Folk Vinyl 825 Items

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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LP | 1976 | EU | Original (CBS)

Desire

8,99 €*

LP | 1976 | FR | Reissue (Shelter)

Release: 1976 / EU – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Small sticker tear on front, price tag on front. Vinyl is close to NM. Original inner sleeve, with insert.

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J.J. Cale

Troubadour

9,99 €*

LP | 1975 | DE | Original (Not On Label)

Release: 1976 / FR – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl is Close to VG+. 1977 reissue.

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Dionysius-Chor Krefeld

Remember Man

16,99 €*

LP | 1988 | EU | Reissue (Elektra)

Release: 1975 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Lamination coming loose.

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Tracy Chapman

44,99 €*

LP | 1972 | UK | Original (Vertigo)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Price tag tear. Original inner sleeve. EU reissue.

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Iain Matthews

Tigers Will Survive

16,99 €*

Release: 1972 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: G+

UK original.
Front cover with sticker rip off, edgewear.

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2LP | 1975 | EU | Reissue (Columbia)

The Basement Tapes

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Leonard Cohen: Live Songs

Leonard Cohen

LP | 1973 | EU | Reissue (Columbia)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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LP | 1974 | Reissue (Wewantsounds)

Omar Khorshid

Giant + Guitar

34,99 €*

Buck Owens & His Buckaroos

Release: 1974 / Reissue

Genre: Rock & Indie

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Cult Classic LP BY Legendary Egyptian Guitarist Omar Khorshid, First Released ON THE Label 'voice OF Lebanon' IN 1974 AND Reissued Here ON Vinyl FOR THE First Time With Original Artwork AND Remastered Audio Plus NEW Liner Notes BY DJ Ernesto Chahoud.

Wewantsounds is delighted to announce the reissue of Omar Khorshid's highly sought after instrumental album 'Giant + Guitar' originally released in 1974 in Lebanon and recorded at Polysound Studio by famed Lebanese engineer Nabil Moumtaz. The album features Khorshid's unique electric guitar sound mixed with arabic melodies over superb psych arrangements. The album has been newly remastered and comes with the original 'Voice of Lebanon' artwork and a 2 page insert featuring liner notes by DJ Ernesto Chahoud. Wewantsounds' series of Arabic music reissues are curated by Mario Choueiry from Institut du Monde Arabe in Paris. Omar Khorshid's life, if short (he died age 36 in a road accident), was extraordinary. Blessed with a great talent for music, the Egyptian musician and actor became one of the best guitarists of the Arab World accompanying the greatest stars of the 60s and 70s, including Oum Kalthoum, Abdel Halim Hafez and Farid El Atrache. To avoid the political troubles of the time in Egypt, and to fulfil his artistic ambitions, Khorshid moved to Beirut in Lebanon in 1973 and started recording a string of superb albums experimenting with Oriental music. ?He recorded for several labels including Voice of Lebanon, one of the key Lebanese labels of the time. He released his first album 'Giant + Guitar' for the label in 1974 and it was an instantly popular in the Arab world. The album, which has a great ample sound, was recorded at the Polysound studios overseen by engineer Nabil Moumtaz. The front cover sees Khorshid on his motorcycle in the busy street of Hamra, one of the most vibrant Beirut neighbourhoods where he was playing most nights in residence. (The album was also released internationally as 'Rhythms from the Orient' with a different artwork focusing on belly dance) The sound of the album is both bold and accessible displaying Khorshid's unique guitar sound, accompanied by a small band mixing traditional and modern fuzzed up arrangements. The mesmerizing opening track, 'Rakset El Fadaa', composed by Lebanese musician Nour Al Mallah, is a perfect example of Khorshid's artistry. Starting with a long, hypnotic guitar intro, it then speeds up with the backing of a groovy organ, Oriental percussion and the psych sound of an early synthesizer to great effect. The album continues on the same mode blending traditional Oriental music with inventive arrangements as showcased by the Mohamed Abdel Wahab standard 'Leilet Hob' popularised by Oum Kalthoum, which sees Khorshid and his musicians shifting pace several times over eight minutes. One of the peaks of the album in terms of sonic experiments is undoubtedly Korshid's own composition, 'Taqassim Sanat Alfein', with Khorshid's superb guitar in full bloom accompanied by a few touches of synth. A truly innovative album which pushed the boundaries of Oriental music at the time, 'Giant + Guitar' has gained in stature over the years and has become highly sought after by many DJs and collectors. A hugely important album which Wewantsounds is happy to reintroduce to the international audience for the first time since the 70s

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Bridge Over Troubled Water Black Friday Record Store Day 2021 Edition

LP | 1971 | US | Reissue (Sundazed)

Release: 1971 / US – Reissue

Genre: Rock & Indie

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In celebration of the 50th anniversary of the the- controversial album of Buck Owens, Don Rich and the rest of the Buckaroos doing countrified covers of Simon & Garfunkel, Donovon, and Dylan along with some originals. We shipped the original reels to Kevin Gray to do an all analog thing of sonic beauty. This is known as Buck's big thumbs-up to the folk-rock sound and it's time we celebrate it. All analog and on clear vinyl.

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Blue Valentine Remastered Black Vinyl Edition

LP | 1978 | EU | Reissue (Anti)

24,99 €*

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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LP | 1982 | CM | Original (Africa Oumba)

Nkotti Francois

Retrait'a Mbamba

LP | 1975 | Reissue (Knitting Factory)

Release: 1982 / CM – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

small seam split, writing on cover

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Fela Kuti

Expensive Shit

Release: 1975 / Reissue

Genre: Rock & Indie

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The Truth Cobalt Vinyl Edition

D.R. Hooker

LP | 1972 | US | Reissue (Numero Group)

30,99 €*

The Truth Black Vinyl Edition

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Cobalt Vinyl. A real people music masterpiece, D.R.Hooker's 1972 debut meets at the be-inof drug-addled hippy psychedelia andevangelical Christianity. Conjuringvisions of an L.S.D.-damaged FrankSinatra or Lou Reed playing the roleof a divorced suburban dad, The Truthis a religious midlife crisis disguisedas a private press LP. Forge your ownchains, indeed.

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D.R. Hooker

LP | 1972 | US | Reissue (Numero Group)

Brazil Classics 1: Beleza Tropical

Release: 1972 / US – Reissue

Genre: Rock & Indie

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A real people music masterpiece, D.R.Hooker's 1972 debut meets at the be-inof drug-addled hippy psychedelia andevangelical Christianity. Conjuringvisions of an L.S.D.-damaged FrankSinatra or Lou Reed playing the roleof a divorced suburban dad, The Truthis a religious midlife crisis disguisedas a private press LP. Forge your ownchains, indeed.

