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All Items / HHV Records / Vinyl, CD & Tape / Rock & Indie / Folk

Folk Vinyl 4985 Items

Hip Hop 9292 Organic Grooves 29020 Rock & Indie 53651 Indierock | Alternative 24582 Classic Rock 4538 Punk | Hardcore 5939 Metal 8181 Folk 4985 Rock 'n' Roll 1417 Electronic & Dance 46266 Reggae & Dancehall 7021 Pop 13350 Classical Music 1431 Soundtracks 3255 Childrens 88 Christmas 336 Halloween 26
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Felix - You Are The One I Pick
Felix
You Are The One I Pick
LP | 2009 | US | Original (Kranky)
15,99 €*
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Release: 2009 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: Near Mint
Record is close to NM.
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Beautify Junkyards - The Invisible World Of Beautify Junkyards
Beautify Junkyards
The Invisible World Of Beautify Junkyards
LP | 2018 | UK | Original (Ghost Box)
18,99 €*
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Release: 2018 / UK – Original
Genre: Rock & Indie, Electronic & Dance
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The Invisible World Of Beautify Junkyards is Lisbon band Beautify Junkyards’s third album and effortlessly blend their love of English Acid Folk and Brazilian Tropicalia. In a collection of songs that conjure up a warm and verdant faerie world, delicate acoustic guitars evoke an autumnal England suffused with Iberian heat by other- worldly voices; the ethereal lilt of João Branco Kyron and the warm languor of Rita Vian (a voice redolent of Gal Costa or Os Mutantes’ Rita Lee.)

The production is tempered with a haunted electronic palette that anchors the band squarely in the world of Ghost Box. But more than this, Beautify Junkyards’ sheer song writing talent, production skill and performance virtuosity grant them a place amongst the great outside-of-time bands like Broadcast or The High Llamas.

In 2012, the band’s eponymous first album set out their stall, with a collection of cover versions; mainly of classics of the British Acid-Folk period, but also taking in Tropicalia and German Kosmiche. The album was a hit in Portugal and picked up for airplay in the UK on BBC Radio 2 & 6 Music. Their version of Kraftwerk’s Radioactivity was included on DJ Food’s Krafwerk Kover Kollection.

Their second album in 2015, The Beast Shouted Love, carried their influences forward with original songs and cemented a style that is at once traditional, experimental and exotic. In 2016 the band debuted on Ghost Box with a single as part of the label's Other Voices Series.

Packaging: The lavish packaging on all formats is designed by Julian House with artwork that attempts to capture the band’s love of the Czech New-Wave and the twilight worlds of WB Yeats. The heavyweight vinyl LP includes a free download card.
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Underspreche - Symbiosis
Underspreche
Symbiosis
12" | 2017 | DE | Original (Endless Flight)
7,99 €*
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Release: 2017 / DE – Original
Genre: Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: VG+
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Iris Dement - My Life 30th Anniversary Maroon Vinyl Edition
Iris Dement
My Life 30th Anniversary Maroon Vinyl Edition
LP | 1994 | US | Reissue (Yep Roc)
28,99 €*
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Release: 1994 / US – Reissue
Genre: Rock & Indie
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My Life, Americana trailblazer Iris DeMent’s sophomore album, cemented her legacy as one of the nation’s greatest living songwriters. Dedicated to her father, Patrick Shaw DeMent, who died in 1992, the album illustrates DeMent’s razorsharp songwriting on originals like “Sweet Is the Melody,” “No Time to Cry” and the title track. The songs “are jewels of universal longing” (Chicago Tribune) and “it is nearly impossible to exaggerate the beauty of these recordings.” (AllMusic). The album is being officially reissued for the first time for its 30th anniversary, pressed on maroon color vinyl and remastered by Mike Westbrook of MW Audio. The lacquer is cut by renowned mastering engineer Kevin Gray and is pressed at the state-of-the-art audiophile facilities at Citizen Vinyl in Asheville, North Carolina. This pressing is limited to 2,000 copies worldwide.
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Yasmin Williams - Acadia
Yasmin Williams
Acadia
LP | 2024 | Original (Nonesuch)
33,99 €*
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Release: 2024 / Original
Genre: Rock & Indie
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Mary Gauthier - Drag Queens In Limousines Translucent Ruby Vinyl Edition
Mary Gauthier
Drag Queens In Limousines Translucent Ruby Vinyl Edition
LP | 2024 | Original (Kill Rock Stars Nashville)
28,99 €*
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Release: 2024 / Original
Genre: Rock & Indie
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25 years ago, this record sprang on the scene— a record holding a voice impossible to draw comparison to, and lyrics and stories alien to anything that resonated from The Opry’s stage beforehand. Mary was the first openly queer person to play The Opry, and for us at KRS, this record encapsulates things new, exciting, bold, while being an absolute standout to what the realm of Americana has to offer. This is an authentic American experience, cliches weren’t needed. Mary is a legend. This record will always feel new, exciting, and bold.
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Emily Nenni - Drive & Cry Transparent Pink Vinyl Edition
Emily Nenni
Drive & Cry Transparent Pink Vinyl Edition
LP | 2024 | US | Original (New West)
27,99 €*
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Release: 2024 / US – Original
Genre: Rock & Indie
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Emily Nenni has written a follow-up to 2022’s critically acclaimed record, On The Ranch. Her debut album garnered her much success and introduced her to a devoted audience of music fans who celebrate the traditional side of country music while embracing the modern indie aesthetic that comes with that nod to the past. While writing her latest record, Drive & Cry, Nenni looked in the rearview mirror for inspiration but kept focus on the sound that she has become known for. “This is the first record I have completely written on my own. I spent a good bit of solitary time ruminating on things that had happened over the last year or two. Rethinking what I’m doing, how I’m doing it, who with, even in just the everyday. Change is hard but also such a gift.”

