Folk Vinyl 2322 Items

Release: 2024 / US – Original

Genre: Rock & Indie

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Emahoy Tsege Mariam Gebru

Spielt Eigene Kompositionen

LP | 2012 | US | Reissue (Mississippi)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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Mind, Man, Medicine Jade Vinyl Ediiton

The Secret Sisters

LP | 2024 | US | Original (New West)

Jason Isbell & The 400 Unit

Release: 2024 / US – Original

Genre: Rock & Indie

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Our fifth chapter is the one where we seek, savor, and settle. The muse found us in the depths of raising children, nurturing relationships, surviving a world-changing virus, bidding farewell, shifting our mindsets, and discovering a sense of peace heretofore unseen. Our third decade of life has proven to be one of routine, rest, and realization, and these songs are about the lessons we’ve learned. We’ve learned to be space-holders and defenders of the people we hold close. We’ve learned from deep, steady love in various forms. We’ve learned to let go of people and perceptions and priorities that just didn’t make the cut as we weighed what is right and important and worth keeping. We’ve learned how all the things we’ve always treasured continue to withstand the pressure of time. If you notice an upward trend to the mood and emotions, you’re on target-we have found calm waters, for now. - The Secret Sisters (2023)

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Live From Alabama

2LP | 2012 | US | Reissue (Lightning Rod)

34,99 €*

LP | 2024 | EU | Original (Nonesuch)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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In August of 2012, Jason Isbell and The 400 Unit assembled in their home state of Alabama in front of a couple of sold-out concert halls to record their first live album, Live From Alabama. After years of hard touring, the critically-lauded band has gelled into a versatile rock and roll squad that is equally at ease performing Muscle Shoals soul to hardcore country to balls-out rock. Live From Alabama’s tracklist mines some of Isbell’s most popular songs and includes a pair of inspired covers in Neil Young’s “Like a Hurricane” and Candi Staton’s “Heart on a String.”

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Gustavo Santaolalla

Ronroc o 2024 Remaster

36,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Okum Produzioni)

Massimo Silverio

Hrudja

31,99 €*

LP | 2024 | EU | Original (Pias / Real World)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Massimo Silverio is a songwriter and musician born in 1992 in Cercivento (Udine) in the heart of the historical-geographical region of Carnia. He writes and sings in his native language, a minority language called “carnic” spoken in the Carnic Alps of Friuli Venezia Giulia. <> (Massimo Silverio) Between the charm of the borderland and the tradition of an ancient language, Silverio has created his very personal aesthetic made of poetry and sounds, mixing classic and contemporary, folk and experimental, acoustic, electroacoustic and electronic. A research began at a very young age which led him to the creation of an imaginary made of places, mountains and rivers, faces and ancient rites translated into music through the use of classical instruments such as the cello, double bass, prepared percussion, piano or folk ones such as the guzla - instrument of the Dinaric Alps - but also synthesizers, guitars, organs and above all the voice which becomes the guide with its light and intimate timbre, mixing Carnic and English to tell a minority yet universal story. After 2 self-produced EP and a collaboration with the welsh band Adwaith, he arrives in 2023 at the release of his first album entitled "hrudja" as the result of the meeting with the eclectic producer Manuel Volpe (Rhabdomantic Orchestra) and the decisive contribution of the italian musician and performer Nicholas Remondino (Lamie, Stefano Battaglia, Vieri Cervelli Montel ). Together they created a work of contrasts, of silences full of sound that go beyond the boundaries of a musical genre. “Hrudja” is the Langobard ancestor of the word “Grusa” which in Friulian indicates the crust of a wound, a metaphor of rebirth and healing but also of a coat of arms, a memory of something that is disappearing.

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Les Amazones D'Afrique

Musow Danse

Release: 2024 / EU – Original

Genre: Rock & Indie

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Live From Cain's Ballroom

Jessi Colter

LP | 2014 | EU | Original (Black Country)

21,99 €*

Release: 2014 / EU – Original

Genre: Rock & Indie

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LP | 2016 | EU | Original (Wiggy Thump)

Whiskey Myers

Mud

Release: 2016 / EU – Original

Genre: Rock & Indie

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LP | 2023 | UK | Original (Far Out)

Fabiano Do Nascimento

Mundo Solo

The LHI Years: Singles, Nudes & Backsides (196871)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Far Out Recordings proudly presents the new album from Brazilian guitarist and composer Fabiano do Nascimento: Mundo Solo. Recorded at his home studio in Los Angeles (2020) the album is fundamentally the sound of a man alone with his instruments.

Utilizing a variety of guitars, including 6, 7 and 10 strings, Oktav guitar and electric baritone guitar, alongside a host of pedals and synthesizers, Fabiano tracked imagined landscapes with expressive, expansive improvisations, which tend toward the more ambient and atmospheric reaches of his recent output.

Adopting Hermeto Pascoal’s concept of Universal Music, a rejection of nationalistic tendencies in order to express all of one’s musical influences all at once, Fabiano avoided leaning too heavily on any particular musical language, without denying his own musical roots.

After studying classical piano as a child, the Rio de Janeiro native discovered the guitar aged 10. Studying under his late uncle, Lucio Nascimento, he eventually left Brazil for LA, where he soon became an in-demand player for his distinct and authentic sound. He has since released seven albums under his own name and collaborated with renowned Brazilian artists including Arthur Verocai and Airto Moreira, as well as experimental US saxophonist Sam Gendel.

Mundo Solo (Do Nascimento’s eighth), was recorded in one take per track, with occasional overdubs and a few appearances from collaborators and friends Julien Canthelm (drums on Etude 1), Ajurinã Zwarg, (percussion on CPMV) and Gabe Noel (Bass on Curumim).

Fabiano Do Nascimento’s consummate mastery of his instrument has afforded him a freedom of expression few can claim. Blending the emotional with the elemental, Mundo Solo is a stunning snapshot of solitude and the beauty which can blossom within it.

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Lee Hazlewood

2LP | 2012 | US | Reissue (Light In The Attic)

37,39 €* 43,99 € -15%

Club Coco Colored Vinyl Edition

Release: 2012 / US – Reissue

Genre: Rock & Indie

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Cuts from essential albums like Cowboy In Sweden Features duets with Suzi Jane Hokom, AnnMargret and Nina Lizell Audio remastered from original tapes Unreleased song “I Just Learned To Run” Indepth liner notes & unseen photographs As a true legend of the great American songbook and a rebellious pioneer who left behind a lengthy trail of echo laden pop masterpieces, Lee Hazlewood’s influence continues to reverberate today. Between 196871, Hazlewood not only released his finest solo work, but produced numerous artists on LHI. From acidfolk and countryrock to poppsych and soul, LHI issued dozens of long forgotten 45s and LPs. This series will include material from LHI (remastered for the first time from the original analog tapes), along with Lee’s output for other labels, rarities, and unreleased gems.

With his handlebar moustache and booming baritone, Lee Hazlewood was one of the defining stars of the late ‘60s. Though he’s perhaps best known for his work with Nancy Sinatra (including writing megahit “These Boots Are Made For Walking”), Hazlewood did stunning work away from that particular glamour queen and found latter day champions in Beck, Sonic Youth, and Jarvis Cocker. Now, for Record Store Day 2012, we are kicking off our excavation of the Lee Hazlewood archives with this anthology, Singles, Nudes & Backsides, collecting the best of Lee’s solo songs and duets from his LHI (Lee Hazlewood Industries) imprint.

As a true legend of the great American songbook and a rebellious pioneer who left behind a lengthy trail of echo laden pop masterpieces, Lee’s influence continues to reverberate today. Between 196871, Hazlewood not only released his finest solo work, but produced numerous artists on LHI. From acidfolk and countryrock to poppsych and soul, LHI issued dozens of long forgotten 45s and LPs. This series will include material from LHI (remastered for the first time from the original analog tapes), along with Lee’s output for other labels, rarities, and unreleased gems.

See the sleeve: surrounded by nude girls, each wearing a fake moustache, Hazlewood wears a suit, eversoslightly awkwardly playing the role of the ‘60s playboy. Just like the picture, the songs present a man conflicted; he’s the tenderhearted romantic, the brokenhearted loser and the rugged cowboy, all in one. It’s there in the western swing of “Califia (Stone Rider)”, the loneliness of ”The Bed” and the bleak beauty of ”If It’s Monday Morning.” Hazlewood’s tremulous voice was made for duets (indeed, he wrote ”Some Velvet Morning”, one of the greatest of all time); here, Suzi Jane Hokom, AnnMargret and Nina Lizell play counterpart to his manly tones.

