental take. This release, the third edition of the EM Records Japanese folklore series, directed by Riyo Mountains, is available on LP & CD, with English lyrics and notes, and rare photos. Evocative cover art by Shinsuke Takagi (Soi48).

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Iterum Nata

LP | 2023 | EU | Original (Sound Pollution / Nordvis)

41,99 €*

LP | 2022 | EU | Original (Will Hoge)

Release: 2023 / EU – Original

Genre: Rock & Indie

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"Trench of Loneliness" is the fourth album of Iterum Nata - a psychedelic folk-rock project by Finnish multi-instrumentalist Jesse Heikkinen. While the music is occasionally upbeat, the general atmosphere has more in common with neo-folk than Jesse's former band: Hexvessel, for whom he played lead guitar for five years. All aspects of Iterum Nata are profoundly inspired by the pagan worldview, esotericism, and the dark regions of the human mind; the result is something that could easily pass as the bastard offspring of Rome, Tenhi, Of the Wand & the Moon, Linda Perhacs, Espers, and early King Crimson.

"Trench of Loneliness" was recorded at Studio Beyond North Star. With the exception of Hiski Pajuniemi's appearance on tin whistle, Jesse handled everything - from the composition to tracking and mixing - entirely by himself.

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Will Hoge

Wings On My Shoes

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2020 | US | Original (Warner)

Brett Eldredge

Sunday Drive

Release: 2020 / US – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Doghouse & Bone)

Jimmie Widener

I'll Be Satisfied

Release: 2020 / EU – Original

Genre: Rock & Indie

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Tumai Takahashi / Uya Nu Kukuru

Misako Oshiro

7" | 2022 | JP | Original (Tuff Vinyl)

Joseba Agirrezabalaga & Mikel Vega

Release: 2022 / JP – Original

Genre: Rock & Indie

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Two songs recorded in 2007 at Kadena Studio One in Kadena, Okinawa, come back alive on 7" analog vinyl after 15 years. The recording is a miraculous session produced by Makoto Kubota and is surely precious being their very first performance in Japan. “Tumai Takahashi” is often sung in a set with “Yatcya guwa” but in this recording it is performed as a stand-alone song, which makes it very rare. The coupling song “Uya nu Kukuru” is a classic piece by Teihan China, Misako Oshiro's mentor. Misako Oshiro sings with Kanako Horiuchi, her top pupil, in a relaxed and lustrous voice.

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Lepok

LP | 2023 | EU | Original (Urpa I Musell)

18,89 €* 26,99 € -30%

Water Cycle Clear Vinyl Edition

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie

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The album consists of improvisation from a duo, in which both musicians play guitar and effects. Joseba and Mikel are good friends and know each other very well but, at the same time, they had never played together before. This mutual ambivalent (un-) knowledge creates an unrepeatable situation of intimate distrust. They interact vigilantly, very close to one another, neither artist able to escape. Compact tension crosses the album and the friction of its content takes them to irrepressible eruptions. In doing so, their interplay becomes arid. Lepok drags us with them until we are irremediably buried.

Defining such complex musicians and their scene seemed very difficult to us. A closer point of view may be warmer and more precise. Because of that, we asked two relevant personalities of this milieu to help us: journalist Antton Iturbe and musician Ibonrg, who kindly agreed to shed some light on the subject.

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Taner Öngür & 43,75

2x10" | 2021 | EU | Original (Tantana)

36,99 €*

LP | 2023 | EU | Original (Loose Music)

Release: 2021 / EU – Original

Genre: Rock & Indie

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As we continue our half-joke-verbal agreement of "one album per year" with Taner Öngür, here we go with "Water Cycle". Like many musician in the world, lock down home, early 2020 Taner Öngür got back to his own song books and merge them with some new ideas and brought us this exceptional instrumental album. It's quite hard to classify it within one genre but we can say it takes off from progressive sounds and explore around Öngür's latest band 43,75's own swing-surf-rock style (of course with some little psychedelic touches). These 14 tracks consist 3 special covers such as the Beatles' "I am the Walrus", Bollywood's famous "Mera Joota Hai Japani" and "Ya Mustafa" which featured in various works of middle eastern cinema. Taner Öngür, the legendary bass player of Moğollar (the iconic group of 1970’s Anadolu Pop movement), is producing solo projects since 90's. "Water Cycle" is his 4th opus of his collaboration with his latest band 43,75 and Tantana Records. During lockdown days of 2020, Öngür got back to his own song books and surfed between UK and India -and of course over fly central Asia- got together this very special instrumental guitar trip. Considering he is the "baptist" of the "anatolian rock" movement of 70's, his beyond-genres-eclectic view to the music fits perfectly to the swinging guitars, progressive touches, tribal beats, melancholic moments of “Water Cycle"... It's also a great "introduction to Taner Öngür's universe". Back in 2016 he formed this project: 43,75. Their first album “Elektrik Gramofon” (2017) was a beautiful selection of 20's - 50's Istanbul songs, distilled by Öngür's surf-swing-rocknroll appoach (it's LP's sold out within 48 hours!). Nowadays, most of the vinyl collectors knows about Anatolian Rock; but not many knows that Taner Öngür was on many cult records of the era and the definition of "anatolian pop" and "anatolian rock" are actually Taner Öngür's own wording, that became the name for it - since 70's. So, on "Sayko Ana” (2018) Öngür did not hesitate to have fun with it; browsing between forgotten Turkish folk songs and psych them. In 2019, he got back into archives, to dig "strange stories" from newspapers and vintage novels of 1930's-1960's, which gave birth to "Asrî Sadâ" album, that its LP consisting a superb - rich contented 16 pages tabloid newspaper; with "news" and "articles" related to the songs... and many other bizarre details of our "dusty days”. So, please welcome to Taner Öngür's own psych-surf-swing flavored universe!

