Folk Vinyl 736 Items

LP | 2021 | EU | Original (Not Now)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Amsterdam’s Altın Gün have built a strong reputation for melding past and present to make brilliantly catchy, psychedelic pop music, as seen with their Grammy-nominated second album, Gece. They are also a renowned live band with strings of sold-out shows on three continents, who have consistently brought a muscular groove to their recordings.Yol, their third album in as many years, excitedly continues these trends; while also digging in deep to unveil a new palette of sonic surprises. Though it draws from the rich and incredibly diverse traditions of Anatolian and Turkish folk music,Yol is not just a record that reframes traditional sounds for a contemporary audience. The album often presents a textured, avant-pop sound as evidenced by the debut single "Ordunun Dereleri.” Mysterious and atmospheric, the track is a thrilling evolution for the band. It patiently coaxes the listener into a resonant soundworld of down-tempo electro beats, majestic synths and Erdinç Ecevit's yearning vocal of unrequited love. The album also signals a very different approach in making and recording for the band. Singer Merve Dasdemir takes up the story: “We were basically stuck at home for three months making home demos, with everybody adding their parts. The transnational feeling maybe comes from that process of swapping demos over the internet, some of the music we did in the studio, but lockdown meant we had to follow a different approach.”

With Yol, Altın Gün have maybe patented their own magical process of reimagining and sonic path-finding, one probably not heard since the late 1960s and early 1970s British folk- rock boom. Less of a reworking than a seduction, their recordings transport the listener to a world where the original songs never previously inhabited. Merve Dasdemir again: “After we worked on them, they got a whole new life of their own. Maybe we went a little bit too far (laughs).”

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Ink Spots

Best Of

Release: 2021 / EU – Original

Genre: Rock & Indie

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The Whole Love (Expanded) Record Store Day 2024 Vinyl Edition

Wilco

3LP | 2011 | EU | Reissue (Sony Music Catalog)

62,89 €* 73,99 € -15%

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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Quantity: 4500
Release type: RSD Exclusive Release

Wilco’s legendary 2011 album now on three LP’s. Expanded to include all related single, EP and bonus tracks - plus A selection from The Loft's archive of live in-studio performances and previously unreleased alternate mixes and demos. Includes Wilco classics "Art of Almost", "Dawned on Me”, "Sunloathe” . 3LP Box

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Habibi Funk: An Eclectic Selection Part 2

2LP | 2021 | EU | Original (Habibi Funk)

32,99 €*

LP | 2019 | EU | Original (Glitterbeat)

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Second compilation by Habibi Funk, following the success of the first part, featuring a wide range of music from North Africa and the Middle East.

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Altin Gün

Gece

LP | 2019 | UK | Reissue (Time Capsule)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Nominated for a Grammy!

Following their hotly tipped 2018 debut album “On” – Altın Gün returns with an exhilarating second album. “Gece” firmly establishes the band as essential interpreters of the Anatolian rock and folk legacy and as a leading voice in the emergent global psych-rock scene. Explosive, funky and transcendent.

The world is rarely what it seems. A quick glance doesn’t always reveal the full truth. To find that, you need to burrow deeper. Listen to Altın Gün, for example: they sound utterly Turkish, but only one of the Netherlands based band’s six members was actually born there. And while their new album, Gece, is absolutely electric, filled with funk-like grooves and explosive psychedelic textures, what they play – by their own estimation – is folk music.

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Shravanam

Bombay S Jayashri

Mechul: Singles And Rarities

Release: 2019 / UK – Reissue

Genre: Rock & Indie

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Dive into the spiritual depths of Carnatic Music(Southern Indian classical music) - An enchanting journey of devotion and transcendence pulsates with raw sincerity and profound spirituality, casting a spell that transcends boundaries of belief.

2024 new vinyl repress with different track list on the side B

Reverse Cut Vinyl

This record plays from the inner groove to the outer groove.

comes with hype sticker.

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Erkin Koray

LP | 2011 | EU | Reissue (Sublime Frequencies)

Damon Albarn (Blur / Gorillaz)

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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Erkin Koray and Sublime Frequencies are pleased to present this collection of rare tracks and lesser-heard singles. All tracks were recorded and released in Turkey between 1970 – 1977 and culled from Koray's personal vinyl collection. Includes exclusive photos and remastered audio. What more is there to say about Erkin Koray? An iconic guitar and songwriting genius. A voice of gold – Having founded the country’s first ever rock and roll group in 1957, he is regarded worldwide as the father of Turkish rock. Forging western sounds with his own inimitable musical mastery, he self-produced singles and LPs throughout the 1960s and 1970s that shook and altered Turkish society. Erkin didn't stop at rock and roll. Over time, he began to find inspiration in folk sounds from Turkey's Anatolian interior, and radio broadcasts received from Egypt and Lebanon. He looked to the east from his west-leaning Istanbul perch, and began incorporating these sounds into his own work. This amalgamation was as unprecedented and unorthodox in Istanbul at the time as rock and roll itself had been in the 1950s. The resulting hybrid sound ignited what became known as the Arabesque music movement in Turkey – which continues to this day. While Erkin has recorded and performed tirelessly throughout the years, [both as a solo artist, and with the powerful groups he formed,] his extensive back catalogue only began to be explored by the international community in the 1990s. He is now recognized as one of the foremost global leaders of psychedelic, folk rock, pop and balladry. His music has stood the test of time more than many of his western contemporaries and influences have managed to, and his prolific work ethic has not ceased. He continues to live and breathe music, performing epic concerts, and continuously plotting new recordings and strategies. His vision and integrity, coupled with his pronounced world views and inherent musical greatness, have made him the unique and magnificent living legend he is today. This collection features tracks not found on the many unauthorized Erkin compilations and LP reissues that have emerged in the west over the years. Ranging from the sublime to the surreal, these tracks offer an essential glimpse into the extensive repertoire of the great Erkin Koray.

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The Nearer The Fountain, More Pure The Stream Flows Black Vinyl Edition

LP | 2021 | UK | Original (Transgressive)

19,99 €*

Release: 2021 / UK – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Habibi Funk)

Roger Fakhr

Fine Anyway

LP | 2010 | EU | Reissue (Warner)

Release: 2021 / EU – Original

Genre: Rock & Indie

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"Beautiful melange of folk, jazz and sound from Lebanon. Recorded in late 1970s Beirut by Rogér Fakhr who at the time also played guitar for Ziad Rahbani and Fairouz.“

Rogér Fakhr is a musician from Lebanon. He recorded these songs in the late 1970s in Beirut (and some during a brief exile in Paris). Some were circulated on hand copied cassettes among friends, others like "Had To Come Back Wet" were never released. His music effortlessly combines folk with touches of jazz and soul. He wrote, composed and arranged all songs. While working on his own music he also played for Ziad Rahbani, Fairouz and other musicians.

When we first heard Roger's music we were blown away! The music was a mixture of folk with touches of other genres. Maybe one could also refer to it as “singer-songwriter”, since all of the songs were Roger’s own compositions. Songs of unique beauty both musically as well as lyrically. At the same time they gave me the feeling of them being somehow time and space isolated capsules. Nothing really revealed, where they could’ve been recorded and without knowing it was Beirut, my first guess maybe would have rather been California, sometime in the 1970s. The immersive effect of his compositions and voice are just incredible. I was stunned and proposed Roger to work on a re-release, which he politely declined, saying he had no interest in this music being reissued.

The vinyl version comes with a 8 page booklet and a DL code.

