Folk Vinyl 1231 Items

LP | 2020 | US | Original (Rounder)

Release: 2020 / US – Original

Genre: Rock & Indie

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The thirteen song album has been remastered at the hallowed Abbey Road Studios in London from the original 1/4' analog master tapes, and the vinyl processed with a new half speed lacquer cut to ensure the highest quality audio possible. The bonus LP is a collection of outtakes of nearly every album track, including never before heard pre-production demo recordings, alternate mixes and arrangements, live material, an Archers of Loaf cover, as well as a newly recorded version of the album track 'Caretaker' which was recorded in 2019 on the literal last night in the house Stevenson grew up in, ten years after the song was originally written there. The album features liner note essays written by musicians Julien Baker and Lucy Dacus who drew early inspiration for their own music and songwriting from the album. Also contributing liner notes are Pitchfork, NPR and Stereogum writer Nina Corcoran, as well as long-tie friend and collaborator Jeff Rosenstock who produced and played guitar on some of the bonus demo material contained in the collection.

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Steeldrivers

Bad For You

24,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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Sundown Colored Vinyl Edition

Gordon Lightfoot

LP | 1974 | US | Reissue (Friday Music)

Release: 1974 / US – Reissue

Genre: Rock & Indie

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If You Could Read My Mind Green Vinyl Edition

Gordon Lightfoot

LP | 1970 | US | Reissue (Friday Music)

Release: 1970 / US – Reissue

Genre: Rock & Indie

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If You Could Read My Mind Gold Vinyl Edition

Gordon Lightfoot

LP | 1970 | US | Reissue (Friday Music)

Release: 1970 / US – Reissue

Genre: Rock & Indie

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LP | 2019 | EU | Original (Svart)

H.C. Slim

Sings

21,99 €*

LP+CD | 2017 | EU | Original (Tapete)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Rural legend and outsider folk artist H.C Slim had amassed quite a catalog of original songs he's demoed on a tape recorder, deep in the Eastern Finnish countryside. Over the years cassettes and CDRs began to circulate with original copies selling for high prices, before Svart Records drove out to his remote cabin to offer Slim a deal for his debut album.

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Nick Garrie

The Moon & The Village

Release: 2017 / EU – Original

Genre: Rock & Indie

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2LP+CD | 2017 | Original (Trikont)

Express Brass Band

Pluto Kein Planet

24,99 €*

Release: 2017 / Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Black Hen Music)

Steve Dawson

Lucky Hand

22,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2017 | Original (True North)

Leeroy Stagger

Love Versus

20,99 €*

Release: 2017 / Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Black Hen Music)

John Wort Hannam

Long Haul

20,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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2LP | 2024 | EU | Original (Black Powder Soul)

Taylor McCall

Mellow War

32,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Live Silver Vinyl Edition

William Shatner

2LP | 2023 | EU | Original (Cleopatra)

36,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | US | Original (Carbon / Feeding Tube)

Liam Grant

Amoskeag

35,99 €*

Out Of Your Tree Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Although only 23 years old, Liam Grant's become a leading force in a much needed third wave revival of American Primitive music. The path was paved from the blues by Fahey, Basho, Kottke and so on, followed with a second coming heralded by folks like Jones, Rose, Basho-Junghans and others. Despite his age, Liam's the very definition of "an old soul" and while he draws on a wide variety of contemporary influences, he also channels a comprehensive history of the blues as well as a deeper energy that informs both his playing and songwriting. Features contributions from Mike Gangloff of Pelt, Grayson McGuire, and Ethan WL.

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Robert Coyne

LP | 2022 | EU | Original (Meyer)

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2000 | EU | Original (Bear Family)

Lulu Belle And Scotty

Picture Disc

16,99 €*

Release: 2000 / EU – Original

Genre: Rock & Indie

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Vivian Leva & Riley Calcagno

LP | 2021 | Original (Free Dirt)

Release: 2021 / Original

Genre: Rock & Indie

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LP | 2020 | Original (Jack Grelle Music / Free Dirt)

Jack Grelle

If Not Forever

Release: 2020 / Original

Genre: Rock & Indie

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LP | 2023 | US | Original (Smithsonian Folkways)

Jake Blount

The New Faith

Release: 2023 / US – Original

Genre: Rock & Indie

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Amythyst K Our Native Daughters (Rhiannon Giddens

Songs Of Our Native Daughters

LP | 2020 | US | Original (Smithsonian Folkways)

32,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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LP | 2018 | Original (Free Dirt)

Western Centuries

Songs From The Deluge

Release: 2018 / Original

Genre: Rock & Indie

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2LP | 2016 | Original (Holz)

Wildes Holz

Astrein

Release: 2016 / Original

Genre: Rock & Indie

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LP | 2021 | Original (Free Dirt)

Ric Robertson

Carolina Child

Release: 2021 / Original

Genre: Rock & Indie

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LP | 2018 | Original (Go Danish Folk Music)

Basco

Interesting Times

Release: 2018 / Original

Genre: Rock & Indie

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Gaither Doc Watson/Carlton

Doc Watson And Gaither Carlton

LP | 2020 | US | Original (Smithsonian Folkways)

Release: 2020 / US – Original

Genre: Rock & Indie

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2LP | 2018 | EU | Original (Beste! Unterhaltung)

Myrra Ros

One Amongst Others

18,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2018 | Original (Free Dirt)

Vivian Leva

Time Is Everything

Release: 2018 / Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Creature Music Ltd.)