In the wonderful liner notes, written by British journalist Wyndham Wallace, the writer describes his friend Hazlewood as “a curmudgeonly, unpredictable sort at the best of times, as impatient with his own talent as he is with other people.” The Hazlewood Wallace knew was puzzled by the growing interest in him in the last two decades of his life, which was ended by cancer at age 78. That late flurry of interest saw him perform at the Royal Festival Hall in 1999, his first ever solo performance in the UK.

A natural wanderer, Lee lived a big life, fighting in the Korean War, working as a radio DJ in Phoenix, Arizona, setting up Viv Records in the ‘50s, working as a bigshot LA producer in the ‘60s, signing Phil Spector to his Trey Records label and prematurely announcing retirement in the wake of the mid‘60s British invasion. He didn’t: Nancy Sinatra came along, the hits started flowing and he continued producing characterful solo albums into the ‘70s, which saw his move to Sweden. By 2007, Hazlewood was living in Vegas, and begrudgingly enjoying that flurry of latterday interest in his work. This landmark compilation promises to create many more converts.

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V.A.

LP | 2021 | EU | Reissue (Les Disques Bongo Joe)

24,99 €*

LP | 2023 | EU | Original (Türküola)

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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Bongo Joe presents "Club Coco", a summary outernational latin and afro rooted music compilation curated by Coco María.

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Fikret Kizilok

Köroglu Daglari

Release: 2023 / EU – Original

Genre: Rock & Indie

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Lucy Kruger & The Lost Boys

Sleeping Tapes For Some Girls

LP | 2019 | EU | Reissue

17,99 €*

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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LP | 2023 | EU | Original (Agogo)

Opez

Social Limbo

Halfsies Opaque Purple Rain Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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A collection of eleven dreamy, rough, abundant instrumental songs which have the guts to subsist and survive the fluidity of our times. With his melodies Massi Amadori tells the nostalgia and melancholy of a lived, loved and consumed Italy.

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Lizzie No

LP | 2024 | EU | Original (Miss Freedomland - Thirty Tige)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Holy Tongue / Beatrice Dillon / Lamin Fofana / Labour

Dey Sey / 2020 / Niary Ngorong / Etu Keur

2x12" | 2023 | UK | Original (Honest Jon's)

12" | 2023 | EU | Original (Rocky Hill)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Four dazzling, extended engagements with mbalax master-drumming.

The contribution from Holy Tongue is chase-the-devil steppers — thumping, clangorous, reverberating — super-charged with energy and atmosphere. From the off drummer Valentina Magaletti detonates a hard rain of small bombs, rounds of fire, ticking fuses. Musical co-ordinates are somewhere between classic On-U Sound crew like African Head Charge, The Mothmen, and Creation Rebel, and the experimental funk of the Pop Group and 23 Skidoo, at their funkiest. Thrillingly, the two dubs are increasingly deranged.

Adjusting the same wavelengths as her superb Workaround LP, Beatrice Dillon plays spaced-out, abstract synth-work against the bodily physicality of the ancient, shifting mbalax rhythms. The music is poised, mindful, tentative; but also limber, fleet, and magical.

Phantasmagorical and efflorescent, Lamin Fofana’s one-two is simply stunning. Both excursions are wide-open, beautiful, epic, and propulsive — the first mix is banging and headlong, the second more syncopated and serpentine — teeming with freshly sublime, funkdafied updates on Jon Hassell’s Fourth World possible musics.

The two parts of LABOUR’s Etu Keur Gui engage the same sequence of drum patterns (called bakks) from different perspectives. The duo performed portions of this piece at the opening ceremony of the Dakar Biennial in 2022, at the Grand National Theater, with thirty sabar players from the family of Doudou Ndiaye Rose. This Wolof phrase for the inner-court of a home — a meeting-place — doubles here as a metaphor for inner space on a metaphysical level; and Pan Sonic, Muslimgauze, Zoviet France, early Shackleton… all ghost across the threshold.

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V.A.

Armenian White Label

14,44 €* 16,99 € -15%

Guds Spelemän Remastered 2023 Edition

Release: 2023 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Next up on Rocky Hill is a limited edition, vinyl only white label, featuring 2 edits licensed from Terrestrial Funk and Darone Sassounian's compilation from 2021, and two original tracks from LA - based DJ and producer, Lara Sarkissian. The A side (Silk Road Side), features two previous exclusives from Darone's compilation on Terrestrial Funk titled, 'Silk Road: Journey of the Armenian Diaspora (1971 - 1982)'. The two edits on the A side were only available digitally, on CD, and Cassette formats. A1 features an edit of Marten Yorgantz's "Ammenain Serdov [De Tout Coeur]" from NY-based DJ duo, Fundido. A2 features an edit of Jozeph Sefian's "Karoun E Yegel" from Darone Sassounian. The B Side (Lara Sarkissian Side), features two original tracks sampling duduk (Armenian woodwind), songs - named as Lezginka Dance Scene and Ojakhum Nightmare. The tracks are reworks of the originals from 2016 - 2017, when Sarkissian began the creation of her own unique process of synthesizing duduk as percussion, bass and voice. Both tracks have been used in her early live sets from 2017 - 2018. They're finally available now only on vinyl. This is Rocky Hill.

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Garmarna

LP | 2023 | EU | Original (Massproduktion)

M. Mashabi And His Kelana Ria Orchestra

Release: 2023 / EU – Original

Genre: Rock & Indie

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Red vinyl.Massproduktion and Garmarnas most successful album -Guds Spelemän from 1996 - finally remastered and re-designed and on vinyl for the first time.Guds Spelemän was really a challenge to record and finalize. Recorded on several occasions and on five different locations, in between the bands constant touring, it was a really a feat to finalize. But the chemistry between the band and producer Sank made magic in the studio and the will to do something completely new was at maximum. Guds Spelemäns seamless mix of machines and electronic sounds with the bloodiest of medieval ballads and Emma Härdelins exceptional voice is really something else.Garmarna had just made international fame by being frontpage news on Billboard and touring all over the world and just before the recording they played for a crowd of 10 000 in Stockholm. So they were really a band on the way yp. And bringing an exceptional album - Guds Spelemän - resulted in both a Swedish and international success. Besides earning a Swedish Grammy and gold record it also became a large export success. The album was licenced to some 14 countries and released all over the world in different versions. In a few years Garmarna would sell close to 90 000 records all over the world.It been remasted from the original analog 12 inch master to real brilliance by the legendary Björn Engelmann at Cutting Room. The original artwork has been reworked by Lia Jacobi and its now released on vinyl for the first time in a beautiful gatefold sleeve.

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Kafilah Nights: Malay-Arabic Variations From 1960s Indonesia

LP | 2023 | EU | Original (Elevation)

The Wheel 30th Anniversary Deluxe Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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In the early 1960s, two of the best talents in the Indonesian music scene, songwriter and band leader Adi Karso, known for his hits "Papaya Cha-Cha-Cha" and "Balonku" and Gambus musician Munif Bahasuan teamed up to form Orkes Melayu (Malay Orchestra) Kelana Ria.

Between 1961 and 1964, Kelana Ria recorded 48 songs that were spread over four records, Kafilah, Yam El Shamah, Ya Mahmud and Ya Hamidah, which become the primary sources for this compilation.

These four recordings changed the trajectory of Indonesian popular music.

Play "Renungkanlah" (Think About It), included in this compilation, a love song with heavenly melodies and lilting harmonies, to an audience in the Western part of Malaysia or people of Malay ethnicity in Singapore and they would immediately hum along the tune.

"Renungkanlah" has been covered by many countless other musicians in Indonesia and Malaysia and it has become a hit many times over. The song has become a go-to song in karaoke bars in the region, with fans oblivious to who actually wrote this song or who performed it the first time.

Or take the song "Ratapan Anak Tiri" (Lament of a Stepchild), a song that has traversed national boundaries and has become a universal sad song in the Malay world, turning into a shorthand for melancholia that permeates this archipelago of nations.

Another stunner is the melancholia-laden "Kesunyian Jiwa" (Silence of the Soul), an operatic tune so majestic that it could open any black and white Kurosawa film from the late 1940s.

"Kesunyian Jiwa" opens with marching percussion and what could pass for a horn section foregrounding an opera finale before settling into a Latin-inspired composition backing one of the most soulful vocal performances from the 1960s.

The songs and the soulful vocal performance belong to Muhamad Mashabi, who despite the popularity of the songs he created is now largely forgotten, whose history was kept alive only in the neighborhood where he grew up in Central Jakarta.

With only a short musical career and only nine recorded songs from almost 40 compositions, Mashabi fell by the wayside in the early 1970s, especially with the rise of pop and rock from bands like Koes Plus, Panbers and God Bless.