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V.A.

2LP | 1989 | EU | Reissue (Luaka Bop)

33,99 €*

7" | 1974 | US | Original (GRC)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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First released in 1989, these songs represent but a small sampling of the fruits of a flowering in Brazilian creativity. The innovations in structure, lyrics and arrangements, combined with a very restrained but heartfelt intensity, are unique to Brazilian pop music... and in their own way, are as radical, seductive and beautiful as the best english language pop

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Moe Bandy

Honky Tonk Amnesia

3,99 €*

Release: 1974 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: Generic

7" | 1981 | US | Original (Columbia)

Moe Bandy & Joe Stampley

Hey Joe (Hey Moe)

3,99 €*

7" | 1974 | US | Original (Epic)

Release: 1981 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: Generic

Record is close to VG+.

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Charlie Rich

A Very Special Love Song

3,99 €*

Release: 1974 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 1972 | EU | Reissue (Week-End)

Slapp Happy

Sort Of

LP | 1975 | EU | Reissue (Island)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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In 1972, left-wing intellectual film critic Uwe Nettelbeck suggested to Anthony Moore that he might write some straight songs (relatively speaking), which in turn prompted Moore to invite his old schoolfriend Peter Blegvad over to Hamburg to form the band Slapp Happy. Dagmar Krause, a young singer from Hamburg and Moore‘s girlfriend, joined them both on their trip to Wümme to record what was to become this album, Sort of, using Faust as their rhythm section. In honour of this album ́s 50th anniversary the album will get a nicely remastered reissue with the newly founded Week–End Records –the fetsival‘s inhouse label who managed to get the band together for a final reunion shows in November of 2016 and Spring of 2017.

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Richard & Linda Thompson

Pour Down Like Silver

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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LP | 1974 | US | Reissue (Anti)

Heart Of Saturday Night

34,99 €*

Release: 1974 / US – Reissue

Genre: Rock & Indie

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2LP | 1974 | US | Reissue (Mobile Fidelity Sound Lab)

Bob Dylan & The Band

Before The Flood

83,99 €*

LP | 1976 | US | Reissue (Now-Again)

Release: 1974 / US – Reissue

Genre: Rock & Indie

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180 gram audiophile vinyl, numbered limited edition!

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Paul Ngozi

The Ghetto

Genclik Ile Elele Black Vinyl Edition

Release: 1976 / US – Reissue

Genre: Rock & Indie

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Celebrated Zambian guitarist and bandleader Paul Ngozi’s concept album about the stuggles of those living in Africa’s 1970s townships Includes Oversized 8 Page Booklet That Details Paul Ngozi and The Ngozi Family’s Arc, Including Rare Photographs, Discography And Annotation The third entry in an era-defining reissue series on Now-Again centered around this Zamrock legend and his band - previous entries include Day Of Judgement and 45,000 Volts "Zambia’s Zamrock movement that exploded in the 1970s...provided young musicians access to European and American music, and created a unique sound. At its root, Zamrock melded fuzz-toned psychedelia, chugging garage rock and roiling funk with a broad mix of African cadences and beats...enlivening a scene that included bands like Musi-O-Tunya, Amanaz and the Ngozi Family” - Zamrock was a bona-fide rock scene: on the African continent, only Nigeria can claim one so comprehensive, and Nigeria’s was largely catalyzed and funded by subsidiaries of the European major labels. Zamrock was as independent as the newly-named country, formerly known as Northern Rhodesia. Zamrock is starting in its completeness, especially for a scene that emerged, unfurled and disappeared so quickly. From Musi-O-Tunyaís fusion of Fela’s Afro-beat, Hendrix’s rock, South African jazz and traditional Zambian melodies and rhythms to Salty Dog’s acid folk/rock, Zambia’s rock scene contained all of rock’s subgenres. Zamrock was much more than an imitation of American and European rock music: it quickly became a uniquely Zambian movement, befitting of its name. Witch, Paul Ngozi and Amanaz sound nothing like other rock music from the African continent - or elsewhere.

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Mustafa Özkent

LP | 1973 | US | Reissue (Jackpot)

27,99 €*

Release: 1973 / US – Reissue

Genre: Rock & Indie

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LP | 1978 | EU | Reissue (Power Station)

Sally Oldfield

Water Bearer

32,99 €*

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | DE | Reissue (Philips)

Hannes Wader

7 Lieder

9,99 €*

Release: 1972 / DE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

1977 reissue.

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LP | 1974 | EU | Reissue (Sony BMG)

Blood On The Tracks

LP | 1973 | EU | Reissue (Music On Vinyl)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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180 gram vinyl of Rolling Stones number 9 ranked best album ever.

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Judee Sill

Heart Food

LP | 1975 | US | Reissue (Discos Fantastico)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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The second album Judee Sill made, proved to be her last. Instead of using an outside arranger for the strings for her album Heart Food (as she did on her previous album Judee Sill [MOVLP1800]), Sill did all of the work herself.

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Grupo Celeste

El Fabuloso

33,99 €*

Release: 1975 / US – Reissue

Genre: Rock & Indie

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The Series Of Music For Young Adults: Iranian Folk Songs Blue Vinyl Edition

Pari Zangeneh

LP | 1976 | EU | Reissue (Pharaway Sounds)

The Series Of Music For Young Adults: Iranian Folk Songs Black Vinyl Edition

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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Blue Vinyl Limited TO 318 Hand-numbered Copies

Travel back in time to the modern pre-Revolution Teheran and dig this wonderful, ear-catching album from 1976 by Iranian female singer Pari Zangeneh. Traditional Persian folk songs with a lovely, sweet psychedelic flavor with the use of beautiful strings, flutes, charming and tasty drumming, some organ and orchestration, percussions… imagine a Persian version of Mellow Candle or Vashti Bunyan and you’re there! Born in 1939 in Kermanshah (Iran), Pari Zangeneh is a Soprano singer that lost her sight after a car accident in 1972. Her work over the years on restoring traditional Persian music and regional folk songs is invaluable. In 1976 she recorded this very unique album commissioned by Kānoon (Institute for the Intellectual Development of Children and Young Adults), a social organization that produced many kinds of materials (books, films, records) for children in Iran. The arrangements were done by Varoujan (famous for his work with Googoosh, Dariush, etc…) *Sourced from the original masters *Hard cardboard sleeve + OBI