Davy Graham

Hat

24,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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The Cologne Concert Vinyl Edition

Eric Andersen

LP | 2022 | EU | Original (Meyer)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Somewhere In The Mountains 2

Roland Van Campenhout

2LP+DVD | 2022 | EU | Original (Meyer)

40,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Toitu Joues A L'amour-The Attakapas Trail

Kelli Jones / Joey Savoy

7" | 2021 | US | Original (Valcour)

15,99 €*

Release: 2021 / US – Original

Genre: Rock & Indie

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LP | 2000 | EU | Original (Bear Family)

Lulu Belle And Scotty

Picture Disc

16,99 €*

Release: 2000 / EU – Original

Genre: Rock & Indie

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LP | 2000 | EU | Original (Bear Family)

Lulu Belle And Scotty

Picture Disc

16,99 €*

Release: 2000 / EU – Original

Genre: Rock & Indie

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Along The Way Teal Vinyl Edition

Colbie Caillat

LP | 2023 | EU | Original (BFD)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Along The Way Black Vinyl Edition

Colbie Caillat

LP | 2023 | EU | Original (BFD)

31,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | JP | Original (Vap)

Vsq No Sporta

Avatama

56,99 €*

Release: 2023 / JP – Original

Genre: Rock & Indie

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LP | 2020 | US | Original (Rounder)

Della Mae

Headlight

Release: 2020 / US – Original

Genre: Rock & Indie

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2LP | 2017 | EU | Original (Pytheas)

Josh Ritter

Gathering

Release: 2017 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original

Tre Burt

Traffic Fiction

Release: 2023 / EU – Original

Genre: Rock & Indie

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I Killed Your Dog Black Vinyl Edition

L'Rain

LP | 2023 | EU | Original (Mexican Summer)

26,99 €* 29,99 € -10%

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Nordic Notes)

Jenni Venäläinen

Melkutus Party

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Waterfall)

Peppler

One Night Out Of Time

Release: 2023 / EU – Original

Genre: Rock & Indie

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Toshiko Yonekawa, Kiyoshi Yamaya & Contemporary Sound Orchestra

Tapestry: Koto & The Occident Hillside

LP | 1976 | EU | Reissue (Cinedelic)

Crank It, We're Doomed Orange Vinyl Edition

Release: 1976 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Following the release of the first volume of the Koto: Tapestry series, Cinedelic completes the series of 3 with the release of the remaining two valuable albums. 'Tapestry: Koto' is a 3-album series produced by Nippon Columbia in the mid-1970s dedicated to one of the main instruments of Japanese traditional music: Koto. The beauty of the trilogy curated by composer Kiyoshi Yamaya, whose chapters are respectively dedicated to Sea, Hillside and Country, lies in the fact that they are a modern translation of tradition using newer and more avant-garde sound idioms, integrating the koto with jazz musicians. An original mix, a 'crossover’ that allows for the awakening and the consequential spread of traditional music in larger contexts. The extreme accuracy of the marvellous recordings is also remarkable. The performers on this fabulous album are: Toshiko Yonekawa - learned to play the koto at an early age, performing in a public concert as early as 8 years old. For three years, from 1941 to 1944, she won prizes as the best performer in the Japanese Cultural Federation's competition for traditional trios. She also received an award from the Prime Minister. Many other important recognitions followed until she became president of the Reichokai and executive director of the Sankyoku Association. In 1996, she was appointed Living National Treasure. As a koto player, her best-known characteristics are her extreme precision of intonation and rhythm and the unparalleled beauty of her sound. Kiyoshi Yamaya - born March 1932. He attended the Kunitachi College of Music. Between 1956 and 1960, he performed with 'Nobuo Hara and His Sharps & Flats' (clarinet, saxophone, etc.) and was responsible for composition and arrangement. In 1959, he formed the 'Modern Jazz Three Association' with Norio Maeda and Keitaro Miho, which contributed to the improvement of the level of composition and arrangement in Japanese jazz. In 1965, he became conductor of the 'Tokyo Union Orchestra' and received the Japan Record Award's Arrangement Award. His name appears on more than 100 albums. An unmissable session for those seeking new sounds. Original masters licensed by Nippon Columbia for the first ever reissue. Includes OBI and insert.

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Todd Snider

2LP | 2023 | EU | Original (Aimless)

31,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Weaving My Ancestors Voices

Sheila Chandra

LP | 2023 | EU | Original (Real World)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | YU | Original (Croatia)

J. R. August

Still Waters

Release: YU – Original

Genre: Rock & Indie

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Glad Christmas Comes Royal Blue Vinyl Edition

Eliza Carthy & Jon Boden

2LP | 2023 | UK | Original (Hudson)

50,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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Quando La Mia Vita' Cambiera Orange Vinyl Edtion

Gigi D'alessio

LP | 2000 | EU | Reissue (The Saifam Group)

Release: 2000 / EU – Reissue

Genre: Rock & Indie, Pop

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Rawhide's Clint Eastwood Sings Cowboy Favorites

Clint Eastwood

LP | EU | Reissue (Universal)

Release: EU – Reissue

Genre: Rock & Indie

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Control Black Vinyl Edition

John St. Field

LP | 1971 | EU | Reissue (Guerssen)

Deep Into Highlife (Live In Berlin)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Psychedelic, progressive folk-rock masterpiece from 1971, recorded in London by John St. Field aka Jackie Leven (of Doll by Doll fame) but only released in Spain back at the time. Before becoming a cult singer/songwriter in the 90s, Scottish musician Jackie Leven debuted in the early 70s with “Control”, issued under the John St. Field pseudonym due to “problems with the forces of law and order”. Recorded in London and helped by musicians from MAN and other friends (Phil Ryan, Juliet Lawson, Jesse Ballard, Joe Kucera…), the album featured a collection of wonderful songs written by Jackie after his experiences wandering away and taking copious amounts of LSD. Unlike previous reissues, this one features the complete tracklist in original running order and also a new insert with previously unseen photos / memorabilia and recollections from some of the musicians involved.

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Santrofi

LP | 2023 | EU | Original (Out Here)

21,99 €*

LP | 2019 | US | Reissue (Bloodshot)

Release: 2023 / EU – Original

Genre: Rock & Indie

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This record captures the amazing live energy of Santrofi, a young 7-piece from Ghana with a mission to bring Highlife back. For this recording they are backed by Berlins finest 14-piece brass band: the Omniversal Earkestra. Over 25 great musicians on stage all playing their hearts out.

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Vandoliers

Forever

Release: 2019 / US – Reissue

Genre: Rock & Indie

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LP | 2023 | EU | Original (AD93)

Joanne Robertson

Blue Car

Aykathani Malakon Colored Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Limited copies. Another essential from JR.