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Mary Elizabeth Remington

In Embudo

Release: 2023 / EU – Original

Genre: Rock & Indie

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Orkes Angklung Padaeng, Daeng Soetigna

Angklung

LP | 1963 | ID | Original (Lokananta)

9,95 €*

Eden's Island Extended Deluxe Edition With T-Shirt Size 2XL

Release: 1963 / ID – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: G+, Cover: VG

Record has many scuffs and some superficial scratches, an audible one on A2. Sleeve is splitting on top and bottom seam.

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Eden Ahbez

2LP Box | 2022 | EU (Everland Psych)

99,99 €*

Eden's Island Extended Deluxe Edition With T-Shirt Size L

Release: 2022 / EU

Genre: Rock & Indie

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The ultimate reissue of one of the world’s most important albums in the field of Exotica, Jazz and even Proto Psychedelic Music from 1960 - and the first official reissue ever!

Eden Ahbez was said to be "the first Hippie on earth", his enchanting life and his amazing music laid the foundation of the Hippie movement.

This reissue of Eden Ahbez' sole album includes 20 almost unreleased bonus songs from different sessions, carefully restored and remastered from original master tapes by prolific grammy nominated sound engineer Jessica Thompson.

Co Produced by movie maker Brian Chidester, who now, after 20 years of research, completed the full time documentary movie

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Eden Ahbez

2LP Box | 2022 | EU (Everland Psych)

99,99 €*

Runnin' Down A Dream: A Tribute To Tom Petty

Release: 2022 / EU

Genre: Rock & Indie

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Lucinda Williams

2LP | 2021 | EU | Original (Highway 20)

33,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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More Pages Black Vinyl Edition

Storyteller

LP | 1971 | EU | Reissue (Svart)

LP | 2022 | JP | Original (Tuff Vinyl)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Storyteller's two albums were released by Britain's then foremost folk label, Transatlantic, their eponymous debut LP in 1970, and their last will and testament, 'More Pages', in 1971. This Svart reissue of 'More Pages' comes after the successful reissue of the band's debut album last year, and this one is likewise restricted to 500 copies on black vinyl.

'More Pages' has been hard to find as a full album, because the Storyteller CD reissue consists of the full first album and only a portion of the second.

No longer confined to being coveted by collectors and those in the know, this lush remastered reissue via Svart Records comes on gatefold vinyl with updated liner notes and interview. If you treasure Folk, Prog and Psychedelic Rock, make sure this is a tale you don’t miss out on!

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Sadao China

Akabana

51,99 €*

LP | 2022 | EU | Original (Anma Productions)

Release: 2022 / JP – Original

Genre: Rock & Indie

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This is an innovative work of Okinawan Pops, based on Okinawa island songs and subtly blended with the essence of reggae, soul, rock, and beyond, with unique laid-back feel good vibes. The rare masterpiece includes many originals such as “Bye Bye Okinawa” “Akabana” and “Kijimuna Blues” Nenes' hit songs produced by Sadao China in the 90ʼs.

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Paolo Angeli

Rade

LP | 1971 | EU | Reissue (Bonfire)

Release: 2022 / EU – Original

Genre: Rock & Indie

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“... Rade is arrivals and departures in sheltered coves, faces marked by sea salt and dried by the sun. It’s waiting, caulking whenever needed, small repairs on deck, quick encounters, transistor radios. And then again, it’s badly folded, coffee-stained nautical charts, imaginary routes in a Mediterranean Sea sailed from cove to cove, finding protection from storms in harbors, bays and inlets…”

Rade is an unexpected arrival, like a beam of sunlight during the rainy season. Paolo Angeli’s latest discographical synthesis comes a year after his critically-acclaimed album Jar’a. If the latter was a contemplation inside the most ancestral Sardinia, with Rade, the Sardinian musician changes course, openly confronting the Mediterranean in a navigation that takes us to the mixed race atmosphere of Mare Nostrum ’s ports. The compositions come from utopic crossroads, dreamlike landscapes, sketched with a fountain pen, places sheltered from the storm’s fury, that recall illusions and mirage. The sea is magma that unites the latitudes of lands above sea level, music islands hanging between popular and contemporary, Balkan pulsations, middle-eastern arches, North African desert adagios, Rebetiko citations and memories of historical avant-gardes, flamenco reminiscences, dissonant phrasing, epic art-rock crescendo and patches of lyricism. The concept album sums up Paolo’s twenty-five years of life with his orchestra-guitar, pushed to the limit of its tonal and expressive potential. Paolo’s voice, however, is what weaves the narrative here. Nasal and with a Sardinian-Spanish flavor, relying on quatrains from 1700s and 1800s Sardinian poets from the regions of Gallura and Logudoro. The music in Rade emerges as a wreck stocked with memories, wrapped by a blinding light. The sea swell is a silver surface, the Sardinian singing blends and merges with sounds that evoke a secular prayer. Rade is aged must from the last century, that somebody forgot in a ship’s galley, leaving tannin marks on glasses, sinking into memories of ethereal visions, stiffened by the sea salt. The light of the Mediterranean Sea radiates into our houses with all the might of a Mediterranean avant-garde, passed on orally by a joyful Charon that imagines a sea that knows no boundaries, speaks a thousand languages for a brief moment and then throws them away. “... and timeless striped sweaters, once again renewing the ritual of listening to a record, the need for joy…” Enjoy Rade! The music in Rade emerges as a wreck stocked with memories, wrapped by a blinding light. The sea swell is a silver surface, the Sardinian singing blends and merges with sounds that evoke a secular prayer. Enjoy!