Nenni worked with producer John James Tourville (The Deslondes, Sunny War) to broaden her sound and bring in nuance to the recording. The record was engineered by Jake Davis and mixed by Matt Ross-Spang in Memphis, TN. The resulting recording is a matured country sound that focuses on the fun and the tears that come with all changes in life.
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Jaime Wyatt - Feel Good Bubblegum Pink Vinyl Edition
Jaime Wyatt
Feel Good Bubblegum Pink Vinyl Edition
LP | 2023 | US | Original (New West)
27,99 €*
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Release: 2023 / US – Original
Genre: Rock & Indie
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“I’m still learning how to experience joy, how to be free, how to be comfortable in my own skin,” says Jaime Wyatt. “A lot of us grow up feeling like we have to hide who we are just to be accepted, but that comes from a place of fear and judgment. I wrote these songs as a way of letting go of all that, as permission to feel good.” Feel Good, Wyatt’s extraordinary new album, is more than just a permission slip, though: it’s an invitation. Recorded with Black Pumas’ Adrian Quesada, the record is bold and ecstatic, built on tight, intoxicating grooves that belie the songs’ substantial emotional stakes. Wyatt’s writing is raw and intuitive here, tapping into the deep recesses of her subconscious as she reckons with grief and growth, and her delivery is visceral to match, cutting straight to the bone with equal parts sensitivity and swagger. Taken as a whole, the collection stands as a radical act of creative liberation from an artist already known for pushing limits, a genre-defying work of healing and self-love that tips its cap to everything from Al Green and Otis Redding to Waylon Jennings and Bobbie Gentry in its relentless pursuit of peace and pleasure.
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Da Silva - Grand Hotel
Da Silva
Grand Hotel
LP | 2024 | Original (Adf Bayard Musique)
24,99 €*
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Release: 2024 / Original
Genre: Rock & Indie
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Elias Ronnenfelt - Heavy Glory
Elias Ronnenfelt
Heavy Glory
LP | 2024 | EU | Original (Escho)
28,99 €*
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Release: 2024 / EU – Original
Genre: Rock & Indie
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Elias Rønnenfelt is a musician and poet best known as the lead singer and lyricist of Iceage. Heavy Glory is his debut solo album. Out October 25th via Escho. Heavy Glory was recorded in Copenhagen in chapters and moments over the course of a year. Collaborators include Iceage's Dan Kjær Nielsen, Danish punk godfather Peter Peter, and singers Joanne Robertson (Elias and Joanne have collaborated before, on a number of recent Dean Blunt releases) and Fauzia. "I've done this so many times," Rønnenfelt explains, speaking of the process of crafting a long player, "but capturing and crystallising an album remains a singular ritual, just with different circumstances. We are capturing something that is hard to hold down." Heavy Glory is a record that examines all the things that lovers do, from the most desperate to the most pure. The lover haunts the record, reappearing and provoking Rønnenfelt, pulling him in and pushing him away. Songs like "Close" describe the line between jealousy and protectiveness. "Unarmed" is a song of surrender. "River of Madeleine" harnesses toughness in the name of preservation, staying up all night to protect his lover's dreams. "Stalker" is an epic third-person story song in the tradition of the murder ballad. The record closes with two covers. The first, Spacemen 3's "Sound of Confusion," is a mission statement of the life Rønnenfelt has found and inherited in music. "Here it comes," the song famously promises, and flares out into noise. It is a joyful noise, because this life, in all its grit, is the life he chose. The second, Townes Van Zandt's "No Place to Fall," is a sweet plea, Rønnenfelt's final invitation to join him on his journey. This journey - this story, this record - will repeat and continue. It never stops. Rønnenfelt's life as an artist results in a sound that wobbles and rocks but never loses its centre, both fragile and tough, and always moving forward. It is dreamy yet bombastic, held together by the passion of certainty. Co-produced by Rønnenfelt and Nis Bysted.
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Fink - Resurgam
Fink
Resurgam
2LP | 2017 | UK | Original (R Coup D)
27,99 €*
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Release: 2017 / UK – Original
Genre: Rock & Indie
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Resurgam– meaning “I shall rise again” – is the hotly-anticipated sixth studio album from Fink: UK-born, Berlin-based founding singer-songwriter musician Fin Greenall, alongside long-time bandmates Tim Thornton (drums, guitar) and Guy Whittaker (bass). It continues an acclaimed and distinctly adventurous catalogue, from the sample-splicing debut Fresh Produce (2000), through to the beautifully heady expressions of their last album, Hard Believer (2014). Greenall has also earned global props as a film music composer, songwriting collaborator (including works with John Legend and Amy Winehouse) and solo innovator, with recent side-projects spanning the electronic Horizontalism (2015) to Fink’s Sunday Night Blues Club Vol.1 (2017). Fink have never been afraid to experiment; on Resurgam, they arguably sound more fearless than ever.

