Folk Vinyl 2390 Items

Release: 2019 / EU – Original

Genre: Rock & Indie

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A Lament For Epirus 1926-1928

Alexis Zoumbas

LP+7" | 2019 | US | Original (Third Man)

Strange Ways / Inside Jungle

Release: 2019 / US – Original

Genre: Rock & Indie

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Alexis Zoumbas was one of the most sublime musicians to ever cast a shadow across the face of the Earth and no one has been able to translate the emotions of despair-of devastation-through an instrument as effectively as Zoumbas. Years of research and obsession have resulted in this, the first collection of recordings by the legendary and masterful Greek folk violinist Alexis Zoumbas. Very few Pre-War musicians have tapped deeper into the human soul than Zoumbas and this volume presents his most profoundly hypnotic and unearthly pieces. A deep set of notes based on Christopher King's pioneering research from 2012 is accompanied by previously-unpublished photographs as well as original artwork by R. Crumb.

Originally issued in 2014 for Record Store Day, the limited release of the LP immediately went out of print. Faithfully remastered from the original 78s, Christopher King's original version of the LP has been enhanced for Third Man Records by the inclusion of a 7'' EP featuring two previously unissued and unheard alternate takes of the masterpieces Epirotiko Mirologi and Doina.

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Zann

LP | 2019 | EU | Original (Isle Of Jura)

LP | 2019 | EU | Original (Mr Bongo)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Ltd to 500 copies, no repress.

The sought after LP from Zann ‘Strange Ways / Inside Jungle’ originally released as a private press in 1990 finally receives a full reissue.

Zann started life as a 7-member live band in 1982. Founder member Udo Winkler had been a part of New Wave & Post Punk band Konec touring extensively and releasing one LP on Polydor titled ‘Schrille Blitze’. Zann was an outlet for more experimental works heavily influenced by Brian Eno's collaborations with David Byrne and Jon Hassell, German bands like Embryo and Dissidenten, David Sylvian and middle & far eastern music.

In 1988 Udo and Hjalmer Karthaus built a small basement studio with a 4 track tape machine and musical experiments began in earnest. After the limitations of playing live it was an acoustic wonderland and they gave themselves no musical boundaries. The unlimited studio time meant they could pick up ideas and develop pieces gradually, friends would come to the studio to play and songs evolved from extensive jamming sessions. The resulting LP has Middle Eastern instrumentation at its core, particularly wind & string instruments such as the Tabla and Gong, and is a melting pot of influences incorporating elements of Ambient, Jazz and Folk with strong synth programming on a number of tracks. The band pressed up a handful of copies and sold them exclusively at record fairs in Germany and in the intervening years the LP has become highly sought after with copies changing hands for 150 Euros.

The LP has been fully remastered from the original DAT tapes with new full sleeve artwork from Bradley Pinkerton and is pressed on 180 Gram Vinyl.

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Kit Sebastian

Mantra Moderne

Shades Colored Vinyl Edition

Release: 2019 / EU – Original

Genre: Organic Grooves, Rock & Indie

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'Mantra Moderne' is a stunning, contemporary masterpiece that fuses Anatolian Psychedelia, Brazilian Tropicalia, 60’s European pop and American jazz. A must for fans of Khruangbin, Portishead, Arthur Verocai, Goat, Caetano Veloso, Tom Zé, Os Mutantes, Cortex and co.

The duo is formed of Kit Martin, who lives between London and France and plays all instruments on the album, and Merve Erdem, vocalist and multi-disciplinary artist from Istanbul, now based in London. This is their debut album.

The album explores universal themes such as love, loss, decay, language and ideology, mixing three different languages: English, Turkish and French. Written and recorded by the duo - Kit composed all the songs and Merve wrote the lyrics - in rural France during 2018, each song was completed within a 12-hour window, pawning contemplation for spontaneity.

Dubbed by Kit and Merve as ‘lo-fi-hi-fi’ in reference to the high-end tube equipment that helped it find its way to 8-track cassette tape. The style owes its sound to narrow tape width, valve distortion, spring reverb, the mixture of high end gear with lo-fi equipment as well as a disregard to the norms of hi-fi studio techniques. All instruments were analogue and no samples were used. The instruments that are used range from tablas to darbukas, balalaikas to ouds, MS20 synths to Farfisa organs and a lot of cuica. The mixing techniques were done on-the-fly, tracking immediately to tape: compression, EQ, delay and reverb; meaning mixing could not be revisited!

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Vera Sola

LP | 2019 | EU (Spectraphonic)

Release: 2019 / EU

Genre: Rock & Indie

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Heroine Clear Vinyl Edition

Nico

LP | 2019 | EU | Original (Tiger Bay)

18,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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10" | 2019 | EU | Original (Basin Rock)

Johanna Samuels

Have A Good One

15,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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This Wild Willing Black Vinyl Edition

Glen Hansard

2LP | 2019 | EU | Original (Anti)

Release: 2019 / EU – Original

Genre: Rock & Indie

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The Same But By Different Means

Yves Jarvis

LP | 2019 | EU | Original (Anti)

14,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (By Norse Music)

Wardruna

Skald

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2010 | EU | Reissue (Warner)

Zaz

Release: 2010 / EU – Reissue

Genre: Rock & Indie

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LP | 2018 | EU | Original (Caroline)

Blake Mills

Look

Ry Cooder / Manuel Galban

Release: 2018 / EU – Original

Genre: Rock & Indie

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Info coming soon

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Mambo Sinuendo

LP | 2018 | US | Original (Nonesuch)

46,99 €*

Release: 2018 / US – Original

Genre: Rock & Indie

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(I've Got) Trouble In Mind 7" & Rare Stuff 2009/2014

The Liminanas

2LP+CD | 2018 | EU | Original (Because Music)

"(after)" : Singing And Guitar At Jacobikerk, Utrecht, Netherlands, Nov. 10th, 2017 At Le Guess Who? Festival

Release: 2018 / EU – Original

Genre: Rock & Indie

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This Reissue has never before been releases as 2LP+CD and Poster. The Liminanas are a couple and a band. They have produced records in their own garage in Cabestany located in the south of France for about ten years. They played in Australia, the US and toured Europe regularly. United Kingdom included. The first opus of the now series “I have trouble in mind” was released on the initiative of Bill and Lisa Roe (iconic label “trouble in mind") in the US in 2014. It combines all the 45t , unreleased songs recorded by the couple for “Mojo magazine", tribute to Beach Boys, fanzines, micro labels. All the titles which were difficult to find and that fans were looking for. And now, here it is: I ve got trouble in mind vol 2.

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Mount Eerie

2LP | 2018 | US | Original (P.W. Elverum & Sun)

34,99 €*

Release: 2018 / US – Original

Genre: Rock & Indie

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This is a live album of songs from “A Crow Looked At Me” and “Now Only”, eleven songs recorded in a huge church on spare acoustic guitar and singing.

The jackets are the usual high-standard heavy gatefold beautiful ones, with copper foil stamping and multiple paper textures, great printing. This is an object worth owning, a concept which becomes more absurd in the context of the words of these songs.