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Extradition

Hush

Might-Ay White-Ay White Vinyl Edition

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Little we know about this long lost gem coming from the outskirts of the Commonwealth. But as far as we know, beautiness lies inside. That is the case of the sole album of mysterious australian band Extradition. Released in a small run on local independent label Sweet Peach in 1971, the self titled album stands as one of the most accurate acid folk rendition outside the UK realm. Formerly a three piece Extradition struggle on their personal behavior forging a rural set up that pursue the ‘think green’ revolution. It could be the English folk revival or the West Coast flower power, but the album introduce a different state of mind, far away from the chaotic suburbs of the counter culture. Lost on the isle, the acoustic set up of the band brings joy and happiness, a new age that reflects the multiple essence of the four elements. While the opener ‘ A Water Song’ brings to mind the course of a small river ‘A Love Song’ sets the mood for a long lost medieval folk tale. Acoustic guitar, small percussion, natural found sound and the celestial voice of Shayna Carlin (also member of cult band Tully, a weirdo surf-psychedelic affair) all of the elements above literally conjure for an ambient album before the definition was fully embraced by a massive audience.

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Mephiskapheles

LP | 2020 | EU | Original (Jump Up)

LP | 2023 | EU | Original (Sony Music/0472)

Release: 2020 / EU – Original

Genre: Rock & Indie

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NYC satanic ska/metal band's third album from 1999 on vinyl for the first time. Ska's own Satan worshipping, hardcore and metal influenced act returned with an album that expanded its musical range, working some jazzier textures into their hyperactive ska-punk-metal circus. It's part Slayer and Metallica while still embracing their Fishbone and Specials flavors. They blur the lines between their influences, not only in the same song, but quite often at the same time. Twenty plus years later the album is enjoying a true rebirth, new fans are discovering this "lost classic" while many longtime fans are realizing they missed the goods the first time around!

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Max Von Milland

Eisack

Release: 2023 / EU – Original

Genre: Rock & Indie

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Sunir Black Vinyl Edition

Ianai

2LP | 2022 | EU | Original (Svart)

2LP | 2019 | EU | Original (Paganscum)

Release: 2022 / EU – Original

Genre: Rock & Indie

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To speak to Trevenial, the single-entity, multi-instrumentalist voice from the other side of the veil, is to speak to a spirit that transcends the veil of this world and crosses borders beyond time and place. But you will not speak to Trevenial, but hear the words put forth in Ianai. Ianai is the essence of music that will permeate culture and influence without thought of boundaries or convention. Ianai is mythos in the making.

With not much known of Trevenial’s identity or nature, Ianai’s music is imbued with flavors from indigenous musical cultures around the globe and clothed in darkly hued indie moods. Acting as a messenger between two worlds and Ianai is music carried from within through the ages. Now is the time to let the waking world hear it too.

From the first outset of the debut musical offering Sunir and the first single “Savoj Icoil”, Ianai abandons the typical notions of ice and frost in which it is depicted, and rather than desolation, offers a guiding force through the notes and words. While the physical manifestation of this album has been years in the making, Ianai decided to pierce the veil during a time when the world was imprisoned and suffering unimaginable loss.

As the album progresses, listeners transcend through the instrumentation of Scandinavia, Africa, Asia, Middle East and South America. And while Ianai walks a long path, winding through the earth, Ianai does not walk alone, but seeks to share and learn, collaborate and conceive, music and art. From celestial harmonies to earthly delights, Ianai’s music is a reflection of both the worldly and otherworldly. Channeled through the vessel of the spirit Trevenial, the music voices in tongues long forgotten, singing the songs of the sons of God and the daughters of men. In a language unspoken on this plane, yet unmistakable in its meaning, Ianai embodies the freedom we seek and the ability to achieve that fluidity.

In his music, Ianai is joined by a cohort of musicians from the world music scene and classical orchestras but also people from modern bands such as: Massive Attack (uk), Client (uk), HIM (Finland), Sisters Of Mercy (uk), Theodor Bastard (Russia), Lord Of The Lost (Germany), Swallow the Sun (Finland), Souvenir Season (Germany) and The Rasmus (Finland).

The album Sunir will be released on June 6th on Svart Records. The album is produced by Jaani Peuhu (Swallow The Sun, Iconcrash, Mercury Circle) and mastered by Jaime Gomez Arellano at Orgone Studios (Ghost, Ulver, Paradise Lost).

From a time before time; before the ocean swallowed Atlantis and the named gods sat atop their mountains. When the ancient ones roamed free, unburdened, Ianai whispers through the boundary of legends.

With Sunir on the horizon, the question that remains is: when you hear Ianai, will you heed the call?

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Omnia

Reflexions

Release: 2019 / EU – Original

Genre: Rock & Indie

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Fragments-Time Out Of Mind Sessions 1996-1997:

4LP | 2023 | EU | Original (Sony Music Catalog)

112,49 €* 124,99 € -10%

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2019 | UK | Original (Full Time Hobby)

Squirrel Flower

I Was Born Swimming

Release: 2019 / UK – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Mapache)

Cactus Lee

Perfect Middle Hall

Jody Stecher / Krishna Bhatt

Release: 2023 / EU – Original

Genre: Rock & Indie

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Recorded in Austin at Vine Studios with Kyle Crusham (Paul Simon, Edie Brickell and the New Bohemians), Cactus Lee has returned with a six song album titled “Perfect Middle Hall.” This album signals a change in approach to Dehan’s previous self recorded albums and yields a fuller sound. In addition to Dehan on guitars and vocals is John Bush (New Bohemians) on conga / percussion / drums and Alice Stewart (Shinyribs) with added vocals.