Yet his songs, inspired by Malay traditional songs but performed in the modern studio setting, lay the foundations for what would become the biggest musical genre in the country, dangdut, especially the kind that was popularized by the self-styled king of the genre, Rhoma Irama.

"Mashabi's distinctive vocal style and soul-searching lyrics helped give rise to dangdut, Indonesia's most popular music genre," University of Pittsburgh music professor Andrew N. Weintraub write in the liner notes.

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Rosanne Cash

2LP | 2023 | Original (Rumblestrip)

44,99 €*

Release: 2023 / Original

Genre: Rock & Indie

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Live At Third Man Records

John Moreland

LP | 2023 | EU | Original (Third Man)

21,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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The Moon Also Rises Moon Colored Vinyl Edition

Johnny Flynn

LP | 2023 | EU | Original (Transgressive)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | US | Original (Discos Fantastico)

Los Darlings De Huanuco

Singles From 1970-1980

Release: 2023 / US – Original

Genre: Organic Grooves, Rock & Indie

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LP | 2023 | EU | Original (Hyperjazz)

Khalab

Layers

21,84 €* 22,99 € -5%

LP | 2023 | UK | Original (Blackford Hill)

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Every person we meet, every moment we live through, all the love we feel, and the losses we endure, add another layer to the intricate pattern of our lives. Like multicolored threads, these layers twist together to form a complex, vibrant tapestry — a reflection of our life journey until this point. On his new album Layers, Khalab acknowledges and celebrates the encounters that have shaped his ever-evolving musical vision. The record, out on August 25th with his own Hyperjazz Records, represents the culmination of a creative journey that began with his Eunoto EP (Black Acre Records, 2015), evolved with the Afro-Futuristic soundscapes of 2018’s highly acclaimed album Black Noise 2084 (On The Corner Records/!K7), and has since developed further through a series of experiences and deep musical collaborations. Layers summons all the alchemy of Khalab’s live performances, and embodies the transcendental power of music making as a collective art form. Over the past five years, Khalab has shared the stage at Italian and International festivals with many exceptional musicians, an experience which has sharpened the musicality of his compositions and enhanced the depth and complexity of his sound. “Since the release of Black Noise 2084 I’ve increasingly developed the stage and band dynamic, focusing on arranging with the musicians in mind, and this album was almost entirely conceived together with musicians I’ve collaborated with” says Khalab. In a testament to the label’s close-knit and highly collaborative nature, Khalab's live band includes a cadre of musicians from the Hyperjazz family, including David Paulis and Enrico Truzzi of Phresoul, as well Pietro Santangelo, Fabio Sasso, and longstanding creative-partner Nicola Guida. The album’s nine tracks feature an impressive lineup of collaborators old and new, including UK drummer and producer Emanative, Burkinabe singer, guitarist, and m’bira player Gabin Dabiré (passed away a few weeks ago), Italian producer Clap! Clap!, multi-wind instrumentalist Tamar Osborn, drummer and producer Tommaso Cappellato, British-Bahraini trumpeter Yazz Ahmed, Bristol’s vocalist and producer Grove, multi-instrumentalist Tenderlonious, Italian jazz singer Alessia Obino and British-born Nigerian spoken-word artist Joshua Idehen. Layers still revolves around the key components of Khalab’s sound — dark and trancey electronics and his research into Black music and all its evolutions — but with a bigger emphasis on harmonic arrangements. Across the album, Khalab’s productions twist and pulsate into mesmerizing motifs, as the interplay between different instruments coalesce into focused melodies and rich, complex textures. Khalab and his collaborators masterfully blend gloomy and radiant tones, eliciting feelings of both doom and hope. The album will be preceded by three lead singles: “Layers” feat. Joshua idehen, “Tunnel Of Jealousy” feat. Lady Blue Eyes, and “Female Side” feat. Tommaso Cappellato.

For Khalab, Layers represents the end point of a journey that began with the synthesis of ancestral rhythms and electronic experimentation on Black Noise 2084, and has taken him on a meandering route through a Mauritanian refugee camp (M’berra, Real World Recordings, 2021), and deep into the catalogs of legendary Italian labels Soul Note and Black Saint (for the Hyperituals compilations, released on his own Hyperjazz label). In Khalab’s own words: “For me this feels like coming full circle, because everything will be more experimental going forward”. Credits All tracks written & arranged by Khalab Produced by Khalab & DJ Knuf With the vital contribution of these amazing musicians: A1. Yazz Ahmed (flugelhorn, trumpet), Alessia Obino (voice), Nicola Guida (synths), Fabio Sasso (drums) A2. Emanative (drums), Tamar Osborn (baritone saxophone), Grove (lyrics, voice) A3. Lady Blue Eyes (voice) A4. Cristiano Crisci (synths), Pietro Santangelo (tenor saxophone) A5. Joshua Idehen (lyrics, voice), Cristiano Crisci (additional synths) B1. Tommaso Cappellato (synths), Enrico Truzzi (drums), David Paulis (electric bass), Cristiano Crisci (additional synths) B2. Gabin Dabiré (voice, m’bira) B3. Tenderlonious (flute) B4. Magnus PI (percussion), Alessia Obino (voice), Pietro Santangelo (tenor saxophone), Enrico Truzzi (drums) Mix by DJ Knuf at Studio 33, Rome Remix by Khalab at Studio 33, Rome Megamix by Satori Stereo Saiyan Mastered by Frank Merritt at The Carvery, London Visual project design by Marco Klefisch

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Makushin

Move Into The Luminous

Keep Walkin': Singles, Demos & Rarities 1965-1978 Black Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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Move into the Luminous is the debut album by the trio Makushin.
Double bassist Jon Thorne (Lamb, Yorkston Thorne Khan), guitarist Peter Philipson (Jane Weaver, Fenella) and singer Nancy Elizabeth (Leaf Label, James Yorkston) lead this inspiring collective whose work explores the intersection between folk, jazz and ambient music.
The album also features contributions from Andrew Wasylyk, Raz Ullah, David A Jaycock and more.
Nancy Elizabeth is a singer and multi-instrumentalist who has released three chamber folk albums under her own name on the Leaf Label. She has also previously played with James Yorkston and recorded with the late ambient composer Susumu Yokota.
Jon Thorne is a double bassist best known as a member of the pioneering electronic band Lamb and, more recently, Yorkston Thorne Khan. He has worked with many other musicians, including Jon Hopkins, Robert Fripp and his mentor Danny Thompson, as well as releasing his own music.
Peter Philipson is a guitarist who has previously performed with Jane Weaver as her guitarist for a decade and has collaborated with her and Raz Ullah on two ambient albums under the artist name of Fenella. He has also released a number of instrumental guitar albums under his PJ Philipson guise.

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Nancy Sinatra

2LP | 2023 | US | Original (Light In The Attic)