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Zaz

Release: 2010 / EU – Reissue

Genre: Rock & Indie

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2LP | 2016 | EU | Original (Efficient Space)

Sky Girl

Emahoy Tsege Mariam Gebru

Release: 2016 / EU – Original

Genre: Rock & Indie

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2024 restock. Sky Girl is a mysteriously unshakeable companion, a deeply melancholic and sentimental journey through folk-pop, new wave and art music micro presses that span 1961-1991. It's a DIY collection of different genres, from different countries across different decades, that are all bound by the same longing sentiment. A concept compilation! A seemingly disparate suite of selections of forgotten fables by more or less never-knowns, Sky Girl forms a beautifully coherent and utterly sublime whole deftly compiled by French collectors DJ Sundae and Julien Dechery. From Scott Seskind's adolescent musical road movie to Karen Marks' icy Oz-wave, the charming DIY storytelling of Italian-American go-getter Joe Tossini and the ethereal slow dance themes of Parisian artists Nini Raviolette and Hugo Weris, Sky Girl resonates on a wide spectrum historically, geographically and stylistically. It unites in a singular, longing, almost intangible ambience. If the names sound wholly unfamiliar that doesn't matter, the nature of the compositions swiftly nurtures an intimacy with these lonely, poignant, openhearted wanderers. Most were available in a very limited capacity at the time of their release, some were never really released at all - Gary Davenport declined to release "Sarra" after he split with the girl for whom the track is named - years later a friend convinced Davenport to allow him to put 100 copies online to sell and DJ Sundae was quick enough to snare one. Beyond their scarcity, these tracks are bound together by a certain raw beauty that's achievable when music is made and no one is listening. Sky Girl comprises of fifteen officially licensed songs, a two year international scavenger hunt through long-folded home label operations, the depths of internet forums and traceless acetates. Both compilers are well trained record sleuths - DJ Sundae's labels Hollie and Idle Press have reissued Arthur Russell affiliate Nirosta Steel and DIY relic Pitch, while Julien Dechery previously compiled Fire Star, a retrospective on Tamil film composer Ilaiyaraaja, for Bombay Connection. Released by popular NTS show "Noise In My Head" offshoot Efficient Space, Sky Girl is enriched with artwork from Perks and Mini mutant Misha Hollenbach and appropriately elegant sleeve notes courtesy of Ivan Smagghe. Includes digital download. Also features: Linda Smith, Bruce Langhorne, The Seraphims, Some of My Best Friends Are Canadians, The Rising Storm, Warfield Spillers, Joyce Heath, Angel, Nora Guthrie and Once.

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Emahoy Tsege Mariam Gebru Purple Vinyl Edition

LP | 2016 | US | Reissue (Mississippi)

Annie Up Vinyl Me, Please Edition

Release: 2016 / US – Reissue

Genre: Rock & Indie

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Purple Vinyl.Celestial piano composition and performance by a classically-trained Ethiopian nun. Erik Satie, Debussy, liturgical music of the Coptic Church, the Ethiopian five-note scale, and a touch of the divine. It is some of the most moving piano music you will ever hear!

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Pistol Annies

LP | 2013 | US | Reissue (Vinyl Me, Please)

35,99 €*

Release: 2013 / US – Reissue

Genre: Rock & Indie

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2LP | 2019 | EU | Original (Gutfeeling)

Hochzeitskapelle

If I Think Of Love

28,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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An Overview On Phenomenal Nature Aquamarine Vinyl Edition

Cassandra Jenkins

LP | 2021 | EU | Reissue (Ba Da Bing)

Bon Iver 10th Anniversary Edition

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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Another colorway of this fantastic record.

“Nothing ever really disappears,” Cassandra Jenkins says. “It just changes shape.” Over the past few years, she’s seen relationships altered, travelled three continents, wandered through museums and parks, and recorded free-associative guided tours of her New York haunts. Her observations capture the humanity and nature around her, as well as thought patterns, memories, and attempts to be present while dealing with pain and loss. With a singular voice, Jenkins siphons these ideas into the ambient folk of her new album. An Overview on Phenomenal Nature honors flux, detail, and moments of intimacy. Jenkins arrived at engineer Josh Kaufman’s studio with ideas rather than full songs—nevertheless, they finished the album in a week. Jenkins’ voice floats amid sensuous chamber pop arrangements and raw-edged drums, ferrying the listener through impressionistic portraits of friends and strangers. Her lyrics unfold magical worlds, introducing one to a cast of characters, like a local fisherman, a psychic at a birthday party, and a driving instructor of a spiritual bent. Jenkins’ last record, 2017’s Play Till You Win, confirmed the veteran artist’s talent. Evident of Jenkins’ experience growing up in a family band in New York City, the album showcased her meticulous songwriting and musicianship, earning her comparisons to George Harrison and Emmylou Harris. Jenkins has since played in the bands of Eleanor Friedberger, Craig Finn, and Lola Kirke, and rehearsed to tour with Purple Mountains last August before the tour’s cancellation. Her new record departs from her previous work in its openness and flexibility, following her peripatetic lifestyle. “The goal is to be more fluid, to be more like the clouds shifting constantly,” she says. The approach allowed Jenkins to express herself like she never has.

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Bon Iver

2LP | 2011 | UK | Reissue (4AD)

37,99 €*

Afrique Victime Black Vinyl Edition

Release: 2011 / UK – Reissue

Genre: Rock & Indie

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Diesen Juni feierte das zweite Bon Iver Album „Bon Iver, Bon Iver“ seinen 10. Geburtstag. Um das, wenn auch ein wenig verspätet, zu feiern, veröffentlicht 4AD am 14.01.2022 die „Bon Iver, Bon Iver (10th Anniversary Edition)“ dieses Klassikers auf CD und Doppel-LP. Neben dem Originalalbum enthält die limitierte Neuausgabe fünf bis dato unveröffentlichte Aufnahmen aus der AIR Studios Session. Eingespielt wurden die Songs gemeinsam von Justin Vernon und Sean Carey als Duo mit Klavier und Gesang.

Das ikonische Artwork der LP und CD wurde gänzlich neu gestaltet. Statt dem ursprünglichen Aquarell des Originals ziert bei der Anniversary-Edition nun eine Blindprägung auf weißen Grund das Cover. Dazu gibt es noch ein persönliches Essay von Phoebe Bridgers über ihre Liebe zu diesem Album und wie es sie als Künstlerin geprägt hat.

Begleitend zum Release spielen Bon Iver im Oktober zwei Shows im neu eröffneten YouTube-Theater in Inglewood in Kalifornien. Es sind Bon Ivers erste Shows seit Beginn der Pandemie und stellen das zweite Album und seine Produktion in den Fokus.

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Mdou Moctar

LP | 2021 | EU | Original (Matador)

27,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Back in October, Artist To Watch alum Mdou Moctar returned with a new song called “Chismiten.” The song accompanied news that the virtuosic Tuareg guitarist had signed to Matador, with a promise of a new album on the way. Today Moctar’s back with the official announcement: That new album is called Afrique Victime, and it’s out in May. Turns out “Chismiten” is the album’s opener, and along with today’s the announcement Moctar’s shared another new song called “Tala Tannam.” “‘Tala Tannam’ means your tears,” Moctar said in a statement. “It is another love song of which I’m very fond.”

“While the song talks about love, we wanted to show the love between friendships and the love of Niger,” Moctar’s bassist Mikey Coltun added. “The video includes friends and family — in the Tuareg community in villages around Niamey as well as Hausa people from villages in the Dosso region.”

Part of Moctar’s rise to prominence in the West was thanks to his searing, psychedelic style of guitar-playing. Afrique Victime promises more of that.

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Saigon Supersound Volume 2

LP | 2018 | EU | Original (Saigon Supersound)

We Fucked A Flame Into Being

Release: 2018 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Saigon Supersound Continues… to present more interesting tunes of a musical era that has long been obscured. With the well-received Volume 1, we are very delighted to dig deeper and share with you the beautiful music of a short but significant period in Vietnam‘s history.
Much like the country itself, the music of Vietnam has endured many twists. As the result of the Geneva Accords in 1954, Vietnam was divided into two. From the North, the Nationalist forces fought to reunite Vietnam as a Communist State, while the American troops backed the government of the South. This caused a mass migration of Northerners to the South, which includes many Tân Nhạc (Modern Music) singers and songwriters. Often characterized by its emotive, poetic and prolific personality, Tân Nhạc continued to freely develop in the South and progressively vacating from the influences of its main inspiration, French music. In the North, the Resistance music, or the so-called Nhạc Đỏ (Red Music), which promoted socialism, patriotism and anti-capitalism was the only genre allowed on national radio. Tân Nhạc was something new to the South Vietnamese repertoire. Between 1954–1960, the theme of hometown (quê hương) was a main inspiration for many songwriters such as Hoàng Thi Thơ, Lam Phương and Nguyễn Hữu Thiết. The 9th title of the compilation, “Thôn Trăng Mở Hội Trăng Tròn” showcases a variety of images that were often described in this genre: the harvest moon, playful children, old mother…
Every recording made in this era is then an organic combination of human experiences, communications and uniqueness. In 1965, the first American troop landed in Vietnam, bringing with them the musical influences of the Beatles, Bob Dylan, Jimi Hendrix, Elvis Presley… The Vietnamese people quickly integrated it into the repertoire with hope to further diversify the music of Vietnam. Constantly changing and learning from different cultures, the modern music of Vietnam cuts a window into the soul of a Vietnamese person and the country’s history as a whole. With that, we hope that Saigon Supersound Volume 2 would take you on a trip back to the unique atmosphere of Saigon through the many different palettes of music that this beautiful place offers.