"‘Blue Car’ is a collection of songs from Joanne's archive of unreleased solo recordings, similar to 2020's ‘Painting Stupid Girls’, these tracks attempt to record the moment, and where she was at emotionally that day, similar to diary entries. The dates she wrote these songs is unknown, they span roughly a ten year period. "

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Sanam

12" | 2023 | UK | Original (Mais Um)

The Tinker And The Crab / Wear Your Love Like Heaven (Mono)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Sanam is a free-rock post-folk sextet consisting of Sandy Chamoun, Antonio Hajj Moussa, Farah Kaddour, Anthony Sahyoun, Pascal Semerdjian and Marwan Tohme. The group first formed as part of a performance with Hans Joachim Irmler from the legendary German experimental group Faust, at the Irtijal music festival. Their music and performances are akin to a ritual, a marriage and an exorcism of traditional Egyptian song/Arabic poetry and improvised rock, free jazz and noise. They recorded their first albumAykathani Malakonin a traditional house in the village of Saqi Reshmaya, which was then mixed by Radwan Ghazi Mounmeh (Jersualem In My Heart).

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Donovan

7" | 2023 | UK | Original (The state51 Conspiracy)

LP | 2023 | EU | Original (Putojefe)

Release: 2023 / UK – Original

Genre: Rock & Indie

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A special 7 inch single presentation of the classic Donovan tracks (The Tinker and the Crab / Wear Your Love Like Heaven) taken from his seminal double album A Gift from a Flower to a Garden.

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Dorothy Carter

Waillee Waillee

31,99 €*

LP | 2023 | EU | Original (Discreet Music)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Reverse board tip on with silver pantone print. The first ever reissue of Dorothy Carter's 1978 folk/psych/drone masterpiece. A truly unique album in Dorothy's catalog of otherwise traditional psaltery folk music, Waillee Waillee's essence sits in the confluence of Dorothy's mastery of the dulcimer; its shimmering notes fully enmeshed with the tremulous, cavernous drones of Bob Rutman's bowed steel cello. The core of this album, Dorothy's only with a full band, lies in the contradiction of traditional psych-folk idioms and the minimal avant-garde, referencing Henry Flynt and Laraaji as much as Karen Dalton. This LP version includes 12 page booklet with unpublished manuscripts, drawings, photographs, and songbooks of the songs from the album, as well as extended liner notes from friends and family of Dorothy Carter, including notable musicians such as Laraaji, Bob Rutman, and Alexander Hacke (of Einstürzende Neubauten). Drops soon - a joint release between Palto Flats & Putojefe Records.

Dorothy Carter was many things - a virtuoso player, storyteller, historian of Celtic and Appalachian folk music, avid lifelong busker, avant-garde musician, and itinerant troubadour, laying a framework for music that existed both within and outside of standard folk idioms - never better represented than on her 1978 masterwork, Waillee Waillee. Underscored by Bob Rutman’s cavernous bowing of the steel cello, the richness of Waillee Waillee’s sound produces an album unlike any other in her discography. In particular, its two side-ending pieces, “Summer Rhapsody” and “Tree of Life,’’ glide with the shimmering filigree of hammered dulcimer and Dorothy Carter’s ephemeral voice floating over Rutman’s droning buzz of the steel cello. The elements of these two tracks suggest something akin to a transcendental Appalachian raga or whirling cosmic folk music, an effortless combination that serves to add additional substance to the remaining tracks on the album.

The title track is one of her most enduring compositions, often performed in stripped down versions throughout her career, and one of her sole recordings featuring a full band, with the contrapuntal interplay of tremulous flute, vibrating steel cello, bass and drums. Lyrically and tonally, her voice would never sound as stirring and refi ned as on this, her most outwardly accessible song.

She counted musical colleagues as diverse as Constance Demby, Einstürzende Neubauten and Laraaji, as well as her lifelong artistic partner and friend Bob Rutman, whose imprint is felt throughout the grooves of this record. The master tapes for this recording were fortuitously discovered in Rutman’s Berlin studio, many, many years later. As recounted in Laraaji’s contribution to the liner notes, Dorothy was “someone who really influenced my early zither exploration and vocabulary and inspired my shift toward hammered zither performance and recording,” after encountering him busking on the sidewalk one day in the 1970s. Later, when living in Berlin in the early 1990s, Dorothy would begin work on manuscripts detailing the history of the dulcimer family and providing extensive sheet music, selected material of which is reproduced in the twelve page booklet included with this release. Dorothy would find later success touring and performing in the late 90s with the ensemble Mediæval Bæbes, which she led with British musician Katherine Blake, playing a prominent role on their first four albums.

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Leda

Neuter

LP | 2023 | Original (Sme Nashville)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Sofie Herner (Enhet För Fri Musik, Neutral) returns with Neuter, the first proper album since the Gitarrmusik Iii-x LP released on Förlag För Fri Musik back in 2017. Neuter was recorded between 2018 and 2021 and is the culmination of a very distinctive and unmistakable sound Sofie has developed and refined during close to 10 years now. The music of Leda is based on primitive guitar loops of various lenghts, loops that intervenes and creates peculiar rhythms and subtle harmonies. Slow-burning proto-industrial basement buzz with occasional vocals buried in the mix. The connection to the sullen soundscapes of Neutral is of course there, but the skeletal, monotonous compositions and austere nature of things sets this apart widely. Years has passed and Neuter is ultimately more Malmö than Gothenburg. Hints has been thrown out on a handful of limited in-between releases on labels like Knotwilg and Kashual Plastik during the last few years, but Neuter is the pinnacle of Herner's body of solo work. Nine tracks, 37 minutes.

Mastered by Linus at Elementstudio and comes packaged in a cover jacket with full colour printed inside. Edition of 750 copies. Discreet Music 14.

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Tenille Townes

Worktapes

Release: 2023 / Original

Genre: Rock & Indie

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2LP | 2023 | EU | Original (Wagram)

Greatest Hits

Wood / Metal / Plastic / Pattern / Rhythm / Rock

Release: 2023 / EU – Original

Genre: Rock & Indie

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To celebrate the 20th anniversary of Jonny Cash"s demise, listen to this double vinyl gathering all the greatest songs by the man in black ! Including : "Folsom Prison Blues", "I walk the line", "Hey Porter"...

