Folk Vinyl 32 Items

Legend On Legend!

Eddy’s superb reverb-drenched renditions of Dylan’s biggest hits gives your ears a fresh take on these familiar favorites. Full of twang and gut bucket harmonica, this collection of 12 songs encapsulates the ‘60s in a way only Duane Eddy could.

Originally released in 1965, the album has remained one of the rarest and hard-to-get collectibles for Duane Eddy fans everywhere. Produced by Lee Hazelwood, the album is completely instrumental and showcases Eddy’s individual stylings of the 1960s.

Eddy’s guitar romps and soars through Dylan’s brain waves – translated in this album into notes which build and explode into bar lines of enjoyable melodies. By instrumentally interpreting 12 of the significant songs of the 60’s, Eddy proves there is quality and richness in popular music, too often knocked down for its tendency toward shrillness and over-amplification.

What Bob Dylan is capable of saying with his magical way with words, Duane Eddy is capable of saying instrumentally. As you will undoubtedly hear, it’s a happy marriage.

Limited edition of 100 copies!

180 gram pressing!

Les Marquis were an Austrian band active in the 1967-1971 period. Their debut single - Fire Horses - released in 1969, is one of the best Garage/Folk-Rock European gems of the late sixties. Limited edition of 400 copies.

A Twangy Touch On 1960s Hits!

As one of America’s most influential guitarists, Duane Eddy’s famed twangy, reverb-drenched guitar shines on a wide variety of pop-rock hits, standards, and more!

Backed by two drummers, four more guitars, organ, piano, bass, saxes, and that's just the beginning, Duane goes unafraid at the kind of tunes that normally are "one person songs" Like "Ballad of the Green Berets" which becomes a twang-bang march under Duane's banner. Like "Monday, Monday" which was "The Mamas and Papas" and now has the wild newness of Duane Eddy.

After rising to fame in the late ‘50s with “Rebel Rouser,” Eddy’s influence on radio inspired musicians like George Harrison and Bruce Springsteen. Rockabilly and country music were both major factors in Eddy’s trademark sound; heavy, catchy guitar riffs over a ska-type beat. His hits included “Peter Gunn,” “Because They’re Young,” and “Twistin’ ‘n’ Twangin’.”

As music morphed into melodic sunshine pop, Eddy adapted his sound to fit chart hits of the ‘60s in his own twangy style.

A Twangy Touch On 1960s Hits!

As one of America’s most influential guitarists, Duane Eddy’s famed twangy, reverb-drenched guitar shines on a wide variety of pop-rock hits, standards, and more!

Backed by two drummers, four more guitars, organ, piano, bass, saxes, and that's just the beginning, Duane goes unafraid at the kind of tunes that normally are "one person songs" Like "Ballad of the Green Berets" which becomes a twang-bang march under Duane's banner. Like "Monday, Monday" which was "The Mamas and Papas" and now has the wild newness of Duane Eddy.

After rising to fame in the late ‘50s with “Rebel Rouser,” Eddy’s influence on radio inspired musicians like George Harrison and Bruce Springsteen. Rockabilly and country music were both major factors in Eddy’s trademark sound; heavy, catchy guitar riffs over a ska-type beat. His hits included “Peter Gunn,” “Because They’re Young,” and “Twistin’ ‘n’ Twangin’.”

As music morphed into melodic sunshine pop, Eddy adapted his sound to fit chart hits of the ‘60s in his own twangy style.

Legend On Legend!

Eddy’s superb reverb-drenched renditions of Dylan’s biggest hits gives your ears a fresh take on these familiar favorites. Full of twang and gut bucket harmonica, this collection of 12 songs encapsulates the ‘60s in a way only Duane Eddy could.

Originally released in 1965, the album has remained one of the rarest and hard-to-get collectibles for Duane Eddy fans everywhere. Produced by Lee Hazelwood, the album is completely instrumental and showcases Eddy’s individual stylings of the 1960s.

Eddy’s guitar romps and soars through Dylan’s brain waves – translated in this album into notes which build and explode into bar lines of enjoyable melodies. By instrumentally interpreting 12 of the significant songs of the 60’s, Eddy proves there is quality and richness in popular music, too often knocked down for its tendency toward shrillness and over-amplification.