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Warhaus

LP | 2016 | EU | Original (Pias)

Release: 2016 / EU – Original

Genre: Rock & Indie

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Chris Corsano & Bill Orcutt

Made Out Of Sound

LP | 2021 | US | Reissue (Palilalia)

LP | 2012 | EU | Original (Universal)

Release: 2021 / US – Reissue

Genre: Rock & Indie

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Received an 8.1 rating from Pitchfork. "Sadly, many will hear Chris Corsano & Bill Orcutt's latest LP, Made Out of Sound, as 'not-jazz,' though it would be more aptly described as 'not-not-jazz.' In a better world, it would warrant above-the-fold reviews in Downbeat, or an appearance on David Sanborn's late-night show (if someone would only give it back to him). More likely, we can hope for a haiku review on Byron Coley's Twitter timeline to sufficiently connect the various improvised terrains trodden by this long-time duo—but if you've been able to listen past the overmodulated icepick fidelity of Harry Pussy, it should surprise you not an iota that Orcutt's style is rooted as much in the fractal melodies of Trane and Taylor as it is in Delta syrup or Tin Pan Alley glitz. As for Corsano, well, it may seem daft to call this particular record 'jazz' (because duh, it has a drummer), but to me Corsano is beyond jazz, almost beyond music, his ambidextrous, octopoid technique grappling many stylistic levers and spraying a torrent of light from every direction. Corsano's ferocity has elevated many 'mere' improv records to transcendence, but here he's crafted his polyrhythms within more narrative channels, bringing to mind his 'mannered' playing in the lamented Flower-Corsano duo. It's not 'groove' playing precisely, but it follows many grooves simultaneously, much like Orcutt's own melodic musings—which is why they're so naturally lock-in-key here. Which maybe makes it all the more surprising that Made Out of Sound was in fact recorded in different rooms on different coasts at different times, and stitched together by Orcutt on his desktop. Corsano recorded the drums in Ithaca, NY, and (as Orcutt states), 'I didn't edit them at all. I overdubbed two guitar tracks, panned left/right. I'd listen to the drums a couple times, pick a tuning, then improvise a part, thinking of the first track as backing and the second as the 'lead', though those are pretty fluid terms. I was watching the waveforms as I was recording, so I could see when a crescendo was coming or when to bring it down.' Fluidity ties the tracks together. With a little more groove and a little less around-the-beat maneuvering, one could almost hear the boiling harmonic layers as Miles-oid in 'Man Carrying Thing,' but with new-found Sharrockian modalities, Corsano accentuating the tumbling nature of the falling notes. The Sharrock vein continues with 'How to Cook a Wolf,' its Blind Willie-esque melodic simplicity and repetition extrapolated 360-style in a repetitive descending riff that falls into Cippolina-isms (by way of Verlaine ) until the end crashes upon the shore. Much like Orcutt's last solo album, Odds Against Tomorrow, there's a gentler, almost pastoral flow to some tracks ('Some Tennessee Jar,' 'A Port in Air,' 'Thirteen Ways of Looking') that calls to mind the mixolydian swamplands of Lonnie Liston Smith—but unlike Odds , other tracks ('The Thing Itself') smash that same lyricism into overdriven, multi-dimensional melodic clumps that push several vector envelopes at once in an Interstellar Space vein. With the help of Corsano, Orcutt has managed to slither even further out of the noise/improv pigeonhole lazy listeners/writers keep trying to shove him into. Looking at the back cover of Made Out of Sound , we should not see Orcutt hurling a guitar into the air with post-punk bravado, Corsano toiling behind him in the engine room—we should witness an instrument levitating from his hands, rising on invisible major-key tendrils of melody, fired by percussion, spiraling into an invisible event horizon..."—Tom Carter

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Ben Howard

The Burgh Island EP

Release: 2012 / EU – Original

Genre: Rock & Indie

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LP | 2013 | EU | Reissue (Balloon Ranger)

Ane Brun

Rarities

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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LP | 2015 | EU | Reissue (Balloon Ranger)

Ane Brun

When I'm Free

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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Club Coco Black Vinyl Edition

LP | 2021 | EU | Reissue (Les Disques Bongo Joe)

2LP | 2021 | TR | Original (Sn Muzik)

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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Bongo Joe presents "Club Coco", a summary outernational latin and afro rooted music compilation curated by Coco María.

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Sezen Aksu

Deliveren

LP | 2015 | TR | Original (Bayar Müzik)

Release: 2021 / TR – Original

Genre: Rock & Indie

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Sezen Aksu's 16th studio album, which was originally released on CD and cassette in 2000, and was released on LP in 2021. The album became the best-selling album of 2000 with sales of 750,000 copies. "Deliveren", "Kahpe Kader", "Sarı Odalar", "Oh Oh", "Keskin Bıçak" are the most popular songs of the album. Lyrics by Sezen Aksu, Aysel Gurel, Meral Okay, music and arrangements by Arto Tucboyaciyan, Ara Dinkjian and Sezen Aksu

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Neset Ertas

Ölümsüz Türküler 1

Release: 2015 / TR – Original

Genre: Rock & Indie

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Neşet Ertaş is a Turkish folk poet, the last great representative of Turkish culture and musical tradition. He is also known as the "Bozkırın Tezenesi ". On the albums he released from the 1950’s onwards, he recorded Central Anatolian folk songs and dance tunes as well as the folk songs he learned from his father Muharrem Ertaş. Starting in the 1960’s, he began to write both lyrics and compositions. He used the pseudonym "Garip", and from the 1970’s onwards, his folk songs were interpreted by many artists of the period. In 2009, he was deemed worthy of being included in UNESCO's Living Human Treasure inventory. This album contains 10 songs performed by the great master in 1998. "Güzel Ne Güzel Olmuşsun", "Hapishanelere Güneş Doğmuyor", "Neredesin Sen" and "Zahide" are the most remarkable tracks on the album

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LP | 2019 | US | Reissue (Mississippi)

Bulawayo Blue Yodel

LP | 2019 | EU | Original (Switchstance)

Release: 2019 / US – Reissue

Genre: Rock & Indie

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A collection of beautiful Country-Western inspired music from 1950s Zimbabwe, South Africa and Kenya. Fingerpicking "omasiganda" troubadours, train car yodels, raw slide guitar, and haunting travel-weary ballads, all reissued for the first time from rare 78s. A heavy duty document of a nearly lost scene, and all the songs are all stunners to boot. Featuring George Sibanda, Josaya Hadebe, Sabelo Mathe, Petrus Mntambo and more, with a 12" booklet of deep research and full lyrics, packaged in old school tip-on covers. Co-released by our friends Olvido Records (A. Kostis, The White Birds, George Mukabi). Audio restoration and transfers by Michael Kieffer.

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Muito Kaballa

Everything Is Broke

Release: 2019 / EU – Original

Genre: Rock & Indie

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12" | 2021 | EU | Original (Heavenly Sweetness)

David Walters

Nocturne Remixes

16,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Emahoy Tsege Mariam Gebru

LP | 2016 | US | Reissue (Mississippi)

2LP | 2016 | EU | Original (Repertoire)

Release: 2016 / US – Reissue

Genre: Rock & Indie

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The second LP compendium of Emahoy Tsege Mariam Gebru's early solo piano works, recorded throughout the 1960s - finally available again. Emahoy Tsege Mariam Gebru is a true original - her compositions and unique playing style live somewhere between Erik Satie, Debussy, liturgical music of the Coptic Ethiopian Church, and Ethiopian traditional music. It is some of the most moving piano music you will ever hear!These original compositions, performed by Emahoy Tsege Mariam Gebru herself on solo piano, were originally self-released in Germany in small editions as fundraisers for orphanages, support organizations for widows of war victims, and other philanthropic causes. We are humbled and proud to present this album in collaboration with the EMAHOY TSEGE MARIAM MUSIC PUBLISHER and Foundation, and to assist in continuing her life-long mission of using music as a vessel to care for those who have been abandoned by society, or harmed by strife.Black vinyl LP comes in black inner-sleeves and heavy cardstock jacket with color printing and gold-foil stamping, and song notes by the composer herself. Restored and remastered by Timothy Stollenwerk.

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Magna Carta

Tomorrow Never Comes

31,99 €*

Release: 2016 / EU – Original

Genre: Rock & Indie

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Canciones Que Un Hombre No Debería Cantar

Gabo Ferro

LP | 2010 | US | Original (Calar Music)

Laiko Rock From Turkey 1968-1974

Release: 2010 / US – Original

Genre: Rock & Indie

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Gabo Ferro was an Argentinean musician, poet, historian and university professor. He was known in the Buenos Aires underground scene as the frontman of Porco, an experimental / hardcore band the recorded two albums in the late '90s., leaving the group in 1997. Ferro spent the next seven years studying and teaching 19th century Argentinean history and publishing a series of acclaimed books on the subject. In 2005 he reappeared in the music scene with Canciones que un hombre no deberia cantar, a collection of twelve acoustic songs recorded in one afternoon. The record was named one of the best albums of 2005 by publications like Rolling Stone and Inrockuptibles. Gabo Ferro died of cancer October 8, 2020 in Buenos Aires.