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Rasa

LP | 1981 | US | Reissue (Don Giovanni)

30,99 €*

Release: 1981 / US – Reissue

Genre: Rock & Indie

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Genre: Rock & Indie

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LP | 2022 | EU | Original (Rubyworks)

Ryan Sheridan

Americana

21,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2021 | US | Original (Columbia)

Koe Wetzel

Sellout

Release: 2021 / US – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Lusofonia Record Club)

Banda Monte Cara

Re: Imaginar EP

20,29 €* 28,99 € -30%

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie

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LP | 2021 | EU | Original (Gamlestans Grammofonbolag)

Hanna Enlof

Bare Bones

Release: 2021 / EU – Original

Genre: Rock & Indie

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Chouk Bwa & The Angstromers

Vodou Ale

LP | 2020 | EU | Original (Les Disques Bongo Joe)

LP | 2021 | US | Original (Mississippi)

Release: 2020 / EU – Original

Genre: Rock & Indie

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In 2016, haitian voodoo band Chouk Bwa and electronic production duo The Angströmers united to form Chouk Bwa & The Angströmers.

Chouk Bwa play traditional Haitian music; they would fit in the “Mizik Rasin” genre, alongside bands like Boukman Eksperyans, Boukan Ginen or Rasin Mapou from Azor. However, until their decisive encounter with The Angströmers, their most characteristic feature was their loyalty to the essential elements of Voodoo – therefore without any instrumental addition.

Chouk Bwa was born in 2012 in the Gonaïves under the impulsion of singer and Samba (keeper of the tradition and moral figure in the voodoo culture) Jean Claude “Sambaton” Dorvil.

Initially the band’s full name was Chouk Bwa Libète, which can be translated by “Liberty’s roots”, a reference to the famous shout uttered by Toussaint Louverture, an artisan of the Haitian revolution, who died in captivity at Fort de Doubs in 1803: “By overturning me, only the trunk of the tree of liberty fell in Santo Domingo, but it will grow again for its roots are deep and numerous”.

Following their meeting with Belgian musician Michel Wolteche in 2012, the band starts an international career that leads them to a selection for a showcase at the WOMEX 2015 and that will make them tour in more than 10 european countries (playing shows notably at the WOMAD Charlton Park, Roskilde Festival, Førde Festivalen), as well as in Malaysia (Rainforest World Music Festival), Canada (Sunfest, Vancouver Folk Festival, Calgary Folk Festival) and the USA (Savannah Music Festival). In 2015, their first album, Se nou ki la!, is released on Buda Musique.

Chouk Bwa’s music combines multiple characteristic Voodoo elements: rhythms, dances and chants. These are the roots, removed from Africa and secretly replanted in a new earth. The percussionists, going from one rhythm (and therefore one cultural reference) to another, act as collective memory smugglers, and their instruments are the material demonstration of this diversity. The dance is neither aesthetic nor premeditated, it is real; it is not about a “show” or a “choregraphy” but rather about a connexion with the drums’ spirits. On top of this, the singer’s voice ascends effortlessly above the instrumentation, which also includes bamboos and lanbi.

The setlist during a show is made up of original compositions by Sambaton as well as traditional songs rearranged by the band. As a fervent homage to the Lwa pantheon, the entire repertoire is sustained by the voodoo mystic, and throughout a song, it is sometimes the Haitian farmers’ voices, in their daily struggle for survival, that express themselves by narrating scenes of life, sometimes with the impatience of a political speech.

The singularity of this music lies in the fact that it offers a “material” very close to ceremonial music (without any significant addition) and organizes it and, in a way, concentrates it in a shape that gives it an powerful impact, accessible to a large public, however without ever distorting nor polishing it.
The Angströmers, an electronic music duo consisting of Nicolas Esterle and Frédéric Alstadt, constitute one of the artistic emanations of the label The Angströmers.

Founded in Toulouse in 1998, the label organizes events, co-produces cine-concerts with the Toulouse film library and produces one or two albums per year. In 2007 the structure is refounded in Belgium, and starts concentrating its activity on the mastering studio and the

label. Following the premature death of one of the founding members near the end of 2008, the label is put on standby, and only a few albums continue to get released episodically. The studio becomes a well-known actor of the alternative Belgian scene, specialized in vinyl mastering.

As musicians, certainly fed by their engagement in the label and the mastering, The Angströmers spread their music full of bass and echos, influenced by dub and drone music, all over the underground European stages. All along their encounter with the voodoo culture, they learn to expand their sound by immersing themselves into complex polyrhythms. They develop an electronic psychedelic music, free of all the codes of binary, 4/4 standards that dominate the club world.

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Sávila

Mayahuel

I'm Not Crying, You're Crying

Release: 2021 / US – Original

Genre: Rock & Indie

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Sávila is a medicinal plant that grows wild in tropical climates all over the world as well as the name of cumbia/latin/world/r&b project by guitarist Fabiola Reyna, vocalist Brisa Gonzalez and percussionist extraordinaire Papi Fimbres. Mayahuel is the follow up to their stunning self-titled debut, and further explores their singular melding of cumbia, dream-pop, spirited vocals, hallucinatory riffing and driving percussion. "Mayahuel is based on time spent before the pandemic immersed in the music, traditions, people and environment of Oaxaca. Lots of these songs are integrated with field recordings from musicians we met along the way, incorporating pre-hispanic percussion elements and field recordings taken from the streets during our time there. Meant more as a reflection on what we encountered though some songs evolved into something more elaborate as we explore the genre of ancestral club. Music for our ancestors made for the club.”—Sávila. Mastered loud at 45 RPM, and packaged in special soft-touch matte finish tip-on jackets printed by Stoughton with one page color insert.