Resurgam derives its title from a Latin inscription in a 900-year-old church in Greenall’s native Cornwall. Its vital, insistent spirit pulses through the entire album, which was recorded with ground-breaking producer Flood (PJ Harvey, U2, Foals, Warpaint, The Killers) at his Assault & Battery studios in North London. Its ten new tracks were created over two months, a relatively luxurious stretch of time compared to previous Fink albums, resulting in a collection that is both assertive and richly immersive.
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Tom Waits - Closing Time 2lp Half Speed Master 50th Anniversary Black Vinyl Edition
Tom Waits
Closing Time 2lp Half Speed Master 50th Anniversary Black Vinyl Edition
2LP | 1973 | EU | Reissue (Anti)
32,99 €*
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Release: 1973 / EU – Reissue
Genre: Rock & Indie
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Closing Time foreshadows the distinctly lyrical storytelling and original blending of jazz, blues, and folk styles that would come to be associated with Waits. It is on this debut album that Waits performs enduring classics of his career “Ol’ 55” (famously covered by the Eagles), the heartbreaking “Martha” and the gentle acoustic folk of “I Hope That I Don’t Fall In Love With You”. Reissued for the first time as a double LP to commemorate the 50th anniversary of the landmark debut with newly half speed mastering at Abbey Road Studios.
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V.A. - Wayfaring Strangers: Cosmic American Music Colored Vinyl Edition
V.A.
Wayfaring Strangers: Cosmic American Music Colored Vinyl Edition
LP | 2023 | US | Original (Numero Group)
33,99 €*
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Release: 2023 / US – Original
Genre: Rock & Indie
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2xLP Red & Blue VinylTwang reigned, the shitkickers kicked shit, and the vaguely western-sounding guitar records piled up. Country-rock became "the dominant American rock style of the 1970s," as Peter Doggett's comprehensive Are You Ready for the Country put it much later. Wayfaring Strangers: Cosmic American Music picks up and dusts off golden ingots from the dollar-bin detritus of that domination, to reconstruct events as seen from the genre's real Wild West - America's one-off private press label substructure.
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Trust Fund - Has It Been A While?
Trust Fund
Has It Been A While?
LP | 2024 | EU | Original (Tapete)
27,99 €*
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Release: 2024 / EU – Original
Genre: Rock & Indie
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Bert Jansch - Toy Balloon Record Store Day 2023 Edition
Bert Jansch
Toy Balloon Record Store Day 2023 Edition
LP | 1998 | US | Reissue (Earth)
33,99 €*
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Release: 1998 / US – Reissue
Genre: Rock & Indie
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1000 pressed. Classic Black vinyl, DL card. Toy Balloon receives its long overdue debut vinyl pressing, featuring new artwork. Caught somewhere between traditional folk and Jansch's penchant for the blues, 'Toy Balloon', from 1998, was the elder statesman of British folk's 20th studio album. Featuring a host of fantastic solo performances along with a brace of bigger sounding moments with a band including former Dire Straits' Pick Withers on drums and the legendary Pee Wee Ellis on sax, the mainly self-penned opus also boasts a hypnotic cover of the standard 'She Moves Through The Fair' and an evocative reading of Jackson C Frank's 'Carnival'.
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Shack - H.M.S. Fable Light Blue Vinyl Edition
Shack
H.M.S. Fable Light Blue Vinyl Edition
LP | 1999 | UK | Reissue (Shack Songs)
32,99 €*
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Release: 1999 / UK – Reissue
Genre: Rock & Indie
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Chantal Acda & Eric Thielemans - Koyaanisqatsi
Chantal Acda & Eric Thielemans
Koyaanisqatsi
LP | 2022 | EU | Original (Sub Rosa)
19,99 €*
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Release: 2022 / EU – Original
Genre: Rock & Indie, Electronic & Dance
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Dark-folk songwriter Chantal Acda and beyond drums-percussion musician extraordinaire Eric Thielemans propose a new score for »Koyaanisqatsi«, re-actualising the incredibly beautiful, raw, rhythmic and touching images of this 80-ties cinematographic masterpiece. Slow deep electric waves, lonely synths in sonic desert landscapes, rhythmic pulses, transporting drums and bells, and deeply longing sounds and voices make up the audible fundamentals of this imagined, neo shamanic, ritualistic music to accompany the Earth as it keeps on supporting our post human frenetics even today.
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Bill Laswell - City Of Light
Bill Laswell
City Of Light
LP | 2019 | EU | Reissue (Sub Rosa)
20,99 €*
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Release: 2019 / EU – Reissue
Genre: Rock & Indie
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City Of Light is the sixth solo album by American composer Bill Laswell, released on July 29, 1997. While it may appear an anachronism in his catalog, fans of Bill Laswell will find City Of Light an extension of ideas he has explored throughout his career. His strong interest in Eastern music and religion resulted in this 1997 collaboration with Janet Rienstra. Part sacred, spoken word, part meditative soundscape, City Of Light takes as its inspiration the holy region of Banaras, India. Said to belong to Shiva, Banaras also contains the Ganges river: a place sought by Hindus for their cremation. Surrounding the texts is some of the most compelling music this genre has produced featuring Trilok Gurtu on tablas, Coil (Peter Christopherson & John Balance) on electronics, sound collages by Tetsu Inoue and vocals provided by Lori Carson.
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Pierre Richard - Nuit A Jour
Pierre Richard
Nuit A Jour
LP | 2020 | Original (Modulor)
25,99 €*
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Release: 2020 / Original
Genre: Rock & Indie
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In 2011, the French writer, Ingrid Astier met with the Hanak brothers, Frédéric and JB and expressed a desire to work with them. This came to be in 2013: when the two brothers and their band dDamage appear over in the pages of Ingrid Astier’s novel “Angle Mort” (dead corner), published by Gallimard. In 2014, Ingrid Astier publishes a new book, which stands out from the previous ones due to its poetic character and its alphabet form, “le petit éloge de la nuit” (the Little Praise of the Night), "a magnificent tribute to the power of the night" according to François Busnel. host and producer of La Grande Librairie on French television. The friendship story continues, and this time we see a double-page spread from the book entrusted to the two brothers. Immediately, the desire to bring “le petit éloge de la nuit” (the Little Praise of the Night), to music arose. Ingrid Astier then enabled the bridge between two extremely different worlds, and the improbable meeting between Pierre Richard and JB Hanak took place. In 2017, “le petit éloge de la nuit” (the Little Praise of the Night), was adapted to theater and had a successful run of more than fifty performances at the Rond-Point des Champs-Elysées theatre (Paris), a three-season tour in France, Switzerland, Belgium and Luxembourg, and finally a revival in June 2019 at La Scala in Paris. The three artists met again at the end of 2019, this time wanting to convert all their work into the album format. It will be “Nuit à jour” (Night to Day). Something more pop than their improvised concerts, more glam than their theatrical adaptation. JB Hanak is on guitar, bass, synth and rhythmic programming, consumed with a desire to reveal with each changing track a different facet of this imagined nocturnal universe. Ingrid Astier, is of course involved covering the direction of the actors as well as the writing of the lyrics, very much as would be found in the cinema. And then, there is Pierre Richard. At one moment a dreamer, the next a cowboy, suddenly Mafioso and then a nocturnal animal. Thinker, lover, philosopher, astronaut or sandman. Pierre Richard is an actor, an actor of immense presence confined too often to comic roles. “Nuit à Jour” offers him roles he has not had in the movies ... And it is breathtaking, both in its register and in a sense of deep renewal.
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Chelique Sarabia - Revolucion Electronica En Musica Venezolana
Chelique Sarabia
Revolucion Electronica En Musica Venezolana
LP | 1973 | EU | Reissue (Pharaway Sounds)
21,99 €*
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Release: 1973 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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Ultimate space-age exotica trip from Venezuela.
In the early 70s, well-known composer and arranger Chelique Sarabia (who penned the famous “Ansiedad” when he was just a kid) decided to register an album of traditional & folkloric songs from Venezuela but giving them a modern touch, using especially developed equipment (M.R.A.A.), based off of the principles of the Moog.
Chelique, helped by a team of gifted musicians, employed traditional instruments like the cuatro and the bandola llanera, filtering them through oscillators, playing with feedback, tape delay, synthesized frequencies, echoing sounds… The result was “Revolución Electrónica en Música Venezolana”, an album with a truly exotic, psychedelic, and ahead of its time sound.
Originally, the album was sponsored by the Shell Company in Venezuela, given away to customers, employees and friends of the company as a Christmas gift in 1973. It was titled “4 Fases del Cuatro - Música Venezolana desarrollada Electrónicamente por Chelique Sarabia” (“4 Phases of Four – Venezuelan Music Electronically Developed by Chelique Sarabia”). Once the exclusivity period with the petrol company was over, Chelique did a commercial release, this time under the name of “Revolución Electrónica en Música Venezolana” (“Electronic Revolution in Venezuelan Music”). Thanks to this, Chelique and his team were considered electronic music pioneers in Latin America.
“In the past five decades, there have been many attempts at modernizing the vast folkloric tradition of Venezuela, but nobody has reached the level of depth that CHELIQUE SARABIA did when he put his impeccable reputation as a composer and arranger at risk with this out-of-the-blue revolutionary musical manifesto in 1971. 47 years later, an album that remains ahead of its time.” - Alex Figueira (Fumaça Preta)
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Fairuz - Lebanon Forever
Fairuz
Lebanon Forever
LP | 1971 | EU | Reissue (Right Track)
31,99 €*
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Release: 1971 / EU – Reissue
Genre: Rock & Indie
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This reissue comes on 180g. Right Track is a specialized music label based in Beirut - Lebanon. As an IFPI certified member they are the exclusive Licensee and distributor of multiple international and regional labels in addition to a range of Lebanese Artists. From Omar Khorshid’s arabian-funk to Fairuz’s eerie songs, from Ziad Rabani’s proto-disco to lebanese traditional Wadih Al Safi compositions, Right Track is committed to re-releasing the Immortal Arabic music repertoire on 180 g vinyls, delivering the highest possible quality from remastered audio to satisfy the demanding audiophile connoisseurs.
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Fairuz - La Gardienne Des Cles
Fairuz
La Gardienne Des Cles
LP | 1972 | EU | Reissue (Right Track)
29,99 €*
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Release: 1972 / EU – Reissue
Genre: Rock & Indie
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This reissue comes on 180g. Right Track is a specialized music label based in Beirut - Lebanon. As an IFPI certified member they are the exclusive Licensee and distributor of multiple international and regional labels in addition to a range of Lebanese Artists. From Omar Khorshid’s arabian-funk to Fairuz’s eerie songs, from Ziad Rabani’s proto-disco to lebanese traditional Wadih Al Safi compositions, Right Track is committed to re-releasing the Immortal Arabic music repertoire on 180 g vinyls, delivering the highest possible quality from remastered audio to satisfy the demanding audiophile connoisseurs.
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V.A. - Nippon Acid Folk 1970-1980
V.A.
Nippon Acid Folk 1970-1980
LP | 2024 | UK | Original (Time Capsule)
28,99 €*
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Release: 2024 / UK – Original
Genre: Rock & Indie
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The birth of Japan’s nascent acid folk scene was rooted in the messy and invigorating political climate of the late 1960s. It is a story of Dadaists, communists, pharmacists and cult leaders, led by a young generation of upstart students, artists and dreamers hellbent on turning their world upside down.

Born on the campuses of Tokyo, Kyoto and Osaka, and centred around newly formed independent label and left-wing stronghold URC, this uniquely Japanese form of folk expression provided an outlet for musicians who were tired of aping Western sounds and instead found ways to sing in Japanese and integrate traditional forms in new ways.

At the forefront of this movement was Yellow Magic Orchestra’s Haroumi Hosono, a polymath innovator whose band Happy End released the first Japanese language rock album, and whose influence would go on to be felt across Japanese music for decades. Alongside, and informed by the Kansai scene’s Takashi Nishioka and Happy End collaborator Ken Narita, they experimented with cadences and accents of the Japanese language to open the door for others to experiment with their own forms of psychedelic folk too.

Some, like Nishioka, were more inspired by Dadaism than drugs, while others, like Kazuhisa Okubo, would ultimately find work as a chemist, having founded two further folk groups that flirted with varying levels of success. Obstinately uncommercial, relentlessly creative, the music featured on Time Capsule’s Nippon Acid Folk represents a broad church of influences.

Perhaps the wildest addition to this congregation however was Hiroki Tamaki, a classically-trained violinist and committed iconoclast, whose synth-prog odysseys hinted at his obsession with the divine. Subsumed by the teachings of Bhagwan Shree Rajneesh, he penned an album in praise of the infamous religious leader of which two superbly mind-bending tracks are featured on this compilation.

Charting the decade from 1970 to 1980 as the dreams of political and spiritual liberation seeded in the ‘60s turned to dust, Nippon Acid Folk surveys a little explored corner of Japanese music history, but one which ultimately laid the foundations for an independent music industry, launching the careers of Hosono and others in the process.

