Folk Vinyl 2151 Items

LP | 2020 | US | Original (Third Man)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Bob Martin began what would become his final studio album in a beach front condominium in Seabrook, New Hampshire in May 2008. The recordings sat dormant for the next 13 years. This album began when James Endeacott of 1965 Records sent Jerry David DeCicca to Charlottesville, Virginia to meet Martin, hoping to reissue Martin’s 1972 debut on RCA Records, Midwest Farm Disaster. DeCicca, who had co-produced the final recordings of folk-funk, Heartworn Highways’ songwriter, Larry Jon Wilson, for 1965 Records (and later reissued by Drag City Records) had played the LP for Endeacott several months earlier. Midwest Farm Disaster is that rare album that feels joyful and yet full of sorrow; Martin’s Lowell, Massachusetts voice yearning with a backbeat from Nashville session musicians, Norman Putnam and Kenny Buttrey, the later fresh from his “Heart of Gold” session. The reissue never happened, as Martin was already in the process of rescuing his forgotten masterpiece for his own self-release. But Bob and Jerry’s breakfast led to Martin’s daughter, Tami, hiring DeCicca and engineer, Jake Housh, who also worked on the Wilson album, to capture her father in a similar manner. After Midwest Farm Disaster, a second album for RCA was under contract, but when a record executive there wanted Martin to put his girlfriend’s poetry to music, Bob bailed on the deal. Martin continued to tour around with a pickup band until advice from his father resonated, and he left the road to raise a family. Bob worked as an educator, teaching math and computers, and even founded a school in West Virginia that taught traditional art forms in Appalachia like fiddle playing and weaving. Bob returned to the studio in 1982 to record Last Chance Rider for the June Appal, a label that focused on music from Appalachia and had released albums by Nimrod Workman, Si Kahn, and Betty Smith. In the late-90’s, Bob returned with two self-released CDs, The River Turns The Wheel and Next to Nothin’ that continued capturing stories of people and places that exhale their own mythologies. He wrote novels, cared for his family, and taught, and played only the occasional gig. But it’s this album, Seabrook, that finds Bob at his most wise and wistful; the histories of Lowell and his own life hanging longest in his voice. New songs about the West Virginia coal mines (“Three Miles Beneath This Mountain”) and living in an extended stay motel (“Midway Motel”) sit beside new and more urgent interpretations of late period classics, like “My Father Painted Houses,” and, for the first time, one of his oldest songs he didn’t record for Midwest Farm Disaster called “Give Me Light”, along with “Stay Awhile Sunshine,” which he had been singing to his family for decades and features Gary Mallaber (“Tupelo Honey”) on vibraphone. After DeCicca and Housh returned from the beach with Bob, they all agreed to flesh out the songs with other instrumentation to present as a draft for what the new record could be with a little more money and time. This was the time when the epilogue of musicians’ work was still of interest to labels. Everyone with a guitar over 65 was still in the shadow of Rubin’s Cash, and recent records by Loretta Lynn, Charlie Louvin, Soloman Burke, and Candi Staton were both fashionable and profitable. But Martin wasn’t as well known and his classic debut was only licensed for a limited physical release, proving him a difficult sell. Labels passed or made unreasonable requests, and Bob eventually lost interest; instead, choosing to record a solo acoustic live album, Live at the Bull Run, and tour Europe for the first time. There were hiccups of hope, like a feature in No Depression and a song in the TV show, Justified, but the new recordings quickly began collecting dusk. In the meantime, DeCicca continued producing records for other older artists, like Ed Askew’s For the World (Tin Angel), two Chris Gantry releases (Drag City), Will Beeley’s Highways and Heart Attacks (Tompkins Square), and reissue projects for the Numero Group (Elyse Weinberg, Rob Galbraith). Then, in 2021, DeCicca received a call from Bob’s daughter, Tami, giving him permission to finish the album as Bob’s health was failing. Upon revisiting the tracks with Housh, the album needed very little tidying up and the songs were completed with DeCicca’s former bandmates, The Black Swans, who had previously played on the original mock up back in 2008. With new technology and a new perspective, the album was completed, but not before Martin’s health had deteriorated more. Bob Martin passed away September 21, 2022 at 80 years of age. Sadly, he never heard his final album.

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North Americans

Roped In

23,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Nozzle)

Robert Cray Band

That's What I Heard

Release: 2020 / EU – Original

Genre: Rock & Indie

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Darkness Brings The Wonders Home Black Vinyl Edition

Smoke Fairies

LP | 2020 | US | Original (Year Seven)

12,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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3LP Box | 2013 | US | Original (Mobile Fidelity)

Bob Dylan

Blonde On Blonde Box Set

111,99 €*

LP | 2024 | EU | Original (Kraak)

Release: 2013 / US – Original

Genre: Rock & Indie

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Limited, numbered box set edition on 45 rpm 180 gram audiophile vinyl!

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Younes Zarhoni

Whirlwind Tan Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie, Classical Music

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Highly original material on a very limited EP... be quick!

Polyphonic Waves OF Soulful Madrigals

The power of duality is an inscrutable thing: we’re endlessly fascinated by the interplay between light and darkness, East and West, voice and silence, our senses tingling from the compelling synergies that thrive in perceived opposites. Drawing from an urbane Antwerpian upbringing and a Moroccan family lineage, the Brussels-based multidisciplinary artist Younes Zarhoni, embraces these very dualities in all of his projects, exploring those murky areas of contrast and bringing all their ambiguous energy to crystal clear focus.

A longtime staple of the local electronic music scene with his hypnotic techno outings as YZ, Zarhoni’s latest focus is on the compositional power of pure harmony and silence: namely, his polyphonic renditions of medieval mystical poetry, sung in multiple voices and left to solemnly radiate beyond their given spatial grounds. Stripped of all instrumental accompaniments, what you get is Gregorian chant meets Boyz 2 Men, articulated by the lyrical ineffability of Arabic tongues and finding their rhythm in the silences that act as the juncture between observation and anticipation.

These sparse stanzas tread under an elusive referential threshold, conjuring visions of architecture and archaism, madrigals and MTV, the sacred and the profane ~ ostensibly disparate elements that seamlessly fold themselves into the radicality of the compositions. In these 20 minutes of verse, Zarhoni oversteps the margins of categorization to deliver an immersive story of song, flowing freely and sustaining the arc of the narrative long after it has ebbed into silence.

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Lainey Wilson

2LP | 2024 | EU | Original (BMG Rights Management)

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Water Is The Shovel Of The Shore

Shovel Dance Collective

2LP | 2022 | UK | Reissue (Memorials Of Distinction / Double Dare)

Live From The Ryman Black Vinyl Edition

Release: 2022 / UK – Reissue

Genre: Rock & Indie

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The latest release from nine-piece folk group Shovel Dance Collective, orbiting around the concept of water. Combining on-site documentation of traditional songs, folk tunes and field recordings in long-form sound-collages. The results lie somewhere between folk music, music concrete and acoustic ecology. Released collaboratively by Memorials of Distinction and Double Dare.

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Charley Crockett

2LP | 2023 | EU | Original (Son Of Davy)

Release: 2023 / EU – Original

Genre: Rock & Indie

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The Doudou Ndiaye Rose Family

Twenty-One Sabar Rhythms

2LP | 2022 | UK | Original (Honest Jon's)

LP | 2022 | UK | Original (Bella Union)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Magnificent Wolof drum music, performed by an extended griot family over seven consecutive days, in the mystical setting of Lac Rose, outside Dakar.