What Bob Dylan is capable of saying with his magical way with words, Duane Eddy is capable of saying instrumentally. As you will undoubtedly hear, it’s a happy marriage.

The Serpent Power were amongst the many bands that emerged during those heady days of 1967 but, unlike many of their contemporaries who went on to build solid careers, their arrival was only to be a brief spell in the sun as this delightful album was to prove their sole release as a full band. There is no doubt that it stands proudly alongside other better known works of that time.

The second and last chapter of Dr Miller's journey between cultures and its uses, which began with "The Far East", dissected and looked into the root of the sound of distant Asia, continues with this new chapter dedicated instead to the countries bathed by the Mediterranean and contiguous to Central European history. From Spain to Arabic sounds, a new compendium that takes us back to other places and times, Dr Miller is once again able to dissect and encapsulate sounds and spices from distant places and spaces in a time machine. Thanks to these historical documents, we have the opportunity to discover feelings that are impossible to find 50 years later, sucked up and watered down by globalization and social capitalism.)

Ultra-rare 1966 solo album by singer/songwriter Trevor Lucas of Fairport Convention, Fotheringay, and Election. This Australian born folk legend recorded his own songs and a handful of covers – mostly solo acoustic, occasionally accompanied by bass, concertina, and fiddle. First ever authorized reissue (by his estate) of this gem.

There is little doubt that John Lee Hooker was one of the most commercially successful blues artists that ever lived. He rose above his contemporaries with worldwide hit records and a particularly long series of albums, and a career that lasted for over sixty years. He was always prolific and attracted other artists to collaborate with him without ever losing his own highly distinctive style. One of the real and lasting strengths of "That's My Story" as an album is in its immediacy. Orrin Keepnews knew just how to use studio microphone placement to make the listener feel right in the middle of the session. Nothing extraneous is used to move John Lee away from you, making it evident that the producer's original intention with the album has certainly been fulfilled. No wonder that this laid-back work, so quickly recorded, has stood the test of time as one of John Lee Hooker's most revered records.

This reissue comes on 180g. Right Track is a specialized music label based in Beirut - Lebanon. As an IFPI certified member they are the exclusive Licensee and distributor of multiple international and regional labels in addition to a range of Lebanese Artists. From Omar Khorshid’s arabian-funk to Fairuz’s eerie songs, from Ziad Rabani’s proto-disco to lebanese traditional Wadih Al Safi compositions, Right Track is committed to re-releasing the Immortal Arabic music repertoire on 180 g vinyls, delivering the highest possible quality from remastered audio to satisfy the demanding audiophile connoisseurs.

The most elusive Edigsa 7" gets its first ever vinyl reissue on Wah Wah. An unsung moody garage folk-rock act, Brenner's Folk where the embryonic Pic-Nic (of "Cállate niña" fame) and featured a very young Jordi 'Toti' Soler right after he had gone through Els Xerracs (who also had released an EP on Edigsa), drummer Jordi Barangé (also from Els Xerracs) and brothers Vytas and Haakon Brenner. The Brenner brothers were born in Germany but grew up in Venezuela, where their family had emigrated after the devastation of World War II. The Brenner family would return several years later to establish in Europe, first in Italy and later in Barcelona. The new band started to rehearse under the name of The Vytas Brenner Quartet, and their main influences came from american modern folk acts like Peter Paul and Mary or The Mamas & The Papas, a.o. Not long after they started rehearsing, a very young Jeanette joined them thus becoming Brenner's Folk. Edigsa approached them and offered a contract for the recording of their only EP, sung in catalan and issued in 1966. A showcase of their folk and folk rock influences, the Brenner's Folk 7" is a lo fi garagey jewel that has become an elusive piece due to the importance that its band members would gather in years to come. Toti Soler became the biggest master of guitar, he went to psychedelic and progressive / jazz rock with Om prior to trading in his electric for a Spanish guitar and pioneering instrumental flamenco jazz rock fussion sound on his early solo albums. He is still active nowadays, he is one the biggest Catalan geniuses of modern guitar. The Brenner brothers returned to Venezuela where Vytas became a big solo act, recording the sought after LPs "La Ofrenda de Vytas" and "Hermanos" with his brother Haakon on production duties. Vytas continued a solo carrer that would last until his premature death in 2004 at only 57 due to a heart attack. Jeanette, of course, went on to lead the successful Pic-Nic along with Toti Soler and later enjoyed a successful solo career in the 1970s and 1980s, plus a come back in the early 2000s.