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Whitehorse

LP | 2023 | EU | Original (Six Shooter)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Dawnbearer Box Set Edition

Hexvessel

2LP | 2022 | EU | Original (Svart)

49,99 €*

LP | 2023 | UK | Original (Maple Death)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Limited Svart exclusive box set edition. The demo LP will not be available separately.

Hexvessel and Svart Records celebrate the 10 year anniversary of Hexvessel’s debut album Dawnbearer with a set of reissues, including CD, double vinyl plus an exclusive vinyl box set with a bonus LP containing demos and early versions of tracks on the album.

“Dawnbearer is a very important album for us, being our first album but also the first original album release for Svart Records. It’s also a very special record for our fans, and one that’s particularly close to my heart, in a world of its own when compared to the other records we have made. Considering that it’s been out of print now for some time, I’m delighted to be able to oversee a reissue of this album, together with original demos and out-takes, and liner notes showing the making of this album which carries the initial DNA of Hexvessel’s musical and spiritual journey”, says band leader Mat McNerney, “We haven’t touched a thing on the original layout, but added some bonus material for the limited edition, should you wish to own a luxury edition of this, our now classic debut.”

Hexvessel band was founded by English singer/songwriter Mat McNerney (Beastmilk, Grave Pleasures, Carpenter Brut etc) after he moved to Finland in 2009. Their style of music has been referred to as “forest folk” or as Noisey/Vice puts it: “Weaving English folk, lilting Americana, and mushroom-induced psychedelia”. Their debut album 'Dawnbearer' was released worldwide in 2011 on Svart Records and is considered to be an influential classic record of the modern Occult Rock revival. Highly popular with Hexvessel fans and unique in their catalogue, featuring guitars by Andrew McIvor (Code), violin work of Daniel Pioro (who works on Paul Thomas Anderson’s soundtracks with Jonny Greenwood from Radiohead), the early production work of Jaime Gomez Arellano (Ghost, Paradise Lost), and guest vocals from Carl Michael Eide (Virus, Ved Buens Ende, Aura Noir).

“Think Woven Hand, haunted ’60s/’70s pastoral folk, or a darker riff on Midlake. McNerney covers Clive Palmer’s post-Incredible String Band crew C.O.B. and successfully transforms and darkens Paul Simon’s “Diamonds On The Soles Of Her Shoes.” He quotes Crowley, Truman Capote, Isaac Babel, etc. Unlike black metal-ready folk, this is folk by a talented, ambitious black metal musician. But the energy’s there. As is the atmosphere.” - Stereogum

“(Part of) a new wave of bands who share many of the original occult bands' musical and philosophical characteristics, spearheaded by Ghost, from Sweden, and the Devil's Blood, from Holland – have begun to lure in a new generation of fans, predominantly from the metal scene, their names alone – Ancient VVisdom, Hexvessel, Blood Ceremony– point to a focused step back to the age of Wheatley and Hammer. ” - The Guardian (2011)

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Dead Horses

Sunny Days

14,29 €* 25,99 € -45%

Release: 2023 / UK – Original

Genre: Rock & Indie

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7" | 2022 | US | Original (Anti-Corp)

Lost Dog Street Band

Glory

16,99 €*

Come Tomorrow: Songs Of Townes Van Zandt

Release: 2022 / US – Original

Genre: Rock & Indie

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45rpm 7'' of the 2 namesake songs from the Lost Dog Street Band full length album 'glory'. 'Until I Recoup (Glory I)' recounts time wasted as a youth and the urge to reclaim one's path to righteousness, set to a heavy handed minor waltz. On the reverse side, 'I Believe (Glory Ii)' gives an optimistic nod towards a destiny attainable, backed with traditional style clawhammer banjo and bluegrass banjo.

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Paal Flaata

LP | 2017 | UK | Original (Blue Mood)

LP | 2023 | UK | Original (Maple Death)

Release: 2017 / UK – Original

Genre: Rock & Indie

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The seventh solo-album by the Norwegian vocalist of Midnight Choir fame. The selection of Townes van Zandt's songs that can be heard on 'Come Tomorrow' is drawn from the period 1968 to 1978, and bears witness to a profound understanding of the artist and a great deal of research. The songs are presented in arrangements that preserve their poetic and melodic power with acute sensitivity.

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Everest Magma

Alto // Piano

21,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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2LP | 2022 | DE | Original (The Lollipoppe Shoppe)

Charles O'Hegarty

The More I Travel

43,99 €*

Release: 2022 / DE – Original

Genre: Rock & Indie

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Class Of 55: Memphis Rock & Roll Homecoming

Johnny Cash

LP | 2020 | US | Original (Mercury Nashville)

20,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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In February Rose Red Vinyl Edition

Isik Kural

LP | 2022 | US | Original (Rvng Intl.)