Doudou Ndiaye Rose — who died in 2015 — is a key drummer in the musical history of the world. He developed a system of five hundred original drumming patterns, ancient and new. Amongst the modern rhythms here is Bench Mi — ‘under the Baobab tree,’ a spot where where problems get solved. Also Hibar Yi — ‘passing on information’ — the theme-tune of Senegalese TV national news for decades — and Les Rosettes, the signature rhythm of Senegal’s first ever all-female percussion group, convened by Doudou, and named after his grandmother.

These original compositions sit alongside important traditional rhythms, familiar to every Sabar player, such as Farwu Jar (a courtship game sometimes resulting in a wedding), Ceebu Jin (also the name of the national dish of fish and rice), and Gumbé, often played after a successful harvest.

Recorded in joyful single takes, with no overdubs, mastered by Rashad Becker, the music is deep and thrilling, polyrhythmic to the bone, with a complex, pointillistic intensity at times evoking Jeff Mills in full flight.

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Warmduscher

At The Hotspot

Release: 2022 / UK – Original

Genre: Rock & Indie

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Best Of: First Vinyl Edition

Mano Negra

2LP | 2020 | EU | Original (Because Music)

Built For Fighting Yellow Transparent Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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First timer ever Best Of Mano Negra on vinyl ! Double black 140g vinyl edition.

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Damian Wilson

LP | 2016 | UK | Reissue (Blacklake)

20,99 €*

LP | 2019 | UK | Original (Latency)

Release: 2016 / UK – Reissue

Genre: Rock & Indie

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The album, produced by Andrew Holdsworth, is Damian’s first solo album in more than 10 years. Following suit with his previous solo releases, Built for Fighting is a singer-songwriter album containing 11 new original songs and a cover of Depeche Mode’s Somebody. The album is mixed and mastered in Sweden by the Fascination Street duo Jens Bogren and Tony Lindgren.

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Mohammad Reza Mortazavi

Ritme Jaavdanegi

LP | 2019 | EU | Original (Pharaway Sounds)

Release: 2019 / UK – Original

Genre: Rock & Indie

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“Mohammad Reza Mortazavi is a virtuoso percussionist known for playing traditional Persian instruments such as the tombak and daf. After developing more than thirty new striking techniques and progressing to be one of the most prominent players in Iran, Mortazavi travelled to Germany, eventually settling in Berlin to record and perform regular concerts the world over. His acclaimed performances have taken in venues such as Berlin Philharmonie and Sydney Opera House. In recent years, he has been embraced by the experimental electronic music community, collaborating with Burnt Friedman, Fis and Mark Fell.

Ritme Jaavdanegi is Mortazavi’s sixth LP, and his first one available on vinyl. The album came together from recordings made in Berlin in June 2019, inspired by Mortazavi’s vivid reminiscence about profound experiences he had listening to music as a child. As he drifted in this time-slipping reverie, the phrase ‘ritme jaavdanegi’ or ‘rhythm of eternity’ came to mind, and he found the phrase itself to match the 11/8 metre he was striving for. As such, all eight pieces on this album adhere to this time signature, which in itself harks back to the Aksak, a rhythmic pattern based on the alteration of binary and ternary quantities executed in a fast tempo, intrinsic to traditional music from Iran, Turkey, Afghanistan and the Balkans.

In the same way these non-standard folk rhythms started to impact on Western music in the early 20th Century, so now you can hear an ever-increasing embrace of polyrhythms and metres that break away from the dominant 4/4 ideology. What’s most striking about Ritme Jaavdanegi, perceived through a lens of modern Western experimental music, is how Mortazavi’s virtuosic playing rivals the intensely programmed dynamics of electronica. His rapid, needlepoint drum hits bend their tonality in incredibly musical ways, but there is still an underlying focus on cyclical repetition that encourages the same ancient transcendental quality that so many contemporary artists strive for.”

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Nese Karaböcek

Yali, Yali

Release: 2019 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Nese Karaböcek is a popular Arabesque singer and film / TV star from Turkey. She started singing at a very young age and has a vast recording career. “Yali Yali” is a selection of her grooviest tracks from the 70s, including the massive psych-funk dancefloor bomb title track plus another fabulous examples of Anadolu pop-funk, mixing Turkish melodies and instruments with disco arrangements, Moogs keyboards, funky drums...

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Music From Saharan Cellphones

LP | 2011 | US | Reissue (Sahel Sounds)

18,99 €*

7" | 2024 | EU | Original (No Sabes)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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The first vinyl release on the Sahel Sounds label, known from their Mississippi release Ishilan-n-Tenere! A compilation of the most popular music circulating the Sahara desert on the unofficial network of cellphones -- where mp3s are stored, played, and traded in very literal peer to peer bluetooth transfers. The contemporary West African sound from the new school of DIY production with little or no commercial release outside of their locales, from spaced out Tuareg Autotune, Ivorian Club Jams, Mauritanian Synth, and Malian Hip Hop electro. Collected from memory cards by and released on cassette, the vinyl comes after a years plus of tracking down the composers.

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Farnak

Country 1

14,99 €*

LP | 2024 | WW | Original (Evo Sound)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Farnak. The inspirational nihilist and perpetual droog is the sound of bedroom rock experimentations and insightful lyricism in this 7" single. Lend your ears a listen and give yourself a break.

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Livingston Taylor

Ink

46,99 €*

Release: 2024 / WW – Original

Genre: Rock & Indie

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Still Valentine's Day 1969

Sandy Bull

LP | 2024 | EU | Original (No Quarter)

Roll It Out Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Sandy Bull was an American folk musician who rose to prominence with a series ofalbums on the Vanguard label in the 1960's and 70's. Still Valentine's Day 1969 ispulled from two live shows recorded at The Matrix in San Francisco in 1969 with Bullplaying shimmering electric guitar and oud, accompanied by tape loops. Previouslyavailable on CD, but now out of print in all formats - this is the first ever vinyl pressingand includes the original liner notes from Byron Coley.

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The Deslondes

LP | 2024 | US | Original (New West)

Magick Brother & Mystic Sister

Release: 2024 / US – Original

Genre: Rock & Indie

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The Deslondes are a five-piece group of dudes from New Orleans. The band splits up songwriting and lead vocal duties among its five members, continuing its democratic ethos and musical versatility. Multiple members have released solo recordings between their sophomore release, Hurry Home (2016) and their previous release Ways & Means (2022). Now, with their latest record, Roll It Out the band continues to build on their inventive take on New Orleans country and R&B. Roll It Out finds the band leaning on the country-folk of their debut along with the sometimes-psychedelic, electrified gospel-soul sound of their previous records The sound will continue to draw comparisons to the country-funkiness of The Band, Link Wray, and others but Roll It Out is the sound of a band that understands the history of American music, while embracing their own contemporary approach.