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Saigon Supersound Volume 2

LP | 2018 | EU | Original (Saigon Supersound)

2LP | 2018 | EU | Original (Anti)

Release: 2018 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Saigon Supersound Continues… to present more interesting tunes of a musical era that has long been obscured. With the well-received Volume 1, we are very delighted to dig deeper and share with you the beautiful music of a short but significant period in Vietnam‘s history.
Much like the country itself, the music of Vietnam has endured many twists. As the result of the Geneva Accords in 1954, Vietnam was divided into two. From the North, the Nationalist forces fought to reunite Vietnam as a Communist State, while the American troops backed the government of the South. This caused a mass migration of Northerners to the South, which includes many Tân Nhạc (Modern Music) singers and songwriters. Often characterized by its emotive, poetic and prolific personality, Tân Nhạc continued to freely develop in the South and progressively vacating from the influences of its main inspiration, French music. In the North, the Resistance music, or the so-called Nhạc Đỏ (Red Music), which promoted socialism, patriotism and anti-capitalism was the only genre allowed on national radio. Tân Nhạc was something new to the South Vietnamese repertoire. Between 1954–1960, the theme of hometown (quê hương) was a main inspiration for many songwriters such as Hoàng Thi Thơ, Lam Phương and Nguyễn Hữu Thiết. The 9th title of the compilation, “Thôn Trăng Mở Hội Trăng Tròn” showcases a variety of images that were often described in this genre: the harvest moon, playful children, old mother…
Every recording made in this era is then an organic combination of human experiences, communications and uniqueness. In 1965, the first American troop landed in Vietnam, bringing with them the musical influences of the Beatles, Bob Dylan, Jimi Hendrix, Elvis Presley… The Vietnamese people quickly integrated it into the repertoire with hope to further diversify the music of Vietnam. Constantly changing and learning from different cultures, the modern music of Vietnam cuts a window into the soul of a Vietnamese person and the country’s history as a whole. With that, we hope that Saigon Supersound Volume 2 would take you on a trip back to the unique atmosphere of Saigon through the many different palettes of music that this beautiful place offers.

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Tom Waits

Brawlers

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2018 | US | Original (Island)

Bishop Briggs

Church Of Scars

Release: 2018 / US – Original

Genre: Rock & Indie

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7" | 2018 | US | Original (Raven Marching Band)

Laura Veirs

Fading Of Stars

12,99 €*

LP | 2018 | US | Original (Kranky)

Release: 2018 / US – Original

Genre: Rock & Indie

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Limited edition for Record Store Day 2018!

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Grouper

Grid Of Points

LP | 2018 | EU | Original (Pharaway Sounds)

Release: 2018 / US – Original

Genre: Rock & Indie

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Not long after recording her 10th album, Ruins, Liz Harris traveled to Wyoming to work on art and record music. She found herself drawn towards the pairing of skeletal piano phrasing with spare, rich bursts of vocal harmony. From Liz Harris: Grid Of Points is a set of songs for piano and voice. I wrote these songs over a week and a half; they stopped abruptly when I was interrupted by a high fever. Though brief, it is complete. The intimacy and abbreviation of this music allude to an essence that the songs lyrics speak more directly of. The space left after matter has departed, a stage after the characters have gone, the hollow of some central column, missing.

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Beyaz Kelebekler

Köln Session 1976

LP | 2018 | US | Original (P.W. Elverum & Sun)

Release: 2018 / EU – Original

Genre: Rock & Indie

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Famous for their matching, colourful suits and always-happy smiles, Beyaz Kelebekler (White Butterflies) were a mixed-gender Turkish band very popular during the ‘70s. They released one album plus numerous 45s in Turkey and other countries like Holland and Italy. In 1976 during the last day of their European Tour, just after one gig in Cologne, Beyaz Kelebekler visited a studio of a friend which was still in construction. They decided to record a few songs, just for fun and for testing the new studio equipment. It was a very basic, one take recording, using an 8-channel mixer, a few mics and a reel-to reel tape machine.
The result was an amazing example of Anatolian psych-funk, featuring wah-fuzz guitar, flute, heavy drums, joyous male / female vocals…
Unreleased until now, we present the first ever release of these surprising recordings, rescued from the only surviving cassette tape.
Colour insert with photos.

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Mount Eerie

Now Only

LP | 2018 | EU | Original (Lionel Liminana / Because)

Release: 2018 / US – Original

Genre: Rock & Indie

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A sequel or continuation down the path that began with “A Crow Looked At Me”. 6 word-filled songs about the raw strangeness of the present moment, waking up in wreckage, living with pervasive echoing real ghosts and a growing young child. Autobiographical.

contains: 6 songs, 44 minutes, heavy old style gatefold tip-on jacket with special subtle blue paper on the inner liner sheet, all the lyrics, free download card

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The Liminanas

Shadow People

LP | 2017 | US | Original (Verve)

Release: 2018 / EU – Original

Genre: Rock & Indie

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“What was old is new again”… The old adage is so tired that nobody takes its proper measure: all people hear is the word “old”, when the important one is “new”. Making new things out of old things is an act of alchemy. The proof is in this fifth album – no rest for the wicked of Perpignan – which is blown right open here and there by a few very contemporary guests. After the opener, ‘Ouverture’, with its almost surf-like guitars, comes ‘Le Premier Jour’, where Lionel Limiñana talks about his rock baptism with the punks, the mods, the skinheads and the Lambrettas of his youth in the South of France. What comes just after is the seismic shock of ‘Istanbul is Sleepy’: the Imprimatur of Anton Newcombe of The Brian Jonestown Massacre is simply enormous. Then comes Emmanuelles Seigner’s super sexy tornado on the title track; and ‘Dimanche’ follows, with Bertrand Belin. Lionel sees him as a “French Nick Cave who writes songs that resemble films.”. ‘The Gift’ features Peter Hook who scrapes his bass guitar again here; obviously a song reminiscent of an early period New Order. Finally, the Limiñanas on their own send out an instrumental cavalcade with a furious beat, like a Kraut Morricone, ‘Motorizzati Marie’ followed by ‘Pink Flamingos’, introduced with psych rock pads played backwards forming a vaporous song bathed in acoustic arpeggios. A respite in the album…

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Yusuf / Cat Stevens

The Laughing Apple

38,99 €*

LP | 2018 | EU | Original (Anti)

Release: 2017 / US – Original

Genre: Rock & Indie

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Limited edition for Record Store Day 2017!

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Glen Hansard

Between Twio Shores

Release: 2018 / EU – Original

Genre: Rock & Indie

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Niandra LaDes And Usually Just A T-Shirt

John Frusciante

2LP | 2017 | US | Original (Superior Viaduct)

35,09 €* 38,99 € -10%

Time Out Of Mind 20th Anniversary Edition

Release: 2017 / US – Original

Genre: Rock & Indie

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Niandra LaDes And Usually Just A T-Shirt is the first solo record by John Frusciante. Between 1990 and 1992 the guitarist made a series of 4-track recordings, which at the time were not intended for commercial release. After leaving the band Red Hot Chili Peppers in 1992, Frusciante was encouraged by friends to release the material that he wrote in his spare time during the Blood Sugar Sex Magik sessions.

Originally released on Rick Rubin’s American Recordings label in 1994, Niandra LaDes is a mystifying work of tortured beauty. Frusciante plays various acoustic and electric guitars, experimenting with layers of vocals, piano and reverse tape effects. Channeling the ghosts of Syd Barrett and Skip Spence, his lyrics are at once utterly personal and willfully opaque.

Frusciante’s rapidfire, angular playing shows how key he was in the Chili Peppers’ evolution away from their funk-rock roots. His cover of “Big Takeover” perfectly deconstructs the Bad Brains original with laid-back tempo, twelve-string guitar and a fierce handle on melody.

The album’s second part—thirteen untitled tracks that Frusciante defines as one complete piece, “Usually Just A T-Shirt”—contains several instrumentals featuring his signature guitar style. Sparse phrasing, delicate counterpoint and ethereal textures recall Neu/Harmonia’s Michael Rother or The Durutti Column’s Vini Reilly.

On the front cover, Frusciante appears in 1920s drag—a nod to Marcel Duchamp’s alter-ego Rrose Sélavy—which comes from Toni Oswald’s film Desert in the Shape.

This first-time vinyl release has been carefully remastered and approved by the artist. The double LP set is packaged with old style tip-on gatefold jacket and printed inner sleeves.

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Bob Dylan

2LP+7" | 2017 | EU | Original (Columbia)

Release: 2017 / EU – Original

Genre: Rock & Indie

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LP | 2017 | EU | Original (Wagram)

Spirit Of French Songs

15,99 €*

Release: 2017 / EU – Original

Genre: Rock & Indie

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Rayland Baxter & Dylan LeBlanc

Luck Mansion Sessions

7" | 2017 | US | Original (Third Man)

10,99 €*

Release: 2017 / US – Original

Genre: Rock & Indie

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LP | 2017 | EU | Original (Saddle Creek)

Big Thief

Capacity

LP | 2017 | EU | Original (BML)

Release: 2017 / EU – Original

Genre: Rock & Indie

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The trails that Brooklyn's Big Thief take us down on Capacity, the band's highly anticipated second record, are overgrown with the wilderness of pumping souls.