LP | 2019 | EU | Original (Fire)

Release: 2022 / US – Original

Genre: Rock & Indie

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On in february, Isik Kural works like a photographer of sound, documenting the passing and returning of time as if material snapshots of life's temporality. Across the album's twelve songs, each composed from chance loops and cocooned within the soft container of Isik's memorable voice and melody play, time is held on to hopefully, impossibly, eternally.Born in Istanbul, Isik studied music engineering at the University of Miami, alighted in New York City, and eventually settled in Glasgow, immersing in a sound design masters and audiovisual practice. While these paths guided him between different projects and cities, a voice was simultaneously growing inside the artist, informed by a vision of the world in its everyday luminosity. This voice was expressed in the lyrical and instrumental waves of 2019's As Flurries, a cassette collection for Italian label Almost Halloween Records.It was during a brief trip home to Istanbul in 2019 that the invisible details of in february were first exposed. While assisting on a session at his old haunt Babajim Recording Studios, Isik happened upon a beautiful piano, the kind "in which you hear a melody with the touch of a single note." A looped segment from a recording of improvised tinkering on the instrument formed the basis "pillow of a thought," which christens Isik's new album. A bed for a passing notion, image, moment. Adopting this novel way of working, Isik produced another twelve passages made from loops of unexpected recordings, nothing over three minutes. Eschewing both compositional plans and live performance proclivities, which had informed previous creative explorations, Isik sought a more instantaneous effect. Minute nylon string refrains, lilting synthesizer hums, and a scrap of a chamber recital are collaged with sympathetic verse and synesthetic details captured around Glasgow and activated at Green Door Studios. Literary images also accompany the sensory of in february, weaving wanderlust symbolism through these spiraling studio and field documents....

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Howe Gelb

Dreaded Brown Recluse

Tape | 2023 | UK | Original (Victory March)

Release: 2019 / EU – Original

Genre: Rock & Indie

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1000 only. Long out of print, Howe Gelb's debut solo album `Dreaded Brown Recluse' is re-imagined on for RSD on brown vinyl. Back then, circa 1991 Howe's main squeeze Giant Sand were nothing short of prolific, songs were oozing from every pore, their creative id was effervescing, overflowing. With Giant Sand's colossal new album of '91 `Ramp' imminent what to do with those further outpourings? An idea: Disguise the band as Howe Gelb solo and produce a song cycle that, on repeat, melds into an eclectic stew that's easy to dip in and out of but still remains potent several hours in the oven. It's music as soundtrack to your day, a playful, anarchic piece of situationism that unfolds like all the best dramatic prose. `Dreaded Brown Recluse' includes a rethunk `Warm Storm' with strings (it also appeared on `Ramp'). It also features songs about faxing (how quaint), blankets and the insect world, as it straddles territory lost somewhere between psychotic ramshackle punk and slimmed down acoustic reverie.

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R.D Thomas

What Circus Is This ?

19,99 €*

LP | 2022 | EU | Original (Something Beautiful)

Release: 2023 / UK – Original

Genre: Rock & Indie

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What Circus Is This? is the debut LP from Cornish songwriter/producer R. D. Thomas. Produced remotely in 2021 between home studios in London, Cornwall and Sweden.

The record features collaborations with Mickey Smith & Nat Wason (Ben Howard, A Blaze Of Feather) and Rob Hall (Catfish And The Bottlemen) on drum duties. For fans of Bon Iver, Fleet Foxes, Phosphorescent. What Circus.. skirts the dreaded singer-songwriter genre, with a mixture of sincerity and self-deprecation whilst making room for a playful dose of irony.

‘Paint By Numbers You’ takes a wry smile at modern concerns. ‘Sugar Coated Brain’ rattles through a 60’s style strum, with tongue in cheek to balance more trademark vulnerabilities of moments such as ‘This Bloom’ and ‘Salt’.

The penultimate track ‘And I’m Gone’ would have made for an obvious bookmark to the LP, but it is perhaps more telling that ‘Numbers Game’ should be the lingering sentiment ; a musing over the contradiction of modern meritocracy, suggesting ‘a sense of humour’ as a suitable tonic.

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Pools

You & Us

Release: 2022 / EU – Original

Genre: Rock & Indie

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The Rough Guide To African Beats

V.A.

LP | 2020 | UK | Original (World Music Network)

17,99 €*

Release: 2020 / UK – Original

Genre: Rock & Indie

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LP | 1986 | US | Reissue (Black Editions)

Hallelujahs

Eat Meat, Swear An Oath

40,99 €*

LP | 1972 | EU (Trading Places)

Release: 1986 / US – Reissue

Genre: Rock & Indie

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A dreamlike dispatch from mid-80s Japan, the first and only Hallelujahs album is an entrancing and gentle work of psychedelic pop brilliance. In a series of informal studio sessions between 1985 and 1986, Shinji Shibayama (Nagisa Ni Te) gathered a group of friends, emerging luminaries from the burgeoning Kansai underground rock scene including Naoki Zushi (Hijokaidan, Spiral Stairs / 螺旋階段), Ken Ichi "Idiot" Takayama (Idiot O'Clock), and Chie Mukai (Ché-SHIZU ) to form what would become known as Hallelujahs. The result was a music of deep feeling and wonderment created through simple song craft and imbued with a sort of guileless magic. Their sole album presented a set of unvarnished songs, filled with vulnerable, intimate moments, caught on reel to reel, most often in single takes never to be repeated. The album was self-released in 1986 in a micro-edition of 300 copies. It was the first record by Shibayama's now revered ORG Records which would go on to introduce the world to the likes of Maher Shalal Hash Baz , Reiko Kudo as well as his own group, Nagisa Ni Te. With affinities to the sounds of the Rough Trade and Flying Nun labels, the Paisley Underground and Galaxie 500, the Hallelujahs' Eat Meat, Swear an Oath is an utterly unique masterpiece that remains a touchstone for generations of like spirited artists in Japan and around the world. Black Editions is proud to present this all-time classic in a deluxe vinyl edition, remastered from the original tapes and presented in a heavy tip-on jacket with textured paper, mounted high quality print, foil stamped finishes and spot colors. Pressed to high quality vinyl at RTI.