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Tarot Pt. I

LP | 2024 | EU | Original (Sound Effects)

32,99 €*

LP | 2024 | US | Original (Drag City)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Magick Brother & Mystic Sister, the mysterious band from Barcelona, return with not one, but 2 albums! 'Tarot Part I' and 'Tarot Part II' (follows ca. 2 months after #1) is a concept album in 2 parts, a psychedelic record, a kaleidoscope of songs based upon the Major Arcana of the Tarot, a cross-cultural dream language. With their signature imaginative compositions, featuring space-age keys and spiraling synthesizers, intricate guitar mosaics and bass lines, powerful drums, tribal percussion and exotic instruments carving textures for atmospheric feminine vocals, Mbms merge a kind of dream-prog, of the Canterbury variety, with retro-futuristic sounds and magic folk atmospheres, shaping up their own universe, thus turning the 'Tarot' concept into an unmissable experience! The band decided to release the record in two parts, giving the listener more time to meditate upon the music. This is an album that is meant to be listened to and experienced visually on vinyl, its sleeve recalling the bold designs of the late 1960s - early 1970s - when the two records are combined, the interior gatefolds form an astrological mandala, a planetary wheel. For this album Mbms, (Eva Muntada (synthesizers, mellotron, organ, piano), Xavier Sandoval (bass and guitar), Alejandro Carmona (drums) and, new member of the band, Toni Jagwar (sitar) are joined by Maya Fernandez (flute) on two songs, Glenn Brigman (vocals) and Didac Fernandez (percussion).

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Nathan Bowles Trio

Are Possible

LP | 2024 | Original (Bloodshot)

Release: 2024 / US – Original

Genre: Rock & Indie

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"Are Possible" is a spark-throwing, undulating fusion of styles played (mainly) on banjo, upright bass and drums, made possible by the individual perspectives of Nathan, double-bassist Casey Toll (Jake Xerxes Fussell, Mt. Moriah) and drummer Rex McMurray (CAVE) work together in an easy-rolling manner, but one that contains an expansive, ass-shaking confabulation of ideas.Music is time in redux: Are Possible"s many moments in time carry details from all over the place. Rex brought a rhythm to the table after drumming on buckets at work, Casey provided a bassline that redirected a previous jam, Nathan brought in a song he"d been fucking with forever and they figured it out together. Their diversity of sources moves easily within the arrangements, rendering a far-ranging set of feels, from transcendental to new country funk to good ol" jazz and the folk-rock, even - all of it drawn out exquisitely when they mixed at Electrical Audio in Chicago with the delicate hands of Cooper Crain upon the faders. The Nathan Bowles Trio have done their due diligence, passing their music through time and space on their way to now.

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Luke Winslow-King

Flash-A-Magic

LP | 2024 | Original (Cpl-Music)

Release: 2024 / Original

Genre: Rock & Indie

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Acclaimed folk-blues singer/songwriter Luke Winslow-King has recently inked a significant deal with the iconic Bloodshot records, coinciding with the label’s 30th anniversary, and marking a revival in the institution’s trailblazer history of outlaw country, folk roots, and rock n roll. To celebrate this exciting collaboration, Luke Winslow-King is set to embark on a midwest tour with guitar maestro Roberto Luti of Tuscany May 17 - June 1 of 2024.

Tuscan Slide Guitar Maestro Roberto Luti is a founding member of the Playing For Change band and has collaborated with legends such as Taj Mahal, Keb Mo, Keith Richards, Ringo Starr, Dr. John and numerous others, accumulating over 100 million plays on YouTube. His unorthodox, angular and evocative slide guitar style is based on Mississippi and Chicago blues and is infused by soul and African roots traditions.

Fans can expect the sincere and heartfelt roots blues stylings King has become known for, showcased alongside his continual artistic reinvention.

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Dobranotch

Vander Ikh Mir Lustik

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Glitterbeat)

Landless

Lúireach

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2011 | US | Reissue (Craft)

Merle Haggard

Working In Tennessee

35,99 €*

Release: 2011 / US – Reissue

Genre: Rock & Indie

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2LP | 2024 | EU | Original (Efficient Space)

Someone Like Me

Jason Isbell & The 400 Unit

Release: 2024 / EU – Original

Genre: Rock & Indie

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A humanity-reminding suite of miracle moments, Someone Like Me unites a geographically unbound cast of real people in pursuit of a meaningful connection. Taping their lived experience in economic studios in quiet English counties, Pacific Northwest woodland retreats and the big city bustle of Sydney and Los Angeles, these kindred spirits rendered sheer beauty in the process. Custom pressed folk songs of love, loss and the lord saviour.

Illuminating minor works from seasoned players such as former Syndicate Of Sound chart-topper Sharkey and late-era Canned Heat lynchpin James Thornbury, the collection simultaneously honours the fleeting amateurism of hobby musicians. With their one shot at tangible vinyl, freshman Lynne Ann Kingan realised her loose bubblegum rocker on campus time, while U.S. Navy recruit Fred Potts cut his unconditionally serene ballad remotely stationed on a Spanish naval base. Spartan production continues to reign with Jon Betmead’s hair-raising gospel, howling into infinite space, and Goldrust’s stripped back garden hymn.

Throughout the hour-long reflection, faith has an intermittent yet revelatory presence, most overtly with the divine choral soul of Seventh-day Adventist quartet Remnant. More subtly, Gary Ramey and Jim Kennedy both turned to song in their spiritual quests, offering their all to a universal power. An irrefutable compilation cornerstone, the National Office For Black Catholics showcased Charles Murphy’s lionhearted account of the Black experience at a 1971 concert. Five years earlier, high school seniors The Superwomen would use their hauntingly angelic harmonies to address racial inequity with a breathless take on ‘Lowlands’.

Reaching the furthest corners, Someone Like Me secures the inaugural licence of three homespun masterpieces. Discovered by fluke in the digital haystacks of Youtube and Soundcloud, Jim Huxley’s bedroom pop earworm melds peacefully into Charlie Webster’s synthesized reverie. Meanwhile, Hollywood’s John Agostino introduces us to the bizarre world of tax scam records, with the artist only now learning that his tender psych-folk demos were leaked via a 1977 bootleg.

Compiled and lovingly restored by armchair digger Mikey Young (Eddy Current Suppression Ring/The Green Child), Someone Like Me pays due service to seventeen rarefied journals of truth and devotion. Adorned with visual artist Chris Fallon’s figure and flora dream extractions, the uniting songbook is further detailed by expansive track-by-track liner notes and a forward from San Franciscan poet Rod Roland.

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Live From Alabama

2LP | 2012 | US | Reissue (Lightning Rod)

Holy Tongue / Beatrice Dillon / Lamin Fofana / Labour

Release: 2012 / US – Reissue

Genre: Rock & Indie

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In August of 2012, Jason Isbell and The 400 Unit assembled in their home state of Alabama in front of a couple of sold-out concert halls to record their first live album, Live From Alabama. After years of hard touring, the critically-lauded band has gelled into a versatile rock and roll squad that is equally at ease performing Muscle Shoals soul to hardcore country to balls-out rock. Live From Alabama’s tracklist mines some of Isbell’s most popular songs and includes a pair of inspired covers in Neil Young’s “Like a Hurricane” and Candi Staton’s “Heart on a String.”

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Dey Sey / 2020 / Niary Ngorong / Etu Keur

2x12" | 2023 | UK | Original (Honest Jon's)

En Kötü Iyi Olur Marbled Gold Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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Four dazzling, extended engagements with mbalax master-drumming.