43,99 €*

Court And Spark 2022 Remaster

Release: 2023 / US – Original

Genre: Rock & Indie

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Definitive collection of Nancy's rare singles, demos and previously unreleased cuts. Includes 3 previously unreleased tracks, plus 3 tracks making their vinyl debut. Deep booklet includes new Q&As with Nancy & Don Randi (The Wrecking Crew) - both conducted by Grammy®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive. Features audio freshly remastered from the original analog tapes by Grammy®-nominated engineer John Baldwin. Vinyl pressed at RTI. Double LP housed in a gatefold jacket with 24-page book Light in the Attic continues to celebrate the influential career of singer, actress, activist, and icon *Nancy Sinatra* with a captivating new collection, Keep Walkin’: Singles, Demos & Rarities 1965-1978. Exploring the lesser-known gems from Sinatra’s rich catalog through 25 B-sides, rare singles, covers, demos, and previously-unreleased recordings, Keep Walkin’ was remastered by the *Grammy®-nominated engineer John Baldwin* and available in a variety of formats, including vinyl, CD, 8-track, and digital. The 2LP set, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and accompanied by a 24-page booklet featuring an array of photos from the artist’s personal collection, as well as a new in-depth Q&A with Sinatra, conducted by the reissue’s Grammy®-nominated co-producer, Hunter Lea. The booklet also contains a fascinating interview with keyboardist Don Randi (The Wrecking Crew), who recently spoke to Lea about his hit-filled career and his 50 years of work with Nancy. Keep Walkin’: Singles, Demos & Rarities 1965-1978 serves as a companion to the widely-acclaimed 2021 career-spanning retrospective, Start Walkin’ 1965-1976, and marks the latest release in LITA’s ongoing Nancy Sinatra Archival Series, a partnership with the legendary artist, which honors her musical legacy through lovingly curated reissues (including her 1966 debut, Boots and the 1968 classic, Nancy & Lee), limited-edition merch, and other special releases. In 1965, 25-year-old Nancy Sinatra scored her first No.1 hit with “These Boots are Made for Walkin’,” a bold anthem for female empowerment. Brazen, sassy, and utterly infectious, it was a reintroduction of sorts for the eldest daughter of Frank Sinatra, who had been struggling to find a spotlight of her own amid a changing musical landscape. Suddenly, audiences who had initially brushed off Sinatra as too demure or out-of-touch were paying attention. Written and produced by Oklahoma-born songsmith Lee Hazlewood (with swaggering instrumentals, courtesy of Billy Strange and The Wrecking Crew), the song launched the singer’s career, as well as one of music’s most unlikely, yet compelling, creative partnerships. Over the next decade, Sinatra continued to notch multiple hits on both sides of the Atlantic, including “Sugar Town,” “How Does That Grab You, Darlin?,” and a haunting rendition of the Sonny Bono-penned “Bang Bang (My Baby Shot Me Down).” The singer also paired up with Hazlewood for a series of popular duets (“Summer Wine,” “Jackson,”* and *“Some Velvet Morning”) and collaborative albums. In between best-selling LPs like Boots (1966), How Does That Grab You (1966), and Nancy & Lee (1968), Sinatra performed the theme song to the 1967 James Bond film, You Only Live Twice, and collaborated with her father on the global chart-topper, “Somethin’ Stupid.” While these career landmarks are well-documented in the annals of pop culture history, however, much of Sinatra’s catalog remains sorely overlooked. As Keep Walkin’ co-producer Hunter Lea explains, “With the changing taste of the record-buying public in the late 1960s and the counterculture taking over, artists like Nancy Sinatra weren’t in the mainstream as they once were.” Despite that fact, “[Sinatra] kept working, recording, and performing at a voracious pace.” Lea continues, “This compilation is a celebration of some of the many glorious recordings that may have been overlooked, forgotten, or never even released at the time. The obscurity of some of these recordings doesn’t mask the genius, brilliance, and effort that went into them; on the contrary, it’s incredible to learn that some of the lost gems are just as rich as the national treasures.” Among the highlights is the spritely opener “The City Never Sleeps at Night,” which served as the B-Side to “These Boots Were Made for Walkin’.” Overshadowed by the colossal success of its A-side, it’s no surprise that the cinematic tune never had its proper due. Yet, Lea reveals, Hazlewood initially intended to make it the focus single. Another long-lost B-side is “The Last of the Secret Agents?,” which was paired with the Top 10 hit, “How Does That Grab You, Darlin’?” The playful song, written by Hazlewood, served as the theme to the 1966 comedy of the same name, in which Sinatra co-starred alongside Marty Allen and Steve Rossi. Keep Walkin’ also features several choice A-sides that were never included on albums and were overlooked for one reason or another. Among them is 1966’s “In Our Time,” a rebellious anthem for ‘60s youth, which references drug culture and women’s liberation, among other topics. Speaking to the Hazlewood-penned track, Sinatra recalls, “That was a fun song. Lee was starting to do his ‘anti’ stuff. He was cynical and it showed in his writing at some point.” But, despite the themes of the song, Nancy laments that she was never embraced by the counterculture. “[drugs] knocked me out of the picture completely. I was so far removed from the hip people in those days. I think they probably made fun of my stuff.” Another stylistic departure for both artists is “Love Eyes,” a bluesy, soulful single from 1966. The song, Nancy shares, is “one of my favorites. I think what helped Lee’s writing at that point was the bigger sound.… I really love it. I think it holds up to this day.” She adds that her dreamy vocal performance was inspired by early female R&B stars like Ruth Brown and LaVern Baker. The collection also features several outstanding covers, including a previously-unreleased rendition of the Barry Mann/Cynthia Weil classic, “I Just Can’t Help Believing” (a hit for both B.J. Thomas and Elvis Presley). This 1978 recording, reimagined as a duet, marked one of Sinatra’s brief reunions with Hazlewood, following his abrupt move to Sweden not long after 1972’s Nancy & Lee Again. Another choice track finds Nancy interpreting Neil Diamond’s “Glory Road.” Released as a single in 1971, it features one of the singer’s most cherished vocal performances. “After I worked on my voice and improved as a performer and as a singer, I embraced Neil Diamond. Anything I did by Neil Diamond, to me, is my best work.” Nancy also looks back fondly on her moving rendition of Bill Withers’ “Ain’t No Sunshine," released in 1973 as the B-side to “Sugar Me.” The recording (which features particularly lush orchestral arrangements by Billy Strange) reunited Nancy with another close collaborator, Jimmy Bowen, who produced the singer in the early ‘60s and later introduced her to Hazlewood. “I love Jimmy,” she declares. “The records we did early on…had a depth to them that I appreciated. He heard me and saw me in a different light; he saw me as a much more serious performer, which I appreciated.” Listeners will also be delighted to hear a pair of previously-unreleased demos: “Something Pretty” (the 1968 country hit, made famous by Wynn Stewart) and the theme to the 1965 Richard Rogers/Stephen Sondheim musical, Do I Hear a Waltz?, both of which were intended for a self-described “disco” record. Despite the two catchy takes featured on Keep Walkin’, Sinatra calls the shelved album “A disaster. I called it the disco fiasco!” Offering additional insight into Sinatra’s career is music director, songwriter, and keyboardist, Don Randi. A member of the hallowed *Wrecking Crew* collective, Randi was one of the most prolific session musicians of the ‘60s and ‘70s with hundreds of credits to his name, including The Beach Boys’ “Good Vibrations,” Linda Ronstadt’s “Different Drum,” and “These Boots are Made For Walkin’” – his first recording with Sinatra. For the next fifty years, he would be a fixture at her sessions and live shows. He also appears on nearly every track in this collection. Speaking to Lea, Randi delves deep into his time with Sinatra, with a palpable admiration for the singer. *“She was easy to work with,”* he shares. “She was always wonderful to musicians; nobody even comes close.” The keyboardist, who met Sinatra through Hazlewood, also recalls the magic of that partnership. “I always liked working with Nancy & Lee. They had something very special that they could get out of each other. It was a good team.” He continues, “Sinatra stood up for herself [around Lee]…He could be so cantankerous…but that’s Lee…. [Nancy] saw through it. She was so lovely and helpful to him a number of times when he really needed someone to talk to.” That said, Randi also appreciates the power of Sinatra’s solo performances. “I never thought she really needed [Hazlewood},”* he reveals. “I thought her shows were just as well with everybody else; they were excellent.” After stepping back from the industry in the ‘70s to focus on her young family, Sinatra returned to the spotlight in the mid-90s, releasing a string of new albums, including the star-studded Nancy Sinatra, which paired the artist with some of her biggest fans, including Morrissey, U2, Calexico, and Sonic Youth. Since then, Nancy’s legacy has only continued to grow. In more recent years, her impact has been recognized by the likes of Pitchfork, NPR, and Rolling Stone, while in 2020, “Boots” was inducted into the Grammy® Hall of Fame*. Today, Sinatra remains a force in the industry, as new generations discover her influential catalog, which boasts nearly 20 studio albums and dozens of charting singles.

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Joni Mitchell

LP | 2023 | US | Original (Elektra)

31,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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LP | 2023 | UK (Rhino / Warner)

Gordon Lightfoot

Now Playing

2LP | 2023 | US | Original (Roc Nation)

Release: 2023 / UK

Genre: Rock & Indie

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Part of Rhino's "Now Playing" Series! - A troubadour is defined as a "wandering storyteller." It's the perfect word for Gordon Lightfoot. For over 60 years, the Canadian singer-songwriter has told us memorable tales of rivers and highways, trains and shipwrecks, and all the love, loss, and loneliness he's experienced along the way. These original recordings of his classic hits and album tracks radiate all the humanity and hard-won wisdom that have helped make Lightfoot a legend.