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Risar & Kupa 4

LP | 2021 | EU | Original (Ironhand)

15,99 €*

Blues In Mono Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Kupa 4 (Kupa Dörtlüsü) was a band formed of Greek and Turkish musicians who lived in a mutual culture in İstanbul (or Constantinople). Their roots connected to rebetiko and laiko, but they were also children of the revolution. Therefore while playing in a tradition of a laiko band, they also had influences from beat and surf. Groovy drumming, Killer Farfisa, and bouzouki-like electric guitar sounds are the key elements in Kupa 4's soundscape.

The band rocked the taverns in Turkey and attracted both minorities' and Turks' attention until the Cyprus crisis in 1974. In this compilation, you will be hearing the recordings of Kupa 4, where they performed a unique laiko beat/surf style made in Turkey. Plus, in 2 tracks, you will listen to the band performing as an influential Anatolian Rock band.

Presented with a liner notes, archieve photos and a great re-mastered sound.

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Seasick Steve

LP | 2021 | US | Original (There's A Dead Skunk)

The Mystery Of Love Expanded Colored Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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“Blues in Mono” is a timeless tribute to traditional, acoustic country blues recorded with a microphone from the 1940s, with Seasick Steve performing the songs solo, direct to an old tape machine. This was then cut direct to lacquers with no computer involved at all during the process. The old skool way of making a record. This is an album that fans have been crying out for, for years. “Blues in Mono” finds Seasick Steve giving some of his finest performances to deliver a fresh, stripped down blues album that offers the perfect antidote for the troubled times in which we live.

“It’s just me and an acoustic guitar, playing old country blues. I always wanted to do it but never felt worthy, but then I realised that I better hurry up and do it ‘cos I ain’t never gonna feel worthy!” says Steve. “I tried to make it so that if you was listening you’d think I was sitting with you in your house.”

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Jackie Leven

2LP | 2021 | UK | Original (Cooking Vinyl)

Release: 2021 / UK – Original

Genre: Rock & Indie

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Afro-Jazz-Folk Collection Volume 1

Super Biton De Segou

2LP | 2021 | EU | Original (Deviation & Mieruba)

Ethiopian Urban Modern Music Volume 5

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Deviation Records is pleased to present you their latest and exiting collaboration with the Mieruba Label Team. The Super Biton has existed since the 60s, like Ségou, its orchestra, the Super Biton has always remained behind what was done in Bamako and in the big cities of Africa. The Ségou orchestra developed and incorporated amplified instruments that mingle with brass, in particular electric guitars, symbols of modernity at the time. It opens up to Cuban music, and congas and bongos complement the sound of the orchestra. The group drew a unique sound from it, a perfect balance between tradition and the modern. There are about fifteen artits on stage, singers, guitarists, drummer and percussionists. The Super Biton has for years been the best known and most sought-after orchestra of Mali outside the country's borders, the Super Biton transcends the only Bambara heritage with its repertoire. Ségou is a crossroads between Bambara, Fulani, Mandingo and Somono cultures and Biton has drawn on all these traditions to create a repertoire extremely rich in rhythms and words. Some musicians completed their training in Cuba. They play "bambara jazz", incorporating a lot of brass instruments such as saxophone, trumpet, clarinet. The compositions are modern and sophisticated. Mieruba Art Center is a place dedicated to the transmission and safeguarding of Malian musical heritage through musical exchange between the older and newer generation - Artist residences, music lessons, rehearsals, Workshops, Masterclasses - and so on. Just as happy former musicians of Mali, the members of Super Biton give lessons on site. It is also the office of the Mieruba-ML label in the same place where Deviation Records is collaborating for the second time on the album - After the « Lost Maestros Collection » - with the support of La Manufacture de Vinyles. Phil of Deviation Records tells: "I am very enthusiastic at the idea of offering you these two volumes of the History of the Super Biton of Ségou, Clique of Super Heroes of sound, a source of inspiration for generations of musicians, DJs and also griots and storytellers of great renown! This double LP compiles the first Chapter of the rich Afro-Jazz-Folk Collection whose tapes have been remastered by Monsieur Jonin and cut at the MB Mastering Studio in Aubervilliers .The gatefold artwork is conceived by Ewwanuelle Collage and formatted by Bertrand Tondeur, Graphic designer of Les Mouches. All that’sleft to say is that i hope that you enjoy listening to the final result !"

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Getatchew Merkurya

LP | 2013 | EU | Reissue (Heavenly Sweetness)

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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Cameron Knowler & Eli Winter

Places Of Consequence

LP | 2021 | EU | Original (American Dreams)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Be Right Back Red Vinyl Edition

Jorja Smith

LP | 2021 | EU | Original (Membran)

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Universal)

Bobby Womack

The Poet

17,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | US | Original (Shrimper / Grapefruit)

Megan Siebe

Swaying Steady

LP | 2021 | US | Original (Fat Possum)

Release: 2021 / US – Original

Genre: Rock & Indie

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Megan Siebe is a multi-instrumentalist, songwriter and arranger from Omaha, Nebraska. She’s cut her teeth as a member of bands such as Simon Joyner & the Ghosts, The David Nance Group, Cursive, Sean Pratt & the Sweats, The Jim Schroeder Sextet, and many others, touring nearly non-stop for the last decade. She’s also written string arrangements for albums by Refrigerator, John Davis, the Renderers, Dennis Callaci, L. Eugene Methe, Justin Townes Earle, and Anna McClellan. But all the while she was writing her own intimate, finely-crafted songs in secret, only breaking them out around the occasional Nebraska campfire amongst friends. A break from touring in other bands these last fifteen months has allowed Siebe more time to focus on a powerful cycle of songs she’s had brewing for some time. Grapefruit and Shrimper are proud to join forces to release Megan’s humble yet astonishing debut. Swaying Steady is a gorgeous collection of literate and evocative singer-songwriter, country-tinged, melancholy pop songs about relationships in crisis, bad seeds, family, and emotional endurance. For fans of Lucinda Williams, Harry Nilsson, Elyse Weinberg, Nick Drake, and Sibylle Baier.

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David Ferguson

Nashville No More

Release: 2021 / US – Original

Genre: Rock & Indie

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Veda EP Red Vinyl Edition

Mustafa Kus & Imece

7" | 2021 | EU | Reissue (Ironhand)

12,34 €* 12,99 € -5%

Trujillo, Peru 1971 - 1974

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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Limited to 300 copies on red vinyl.

Ironhand Records is proud to announce the EP of Mustafa Kuş & İmece, musically at the crossroads of funk, jazz, and psychedelic, with Anatolian rhythms.
Mustafa Kuş, who went to Germany for his education and founded his band İmece in 1976, released three albums and one single until 1985.
Compiled from those, the 4 songs in this EP blend Anatolian rhythms with funk and jazz, entertaining bass lines, crazy drum attacks, saxophone, and keyboard solos.
Remastered from the original master tapes, limited to 300 copies exclusive for hhv.de on red vinyl. You will hear the idol of today’s many popular bands!

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Manzanita Y Su Conjunto

LP | 2021 | Original (Analog Africa)

LP | 2021 | EU | Original (Rc1)

Release: 2021 / Original

Genre: Organic Grooves, Rock & Indie

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I was in Lima, hanging out with collector-extraordinaire Victor Zela, who had spent the previous few years pouring his passion for Peruvian Cumbia into the blog „la cumbia de mis viejos“, a trove of incredible music. But after the birth of his first child, his priorities shifted and he decided to part with some of his rarest LPs. I was one of the lucky few given an early chance to examine his treasures, and when I picked up the album Manzaneando com Manzanita, Victor said: “Take it! its one of the best LPs ever recorded in Perú … easily in the top five”. That was all the encouragement I needed … two years later many of the songs from that masterpiece have made it onto Manzanita y su Conjunto, a compilation of electrifying Cumbia sides from Manzanita’s golden era.

Berardo Hernández – better known as Manzanita – first surfaced during the psychedelic Cumbia craze. At the head of the scene were the magnificent Los Destellos, whose leader, Enrique Delgado, was such a six-string wizard that other guitarists found it impossible to escape his shadow. But when Manzanita arrived, his electric criollo style sent shockwaves through Lima’s music scene and posed a serious threat to Delgado’s dominance as king of the Peruvian guitar.

Manzanita had come to Lima from the coastal city of Trujillo, five hundred miles up the coast – a place where Spanish, African and indigenous populations had been living and making music together for centuries – and came of age at a time when the first wave of psychedelic rock from the US and UK was starting to sweep the airwaves. But the sounds of Cream and Hendrix disappeared from the radio just as quickly in 1968 when Juan Velasco seized control of the country in a military coup. The new regime, which favoured local traditions over cultural ‘imports’ from the north, was a blessing in disguise for the Peruvian music scene.