The contribution from Holy Tongue is chase-the-devil steppers — thumping, clangorous, reverberating — super-charged with energy and atmosphere. From the off drummer Valentina Magaletti detonates a hard rain of small bombs, rounds of fire, ticking fuses. Musical co-ordinates are somewhere between classic On-U Sound crew like African Head Charge, The Mothmen, and Creation Rebel, and the experimental funk of the Pop Group and 23 Skidoo, at their funkiest. Thrillingly, the two dubs are increasingly deranged.

Adjusting the same wavelengths as her superb Workaround LP, Beatrice Dillon plays spaced-out, abstract synth-work against the bodily physicality of the ancient, shifting mbalax rhythms. The music is poised, mindful, tentative; but also limber, fleet, and magical.

Phantasmagorical and efflorescent, Lamin Fofana’s one-two is simply stunning. Both excursions are wide-open, beautiful, epic, and propulsive — the first mix is banging and headlong, the second more syncopated and serpentine — teeming with freshly sublime, funkdafied updates on Jon Hassell’s Fourth World possible musics.

The two parts of LABOUR’s Etu Keur Gui engage the same sequence of drum patterns (called bakks) from different perspectives. The duo performed portions of this piece at the opening ceremony of the Dakar Biennial in 2022, at the Grand National Theater, with thirty sabar players from the family of Doudou Ndiaye Rose. This Wolof phrase for the inner-court of a home — a meeting-place — doubles here as a metaphor for inner space on a metaphysical level; and Pan Sonic, Muslimgauze, Zoviet France, early Shackleton… all ghost across the threshold.

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Lalalar

LP | 2023 | EU | Original (Les Disques Bongo Joe)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Les Disques Magnétiques)

Pekodjinn

Dharba

20,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Sun Arcs Black Vinyl Edition

Blue Lake

LP | 2023 | UK | Original (Tonal Union)

2LP | 2020 | EU | Original (Sony)

Release: 2023 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Blue Lake is the musical moniker of American born, Copenhagen based multidisciplinary artist and musician Jason Dungan, who signs to the Tonal Union imprint for the release of his new longform album ‘Sun Arcs’. It follows 2022’s release ‘Stikling’, earning a nomination for ‘Album of the Year’ at the Danish Music Awards plus warm praise from The Hum blog and musicians and DJs alike including Jack Rollo (Time is Away/NTS) and Carla dal Forno. A self taught player, Dungan began freely experimenting with self-built multi-string instruments, preferring to build his own hybrid 48-string zither and working in the realms of left-field ambient music, off kilter folk and improvised acoustic minimalism.

The starting point of ‘Sun Arcs’ saw Jason travel for a week alone to Andersabo, a cabin set in the idyllic Swedish woods just outside of Unnaryd, known also as the music project, festival and residency space which has been run by Dungan since 2016, hosting artists like Sofie Birch, Johan Carøe and Ellen Arkbro. Whilst writing 1-2 pieces per day, a conscious decision was made to leave behind everyday distractions and shut out the outside world to instead focus on the natural passage of time as Dungan recalls: “My only sense of time came from these daily walks out in the woods with my dog, and an awareness of the sun’s path as it moved across the sky each day.”

The album’s immersive world unfolds with the opener ‘Dallas’, an ode to his home state and a musical synthesis of these two disparate spaces (Texas and Denmark), the touchstones of Dungan’s life. A folk-esque single acoustic builds to a flowing arrangement of clarinets, organ and cello drones coupled with percussion. ‘Green-Yellow Field’ chimes in as the first of two solo oriented zither recordings twinned with the dreamlike title track ‘Sun Arcs’, both densely rich as cascading and overlapping harmonic tones resound. ‘Bloom’ emerges with a krautrock psyche before an eruption of cello drones, slide guitar and free-ranging zither playing, ushering in the anticipation of spring. With half of the recordings conceived in Andersabo, Jason returned to Copenhagen to form the album's centre piece ‘Rain Cycle’ which features a tempered Roland drum machine alongside shifting zither improvisations. ‘Writing’ explores the shimmering harp-like qualities of sweeping playing figurations with Dungan mapping out adjusted tuning “zones” on the zither for unconventional but creatively liberating effects. ‘Fur’ captures the feeling of openness and the momentum of time, seeing Dungan perform waves of solo clarinet, often in one takes and embellished with textural drones, a zither solo, and layers of guitar. ‘Wavelength’ the album's closer is fondly inspired by the film works of Michael Snow and Don Cherry’s seminal live album ‘Blue Lake’ (1974), as it builds out from a drone-generated zither chord and features an alto recorder solo. Dungan found a deep connection to Cherry’s stripped back performance ethos, focusing on the core beauty of minimal instrumentation creating a genre-less meeting between folk and jazz. A dialogue is formed between the solo and the bandlike performances, interlinked in a geographical duality with all finding a sense of commonplace as musical sketches of visited landscapes. The bountiful instrumentation ebbs and flows as further layers emerge with Dungan constructing his material much like an artist would, recording and reviewing, adding and subtracting.

Musically it portrays a form of double life led by an American-identifying person living in Scandinavia, and a new found presence in Denmark, seeking out underdeveloped marshlands and barren stretches of beach adrift from other rhythms and distractions. Highlighting their individual and potent importance Dungan concludes: “Both places feel like “me”, I think on some level the music is always some kind of self-portrait.” ‘Sun Arcs’ depicts the intricate balance of nature’s cycles and the paths outlined by the seasons, from a winter dormancy to a warm sun drenched scene. The album scales new glorying heights and further defines Dungan’s musical narrative, inhabiting a unique space in left-field, improvised and experimental music, borning his most accomplished compositions to date. A singular and visionary expression, drawing on an array of instruments and sound worlds with a renewed sense of joy and discovery.

The album's rich tapestry was mixed by Jeff Zeigler (Laraaji, Mary Lattimore, Kurt Vile /Steve Gunn) and mastered by Stephan Mathieu (Kali Malone, Kmru, Félicia Atkinson).

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The Chicks

The Essential The Chicks

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (World Circuit)

Afel Bocouml

Lindé

Release: 2020 / EU – Original

Genre: Rock & Indie

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In A Lifetime Super Deluxe Bookpack Edition

Clannad

2LP+LP+4CD+7"+Book+4Cards+Poster | 2020 | EU | Original (Warner)

83,99 €*

Mouasalat Ila Jacad El Ard

Release: 2020 / EU – Original

Genre: Rock & Indie

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Box including a 4CD Anthology, 2LP on black vinyl, 1 LP of Macalla, a 7", a book, 4 post cards and a poster.

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Issam Hajali

LP | 2019 | EU | Original (Habibi Funk)

2LP | 2024 | US | Original (MCA)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Issam Hajali is most known as the singer and composer of the Lebanese band Ferkat Al Ard. While they recorded 3 albums only their classic „Oghneya“ saw a vinyl release and is highly sought after in the Lebanese record collector scene (A copy changed hands in Beirut this year for 5000 USD). Before the band came together, he recorded this debut album in Paris in 1977 . This rare album fuses jazz and folk with Arabic and Iranian influences into unique beauty. It was only released in a limited run of 75 cassette tapes and is now officially licensed and reissued by Berlin based Habibi Funk Records.