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Victory

Glory Hour

34,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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LP | 2023 | UK | Original (Mooncrest)

Jackson C. Frank

My Name Is Carnival

29,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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Javelin Lemonade Colored Vinyl Edition

Sufjan Stevens

LP | 2023 | EU | Original (Asthmatic Kitty)

29,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Javelin Black Vinyl Edition

Sufjan Stevens

LP | 2023 | EU | Original (Asthmatic Kitty)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Why Does The Earth Give Us People To Love? Neon Green Vinyl Edition

Kara Jackson

LP | 2023 | EU | Original (September)

Release: 2023 / EU – Original

Genre: Rock & Indie

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I Killed Your Dog Black Vinyl Edition

L'Rain

LP | 2023 | EU | Original (Mexican Summer)

29,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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I Killed Your Dog Oxblood Vinyl Edition

L'Rain

LP | 2023 | EU | Original (Mexican Summer)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Elevation)

Gombloh

Sekar Mayhang

LP | 2021 | EU | Reissue (Astigmatic)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Gombloh’s forgotten masterpiece

What if you have Brian Wilson and Bruce Springsteen rolled into one? And what if he came of age as an poor buskers in in Surabaya, Indonesia, but then summoned enough strength to record six albums that flew in the face of everyone in the country’s rock scene back in the early 1980s?

Genius, be they Brian Wilson or Soedjarwoto “Soemarsono” Gombloh, don’t conform to rules written for us mere mortals. They have their own way of doing things and in the case of Gombloh, writing music, conducting recording session and spending cash from his music, must be conducted on his own terms and his terms only. Studio time was expensive back in the early 1980s, yet Gombloh could be three-hour late for his session, and while engineers, session musicians and producers were jittery about the prospect of another botched session, Gombloh took his time for a nap before the recording begun.

Yet, some of his greatest works came into being in the wake of this napping session. Recording session for Sekar Mayang is no exception, despite the fact there’s foreboding sense of doom with Gombloh being unsure about the possibility of selling enough units to help his label break even. This is, after all, this is his last record with his band Lemon Tree’s. No one knew that Gombloh was operating with all his cylinders running and what came out of this Indra Record session, in the waning days of 1980, were some of the best compositions ever committed to magnetic tapes (to wax, if now you’re holding this on vinyl).

This is Gombloh at the peak of his creative genius. You can argue that his debut album Nadia & Atmospheer (what’s with the spelling mistake?) is the most sprawling and complex album (both sonically and thematically), but Sekar Mayang certainly had the best songs and I can make the argument that this album’s 10 songs are strong contenders for biggest hits in blues, country, psychedelic rock charts. “Prahoro & Prahoro” is one of those impossible song which appears to have sprung from a bottomless well of inspiration, encompassing King Crimson’s sprawling epic, Deep Purple’s deepest blues and Genesis’ most progressive tendencies. Or “Sekaring Jagat”, which begins as Lennon-McCartney lullaby before launching a thousand ships traveling to the end of the rainbow with children choir singing heavenly melodies backed by droning harpsichord and synclavier, while a buzzing Hammond B3 tightly locks with Gombloh’s guitar strumming.

For many of his fans, Gombloh is known as generous man of the people. A Robin Hood type if you please. He spent his royalty checks to buy foods for beggars and buskers and dish out some more to buy undergarments for Surabaya’s prostitutes. In Sekar Mayang, Gombloh went full Springsteen mode in “Mitra Becakan,” a social commentary that cut so deep you can end up with tears in your eyes and lump in your throat (even if you don’t understand any of its Javanese language lyrics). This is one the most devastating social commentary ever recorded for a pop song, and even if you discount the greatness of its musical composition, you chalk this up as a great social-realism poetry. His years of hanging out with pedicab drivers, street vendors and street-bound prostitutes certainly gave him enough insight into their (in)human condition.

Yet, a record this stellar was largely forgotten. First, this record was a flop upon its release in 1981. Indra Records reportedly only did one pressing on cassette tape and be done with it. For those who were lucky enough to have come across one of songs from this album on the radio were likely growing up in East Java, where Gombloh had a massive cult following early in the 1980s. Nothing was heard from this record again.

There were only a handful of cassette tapes from the first pressing found on second-hand market and I recently stumbled upon one online with a price tag of Rp 50 million (US$3,500). It’s no longer available now.

In Sekar Mayang, Gombloh harbours an obsession for a long-lost utopia, Java’s distant past, where farmers have their barn full of rice and corn, where blacksmith working around the clock making tools and children singing and dancing in their seminaries. Or the fact that he opens the song with stanza from Serat Weddhatama, arguably the most monumental poem in neo-classic Javanese literature, could be his pledge of allegiance. The question for him is should a modern-day Indonesia, rife with poverty, corruption and environmental degradation not be an anathema to that utopia?

In the end, you don’t need to be someone fluent in Javanese to enjoy this majestic record. And if this record turns out to be the last in Elevation Records catalogue and we shut down this label tomorrow, we will be very happy. Mission accomplished!

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Jaubi

Nafs At Peace 6th Press

23,99 €*

LP | 2023 | JP | Original (Jet Set)

Release: 2021 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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JAUBI continue the Nafs journey, which commenced with the single “Satanic Nafs” (featuring the remix by legendary LA producers The Gaslamp Killer & Mophono) released in March 2021. Now JAUBI draw on the elements of North Indian classical music, Hip-Hop and modal/spiritual jazz in their debut LP entitled “Nafs At Peace”.

The journey officially began back in April 2019 when London’s multi- instrumentalist and 22a Record label boss Ed “Tenderlonious” Cawthorne and Polish pianist/composer Marek “Latarnik” Pędziwiatr of EABS/Błoto, visited the group to record in Lahore.

Together they channelled their personal struggles at that time into the two recording sessions allowing the musicians to find a spiritual path to transcendence through this musical purge.

Nothing whatsoever was written down during the recording sessions - no sheet music and no song titles, which allowed the six musicians to forget about their worldly issues. In many ways, the journey represents a struggle for purity, an expression of gratitude, and an acknowledgement that the musician's inspiration comes from a higher power.

The album cover portrays the mother of JAUBI’s bandleader, tearfully praying to God to get her son through that dark period of his life, which is what the mothers of the other musicians also did for their children.
The first step of the journey can be heard on “Satanic Nafs” which refers to the lowest level of the Self which was released 26th March 2021 through Astigmatic Records.

The album title ‘Nafs At Peace’ refers to the last purification step the self has been through. At this level, the Self no longer struggles because one has complete love of God, by becoming at peace and tranquil with God’s will. We hope all can achieve the stage of “Nafs At Peace” … Inshallah.

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Paris Match

Type III

53,99 €*

Release: 2023 / JP – Original

Genre: Rock & Indie

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Preorder shipping from 2024-09-27

Ladaniva Yellow Vinyl Edition

Ladaniva

LP | 2023 | EU | Original (Jiguli)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Sahel Black Vinyl Edition

Bombino

LP | 2023 | UK | Original (Partisan)

Release: 2023 / UK – Original

Genre: Rock & Indie

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For The Fkn Love Black Vinyl Edition

Arrested Development

2LP | 2022 | Original (Ruff Nation)

36,99 €*

Release: 2022 / Original

Genre: Rock & Indie

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What's My Name (1967-1970)

Henson Cargill

LP | 2023 | Original (Iron Mountain Analogue Research)

23,99 €*

LP | 2023 | US | Original (Dear Life)

Release: 2023 / Original

Genre: Rock & Indie

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* Limited Edition Deluxe Gatefold LP with exclusive scholarly liner notes! * Full dynamic range 2023 remasters direct from the first-generation analogue master tapes! * Limited Edition 500 LPs – 250 ‘Plastic People’ Red LPs! / 250 ‘Gnashville Nihilist’ Black LPs! (randomly inserted) From the people who brought you 'Hillbillies In Hell'... Stellar songs, heartfelt performances, the finest Nashville players and the greatest set of tonsils to ever wrap themselves around Activist Country-Pop... Here are the almost forgotten masterpieces of Henson Cargill, sourced directly from the Monument Records vault and presented together for the first time on LP. Hear Henson's smooth baritone lambast apathy ('None of My Business'), chide neglectful parenting ('Skip A Rope'), ponder the byzantine tableaux of love ('Four Shades of Love'), dismiss the space race and dissect de-evolution ('Going Backwards') and name-check both Adolph Eichmann and Cecil B. DeMille in one very lysergic song ('What's my Name?'). Across 1967-1970, Cargill pioneered a unique and radical New Nashville Sound. Swinging, dobro-led shuffles with controversial, cosmic/striking themes and insightful lyrics. Dystopian and defiant anti-war laments. Tender and timeless brooding ballads of regret. Wise, worldly and weary. 16 prime cuts of Psyche-Gnashville brilliance. Witness the Hillbilly Zen of 'Row Row Row', the Apocalyptic revelations of 'This Generation Shall Not Pass' and the acerbic disestablishmentarianism of 'Reprints (Plastic People)'. Nashville 1967, something was in the water and Henson Cargill drank his fill.