After last year's stunning Masterpiece, Capacity was recorded in a snowy winter nest in upstate New York at Outlier Studio with producer Andrew Sarlo.

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Bukahara

Phantasma

Release: 2017 / EU – Original

Genre: Rock & Indie

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LP | 2017 | EU | Original (Crammed)

Yasmine Hamdan

Al Jamilat

19,99 €*

Release: 2017 / EU – Original

Genre: Rock & Indie

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LP | 2017 | UK | Original (Real World)

Les Amazones D'Afrique

Republique Amazone

2LP | 2016 | EU | Original (Vinyl Passion)

Release: 2017 / UK – Original

Genre: Rock & Indie

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Les Amazones d’Afrique : Kandia Kouyaté, Mamani Keita, Rokia Koné, Mariam Doumbia, Nneka, Mariam Koné, Marema, Mouneissa Tandina, Pamela Badjogo, Inna Modja.
There are supergroups and then there are Les Amazones d’Afrique. An all-female collection of Malian musicians, a run-through of the singers alone confirms the quality and pedigree of this project. The group includes Mariam Doumbia, one half of that ever-excellent duo Amadou & Mariam, and a third Malian, Mamani Keita, a former singer with Salif Keita’s band and a progressive, future-facing artist in her own right. For devotees of that timeless, enchanting West African sound, the prospect of these three singers’ voices harmonising and intertwining with each other is like a birthday and Christmas rolled into one. This is a gift that will live long in the memory.

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Woody Guthrie

American Folk Legend

Release: 2016 / EU – Original

Genre: Rock & Indie

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LP | 2016 | US | Original (Digital Monkey)

Balkan Beat Box

Shout It Out

Release: 2016 / US – Original

Genre: Rock & Indie

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Israeli born artists Tamir Muskat, Ori Kaplan, Tomer Yosef met in Brooklyn’s underground in the mid-2000s and ignited the world with the outspoken formidable live act Balkan Beat Box. Combining Eastern European styles with dancehall, reggae, exotic brass, earth shattering bass and experimental electronics. The 5th album Shout It Out, recorded in their second studio Vibromonk East Tel Aviv, is another evolution with new influences from ghettotech, bluegrass, hip hop and pop.

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Rock Your Soul Volume 1: Blue Eyed Soul & Sounds From The Land Of The Free

2LP | 2016 | EU | Original (BBE Music)

2LP | 2016 | EU | Original (Anti)

Release: 2016 / EU – Original

Genre: Rock & Indie

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Compiled by Zaf Chowdry also responsible for Suss'd amazing 'P&P' and 'Deep Disco Culture' series. Co-compiled with music enthusiast and broadcaster Mark Taylor. A great genre of music given an arguably absurd title. A collecton of predominately white singer/songwriters from America's west coast influenced by African-americans R & B artists as much as soft rock, country, disco and jazz.

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Cass McCombs

Mangy Love

Release: 2016 / EU – Original

Genre: Rock & Indie

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Ganimian & His Oriental Music

Come With Me To The Casbah

LP | 2016 | UK | Original (Cacophonic)

18,99 €*

2LP | 2016 | EU | Original (Polydor)

Release: 2016 / UK – Original

Genre: Rock & Indie

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Often overlooked for over half a century while misfiled amongst exploit bellydance
records and holidaymaker souvenirs this one-off twelve track album is the only
existing full-length record by the best-kept mutant musical secret of the Armenian
American diaspora, oud pop maestro Charles ‘Chick’ Ganimian.
One of the earliest examples of any kind of recorded fusion between rhythm heavy
pop music and traditional Turkish music, Ganimian’s developments in New York
City - with his sadly unrecorded turk jerk combo The Nor-Ikes (New Dawn) combo
- ran almost simultaneously alongside the rising Anadolou Pop scene in Turkey,
resulting in his short lived powerhouse of Kif proto-rock under the changing names
of Ganim’s Asia Minors, Ganimian & His Orientals and Ganimian & His Oriental
Music Orchestra. Combining a line-up of mostly unknown musicians from his local
community (where he was worked as a butcher), Ganimian, in a short unison with
ATCO records, was fortunate enough to accommodate jazz guitarist Al Schactman
as part of his studio personnel (launching the career of this Nina Simone regular)
as well as French born Armenian folk singer Onnik Dinkjian and reid player Steve
Bogoshian (both from the band The House Of The Seven Uncles) as well as the
esteemed Turkish raised Kanun player Ahmet Yatman. As one of the very few early
American recorded authentic Middle Eastern fusion record Come With Me To The
Casbah has piqued a refined interest in a new generation of progressive world
music collector resulting in a distinct drought in original Ganimian pressings on
the collectors’ market earning Chick’s name a rising placeholder on the want lists
of DJs, vinyl hounds and ethno psychedelia collectors.
This LP includes all of Ganimians recordings including the rare singles for Atco
and East West which sit awkwardly next to bizarre and unique takes on popular
American standards enhancing the exciting freak factor of this record which simply
could not be made by today’s stifling self-aware anti-standards. Aside from rare
(poorly recorded) private family tapes this album is the only chance to hear the
music of this lost enigma of early world music, Eastern fusion and a missing kink
in the fabric of New York pop music history captured before his short stint as an
exotic Herbie Mann sideman which proceeded his migration into obscurity and
his well-imparted tragic struggle with alcohol dependency depriving pop culture
of a forward thinking pioneer who paved the way for the more credible exponents
of the cross-continental Indo fusion enigma such as

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Eric Clapton

I Still Do

38,99 €*

Istanbul Sessions: Istanbul Underground

Release: 2016 / EU – Original

Genre: Organic Grooves, Rock & Indie

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This is Eric Clapton's 23rd Studio album for which he teamed up with star-producer Glyn Johns once more.

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Ilhan Ersahin

LP | 2016 | US | Original (Nublu)

22,99 €*

LP | 2016 | EU | Original (Zephyrus)

Release: 2016 / US – Original

Genre: Rock & Indie

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Confusion is good sometimes. It’s a way to start thinking about whatever you are confused about. This is what Ilhan Ersahin’s Istanbul Sessions do since 2008. They managed to fire the stages all across the world: from New York to Istanbul, from Paris to Sao Paolo, from London to Skopje... Questions they spread all these years where like: are they really turkish? is this really jazz? doesn’t it sound like a rock band? how come a jazz ensemble can really be like a band? How can they be so able to jam with any musician they meet on stage? And so on... It’s a simple fact Ilhan Ersahin, being one of the rare moguls of New York City underground scene via his club and record label (nublu), is traveling all around the world. It’s possible to see him jamming with Red Hot Chili Peppers in Sao Paolo, featuring Bugge Wesseltoft in Blue Note Tokyo and/or playing a beautiful oriental set with turkish gypsies in an elegant concert hall somewhere in Europe. His newyorker energy is with him all the time. How about Istanbul Sessions then? It’s a summary of all you read above. Master level musicianship meets a high eclecticism where the cliche of “east-to-west crossover” finds its true sense and power. A session is a meeting of a deliberative body to conduct its business. In this case, the business is music, and the music is another heavyweight long player from Ilhan Ersahin & crew. Upon listening to the record for the first time, one word overrides every other emotion and devours the mind: Cinema. More specifically, “cinematic.” Ersahin’s sax sounds like it was recorded in the fucking Alps. Or in the sweeping sand dunes and Oasis’s of the Middle East. It’s just that W I D E. On “Falling,” Ersahin’s sax is practically 3-dimensional. Double tracked and bathed in a healthy dose of reverb, the saxophone and rhythm of the band evoke a story-like narrative. From the mad-man trills strewn throughout the track, to the soaring, almost stadium anthem chorus. Clearly, it’s all about the (s)axe, and Ilhan Ersahin is YOUR axeman. History has a tendency to repeat itself, and for the third time ‘round, East meets West once again. And the results are more satisfying than that mammoth inter-racial orgy you’re always fantasizing of. Through Ersahin’s playing, you can hear the ghostly echoes of dead, pre-war jazz greats behind his frenzy-inducing saxophone playing. You can also hear the Siren’s call, the brooding beauty of the shrouded mystery that is the Desert. Devilishly hot and bothered, the dry night air caresses your face, stirring a primal urge that excites as you step out into the glow of the Turkish metropolis. An Istanbul session, awaits.