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George Strait

Cowboys And Dreamers

38,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Shadows And Light 2024 Remaster

Joni Mitchell

2LP | 2024 | Original (Rhino)

Release: 2024 / Original

Genre: Rock & Indie

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Joni Mitchell

Mingus 2024 Remaster

Release: 2024 / Original

Genre: Rock & Indie

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Don Juan's Reckless Daughter 2024 Remaster

Joni Mitchell

2LP | 2024 | Original (Rhino)

Release: 2024 / Original

Genre: Rock & Indie

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John Prine

Now Playing

Release: 2024 / Original

Genre: Rock & Indie

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Now Playing Blue Vinyl Edition

Gram Parsons

Release: 2024 / Original

Genre: Rock & Indie

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Texas Tornados

Now Playing

Release: 2024 / Original

Genre: Rock & Indie

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Lucy Kruger & The Lost Boys

Sleeping Tapes For Some Girls

LP | 2019 | EU | Reissue

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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LP | 2023 | CA | Original (Constellation)

ALL HANDS_MAKE LIGHT

Darling The Dawn

Release: 2023 / CA – Original

Genre: Rock & Indie, Electronic & Dance

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ALL Hands_make Light is the recently minted duo of Ariel Engle (La Force, Patrick Watson, Broken Social Scene) and Efrim Manuel Menuck (Godspeed You! Black Emperor, Thee Silver Mt. Zion). Longtime friends, collaborators, and stalwarts of the Montréal post-punk community, this is their first full-fledged project together. Ah_ml weaves these two unique voices through lustrous tendrils of blown-out tones and drones, expanding on Menuck's eponymous modular and analog synth-based work of recent years, now imbued with an additionally searing, soulful warmth and melodicism through Engle's singing. "Darling The Dawn" is a spellbinding album of preternaturally genre-bending sonics and songwriting: a sort of electronic shoegaze suffused with freak-folk, kosmische, darkwave and post-industrial, flowing from ambient minimalism to pulsing maximalism, conjuring traditionals sung in the haze of earliest light accompanied by overdriven circuit boards powered with ungrounded wires. Engle and Menuck see ALL Hands_make Light in a folk lineage traced through the likes of Pentangle and Trees to White Magic and Amps For Christ. While there's no discernable guitar or acoustic instrumentation on the album (warm distorted synths provide the palette, along with signal-processed violin from fellow-traveller Jessica Moss), off-kilter drone incantations like "A Sparrow's Lift" and "A Workers' Graveyard (Poor Eternal)" perhaps sit most overtly within these seams of the skewed-folk substratum. The dichotomic ritualism of Can is an adjacent signpost, where methodical longform soundscaping combines with a feeling of extemporized immediacy. The album's tremendous 10-minute centerpieces "We Live On A Fucking Planet And Baby That's The Sun" and the motorik-driven "The Sons And Daughters Of Poor Eternal" also make this influence explicit thanks in part to the resplendent drumming of guest Liam O'Neil (Suuns), who helps propel both tracks to their spiralling peaks. Above all it's the singing and lyrics, in method and melodic delivery, that conjure certain freak-folk furrows. Engle calls this "music inspired by ancestor music, sea shanties for seas we've never sailed" and the duo have indeed forged a collection on "Darling The Dawn" where vocals often feel strangely rooted in traditionals, while the instrumentation resonates out-of-time, in a liminal space at once glisteningly synthetic and oxidized in analog patina. As the album title suggests, sleepless anxiety/euphoria and a sense of somatic channeling is vital to these songs: "I mostly kept the first thought I had, like a cold read, I wanted the melodies to be immediate and to surprise me, not a laboured process; it's about being a weather vane, guided by preconscious impulses" says Engle. For Menuck, the record started "with an idea of making a long thing about `the Dawn', the different weights of its radiance, the way it kisses our dumb faces when we rise and leave the night behind, the heaviness of that light when you haven't slept." "Darling The Dawn" captures a wholly compelling collaboration between Engle and Menuck in an album of genuine thematic power, thrumming with alternately tender and serrated beauty as only their combined strengths and sensibilities could conjure. Thanks for listening.

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America Dream Reserve 2023 Edition

2LP | 2023 | EU | Original (Smiling C)

35,99 €*

Bbc Paris Theatre London 1972

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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2023 edition with new artwork and sleeve. Come with insert/liner notes.

"Welcome to the America Dream Reserve, home to husband & wife duos, pub legends, one-man-bands, preachers’ sons, and country-lounge entertainers..."

About: America Dream Reserve is a home for kindred souls. An hour-long journey into the world of lo-fi drumcomputer folk, disco-pop-lounge, haunting ballads, obscure vanity pressings, and synthesized string ensembles. A collaborative compilation between Charles Bals, creator of the inimitable Club Meduse, and Smiling C.

Compiled by: Charles Bals & Henry Jones.

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Judee Sill

LP | 2022 | EU (Chush)

Selda Picture Disc Edition

Release: 2022 / EU

Genre: Rock & Indie

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A singer-songwriter who wrote for the Turtles, Sill - in her early 1970s heyday - was compared to Asylum label contemporaries like Joni Mitchell, though her music had stronger spiritual overtones. This nearly forgotten performance reveals a true talent that deserved so much more during her short lifetime. Judee Sill grew up in a very troubled home and came through it with some truly great music to tell so many stories that many of the more sentient listeners will appreciate.

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Selda

LP | 2022 | EU | Original (Pharaway Sounds)

Halimem Picture Disc Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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First album by Selda Bagcan, originally released in 1976. A collection of well-known poems and folk-songs, recorded in cooperation with the most progressive Turkish musicians / arrangers of the 70s: Mogollar, Dadaslar, Zafer Dilek & Arif Sag, combining traditional instrumentation from Anatolia and Western psychedelic grooves.

Now available on a cool Picture Disc.

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Erkin Koray

LP | 2022 | EU | Original (Pharaway Sounds)

LP | 2020 | EU | Original (Arsivplak)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Rare single & cassette only tracks (mostly from 1970-72 plus three killer ones from 1987!!) by the father of Anatolian Rock / Turkish Psych.

Artwork by Sara Gossett

Now available on a cool Picture Disc.

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Afet Serenay

Bir Of Ceksem...

LP | 2024 | EU | Original (Roof)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Really an amazing atmospheric and psych-influated album by Afet Serenay. Mind-blowing tunes by the players, band members were famous musicians and the band called "arilar" (which means The Bees). Some hard-hitting rhythm section blending into a prime example of the swingin' sound of the cool influences of Psychedelic Folk.. Most of the songs are from traditional Turkish folk songs with groovy arranges, drum attacks, percussions, saz and absolutely superb moog sounds going there and here.. Lovely and tasty Turkish Delight..! Enjoy the sound!

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Sophie Chassée

Attachment Theory

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | UK | Original (Soundway)

Dar Disku

LP | 2024 | WW | Original (Sony Music Nashville/Columbia)

Release: 2024 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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The debut album from Bahraini-born, British-based musical duo Dar Disku is a celebration of their Arabic heritage and multicultural influences that melds golden age West Asian and North African sounds with a contemporary dance floor focus. Recorded between the UK, Algeria, Turkey and Tunisia, the album seamlessly crosses from disco to Raï, piano house to Turkish psychedelia, ambient to bollywood and features guest artists from Algeria, Turkey and Bahrain as well as legendary Indian singer Asha Puthli.

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Megan Moroney

Am I Okay?