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Florry

The Holey Bible

Magic Lady Black Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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For Francie Medosch, leader of rag tag Philly country-rock outfit Florry, the 11 songs on their Dear Life Records debut “The Holey Bible” urgently radiate a place of hard-won optimism, and pull no punches in laying out the patient road it sometimes takes to get there. “The Holey Bible” aspires to the special feeling of raucous intimacy achieved by the best records in the outlaw country canon, and strikes that rare balance between a display of careful honesty, and an invitation to a party.

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Mandy Morton & Spriguns

LP | 2023 | EU | Original (Guerssen)

LP | 2023 | EU | Original (Intermusic)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Magical UK folk-rock with psychedelic / West Coast influences. It was originally self-released by Mandy Morton in 1978, after the two Spriguns albums for Decca. “Magic Lady” was dedicated to Sandy Denny, who had just passed away that same year. It was available on black vinyl with a few copies (20 aprox) pressed on blue color. Both versions are very hard to find today.

Terrific songwriting, superb musicianship and beautiful vocals. Recorded at Spaceward Studios, produced by Mike Kemp in conjunction with Mandy, mastered at Abbey Road and featuring guest appearances by Tim Hart (Steeleye Span) and Graeme Taylor (Gryphon, Albion Band).

*Original artwork in hard cardboard sleeve + OBI *Sourced from the original masters *Insert with liner notes by Mandy Morton and photos

“…one of the best things Mandy Morton did, perhaps the very best…” –Patrick Lundborg (Galactic Ramble)

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Dave Van Ronk

Folksinger

19,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Melody As Truth)

Jonny Nash

Point Of Entry

LP | 2019 | EU | Reissue (Batov)

Release: 2023 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Melody As Truth founder Jonny Nash returns to action with his first solo album in four years.

Over the course of eleven mesmerising tracks, Nash points the compass gently inwards, casting aside any conceptual frameworks in favour of exploring an imaginative and idealised “personal folk music” that combines elements of traditional acoustic music with the producer’s richly immersive interpretation of ambient, a sound he has been developing for well over a decade.

From the smudged acid-folk bliss of ‘Theories’ and ‘Eternal Life’, to the layered acoustic guitars of ‘All I Ever Needed’ and the delay-soaked, Durutti Column-esque ‘Light From Three Sides’, a wide variety of musical textures weave their way throughout the album.

Point of Entry is much more than a mere ‘guitar album’ – it draws on a rich and diverse palette to achieve its purpose. The delicate saxophone work of ambient-jazz contemporary Joseph Shabason swells on ‘Ditto’ and ‘Light From Three Sides’. Cascading piano lines ripple through the crystal clear sonic waters of ‘Face of Another’, whilst echoes of Nash’s work with Gigi Masin and Young Marco as Gaussian Curve appear in the dancing synth sequences of ‘Ditto’ and ‘Golden Hour’. Nash’s reverb-laden voice also appears for the first time since 2016’s critically acclaimed Exit Strategies, used delicately throughout the album to conjure up a world of dusk and golden light.

Combining the delicate human touch and naivety of earlier Melody As Truth releases with widened scope and vision, Point Of Entry is arguably Nash’s most complete work to date – an album that’s as much a statement of his “personal folk” vision as a future ambient classic.

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El Khat

Saadia Jefferson

19,99 €*

Release: 2019 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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LP | 2023 | EU | Original (Les Disques Magnétiques)

Pekodjinn

Dharba

Release: 2023 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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10" | 2016 | UK | Reissue (Clay Pipe Music)

Tyneham House

16,24 €* 24,99 € -35%

Sun Arcs Black Vinyl Edition

Release: 2016 / UK – Reissue

Genre: Rock & Indie

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Back in 2011 when I was tentatively looking for a second release for my fledging record label Clay Pipe Music, I stumbled upon a mysterious MySpace page by a group called ‘Tyneham House’, the page was decorated with artwork by Rena Gardiner (who was unknown to me at that time) and the music was an otherworldly mix of field recordings, Mellotron and acoustic guitar. It turned out that Tyneham was promised to Glen Johnson’s Second Language label, so I offered to do the artwork, and in January 2012 the two labels co-released it on tape and CD in a cardboard box with a handmade booklet of my illustrations.

In 2016 Clay Pipe reissued it on 10” vinyl, in an edition of just 300, which has since become sort after. The new 2023 pressing is on blue and transparent marbled vinyl, with a reverse board cover and inner sleeve, and the booklet of illustrations has been given a complete redesign. Frances Castle 2023

The pastoral, wistful yet ineffably disquieting music of Tyneham House is made by artists who wish to remain anonymous here, save for their eponymous title. The musicians are happy, however, to let it be known that these recordings have been around for some years (many of them complied from old cassettes) and that they take inspiration from the 1960s/’70s/’80s work of the Children’s Film Foundation – a body who really ought to have made a film about this mysterious West Country curio. At least now we have its endlessly poignant soundtrack.

The small village of Tyneham, on the beautiful Isle of Purbeck, in Dorset, was once a thriving little community – that is until the British Government requisitioned it for training manoeuvres and other ‘strategic purposes’ in the run up to Wwii. This was supposed to be a temporary measure, but the area remained in military possession long after hostilities had ceased, causing distress among former inhabitants, many of whom were farmed out to prefabs in nearby Wareham and Swanage.

Tyneham was characterised by its red telephone box, a tiny parade of shops – Post Office Row – and a grand country pile which stood about half a mile away from the village: Tyneham House. The army removed the building’s oak panelling and ornate decorative details and promptly set about using it for target practice. So great was the shame expressed locally about the damage inflicted upon one of Dorset’s grandest houses that the powers that be decided to grow a copse around the remains of the structure to give the impression that it was no longer there. Despite this, a substantial part of the structure remains intact, including its Saxon hall.

Land access around Tyneham was opened up in the 1970s, but admission to the house remains strictly verboten. Those who’ve been found around the premises, especially anyone wielding a camera, have felt the full weight of military trespass law. Tyneham today is regarded as a nature reserve by some – as a national embarrassment by others. It’s still a political hot potato, in Dorset at least.

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Blue Lake

LP | 2023 | UK | Original (Tonal Union)

24,99 €*

Aykathani Malakon Black Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Blue Lake is the musical moniker of American born, Copenhagen based multidisciplinary artist and musician Jason Dungan, who signs to the Tonal Union imprint for the release of his new longform album ‘Sun Arcs’. It follows 2022’s release ‘Stikling’, earning a nomination for ‘Album of the Year’ at the Danish Music Awards plus warm praise from The Hum blog and musicians and DJs alike including Jack Rollo (Time is Away/NTS) and Carla dal Forno. A self taught player, Dungan began freely experimenting with self-built multi-string instruments, preferring to build his own hybrid 48-string zither and working in the realms of left-field ambient music, off kilter folk and improvised acoustic minimalism.

The starting point of ‘Sun Arcs’ saw Jason travel for a week alone to Andersabo, a cabin set in the idyllic Swedish woods just outside of Unnaryd, known also as the music project, festival and residency space which has been run by Dungan since 2016, hosting artists like Sofie Birch, Johan Carøe and Ellen Arkbro. Whilst writing 1-2 pieces per day, a conscious decision was made to leave behind everyday distractions and shut out the outside world to instead focus on the natural passage of time as Dungan recalls: “My only sense of time came from these daily walks out in the woods with my dog, and an awareness of the sun’s path as it moved across the sky each day.”

The album’s immersive world unfolds with the opener ‘Dallas’, an ode to his home state and a musical synthesis of these two disparate spaces (Texas and Denmark), the touchstones of Dungan’s life. A folk-esque single acoustic builds to a flowing arrangement of clarinets, organ and cello drones coupled with percussion. ‘Green-Yellow Field’ chimes in as the first of two solo oriented zither recordings twinned with the dreamlike title track ‘Sun Arcs’, both densely rich as cascading and overlapping harmonic tones resound. ‘Bloom’ emerges with a krautrock psyche before an eruption of cello drones, slide guitar and free-ranging zither playing, ushering in the anticipation of spring. With half of the recordings conceived in Andersabo, Jason returned to Copenhagen to form the album's centre piece ‘Rain Cycle’ which features a tempered Roland drum machine alongside shifting zither improvisations. ‘Writing’ explores the shimmering harp-like qualities of sweeping playing figurations with Dungan mapping out adjusted tuning “zones” on the zither for unconventional but creatively liberating effects. ‘Fur’ captures the feeling of openness and the momentum of time, seeing Dungan perform waves of solo clarinet, often in one takes and embellished with textural drones, a zither solo, and layers of guitar. ‘Wavelength’ the album's closer is fondly inspired by the film works of Michael Snow and Don Cherry’s seminal live album ‘Blue Lake’ (1974), as it builds out from a drone-generated zither chord and features an alto recorder solo. Dungan found a deep connection to Cherry’s stripped back performance ethos, focusing on the core beauty of minimal instrumentation creating a genre-less meeting between folk and jazz. A dialogue is formed between the solo and the bandlike performances, interlinked in a geographical duality with all finding a sense of commonplace as musical sketches of visited landscapes. The bountiful instrumentation ebbs and flows as further layers emerge with Dungan constructing his material much like an artist would, recording and reviewing, adding and subtracting.