Record labels flourished as new bands, raised on a hybrid diet of electric guitars and Cuban rhythms, rushed in to fill the vacuum created by the lack of imported rock. A new genre, known as Peruvian cumbia, was born and Manzanita quickly became one of its most original voices.

Starting in 1969, Manzanita y su Conjunto released a steady stream of singles that used Cuban guaracha rhythms as the foundation for dazzling electric guitar lines. After countless 45s and several years on the touring circuit, the band signed to Virrey, an important Peruvian label, and recorded two LPs acknowledged as masterpieces among aficionados of tropical music. Most of the songs on Analog Africa’s new compilation Manzanita y su Conjunto are drawn from those legendary sessions of 1973 and 74.

Although he scored a few more hits in the later 70s, his dissatisfaction with the music industry caused him to withdraw from the scene for several years; and when he finally retired for good, the golden age of Peruvian cumbia was a distant memory. But when Manzanita was at the top of his game he had few equals. Victor Zela was right: this is some of the best music ever recorded in Perú.

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Rodney Crowell

Triage

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Türküola / Arsivplak)

Pop Hits 12

My Name Is Suzie Ungerleider Orange Vinyl Edition

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Turkish disco pop funk sound compilation album. Great soul-pop and disco-funk with amazing moog organ, keyboards/synths, bass, rhythm and wah guitars.. This compilation has the unique sound in Turkish Disco-Funk music with influences of soul, jazz, pop, rock and beats. Turkish instruments with great disco tunes and great female & male vocals.

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Suzie Ungerleider

LP | 2021 | EU | Original (MVKA)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Warte Mein Land, Warte Black Vinyl Edition

Ozan Ata Canani

LP | 2021 | EU | Original (Fun In The Church)

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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LP | 2021 | EU | Original (Munster)

Toti Soler

17,99 €*

LP | 2021 | EU | Original (Motor Entertainment)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Like A Long Drag Of Hashish In The Morning When The Alarm Clock Rings In The Open Air, The Synthesis That Works In This Album Is Aromatic, Hypnotic, Luminescent_ Somewhere Between Hispalis And The Catalan Mediterranean. Spanish Guitar And Flamenco Metonymies Flourish On This Transitional Instrumental Work That Ablutions In Flamenco Waters, Scented With Folk-Blues Salts. This 1973 Album Is Seminal In Creating Flamenco Fusion. The Arid But Magnetic Notes Of The First Track On The Album, 'Sardana Flamenca' Delve Deeper Into The Subconscious, Which Soler Recorded On His Own With His Spanish Guitar, Except The Electric Pieces Where Members Of The Band Om Helped Out. Reissued On Vinyl For The First Time. Includes An Insert With Notes And A Rare Toti Soler Photo. * * * Detailed Description:Toti Soler's Self-Titled Second Album Together With Sabicas, Smash From 1971-72 And The Recording Paco De Lucía Made With Jazzman Pedro Iturralde, Were Seminal In Creating Flamenco Fusion, A Blend That Has Travelled Far. They Altered The Perception Of Said Music Redefining Its Limits And Possibilities. Soler's Syncretism Between Hispalis And The Catalan Mediterranean, Another Form Of Fusion, Was Released Perhaps Paradoxically By Edigsa, The Label That The Guitarist Worked With The Most, The Founding Spirit Of Which Was To Safeguard The Local Language, Catalan. In 1972, The Ancient Call Of Flamenco Took Soler To Andalusia, Where He Studied Under The Renowned Guitarist Diego Del Gastor. When He Returned To Barcelona, He Commenced A Long Parallel Chapter As Acoustic Accompanist For The Singer-Songwriter Ovidi Montllor From Alcoy, Leaving Rock And The Electric Guitar Behind. However, Watts And Rock Still Pulse Through In His Second Lp (Self-Titled But Also Referred To As "El Gat Blanc"), 1973, But Play A Minor Role. Spanish Guitar And Flamenco Metonymies Flourish On This Theoretically Transitional Instrumental Work, Which Would Become One The Most Popular Of His Discography. The Arid But Mag...

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Alice Phoebe Lou

Glow

Release: 2021 / EU – Original

Genre: Rock & Indie, Pop

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Mali: The Art Of Griots Of Kela, 1978-2019

LP | 2021 | EU | Original (Musee D'Ethnographie De Geneve)

LP | 2021 | EU | Original (Obsolete)

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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About a hundred kilometers south-west of Bamako, on the left bank of the Niger River, the Malian village of Kela is known to be home to a large community of griot musicians (jeliw) mostly belonging to the Diabaté family. Their art is recognised throughout West Africa and many griots come from all over the world to stay there, sometimes for several years, in the hope of becoming immersed in it. The six pieces for voice accompanied by guitar or traditional koni lutes were recorded in 1978 (tracks 3 to 6) and in 2019 (tracks 1 to 3), in the same traditional dwelling, which still serves as a “studio". The accompanying booklet contains the testimonies of several important musicians who took part in the recording, and evoke key elements of their universe Points of interests - For the fans of the traditional repertoires of Mali’s famous griot musicians. - For music lovers who love the voices accompanied by the guitar and the traditional lutes of the griots.

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Jilala

28,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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First time these tracks appear on vinyl – Pressed on 180 Gram Black Vinyl
Recorded by Brion Gysin & Paul Bowles in Morocco 1965
Limited Edition of 300 Copies

Until Now, Jilala has been a much sought-after phantom in relation to their better-known musical and spiritual contemporaries, The Master Musicians of Jajouka. Culled from three and a half hours of 1965 recordings by writers/artists/poets Brion Gysin and Paul Bowles, the first batch of Jilala recordings were released on a 1965 LP that was scarce even upon its initial release. The second batch of recordings, which this LP has drawn from, came in the form of a CD by Baraka Foundation in 1998, which is also now long out of print.

The Jilala brotherhood -- like the better-known Jajouka culture -- has pre-Islamic roots in Sufi mysticism that span across northern Africa from Morocco to India. Jilala shares the kinds of small, portable instruments historically favored by nomadic cultures. Even among the more ardent aficionados of “world music” these recordings have seldom been heard.

In the original liner notes Ira Cohen provides a breakdown of the Jilala ensemble: 'The instruments used are the shebaba, a long transversal cane flute, which leads the way; the bendir, a handheld drum resembling a tambourine without cymbals; and the karkabat which is a double castanet made of metal. On this record, there are usually three flutes, six drums and one pair of castanets.' In conjunction with the qraqaba - an iron analog to the wooden castanets featured heavily in the Flamenco music of the Roma people that also flourished over the centuries mere miles to the north in southern Spain.

These bendir drums provide a range very similar to that covered in contemporary popular music by the bass drum, snare, and cymbals that make up a standard drum kit. The Trance-inducing grooves were major influences on such bands as Led Zeppelin, Agitation Free, Can and the Rolling Stones. The collective rhythms are often reminiscent of early hip-hop.

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Ena Tefariki / Oriental Shake, Farfisa Madness & Rocking Bouzoukis From The Greek Laika Movement (1961-1973)

2LP | 2021 | EU | Original (Radio Martiko)

34,99 €*

LP | 2015 | EU | Original (BML)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Includes 16 page booklet. Monster grooves, driven by a perfect symbiosis of fiery oriental rhythms and the deep, relaxed heartbeat of the bass line, with virtuosic, intoxicating solos on bouzoukis, Farfisa organs, clarinets and violins. This is the sound of laika, Greek-oriental pop music from the 60s and early 70s that sets every dance floor on fire!

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Bukahara

Strange Delight

Release: 2015 / EU – Original

Genre: Rock & Indie

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St Peter Gold Vinyl Edition

Emma Tricca

LP | 2018 | EU | Reissue (Dell’Orso)

19,99 €*

The Holiday Sounds Of Josh Rouse

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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Praised on first release as a 'wonderfully romantic piece of folk-pop' (The Times), possessing 'a startling and sublime new sound' (The Quietus, 5 stars), St Peter features guest appearances from folk legend Judy Collins alongside indie icons Howe Gelb, Jason Victor and Steve Shelley.

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Josh Rouse

LP+12" | 2019 | US | Original (Yep Roc)

On Turquoise & White Swirled Vinyl Edition

Release: 2019 / US – Original

Genre: Rock & Indie

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Josh Rouse has recorded an album of original holiday songs, which all feel like a classic 60s jazz-influenced holiday album (think Vince Guaraldi, A Charlie Brown Christmas). This music should appeal to two audiences: Josh Rouse fans and holiday music fans. The First Edition release,on red vinyl, includes a bonus 12"featuring 3 Christmas classics performed acoustically + 3 demo versions of songs from the album.