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75 Dollar Bill

LP | 2016 | US | Reissue (Thin Wrist)

41,99 €*

2LP | 2019 | US | Reissue (Thin Wrist)

Release: 2016 / US – Reissue

Genre: Rock & Indie

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75 Dollar Bill, a project by CHE Chen and Rick Brown present Wood / Metal / Plastic / Pattern / Rhythm / Rock. "Che's interest in the Arabic modes of Mauritanian music has marked our sound quite a bit but I have brought some things, too. The plywood crate I play is a big factor, defining, by its positive qualities (a nice warm 'boom' sound) as well as by its simplicity, what we're likely to do in the percussion realm. Wood / Metal / Plastic / Pattern / Rhythm/ Rock, this new record, differs quite a bit from the previous one, notably in the rhythmic 'tone.' Wooden Bag (2015) was all forward momentum, stomping and shaking, but the new record explores a long-standing interest of mine: odd and 'compound' meters. In most of my previous musical activities, I've convinced my partners to delve into this, but in 75 Dollar Bill it has just felt natural and I believe Che's modal investigations and melodic/harmonic tendencies enhance (and are enhanced by) this combination. The current record differs from the last in another big way: reinforcements! Over our few years together, Che and I have frequently had friends play with us at some of our gigs. There have been all sorts of permutations of instruments and some great friends/players who don't all appear on this record but here we are lucky to have a bunch of them: Cheryl Kingan (of THE Scene IS Now) on baritone and alto saxes, Andrew Lafkas (of Todd Capp's Mystery Train) on contrabass, Karen Waltuch (of Zeke & Karen) on viola, Rolyn HU (of True Primes) on trumpet and Carey Balch (of Knoxville's Give Thanks) on floor tom. 75 Dollar Bill's plans for the future involve much more playing with these friends and others in bigger and smaller combos—as well as me and Che stripped back to the core guitar and crate duo. For the present, though, please enjoy Wood/Metal/Plastic/ Pattern/Rhythm/Rock."

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75 Dollar Bill

I Was Real

51,99 €*

Book+LP | 2023 | EU | Original (Jimmy Draht)

Release: 2019 / US – Reissue

Genre: Rock & Indie

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75 Dollar Bill is one of the essential groups at the heart of NYC's underground. Driven by the telepathic union of CHE CHEN's microtonal electric guitar and Rick BROWN's odd metered percussion their long-form sound is unmistakable and compelling. On their third album I Was Real, the group expands in bold new directions, embracing brilliant fuller orchestrations, joyous rockers and entrancing new textures. The album is 75 Dollar Bill's third, featuring new directions accompanying the band's previously established interest in sprawling, unusual grooves and microtonal melodies. The record is enhanced by the presence of eight additional players in various combinations over its nine tracks—but also shows off the duo's strength when stripped down to the core. Requiring a variety of approaches, the album was recorded over a four-year period, in four different studios, with the band's closest associates and collaborators in a range of different ensemble configurations. The album also features several "studio as instrument" constructions that harken back to the collage-experiments of the band's early cassette tapes, while at the same time pointing to territories altogether new.

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V.A.

Glitzerbox 2

56,99 €*

Recorded In Miami 1989-1991

Release: 2023 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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This compilation contains folk songs, experimental collages, field recordings and lo-fi pop by artists like Maxine Funke, Tenniscoats, A Happy Return, Benoit Pioulard, New North Wales, among others. All tracks are exclusive or have never been released on vinyl before. It is accompanied by a 20-pages book with illustrations with works by Petra Péterffy, Laurent Impeduglia, Nadine Spengler, Michael Dumontier, Tomoko Mori and Nicholas Stevenson.

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Watt

LP | 2023 | US | Original (Palilalia)

37,99 €*

Miles Of Aisles 2022 Remaster

Release: 2023 / US – Original

Genre: Rock & Indie

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I was hanging out with Bill Orcutt at the 930 Club nearly 30 years ago, watching a famous post-rock band (who shall remain nameless, but whose moniker contained two-and-a-half times more articles and conjunctions than nouns) when he said: 'This band is like my band in college—all major 7th and 9th chords.' I relate this to emphasize that in the case of Bill Orcutt and Harry Pussy, the seemingly untutored ooze of 'Please Don't Come Back From the Moon' and 'Girl With Frog' had its genesis in something far more Apollonian than is usually understood. It's debatable whether or not Watt, the duo of Orcutt and drummer Tim Koffley featured on Recorded in Miami, is the above referenced grad-school band. Watt is not resplendent with jazz chords, but it's certainly more tutored, offering a mannered link between the contemporaneous Thunders-esque punk of Orcutt's Trash Monkeys and Harry Pussy's mayhem. The continuity with Harry Pussy is more than temporal. Recorded in Miami is Orcutt's first use of the four-string guitar, and Harry Pussy claimed the same amp and drum kit. The resemblance more or less ends there. To further put Recorded in Miami—made on Orcutt's Walkman, Rat Bastard's North Miami studio, and South Miami's Natural Sound (total bill $289)—into context, consider the fecundity of the underground music world as the '80s rolled into the '90s. It's hard to relate to those who missed it, but it was a time when post-hardcore hadn't quite given way to the bloat of grunge, when the Minutemen held sway (for the moment) over Led Zeppelin. The indie world was ruled by an ever-propagating compost heap of jagged guitar bands like Tful282, Truman's Water, and (to crank it back a couple years) Phantom Tollbooth. And in some ways (although Orcutt swears Watt's prime influences were James Blood Ulmer and Fred Frith's Massacre ), this record seems very much cut from that decade-ending cloth, seemingly only one vocal overdub away from a Homestead catalog number. Track after track (mostly titled after episodes of Art Clokey's slyly Buddhist TV masterwork, Gumby), Recorded in Miami 's tracks spill over with right angles, rockist tropes, and verse / chorus structures, from the Minutemen oid funk of 'Band Contest' to the stroked Moore-Ranaldo-isms of 'The Young and the Decoding.' Yet Orcutt's fretboard-spanning angular melodic runs are right up front in the latter, and the final two tracks introduce a bit of the explosive chaos that would follow when Adris finally claimed the drum kit. Consider 'Wattstock,' where Koffley forms the bedrock for an extended Orcutt hotbox of instantly-composed harmolodics. Or 'God Are You There, It's Me, Watt,' where we can hear the spontaneous vocal bursts (the only vocals on the album) that would re-emerge on Orcutt's early solo records. Watt began to crumble when Koffley, as drummers will do, yearned for rhythmic grids of increasing complexity, while Orcutt instead wanted to 'smoke more pot and improvise.' For a few records with Harry Pussy, Orcutt would get his wish (though some of the structuralism of Watt would creep into later records). But we shouldn't regard Recorded in Miami as mere transitional scraps of juvenalia, or stunt-rock delivered for the mere thrill of pulling it off. Rather, it's an early, major piece of the unfolding and complex puzzle of Orcutt's music. A foundation. And without the earth beneath our feet, how can we ever reach the sky?"—Tom Carter