Nippon Acid Folk 1970-1980 is pressed on 12” vinyl and represents the start of Time Capsule’s deep dive into Japan’s rich history of folk and psychedelic soul music.
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Magna Carta - Seasons
Magna Carta
Seasons
LP | 2017 | EU | Original (Repertoire)
26,99 €*
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Release: 2017 / EU – Original
Genre: Rock & Indie
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John & Beverly Martyn - Stormbringer
John & Beverly Martyn
Stormbringer
LP | 2018 | EU | Original (Caroline)
14,99 €*
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Release: 2018 / EU – Original
Genre: Rock & Indie
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Joni Mitchell - Joni Mitchell Archives Volume 4:The Asylum Years 1976-1980
Joni Mitchell
Joni Mitchell Archives Volume 4:The Asylum Years 1976-1980
4LP | 2024 | Original (Rhino)
124,99 €*
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Release: 2024 / Original
Genre: Rock & Indie
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Haley Heynderickx - I Need to Start a Garden
Haley Heynderickx
I Need to Start a Garden
LP | 2023 | US | Original (Mama Bird Recording Co.)
69,99 €*
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Release: 2023 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: VG
Flawless fern belly vinyl. Cover has a small seam split and storage wear.
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Frank Sinatra - Sing And Dance With Frank
Frank Sinatra
Sing And Dance With Frank
LP | 1950 | UK | Reissue (Impex)
51,99 €*
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Release: 1950 / UK – Reissue
Genre: Rock & Indie
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Numbered LTD Edition OF 5000 Copies Only! Expanded 70th Anniversary 180g Audiophile LP Re-issue OF THE Iconic 1950 Album Originally ON Columbia. AN Essential Sinatra Classic With THE Swing Style Arrangements OF George Siravo. These Analogue Mono Tape Transfers Sound Spectacular AND Shine AS Never Before.
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Alejandro Franov - Khali
Alejandro Franov
Khali
LP | 2007 | DE | Original (Staubgold)
14,99 €*
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Release: 2007 / DE – Original
Genre: Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: Near Mint, Cover: VG+
Light corner damage, otherwise NM cover. Record looks barely ever played.
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George Strait - Cowboys And Dreamers
George Strait
Cowboys And Dreamers
2LP | 2024 | US | Original (MCA)
38,99 €*
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Release: 2024 / US – Original
Genre: Rock & Indie
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Chris Stapleton - From A Room: Volume 2
Chris Stapleton
From A Room: Volume 2
LP | 2017 | EU | Original (Mercury)
20,99 €*
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Release: 2017 / EU – Original
Genre: Rock & Indie
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Judee Sill - Judee Sill
Judee Sill
Judee Sill
LP | 1971 | EU | Reissue (Music On Vinyl)
29,99 €*
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Release: 1971 / EU – Reissue
Genre: Rock & Indie
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Judee Sill was an American singer and songwriter. She released two albums and partially completed a third album before her death in 1979. Sill encountered Graham Nash and David Crosby and toured with them for a time as their opening act, a year before the release of her eponymous debut album.
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Jaubi - Nafs At Peace 6th Press
Jaubi
Nafs At Peace 6th Press
LP | 2021 | EU | Reissue (Astigmatic)
23,99 €*
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Release: 2021 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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JAUBI continue the Nafs journey, which commenced with the single “Satanic Nafs” (featuring the remix by legendary LA producers The Gaslamp Killer & Mophono) released in March 2021. Now JAUBI draw on the elements of North Indian classical music, Hip-Hop and modal/spiritual jazz in their debut LP entitled “Nafs At Peace”.

The journey officially began back in April 2019 when London’s multi- instrumentalist and 22a Record label boss Ed “Tenderlonious” Cawthorne and Polish pianist/composer Marek “Latarnik” Pędziwiatr of EABS/Błoto, visited the group to record in Lahore.

Together they channelled their personal struggles at that time into the two recording sessions allowing the musicians to find a spiritual path to transcendence through this musical purge.

Nothing whatsoever was written down during the recording sessions - no sheet music and no song titles, which allowed the six musicians to forget about their worldly issues. In many ways, the journey represents a struggle for purity, an expression of gratitude, and an acknowledgement that the musician's inspiration comes from a higher power.

The album cover portrays the mother of JAUBI’s bandleader, tearfully praying to God to get her son through that dark period of his life, which is what the mothers of the other musicians also did for their children.
The first step of the journey can be heard on “Satanic Nafs” which refers to the lowest level of the Self which was released 26th March 2021 through Astigmatic Records.

The album title ‘Nafs At Peace’ refers to the last purification step the self has been through. At this level, the Self no longer struggles because one has complete love of God, by becoming at peace and tranquil with God’s will. We hope all can achieve the stage of “Nafs At Peace” … Inshallah.
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Magick Brother & Mystic Sister - Tarot Pt. I
Magick Brother & Mystic Sister
Tarot Pt. I
LP | 2024 | EU | Original (Sound Effects)
32,99 €*
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Release: 2024 / EU – Original
Genre: Rock & Indie
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Magick Brother & Mystic Sister, the mysterious band from Barcelona, return with not one, but 2 albums! 'Tarot Part I' and 'Tarot Part II' (follows ca. 2 months after #1) is a concept album in 2 parts, a psychedelic record, a kaleidoscope of songs based upon the Major Arcana of the Tarot, a cross-cultural dream language. With their signature imaginative compositions, featuring space-age keys and spiraling synthesizers, intricate guitar mosaics and bass lines, powerful drums, tribal percussion and exotic instruments carving textures for atmospheric feminine vocals, Mbms merge a kind of dream-prog, of the Canterbury variety, with retro-futuristic sounds and magic folk atmospheres, shaping up their own universe, thus turning the 'Tarot' concept into an unmissable experience! The band decided to release the record in two parts, giving the listener more time to meditate upon the music. This is an album that is meant to be listened to and experienced visually on vinyl, its sleeve recalling the bold designs of the late 1960s - early 1970s - when the two records are combined, the interior gatefolds form an astrological mandala, a planetary wheel. For this album Mbms, (Eva Muntada (synthesizers, mellotron, organ, piano), Xavier Sandoval (bass and guitar), Alejandro Carmona (drums) and, new member of the band, Toni Jagwar (sitar) are joined by Maya Fernandez (flute) on two songs, Glenn Brigman (vocals) and Didac Fernandez (percussion).
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Cactus Lee - Angel / Train Song
Cactus Lee
Angel / Train Song
7" | 2021 | EU | Original (Mapache)
11,99 €*
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Release: 2021 / EU – Original
Genre: Rock & Indie
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Cactus LEE presents his new single with two exclusive tracks. Angel is an alternate version of the song from forthcoming album Texas Music Forever and Train Song is a great cover of Vashti Bunyan. A welcome present to a great band that will bring their Texas songwriting style to Mapache Records. Let’s Welcome them with this special and very limited release. Limited to 200 records.
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Makoto Kubota & The Sunset Gang - Sunset Gang
Makoto Kubota & The Sunset Gang
Sunset Gang
LP | 1973 | EU | Reissue (Wewantsounds)
34,99 €*
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Release: 1973 / EU – Reissue
Genre: Rock & Indie
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Wewantsounds is closing its Makoto Kubota reissue series with the release of "Dixie Fever" recorded in Hawaii in 1976 and co-produced by Haruomi Hosono. Like its predecessors, 'Sunset Gang' and 'Hawaii Champroo', 'Dixie Fever' continues to explore American and Island music through a Japanese prism with a skilful mix of blues, swamp funk and America adding an exotic edge to the whole. It is the first time the album is released outside of Japan and the LP features original artwork with OBI and insert plus remastered audio by Makoto Kubota himself.