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Kel Assouf

Tikounen

22,99 €*

LP | 2016 | US | Original (Pepper Hill)

Release: 2016 / EU – Original

Genre: Rock & Indie

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Dragging rock drums, cutting guitar riffs and Tamasheq chants. This is the sound of the new Tuareg generation. Life in an urban contextand the connection with the Saharan culture has been the feeding ground for Kel Assouf’s album ‘Tikounen’.

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Wheeler Walker Jr

Redneck Shit

Release: 2016 / US – Original

Genre: Rock & Indie

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2LP | 2015 | UK | Original (Honest Jon's)

Maki Asakawa

Complete Recordings Volume 3

Release: 2015 / UK – Original

Genre: Rock & Indie

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A stunning survey of the 1970s heyday of this great Japanese singer and countercultural icon. Deep-indigo, dead-of-night enka, folk and blues, inhaling Billie Holiday and Nina Simone down to the bone. A traditional waltz abuts Nico-style incantation; defamiliarised versions of Oscar Brown Jr and Bessie Smith collide with big-band experiments alongside Shuji Terayama; a sitar-led psychedelic wig-out runs into a killer excursion in modal, spiritual jazz. Existentialism and noir, mystery and allure, hurt and hauteur. With excellent notes by Alan Cummings and the fabulous photographs of Hitoshi Jin Tamura. Hotly recommended.

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Jackson C. Frank

2LP | 2015 | US | Original (Ba Da Bing)

Release: 2015 / US – Original

Genre: Rock & Indie

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3LP | 2015 | EU | Original (Music On Vinyl)

J.J. Cale

Collected

38,99 €*

2LP | 2015 | US | Original (Mercury)

Release: 2015 / EU – Original

Genre: Rock & Indie

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This American cult legend has turned his laidback style into a trademark. J.J. Cale has forged an inspiring career that spans four decades. Collected is an essential J.J. Cale compilation on three 180 gram LPs chock full of rootsy Americana songs that will stay in the back of your head long after you turned off the record player.

180g vinyl.

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Chris Stapleton

Traveller

Release: 2015 / US – Original

Genre: Rock & Indie

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3LP Box | 2013 | US | Original (Mobile Fidelity)

Bob Dylan

Blonde On Blonde Box Set

111,99 €*

LP | 2011 | UK | Original (Wichita)

Release: 2013 / US – Original

Genre: Rock & Indie

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Limited, numbered box set edition on 45 rpm 180 gram audiophile vinyl!

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First Aid Kit

The Lion's Roar

Release: 2011 / UK – Original

Genre: Rock & Indie

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LP | 2011 | US | Original (Manifesto)

Tom Waits

The Early Years Volume 1

Release: 2011 / US – Original

Genre: Rock & Indie

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I'll Never Fall In Love Again

Bobbie Gentry

LP | 2022 | UK | Original (Capitol)

19,99 €*

Release: 2022 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

The Hour Of Bewilderbeast

Badly Drawn Boy

2LP | 2016 | UK | Reissue (XL)

Release: 2016 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2012 | EU | Reissue (Myproudmountain)

Nate Hall

A Great River

2LP | 2012 | Reissue (Wilderland)

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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A Great River only captured a single, brief, impulsive moment. Recorded in a single March evening, it is as pure and honest as music gets. The songs are regretful of the bad times, hopeful of times to come, and respectful of the great power that causes all thing to be. It is a reflection of a lifetime spent with the echoes of Dylan, Young, Petty, Springsteen, and Van Zandt. It draws from the rich musical history of America, the melancholy of Appalachia, and harnesses the "electric vacuum roar" of guitar slingers past and present.The river doesn't ever stop. It is a continuous bringer of whatever it touches, and whomever is chosen to step within its waters.The first time I heard Nate Hall's voice I knew that I was hearing something that would haunt me forever. The unmistakable sound of mountains' wind and the desperation and anguish of truth and experience.Authenticity isn't something you can acquire. Either you are or you are not.Nate's work shows a depth of heart and a pure channeling that you wont come across 10 times in your life.This is the work of the soul that we all know.And the soul that knew us first.You aren't born into this and you don't die out of it. This is eternity, and it brings us all to the center of the river that wants us to be here at this moment.- Scott Kelly

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Anais Mitchell

Hadestown

Release: 2012 / Reissue

Genre: Rock & Indie

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LP | 2015 | US | Reissue (Fat Possum)

Jake Xerxes Fussell

Release: 2015 / US – Reissue

Genre: Rock & Indie

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Guitars Cadillacs Etc. Etc.

Dwight Yoakam

LP | 2016 | EU | Reissue (Rhino)

31,99 €*

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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Soul Jazz Records presents

Delta Swamp Rock - Sounds From The South: At The Crossroads Of Rock, Country and Soul

2LP | 2011 | UK | Reissue (Soul Jazz)

31,99 €*

Release: 2011 / UK – Reissue

Genre: Rock & Indie

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This new edition of Soul Jazz Records" classic Delta Swamp Rock features a killer all-star line-up of seminal artists who all first blended rock, soul and country together to create a stunning new sound of southern American music in the 1970s.Featuring the Allman Brothers, Dan Penn, Leon Russell, Tony Joe White, Johnny Cash, Bobbie Gentry, Big Star, Link Wray, Area Code 615 and loads more!

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Uneven Paths: Deviant Pop From Europe 1980-1991 2024 Repress

2LP | 2018 | EU | Reissue (Music From Memory)

LP | 2011 | US | Reissue (Craft)

Release: 2018 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Uneven Paths: Deviant Pop From Europe, 1980-1991' is compiled by record connoisseur Raphael Top-Secret and label man Jamie Tiller that brings together twenty one tracks from across the continent; exploring the more unusual and unexpected sides of pop music produced during that period. Printed Inner sleeves.
Drawing material from cult experimental artists alongside one-off independent musical projects rescued from the fringes, ’Uneven Paths’ focuses on a selection of tracks that go beyond the confines of mainstream pop music but which also transcend expectations of much of the ’experimental’ music of the time. This is music with one foot in the avant-garde and another foot firmly rooted within the sensibilities of Pop; where Jazz musicians detour into Synth-Pop, Punk bands break into Boogie jams, and student doctors jam out on odd melodies with synthesizers and drum machines during their night shifts.