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Altin Gün

LP | 2019 | US | Original (ATO)

31,99 €*

2LP | 2019 | EU | Original (Memphis Industries)

Release: 2019 / US – Original

Genre: Organic Grooves, Rock & Indie

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Altin Gün’s breakthrough debut album ‘On’ is being released on vinyl for the first time in the U.S.! This release will have a custom Stoughton vintage style tip-on jacket. It is being pressed on turquoise/white swirl vinyl.

On their debut album, Altin Gun showed what happens when you open the doors between Turkish folk songs and a dirty blend of funk rhythms, wah-wah guitars and analogue organs. Featuring their hit version of “Goca Dünya”!

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Rachael Dadd

Flux

19,99 €*

If The Evening Were Drawn Black Vinyl Edition

Release: 2019 / EU – Original

Genre: Rock & Indie

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Contemporary folk multi-instrumentalist Rachael Dadd is set to release her new album "Flux" on Memphis Industries on the 8th November 2019. Produced with Marcus Hamblett (Villagers / Laura Marling), "Flux" is a response to external and internal tides: the flow of life uprooted; a protest against the flow of recent political history and a diary of the flow within the intimate space of home.Collaborators include multi-instrumentalist Emma Gatrill (Willie Mason / Matthew and the Atlas), drummer Rob Pemberton (Emily Barker / Low Chimes), bassist Jim Barr (Portishead) and vocalists Kate Stables (This Is The Kit) and Rozi Plain.

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Jim Sullivan

LP | 2019 | US | Original (Light In The Attic)

12,99 €*

Release: 2019 / US – Original

Genre: Rock & Indie

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Mastered from the original analog tapes
All tracks previously unreleased
Booklet with liner notes and rare archive photos
Deluxe die cut Stoughton “tip-on” jacket with embossed lettering
Vinyl pressed at RTI

On March 4, 1975, Jim Sullivan mysteriously disappeared outside Santa Rosa, New Mexico. His VW bug was found abandoned, his motel room untouched. Some think he got lost. Some think the mafia bumped him. Some even think he was abducted by aliens.

By coincidence–or perhaps not–Jim’s 1969 debut album was titled U.F.O.. Released in tiny numbers on a private label, it too was truly lost until Light In The Attic Records began a years-long quest to re-release it–and to solve the mystery of Sullivan’s disappearance. Only one of those things happened, and you can guess which…

Light In The Attic’s reissue of U.F.O. introduced the world to an overlooked masterwork and won Sullivan, posthumously (presumably), legions of new fans. Those new admirers are in for a real treat: a lavish, first-time release of a previously unheard 1969 studio session.

If The Evening Were Dawn contains 10 acoustic solo recordings that have never seen the light of day. Whereas U.F.O. was bolstered by legendary sessioneers The Wrecking Crew, this is Jim Sullivan on his own terms, stripped down and soulful as ever. Recorded at a Los Angeles studio circa 1969, the session contains acoustic versions of a handful of U.F.O. tracks alongside a half dozen previously unheard songs. This, then, is the closest thing to those fabled Malibu bar performances at which Sullivan was first noticed.

According to his widow, Barbara, this was the album Jim always hoped to record. It serves as an unprecedented glimpse into the mysterious, larger-than-life figure who’s become the stuff of legends.

While Sullivan’s disappearance remains unsolved, his music endures and is finally gaining him the recognition he deserves, albeit long overdue. This recording serves as an unexpected missing piece of the puzzle; this is Jim Sullivan’s true swan song.

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OST Quentin Tarantino's Once Upon A Time In Hollywood

2LP | 2019 | EU | Original (Columbia)

33,99 €*

Heroine Clear Vinyl Edition

Release: 2019 / EU – Original

Genre: Rock & Indie, Pop, Soundtracks

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The fantastic soundtrack of the new Tarantino comes in a double gatefold sleeve with inlay and poster.

A phenomenal soundtrack to a phenomenal movie. Tarantino once again proves that he not only has a great taste when it comes to music, but he also takes a good amount of time to dig through record collections to pick gems for his soundtracks and arrange the 22 songs 9 era-specific radio advertisements.
This should become a movie soundtrack classic.

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Nico

LP | 2019 | EU | Original (Tiger Bay)

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Türküola)

Baris Manco

Iste Baris Iste Manco

Undressed Colored Vinyl Edition

Release: 2019 / EU – Original

Genre: Rock & Indie

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Türküola gratefully presents an other Barış Manço compilation which gives a full retrospective of the best years of the Turkish psychedelic rock legend. The compilation focuses on the 1967-1971 era of Manço, which is mainly considered as the psychedelic years when the typical Anatolian Pop sound was evolving and Manço was more a rocker than a semi conservative pop folk singer of a neo-Ottoman aura. In the compilation we hear his works with his bands Les Mistigris (Seher Vakti), Kaygısızlar (near in all songs including Bebek, Boğaziçi etc.), Etc (in Dağlar Dağlar 1 &2 , Küçük Bir Gece Müziği (which is a psyche- adaptation Mozart’s “Eine Kleine Nacht Musik” and Derule), Moğollar (Binboğanın Kızı, İşte Hendek İşte Deve). “Binboğanın Kızı” explodes a prog- rock bomb with the legendary Moğollar with Hammond solos of Murat Ses, “Ağlama Değmez Hayat” pushes the limits of Turkish traditional music instruments with its raw but powerful groove, “Küçük Bir Gece Müziği” covers Mozart with its powerful guitars with screaming wah wah pedals, “Boğaziçi” (Bosphorus) gives a mystical and psychedelic mood which would later be a signature of Manço in his electronic prog years . “İşte Barış İşte Manço” will be a good start for the absolute beginners, thanks to traditional Türküola quality...

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The Felice Brothers

LP | 2019 | US | Original (Yep Roc)

Release: 2019 / US – Original

Genre: Rock & Indie

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LP | 2019 | US | Original (Walkie Talkie)

Cactus Blossoms

Easy Way Out -Download-

(I've Got) Trouble In Mind 7" & Rare Stuff 2009/2014

Release: 2019 / US – Original

Genre: Rock & Indie

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The Cactus Blossoms return with a new album "Easy Way", a self-produced collection of ten new
originals on their own Walkie Talkie Records.

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The Liminanas

2LP+CD | 2018 | EU | Original (Because Music)

36,99 €*

LP | 2018 | EU | Original (Discrepant)

Release: 2018 / EU – Original

Genre: Rock & Indie

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This Reissue has never before been releases as 2LP+CD and Poster. The Liminanas are a couple and a band. They have produced records in their own garage in Cabestany located in the south of France for about ten years. They played in Australia, the US and toured Europe regularly. United Kingdom included. The first opus of the now series “I have trouble in mind” was released on the initiative of Bill and Lisa Roe (iconic label “trouble in mind") in the US in 2014. It combines all the 45t , unreleased songs recorded by the couple for “Mojo magazine", tribute to Beach Boys, fanzines, micro labels. All the titles which were difficult to find and that fans were looking for. And now, here it is: I ve got trouble in mind vol 2.

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Koray Kantarcioglu

Loopworks

2LP | 2018 | EU | Original (Anti)

Release: 2018 / EU – Original

Genre: Rock & Indie

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Originally released by Wounded Wolf Press as a limited release (only 100 cassettes were made) back in 2016, "Loopworks" compiles Turkish visual and sound artist Koray Kantarcioglu's (Ankara, 1982) loop based work composed of samples taken from Turkish records released in 60's and 70's as source material. "Loopworks"
impacts almost instantly mainly because it shows some familiarity with the recent work of Leyland Kirby as The Caretaker, particularly with the "haunted ballroom" effect. Koray explores the usage and the dynamic of these sounds as ambient music for different scenarios as well as the importance of a newfound life with the raw
material he used to create these songs. The source material appears as enigmatic as
these new sounds and activate a sense of discovery and constant wonder throughout
"Loopworks". With the vinyl release of "Loopworks" we continue to manifest the
importance of showing how technology and geography create different and original
approaches to the standard western interpretation of field recordings and sound
manipulation. Koray Kantarcioglu's work here is a strong manifestation of that and
how "haunted music" can express a myriad of feelings and sensations. "Loopworks"
has a tremendous vision of the metamorphosis that's been occurring in ambient music
during the last decade. Sometimes it's dreamy and calm as aquarium music is
("500606" or "22 47 91 Take 1"); surprising and infinite as "263 Loop", one of the few
tracks with a voice, in this case a mysterious and transcendental one; or part of a John
Carpenter & David Lynch film yet to be made ("Organ Extract KP 001"). A fantastic
voyage, from earth to space, through time or simply as the most beautiful and peaceful
dive into the ocean. Old music transformed into something new, unique. That's
special.