* Includes download card

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Pari Zangeneh

LP | 1976 | EU | Reissue (Pharaway Sounds)

25,99 €*

LP | 1973 | EU | Reissue (Out-Sider)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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Travel back in time to the modern pre-Revolution Teheran and dig this wonderful, ear-catching album from 1976 by Iranian female singer Pari Zangeneh. Traditional Persian folk songs with a lovely, sweet psychedelic flavor with the use of beautiful strings, flutes, charming and tasty drumming, some organ and orchestration, percussions… imagine a Persian version of Mellow Candle or Vashti Bunyan and you’re there! Born in 1939 in Kermanshah (Iran), Pari Zangeneh is a Soprano singer that lost her sight after a car accident in 1972. Her work over the years on restoring traditional Persian music and regional folk songs is invaluable. In 1976 she recorded this very unique album commissioned by Kānoon (Institute for the Intellectual Development of Children and Young Adults), a social organization that produced many kinds of materials (books, films, records) for children in Iran. The arrangements were done by Varoujan (famous for his work with Googoosh, Dariush, etc…) *Sourced from the original masters *Hard cardboard sleeve + OBI

* Includes download card

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Brigg

23,99 €*

Turkish Delight Black Vinyl Edition

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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First ever legit vinyl reissue, sanctioned by the band members, of this collectable psych/folk/hard-rock album from 1973. Brigg were a rural Pennsylvania folk-tinged psychedelic band formed by three high school friends: Rob Morse, Jeff Willoughby and Rusty Foulke. In 1973, they borrowed the money to record their first album together. They called it Brigg after one member saw the name in a dream. It was recorded at a grocery store converted into a 4-track studio. The photos for the cover were taken in a purportedly haunted house in Danville. The band members pressed 1000 copies and sold some to their friends but never played a live show together. They divided the remaining copies between them and went their separate ways. Several decades later, the Brigg album became a collector’s item and was bootlegged all over the world.

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Matao With Atilla Engin

LP | 1979 | EU | Reissue (Arsivplak)

LP | 1971 | EU | Reissue (Right Track)

Release: 1979 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Some hard-hitting rhythm section blending into a prime example of the swingin' sound of the cool influences of Jazz, Funk and Folk music, with a Turkish flavor.
It's fantastic funk jazz groove built on a titanium synth bassline!
An instrumental library of traditional Turkish Jazz session reaching a great climax in drums and percussion sets + electro-bass break with moog and synthesizers from the beginning to the end.
Traditional Turkish songs are based on drums and synth bass over moody 5/8 fuzz guitars...
Album recorded & released in Denmark, 1979, and it has never been released in Turkey.

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Fairuz

Lebanon Forever

31,99 €*

LP | 1972 | EU | Reissue (Right Track)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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This reissue comes on 180g. Right Track is a specialized music label based in Beirut - Lebanon. As an IFPI certified member they are the exclusive Licensee and distributor of multiple international and regional labels in addition to a range of Lebanese Artists. From Omar Khorshid’s arabian-funk to Fairuz’s eerie songs, from Ziad Rabani’s proto-disco to lebanese traditional Wadih Al Safi compositions, Right Track is committed to re-releasing the Immortal Arabic music repertoire on 180 g vinyls, delivering the highest possible quality from remastered audio to satisfy the demanding audiophile connoisseurs.

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Fairuz

La Gardienne Des Cles

Areski & Brigitte Fontaine

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Je Ne Connais Pas Cet Homme

LP | 1973 | US | Reissue (Superior Viaduct)

LP | 1971 | US | Reissue (Mobile Fidelity)

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Following their groundbreaking collaboration with the Art Ensemble of Chicago, Comme à la Radio, Areski and Brigitte Fontaine began recording almost exclusively together as a duo. Originally released in 1973, Je Ne Connais Pas Cet Homme is their first record billed under both names. Deeply rooted in North African and European folk traditions, the album features evocative vignettes with breezy vocals and minimal accompaniment of classical guitar, strings and woodwinds. As always, there is a mercurial quality to their lyrics. The title track (translated as “I Do Not Know This Man”) suggests at once Apostle Peter’s denial and a poetic acknowledgement. On “C’est Normal” Fontaine playfully questions the status quo while Areski offers satirical answers. What makes Je Ne Connais Pas Cet Homme one of their best-loved albums, though, is its remarkable sense of intimacy—as if Areski and Fontaine beckon listeners into their strange and beautiful world. This first-time domestic release continues Superior Viaduct’s reissue campaign of Fontaine’s classic ’70s catalog.

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Carole King

Tapestry

59,99 €*

Release: 1971 / US – Reissue

Genre: Rock & Indie

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LP | 1976 | EU | Reissue (Life Goes On)

Abbass Mehrpouya

Mehrpouya Sitar

24,99 €*

LP | 1971 | EU | Reissue (Real Gone Music)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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This - somehow - mythological album from one of Iran’s top sitarist lurches between traditional Eastern forms and more modern Western styles, blending the two into a fascinating fusion of cultures and flavours. Similar to the work of Indian rare groove master Ananda Shankar, the record brings to life the ultimate marriage of funky drums, lush horns, wah-wah guitars and Eastern harmonies. A necessary re-discovery !

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John Hartford

Aereo-Plain

42,99 €*

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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LP | 1989 | TR | Reissue (Sn Muzik)

Sezen Aksu

Soyluyor

LP | 1982 | TR | Reissue (Sn Muzik)

Release: 1989 / TR – Reissue

Genre: Rock & Indie

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This is the 9th studio album of pop music diva Sezen Aksu, who has continued her music career in the Turkish Pop Music Scene for almost 50 years, was originally released in 1989 on CD and cassette. In addition to ballads, the artist showed how talented she is in interpreting disco songs.Beside the Sezen Aksu and Onno Tunç concept, this album features Aysel Gürel, Zülfü Livaneli, Bülent Ortaçgil, Orhan Atasoy, Hümeyra, Selim İleri, Melih Cevdet Anday, and is a milestone album in both Sezen Aksu discography and Popular Turkish music. Almost all of the tracks on this album were hit songs, like: "Şinanay", "Belalım", "Beni Kategorize Etme", "Gidiyorum", "Kış Masalı" and "Son Bakış"

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Sezen Aksu

Firuze

23,99 €*

LP | 1974 | TR | Reissue (Ada Müzik)

Release: 1982 / TR – Reissue

Genre: Rock & Indie

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It is the 5th studio album of the artist's oeuvre and was originally released in 1982 on cassette. The track "Firuze" is a ballad that can be considered an anthem in Turkish pop music.Sezen Aksu, who has a very special voice, strengthened her place in the Turkish Pop Music scene with this album. Other important tracks on the album are "Ayrılıklar Bitmez", "İkinci Bahar", "Beni Unutma" and "Dümtek".