A year after the release of their highly-acclaimed album 'Hawaii Champroo' in 1975, Makoto Kubota and The Sunset Gang reunited at Sounds of Hawaii studios with co-producer Haruomi Hosono to record a new album, 'Dixie Fever'. They used pretty much the same ingredients that had made the success of Champroo - an effortless mix of Japanese folk and american roots music with some tropical influences. The same mix that Haruomi Hosono was applying to his own albums, especially ''Tropical Dandy which was experimenting with the same ideas - In fact the front cover of both 'Tropical Dandy' and 'Dixie Fever' are illustrated by Yasuo Yagi. ?As per 'Hawaii Champroo' and 'Sunset Gang', 'Dixie Fever' includes a mix of original compositions and covers. On the album, you spot The Lovin' Spoonful's 'Wild About My Lovin' and a funked up version of UK singer songwriter Ralph McTell's song 'When i Was a Cowboy'. They feature the Gang's usual musicians (Keni Inoue on guitar, Yosuke Fujita on slide guitar and Takashi Onzo on bass and keyboards) complemented by a handful of guests including Tin Pan Alley drummer Tatsuo Hayashi, Motoya Hamaguchi on percussion and New Orleans pianist and Dr. John friend, Ronnie Barron. Together they play a superb brew made of blues, soul, Hawaiian music and southern swamp rhythms. One of the highlights of the album is undoubtedly 'Hoshikuzu' (Stardust) which has become a cult classic over the years on the international City Pop scene and whose sunshine mid-tempo vibe is the perfect reflection of the group's musicianship. The track perfectly adds to the album's charm which Wewantsounds is happy to release for the first time internationally.
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Howe Gelb - Future Standards
Howe Gelb
Future Standards
LP | 2016 | UK | Original (Fire)
25,99 €*
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Release: 2016 / UK – Original
Genre: Rock & Indie
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Howe Gelb does not stand still. His next solo album 'Future
Standards' sees him fulfil a long time aspiration to play jazz
standards. Inspired by the classics, his piano songs have found a
clearer shape as “future standards” but have always been a
central element to his creativity. Sitting neatly against his huge
back catalogue of solo records, these compelling and timeless
songs are alluringly melancholic and reflective.
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Keith Urban - High
Keith Urban
High
LP | 2024 | US | Original (Capitol)
28,99 €*
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Release: 2024 / US – Original
Genre: Rock & Indie
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Eric Clapton - I Still Do
Eric Clapton
I Still Do
2LP | 2016 | EU | Original (Polydor)
38,99 €*
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Release: 2016 / EU – Original
Genre: Organic Grooves, Rock & Indie
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This is Eric Clapton's 23rd Studio album for which he teamed up with star-producer Glyn Johns once more.
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Adele - 19
Adele
19
LP | 2008 | US | Original (XL)
32,99 €*
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Release: 2008 / US – Original
Genre: Rock & Indie, Pop
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Me And Cassity - Appearances
Me And Cassity
Appearances
LP+CD | 2012 | DE | Original (Tapete)
5,99 €*
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Release: 2012 / DE – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Top left corner is damages, otherwse NM. Record is super close to NM.
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Khaled Barkat, Cheb Tati & Asif - Maghreb K7 Club - Disco Singles Volume 3
Khaled Barkat, Cheb Tati & Asif
Maghreb K7 Club - Disco Singles Volume 3
12" | 2024 | EU | Original (Sofa / Les Disques Bongo Joe)
18,99 €*
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Release: 2024 / EU – Original
Genre: Organic Grooves, Rock & Indie, Electronic & Dance
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Here's the third installment of Sofa Records' Disco Single series! Featuring four standout tracks from Algeria's 1980s music scene, this collection showcases the cultural diversity and creativity of the country. Listen here. Galouli Enshara (a1) and Zourini (b1) are two captivating pop-boogie-funk tracks by Khaled Barkat, a self-taught multi-instrumentalist from Algiers. Produced by Khaled himself in 1983, and recorded at the esteemed brothers Torki’s studio in Algiers along with his friends—and talented musicians —Yazid Fentazi, Redouane Ayoub, Mustapha Mekerkeband Mhenni Benlala. The album, if he had a certain success (Khaled Barkat is considered as a pop music iconin his country)was somewhat overshadowed by the popularity of other genres in Algeria, such as raï music. We're thrilled to put if for the first time on vinyl! And spread this music to a wider audience. Dub El Hammam (a2) is by raï vocalist Cheb Tati, hailing from Oran. In the 1980s, as raï gained recognition in the global music industry, Tati was brought to London in 1989 to record an album with reggae/dub producer Denis Bovell. Among other tracks, this heavy, top-notch 1980s digital dub track resulted from their collaboration. Last but not least, the final track on the single is sourced from the only known recording of Asif, a Kabyle band from Lille formed by three brothers. The band was created in the late 1970s, and the selected track, Tafsut (b2), was recorded in 1985. A beautiful pop-boogie tune that we considered a marvelous conclusion to this single. This record was made in collaboration with Les Disques Bongo Joe. All tracks are fully licensed.
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Rodney Crowell - The Houston Kid Vinyl Me, Please Edition
Rodney Crowell
The Houston Kid Vinyl Me, Please Edition
LP | 2001 | US | Reissue (Vinyl Me, Please)
33,99 €*
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Release: 2001 / US – Reissue
Genre: Rock & Indie
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Why you'll love it...
The conventional way of talking about The Houston Kid, Rodney Crowell’s 2001 release and the greatest achievement of his 50-year career, is autobiographically. From this way of thinking, the album pretty straightforwardly looks at Crowell’s life growing up in the poor, white working-class parts of Houston, Texas in the 1950s and 1960s, the only child of J.W. and Addie Cauzette Crowell’s tempestuous, dysfunctional union. Hearing The Houston Kid this way isn’t wrong, of course, but it is incomplete.

For starters, if it’s Crowell’s actual life story we’re after, we’d be better off reading Chinaberry Sidewalks: A Memoir, the book project he began around the same time but didn’t publish until 2011. For another thing, The Houston Kid’s details and effects are autobiographically inspired, sure, but also rife with exaggerations, omissions and flat-out fictions. You know, art.
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Dave Van Ronk - Folksinger Vinyl Me, Please Edition
Dave Van Ronk
Folksinger Vinyl Me, Please Edition
LP | 1972 | US | Reissue (Vinyl Me, Please)
33,99 €*
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Release: 1972 / US – Reissue
Genre: Rock & Indie
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Why you'll love it...
“Dave Van Ronk was bemused by the title of this album. He didn’t think of himself as a folksinger and had mixed feelings about what he wryly called ‘the Great Folk Scare’ of the 1960s. And yet, he was a central figure on that scene and this album was instrumental in shaping a new sense of what it meant to be a folk musician. A generation of guitarists took him as a model and honed their skills on his arrangements of ‘Come Back Baby’ and ‘Cocaine Blues,’ and his masterful reimagining of older traditions made him a defining voice of the folk-blues revival, showing that a young, urban performer could reshape songs from rural sources into modern, personal statements that were as rough and honest as anything from the hills or prairies.”
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Majid Soula - Chant Amazigh
Majid Soula
Chant Amazigh
LP | 2021 | EU | Original (Habibi Funk)
24,99 €*
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Release: 2021 / EU – Original
Genre: Rock & Indie
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Born in Kabylie, Algeria - a place that remains fundamental to his career - Majid Soula is a self-made musician, artist and producer. With no formal music education, Majid’s tenacity has led to a career that is still blossoming. His synths, driving drums, guitar & strong lyrics make a unique sound. A strong proponent for the rights of the Amazigh, he has a band that to this day plays shows, most linked to cultural events of the
Amazigh diaspora in France, as well as in Belgium, Russia the UK and Sweden. He was part of a new wave of widely popular and successful Kabyle artists in the 1980s, such as Ait Menguellet, Lounès Matoub, Takfarinas, Idir and many more.

Habibi Funk as a label is dedicated to re-releasing music from “The Arab World”, but this release shows how reductive this term can be, as the countries from North Africa and West Asia being summarized under this term include a vast number of languages and identities. Obviously, headlines sometimes come with limited space, and one can’t avoid using terms that paint a half-finished picture. That being the case, however, we are even more happy that Majid Soula liked our idea to work on a release of a selection of his music with us. The tracks here are incredible and need to be introduced to a new generation of listeners.

For Majid Soula music is more than just entertainment. He considers himself an activist through music, and foremost a “chanteur engagé”, as he says of himself: „I take my inspiration from the daily life of my people and I share all their aspirations, mainly the official recognition
of Tamazight as a language, culture and identity.”