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Tom Waits

Bastards

Release: 2018 / EU – Original

Genre: Rock & Indie

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2LP | 2018 | EU | Original (Anti)

Tom Waits

Brawlers

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Columbia)

First Aid Kit

Ruins

Release: 2018 / EU – Original

Genre: Rock & Indie

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Hundred Acres Black Vinyl Edition

S. Carey of Bon Iver

LP | 2018 | US | Original (Jagjaguwar)

Release: 2018 / US – Original

Genre: Rock & Indie

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2LP | 2010 | EU | Reissue (Columbia)

Leonard Cohen

Songs From The Road

Release: 2010 / EU – Reissue

Genre: Rock & Indie

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Istanbul Sessions: Istanbul Underground

Ilhan Ersahin

LP | 2016 | US | Original (Nublu)

LP | 2016 | UK | Original (Partisan)

Release: 2016 / US – Original

Genre: Rock & Indie

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Confusion is good sometimes. It’s a way to start thinking about whatever you are confused about. This is what Ilhan Ersahin’s Istanbul Sessions do since 2008. They managed to fire the stages all across the world: from New York to Istanbul, from Paris to Sao Paolo, from London to Skopje... Questions they spread all these years where like: are they really turkish? is this really jazz? doesn’t it sound like a rock band? how come a jazz ensemble can really be like a band? How can they be so able to jam with any musician they meet on stage? And so on... It’s a simple fact Ilhan Ersahin, being one of the rare moguls of New York City underground scene via his club and record label (nublu), is traveling all around the world. It’s possible to see him jamming with Red Hot Chili Peppers in Sao Paolo, featuring Bugge Wesseltoft in Blue Note Tokyo and/or playing a beautiful oriental set with turkish gypsies in an elegant concert hall somewhere in Europe. His newyorker energy is with him all the time. How about Istanbul Sessions then? It’s a summary of all you read above. Master level musicianship meets a high eclecticism where the cliche of “east-to-west crossover” finds its true sense and power. A session is a meeting of a deliberative body to conduct its business. In this case, the business is music, and the music is another heavyweight long player from Ilhan Ersahin & crew. Upon listening to the record for the first time, one word overrides every other emotion and devours the mind: Cinema. More specifically, “cinematic.” Ersahin’s sax sounds like it was recorded in the fucking Alps. Or in the sweeping sand dunes and Oasis’s of the Middle East. It’s just that W I D E. On “Falling,” Ersahin’s sax is practically 3-dimensional. Double tracked and bathed in a healthy dose of reverb, the saxophone and rhythm of the band evoke a story-like narrative. From the mad-man trills strewn throughout the track, to the soaring, almost stadium anthem chorus. Clearly, it’s all about the (s)axe, and Ilhan Ersahin is YOUR axeman. History has a tendency to repeat itself, and for the third time ‘round, East meets West once again. And the results are more satisfying than that mammoth inter-racial orgy you’re always fantasizing of. Through Ersahin’s playing, you can hear the ghostly echoes of dead, pre-war jazz greats behind his frenzy-inducing saxophone playing. You can also hear the Siren’s call, the brooding beauty of the shrouded mystery that is the Desert. Devilishly hot and bothered, the dry night air caresses your face, stirring a primal urge that excites as you step out into the glow of the Turkish metropolis. An Istanbul session, awaits.

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Bombino

Azel

Release: 2016 / UK – Original

Genre: Rock & Indie

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Love And The Death Of Damnnation

The White Buffalo

LP | 2016 | UK | Original (Earache)

LP | 2016 | US | Original (Pepper Hill)

Release: 2016 / UK – Original

Genre: Rock & Indie

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no 7" included

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Wheeler Walker Jr

Redneck Shit

Release: 2016 / US – Original

Genre: Rock & Indie

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Slow Grind Fever Volume 5

LP | 2015 | EU | Original (Stag-O-Lee)

Release: 2015 / EU – Original

Genre: Organic Grooves, Rock & Indie

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2LP+CD | 2012 | EU | Original (Columbia)

Bob Dylan

Tempest

Release: 2012 / EU – Original

Genre: Rock & Indie

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LP | 2011 | UK | Original (Wichita)

First Aid Kit

The Lion's Roar

28,99 €*

Release: 2011 / UK – Original

Genre: Rock & Indie

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Greatest Hits & Favorites

Johnny Cash

2LP | 2010 | EU | Original (Vinyl Passion)

Release: 2010 / EU – Original

Genre: Organic Grooves, Rock & Indie

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LP | 2010 | US | Original (Third Man)

Karen Elson

The Ghost Who Walks

High Top Mountain 10th Anniversary Vinyl Me, Please Edition

Release: 2010 / US – Original

Genre: Rock & Indie

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Jack Whites wife & professional super model … she can sing, no doubt!

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Sturgill Simpson

LP | 2013 | US | Reissue (Vinyl Me, Please)

33,99 €*

LP | 2019 | EU | Original (Sony Music Japan)

Release: 2013 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
High Top Mountain certainly leaned traditional, but it also set the precedent that Simpson was not an artist content to coast, was not someone just trying to write the easiest song to ride to the top. He was willing to put in the work, and hire $25,000 worth of studio time and band members to make his vision a reality, and didn’t very much care what happened next. Only that he’d done it. Freedom, as a famous country singer once wrote for Janis Joplin, is just another word for nothing left to lose. The most free performer we’ve had these last 10 years is Simpson, who took a trip to High Top Mountain and never came back down.

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Sachiko Kanenobu

Misora

32,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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Ane Brun, Swedish Radio Symphony Orchestra, Hans Ek

Live At Berwaldhallen

2LP | 2019 | EU | Reissue (Balloon Ranger)

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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LP | 2021 | EU | Original (Universal)

Wesley Schultz

Vignettes

Release: 2021 / EU – Original

Genre: Rock & Indie

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Jason Isbell & The 400 Unit

Live From Alabama

2LP | 2012 | US | Reissue (Lightning Rod)

34,99 €*

2LP | 2019 | US | Reissue (Thin Wrist)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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In August of 2012, Jason Isbell and The 400 Unit assembled in their home state of Alabama in front of a couple of sold-out concert halls to record their first live album, Live From Alabama. After years of hard touring, the critically-lauded band has gelled into a versatile rock and roll squad that is equally at ease performing Muscle Shoals soul to hardcore country to balls-out rock. Live From Alabama’s tracklist mines some of Isbell’s most popular songs and includes a pair of inspired covers in Neil Young’s “Like a Hurricane” and Candi Staton’s “Heart on a String.”

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75 Dollar Bill

I Was Real

51,99 €*

The LHI Years: Singles, Nudes & Backsides (196871)

Release: 2019 / US – Reissue

Genre: Rock & Indie

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75 Dollar Bill is one of the essential groups at the heart of NYC's underground. Driven by the telepathic union of CHE CHEN's microtonal electric guitar and Rick BROWN's odd metered percussion their long-form sound is unmistakable and compelling. On their third album I Was Real, the group expands in bold new directions, embracing brilliant fuller orchestrations, joyous rockers and entrancing new textures. The album is 75 Dollar Bill's third, featuring new directions accompanying the band's previously established interest in sprawling, unusual grooves and microtonal melodies. The record is enhanced by the presence of eight additional players in various combinations over its nine tracks—but also shows off the duo's strength when stripped down to the core. Requiring a variety of approaches, the album was recorded over a four-year period, in four different studios, with the band's closest associates and collaborators in a range of different ensemble configurations. The album also features several "studio as instrument" constructions that harken back to the collage-experiments of the band's early cassette tapes, while at the same time pointing to territories altogether new.

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Lee Hazlewood

2LP | 2012 | US | Reissue (Light In The Attic)

41,59 €* 51,99 € -20%

Release: 2012 / US – Reissue

Genre: Rock & Indie

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Cuts from essential albums like Cowboy In Sweden Features duets with Suzi Jane Hokom, AnnMargret and Nina Lizell Audio remastered from original tapes Unreleased song “I Just Learned To Run” Indepth liner notes & unseen photographs As a true legend of the great American songbook and a rebellious pioneer who left behind a lengthy trail of echo laden pop masterpieces, Lee Hazlewood’s influence continues to reverberate today. Between 196871, Hazlewood not only released his finest solo work, but produced numerous artists on LHI. From acidfolk and countryrock to poppsych and soul, LHI issued dozens of long forgotten 45s and LPs. This series will include material from LHI (remastered for the first time from the original analog tapes), along with Lee’s output for other labels, rarities, and unreleased gems.