The 4 original Catalan sung tunes will appeal to lovers of Catalan sixties aborigen sounds, Euro & Nederbiet or American teen moody folk rock garage a la Rising Storm, Dovers, Nightcrawlers, Tormentors and the likes.

A facsimile reproduction of this mega rare EP, originally released on Edigsa in 1966, coming with remastered sound and an insert with lyrics, photos and notes.

180 gram pressing!

180 gram pressing!

What praises haven't been lauded the immortal singing talent of the late, great Patsy Cline? She died at the height of her career, at age 30, with two other stars of the Grand Ole Opry, and her manager, in a private plane crash near Camden, Tennessee, on the group's return to Nashville from Kansas City. Before that ill-fated flight, though, she left a musical legacy as one of the most influential and successful female vocalists of the 20th Century.
In the late 1950s and the '60s, country music was essentially a singles medium. This album, first released in 1967, collects a dozen of Patsy's biggest hits — all of them from the country singles market — including "Walkin' After Midnight", "Sweet Dreams (Of You)", "Crazy", and "I Fall to Pieces".
Producer Owen Bradley surrounds Cline's full-throated, emotionally charged vocals with lush, sophisticated arrangements that set the standard for Nashville's 'countrypolitan' sound. And trust us, on this 200-gram QRP pressing, mastered by Sterling Sound, Cline's seductive vocals have never sounded clearer or richer.
Cline's life and career has been the subject of numerous books, movies, documentaries, articles and stage plays. She has sold millions of albums through the past 50 years, giving her an iconic fan status, similar to that of country artists such as Johnny Cash and Dolly Parton. In 1992, the U.S. Postal Service honored her, along with Hank Williams, on a U.S. postage stamp. And in 1995 she was honored with a Grammy Lifetime Achievement Award. Cline was also honored with a star on the Hollywood Walk of Fame in 1999.
Before Shania Twain found a new (though not necessarily improved) way to combine country and pop in the 1990s, this was the top-selling country album of all time by a female artist.

180 gram gatefold LP. Originally released in 1966 on the Takoma label, Contemporary Guitar is a beautiful compilation of solo acoustic guitar instrumentals from folk and blues legends such as Bukka White, John Fahey, and Robbie Basho as well as lesser known-s like Max Ochs and Harry Taussig.

An essential compilation of American guitar soli.

Legendary and rare folk-psych private press record from 1967 that holds up well. Furthermore, the LP is legendary in a literal sense: until recently, few collectors really even knew it truly existed. And Roger Salloom? imagine Jack Kerouac, John Belushi, Lord Buckley, and Lenny Bruce, then throw in Leadbelly, Jimmy Reed, Lonnie Johnson, and Geoff Muldaur… all rolled into one person, and you have a glimpse of poet, singer-songwriter Roger Salloom. Salloom was in the center of the 1960s San Francisco psychedelic scene, playing the Fillmore with Santana, Van Morrison, BB King and Procul Harum. In the 1970s he moved to Nashville to pursue songwriting, then disappeared for two decades to raise a family as a single parent and draw a syndicated cartoon. There is a story here. A story so intriguing that it enticed an award-winning filmmaker to make a film about the subject. So Glad I Made It, the Saga of Roger Salloom, America’s Best Unknown Songwriter, won six awards, was on the 2006 Grammy ballot, and received rave reviews across the U.S.

2024 repress of "nora Guthrie - Emily’s Illness / Home Before Dark" (7") has been announced, and this time in Clear Blue Vinyl!! The new edition features a new binding design, a new label, a new jacket format, and a completely new edition that includes valuable photos and lyrics that could not be included in the previous edition! The long-awaited reissue that will bring tears to the eyes of psychedelic and soft rock fans alike! This is a must buy! Repressed for the first time in over 14 years. The new edition features a new binding design, a new label, a new jacket format, and a completely new edition that includes valuable photos and lyrics that could not be included in the 2009 edition! The daughter of American folk musician Woody Guthrie, sister of singer-songwriter Arlo Guthrie, and granddaughter of noted Yiddish poet Aliza Greenblatt, Nora Guthrie released her only and treasured single in 1967, at age 17.