Musically it portrays a form of double life led by an American-identifying person living in Scandinavia, and a new found presence in Denmark, seeking out underdeveloped marshlands and barren stretches of beach adrift from other rhythms and distractions. Highlighting their individual and potent importance Dungan concludes: “Both places feel like “me”, I think on some level the music is always some kind of self-portrait.” ‘Sun Arcs’ depicts the intricate balance of nature’s cycles and the paths outlined by the seasons, from a winter dormancy to a warm sun drenched scene. The album scales new glorying heights and further defines Dungan’s musical narrative, inhabiting a unique space in left-field, improvised and experimental music, borning his most accomplished compositions to date. A singular and visionary expression, drawing on an array of instruments and sound worlds with a renewed sense of joy and discovery.

The album's rich tapestry was mixed by Jeff Zeigler (Laraaji, Mary Lattimore, Kurt Vile /Steve Gunn) and mastered by Stephan Mathieu (Kali Malone, Kmru, Félicia Atkinson).

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Sanam

12" | 2023 | UK | Original (Mais Um)

23,99 €*

Live At Kyoto Yamaichi Hall 1976

Release: 2023 / UK – Original

Genre: Rock & Indie

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Sanam is a free-rock post-folk sextet consisting of Sandy Chamoun, Antonio Hajj Moussa, Farah Kaddour, Anthony Sahyoun, Pascal Semerdjian and Marwan Tohme. The group first formed as part of a performance with Hans Joachim Irmler from the legendary German experimental group Faust, at the Irtijal music festival. Their music and performances are akin to a ritual, a marriage and an exorcism of traditional Egyptian song/Arabic poetry and improvised rock, free jazz and noise. They recorded their first albumAykathani Malakonin a traditional house in the village of Saqi Reshmaya, which was then mixed by Radwan Ghazi Mounmeh (Jersualem In My Heart).

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Yoshiko Sai

2LP | 2023 | JP | Original (P-Vine)

47,99 €*

Traces Of Illusion Compiled By Skyrager

Release: 2023 / JP – Original

Genre: Rock & Indie

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This is a live recording from 1976 of Japan's legendary female singer, Yoshiko Sai. Sai made her debut with the album "Mangekyo" in 1975. In July 1976, she released her second album "Mikko," which is still highly regarded as a classic worldwide. This recording captures a long live performance just before the album's release. In 2008, a live recording collection titled "live 1976/79" which was released on CD from P-vine, featuring seven tracks from this day's recording. However, this release features the complete performance of all 17 songs for the first time, including all the songs from the album "Mikkou," as well as unreleased tracks and cover songs!

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V.A.

2LP | 2023 | UK | Original (Spacetalk)

33,99 €*

Release: 2023 / UK – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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7" | 2023 | UK | Original (Mr Bongo)

Kit Sebastian

L'Addio / Hayat

18,99 €*

LP | 2023 | Original (Royal Potato)

Release: 2023 / UK – Original

Genre: Organic Grooves, Rock & Indie

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The illustrious, London-based duo Kit Sebastian, aka Kit Martin and Merve Erdem, return with a limited edition 7” single. It features ’L’addio’, a breakbeat driven, sultry ballad, and ‘Hayat’, a hazy, psychedelic scorcher that delves into the band’s Turkish and Azerbaijan influences.

‘L’addio’ saw the band perfecting their production and orchestration, with strings, horns and double bass, and an Italian synth found in a French dump. The music was greatly influenced by Italian soundtracks and Italian female singers, such as Mina or Rita Pavone. The track announces itself with a break that is guaranteed to get samplers twitching. The tone of the melody and lyrics is heartfelt and aching. It has a beautiful, intimate sadness like the closing scenes to a love affair, and it exquisitely rides over the slow, psych-funk-dramatic backing track. The lyrics are inspired by a flat opposite Merve's window that's occupied by drug addicts, with many guests coming in and out every night. Merve elaborated “Being both neighbours and strangers, and with the boredom of a post-tour everyday domestic life and a pinch of urban voyeurism, it was hard not to wonder what was happening in that flat. The words imagine an addict before her/his golden shot as if it's a love relationship between them that comes to an end.”

Having spent much of 2022 touring and writing, ‘Hayat’ was the first original composition the band recorded since their October 2021 album, ‘Melodi’. Here we see them weaving a psychedelic tapestry of Mugham melodies, organ-driven grooves, and jazz-pop harmonies in classic Kit Sebastian fashion. Recorded to Fostex 1/4” tape, the essence of the production is perfectly balanced between being brand new and retro, which is a feat very hard to pull off.

‘Hayat’ is sung in Turkish and the title translates as ‘Life’ in English. The song examines our desire to find one's place in the world and the provisionality of existence. Merve's searching lyrics ask “Where are you? Where is the universe?”. Her vocal delivery perfectly reflects the lyrical focus, its texture is probing and ethereal, almost as if sung from looking above us.

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Upstate

You Only Get A Few

32,99 €*

Release: 2023 / Original

Genre: Rock & Indie

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Bubuj Bulan / Naghm El Uns

Rully DJohan / Munif

12" | 2023 | UK | Original (Soundway)

14,99 €*

LP | 2024 | JP | Original (Super Fuji Discs)

Release: 2023 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Following on from Soundway’s 2022 compilation, Padang Moonrise, are two late 1960s tracks from Java, Indonesia. one instrumental psychedelic organ version of Classic Indonesian track ‘Bubuj Bulan’ and the other a raw funk cut sung in Arabic. Rully Djohan recorded this unique, psychedelic instrumental version of Benny Corda’s classic ‘Bubuj Bulan’ for his album of instrumental organ versions of popular Indonesian songs recorded in 1971-72. With echoes of Indian, Ethiopian and Egyptian jazz melded with traditional Javanese music this version is a shimmering, dubbed-out take on a song that has been recorded by many Indonesian vocalists. Djohan is backed by The Galaxies Band, and led by one of Indonesia’s most original band leaders and arrangers Jopie Item, who also plays sitar and guitar alongside Djohan’s electric organ. On the flip-side, Munif Bahasuan delivers a deep funk track sung in Arabic. Munif was a Jakarta-based vocalist who sung mostly in Arabic and English. Jakarta has a small population of Arabic, ethnically Middle Eastern people who settled in Indonesia via connections with Islam and Islamic culture, the dominant religion in Java, Sumatra and many other of the main islands in the Indonesian archipelago.

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Osamu Okuno

Utauhito

35,99 €*

2LP | 2024 | Original (Black River Entertainment)

Release: 2024 / JP – Original

Genre: Rock & Indie

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First LP release of Osamu Okuno's 2003 masterpiece "Utauhito," featuring Takeshi Shibuya, Hiroshi Funato, Ren Takada, Kanji Nakao, and Takero Sekijima. Kyoto singer-songwriter Osamu Okuno was rediscovered by the younger generation during the rock boom of the time with the first CD release of "Osamu Okuno" in 2000 and his first new album in 10 years, "Kaerou." Made in 2003, this is a miraculous album, with deep shadows and youthful songs riding on the ambience-filled playing of Takeshi Shibuya, Hiroshi Funato, Ren Takada, Kanji Nakao, and Takero Sekijima.

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Kelsea Ballerini

Patterns

33,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Molly Tuttle & Golden Highway

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Into The Wild

LP | 2024 | Original (Nonesuch)

Release: 2024 / Original

Genre: Rock & Indie

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Last Stop On The Underground

Rain Parade

LP | 2024 | Original (Flatiron)

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | Original (Inside)

Jackson Browne

For Everyman

Release: 2024 / Original

Genre: Rock & Indie

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Sapporo Kyoikubunkakaikan 1980

Morita Douji

2LP | 2024 | JP | Original (P-Vine)

50,99 €*

Dance Of Love Mixed Coloured Vinyl Edition

Release: 2024 / JP – Original

Genre: Rock & Indie

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The only officially released live recordings of Doji Morita have been "Tokyo Cathedral Saint Mary Live" and "FM Tokyo Pioneer Sound Approach Live Recording", both recorded in 1978. This album contains live recordings in 1980, and this is the first time ever that recordings from this period have been released.