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3 Hür El

Hur El Arsiv

LP | 1972 | TR | Reissue (Ada Müzik)

Release: 1974 / TR – Reissue

Genre: Organic Grooves, Rock & Indie

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3 Hürel is a folk rock and psychedelic rock band consisting of 3 brothers from Trabzon, a northern city in Turkiye. The band's guitarist uses a self-made double-handled guitar and reed instrument, which has become a symbol of the band in concerts. What makes the band special is its groovy guitar tone and excellent bass guitar and percussion technique. They have become one of the most important representatives of psychedelic rock in Turkiye. This album was first released in 1974. "Sevenler Aglarmış", "Yara", "Gönül Sabreyle Sabreyle", "Canım Kurban" are their most popular songs

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3 Hür El

3 Hür El Volume 1

23,99 €*

Cants Dels Trobadors: La Douceur D'un Son Nouvel

Release: 1972 / TR – Reissue

Genre: Organic Grooves, Rock & Indie

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3 Hürel is a folk-rock and psychedelic-rock band consisting of 3 brothers from Trabzon, a northern city in Turkiye, who gained fame in the early 1970s with their authentic music and hippie outfits. Thisis their first album compiled from 45 rpm singles. The original release date was 1972. The band's guitarist uses a self-made double-handled guitar and reed instrument, which has become a symbol of the band in concerts. What makes the band special is its groovy guitar tone and excellent bass guitar and percussion technique. They have become one of the most important representatives of psychedelic-rock in Turkiye. "Aşk Davası", "Haram", "Pembelikler" and "Madalyonun Ters Yüzü" are their most popular songs.

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Regrelh

LP | 1979 | EU | Reissue (Dizonord)

30,99 €*

LP | 1986 | EU | Reissue (Türküola)

Release: 1979 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Be ready for a spaced out trip through French medieval times. Ancient instruments, musique concrete, spoken word, old Occitan dialect minstrel songs, drone, from dark ambient and minimal percussive tracks to Middle Ages fuzz delirium. File under : medieval folk / ambient / experimental.

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Baris Manco

Sari Cizmeli Mehmet Aga

The Miracles Of The Seven Dances

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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This is a another great compilation of Anatolian Rock legend Baris Manço from Türküola. Featuring some of his early English recordings, including 'Run A Way' and 'Flower Of Love', big hits like 'Sari Çizmeli Mehmet Aga' and 'Aynali Kemer', and also a few remarkable instrumental gems from his '70s concept albums, the music presented here is exactly as colourful as Manço's breezy blouson on the cover!

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Hany Mehanna

LP | 1975 | EU | Reissue (Radio Martiko)

The Search For The Turtle's Navel - Guitar Solos

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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A download code is included.

Reissue of the belly dance holy grail from the organ king of Cairo, combining traditional rhythms with spaced out modern sounds. Hany Mehanna, beloved musician and composer of the greatest artists from the Arab world such as Oum Kalthoum and Abdel Halim Hafez, shows himself from a more experimental side on his solo albums. Originally released in 1973, ‘The Miracles of the Seven Dances’ is a pure work of genius: hypnotic organ grooves, psychedelic guitars, mystic strings and haunting percussion. Belly dance as good as it gets! High quality pressing. Artwork and label design by Pieter Heytens.

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William Ackerman

LP | 1977 | US | Reissue (Windham Hill)

8,99 €*

Release: 1977 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Songs Opaque Brown Vinyl Edition

Sandy Harless

LP | 1973 | US | Reissue (Numero Group)

LP | 1978 | TR | Reissue (Ossi Müzik)

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Arriving as the hippy movement was discovering its peaceful easy `70s feelings, Sandy Harless' Songs LP is Chillicothe, Ohio's lone contribution to the Cosmic American Music movement. Financed from a 27-aquarium fish breeding business, the album shows its Appalachian roots with a tight weave of mountain folk, rural rock, and pastoral country. Real people music.

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Osman Ismen Orkestrasi

Diskomatik Katibim

Release: 1978 / TR – Reissue

Genre: Organic Grooves, Rock & Indie

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LP | 1976 | UK | Reissue (Seelie Court)

Dave Keir

10,99 €*

Release: 1976 / UK – Reissue

Genre: Rock & Indie

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OST Pat Garrett & Billy The Kid

LP | 1973 | EU | Reissue (Legacy)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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LP | 1983 | US | Original (Windham Hill)

William Ackerman

Past Light

14,99 €*

Release: 1983 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1988 | EU | Reissue (Columbia)

Leonard Cohen

I'm Your Man

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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LP | 1981 | EU | Original (Asylum)

Bounced Checks

30,99 €*

Fufi Sonnino e Yuki Maraini

Release: 1981 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Original inner sleeve, With insert.

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Canti Delle Donne In Lotta N.2 - Movimento Femminista Romano

LP | 1976 | IT | Original (I Dischi Dello Zodiaco)

5,99 €*

LP | 1980 | DE | Original (Portrait)

Release: 1976 / IT – Original

Genre: Rock & Indie, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

seam split

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Joan Baez

Europa Tournee

4,99 €*

LP | 1972 | DE | Original (Buddah)

Release: 1980 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

With hype sticker.

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Melanie

Garden In The City

5,99 €*

Release: 1972 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1977 | EU | Reissue (Vinylmagic)

Luciano Cilio

Dialoghi Del Presente

24,99 €*

Childhood And Memory (Pieces For Guitar)

Release: 1977 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Limited Edition. Clear Green Vinyl.
Still shrink wrapped but opened.
Cover as new with slightly dented corners.

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William Ackerman

LP | 1979 | US | Reissue (Windham Hill)

14,99 €*

Release: 1979 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 1981 | US | Original (Windham Hill)

Alex De Grassi

Clockwork

9,99 €*

Release: 1981 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1987 | CW | Original (Discos Mindelo)

Cesaria Evora

Cesária

150,99 €*

Wilderness America, A Celebration Of The Land

Release: 1987 / CW – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: G+, Cover: VG

tear in top spine, writing on cover and on label stickers. Cape Verdian pressing!

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LP | 1975 | EU | Reissue (Ebalunga!)

25,99 €*

LP | 1975 | EU | Reissue (Warner Bros.)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Before I’m gone I’d like to see us turn the corner and give up being spoilers of the land . . .