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Joni Mitchell

2LP | 2023 | US | Original (Elektra)

41,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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Folklore Des Weltalls 2 2023 Repress

Die Welttraumforscher

LP | 2021 | EU | Original (Les Giants)

22,99 €*

Seasons Greetings From Perry Como

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Die Welttraumforscher is an enigmatic Swiss musical and artistic project. Active since 1981, when the first cassette came out on Das Moniflabel, they have an archive with more than 30 albums, but also stories, films and fanciful illustrations. Die Welttraumforscher is a sonority exploration that translates energy and sounds from outer space. Its music is the transfiguration of the Galaxy’s complexity and its inspection audio-graphics includes, and give us, the space connections as pure melody. Like a game, it makes us partake of the power of the expression and the World and Celestial bodies’ mysteries. Perpetually in a journey, die Welttraumforscher tells us how there’s always something to discover inside and outside of ourselves. Folklore des Weltalls 2 comes out for his 40th artistic anniversary, with two songs for every celestial body in our solar system, including Pluto and the Moon; on the A-Side a so-called "Dance Song" and on the B-Side a "Dream Song". The songs appear on the record in the same order in which the bodies circle around the Sun. That means that the centre of the record (the label) represents the Sun, and is surrounded by the planets and other bodies, giving us a map of our solar system as we look at the record. 20 new (instrumental) songs, from die Welttraumforscher are included, giving an extraordinary glimpse of the recording work of die Welttraumforscher in their hidden studio. It is deeply connected with one of their favourite ideas: that outer space and especially our solar system is full of music which is only waiting to be discovered. Isti mirant stella (these men wonder at the star). Love is gravity.

Silkscreen print by Legno.

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Perry Como

LP | 1959 | US | Reissue (Sony Legacy)

21,69 €* 30,99 € -30%

Release: 1959 / US – Reissue

Genre: Rock & Indie

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LP | 2023 | EU | Original (Wagram)

Nina Simone

The Jazz Queen

Release: 2023 / EU – Original

Genre: Rock & Indie

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More Than A Whisper: Celebrating The Music Of Nanci Griffith

V.A.

LP | 2023 | US | Original (Rounder)

Release: 2023 / US – Original

Genre: Rock & Indie

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Jump For Joy Orange & Black Swirl Vinyl Edition

Hiss Golden Messenger

LP | 2023 | EU | Original (Merge)

2LP | 2023 | EU | Original (Woods Music)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Indie exclusive Peak Edition on Orange & Black Swirl Vinyl, in a gatefold cover + poster.

It's spring of 2023 in the North Carolina Piedmont, and songwriter and singer M.C. Taylor - leader of the band Hiss Golden Messenger - is feeling alive. Joyful. Eternal, he might say. For the Grammy-nominated musician, whose albums have traced an internal path through adulthood, fatherhood, spirituality, and depression for well over a decade, this is something new. "The tunes on Jump for Joy were composed in free moments throughout 2022, a year during which Hiss was on the road more or less constantly," explains Taylor. "And perhaps because the post-pandemic energy out in the world felt so chaotic and uncertain, I found myself thinking a lot about the role that music has played in my life and how exactly I ended up in the rarefied position of leading a band and crew all over the globe through dingy graffiti-scrawled green rooms, venerated music halls, dust-blown roadside motels. Sometimes playing in front of 5,000; sometimes 200. Sleeping sitting up. Laughing until my stomach hurts. Not being able to fall asleep at 3 a.m. in some anonymous bed because my mind is spinning with anxiety or depression or adrenaline, or because my ears are still ringing. Robbing Peter to pay Paul, then robbing Paul to pay Peter back. Over and over again. It's an outlaw life but one, I'm coming to realize, that makes me happy." The songs that make up Jump for Joy - the sharpest and most autobiographical that Taylor has written under the Hiss name - read as a sort of epistolary, postcards between the present-day songwriter and his alias Michael Crow, a teenaged dreamer very much like Taylor himself, who trips his way through the 14 tunes that make up the record. In this way, Jump for Joy is a meditation on a life lived with art, and the ways that our hopes and dreams and decisions bump up against_ and, with a little bit of luck, occasionally merge with real life. "Creating this character became the way that I could explore these vulnerable, tender moments that were so decisive in my life, even if I didn't know it at the time," explains Taylor. Produced by Taylor and engineered by longtime Hiss compatriot Scott Hirsch over two weeks in the late fall of 2022 at the fabled Sonic Ranch studio in Tornillo, TX, just a short walk from the Mexican border, Jump for Joy dances with joyful, spontaneous energy that feels like a fresh chapter in the Hiss Golden Messenger oeuvre. Taylor is accompanied throughout the album by his crack live band: guitarist Chris Boerner, bassist Alex Bingham, keyboardist Sam Fribush, and drummer Nick Falk, a collection of musicians that have helped make Hiss Golden Messenger's live performances legendary affairs.

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Steel Woods

On Your Time

28,04 €* 32,99 € -15%

Release: 2023 / EU – Original

Genre: Rock & Indie

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Two Sad Little Islands Drift Together, Two Lonely Little Monkeys Find A Tree (Rare And Unreleased) 2015-2023 Orange Creamsicle Splatter Vinyl Edition

Richard Edwards

3LP | 2023 | US | Original (Profound Discomfort)

66,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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"The most underrated songwriter of our times" - Los Angeles Review Of Book.