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Merle Haggard

Working In Tennessee

35,99 €*

Release: 2011 / US – Reissue

Genre: Rock & Indie

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LP | 2010 | US | Reissue (Craft)

Merle Haggard

I Am What I Am

35,99 €*

Release: 2010 / US – Reissue

Genre: Rock & Indie

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2LP | 2012 | EU | Reissue (Mercury)

Jake Bugg

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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12" | 2023 | EU | Original (Les Disques Bongo Joe)

Maghreb K7 Club Volume 2

14,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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3LP+CD | 2019 | EU | Original (Nakama)

Christian Meaas Svendsen

New Rituals

49,99 €*

Release: 2019 / EU – Original

Genre: Organic Grooves, Rock & Indie

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LP | 2019 | EU | Original (Motvind)

Helga Myhr

Natten Veller Seg Ut

Release: 2019 / EU – Original

Genre: Rock & Indie

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3LP | 2018 | EU | Original (One Little Independent)

Ruby Throat

Stone Dress

22,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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Shadow Of The Moon New Mix

Blackmore's Night

2LP+DVD+7" | 2023 | EU | Original (Earmusic)

Release: 2023 / EU – Original

Genre: Rock & Indie

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2LP | 2016 | Original (Holz)

Wildes Holz

Astrein

Release: 2016 / Original

Genre: Rock & Indie

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LP | 2019 | US | Original (Smithsonian Folkways)

Lula Wiles

What Will We Do

Release: 2019 / US – Original

Genre: Rock & Indie

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Emahoy Tsege Mariam Gebru

Spielt Eigene Kompositionen

LP | 2012 | US | Reissue (Mississippi)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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Jason Isbell & The 400 Unit

Live From Alabama

2LP | 2012 | US | Reissue (Lightning Rod)

34,99 €*

LP | 2017 | EU | Original (Wiggy Thump)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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In August of 2012, Jason Isbell and The 400 Unit assembled in their home state of Alabama in front of a couple of sold-out concert halls to record their first live album, Live From Alabama. After years of hard touring, the critically-lauded band has gelled into a versatile rock and roll squad that is equally at ease performing Muscle Shoals soul to hardcore country to balls-out rock. Live From Alabama’s tracklist mines some of Isbell’s most popular songs and includes a pair of inspired covers in Neil Young’s “Like a Hurricane” and Candi Staton’s “Heart on a String.”

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Whiskey Myers

Firewater

Release: 2017 / EU – Original

Genre: Rock & Indie

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LP | 2016 | EU | Original (Wiggy Thump)

Whiskey Myers

Mud

Release: 2016 / EU – Original

Genre: Rock & Indie

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LP | 2023 | UK | Original (Far Out)

Fabiano Do Nascimento

Mundo Solo

The LHI Years: Singles, Nudes & Backsides (196871)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Far Out Recordings proudly presents the new album from Brazilian guitarist and composer Fabiano do Nascimento: Mundo Solo. Recorded at his home studio in Los Angeles (2020) the album is fundamentally the sound of a man alone with his instruments.

Utilizing a variety of guitars, including 6, 7 and 10 strings, Oktav guitar and electric baritone guitar, alongside a host of pedals and synthesizers, Fabiano tracked imagined landscapes with expressive, expansive improvisations, which tend toward the more ambient and atmospheric reaches of his recent output.

Adopting Hermeto Pascoal’s concept of Universal Music, a rejection of nationalistic tendencies in order to express all of one’s musical influences all at once, Fabiano avoided leaning too heavily on any particular musical language, without denying his own musical roots.

After studying classical piano as a child, the Rio de Janeiro native discovered the guitar aged 10. Studying under his late uncle, Lucio Nascimento, he eventually left Brazil for LA, where he soon became an in-demand player for his distinct and authentic sound. He has since released seven albums under his own name and collaborated with renowned Brazilian artists including Arthur Verocai and Airto Moreira, as well as experimental US saxophonist Sam Gendel.

Mundo Solo (Do Nascimento’s eighth), was recorded in one take per track, with occasional overdubs and a few appearances from collaborators and friends Julien Canthelm (drums on Etude 1), Ajurinã Zwarg, (percussion on CPMV) and Gabe Noel (Bass on Curumim).

Fabiano Do Nascimento’s consummate mastery of his instrument has afforded him a freedom of expression few can claim. Blending the emotional with the elemental, Mundo Solo is a stunning snapshot of solitude and the beauty which can blossom within it.

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Lee Hazlewood

2LP | 2012 | US | Reissue (Light In The Attic)

37,39 €* 43,99 € -15%

Release: 2012 / US – Reissue

Genre: Rock & Indie

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Cuts from essential albums like Cowboy In Sweden Features duets with Suzi Jane Hokom, AnnMargret and Nina Lizell Audio remastered from original tapes Unreleased song “I Just Learned To Run” Indepth liner notes & unseen photographs As a true legend of the great American songbook and a rebellious pioneer who left behind a lengthy trail of echo laden pop masterpieces, Lee Hazlewood’s influence continues to reverberate today. Between 196871, Hazlewood not only released his finest solo work, but produced numerous artists on LHI. From acidfolk and countryrock to poppsych and soul, LHI issued dozens of long forgotten 45s and LPs. This series will include material from LHI (remastered for the first time from the original analog tapes), along with Lee’s output for other labels, rarities, and unreleased gems.

With his handlebar moustache and booming baritone, Lee Hazlewood was one of the defining stars of the late ‘60s. Though he’s perhaps best known for his work with Nancy Sinatra (including writing megahit “These Boots Are Made For Walking”), Hazlewood did stunning work away from that particular glamour queen and found latter day champions in Beck, Sonic Youth, and Jarvis Cocker. Now, for Record Store Day 2012, we are kicking off our excavation of the Lee Hazlewood archives with this anthology, Singles, Nudes & Backsides, collecting the best of Lee’s solo songs and duets from his LHI (Lee Hazlewood Industries) imprint.

As a true legend of the great American songbook and a rebellious pioneer who left behind a lengthy trail of echo laden pop masterpieces, Lee’s influence continues to reverberate today. Between 196871, Hazlewood not only released his finest solo work, but produced numerous artists on LHI. From acidfolk and countryrock to poppsych and soul, LHI issued dozens of long forgotten 45s and LPs. This series will include material from LHI (remastered for the first time from the original analog tapes), along with Lee’s output for other labels, rarities, and unreleased gems.

See the sleeve: surrounded by nude girls, each wearing a fake moustache, Hazlewood wears a suit, eversoslightly awkwardly playing the role of the ‘60s playboy. Just like the picture, the songs present a man conflicted; he’s the tenderhearted romantic, the brokenhearted loser and the rugged cowboy, all in one. It’s there in the western swing of “Califia (Stone Rider)”, the loneliness of ”The Bed” and the bleak beauty of ”If It’s Monday Morning.” Hazlewood’s tremulous voice was made for duets (indeed, he wrote ”Some Velvet Morning”, one of the greatest of all time); here, Suzi Jane Hokom, AnnMargret and Nina Lizell play counterpart to his manly tones.

In the wonderful liner notes, written by British journalist Wyndham Wallace, the writer describes his friend Hazlewood as “a curmudgeonly, unpredictable sort at the best of times, as impatient with his own talent as he is with other people.” The Hazlewood Wallace knew was puzzled by the growing interest in him in the last two decades of his life, which was ended by cancer at age 78. That late flurry of interest saw him perform at the Royal Festival Hall in 1999, his first ever solo performance in the UK.

A natural wanderer, Lee lived a big life, fighting in the Korean War, working as a radio DJ in Phoenix, Arizona, setting up Viv Records in the ‘50s, working as a bigshot LA producer in the ‘60s, signing Phil Spector to his Trey Records label and prematurely announcing retirement in the wake of the mid‘60s British invasion. He didn’t: Nancy Sinatra came along, the hits started flowing and he continued producing characterful solo albums into the ‘70s, which saw his move to Sweden. By 2007, Hazlewood was living in Vegas, and begrudgingly enjoying that flurry of latterday interest in his work. This landmark compilation promises to create many more converts.

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Club Coco Colored Vinyl Edition

LP | 2021 | EU | Reissue (Les Disques Bongo Joe)

LP | 2023 | EU | Original (Türküola)

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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Bongo Joe presents "Club Coco", a summary outernational latin and afro rooted music compilation curated by Coco María.

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Fikret Kizilok

Köroglu Daglari

Release: 2023 / EU – Original

Genre: Rock & Indie

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Lucy Kruger & The Lost Boys

Sleeping Tapes For Some Girls

LP | 2019 | EU | Reissue

17,99 €*

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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LP | 2023 | EU | Original (Agogo)

Opez

Social Limbo

Holy Tongue / Beatrice Dillon / Lamin Fofana / Labour

Release: 2023 / EU – Original

Genre: Rock & Indie

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A collection of eleven dreamy, rough, abundant instrumental songs which have the guts to subsist and survive the fluidity of our times. With his melodies Massi Amadori tells the nostalgia and melancholy of a lived, loved and consumed Italy.