In 1975 Wallace ‘Wally’ Smith Broecker published a paper that popularised the term ‘global warming’ and against a backdrop of change and environmental uncertainty, a musical concept album was commissioned. ‘Wilderness America / A Celebration of the Land’ - is a musical exploration of our place within the cycle of living things. All compositions were specially commissioned for the album and blended with natural sounds recorded in the wild – lending the entire project a conceptual air that still feels fresh today.

The journey begins with the sun rising in the atmospheric haze of 'Dawn' - a track composed by new-age innovator Iasos. Gospel singer Walter Hawkins soon drops in with the soulful but ever so funky 'Metropolis' backed by a heavy array of session musicians with Patrick Gleeson, Ed Bogas and Tom Salisbury all adding their own misty magic to the album. David Riordan is the sorcerer conjuring up many of the compositions and also takes vocal duties on the evocative 'Mountain' and the climatic 'Before I'm Gone'.

‘Wilderness America / A Celebration of the Land’ was born when environmentalist Emily DeSpain Polk assembled a group of California residents to participate in a groundbreaking conservationist project. Christening the group Swap (Small Wilderness Area Preservation) Emily needed funds and began a project to produce a promotional nature based music album. To acquire the financial backing Emily would need to source a musician of some calibre. Contacting Cliff Branch from ‘Warehouse Sound Co.’ she was told the man she was looking for was David Riordan.

David Riordan had been around the music business for several years, first with The Yankee Dollar, then Sugarloaf and then Sweet Pain, he saw huge success with the single 'Green Eyed Lady'. David had worked on Cliff Branch’s 'Warehouse Sound Co. & Friends' albums and then released his solo album, 'Medicine Wheel'. But bored of touring he made the move to more concept-driven albums. First with ‘Christmas in San Francisco’ and then, in quick succession, 'Wilderness America, A Celebration Of The Land'.

Riordan, along with Peter Scott, a music producer friend in San Francisco, began piecing together an idea for the album. They brought in Ed Bogas to do string arrangements and Tom Salisbury to conduct. David had also asked his friend Patrick Gleeson if he knew of any R&B/Gospel singers in the Bay Area, and they soon added gospel singer Walter Hawkins into the mix.

Other than the track ‘Metropolis’, which was recorded in LA, the rest of ‘Wilderness America, A Celebration Of The Land’ was recorded and mixed by Richard Beggs at the San Francisco studio of Francis Ford Coppola. Coppola was filming ‘Apocalypse Now’ at the same time – so in between studio sessions, the musicians were able to view the seemingly never-ending film rushes arriving from the Philippines.

Eventually, the record produced by David Riordan and Peter Scott drifted onto the radar of vinyl obsessives and selectors as several of its key tracks began popping up on mixtapes and sales lists. It wasn’t long before this privately pressed, art-funded masterpiece became something of a holy grail for collectors. At long last, a re-issue of this masterpiece is now available on Ebalunga!!! Records.

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Neil Young & Crazy Horse

Zuma

18,99 €*

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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LP | 1976 | EU | Reissue (Radio Martiko)

Abdou El Omari

Nuits D'Éte

19,99 €*

LP | 1971 | EU | Reissue (Rhino)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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A reissue of this ultra rare Oriental psych monster from the organ king of Casablanca, combining traditional rhythms with spaced out modern sounds. This is the first part of Abdou's 'Nuits' trilogy. Mystical sounds from Morocco!

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John Prine

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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The Bayan Mongol Variety Group

LP | 1980 | EU | Reissue (Everland Psych)

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Benzaiten Remastered Edition

Osamu Kitajima

LP | 1976 | EU | Reissue (Everland Psych)

Rubinho E Mauro Assumpcao

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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A legendary yet long lost crown jewel from the late 70s Japanese progressive rock scene soon will be again in stock. This time with original insert and original Japanese OBI art.

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Perfeitamente, Justamente Quando Cheguei

LP | 1972 | UK | Reissue (Mr Bongo)

25,99 €*

LP | 1971 | EU | Reissue (Music On Vinyl)

Release: 1972 / UK – Reissue

Genre: Organic Grooves, Rock & Indie

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Rubinho E Mauro Assumpção's 'Perfeitamente, Justamente Quando Cheguei' has to be up there as one of the finest Brazilian-psych-folk-MPB records we know. Unfortunately, it's very hard to find in the wild; even on digging trips to Brazil, an original copy rarely shows up, and when it does, it comes with a hefty price tag.

This highly sought-after rarity was released on the Brazilian label Tapecar Records in 1972 and is the one and only album by the sensational pairing of Rubinho and Mauro Assumpção. Effortlessly blending folk, MPB, funky-psych, rock, and relaxed, swaggering samba, this record ought to be heralded as a true Brazilian classic. However, maybe due to its scarcity and the previous reissue predominantly being only available to the Brazilian market, it has not had a chance to fully shine and find the wider audience it deserves. Through our reissue we hope to put things right. Fans of records by Milton Nascimento and Lô Borges are sure to enjoy the same magic and allure in 'Perfeitamente, Justamente Quando Cheguei'.

In addition to being the album’s songwriters, Mauro Assumpção took on the role of producer and Rubinho was co-producer as well as playing piano, organ, acoustic guitar and performing vocals. The record features the drummer Gegê who worked with Milton Nascimento, Edu Lobo, Nana Caymmi, Dom Um Romão and more. It also features guitarist Rick Ferreira, who played with Erasmo Carlos, Gal Costa and other greats. Rounding off the players on the album are Darcy Da Cruz and Formiga who have graced many a fine recording on horns.

'Perfeitamente, Justamente Quando Cheguei' is a truly stunning work that washes over you with beauty. Delve in and savour.

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Judee Sill

LP | 1975 | EU | Reissue (Rhino)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Judee Sill was an American singer and songwriter. She released two albums and partially completed a third album before her death in 1979. Sill encountered Graham Nash and David Crosby and toured with them for a time as their opening act, a year before the release of her eponymous debut album.

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John Prine

Common Sense

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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LP | 1977 | US | Reissue (Pharaway Sounds)

Edip Akbayram & Costlar

Nedir Ne Degildir

Songs Black Vinyl Edition

Release: 1977 / US – Reissue

Genre: Rock & Indie

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As Turkey's political factions turned more and more violent in the late 1970s, Buscemi- eyed Edip Akbayram was nearly beaten up by rioting audiences for daring to sing about rural points of view that were naturally critical of Istanbul's political leaders. This second album of Anatolian psychedelia, originally released in 1977, showed defiance even in its gatefold art, with a drawing of the band members seeming to grow straight out the ground, covered in plant tendrils. Akbayram poached members of Mo?ollar and Bari? Manço's Kurtalan Ekspres to get the best fuzz breaks and hammond slams & put 'em straight in your ears. The band also tried out some mixes that pushed the vocals or a particular instrument way up front, and of course long, low, reverberant welcomes from Edip's echo- covered voice. Remastered sound, insert / booklet with photos and liner notes by Angela Sawyer (Weirdo Records). Vinyl comes with exact reproduction of the original gatefold pop- up sleeve.

