Folk Vinyl 143 Items

Japanese pressing with obi.

Red vinyl.

Japanese pressing without obi | Foxing inside gatefold

Japanese pressing without obi. Foxing inside gatefold and discoloration on back cover.

Japanese pressing.

Japanese pressing. OBI is missing. Few paper scuffs. 1974 reissue.

No Obi, no insert.

Japanese pressing.

Taped spines. Japanese pressing. OBI is missing. Vinyl is close to NM.

Japanese pressing. OBI is missing. Slight seam wear. vinyl is close to NM.

Japanese pressing. OBI is missing. 1969 reissue.

Japanese pressing. OBI is missing. close to NM. 1982 reissue.

Japanese pressing. OBI is missing. vinyl is Close to VG+. 1973 reissue.

Japanese pressing. Tiny corner wear and a few paper scuffs.

Red Vinyl with a couple of light scuffs. Cover with sticker

Vinyl close to VG+

Japanese pressing without OBI, with insert.

Japanese pressing without OBI. Vinyl 1 has many scuffs, hairlines and sticky spots.

Red vinyl. Japanese pressing.

Japanese pressing. With insert.

Japanese pressing. OBI is missing. Vinyl is Close to VG+.

180 gram pressing!

Japanese pressing.

No Obi, with insert.

Limited to 100 copies on green vinyl. Only available at hhv.de

Enchanting and sunny 1969 psych folk by San Francisco teenage sisters Wendy & Bonnie Flower. A cult album that would later inspire bands like Stereolab, with dreamy vocal harmonies as the main attraction, laced with Brazilian splashes and soft-rock strains. Pure timeless psychedelic pop perfection, awash in serenity and haunting reverie floating in the ether above airy soundscapes that convey a sophistication that belies the artists' tender age: 15 and 18. Alongside them are top-notch musicians such as guitarist Larry Carlton, drummer Jim Keltner, bassist Randy Sterling and organists/pianists Mike Melvoin and Mike Lang. Originally produced by Gary McFarland, Gábor Szabó and Cal Tjader.

Enchanting and sunny 1969 psych folk by San Francisco teenage sisters Wendy & Bonnie Flower. A cult album that would later inspire bands like Stereolab, with dreamy vocal harmonies as the main attraction, laced with Brazilian splashes and soft-rock strains. Pure timeless psychedelic pop perfection, awash in serenity and haunting reverie floating in the ether above airy soundscapes that convey a sophistication that belies the artists' tender age: 15 and 18. Alongside them are top-notch musicians such as guitarist Larry Carlton, drummer Jim Keltner, bassist Randy Sterling and organists/pianists Mike Melvoin and Mike Lang. Originally produced by Gary McFarland, Gábor Szabó and Cal Tjader.

A Twangy Touch On 1960s Hits!

As one of America’s most influential guitarists, Duane Eddy’s famed twangy, reverb-drenched guitar shines on a wide variety of pop-rock hits, standards, and more!

Backed by two drummers, four more guitars, organ, piano, bass, saxes, and that's just the beginning, Duane goes unafraid at the kind of tunes that normally are "one person songs" Like "Ballad of the Green Berets" which becomes a twang-bang march under Duane's banner. Like "Monday, Monday" which was "The Mamas and Papas" and now has the wild newness of Duane Eddy.

After rising to fame in the late ‘50s with “Rebel Rouser,” Eddy’s influence on radio inspired musicians like George Harrison and Bruce Springsteen. Rockabilly and country music were both major factors in Eddy’s trademark sound; heavy, catchy guitar riffs over a ska-type beat. His hits included “Peter Gunn,” “Because They’re Young,” and “Twistin’ ‘n’ Twangin’.”

As music morphed into melodic sunshine pop, Eddy adapted his sound to fit chart hits of the ‘60s in his own twangy style.

Cover is missing.

Cover close to VG+

German reissue. Cover and vinyl are close to NM.

Vinyl is close to NM.

Cover slightly yellowed.

Vinyl with a couple of light scuffs

Front cover with sticker rip off.

clear vinyl. 2012 reissue. With insert

seam wear. mono pressing

close to NM. 2016 reissue.

Tear in top spine. Vinyl is slightly warped, otherwise VG+.

Copy close to NM

2018 reissue.

Ultra-rare 1966 solo album by singer/songwriter Trevor Lucas of Fairport Convention, Fotheringay, and Election. This Australian born folk legend recorded his own songs and a handful of covers – mostly solo acoustic, occasionally accompanied by bass, concertina, and fiddle. First ever authorized reissue (by his estate) of this gem.

2019 reissue.

Vinyl close to VG+

Vinyl seems unplayed. Cover is close to NM. With insert. 2009 reissue.

180 gram pressing!

Pop up cover. Terre Haute pressing. torn spines

Vinyl close to VG+

Red vinyl. Copy close to VG

Vinyl with scuffs and hairlines

Vinyl with many scuffs and hairlines

Cover with stains and yellowing.

Japanese pressing, no Obi.

Japanese pressing, no Obi.

With OBI.

A Twangy Touch On 1960s Hits!

As one of America’s most influential guitarists, Duane Eddy’s famed twangy, reverb-drenched guitar shines on a wide variety of pop-rock hits, standards, and more!

Backed by two drummers, four more guitars, organ, piano, bass, saxes, and that's just the beginning, Duane goes unafraid at the kind of tunes that normally are "one person songs" Like "Ballad of the Green Berets" which becomes a twang-bang march under Duane's banner. Like "Monday, Monday" which was "The Mamas and Papas" and now has the wild newness of Duane Eddy.

After rising to fame in the late ‘50s with “Rebel Rouser,” Eddy’s influence on radio inspired musicians like George Harrison and Bruce Springsteen. Rockabilly and country music were both major factors in Eddy’s trademark sound; heavy, catchy guitar riffs over a ska-type beat. His hits included “Peter Gunn,” “Because They’re Young,” and “Twistin’ ‘n’ Twangin’.”

As music morphed into melodic sunshine pop, Eddy adapted his sound to fit chart hits of the ‘60s in his own twangy style.