He still works on new music in his small home studio in Belleville and occasionally plays concerts for the Amazigh community of the city.
We sincerely hope that for you reading this and listening to Majid’s album, his music will have the same revelatory feeling it had on us, and that this will be part of a momentum that will allow Majid to keep on working, playing, and sharing his message for many years to come.

As always both vinyl and CD come with an extensive booklet with an interview with Majid Soula plus unseen photos.
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Johnny Cash - American IV: The Man Comes Around
Johnny Cash
American IV: The Man Comes Around
2LP | 2002 | US | Reissue (American)
48,99 €*
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Release: 2002 / US – Reissue
Genre: Rock & Indie
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Reissue of this classic produced by Rick Rubin!
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Shelby Lynne - I Am Shelby Lynne 25th Anniversary Edition
Shelby Lynne
I Am Shelby Lynne 25th Anniversary Edition
LP | 2024 | US | Original (Monument)
35,99 €*
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Release: 2024 / US – Original
Genre: Rock & Indie
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I AM SHELBY LYNNE (25th ANNIVERSARY EDITION) Limited edition colored vinyl celebrating 25 years of GRAMMY-award winner, Shelby Lynne's album, I Am Shelby Lynne / Led by co-presidents Shane McAnally and Jason Owens and GM Katie McCartney, Monument will reissue Lynne's landmark album, I Am Shelby Lynne, on April 5 in celebration of the record's 25th anniversary with a limited-edition vinyl release to come early this summer.
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Jalek Blount & Mali Obomsawin - Symbiont
Jalek Blount & Mali Obomsawin
Symbiont
LP | 2024 | US | Original (Smithsonian Folkways)
22,99 €*
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Release: 2024 / US – Original
Genre: Rock & Indie
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From the first notes of symbiont, the radical new collaborative album and document of Black and Indigenous futurism from Jake Blount and Mali Obomsawin, the listener is met with rising tidewaters, massive droughts, and the appearance of an iconoclastic uprising amidst the world's indifference. Questions of future or present tense swirl around the music as the duo unspools the intertwined threads of racial and climate justice. Amid rumbling synthesizer drones, the thrum of banjo, and the thwack of drum machines, a whisper of truth can be heard: this crisis has been unfolding for centuries.
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Josh Turner - This Country Music Thing Gold Vinyl Edition
Josh Turner
This Country Music Thing Gold Vinyl Edition
LP | 2024 | US | Original (MCA Nashville)
36,99 €*
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Release: 2024 / US – Original
Genre: Rock & Indie
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Johnny Cash - Songwriter Clear With Black Splatter Vinyl Edition
Johnny Cash
Songwriter Clear With Black Splatter Vinyl Edition
LP | 2024 | Original (Universal)
60,99 €*
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Release: 2024 / Original
Genre: Rock & Indie
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Limited Clear with Black Splatter Colored Vinyl. Johnny Cash recorded an album's worth of self-penned songs in 1993. Shortly thereafter, he released the American Recordings albums and re-established himself as one of the world's greatest songwriters, introducing him to a new generation of fans. Songwriter's unreleased 11 songs have been updated and produced by his son John Carter Cash and co-producer David Ferguson.
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Alan Jackson - Don't Rock The Jukebox
Alan Jackson
Don't Rock The Jukebox
LP | 2024 | US | Original (Sony Legacy)
32,99 €*
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Release: 2024 / US – Original
Genre: Rock & Indie
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ALAN JACKSON - Don't Rock The Jukebox - Don't Rock the Jukebox is the second studio album from country music superstar Alan Jackson. It was released on May 14, 1991 and produced three Number One singles on the Hot Country Songs charts - "Someday," "Dallas," and "Love's Got a Hold On You."
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Silverada - Silverada
Silverada
Silverada
LP | 2024 | US | Original (Edgewater Music)
36,99 €*
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Release: 2024 / US – Original
Genre: Rock & Indie
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Kelsea Ballerini - Subject To Change Yellow Vinyl Edition
Kelsea Ballerini
Subject To Change Yellow Vinyl Edition
2LP | 2023 | US | Original (Black River)
36,99 €*
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Release: 2023 / US – Original
Genre: Rock & Indie
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Capercallie - Re-Loved
Capercallie
Re-Loved
2LP | 2024 | UK | Original (Vertical)
37,99 €*
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Release: 2024 / UK – Original
Genre: Rock & Indie
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Bob Dylan & The Band - Before The Flood
Bob Dylan & The Band
Before The Flood
2LP | 1974 | US | Reissue (Mobile Fidelity Sound Lab)
88,99 €*
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Release: 1974 / US – Reissue
Genre: Rock & Indie
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180 gram audiophile vinyl, numbered limited edition!
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Bob Dylan - Freewheelin Bob Dylan
Bob Dylan
Freewheelin Bob Dylan
LP | 1963 | EU | Reissue (Sony Legacy)
30,99 €*
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Release: 1963 / EU – Reissue
Genre: Rock & Indie
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Townes Van Zandt - In The Beginning
Townes Van Zandt
In The Beginning
LP | 2003 | US | Reissue (Fat Possum)
33,99 €*
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Release: 2003 / US – Reissue
Genre: Rock & Indie
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Lost Leaders - Hungry Ghosts
Lost Leaders
Hungry Ghosts
LP | 2024 | US | Original (Mother West)
24,99 €*
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Release: 2024 / US – Original
Genre: Rock & Indie
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Midland - Barely Blue
Midland
Barely Blue
LP | 2024 | US | Original (Big Machine)
27,99 €*
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Release: 2024 / US – Original
Genre: Rock & Indie
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GRAMMY-nominated trio Midland return with Barely Blue, an 8-song collection exploring the tides of loneliness and the stoicism of holding one's own while imbuing an unparalleled sense of vulnerability that breaks down the facade of masculinity and honors the spirit of loving, losing and moving on. Lead singer/guitarist Mark Wystrach, bassist/vocalist Cameron Duddy and guitarist/vocalist Jess Carson lean into a space where lonely is acknowledged, life goes on and steel guitars are what binds it all together.
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Johnny Cash - Original Sun Sound Of Johnny Cash
Johnny Cash
Original Sun Sound Of Johnny Cash
LP | 2024 | US | Original (Sun)
32,99 €*
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Release: 2024 / US – Original
Genre: Rock & Indie
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Limited transparent violet colored vinyl LP pressing. Unreleased until 1964, six years after Johnny Cash's 1958 departure from Sun Records for Columbia Records, Original Sun Sound of Johnny Cash spans both his first and final recordings for the label. The early "Wide Open Road" shows the singer still under the influence of Hank Williams, but the sardonic, Charlie Rich-penned "Thanks a Lot," from one of his final Sun sessions, finds Cash beholden to no one but himself.
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Marty Robbins - Return Of The Gunfighter
Marty Robbins
Return Of The Gunfighter
LP | 2024 | US | Original (Sony Legacy)
25,99 €*
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Release: 2024 / US – Original
Genre: Rock & Indie
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On this 1963 release, well-known country singer, Marty Robbins, continued to showcase his love for cowboys and six-shooters with a "sequel" to the successful 1959 album, Gunfighter Ballads And Trail Songs. The Return of the Gunfighter album even propelled Robbins to pursue acting just 2 short years later.
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Glen Campbell - Adios
Glen Campbell
Adios
LP | 2017 | US | Reissue (Universal)
26,99 €*
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Release: 2017 / US – Reissue
Genre: Rock & Indie
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Glen Campbell - Galveston
Glen Campbell
Galveston
LP | 1969 | US | Reissue (Universal)
29,99 €*
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Release: 1969 / US – Reissue
Genre: Rock & Indie
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Ry Cooder / Manuel Galban - Mambo Sinuendo
Ry Cooder / Manuel Galban
Mambo Sinuendo
LP | 2018 | US | Original (Nonesuch)
47,99 €*
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Release: 2018 / US – Original
Genre: Rock & Indie
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V.A. - Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition
V.A.
Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition
2LP | 2024 | US | Original (Light In The Attic)
58,99 €*
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Release: 2024 / US – Original
Genre: Rock & Indie
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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”
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V.A. - Even The Forest Hums: Ukrainian Sonic Archives 1971-1996
V.A.
Even The Forest Hums: Ukrainian Sonic Archives 1971-1996
2LP | 2024 | US | Original (Light In The Attic)
55,99 €*
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Release: 2024 / US – Original
Genre: Rock & Indie
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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”
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Linda Thompson - Proxy Music
Linda Thompson
Proxy Music
LP | 2024 | CZ | Original (Storysound L)
26,99 €*
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Release: 2024 / CZ – Original
Genre: Rock & Indie
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V.A. - Viva La Revolucion! Reissue Edition
V.A.
Viva La Revolucion! Reissue Edition
LP | 2023 | EU | Original (Wagram)
15,99 €*
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Release: 2023 / EU – Original
Genre: Rock & Indie
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A tribute album of revolutionary songs to celebrate the 60 years of the end of the Cuban revolution.The album cover features the original photo of Ernesto "Che" Guevara, "Guerillo Heroico", taken by Alberto Diaz Guttierez aka "Korda" in 1960.A fine selection of committed songs, including traditional ones such as "Hasta Siempre" and Tributes to "El Che" with "Comandante Che Guevara"
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Carlos Pickling Y Orquesta - Cumbia Morena
Carlos Pickling Y Orquesta
Cumbia Morena
7" | 2024 | EU | Original (Vampisoul)
15,99 €*
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Release: 2024 / EU – Original
Genre: Rock & Indie
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De Mannen Broeders - Sober Maal
De Mannen Broeders
Sober Maal
LP | 2024 | Original (Relapse)
27,99 €*
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Release: 2024 / Original
Genre: Rock & Indie
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Elia Y Elizabeth - La Onda De Elia Y Elizabeth
Elia Y Elizabeth
La Onda De Elia Y Elizabeth
LP | 2014 | EU | Original (Vampisoul)
25,99 €*
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Release: 2014 / EU – Original
Genre: Rock & Indie
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The recordings that the sisters Elia and Elizabeth Fleta made, hand in hand with music arranger Jimmy Salcedo in the early seventies in their native Colombia, remained hidden like lost pearls in the undervalued musical pop history of Latin America until today. Their concise and natural mix of styles sways between soft-pop with a touch of tropical-pastoral funk, singer-songwriter sweetened by the subtle perfume of Caribbean music and the psychedelia of a world in the midst of discovering all the possibilities offered by the recording studio. These elements blended graciously and fortuitously, brimming with freshness, in a perfect partnership of sharp melodies with lyrics inspired by a genuine juvenile curiosity about life's mysteries, love and nature in their simplest forms.
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Green Lung - Free The Witch Black Vinyl Edition
Green Lung
Free The Witch Black Vinyl Edition
LP | 2022 | EU | Original (Svart)
27,99 €*
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Release: 2022 / EU – Original
Genre: Rock & Indie
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Black vinyl, insert