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Sandy Harless

LP | 1973 | US | Reissue (Numero Group)

27,99 €*

Nancy Sinatra & Lee Hazlewood

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Nancy & Lee Again Black Vinyl Edition

LP | 1972 | US | Reissue (Light In The Attic)

LP | 1973 | DE | Reissue (Bellaphon)

Release: 1972 / US – Reissue

Genre: Rock & Indie

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* LP available on Standard Black Wax plus Special Limited Color Editions * First ever reissue of Nancy & Leeâ€™s 1972 classic * Includes bonus tracks â€œMachine Gun Kellyâ€ and the previously unreleased â€œThink Iâ€™m Coming Downâ€ * Newly remastered from the original analog tapes by GRAMMYÂ®-nominated engineer John Baldwin * Vinyl pressed at RTI * Beautifully packaged and expanded gatefold LP featuring a 20-page booklet * Q&A with Nancy & GRAMMYÂ®-nominated reissue co-producer Hunter Lea * Never-before-seen photos from Nancy Sinatraâ€™s personal archive

Light in the Attic Records is proud to present the next installment of the _Nancy Sinatra Archival Series_ with the first ever reissue of the classic 1972 album _Nancy & Lee Again_. Recorded during a 1972 reunion between Nancy and the enigmatic Hazlewood, the album contains some of the pairâ€™s most enduring and ambitious duets including the epic â€Arkansas Coal (Suite),â€ the sensual â€œParis Summerâ€ and the incredibly powerful Dolly Parton-penned â€œDown From Dover.â€ Equal parts daring, psychedelic, cinematic, and sweet, _Nancy & Lee Again_ reveals with each track a timeless, natural chemistry between two artists who would remain influential for generations to come.

_Nancy & Lee Again_ is available in a variety of formats, including vinyl, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and is accompanied by a 20-page booklet, featuring an array of photos from the legendary singer, actress, and activistâ€™s personal collection, as well as in-depth Q&A with Nancy Sinatra, conducted by the reissueâ€™s Grammyâ®-nominated co-producer, Hunter Lea (also available in the CD package). All formats have been beautifully designed by Darryl Norsen of D. Norsen Design, and include two bonus tracks, â€œMachine Gun Kellyâ€ (first time on vinyl) and the previously unreleased â€œThink Iâ€™m Coming Down.â€

In addition to the black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

A limited-edition merchandise capsule, including a custom chain stitched denim jacket, embroidered pillow, canvas tote and apparel collaboration with LA-based Midnight Rider will accompany the release at Nancyâ€™s Bootique at *NancySinatra.com*.

Nancyâ€™s impact on fashion, music, and culture will also be celebrated at Modernism Week in Palm Springs this February with three events, including a roundtable discussion featuring Kii Arens (Visual Artist), Alison Martino (Vintage Los Angeles), Hunter Lea (Record Producer), Don Randi (The Wrecking Crew), and Amanda Erlinger (daughter of Nancy Sinatra, and co-author of the book _Nancy Sinatra: One For Your Dreams_), a double decker bus tour featuring audio commentary from Nancy at notable locations, and a Nancy Sinatra Tribute street party on Arenas to close out the weekâ€™s festivities.

*more About _nancy & LEE AGAIN_:*

The incongruous, yet glorious, creative partnership between Nancy Sinatra and Lee Hazlewood was well underway when the two singular artists reunited to record 1972â€™s _Nancy & Lee Again_, a follow-up to their bestselling duet debut, _Nancy & Lee_. Nancy, the eldest daughter of Frank Sinatra, had been working with the Oklahoma-born songwriter since 1965, when she topped the pop charts with â€œThese Boots Are Made For Walkinâ€™.â€ Over the next five years, the two artists forged a prolific relationship in the studio, with Hazlewood writing and producing many of Nancyâ€™s solo hits. Soon, the duo found success with a series of duets, including â€œSand,â€ â€œSummer Wine,â€ and â€œSome Velvet Morningâ€ â€“ all of which appeared on their highly-influential 1968 debut.

Not long after the critical acclaim and chart success of Nancy & Lee died down, however, Hazlewood unexpectedly relocated to Sweden, leaving his musical partner in the proverbial dust. America, meanwhile, was in the midst of a cultural shift, as the Vietnam War waged on. By the turn of the decade, the musical landscape had changed significantly. â€œTrivial music and not profound music became unimportant,â€ recalls Nancy, speaking to Hunter Lea. â€œIt was a tough time.â€ And yet, despite the circumstances, the stars somehow aligned for the duo to record some of their most magnificent music together.

Returning to Los Angeles for the project, Hazlewood â€“ who reprised his role as producer â€“ chose to take a new direction with the duoâ€™s sophomore album. Nancy recalls, â€œIt was more dramatic; it was more fun to do, more challenging to doâ€¦. It was more grandiose.â€ For the lush, orchestral arrangements, they collaborated with Larry Muhoberac (an original member of Elvis Presleyâ€™s TCB band, whose early â€˜70s credits also included Barbra Streisand, Neil Diamond, and Lalo Schifrin) and Clark Gassman, who had worked on Hazlewoodâ€™s 1970 LP, _Cowboy in Sweden_. Backing vocals from brothers John and Tom Bahler, who remain two of the most recorded singers in history, added additional texture to several songs.

The big sound that Nancy describes above is exemplified in the albumâ€™s cinematic opener, â€œArkansas Coal (Suite).â€ Clocking in at nearly six minutes long, the dynamic overture tells the tale of an ill-fated coal miner (sung by Hazlewood), while Nancy adjusts her vocals to sing as both the minerâ€™s daughter and his wife. Hazlewoodâ€™s knack for vivid, nuanced storytelling shines throughout _Nancy & Lee Again_, particularly in â€œParis Summer,â€ which details the conflict that a married woman faces, as she engages in a passionate affair. Another highlight is the country-inspired hit, â€œDid You Ever,â€ which was released as the albumâ€™s lead single. After it landed at No.2 on the U.K. pop charts, the song served as an alternate title track in several countries, including LP pressings in the U.K., Germany, and Canada.