Release: 2024 / WW – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Radioservis)

Karel Kryl

Plzen 90

32,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Shotgun Willie Atlantic 75 Series

Willie Nelson

2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

86,99 €*

Magic Lady Black Vinyl Edition

Release: 2023 / US – Reissue

Genre: Rock & Indie

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180g 2LP 45rpm Gatefold Sleeve

Analogue Productions (Atlantic 75 Series)
Celebrating the 75th Anniversary of Atlantic Records!
Willie Nelson's breakthrough solo album!
180-gram 45 RPM double LP
Pressed at Quality Record Pressings
Tip-on old style gatefold double pocket jacket by Stoughton Printing

Before Shotgun Willie, Willie Nelson had struggled to gain widespread recognition as a solo artist, despite having written many successful songs for other artists. Nelson's big break came when he signed with Atlantic Records in 1973. The pivotal moment in his career came after Atlantic Records executive Jerry Wexler, known for his work with artists like Ray Charles and Aretha Franklin, took an interest in Nelson's music. Wexler saw potential in Nelson's unique approach to country music and signed him to the label. With the creative freedom offered by Atlantic Records, Nelson was able to record Shotgun Willie with the artistic freedom he had long desired. The album's unconventional sound and honest lyrics resonated with both critics and fans.

Shotgun Willie marked a new beginning for Willie Nelson's career, and it set the stage for his subsequent albums and his emergence as one of the most influential and iconic figures in the history of country music. The recording was one of the first albums of outlaw country — a new subgenre of country music and an alternative to the conservative restrictions of the Nashville sound, the dominant style in the genre at the time

The album — the first to feature Nelson with long hair and a beard on the cover — gained him the interest of younger audiences. It peaked at No. 41 on Billboard's Top Country Albums and the songs "Shotgun Willie" and "Stay All Night (Stay A Little Longer)" peaked at Nos. 60 and 22 on Hot Country Songs respectively.

We are so pleased to bring you this deluxe 180-gram 45 RPM 2LP Analogue Productions (Atlantic 75 Series) reissue of the timeless Willie Nelson classic, Shotgun Willie. Cue it up and prepare to be transported!

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Mandy Morton & Spriguns

LP | 2023 | EU | Original (Guerssen)

LP | 2023 | Original (Centricity)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Magical UK folk-rock with psychedelic / West Coast influences. It was originally self-released by Mandy Morton in 1978, after the two Spriguns albums for Decca. “Magic Lady” was dedicated to Sandy Denny, who had just passed away that same year. It was available on black vinyl with a few copies (20 aprox) pressed on blue color. Both versions are very hard to find today.

Terrific songwriting, superb musicianship and beautiful vocals. Recorded at Spaceward Studios, produced by Mike Kemp in conjunction with Mandy, mastered at Abbey Road and featuring guest appearances by Tim Hart (Steeleye Span) and Graeme Taylor (Gryphon, Albion Band).

*Original artwork in hard cardboard sleeve + OBI *Sourced from the original masters *Insert with liner notes by Mandy Morton and photos

“…one of the best things Mandy Morton did, perhaps the very best…” –Patrick Lundborg (Galactic Ramble)

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Katy Nichole

Jesus Changed My Life

35,99 €*

Release: 2023 / Original

Genre: Rock & Indie

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Bubuj Bulan / Naghm El Uns

Rully DJohan / Munif

12" | 2023 | UK | Original (Soundway)

14,99 €*

LP | 2015 | EU | Reissue (Oh Boy)

Release: 2023 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Following on from Soundway’s 2022 compilation, Padang Moonrise, are two late 1960s tracks from Java, Indonesia. one instrumental psychedelic organ version of Classic Indonesian track ‘Bubuj Bulan’ and the other a raw funk cut sung in Arabic. Rully Djohan recorded this unique, psychedelic instrumental version of Benny Corda’s classic ‘Bubuj Bulan’ for his album of instrumental organ versions of popular Indonesian songs recorded in 1971-72. With echoes of Indian, Ethiopian and Egyptian jazz melded with traditional Javanese music this version is a shimmering, dubbed-out take on a song that has been recorded by many Indonesian vocalists. Djohan is backed by The Galaxies Band, and led by one of Indonesia’s most original band leaders and arrangers Jopie Item, who also plays sitar and guitar alongside Djohan’s electric organ. On the flip-side, Munif Bahasuan delivers a deep funk track sung in Arabic. Munif was a Jakarta-based vocalist who sung mostly in Arabic and English. Jakarta has a small population of Arabic, ethnically Middle Eastern people who settled in Indonesia via connections with Islam and Islamic culture, the dominant religion in Java, Sumatra and many other of the main islands in the Indonesian archipelago.

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John Prine

September 78

20,99 €*

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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2LP | 2020 | EU | Original (Oh Boy)

John Prine

John Prine (Live)

Release: 2020 / EU – Original

Genre: Rock & Indie

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The Monsters Burn In Hell

LP+CD | 2016 | EU | Original (Voodoo Rhythm)

16,99 €*

2LP | 2015 | US | Original (Mercury)

Release: 2016 / EU – Original

Genre: Rock & Indie

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A variety of Voodoo Rhythm artists pay tribute to The
Monsters! Featured acts include Urban Junior, King Automatic,
The Devils, Roy And The Devils Motorcycle, Delaney Davidson,
The Seniles, Rolando Bruno, Sudden Infant and others.

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Chris Stapleton

Traveller

Release: 2015 / US – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Son Of Davy)

Charley Crockett

Welcome To Hard Times

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Howl)

Mighty Oaks

High Times

Release: 2024 / EU – Original

Genre: Rock & Indie

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2LP | 2012 | Reissue (Wilderland)

Anais Mitchell

Hadestown

Release: 2012 / Reissue

Genre: Rock & Indie

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LP | 2024 | US | Original (New West)

49 Winchester

Leavin' This Holler

Release: 2024 / US – Original

Genre: Rock & Indie

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Live-Flirtin With Disaster

Molly Hatchet

LP | 2020 | EU | Original (Golden Core)

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2022 | US | Original (Mri Associated)

Nitty Gritty Dirt Band

Dirt Does Dylan

Release: 2022 / US – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Real World)

Bab L' Bluz

Nayda Blue Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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Kelasea / Colored Vinyl Edition

Kelsea Ballerini

LP | 2020 | EU | Original (Black River)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Mongolian Music From 70's Volume 1

LP | 2023 | EU | Original (Everland Psych)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Radio Martiko)

Ansambl Mileta Petrovica

Veseli Romi

LP | 2022 | EU | Original (37d03d)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Cosmic Gypsy Sounds!