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Dey Sey / 2020 / Niary Ngorong / Etu Keur

2x12" | 2023 | UK | Original (Honest Jon's)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Four dazzling, extended engagements with mbalax master-drumming.

The contribution from Holy Tongue is chase-the-devil steppers — thumping, clangorous, reverberating — super-charged with energy and atmosphere. From the off drummer Valentina Magaletti detonates a hard rain of small bombs, rounds of fire, ticking fuses. Musical co-ordinates are somewhere between classic On-U Sound crew like African Head Charge, The Mothmen, and Creation Rebel, and the experimental funk of the Pop Group and 23 Skidoo, at their funkiest. Thrillingly, the two dubs are increasingly deranged.

Adjusting the same wavelengths as her superb Workaround LP, Beatrice Dillon plays spaced-out, abstract synth-work against the bodily physicality of the ancient, shifting mbalax rhythms. The music is poised, mindful, tentative; but also limber, fleet, and magical.

Phantasmagorical and efflorescent, Lamin Fofana’s one-two is simply stunning. Both excursions are wide-open, beautiful, epic, and propulsive — the first mix is banging and headlong, the second more syncopated and serpentine — teeming with freshly sublime, funkdafied updates on Jon Hassell’s Fourth World possible musics.

The two parts of LABOUR’s Etu Keur Gui engage the same sequence of drum patterns (called bakks) from different perspectives. The duo performed portions of this piece at the opening ceremony of the Dakar Biennial in 2022, at the Grand National Theater, with thirty sabar players from the family of Doudou Ndiaye Rose. This Wolof phrase for the inner-court of a home — a meeting-place — doubles here as a metaphor for inner space on a metaphysical level; and Pan Sonic, Muslimgauze, Zoviet France, early Shackleton… all ghost across the threshold.

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12" | 2023 | EU | Original (Rocky Hill)

Armenian White Label

14,44 €* 16,99 € -15%

Guds Spelemän Remastered 2023 Edition

Release: 2023 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Next up on Rocky Hill is a limited edition, vinyl only white label, featuring 2 edits licensed from Terrestrial Funk and Darone Sassounian's compilation from 2021, and two original tracks from LA - based DJ and producer, Lara Sarkissian. The A side (Silk Road Side), features two previous exclusives from Darone's compilation on Terrestrial Funk titled, 'Silk Road: Journey of the Armenian Diaspora (1971 - 1982)'. The two edits on the A side were only available digitally, on CD, and Cassette formats. A1 features an edit of Marten Yorgantz's "Ammenain Serdov [De Tout Coeur]" from NY-based DJ duo, Fundido. A2 features an edit of Jozeph Sefian's "Karoun E Yegel" from Darone Sassounian. The B Side (Lara Sarkissian Side), features two original tracks sampling duduk (Armenian woodwind), songs - named as Lezginka Dance Scene and Ojakhum Nightmare. The tracks are reworks of the originals from 2016 - 2017, when Sarkissian began the creation of her own unique process of synthesizing duduk as percussion, bass and voice. Both tracks have been used in her early live sets from 2017 - 2018. They're finally available now only on vinyl. This is Rocky Hill.

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Garmarna

LP | 2023 | EU | Original (Massproduktion)

M. Mashabi And His Kelana Ria Orchestra

Release: 2023 / EU – Original

Genre: Rock & Indie

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Red vinyl.Massproduktion and Garmarnas most successful album -Guds Spelemän from 1996 - finally remastered and re-designed and on vinyl for the first time.Guds Spelemän was really a challenge to record and finalize. Recorded on several occasions and on five different locations, in between the bands constant touring, it was a really a feat to finalize. But the chemistry between the band and producer Sank made magic in the studio and the will to do something completely new was at maximum. Guds Spelemäns seamless mix of machines and electronic sounds with the bloodiest of medieval ballads and Emma Härdelins exceptional voice is really something else.Garmarna had just made international fame by being frontpage news on Billboard and touring all over the world and just before the recording they played for a crowd of 10 000 in Stockholm. So they were really a band on the way yp. And bringing an exceptional album - Guds Spelemän - resulted in both a Swedish and international success. Besides earning a Swedish Grammy and gold record it also became a large export success. The album was licenced to some 14 countries and released all over the world in different versions. In a few years Garmarna would sell close to 90 000 records all over the world.It been remasted from the original analog 12 inch master to real brilliance by the legendary Björn Engelmann at Cutting Room. The original artwork has been reworked by Lia Jacobi and its now released on vinyl for the first time in a beautiful gatefold sleeve.

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Kafilah Nights: Malay-Arabic Variations From 1960s Indonesia

LP | 2023 | EU | Original (Elevation)

The Wheel 30th Anniversary Deluxe Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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In the early 1960s, two of the best talents in the Indonesian music scene, songwriter and band leader Adi Karso, known for his hits "Papaya Cha-Cha-Cha" and "Balonku" and Gambus musician Munif Bahasuan teamed up to form Orkes Melayu (Malay Orchestra) Kelana Ria.

Between 1961 and 1964, Kelana Ria recorded 48 songs that were spread over four records, Kafilah, Yam El Shamah, Ya Mahmud and Ya Hamidah, which become the primary sources for this compilation.

These four recordings changed the trajectory of Indonesian popular music.

Play "Renungkanlah" (Think About It), included in this compilation, a love song with heavenly melodies and lilting harmonies, to an audience in the Western part of Malaysia or people of Malay ethnicity in Singapore and they would immediately hum along the tune.

"Renungkanlah" has been covered by many countless other musicians in Indonesia and Malaysia and it has become a hit many times over. The song has become a go-to song in karaoke bars in the region, with fans oblivious to who actually wrote this song or who performed it the first time.

Or take the song "Ratapan Anak Tiri" (Lament of a Stepchild), a song that has traversed national boundaries and has become a universal sad song in the Malay world, turning into a shorthand for melancholia that permeates this archipelago of nations.

Another stunner is the melancholia-laden "Kesunyian Jiwa" (Silence of the Soul), an operatic tune so majestic that it could open any black and white Kurosawa film from the late 1940s.

"Kesunyian Jiwa" opens with marching percussion and what could pass for a horn section foregrounding an opera finale before settling into a Latin-inspired composition backing one of the most soulful vocal performances from the 1960s.

The songs and the soulful vocal performance belong to Muhamad Mashabi, who despite the popularity of the songs he created is now largely forgotten, whose history was kept alive only in the neighborhood where he grew up in Central Jakarta.

With only a short musical career and only nine recorded songs from almost 40 compositions, Mashabi fell by the wayside in the early 1970s, especially with the rise of pop and rock from bands like Koes Plus, Panbers and God Bless.

Yet his songs, inspired by Malay traditional songs but performed in the modern studio setting, lay the foundations for what would become the biggest musical genre in the country, dangdut, especially the kind that was popularized by the self-styled king of the genre, Rhoma Irama.

"Mashabi's distinctive vocal style and soul-searching lyrics helped give rise to dangdut, Indonesia's most popular music genre," University of Pittsburgh music professor Andrew N. Weintraub write in the liner notes.