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Todd Rundgren

Now Playing

LP | 2023 | UK (Rhino)

28,99 €*

Release: 2023 / UK

Genre: Rock & Indie

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LP | 2023 | EU | Original (Oh Boy - Thirty Tigers)

Tre Burt

Traffic Fiction

Release: 2023 / EU – Original

Genre: Rock & Indie

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Feel Good Black Vinyl Edition

Jaime Wyatt

LP | 2023 | US | Original (New West)

LP | 2023 | US | Original (Bloodshot)

Release: 2023 / US – Original

Genre: Rock & Indie

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“I’m still learning how to experience joy, how to be free, how to be comfortable in my own skin,” says Jaime Wyatt. “A lot of us grow up feeling like we have to hide who we are just to be accepted, but that comes from a place of fear and judgment. I wrote these songs as a way of letting go of all that, as permission to feel good.” Feel Good, Wyatt’s extraordinary new album, is more than just a permission slip, though: it’s an invitation. Recorded with Black Pumas’ Adrian Quesada, the record is bold and ecstatic, built on tight, intoxicating grooves that belie the songs’ substantial emotional stakes. Wyatt’s writing is raw and intuitive here, tapping into the deep recesses of her subconscious as she reckons with grief and growth, and her delivery is visceral to match, cutting straight to the bone with equal parts sensitivity and swagger. Taken as a whole, the collection stands as a radical act of creative liberation from an artist already known for pushing limits, a genre-defying work of healing and self-love that tips its cap to everything from Al Green and Otis Redding to Waylon Jennings and Bobbie Gentry in its relentless pursuit of peace and pleasure.

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Wayne Hancock

A-Town Blues

28,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Yep Roc)

Steep Canyon Rangers

Morning Shift

28,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Yuma Black Friday Record Store Day 2023 Gold Vinyl Edition

Justin Townes Earle

LP | 2013 | EU | Reissue (Bloodshot)

33,99 €*

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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A Great Miracle: Jeremiah Lockwood's Guitar Soli Chanukah Record

Jeremiah Lockwood

LP | 2023 | US | Original (Reboot)

Fados De Coimbra E Outras Cancoes

Release: 2023 / US – Original

Genre: Rock & Indie

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A Great Miracle: Jeremiah Lockwood’s Guitar Soli Chanukah Album, a solo guitar tribute to the holiday, is now available on Reboot Records. With heartfelt appreciation of the 1968 classic The New Possibility: John Fahey’s Guitar Soli Christmas Record, Jeremiah Lockwood has sweetly crafted eight songs, one for each night of Chanukah, to celebrate the dancing candlelight with his new, blues-inspired takes on the most beloved melodies of the holiday’s canon. Lockwood’s career has followed a unique path, with deep musical inspiration coming from two mentors. His grandfather Cantor Jacob Konigsberg (1921-2007) infused in him the melodies of the Jewish liturgy, with Lockwood performing in his choir. Lockwood credits his career as a guitarist to a decade-long apprenticeship with the legendary blues musician Carolina Slim, aka Elijah Staley (1926-2014), who passed down to Lockwood the Piedmont blues tradition of Brownie McGhee and Buddy Moss. Lockwood also leads the band Sway Machinery, which features Jordan McLean of Antibalis and at one point Brian Chase of the Yeah Yeah Yeahs. The Great Miracle is the ultimate realization of both sides of Lockwood’s learning, as he translates the major Chanukkah melodies into a blues language, through his fingers and the strings of his Gibson guitar.

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José Afonso

LP | 2023 | EU | Original (Mais 5)

15,39 €* 21,99 € -30%

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 1969 | EU | Reissue (Direction)

Bobby Darin

Commitment

7" | 1978 | JP | Reissue (Universal Music Japan)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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- Limi...

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Doji Morita

Celluloid No Shoujo

Release: 1978 / JP – Reissue

Genre: Rock & Indie

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7" | 1976 | JP | Reissue (Universal Music Japan)

Doji Morita

Bokutachi No Shippai

Release: 1976 / JP – Reissue

Genre: Rock & Indie

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Sayonara Boku No Tomodachi

Doji Morita

7" | 1975 | JP | Reissue (Universal Music Japan)

Release: 1975 / JP – Reissue

Genre: Rock & Indie

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With His Hot And Blue Guitar Orange/Black Splatter Vinyl Edition

Release: EU – Reissue

Genre: Rock & Indie

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With His Hot And Blue Guitar Marble Vinyl Edition

20,99 €*

Release: EU – Reissue

Genre: Rock & Indie

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With His Hot And Blue Guitar Colored Vinyl Edition

18,99 €*

Release: EU – Reissue

Genre: Rock & Indie

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With His Hot And Blue Guitar

15,99 €*

Release: EU – Reissue

Genre: Rock & Indie

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LP | 1971 | CA | Reissue (Return To Analog)

Hawk

African Day

Shirley Hurt Transparent Orange Vinyl Edition

Release: 1971 / CA – Reissue

Genre: Rock & Indie

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"It's dark and still in the chief's village protected by mountains of the great southern regions of Africa..." so begins the seventeen minute epic 'African Day' that kicks off the greatest Afro-psychedelic concept album ever made — first released on Parlophone in 1971. Hawk’s music on this epochal album is a fusion of tribal African rhythms with acoustic hippie music elements — long solo jams, saxophone breaks, percussion — sounding at times like an African version of Embryo fronted by Tim Buckley! In Johannesburg, bursting, like Durban, with musicians aeons ahead of their time, Hawk added the sunburnt, brown prairies of Africa to the genre of the concept album — the heady, steady beat of drums, and enough cross-rhythms to make you dizzy. Add the mesmerizing voices – and the telling of a story. Tuck in the ranging flute, the saxophone. The deep bass buzz. And the hypnotic talking drums. Music the African way: earthy stuff – virile, extraordinary, substantial. Hawk were listening to a lot of Hugh Tracey tapes (the Afro-musicologist who travelled Africa capturing sounds and music on tape for posterity). They went to Swaziland and came back with their own sounds: drums and a burning desire to make their own brand of African music. From all of this came "African Day.” Our Lion/RTA reissue comes with an LP-sized 12-page booklet which includes a complete band history by music writer Owen Coetzer, packed with photos, plus the story of the re-discovery of the multi-track master tapes and the transfer of those newfound tapes that resulted in this very reissue.

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Shirley Hurt

LP | 2023 | UK | Original (Melodic)

Blood Harmony-The Country Hits 1955-62

Release: 2023 / UK – Original

Genre: Rock & Indie

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Temple, Bassey, MacLaine and now, Hurt; in a world of Shirleys, the name Sophia Ruby Katz has chosen for her music is perhaps prophetic as it captures her stunningly emotive vocal approach. And whilst Shirley Hurt might be the perfect nom de plume for the creative Toronto-based artist, it’s her self-titled debut album which positions her as protagonist of her own universe.