Green Lung are “Britain’s finest folk horror -indebted heavy metalers” (The Guardian), and this is where it all started for the band in 2018. The five track demo recording Free The Witch, including the bonus track When The Axe Comes Down, now reissued on standalone vinyl.

Remastered for vinyl by the spectacular John Davis (Lana Del Rey, Led Zeppelin, Royal Blood…) at Metropolis Studios in the UK and adorned by striking covert art by the band’s perennial collaborator Richard Wells.
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Donovan Woods - Things Were Never Good If They're Not Good Now
Donovan Woods
Things Were Never Good If They're Not Good Now
LP | 2024 | Original (End Times Music Inc.)
27,99 €*
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Release: 2024 / Original
Genre: Rock & Indie
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Glorietta - Glorietta
Glorietta
Glorietta
LP | 2018 | EU | Original (Bread & Butter)
27,99 €*
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Release: 2018 / EU – Original
Genre: Rock & Indie
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Sturgill Simpson - Cuttin' Grass Volume 1
Sturgill Simpson
Cuttin' Grass Volume 1
2LP | 2020 | US | Original (High Top Mountain)
27,99 €*
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Release: 2020 / US – Original
Genre: Rock & Indie
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Alice Phoebe Lou - Glow
Alice Phoebe Lou
Glow
LP | 2021 | EU | Original (Motor Entertainment)
21,99 €*
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Release: 2021 / EU – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
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Odd Okoddo - Auma
Odd Okoddo
Auma
LP | 2019 | DE | Original (Pingipung)
14,99 €*
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Release: 2019 / DE – Original
Genre: Organic Grooves, Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
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Richard Dawson & Circle - Henki
Richard Dawson & Circle
Henki
2LP | 2021 | UK | Original (Weird World)
44,99 €*
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Release: 2021 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Sealed, Cover: Sealed
Exclusive limited light green double LP in spined gloss UV sleeve which comes with an exclusive embroidered Henki patch!
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Mark Knopfler - Privateering
Mark Knopfler
Privateering
2LP | 2012 | EU | Original (Mercury)
37,99 €*
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Release: 2012 / EU – Original
Genre: Organic Grooves, Rock & Indie
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V.A. - Cosmic American Music: Motel California Black Vinyl Edition
V.A.
Cosmic American Music: Motel California Black Vinyl Edition
2LP | 2024 | US | Original (Numero Group)
38,99 €*
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Release: 2024 / US – Original
Genre: Rock & Indie
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A companion to 2016's private countryrock overview Cosmic American Music,this second volume goes way past GramParsons' "country-rock plastic dry-fuck"and explores the twangy falsettos andcommercial curiosity that sent the Eaglessoaring. Though rooted in the west coastfolk rock of the late-'60s, these newkids in town rendered a safe-for-thesuburbssound bleached of the hippie era'spolitical strife. 20 tracks, two LPs, andgatefold tip-on sleeve for easy seed andstem separating are included.
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Ozan Ata Canani - Warte Mein Land, Warte Black Vinyl Edition
Ozan Ata Canani
Warte Mein Land, Warte Black Vinyl Edition
LP | 2021 | EU | Original (Fun In The Church)
20,99 €*
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Release: 2021 / EU – Original
Genre: Organic Grooves, Rock & Indie
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Madredeus - Os Dias Da Madredeus
Madredeus
Os Dias Da Madredeus
2LP | 2018 | EU | Original (DRO)
49,99 €*
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Release: 2018 / EU – Original
Genre: Rock & Indie
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Altin Gün - Aşk
Altin Gün
Aşk
LP | 2023 | DE | Original (Glitterbeat)
19,99 €*
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Release: 2023 / DE – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG+
Red Vinyl Edition.
Small light scuff on side A.
Record is slightly warped but still enjoyable.
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Josephine Foster - Graphic As A Star
Josephine Foster
Graphic As A Star
LP | 2009 | UK | Original (Fire)
24,99 €*
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Release: 2009 / UK – Original
Genre: Rock & Indie
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Joan Baez - Whistle Down The Wind
Joan Baez
Whistle Down The Wind
LP | 2018 | EU | Original (Proper)
17,99 €*
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Release: 2018 / EU – Original
Genre: Rock & Indie
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Sealed copy!
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Christy Moore - On The Road
Christy Moore
On The Road
3LP | 2018 | EU | Original (Sony Music)
23,99 €*
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Release: 2018 / EU – Original
Genre: Rock & Indie
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Shovel Dance Collective - The Shovel Dance
Shovel Dance Collective
The Shovel Dance
LP | 2024 | Original (American Dreams)
23,99 €*
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Release: 2024 / Original
Genre: Rock & Indie
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The Shovel Dance is the most powerful release to date from nine-piece folk group Shovel Dance Collective, bringing studio fidelity and trickery to the rich arrangements and soaring vocals of their concerts. Their new album revolves around the group’s interplay and close listening, no matter how many members of the band play on a given song or how many instruments feature (there are twenty-five instruments and eight voices). With production by Mike O’Malley (caroline) and mastering by Matt Colton (Thurston Moore, Laura Marling), they give their arrangements an experimental edge—as close to Scott Walker or Swans as Shirley Collins or Bert Lloyd—that situates them on the bleeding edge of folk music, with unique beauty, force, and political charge.
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Chris Stapleton - Starting Over
Chris Stapleton
Starting Over
2LP | 2020 | EU | Original (Capitol)
29,99 €*
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Release: 2020 / EU – Original
Genre: Rock & Indie
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Shovel Dance Collective - The Water Is The Shovel Of The Shore
Shovel Dance Collective
The Water Is The Shovel Of The Shore
2LP | 2022 | UK | Reissue (Memorials Of Distinction / Double Dare)
26,99 €*
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Release: 2022 / UK – Reissue
Genre: Rock & Indie
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The latest release from nine-piece folk group Shovel Dance Collective, orbiting around the concept of water. Combining on-site documentation of traditional songs, folk tunes and field recordings in long-form sound-collages. The results lie somewhere between folk music, music concrete and acoustic ecology. Released collaboratively by Memorials of Distinction and Double Dare.
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Leonard Cohen - The Future
Leonard Cohen
The Future
LP | 1992 | EU | Reissue (Sony)
27,99 €*
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Release: 1992 / EU – Reissue
Genre: Rock & Indie
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Bob Dylan - Bootleg Series Volume 1-3
Bob Dylan
Bootleg Series Volume 1-3
5LP | 2017 | EU | Original (Columbia)
61,99 €*
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Release: 2017 / EU – Original
Genre: Rock & Indie
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Jackson Dean - Greenbroke Limited Edition
Jackson Dean
Greenbroke Limited Edition
LP | 2023 | Original (Universal)
25,99 €*
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Release: 2023 / Original
Genre: Rock & Indie
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Nick Drake - Bryter Layter
Nick Drake
Bryter Layter
LP | 1970 | UK | Reissue (Universal)
29,99 €*
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Release: 1970 / UK – Reissue
Genre: Rock & Indie
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Gino Del Vescovo Complesso Caratteristico Napoletano - Neapolitan Mandolins
Gino Del Vescovo Complesso Caratteristico Napoletano
Neapolitan Mandolins
LP | JP | Original (Victor)
24,99 €*
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Release: JP – Original
Genre: Rock & Indie
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Mumford & Sons - Babel
Mumford & Sons
Babel
LP | 2020 | EU | Reissue (Island)
26,99 €*
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Release: 2020 / EU – Reissue
Genre: Rock & Indie
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Vinyl with a couple of light scuffs, closer to VG+. Cover close to NM
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Beirut - The Flying Club Cup
Beirut
The Flying Club Cup
LP | 2007 | US | Original (Ba Da Bing!)
44,99 €*
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Release: 2007 / US – Original
Genre: Rock & Indie, Pop
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Medium: VG+, Cover: Near Mint
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Lucy Kruger & The Lost Boys - Sleeping Tapes For Some Girls
Lucy Kruger & The Lost Boys
Sleeping Tapes For Some Girls
LP | 2019 | EU | Reissue
17,99 €*
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Release: 2019 / EU – Reissue
Genre: Rock & Indie
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Iosin Leech - Cold Sea Sea Glass Vinyl Edition
Iosin Leech
Cold Sea Sea Glass Vinyl Edition
LP | 2024 | US | Original (Outside)
27,99 €*
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Release: 2024 / US – Original
Genre: Rock & Indie
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Beside Trawbreaga Bay, in Co. Donegal, on the north coast of Ireland, in an old schoolhouse, with a suitcase full of hired recording gear, Oisin Leech strums gently on an acoustic guitar and watches the tide pull the water away from the ancient inlet. The thickness of Oisin’s voice soothes the room as the sound waves bounce around in the land where his ancestors still live and still wander.