With his handlebar moustache and booming baritone, Lee Hazlewood was one of the defining stars of the late ‘60s. Though he’s perhaps best known for his work with Nancy Sinatra (including writing megahit “These Boots Are Made For Walking”), Hazlewood did stunning work away from that particular glamour queen and found latter day champions in Beck, Sonic Youth, and Jarvis Cocker. Now, for Record Store Day 2012, we are kicking off our excavation of the Lee Hazlewood archives with this anthology, Singles, Nudes & Backsides, collecting the best of Lee’s solo songs and duets from his LHI (Lee Hazlewood Industries) imprint.

As a true legend of the great American songbook and a rebellious pioneer who left behind a lengthy trail of echo laden pop masterpieces, Lee’s influence continues to reverberate today. Between 196871, Hazlewood not only released his finest solo work, but produced numerous artists on LHI. From acidfolk and countryrock to poppsych and soul, LHI issued dozens of long forgotten 45s and LPs. This series will include material from LHI (remastered for the first time from the original analog tapes), along with Lee’s output for other labels, rarities, and unreleased gems.

See the sleeve: surrounded by nude girls, each wearing a fake moustache, Hazlewood wears a suit, eversoslightly awkwardly playing the role of the ‘60s playboy. Just like the picture, the songs present a man conflicted; he’s the tenderhearted romantic, the brokenhearted loser and the rugged cowboy, all in one. It’s there in the western swing of “Califia (Stone Rider)”, the loneliness of ”The Bed” and the bleak beauty of ”If It’s Monday Morning.” Hazlewood’s tremulous voice was made for duets (indeed, he wrote ”Some Velvet Morning”, one of the greatest of all time); here, Suzi Jane Hokom, AnnMargret and Nina Lizell play counterpart to his manly tones.

In the wonderful liner notes, written by British journalist Wyndham Wallace, the writer describes his friend Hazlewood as “a curmudgeonly, unpredictable sort at the best of times, as impatient with his own talent as he is with other people.” The Hazlewood Wallace knew was puzzled by the growing interest in him in the last two decades of his life, which was ended by cancer at age 78. That late flurry of interest saw him perform at the Royal Festival Hall in 1999, his first ever solo performance in the UK.

A natural wanderer, Lee lived a big life, fighting in the Korean War, working as a radio DJ in Phoenix, Arizona, setting up Viv Records in the ‘50s, working as a bigshot LA producer in the ‘60s, signing Phil Spector to his Trey Records label and prematurely announcing retirement in the wake of the mid‘60s British invasion. He didn’t: Nancy Sinatra came along, the hits started flowing and he continued producing characterful solo albums into the ‘70s, which saw his move to Sweden. By 2007, Hazlewood was living in Vegas, and begrudgingly enjoying that flurry of latterday interest in his work. This landmark compilation promises to create many more converts.

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Club Coco Colored Vinyl Edition

LP | 2021 | EU | Reissue (Les Disques Bongo Joe)

Inner Roads And Outer Paths Green Vinyl Edition

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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Bongo Joe presents "Club Coco", a summary outernational latin and afro rooted music compilation curated by Coco María.

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Vic Mars

LP | 2019 | UK | Reissue (Clay Pipe Music)

Release: 2019 / UK – Reissue

Genre: Rock & Indie

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Attarazat Addahabia & Faradjallah

Al Hadaoui

LP | 2019 | EU | Reissue (Habibi Funk)

10" | 2016 | UK | Reissue (Clay Pipe Music)

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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Habibi Funk is back with another album from Casablanca. Completely unreleased album which was recorded in Morocco in 1973 by three generation family band. A unique blend of Gnawa, Funk and Rock. Traditional Moroccan music meets electronic guitars and dense layers of percussion by a band that used to run in the same circles as Fadoul (And actually wrote one of his songs).

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Tyneham House

18,74 €* 24,99 € -25%

Release: 2016 / UK – Reissue

Genre: Rock & Indie

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Back in 2011 when I was tentatively looking for a second release for my fledging record label Clay Pipe Music, I stumbled upon a mysterious MySpace page by a group called ‘Tyneham House’, the page was decorated with artwork by Rena Gardiner (who was unknown to me at that time) and the music was an otherworldly mix of field recordings, Mellotron and acoustic guitar. It turned out that Tyneham was promised to Glen Johnson’s Second Language label, so I offered to do the artwork, and in January 2012 the two labels co-released it on tape and CD in a cardboard box with a handmade booklet of my illustrations.

In 2016 Clay Pipe reissued it on 10” vinyl, in an edition of just 300, which has since become sort after. The new 2023 pressing is on blue and transparent marbled vinyl, with a reverse board cover and inner sleeve, and the booklet of illustrations has been given a complete redesign. Frances Castle 2023

The pastoral, wistful yet ineffably disquieting music of Tyneham House is made by artists who wish to remain anonymous here, save for their eponymous title. The musicians are happy, however, to let it be known that these recordings have been around for some years (many of them complied from old cassettes) and that they take inspiration from the 1960s/’70s/’80s work of the Children’s Film Foundation – a body who really ought to have made a film about this mysterious West Country curio. At least now we have its endlessly poignant soundtrack.

The small village of Tyneham, on the beautiful Isle of Purbeck, in Dorset, was once a thriving little community – that is until the British Government requisitioned it for training manoeuvres and other ‘strategic purposes’ in the run up to Wwii. This was supposed to be a temporary measure, but the area remained in military possession long after hostilities had ceased, causing distress among former inhabitants, many of whom were farmed out to prefabs in nearby Wareham and Swanage.

Tyneham was characterised by its red telephone box, a tiny parade of shops – Post Office Row – and a grand country pile which stood about half a mile away from the village: Tyneham House. The army removed the building’s oak panelling and ornate decorative details and promptly set about using it for target practice. So great was the shame expressed locally about the damage inflicted upon one of Dorset’s grandest houses that the powers that be decided to grow a copse around the remains of the structure to give the impression that it was no longer there. Despite this, a substantial part of the structure remains intact, including its Saxon hall.

Land access around Tyneham was opened up in the 1970s, but admission to the house remains strictly verboten. Those who’ve been found around the premises, especially anyone wielding a camera, have felt the full weight of military trespass law. Tyneham today is regarded as a nature reserve by some – as a national embarrassment by others. It’s still a political hot potato, in Dorset at least.

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Turk Pop Muzik Tarihi 1960-70 Lp1

LP | 2021 | TR | Original (Yapi Kredi Kültür Sanat Yayincilikq)

Release: 2021 / TR – Original

Genre: Organic Grooves, Rock & Indie

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Herculean House Of Cards Fools Gold Vinyl Edition

Trey Gruber

2LP | 2019 | US | Reissue (Numero Group)

35,99 €*

La Vie En Rose-The Collection & Biografie

Release: 2019 / US – Reissue

Genre: Rock & Indie

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Trey Gruber's posthumous debut double LP Herculean House of Cards. A compilation of early demos, studio demos, and live recordings. A tortured songwriter and struggling addict who jolted the tired Chicago DIY scene with his own brand of primal despair, Trey Gruber and his band Parent were on track to join the ranks of Twin Peaks, Mild High Club, and Whitney. His death in 2017 at the age of 26 brought it all to a halt. In his final years Trey wrote and recorded hundreds of previously unheard demos, dandelions in the cracked concrete of 21st century disconnect, an alphabet's worth of which have been compiled by his family and friends for his only album: Herculean House Of Cards. The 26-song 2xLP covers years of material, from home tape recordings, sessions at Mathew Roberts (Mild High Club) & Paul Cherry's home studio, to a studio session with Charles Glanders (Whitney) at Chicago's Foxhall Studios, along with audio taken at The Hideout during his last live performance, among others. Though Gruber was an unrelenting perfectionist who was constantly self-deprecating about his best demos, Herculean House of Cards is a wholly comprehensive and accurate reflection of his infectious charisma and raw songwriting. He had a charmingly distinct way with words but also could be disarmingly vulnerable. Like he was in life, Gruber never shied away from being open with his struggles with alcoholism and addiction. On the vivid opener "Eisenhower to the West Side," he sings in painstaking detail of, "A jail-skin cell, a junkies fight/Corner-boys full of grace/And Jesus Christ full of spite." He told then-future bandmate flautist Rebecca Ridge, "It's not some Lou Reed glorification of drugs _ `makes me feel like a man'_ I talk about the disconnect and the ugliness. They're sad pop songs." But even with the pain and the darkness in his lyrics, Gruber's songs had an unmistakable sense of hope and catharsis.

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Edith Piaf

LP | 2021 | EU | Original (ZYX)

16,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Disques Debs International - An Island Story: Biguine, Afro Latin & Musique Antillaise 1960-1972 Volume 1

2LP | 2018 | EU | Reissue (Strut)

31,99 €*