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Dando Shaft

Lantaloon

20,99 €*

LP | 2022 | EU | Original (Discreet Music)

Release: 1972 / EU

Genre: Rock & Indie

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Dando Shaft’s third LP continued their explorations into the progressive and psychedelic strands of folk, now with shifting time signatures evidencing an increasing sophistication, as well as an ongoing commitment to experimentation; more varied in theme than their previous releases, there were shades of blues in places and an array of new instruments in the mix, including harpsichord, accordion, and slide guitar, yet the progressive folk that was always at the core of the group is still intact. With original copies costing in the hundreds, this is another worthy exploration for Dando Shaft fans, and all lovers of progressive folk music.

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Blod

Pilgrimssanger

LP | 2021 | US | Original (Old Bear Records Reissued)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Pilgrimssånger is the first of two new Blod albums deeply inspired by the Swedish Christian parish culture. The songs deals with human connection and solitude in a life built upon faith. The lyrics depicts exposure and anxiety but also joy and belief among free church members, the complexity of the relationships in the community with its leaders and priests and - ultimately - God. The songs are mainly influenced by Swedish folk music, psalms and choral music.

While being an heavy album, Gustafs' intention has still been to fill the listener with hope and light rather than the opposite. As usual with Blod, the approach has been to highlight the beautiful things in generally ugly contexts, something that has probably never been as evident as on Pilgrimssånger.

Pilgrimssånger features guest apperances by Elin Engströmd and Anna Johannesson on vocals and percussion. Joakim Karlsson mixed and mastered the album. Edition of 500 copies with screenprinted covers, lyric book and additional insert. Discreet Music 08.

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Matt Wheeler

Wonder Of It All

37,99 €*

Water From The Wells Of Home Remastered Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Story has the power not only to entertain, but to shed light. Matt Wheeler invites you on a journey into story with 'Wonder of It All', a collection of songs based on classic works of literature - namely 'The Little Prince', 'Watership Down'', 'The Horse & His Boy', 'The Hobbit', & 'Orthodoxy' - woven together by engaging audiobook-style narrative story pieces. The vinyl version of the album also features instrumental versions of all of the songs.

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Johnny Cash

LP | 2020 | EU | Original (Mercury)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Rockin' Bonnie Western Bound Combo

Keepin' The Reins Slack

LP | 2022 | EU | Original (El Toro)

Release: 2022 / EU – Original

Genre: Rock & Indie

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7" | 2022 | EU | Original (Kill Rock Stars)

Roanoke

Selene / Juna

13,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 1978 | GDR | Reissue (AMIGA)

Pete Seeger

We Shall Overcome

4,99 €*

2LP | 2019 | US | Original (Audika)

Release: 1978 / GDR – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Edge and corner wear.

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Arthur Russell

Iowa Dream

48,99 €*

Release: 2019 / US – Original

Genre: Rock & Indie

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Over the past decade, the visionary musician ARTHUR RUSSELL has entered something close to the mainstream. Sampled and referenced by contemporary musicians, his papers now open to visitors at the Performing Arts Library at Lincoln Center in New York, and his name synonymous with a certain strain of tenderness, Russell is as widely known as he’s ever been. Thanks to Russell’s partner Tom Lee and to Steve Knutson of Audika Records, who have forged several records from Russell’s vast archive of unfinished and unreleased work, the world now hears many versions of Arthur Russell. There’s the Iowa boy, the disco mystic, the singer-songwriter and composer, and the fierce perfectionist deep in a world of echo. While all of these elements of Russell are individually true, none alone define him. Now, after ten years of work inside the Russell library, Lee and Knutson bring us Iowa Dream, yet another bright star in Russell’s dazzling constellation. Blazing with trademark feeling, these nineteen songs are a staggering collection of Russell’s utterly distinct songwriting. Features contributions from downtown NYC musicians ERNIE BROOKS, RHYS CHATHAM, HENRY FLYNT, JON GIBSON, PETER GORDON, STEVEN HALL, JACKSON MAC LOW, LARRY SALTZMAN and DAVID VAN TIEGHEM, along with PETER BRODERICK, who makes a contemporary addition to this list: more than forty years after Russell recorded several nearly finished songs, Broderick worked diligently with Audika to complete them, and performed audio restoration and additional mixing. At once kaleidoscopic and intimate, Iowa Dream bears some of Russell’s most personal work, including several recently discovered folk songs he wrote during his time in Northern California in the early 1970s.

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LP | 1978 | US | Reissue (Sony Legacy)

Street-Legal

Release: 1978 / US – Reissue

Genre: Rock & Indie

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2LP | 2021 | JP | Original (HMV Record Shop)

Port Of Notes

Two

39,99 €*

Release: 2021 / JP – Original

Genre: Rock & Indie

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Mariko Goto Acoustic Violence Pop

Pops

LP | 2021 | JP | Original

36,99 €*

Release: 2021 / JP – Original

Genre: Rock & Indie

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LP | 2020 | JP | Original (Tramp)

V.A.

Peace Chant Volume 4

Release: 2020 / JP – Original

Genre: Rock & Indie

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LP | 2020 | JP | Original (Tramp)

V.A.

Peace Chant Volume 3

Release: 2020 / JP – Original

Genre: Rock & Indie

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LP | 1958 | US | Reissue (Sony Legacy)

Johnny Mathis

Merry Christmas

Release: 1958 / US – Reissue

Genre: Rock & Indie, Christmas

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LP | 1984 | EU | Reissue (Infinite Fog)

Iverson And Walters

First Collection

Watkins Family Hour Volume 2

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Holy grail for Fans of Master Wilburn Burchette, William Ackerman, John Fahey and Robbie Basho. Ultimate collector’s item in Ambient/Folk Music history.

After almost two years of work, we're glad to invite you to a new journey through the fog of time and enjoy the upcoming reissue of the great Ambient/Folk record from 1984. A well-known to collectors but extremely rare record by Jon Iverson a multi-instrumentalist from Palo Alto and his college friend, mandolinist Tom Walters. They shared a love for singer/songwriter fare and gigged around campus playing covers of Neil Young, CSN, and Loggins/Messina in the late '70s.