Traversing sonic landscapes, Shirley Hurt’s vocals ebb and flow like lyrical Ley lines tracking the contours of her own well-travelled map. By the age of 18, Hurt had travelled extensively, having lived in upwards of 20 different apartments and houses, as a result never really feeling “at home” anywhere. At this age was when Hurt found herself in New York, dipping her toes into various scenes and musical realms. The first and only place she ever felt at home, and a partial home-base for her, she travelled between Toronto and New York until the age of 26.When the project she was working on in New York reached a dead-end she returned West, moving in with musicians Harrison Forman (Hieronymus Harry, Zones) and Patrick Lefler (Roy, Possum). Being surrounded by their improvising at all hours, a new approach emerged. “Harrison is a virtuosic guitar player, and I hadn't picked up a guitar in any serious way since I was 16,” she says, “by osmosis I started playing again for fun.” Without agenda, the process grew organically from there.

Hurt and Forman decided to travel across the US and Canada in a trailer for half a year, with the entire album written in the final months of their trip. Hurt had been writing loose ideas here and there but felt blocked creatively. When the pair reached Berkley, they wound up house-sitting for a tuned-in friend who recommended she pray, in a very direct way, to remove the block. “I took her advice and to my surprise it worked. The album was conceptualized and finished within a couple of months.” Shapeshifting in tone and phrasing, Hurt’s music alchemizes the furthest corners of experimental indie folk, pop, and country into a singular sound with elegant unpredictability.

Whilst Shirley Hurt’s lyrical and structural ideas may have emerged on the road, the album was self-produced and recorded at Joseph Shabason (The War on Drugs)’s Aytche studio in Toronto’s West End. It was engineered by Nathan Vanderwielen and Chris Shannon (Bart), and Hurt enlisted collaborators Jason Bhattacharya, Nick Dourado, Patrick Lefler, and Harrison Forman to hone her vision. “I wasn’t sure what was going to happen with the songs until we returned to Toronto,” she recalls. “Joseph and I had been talking about working together after sending across some demos and Jason happened to recommend his studio at the exact same time, so everything came together naturally at that point.”

Whilst her most recent adventures may have seen Shirley Hurt bound for Texas as an official Sxsw artist (hand-picked by Gorilla Vs Bear to perform at their own showcase), she currently resides in her native Canada, more specifically rural Ontario, close to friends and family, and is already working on her second album. The ties to lineage are interwoven in the fabric of the music. Hurt’s mother, artist Leala Hewak, instilled a lust for life and innate value of creativity in her from a young age as she explored the role of gallery owner, vintage jewellery show host, mid-century modern furniture expert, real estate agent, painter. Hurt’s father, a civil litigation lawyer and new-wave obsessed music lover with an extensive vinyl collection, introduced Hurt to a wide-range of artists at a young age such as Nina Hagen, Laurie Anderson, Tom Tom Club, and endless others.

In her video for ‘Problem Child’ Hurt’s grandmother walks her through a generationally revered pie-making process. One would be tempted to hear this, and other songs, as autobiographical. Yet, Hurt’s lyrics are rarely pulled from her relationships or personal history––at least not consciously. Rather, they arise from somewhere less tangible or defined. “Lyrics tend to come to me when I am doing non-musical things - washing dishes, brushing my dogs, walking to the grocery store. I have a lot of voice memos on my phone and half-filled notebooks and when I hear something, I have to stop what I'm doing to get the idea down. Usually it’s bits and pieces. It's rare a full song comes to me in one go, but it's great when they do, and those are often my favourites.”

Carving out a space of her own in an all-encompassing universe, Shirley Hurt is the introduction to a long artistic story, and if the journey so far is anything to go by, it will be stippled with evermore unpredictable chapters.

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Louvin Brothers

LP | 2023 | EU | Original (Acrobat)

22,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Cowboy In Sweden Deluxe Edition

Lee Hazlewood

2LP | 2016 | US | Reissue (Light In The Attic)

41,79 €* 43,99 € -5%

2LP | 1972 | US | Reissue (Light In The Attic)

Release: 2016 / US – Reissue

Genre: Rock & Indie

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Newly Expanded Deluxe Double LP Edition! Double LP expanded edition includes outtakes, demos and instrumentals, including 10 previously unreleased recordings 26 total tracks Album remastered from pristine LHI master tapes by GRAMMY®nominated mastering engineer John Baldwin Liner notes by GRAMMY®nominated reissue producer Hunter Lea including interviews with Torbjörn Axelman, Suzi Jane Hokom, Nina Lizell, Don Randi, Hal Blaine and Shel Talmy Rare film production photos from the Torbjörn Axelman archive Double LP housed in a gatefold jacket By the end of the 1960s Lee Hazlewood’s LHI Records had burned piles of cash, gone through a half dozen distributors and failed to achieve the kind of chart success “Boots” had promised. Fortunately for Lee there was a land where he was still on the top of the charts, a place where women flowed like Brännvin...Sweden was calling. Released as the last LHI LP, Cowboy in Sweden was a soundtrack to the 1970 cult classic film of the same name starring Lee Hazlewood. The film was a surreal psychedelic account of Lee’s journey to his new homeland, while the soundtrack was a perfect compilation of Hazlewood’s orchestral melancholy country pop songs. Recorded over a prolific globe trotting three year period, Lee’s peak on LHI records was ironically the label’s swan song.