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Bonny Light Horseman

Rolling Golden Holy

Lil G.L.Presents: Jukebox Charley

Release: 2022 / EU – Original

Genre: Rock & Indie

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Bonny Light Horseman's self-titled debut was a folk masterclass, reimagining centuries-old standards with effortless grace and wonder. Those Grammy-nominated, listtopping recordings not only suggested renewed possibilities for aging songbooks but also marked the arrival of a trio fully capable of reorienting the wider folk landscape. Still, if it felt at all like the work of some short-lived supergroup or a one-off diversion (it never was), Rolling Golden Holy rebuffs the notion with preternatural beauty and charm, and imagination. These songs, all originals, follow the paths of the traditional tunes the band cherishes to new frontiers, the sounds and situations of history given the gravity and shape of now. This is a band working at the edge of modern folk. After the release of their debut, Anaïs Mitchell, Josh Kaufman, and Eric D. Johnson began discussing their next steps, loosely planning on writing and recording stints. Those sessions were delayed for all the unpredictable but nowfamiliar reasons until the Spring of 2021, when the trio reconvened with their families in tow in upstate New York. Their chemistry remained intact. Johnson's wife Annie had listened to him work with dozens of collaborators over the decades, but, listening in from one room over, she noted he'd never seemed so at ease and productive as he was with Kaufman and Mitchell in Woodstock. They were perfecting "California," a timely and incorruptible classic about moving on in search of something else, something more. These sessions were a series of "yes, and" encounters, each one encouraging the others to take an idea and run with it further to the new safety net they've built together, for one another. These songs continually suggest and embody an unspoken continuum between traditional and modern folk. Mitchell finds self-sustaining adoration in steamy backseats, nighttime visions, and seasonal storms during "Summer Dream," crisscrossing generational symbols to tie past, present, and future into a Gordian knot of devotion. Johnson reaches back to 19th-century wartime on "Someone to Weep for Me" to empathize with someone else descended from "a long line of nobodies," just trying to live long enough to feel like he's mattered to anyone at all, a notion that knows neither age nor border. Johnson and Mitchell trade lines on "Exile," their luminous response to another of humanity's eternal conundrums_how to revel in relationships that we know will one day leave us lonely. Love and loss, death and fear: the songs may be different, but the emotional sources remain. The band thrives in rendering fresh wisdom and insight from old models, whether scraps of ancient songs or the spark of entwined voices. Theirs is a space created for sharing, learning, singing, and playing as one. Rolling Golden Holy is the band's testament to partnership and trust at a moment when we crave such connections so much. They fully appreciate what they have found in one another. On Rolling Golden Holy, we get to live inside that magic, too.

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Charley Crockett

LP | 2022 | EU | Original (Son Of Davy)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Sings Elvis - A Gorgeous Purple Leopard Picture Disc Edition

Danzig

LP | 2020 | US | Original (Cleopatra)

Release: 2020 / US – Original

Genre: Rock & Indie

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2LP | 2020 | EU | Original (BlankoMusik)

Hubert von Goisern

Zeiten & Zeichen

Release: 2020 / EU – Original

Genre: Rock & Indie

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We Fucked A Flame Into Being

Warhaus

LP | 2016 | EU | Original (Pias)

Release: 2016 / EU – Original

Genre: Rock & Indie

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Tous Les Garcons Et Les Filles

Francoise Hardy

LP | 2013 | EU | Original (Vinyl Passion)

Release: 2013 / EU – Original

Genre: Rock & Indie

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LP | 2024 | UK | Reissue (Jalopy)

Ever-Lovin' Jug Band

Move That Thing

Release: 2024 / UK – Reissue

Genre: Rock & Indie

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Futha Yellow / Blue Marbled Vinyl Edition

Heilung

LP | 2024 | EU | Original (Season Of Mist)

46,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Steep Canyon Rangers

Live At Greenfield Lake

2LP | 2024 | Original

38,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2015 | US | Reissue (Fat Possum)

Jake Xerxes Fussell

Release: 2015 / US – Reissue

Genre: Rock & Indie

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The Moon Also Rises Moon Colored Vinyl Edition

Johnny Flynn

LP | 2023 | EU | Original (Transgressive)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | UK (Rhino / Warner)

Gordon Lightfoot

Now Playing

LP | 2019 | EU | Reissue (Batov)

Release: 2023 / UK

Genre: Rock & Indie

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Part of Rhino's "Now Playing" Series! - A troubadour is defined as a "wandering storyteller." It's the perfect word for Gordon Lightfoot. For over 60 years, the Canadian singer-songwriter has told us memorable tales of rivers and highways, trains and shipwrecks, and all the love, loss, and loneliness he's experienced along the way. These original recordings of his classic hits and album tracks radiate all the humanity and hard-won wisdom that have helped make Lightfoot a legend.

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El Khat

Saadia Jefferson

Release: 2019 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Amatssou White Vinyl Edition

Tinariwen

LP | 2023 | EU | Original (Wedge)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | US | Original (Palilalia)

Bill Orcutt

Jump On It

Release: 2023 / US – Original

Genre: Rock & Indie

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"It's been ten years since Bill Orcutt released A History of Every One, a compendium of hacksaw renditions of American standards on acoustic guitar—and since ten years is a blink of an eye, you are forgiven for not immediately realizing that we've gone an entire decade waiting for Jump On It, the next Orcutt solo acoustic record. As those of us of 'a certain age' will tell you (ad nauseam), a decade is a blink of an eye containing an infinity of experiential moments, and if this record is any gauge, the weight of those experiences have squashed Orcutt's rough edges, feathered his stop-motion timing into a languid lyrical flow, and snapped the shackles tethering his instant compositional skills to the imperative to deconstruct guitar history. In short, Jump On It is a collection of canonical, mature acoustic guitar soli to contrast against the fractured downtown conceits of previous acoustic releases. For those paying attention to the arc of Orcutt's electric records, which chart a course from Quine's choppiness to Thompson-ian/ Verlaine-ian flow, it should be no surprise that the ten-year gap between acoustic records should expose a similar underlying journey. But what's maybe more surprising is that Jump On It , with its living-room aesthetics and big reverb, packs a disarming intimacy absent from the formal starkness of Orcutt's earlier acoustic outings. Although you might sense the looming human in the audible breath whispering intermittently between chords (a physical flourish reminiscent of the late Jack Rose), such documentarian signposts are the exception rather than the rule. Not quite refuting (yet not quite embracing) the polish of revered watershed records by Bert Jansch, John Renbourn, or Bola Sete, Jump On It treads a path between the raw and the refined, exemplified in tracks such as 'The Life of Jesus' and 'In a Column of Air' that alternate swaying chords with Orcutt's trademark angular quicksilver runs (cut brickwall short). While you won't mistake Jump On It for incidental music, at least not if taken at full strength, stray passages radiate a conversational beauty that would please the most dissonance-adverse listener. Strangely, some of the melted lockstep grooves found in Jump On It evoke nothing other than Music for Four Guitars. While many of the linear runs are clearly improvised, and the phrasing distinctly slurred, intuitive and non-mechanical, the strummed chords hint at a cellular construction similar to Jump On It 's electric predecessor. (Orcutt states that he prefers to keep his strategies obscure—but that implies there is in fact a strategy). Whatever the case, I also hear Satie in Music for Four Guitars, and I hear him here too, hidden within Jump On It 's lilting repetition, which I easily imagine stretching to an infinitely-distant horizon. Like each of Satie's three Gymnopedies, each facet of Jump On It is a tiny miniature bound in a slim volume, an earworm you might savor again and again upon awakening or before drifting off. Each track is a key to a memory, a building block in a shining anamnesis leading to the recollection that hey, we're all humans in a shared cosmos, and music is one way we might make that universe go down easy. And who wouldn't jump on that?"—Tom Carter. Recorded Spring/Summer 2022 at the Living Room, San Francisco. Mixed and mastered by Chuck Johnson.

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Ecuatoriana - El Universo Paralelo

LP | 2023 | EU | Original (Analog Africa)

32,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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On 12 February 1949 an angry mob stormed into the centre of the Ecuadorian capital of Quito, burning the offices of the city’s main newspaper and its oldest radio station to the ground.