"First Collection" was recorded during the Spring of 1984 in a small garage that had been converted to a one-room apartment in the seaside community of Los Osos, California.

With an instrumentation of 12-string guitar, piano, mandolin, analog synthesizers, and sampler, the duo has recorded nine bright, weightless, and diverse compositions where electronic experiments mix with ethnic rhythms, sweeping through inspired folk reminiscent of the work of William Ackerman, John Fahey, Master Wilburn Burchette, and Robbie Basho, to homemade pastoral space folk exuding sophisticated, pale, lunar sonic moods that somehow might remind of the work of Roedelius from the early 80s.

Equipment used for tracking included a rented 1/2" 8-track Otari Mx5050 analog tape machine and assorted mics. With only a few thousand albums pressed, First Collection has become a collectable in some circles.

Now, almost forty years later, First Collection has been remixed and remastered from the original 1/2" tapes for this release.

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Watkins Family Hour

LP | 2022 | EU | Original (Family Hour)

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Rancho Deluxe)

Chris Canterbury

Quaalude Lullabies

Release: 2022 / EU – Original

Genre: Rock & Indie

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Springtime In New York: The Bootleg Series Volume 16

2LP | 2021 | EU | Original (Sony)

34,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Spitting)

Spitting Ibex

E.G.O.

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 1971 | EU (Alternative Fox)

Ricotti & Albuquerque

First Wind

LP | 2021 | US | Original (Platoon)

Release: 1971 / EU

Genre: Rock & Indie

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Percussionist Frank Ricotti played in the National Youth Orchestra and was rated the UK’s top vibraphonist during the late 1960s. In 1971, with guitarist Mike de Albuquerque, he cut the multifaceted jazz album, First Wind, which alternated between experimental rock- influenced jazz and thoughtful adaptations of work by James Taylor, John Sebastian and Melanie Safka, with some surprising blues diversions too, such as Albuquerque’s “Go Out And Get It.” However, Albuquerque soon joined ELO as a bassist, putting an end to the duo.

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Leslie Jordan

Company's Coming

LP | 2020 | EU | Original (Ruyzdael Music)

Release: 2021 / US – Original

Genre: Rock & Indie

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feats. Chris Stapleton, Eddie Vedder, Dolly Parton, Brandi Carlile, etc

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Gea Russell

One Last Dance

17,99 €*

Madisen Ward & The Mama Bear

Release: 2020 / EU – Original

Genre: Rock & Indie

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Singer-songwriter with deep roots in hip hop culture.' Gea Russell presents his latest album One Last Dance, an album that fuses elements of blues, soul, reggae, jazz and hip hop. Whist his music has been likened to Tindersticks, Ben Harper and Michael Kiwanuka we are faced with a truly unique voice. The Result, an honest, spacious and heartfelt dance, and hopefully not his last.

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Live At Grimeys

LP | 2016 | US | Original (Glassnote)

19,99 €*

LP | 2022 | EU | Original (Concord)

Release: 2016 / US – Original

Genre: Rock & Indie

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Limited edition for Record Store Day 2016!

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Hank Jr. Williams

Rich White Honky Blues

Release: 2022 / EU – Original

Genre: Rock & Indie

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Dolphine Black Vinyl Edition

Mega Bog

LP | 2019 | EU | Original (Paradise Of Bachelors)

LP | 2022 | EU | Original (Mais 5)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Mega Bog is the fluid musical moniker of songwriter Erin Elizabeth Birgy, who has spent the last ten years channeling, capturing, and releasing her unique bouquet of fragrant, sci-fi pop experiments with a handful of bicoastal collaborators. She is joined on her fifth and finest album (and first for PoB) by members of Big Thief, Hand Habits, and iji, who help her spin a manic web of emotions into beautiful, abstract future poems and thrilling genre perversions.

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José Afonso

Coro Dos Tribunais

Release: 2022 / EU – Original

Genre: Rock & Indie

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Com As Minhas Tamanquinhas

José Afonso

LP | 2022 | EU | Original (Mais 5)

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (American Dreams)

Mute Duo

Lapse In Passage

Release: 2021 / EU – Original

Genre: Rock & Indie

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Ready The Astronaut Clear Vinyl Edition

William Fitzsimmons

LP+CD | 2021 | EU | Original (Grönland)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Cameron Knowler / Eli Winter

Anticipation

LP | 2021 | US | Original (American Dreams)

Release: 2021 / US – Original

Genre: Rock & Indie

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10" | 2018 | EU | Original (Erased Tapes)

Peter Broderick

Two Balloons

17,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Hometown Caravan)

Wayne Graham

One Percent Juice

19,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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Live In Paris 1956-1960 Remastered

Henri Salvador

2LP | 2022 | UK | Original (Diggers Factory / Live In Paris)

38,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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LP | 2019 | US | Original (Father / Daughter)

Esther Rose

You Made It This Far

LP | 2022 | EU | Original (Left Ear)

Release: 2019 / US – Original

Genre: Rock & Indie

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'You Made It This Far' is the sophomore album from New Orleans songwriter, Esther Rose. Inspired by the honest writing and timeless melodies of American greats such as Hank Williams Sr. and Joni Mitchell, Esther Rose's songwriting has been called 'The happiest saddest music.' With the release of her 2017 debut recording 'This Time Last Night', the album caught fire as her listeners tuned-in to a storied chronology of this soulful, heart-worn artist. This Time Last Night quickly spread to all corners of the country through fellow travelers and musicians on the touring circuit.

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Twin Cosmos

Double Action