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Rosanne Cash

2LP | 2023 | Original (Rumblestrip)

44,99 €*

Release: 2023 / Original

Genre: Rock & Indie

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Live At Third Man Records

John Moreland

LP | 2023 | EU | Original (Third Man)

Release: 2023 / EU – Original

Genre: Rock & Indie

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The Moon Also Rises Moon Colored Vinyl Edition

Johnny Flynn

LP | 2023 | EU | Original (Transgressive)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | US | Original (Discos Fantastico)

Los Darlings De Huanuco

Singles From 1970-1980

Release: 2023 / US – Original

Genre: Organic Grooves, Rock & Indie

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LP | 2023 | EU | Original (Hyperjazz)

Khalab

Layers

21,84 €* 22,99 € -5%

LP | 2023 | UK | Original (Blackford Hill)

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Every person we meet, every moment we live through, all the love we feel, and the losses we endure, add another layer to the intricate pattern of our lives. Like multicolored threads, these layers twist together to form a complex, vibrant tapestry — a reflection of our life journey until this point. On his new album Layers, Khalab acknowledges and celebrates the encounters that have shaped his ever-evolving musical vision. The record, out on August 25th with his own Hyperjazz Records, represents the culmination of a creative journey that began with his Eunoto EP (Black Acre Records, 2015), evolved with the Afro-Futuristic soundscapes of 2018’s highly acclaimed album Black Noise 2084 (On The Corner Records/!K7), and has since developed further through a series of experiences and deep musical collaborations. Layers summons all the alchemy of Khalab’s live performances, and embodies the transcendental power of music making as a collective art form. Over the past five years, Khalab has shared the stage at Italian and International festivals with many exceptional musicians, an experience which has sharpened the musicality of his compositions and enhanced the depth and complexity of his sound. “Since the release of Black Noise 2084 I’ve increasingly developed the stage and band dynamic, focusing on arranging with the musicians in mind, and this album was almost entirely conceived together with musicians I’ve collaborated with” says Khalab. In a testament to the label’s close-knit and highly collaborative nature, Khalab's live band includes a cadre of musicians from the Hyperjazz family, including David Paulis and Enrico Truzzi of Phresoul, as well Pietro Santangelo, Fabio Sasso, and longstanding creative-partner Nicola Guida. The album’s nine tracks feature an impressive lineup of collaborators old and new, including UK drummer and producer Emanative, Burkinabe singer, guitarist, and m’bira player Gabin Dabiré (passed away a few weeks ago), Italian producer Clap! Clap!, multi-wind instrumentalist Tamar Osborn, drummer and producer Tommaso Cappellato, British-Bahraini trumpeter Yazz Ahmed, Bristol’s vocalist and producer Grove, multi-instrumentalist Tenderlonious, Italian jazz singer Alessia Obino and British-born Nigerian spoken-word artist Joshua Idehen. Layers still revolves around the key components of Khalab’s sound — dark and trancey electronics and his research into Black music and all its evolutions — but with a bigger emphasis on harmonic arrangements. Across the album, Khalab’s productions twist and pulsate into mesmerizing motifs, as the interplay between different instruments coalesce into focused melodies and rich, complex textures. Khalab and his collaborators masterfully blend gloomy and radiant tones, eliciting feelings of both doom and hope. The album will be preceded by three lead singles: “Layers” feat. Joshua idehen, “Tunnel Of Jealousy” feat. Lady Blue Eyes, and “Female Side” feat. Tommaso Cappellato.

For Khalab, Layers represents the end point of a journey that began with the synthesis of ancestral rhythms and electronic experimentation on Black Noise 2084, and has taken him on a meandering route through a Mauritanian refugee camp (M’berra, Real World Recordings, 2021), and deep into the catalogs of legendary Italian labels Soul Note and Black Saint (for the Hyperituals compilations, released on his own Hyperjazz label). In Khalab’s own words: “For me this feels like coming full circle, because everything will be more experimental going forward”. Credits All tracks written & arranged by Khalab Produced by Khalab & DJ Knuf With the vital contribution of these amazing musicians: A1. Yazz Ahmed (flugelhorn, trumpet), Alessia Obino (voice), Nicola Guida (synths), Fabio Sasso (drums) A2. Emanative (drums), Tamar Osborn (baritone saxophone), Grove (lyrics, voice) A3. Lady Blue Eyes (voice) A4. Cristiano Crisci (synths), Pietro Santangelo (tenor saxophone) A5. Joshua Idehen (lyrics, voice), Cristiano Crisci (additional synths) B1. Tommaso Cappellato (synths), Enrico Truzzi (drums), David Paulis (electric bass), Cristiano Crisci (additional synths) B2. Gabin Dabiré (voice, m’bira) B3. Tenderlonious (flute) B4. Magnus PI (percussion), Alessia Obino (voice), Pietro Santangelo (tenor saxophone), Enrico Truzzi (drums) Mix by DJ Knuf at Studio 33, Rome Remix by Khalab at Studio 33, Rome Megamix by Satori Stereo Saiyan Mastered by Frank Merritt at The Carvery, London Visual project design by Marco Klefisch

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Makushin

Move Into The Luminous

Keep Walkin': Singles, Demos & Rarities 1965-1978 Black Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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Move into the Luminous is the debut album by the trio Makushin.
Double bassist Jon Thorne (Lamb, Yorkston Thorne Khan), guitarist Peter Philipson (Jane Weaver, Fenella) and singer Nancy Elizabeth (Leaf Label, James Yorkston) lead this inspiring collective whose work explores the intersection between folk, jazz and ambient music.
The album also features contributions from Andrew Wasylyk, Raz Ullah, David A Jaycock and more.
Nancy Elizabeth is a singer and multi-instrumentalist who has released three chamber folk albums under her own name on the Leaf Label. She has also previously played with James Yorkston and recorded with the late ambient composer Susumu Yokota.
Jon Thorne is a double bassist best known as a member of the pioneering electronic band Lamb and, more recently, Yorkston Thorne Khan. He has worked with many other musicians, including Jon Hopkins, Robert Fripp and his mentor Danny Thompson, as well as releasing his own music.
Peter Philipson is a guitarist who has previously performed with Jane Weaver as her guitarist for a decade and has collaborated with her and Raz Ullah on two ambient albums under the artist name of Fenella. He has also released a number of instrumental guitar albums under his PJ Philipson guise.

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Nancy Sinatra

2LP | 2023 | US | Original (Light In The Attic)