One of the most emotionally-charged moments on _Nancy & Lee Again_ is a cover of Dolly Partonâ€™s â€œDown From Dover.â€ The heartbreaking tune tells the tale of a pregnant teenager, who has been abandoned by her lover and her family and ultimately gives birth to a stillborn baby. While Partonâ€™s 1970 version was sung from the teenagerâ€™s point of view, Hazlewood and Sinatra transformed the country song into a duet. Hazlewood, who offers the manâ€™s side of the story, sings in a notably deeper octave than his signature baritone.

Another poignant selection is â€œCongratulations,â€ which describes a soldier coming home from Vietnam. â€œHis face has grown old and his eyes have grown cold/And they tell you of where he has been/Congratulations, you sure made a man out of him,â€ Hazlewood sings, pointedly. Nancy, who performs as the vetâ€™s wife, argues that the song had a deeper meaning for her duet partner. â€œLee started out a hawk, he was an army guy, so he was all for the war in the beginning. We didnâ€™t talk about it, but at some point, he changed radically. â€˜Congratulationsâ€™ was almost like an apology from him. I donâ€™t want to put words in his mouth, but it was as though he was saying â€˜Iâ€™m really sorry.â€™â€

The song â€œFriendship Trainâ€ could also be interpreted as an apology of sorts â€“ this time to Nancy. â€œYou've been hurt and I've been hurt/Now we're living pain,â€ the tune opens. When Hazlewood moved to Sweden without telling his longtime musical partner, Sinatra was understandably upset. â€œI felt pretty betrayed. I mean, who does that? Who just up and disappears like that? Iâ€™ll never understand it,â€ she reveals. But the uplifting duet â€“ a slice of â€˜70s pop perfection â€“ offers reaffirming words of love between friends. â€œ[Lee] felt things very deeply and tended to express his feelings in song instead of in real life,â€ explains Nancy.

The 10-track album closes with the stripped-down â€œGot It Together.â€ Backed by an acoustic guitar, the song is equal parts playful and candid, as the duo has an impromptu, spoken-word conversation about their lives. â€œI wish that weâ€™d quit getting so old,â€ laments Nancy, who later shares her wish to have children (she would do so in the next few years). Hazlewood, meanwhile, attempts to remedy his past wrongdoings â€“ this time asking his partner, â€œCan I go back to Sweden?â€ With that, Nancy gives her blessing.

This definitive reissue of _Nancy & Lee Again_ also includes two bonus tracks. Both are stylistic departures for the duo â€“ but fit right in with the psychedelic pop of the era. The first one, â€œThink Iâ€™m Coming Down,â€ is a harmony-filled reflection on a toxic relationship. â€œI think that was one of [Leeâ€™s] drug things. I donâ€™t mean that he used drugs; I mean that he was trying to be part of that culture. Trying to be hip,â€ explains Nancy, who delivers an emotive vocal performance on the solo track. Also included is â€œMachine Gun Kelly,â€ penned by a staple of the 70s singer-songwriter movement, Danny Kortchmar (James Taylor, Carole King, Linda Ronstadt). Recorded several months after the release of the album, the song found Nancy reuniting with Billy Strange, who arranged many of her solo albums, as well as Nancy & Lee. Sinatra and Hazlewood first performed â€œMachine Gun Kellyâ€ during their residency at Las Vegasâ€™ Riviera Hotel in February 1972 (later released as a concert documentary on Swedish television). While the recording has long remained a career favorite of Nancyâ€™s, it would be decades before it was officially released.

_Nancy & Lee Again_ remains a creative high point in the careers of Sinatra and Hazlewood and, upon its release, garnered rave reviews from Billboard, _Record World_, and _Cash Box_, among others. Yet, _Nancy & Lee Again_ never received the spotlight it so utterly deserved. â€œWe didnâ€™t have label support at all in those days,â€ recalls Nancy. â€œWithout the strength of a label, records die. We were old. We were old-fashioned. We were just not what was happening. Itâ€™s a very ageist kind of business.â€ Nevertheless, she adds, â€œI think itâ€™s a very good album. I think itâ€™s timeless.â€ Now, after years of being a sought-after rarity, this gem in the Sinatra-Hazlewood canon can finally get its due.

Five decades later, Nancyâ€™s legacy only continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums â€“ her duets with Hazlewood among them â€“ and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when â€œThese Boots Are Made For Walkinâ€™â€ was inducted into the Grammyâ® Hall of Fame. That same year, Sinatra partnered with Light in the Attic for *Nancy Sinatra: Start Walkinâ€™ 1965-1976*, a definitive survey of her most prolific period. Lita has also reissued Sinatraâ€™s classic debut, *Boots*, and her iconic, 1968 album with Lee Hazlewood, *Nancy & Lee*. The label looks forward to celebrating Nancy over the coming years with a variety of special releases, exclusive merchandise, and more.

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Jerry Lee Lewis

Rockin' Rhythm & Blues

4,99 €*

Release: 1973 / DE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

The Very Best Of Gordon Lightfoot

Gordon Lightfoot

LP | 1975 | DE | Original (United Artists)

4,99 €*

Release: 1975 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

The Man Who Built America

Horslips

LP | 1979 | DE | Original (DJM)

5,99 €*

Wilderness America, A Celebration Of The Land

Release: 1979 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Cover close to VG+

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LP | 1975 | EU | Reissue (Ebalunga!)

19,99 €*

LP | 1971 | EU | Reissue (A&M)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: Near Mint

Record with just a few paper scuffs.
Includes original inner sleeve.

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T. Rex

Electric Warrior

38,99 €*

Fela With Ginger Baker Live!

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with OBI. tiny wear. 2022 reissue.

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Fela Kuti

2LP | 1971 | Reissue (Knitting Factory)

Release: 1971 / Reissue

Genre: Rock & Indie

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LP | 1979 | EU | Reissue (Bonfire)

Veronique Chalot

J'ai Vu Le Loup

Roberto Musci / Giovanni Venosta

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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Fully licensed, ltd to 500 copies, 180 gr. Comprised of a precious inlay card featuring an exclusive essai by Emma Tricca. “This is an album that takes you on a supernatural journey to the discovery of ancient sounds that move our souls in the deepest of manners”.