On that tragic day Radio Quito had just broadcast a local adaptation of H.G. Wells’s The War of the Worlds. The novel – first published in 1898 and famously adapted into a radio series by Orson Welles – is one of the earliest stories to depict a conflict between mankind and a hostile race of extra-terrestrials. The large audience - not understanding that it was pure fiction - believed that intergalactic intelligence had invaded the country as all hell broke loose. Thousands began running the streets of Quito looking for shelter, chaos broke out, causing a deadly stampede. People blamed the broadcaster for the tragedy, formed a dense crowd and stormed Radio Quito, setting it ablaze. Several musicians, who were there performing, were killed.

In the decades after the second world war, outer space was on everyone’s mind and the ‘space race’ of the 1950s and 60s not only produced groundbreaking efforts to launch artificial satellites, send space probes to Mars and land a human on the moon, it also had a huge impact on the movie and music industry which was taking advantage of the world‘s fascination with space voyages and lunar missions to create instruments capable of mimicking imaginary interstellar sounds. These synthesised space effects that captivated the imagination of a whole generation of young Ecuadoreans coincided with a period in which workers and musicians from the provinces started flocking to Quito and to the commercial port of Guayaquil, some hoping to find regular work, others looking to break into the musical big leagues by getting hired by one of the prestigious urban radio station. These artists brought riches of rhythms to the major Ecuadorian cities who would soon witness the explosion of what would be known as “Andean Cumbia”.

That fusion, of tropical electronics mixed in with Andean melodies and lyrics describing the cruel reality of migrant workers, achieved massive success. And so while budding Ecuadorian UFOlogy lead to widespread extraterrestrial sightings, Ecuadorian musicians began released various albums consisting of traditional music combined with synthesisers in order to bring their traditional music into the space age. One of these musicians is Polibio Mayorga who had travelled 160km from his hometown of Chisalata to Quito where he showcased his talent as he championed the art of modernising his region’s ancestral rhythms - Huaynito, Sanjuanito, Albazo and many others - using the latest in electronic instruments.

After 4 years with Los Locos del Ritmo, one of Ecuador’s most popular bands, Polibio joined Fadisa (Fabrica De Discos S.A) in 1973 as a solo musician and songwriter before becoming their musical director a year later. While there he would team up with saxophonist extraordinaire Olmedo Torres, and for 10 years they would compose and arrange hits, not only for themselves but also for their fellow artists in the Fadisa family. Although Fadisa had countless labels in their roster, the jewel in their crown was Rondador and it was on that imprint that Polibio would release “Ponchito de Colores” and his famous album “La Farra Está Aquí”. With their novel use of Moog synthesiser, both become huge hit records and were broadcast constantly by Cosmopolita and Marañón de Quito – the two major radio stations of the capital. This led to a surge of interest in Andean cumbia, and the subsequent record sales helped to revive the country’s flagging music industry, turning Polibio into Ecuador’s most influential musician.

Polibio has never considered his music to be “tropical psychedelia” - although he thinks it would make a good name for a band. He has the sense of humour of a genius and the ability to make anyone laugh, yet he remains discreet, eloquent and humble … but as a musician he is daring and visionary, with an intrepid, vigorous style almost impossible to imitate. More than perhaps any of his peers, Polibio Mayorga established a unique place for himself at the vanguard of tropical music.

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2LP | 2022 | EU | Original (Analog Africa)

Perú Selvático

LP | 2022 | EU | Original (Wedge)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Less than a hundred miles inland from the capital city of Lima lies the great Peruvian jungle, an untamed land of impenetrable forests and endless winding rivers. In its isolated cities, cut off from the fashions of the capital, a unique style of music began to develop, inspired equally by the sounds of the surrounding forests, the roll of the mighty Amazon and Ucayali Rivers, and the rhythms of cumbia picked up from distant stations on transistor radios. With the arrival of electricity, a new generation of young musicians started plugging in their guitars and trading in their accordions for synthesizers: Amazonian cumbia was born.

Powered by fast-paced timbale rhythms, driven by spidery, treble-damaged guitar lines, and drenched in bright splashes of organ, Amazonian cumbia was like a hyperactive distant cousin of surf music crossed with an all-night dance party in the heart of the forest. While many of the genre’s greatest tracks were instrumental, and others were simple celebrations of life in the jungle, the goal of every song was to keep the party going.

Radio stations in Lima remained unaware of the new electric sounds emanating from the jungle, but a handful of pioneering record producers ventured over the mountain passes to the cities of Tarapoto, Moyobamba, Pucallpa – even Iquitos, a city reachable only by boat or plane – and lured dozens of bands to the recording studios of the capital to lay down their best tracks. Although many became local hits, few were ever heard outside the Amazonian region … until now. With eighteen tracks from some of the greatest names in Amazonian cumbia, Perú Selvatico is both the improbable soundtrack to a beach party on a banks of the Amazon and a psychedelic safari into the sylvan mysteries of the Peruvian jungle.

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Tinariwen

Kel Tinariwen

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | US | Original (Green Cookie)

Ojibo Afrobeat

Ojiboland

Release: 2022 / US – Original

Genre: Rock & Indie

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Vom Bosphorus Bis Zum Rhein Black Vinyl Edition

Ozan Ata Canani & Karaba

7" | 2022 | EU | Original (Fun In The Church)

14,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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The O'Reillys And The Paddyhats

Dogs On The Leash Orange Black Marbled Vinyl Edition

LP | 2020 | EU | Reissue (Metalville)

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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75 Dollar Bill Little Big Band

Live At Tubby's

2LP | 2020 | US | Original (Grapefruit)

On Turquoise & White Swirled Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie, Electronic & Dance

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NYC’s 75 Dollar Bill began its prolific career in 2012, after percussionist Rick Brown—a veteran of the indie underground (Fish & Roses, Run On, V-Effect)—and noise scene guitarist and multi-instrumentalist Che Chen—connected via MySpace. Since that initial jam session, when Brown began experimenting with his signature plywood crate drum rhythms, they have released three LPs and a clutch of self-released cassette and digital releases. Last year’s double album I Was Real received serious critical acclaim—The Wire calling it 2019’s Album of the Year. On their first live album, Live At Tubby’s, 75 Dollar Bill assembled a unique “little big band” [Sue Garner on bass, Cheryl Kingan on sax, Steve Maing on guitar, Jim Pugliese on percussion and Karen Waltuch on viola] for the small Kingston, NY club show. Recorded on the last day of their spring tour, the record puts a new perspective on themes from their body of work: a little more intimacy, a little more freedom, a little more controlled chaos. Brown’s idiosyncratic rhythms are all the more hypnotizing in Tubby’s cozy setting, and Chen’s furious guitar work cuts and hums with sounds seemingly only attainable on stage. It’s an album both challenging and immediate. The expanded 75 Dollar Bill’s affinity for improvisation and the avant-garde even leads to a rousing take on the Ornette Coleman classic, “Friends And Neighbors” that feels right at home in their own repertoire. The listener can’t help but feel present and part of the communal joy and catharsis being shared here in this room. This performance at Tubby’s turned out not only to be the last show of their tour, but the last show possible as the pandemic hit. Originally offered as a digital-only release on 75 Dollar Bill’s Bandcamp, Live At Tubby’s now documents a highlight and closure of sorts; this kind of musical improvisation and community interaction being on hold for the foreseeable future. This double album on Grapefruit will have to tide everyone over until it can all happen again.

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Altin Gün

LP | 2019 | US | Original (ATO)