43,99 €*

Court And Spark 2022 Remaster

Release: 2023 / US – Original

Genre: Rock & Indie

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Definitive collection of Nancy's rare singles, demos and previously unreleased cuts. Includes 3 previously unreleased tracks, plus 3 tracks making their vinyl debut. Deep booklet includes new Q&As with Nancy & Don Randi (The Wrecking Crew) - both conducted by Grammy®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive. Features audio freshly remastered from the original analog tapes by Grammy®-nominated engineer John Baldwin. Vinyl pressed at RTI. Double LP housed in a gatefold jacket with 24-page book Light in the Attic continues to celebrate the influential career of singer, actress, activist, and icon *Nancy Sinatra* with a captivating new collection, Keep Walkin’: Singles, Demos & Rarities 1965-1978. Exploring the lesser-known gems from Sinatra’s rich catalog through 25 B-sides, rare singles, covers, demos, and previously-unreleased recordings, Keep Walkin’ was remastered by the *Grammy®-nominated engineer John Baldwin* and available in a variety of formats, including vinyl, CD, 8-track, and digital. The 2LP set, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and accompanied by a 24-page booklet featuring an array of photos from the artist’s personal collection, as well as a new in-depth Q&A with Sinatra, conducted by the reissue’s Grammy®-nominated co-producer, Hunter Lea. The booklet also contains a fascinating interview with keyboardist Don Randi (The Wrecking Crew), who recently spoke to Lea about his hit-filled career and his 50 years of work with Nancy. Keep Walkin’: Singles, Demos & Rarities 1965-1978 serves as a companion to the widely-acclaimed 2021 career-spanning retrospective, Start Walkin’ 1965-1976, and marks the latest release in LITA’s ongoing Nancy Sinatra Archival Series, a partnership with the legendary artist, which honors her musical legacy through lovingly curated reissues (including her 1966 debut, Boots and the 1968 classic, Nancy & Lee), limited-edition merch, and other special releases. In 1965, 25-year-old Nancy Sinatra scored her first No.1 hit with “These Boots are Made for Walkin’,” a bold anthem for female empowerment. Brazen, sassy, and utterly infectious, it was a reintroduction of sorts for the eldest daughter of Frank Sinatra, who had been struggling to find a spotlight of her own amid a changing musical landscape. Suddenly, audiences who had initially brushed off Sinatra as too demure or out-of-touch were paying attention. Written and produced by Oklahoma-born songsmith Lee Hazlewood (with swaggering instrumentals, courtesy of Billy Strange and The Wrecking Crew), the song launched the singer’s career, as well as one of music’s most unlikely, yet compelling, creative partnerships. Over the next decade, Sinatra continued to notch multiple hits on both sides of the Atlantic, including “Sugar Town,” “How Does That Grab You, Darlin?,” and a haunting rendition of the Sonny Bono-penned “Bang Bang (My Baby Shot Me Down).” The singer also paired up with Hazlewood for a series of popular duets (“Summer Wine,” “Jackson,”* and *“Some Velvet Morning”) and collaborative albums. In between best-selling LPs like Boots (1966), How Does That Grab You (1966), and Nancy & Lee (1968), Sinatra performed the theme song to the 1967 James Bond film, You Only Live Twice, and collaborated with her father on the global chart-topper, “Somethin’ Stupid.” While these career landmarks are well-documented in the annals of pop culture history, however, much of Sinatra’s catalog remains sorely overlooked. As Keep Walkin’ co-producer Hunter Lea explains, “With the changing taste of the record-buying public in the late 1960s and the counterculture taking over, artists like Nancy Sinatra weren’t in the mainstream as they once were.” Despite that fact, “[Sinatra] kept working, recording, and performing at a voracious pace.” Lea continues, “This compilation is a celebration of some of the many glorious recordings that may have been overlooked, forgotten, or never even released at the time. The obscurity of some of these recordings doesn’t mask the genius, brilliance, and effort that went into them; on the contrary, it’s incredible to learn that some of the lost gems are just as rich as the national treasures.” Among the highlights is the spritely opener “The City Never Sleeps at Night,” which served as the B-Side to “These Boots Were Made for Walkin’.” Overshadowed by the colossal success of its A-side, it’s no surprise that the cinematic tune never had its proper due. Yet, Lea reveals, Hazlewood initially intended to make it the focus single. Another long-lost B-side is “The Last of the Secret Agents?,” which was paired with the Top 10 hit, “How Does That Grab You, Darlin’?” The playful song, written by Hazlewood, served as the theme to the 1966 comedy of the same name, in which Sinatra co-starred alongside Marty Allen and Steve Rossi. Keep Walkin’ also features several choice A-sides that were never included on albums and were overlooked for one reason or another. Among them is 1966’s “In Our Time,” a rebellious anthem for ‘60s youth, which references drug culture and women’s liberation, among other topics. Speaking to the Hazlewood-penned track, Sinatra recalls, “That was a fun song. Lee was starting to do his ‘anti’ stuff. He was cynical and it showed in his writing at some point.” But, despite the themes of the song, Nancy laments that she was never embraced by the counterculture. “[drugs] knocked me out of the picture completely. I was so far removed from the hip people in those days. I think they probably made fun of my stuff.” Another stylistic departure for both artists is “Love Eyes,” a bluesy, soulful single from 1966. The song, Nancy shares, is “one of my favorites. I think what helped Lee’s writing at that point was the bigger sound.… I really love it. I think it holds up to this day.” She adds that her dreamy vocal performance was inspired by early female R&B stars like Ruth Brown and LaVern Baker. The collection also features several outstanding covers, including a previously-unreleased rendition of the Barry Mann/Cynthia Weil classic, “I Just Can’t Help Believing” (a hit for both B.J. Thomas and Elvis Presley). This 1978 recording, reimagined as a duet, marked one of Sinatra’s brief reunions with Hazlewood, following his abrupt move to Sweden not long after 1972’s Nancy & Lee Again. Another choice track finds Nancy interpreting Neil Diamond’s “Glory Road.” Released as a single in 1971, it features one of the singer’s most cherished vocal performances. “After I worked on my voice and improved as a performer and as a singer, I embraced Neil Diamond. Anything I did by Neil Diamond, to me, is my best work.” Nancy also looks back fondly on her moving rendition of Bill Withers’ “Ain’t No Sunshine," released in 1973 as the B-side to “Sugar Me.” The recording (which features particularly lush orchestral arrangements by Billy Strange) reunited Nancy with another close collaborator, Jimmy Bowen, who produced the singer in the early ‘60s and later introduced her to Hazlewood. “I love Jimmy,” she declares. “The records we did early on…had a depth to them that I appreciated. He heard me and saw me in a different light; he saw me as a much more serious performer, which I appreciated.” Listeners will also be delighted to hear a pair of previously-unreleased demos: “Something Pretty” (the 1968 country hit, made famous by Wynn Stewart) and the theme to the 1965 Richard Rogers/Stephen Sondheim musical, Do I Hear a Waltz?, both of which were intended for a self-described “disco” record. Despite the two catchy takes featured on Keep Walkin’, Sinatra calls the shelved album “A disaster. I called it the disco fiasco!” Offering additional insight into Sinatra’s career is music director, songwriter, and keyboardist, Don Randi. A member of the hallowed *Wrecking Crew* collective, Randi was one of the most prolific session musicians of the ‘60s and ‘70s with hundreds of credits to his name, including The Beach Boys’ “Good Vibrations,” Linda Ronstadt’s “Different Drum,” and “These Boots are Made For Walkin’” – his first recording with Sinatra. For the next fifty years, he would be a fixture at her sessions and live shows. He also appears on nearly every track in this collection. Speaking to Lea, Randi delves deep into his time with Sinatra, with a palpable admiration for the singer. *“She was easy to work with,”* he shares. “She was always wonderful to musicians; nobody even comes close.” The keyboardist, who met Sinatra through Hazlewood, also recalls the magic of that partnership. “I always liked working with Nancy & Lee. They had something very special that they could get out of each other. It was a good team.” He continues, “Sinatra stood up for herself [around Lee]…He could be so cantankerous…but that’s Lee…. [Nancy] saw through it. She was so lovely and helpful to him a number of times when he really needed someone to talk to.” That said, Randi also appreciates the power of Sinatra’s solo performances. “I never thought she really needed [Hazlewood},”* he reveals. “I thought her shows were just as well with everybody else; they were excellent.” After stepping back from the industry in the ‘70s to focus on her young family, Sinatra returned to the spotlight in the mid-90s, releasing a string of new albums, including the star-studded Nancy Sinatra, which paired the artist with some of her biggest fans, including Morrissey, U2, Calexico, and Sonic Youth. Since then, Nancy’s legacy has only continued to grow. In more recent years, her impact has been recognized by the likes of Pitchfork, NPR, and Rolling Stone, while in 2020, “Boots” was inducted into the Grammy® Hall of Fame*. Today, Sinatra remains a force in the industry, as new generations discover her influential catalog, which boasts nearly 20 studio albums and dozens of charting singles.

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Joni Mitchell

LP | 2023 | US | Original (Elektra)

31,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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LP | 2023 | UK (Rhino / Warner)

Gordon Lightfoot

Now Playing

2LP | 2023 | US | Original (Roc Nation)

Release: 2023 / UK

Genre: Rock & Indie

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Part of Rhino's "Now Playing" Series! - A troubadour is defined as a "wandering storyteller." It's the perfect word for Gordon Lightfoot. For over 60 years, the Canadian singer-songwriter has told us memorable tales of rivers and highways, trains and shipwrecks, and all the love, loss, and loneliness he's experienced along the way. These original recordings of his classic hits and album tracks radiate all the humanity and hard-won wisdom that have helped make Lightfoot a legend.

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Victory

Glory Hour

34,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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LP | 2023 | UK | Original (Mooncrest)

Jackson C. Frank

My Name Is Carnival

Release: 2023 / UK – Original

Genre: Rock & Indie

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Javelin Black Vinyl Edition

Sufjan Stevens

LP | 2023 | EU | Original (Asthmatic Kitty)

Release: 2023 / EU – Original

Genre: Rock & Indie

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I Killed Your Dog Black Vinyl Edition

L'Rain

LP | 2023 | EU | Original (Mexican Summer)

Release: 2023 / EU – Original

Genre: Rock & Indie

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I Killed Your Dog Oxblood Vinyl Edition

L'Rain

LP | 2023 | EU | Original (Mexican Summer)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Elevation)

Gombloh

Sekar Mayhang