Veronique Chalot was born in Normandy in the north of France, but it was in Paris that she first became interested in traditional French folk music. In 1974 she landed in Rome where she soon earned a small, but dedicated following. In 1979 she recorded her first studio effort, J'ai vu le loup, for the Italian Materiali Sonori label. Over the past 30+ years she has given hundreds of concerts, presenting her repertoire of traditional French/Italian folk songs and building awareness of that fascinating patrimony of antique melodies and dance rhythms. She passed away unfortunately on the 3rd of July 2021

“First glance into Veronique's voice and you're under a spell she's unaware of casting. Like hearing the magical sound of Ulysses' sirens, you want to throw yourself into the deep blue waters of this record, its saucerful of secrets. Like finding the hidden doors into an ancient world of court jesters, magic flutes, troubadours, and love potions, her delivery, both on the instrument and the singing, is of a beauty impossible to comprehend. Pointless for me to dissect every song or try to draw the history of each and every poem or musical piece. This is an album that takes you on a supernatural journey to the discovery of ancient sounds that move our souls in the deepest of manners. All of this and more was how I felt back in the mid-90s, as a kid, when I first saw Veronique playing in a small club in Rome called Folkstudio. This record captures all the wondrous sensations I had seeing her perform; a life-changing experience. Bon voyage; she'll take you places. (Emma Tricca)”

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Water Messages on Desert Sand

LP | 1987 | EU | Reissue (Rer Vinyl)

Dreamin' Black Vinyl Edition

Release: 1987 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Another great release in the prestigious ReR Recommended vinyl reissue series.
Water Messages on Desert Sand was the very first sound creation from the Italian avantgarde duo of Roberto Musci and Giovanni Venosta. A classic work in the genre, released by Chris Cutler's Recommended Records in 1987.
Back in the mid Eighties, Musci & Venosta, both on sampler, synthesizer, guitar, piano, effects and tapes were masters in overlaying and constructing rhythmic and harmonic pictures of transparent sound from electronic, acoustic and documentary source, taking ethnic field recordings (from Africa, Indonesia, Asia, India) as their thematic centre. "Water Messages" finds place In the realm of Eno-Byrne "My Life in the Bush of Ghosts" but far more accomplished and developed. A rich moving and still very stimulating work and an essential purchase for anyone interested in adventurous modern art informed by ethnic music and sound explorations. In two words: Highly Recommended!

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Chuck Senrick

LP | 1977 | US | Reissue (Numero Group)

La Vieille Que L'On Brûla

Release: 1977 / US – Reissue

Genre: Rock & Indie

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The only album to soundtrack both late-'70s Minneapolis lounges and a Travis Scott x Dior fashion show. Recorded in a host of living rooms with only a Fender Rhodes piano, a Donca Matic Mini Pops drum machine, and Senrick's wide-eyed, 20-year-old voice, the 1977 LP disappeared into the wild and joined the Wendigo in Minnesota lore. A provocative mix of marina soul, easy listening, and loner folk, Dreamin' is a sanguine sliver of the American private mind garden. Harsh winters coupled with a relative lack of interest amongst siblings allowed Chuck Senrick years of unfettered access to the family piano in their Farmington, Minnesota, home. Learning both by ear and by instruction, Senrick began gigging professionally at age 15, joining John Zimmer and the CR4 for a weekly rundown of Allman Brothers, Blind Faith, and Cream covers at the Sea Girt Inn in Lake Orchard. Tapping into James Taylor's pop-chart achievements in songwriting and enunciation, Senrick composed the bulk of the songs featured on Dreamin' before graduating from Farmington High School. At 20, Senrick migrated 30 miles north to the Twin Cities to pursue music full-time. Using borrowed equipment and borrowed living rooms, a string of informal recording sessions generated the quarter-inch tape for Dreamin'. "I didn't know how to do it," Senrick says about producing an album. "I just knew it could be done." Constructed with vocals, Fender Rhodes, and an assortment of rhythm presets on his Donca Matic Mini Pops drum machine, a mere 200 copies of the private-press masterpiece were stamped and sleeved and sold hand-to-hand at performances. Chuck's wife Lesli illustrated the album cover_a pen-to-paper portrait of her husband against the backdrop of the Minneapolis Skyline, she and their newborn son situated on a nearby knoll. Any plans for a re-press were quashed when producer Bruce W. Hansen lost the reels during a messy divorce. "I was a kid with big ideas and not much hope to do anything but play," Senrick said of the Dreamin' era. "It still amazes me that people are interested in it."

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Ripaille

LP | 1978 | EU (Replica)

LP | 1971 | EU | Reissue (Island)

Release: 1978 / EU

Genre: Rock & Indie

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Concept album influenced by witchcraft originally published in 1978, the sole effort by Ripaille from Brittany melts celtic-folk, electric blues and progressive rock infuences. Fans of Gentle Giant, Ange or Harmonium should be delighted.

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Nick Drake

Bryter Layter

36,99 €*

Rote Lieder - 12. Festival Des Politischen Liedes Berlin 1982

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

180 gram vinyl. Still sealed with hype sticker. 2013 reissue.

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V.A.

LP | 1982 | GDR | Original (AMIGA)

7,99 €*

Release: 1982 / GDR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Nighthawks At The Diner Remastered Edition

2LP | 1975 | EU | Reissue (Anti)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | AU | Reissue (Half A Cow)

Neil Gardner

Said The Blackbird

53,99 €*

Release: 1972 / AU – Reissue

Genre: Rock & Indie

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LP | 1973 | EU | Reissue (Sudiphone)

Nass El Ghiwane

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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The Magic Of Music Guitar And Tabla

Brij Bushan Kabra

LP | 1982 | EU | Reissue (Classics For Pleasure)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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LP | 1977 | EU | Reissue (Mental Experience)

Wild Havana

Control Black Vinyl Edition

Release: 1977 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Obscure Dutch private pressing from 1977. Laid-back instrumental psychedelic / progressive sounds with jazz-funk-groove and abstract / experimental / Latin-indigenous touches. Stoned homemade atmosphere with treated / distorted electric & acoustic guitars, flute, electric piano, primitive drum machines / homemade electronics...Much in the vein of the experimental-underground scene of France & Germany during the early 70s but actually recorded and released in Holland.
Wild Havana was the project of guitar player Johan Smith, helped by his brother Cor on flute. Influenced by artists like Zappa and Herbie Hancock, Johan recorded the “Wild Havana” album at his home studio on a 4-track, using effect devices developed by himself, like a modified proto-drum machine taken from a Hammond organ. He also used effects like phase shifter, chorus, etc and experimented with putting wool on the guitar strings and electric effects on the mandolin. The result sounded like nothing else at the time.
Buried for many years, we’re excited to bring to life this unique album.

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John St. Field

LP | 1971 | EU | Reissue (Guerssen)