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Lee Hazlewood

13 Deluxe Edition

43,69 €* 45,99 € -5%

The LHI Years: Singles, Nudes & Backsides (196871)

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Newly Expanded Deluxe Double LP Edition! Includes the original 1972 album, plus all of Larry Mark's acoustic demos and tracks from his unreleased 1970 LHI LP for the first time on vinyl Previously unreleased session outtake of “Cold Hard Times” plus demos of obscure Hazlewood compositions “Drums,” “The Start,” “Susie,” “Miracle on 19th Street,” and “Peppermint Morning” 30 total tracks Remastered by GRAMMY®nominated mastering engineer John Baldwin Liner notes by GRAMMY®nominated reissue producer Hunter Lea including interviews with Larry Marks, Joe Cannon, Torbjörn Axelman & Suzi Jane Hokom Lee Hazlewood comic strip, the story of 13 told through original artwork by Jess Rotter Double LP housed in a gatefold jacket “Pimps… whores… pushers… dopers… gangsters… and bottom of the human chain shitheels. Now you’re probably thinking I’m writing about major record companies and their unscrupulous executives… and lawyers. You could be right… but this time… You’re Wrong! I’m describing the characters in my album ‘13’ …Some I knew… some I invented … some are true… some are false… some I liked… some I didn’t. But they all had a story to tell and I told it…none of ‘em seem to care… and I don’t either… have fun…" Lee Hazlewood

“He (Lee) took my voice off the album and put his voice on the album. Now don’t forget these were in my keys, it was my charts, it was my everything. Lee Hazlewood was not even remotely going to be considered as an artist for this album and that’s the way he wanted it.” Larry Marks

The album 13 was never supposed to be a Lee Hazlewood album. It is perhaps the strangest record in one of the most varied discographies in music. The Bombastic brass heavy funk, deep blues and soul paired with Hazlewood’s subterranean baritone would be best enjoyed with a tall Chivas in an offstrip seedy Vegas lounge. By 1972 Lee Hazlewood had settled in his new homeland of Sweden. His days were spent carousing, making movies with Torbjӧrn Axelman and releasing albums. To keep up his prolific recorded output, Lee began to mine the recently defunct LHI Records archives for material. One such gem, was an unreleased album by Larry Marks (lhi producer, artist and the voice of the first ScoobyDoo theme). Larry’s concept was to take Hazlewood’s strongest compositions and arrange them in a soul vibe. An album was completed, but with no distribution in America and no funding, Lee had no vehicle to release Larry’s record. The tapes were taken to Sweden, Larry’s voice was wiped and Hazlewood’s was dubbed… 13 was born.

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Lee Hazlewood

2LP | 2012 | US | Reissue (Light In The Attic)

39,59 €* 43,99 € -10%

Guitarists Of Istanbul (Orient & Occident)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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Cuts from essential albums like Cowboy In Sweden Features duets with Suzi Jane Hokom, AnnMargret and Nina Lizell Audio remastered from original tapes Unreleased song “I Just Learned To Run” Indepth liner notes & unseen photographs As a true legend of the great American songbook and a rebellious pioneer who left behind a lengthy trail of echo laden pop masterpieces, Lee Hazlewood’s influence continues to reverberate today. Between 196871, Hazlewood not only released his finest solo work, but produced numerous artists on LHI. From acidfolk and countryrock to poppsych and soul, LHI issued dozens of long forgotten 45s and LPs. This series will include material from LHI (remastered for the first time from the original analog tapes), along with Lee’s output for other labels, rarities, and unreleased gems.

With his handlebar moustache and booming baritone, Lee Hazlewood was one of the defining stars of the late ‘60s. Though he’s perhaps best known for his work with Nancy Sinatra (including writing megahit “These Boots Are Made For Walking”), Hazlewood did stunning work away from that particular glamour queen and found latter day champions in Beck, Sonic Youth, and Jarvis Cocker. Now, for Record Store Day 2012, we are kicking off our excavation of the Lee Hazlewood archives with this anthology, Singles, Nudes & Backsides, collecting the best of Lee’s solo songs and duets from his LHI (Lee Hazlewood Industries) imprint.

As a true legend of the great American songbook and a rebellious pioneer who left behind a lengthy trail of echo laden pop masterpieces, Lee’s influence continues to reverberate today. Between 196871, Hazlewood not only released his finest solo work, but produced numerous artists on LHI. From acidfolk and countryrock to poppsych and soul, LHI issued dozens of long forgotten 45s and LPs. This series will include material from LHI (remastered for the first time from the original analog tapes), along with Lee’s output for other labels, rarities, and unreleased gems.

See the sleeve: surrounded by nude girls, each wearing a fake moustache, Hazlewood wears a suit, eversoslightly awkwardly playing the role of the ‘60s playboy. Just like the picture, the songs present a man conflicted; he’s the tenderhearted romantic, the brokenhearted loser and the rugged cowboy, all in one. It’s there in the western swing of “Califia (Stone Rider)”, the loneliness of ”The Bed” and the bleak beauty of ”If It’s Monday Morning.” Hazlewood’s tremulous voice was made for duets (indeed, he wrote ”Some Velvet Morning”, one of the greatest of all time); here, Suzi Jane Hokom, AnnMargret and Nina Lizell play counterpart to his manly tones.

In the wonderful liner notes, written by British journalist Wyndham Wallace, the writer describes his friend Hazlewood as “a curmudgeonly, unpredictable sort at the best of times, as impatient with his own talent as he is with other people.” The Hazlewood Wallace knew was puzzled by the growing interest in him in the last two decades of his life, which was ended by cancer at age 78. That late flurry of interest saw him perform at the Royal Festival Hall in 1999, his first ever solo performance in the UK.

A natural wanderer, Lee lived a big life, fighting in the Korean War, working as a radio DJ in Phoenix, Arizona, setting up Viv Records in the ‘50s, working as a bigshot LA producer in the ‘60s, signing Phil Spector to his Trey Records label and prematurely announcing retirement in the wake of the mid‘60s British invasion. He didn’t: Nancy Sinatra came along, the hits started flowing and he continued producing characterful solo albums into the ‘70s, which saw his move to Sweden. By 2007, Hazlewood was living in Vegas, and begrudgingly enjoying that flurry of latterday interest in his work. This landmark compilation promises to create many more converts.

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V.A.

LP | 2023 | TR | Original (Rainbow45)

18,69 €* 21,99 € -15%

Release: 2023 / TR – Original

Genre: Rock & Indie

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2LP | 2023 | EU | Original (No Quarter)

James Elkington

Me Neither

33,99 €*

LP | 2023 | EU | Original (Matjéasso)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Me Neither is a 29 track double album of instrumental guitar music. While juggling a number of other projects James Elkington began writing "music for which there was no purpose." It became a new way of working for him - waking up each morning and improvising and recording the first thing that came into his head. "The only rules I gave myself were that I should make most of the sounds with a guitar, changing the speed or processing the recordings afterwards to get the effect I was looking for." Before long he had an albums worth of material. About mid-way through the second album Elkington had a liberating thought: he was making his own version of library music "if you're writing library music, you don't have to know what it's for - that can be someone else's job."

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