With a musical history that led Leech from the street punk bands of yesteryear through an ongoing stint with folk duo The Lost Brothers, he found himself for the first time working on songs to sing alone. In his mind, the songs became imagined vignette films playing behind closed, guitar eyes. After writing nearly 40 new songs in this fashion, Leech wrote “October Sun” which would become the foundation for his debut solo record, Cold Sea.

Cold Sea was produced by guitarist/songwriter Steve Gunn. Leech dreamt of making the record in Donegal Ireland, a county significant to him because it is the home of his ancestors. Pitching this idea to Gunn sparked the first of several serendipities circling the Cold Sea sessions - Gunn had always wanted to visit Donegal to connect with his own familial roots in the region.

Cold Sea is perhaps most notable for its tremendous warmth. Each song was recorded in a few takes and adorned gently with synthesizers and guitar from Gunn. Several songs feature contributions on the upright bass by Bob Dylan band stalwart Tony Garnier. M. Ward plays guitar on October Sun and there are strings by Roisín McGrory and bouzouki by the legendary Dónal Lunny throughout. It is a friendship record but even at its most collaborative, Cold Sea remains centered around the humble acoustic guitar and wool blanket vocals of Leech.
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Ilhan Ersahin - Istanbul Sessions: Istanbul Underground
Ilhan Ersahin
Istanbul Sessions: Istanbul Underground
LP | 2016 | US | Original (Nublu)
22,99 €*
Incl. VAT plus Shipping Costs
Release: 2016 / US – Original
Genre: Rock & Indie
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Confusion is good sometimes. It’s a way to start thinking about whatever you are confused about. This is what Ilhan Ersahin’s Istanbul Sessions do since 2008. They managed to fire the stages all across the world: from New York to Istanbul, from Paris to Sao Paolo, from London to Skopje... Questions they spread all these years where like: are they really turkish? is this really jazz? doesn’t it sound like a rock band? how come a jazz ensemble can really be like a band? How can they be so able to jam with any musician they meet on stage? And so on... It’s a simple fact Ilhan Ersahin, being one of the rare moguls of New York City underground scene via his club and record label (nublu), is traveling all around the world. It’s possible to see him jamming with Red Hot Chili Peppers in Sao Paolo, featuring Bugge Wesseltoft in Blue Note Tokyo and/or playing a beautiful oriental set with turkish gypsies in an elegant concert hall somewhere in Europe. His newyorker energy is with him all the time. How about Istanbul Sessions then? It’s a summary of all you read above. Master level musicianship meets a high eclecticism where the cliche of “east-to-west crossover” finds its true sense and power. A session is a meeting of a deliberative body to conduct its business. In this case, the business is music, and the music is another heavyweight long player from Ilhan Ersahin & crew. Upon listening to the record for the first time, one word overrides every other emotion and devours the mind: Cinema. More specifically, “cinematic.” Ersahin’s sax sounds like it was recorded in the fucking Alps. Or in the sweeping sand dunes and Oasis’s of the Middle East. It’s just that W I D E. On “Falling,” Ersahin’s sax is practically 3-dimensional. Double tracked and bathed in a healthy dose of reverb, the saxophone and rhythm of the band evoke a story-like narrative. From the mad-man trills strewn throughout the track, to the soaring, almost stadium anthem chorus. Clearly, it’s all about the (s)axe, and Ilhan Ersahin is YOUR axeman. History has a tendency to repeat itself, and for the third time ‘round, East meets West once again. And the results are more satisfying than that mammoth inter-racial orgy you’re always fantasizing of. Through Ersahin’s playing, you can hear the ghostly echoes of dead, pre-war jazz greats behind his frenzy-inducing saxophone playing. You can also hear the Siren’s call, the brooding beauty of the shrouded mystery that is the Desert. Devilishly hot and bothered, the dry night air caresses your face, stirring a primal urge that excites as you step out into the glow of the Turkish metropolis. An Istanbul session, awaits.
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Annarella And DJango - Jouer
Annarella And DJango
Jouer
LP | 2024 | Original (We Are Busy Bodies)
24,99 €*
Incl. VAT plus Shipping Costs
Release: 2024 / Original
Genre: Rock & Indie
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