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Tucker Zimmerman

LP | 2024 | Original (4AD/Beggars Group)

Release: 2024 / Original

Genre: Rock & Indie

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2LP | 2024 | Original (Reprise)

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Billy Strings

Highway Prayers

70,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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High Top Mountain 10th Anniversary Vinyl Me, Please Edition

Sturgill Simpson

LP | 2013 | US | Reissue (Vinyl Me, Please)

33,99 €*

LP | 2024 | EU | Original (Blix Street)

Release: 2013 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
High Top Mountain certainly leaned traditional, but it also set the precedent that Simpson was not an artist content to coast, was not someone just trying to write the easiest song to ride to the top. He was willing to put in the work, and hire $25,000 worth of studio time and band members to make his vision a reality, and didn’t very much care what happened next. Only that he’d done it. Freedom, as a famous country singer once wrote for Janis Joplin, is just another word for nothing left to lose. The most free performer we’ve had these last 10 years is Simpson, who took a trip to High Top Mountain and never came back down.

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Eva Cassidy

Walkin' After Midnight

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | Original (Rhino)

Joni Mitchell

Mingus 2024 Remaster

Release: 2024 / Original

Genre: Rock & Indie

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Fires At Midnight New Mix Limited Marbled Vinyl Edition

Blackmore's Night

2LP | 2024 | EU | Original (Earmusic)

34,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Roll It Out Black Vinyl Edition

The Deslondes

LP | 2024 | US | Original (New West)

2LP | 2024 | EU | Original (Secret City)

Release: 2024 / US – Original

Genre: Rock & Indie

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The Deslondes are a five-piece group of dudes from New Orleans. The band splits up songwriting and lead vocal duties among its five members, continuing its democratic ethos and musical versatility. Multiple members have released solo recordings between their sophomore release, Hurry Home (2016) and their previous release Ways & Means (2022). Now, with their latest record, Roll It Out the band continues to build on their inventive take on New Orleans country and R&B. Roll It Out finds the band leaning on the country-folk of their debut along with the sometimes-psychedelic, electrified gospel-soul sound of their previous records The sound will continue to draw comparisons to the country-funkiness of The Band, Link Wray, and others but Roll It Out is the sound of a band that understands the history of American music, while embracing their own contemporary approach.

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Leif Vollebekk

Revelation

38,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Taifu13Gou / Tsumetaionna

Fumio Nunoya

7" | 2024 | JP | Original (Universal Music Japan)

Release: 2024 / JP – Original

Genre: Rock & Indie

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2LP | 2024 | US | Original (Broken Bow)

Lainey Wilson

Whirlwind

40,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Beatball)

Mukimukimanmansu

2012 Black Vinyl Edition

49,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2022 | EU (La Munai)

Benyamin S.

Funky Kromong Volume 1

The Capitol Years 1956-1963 Clear Vinyl Edtion

Release: 2022 / EU

Genre: Rock & Indie, Pop

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Funky Kromong is a compilation from the multitalented Legendary Betawi artist Benyamin Suaeb. Consisting of 10 tracks from the 70s, this compilation is rich with Benyamin Suaeb’s eccentric vocals with tongue-in-cheek lyrics and walled with funk and psychedelic and traditional sounds. He made is own humorous style of psychedelic music that everyone could relate. We really hope you enjoy this record with beautiful nostalgia in mind. Don’t miss it.

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Wanda Jackson

LP | 2023 | EU (Destination Moon)

17,99 €*

Old Five And Dimers Like Me Vinyl Me, Please Edition

Release: 2023 / EU

Genre: Rock & Indie

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Wanda Jackson is a true pioneer of American popular music. One of the first women in history to record country and western music, as well as rock ‘n’ roll, and a brief romantic liaison with Elvis.This collection reminds of the greatness of her peak years at Capitol Records. From the mournful twists of “Sinful Heart,” to the hard-rocking thrills of “Let’s Have A Party” and “Riot In Cell Block Number Nine,” Wanda Jackson attacks the material in her distinctive way, with a wry glance at innocence left somewhere behind. All hail the Queen, and long may she reign!

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Billy Joe Shaver

LP | 2024 | US | Reissue (Vinyl Me, Please)

35,99 €*

15 Exitos 15 Vinyl Me, Please Edition

Release: 2024 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
There are a lot of important records in this world, but what you hold in your hands is nothing less than the blueprint for outlaw country music. Old Five and Dimers Like Me is also the semi-secret classic that marked the debut of a true Texas legend. In 1960s and ‘70s Nashville, there was the commercial boom brought on by the “Countrypolitan” sound, those lush strings and angel choirs. And then there was the opposition party. It arrived in a pick-up truck and denim, and Billy Joe Shaver occupied the corner office.

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Chalino Sanchez

2LP | 2024 | US | Reissue (Vinyl Me, Please)

43,99 €*

Gone Away Backward Red Vinyl Edition

Release: 2024 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
15 Éxitos 15 came out three years after the last show he’d play (Chalino was shot and killed the day of the concert in 1992). It collects “Nieves De Enero,” and 14 other songs Chalino performed throughout his life: “Los Chismes,” an ode to gossip and its impact on a relationship. “A Todo Sinaloa,” a heartfelt song about his homeland. And “Cuatro Espadas,” a song that equates heartbreak to being stabbed in the chest. Chalino didn’t get to see his fame in his life, but his legend lives on, through this album, and his songs.

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Robbie Fulks

LP | 2024 | US | Original (Bloodshot)

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Futura Resistenza)

Sarine

Asas Terrenas

24,99 €*

LP | 2024 | Original (Tommy Jackson)

Release: 2024 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Mariano Melo, also known as Marian Sarine, is a Brazilian multi-instrumentalist based in Sao Paulo, specialising in percussion and drums. His latest album, Asas Terenas, is his first under this name and started with organ recordings made with Felipe Pato in late 2019 and was completed with additional instruments added in the years that followed. Asas Terenas features a mix of rhythmic improvisations built on modal scales, combining dynamic interplay between notes and percussion. Drawing inspiration from artists like Charanjit Singh, who merged traditional North-Indian ragas with electronic music, and African organists like Hailu Mergia, it combines old and new sounds, merging spiritual elements with energetic rhythms. As Sarine himself says, Asas Terenas is a sonic mixture that moves the feet and lifts the soul, creating an experience that is both pristine in sound and transcendental on the dancefloor.

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Randy Rogers Band

Hellbent

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2010 | EU | Reissue (Bismeaux)

Willie Nelson

Willie And The Wheel

Release: 2010 / EU – Reissue

Genre: Rock & Indie

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LP | 2024 | EU | Original (Tapete)

Trust Fund

Has It Been A While?

Release: 2024 / EU – Original

Genre: Rock & Indie

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I'm Over Bein' Sober Over You Sweet Tooth Baby

The Saddle Sores

7" | 2024 | EU | Original (El Toro)

13,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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2LP | 2024 | US | Original (Sme Nashville)

Morgan Wade

Obsessed

40,99 €*

Cold Beer & Country Music

Release: 2024 / US – Original

Genre: Rock & Indie

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Morgan Wade - Obsessed - Country Vinyl LPMorgan Wade was feeling the urge to simplify after a period of relentless touring and intense media scrutiny during the last couple of years. Every time she sat down with her guitar, new songs just started pouring out. “They were just coming to me left and right,” Wade says. The Virginia-born singer-songwriter made a choice to return to the basics for her new album Obsessed, a solo-written, stripped-down 14-track collection produced by her touring guitarist Clint Wells that showcases Wade at her rawest and most vulnerable. “I really wanted to get back to doing what I used to do,” she says. “Just make this whatever I wanted it to be.”Wade’s third album and follow-up to 2023’s Psychopath, Obsessed puts the focus on Wade’s storytelling abilities and singular voice. She writes with incredible force about the ache for home and the emotion of being reunited with loved ones, of feeling dangerously preoccupied with someone, and of being in situations that society might consider outside the norm. On Obsessed, Wade also does a thorough examination and inventory of her journey as a person, not sparing any ugly details when she’s been the one at fault. It’s a fearless look into the life of one of country music’s most exciting talents, arriving right as she’s hitting her stride.

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Zach Top

LP | 2024 | Original (Leo33)

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Feeding Tube)

Tomoyuki Trio

Shitsuren

35,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | Original (Benjamin Tod - Thirty Tigers)

Benjamin Tod

Shooting Star

Release: 2024 / Original

Genre: Rock & Indie

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Wirlmarni Transparent Red Vinyl Edition

Kankawa Nagarra

LP | 2024 | US | Original (Mississippi)