Folk Vinyl 250 Items

“Stormcock” was born in 1969 as Harper began to stretch his wings. He'd been there a few times before, but this time he gave himself the space to go deep and stay there. "Hors D'Oeuvres" is perhaps the lightweight in the collection, but after all, it's the starter... “The Same Old Rock” records Harper's opposition to continued dependence on the cheap opium of convenient mass religion. This year marks two important milestones for Roy Harper - his 75th birthday and 50 years of recording music. To celebrate, Roy will be performing four special concerts in September and releasing the first vinyl reissues of his classic albums, none of which have been available on vinyl for well over 20 years.
This limited edition was completely remastered and reissued on 12” 180gm vinyl. Originally released 1971 and recorded at Abbey Road Studio, this release is housed in a deluxe gatefold sleeve featuring original artwork with additional printed heavy inner sleeve including extra notes and images.

To mark the ten years of Finders Keepers we present a lovingly remastered and repackaged release of the album where it all began. Within the last ten years the resurgence of sixties Gallic pop, once known as Ye-Ye music, has escalated beyond an inter-stellar dizzy height. What might have been a waning, embarrassing genre destined for a shelf life/death gathering dust amongst the Eurovisions of yesteryear, the ‘jerk-beat’ psychsploitation records of the latter day French disco had soon found new floor space in some of the most credible nightspots in London and Japan.

Without a shadow of doubt, the flagship LP with best odds on becoming a discerning household object was Histoire de Melody Nelson by one Serge Gainsbourg. An inimitable, 45-minute concept LP handcrafted by a bass-driven psychedelic rock group and a heaven sent, 1001 piece orchestral and choral symphony. The album left hip hop producers alongside progressive rock aficionados crying out for more and more for years to come. This LP was in a league of its very own… or was it?

The seldom-sung musical arranger for Melody Nelson has become one of the most enigmatic names in French-funk; lorded by many as the “French David Axelrod” Jean-Claude Vannier’s name is the lesser-spotted, tell-tale seal of sample-friendly quality when it comes to crate-digging ‘en Francais’. Suitably, when rumours amongst French record dealers claiming “the band who played Melody Nelson recorded a follow-up lp” became a legend of psychedelic folklore. Another unconfirmed rumour about JCV taking the remaining out-takes of the beloved Melody Nelson to create a promo-only experimental rock LP left sample hungry producers and DJs in turmoil…

For those in the know the answers to these mysteries lay flat between the anonymous gatefold sleeve of an undiscovered conceptual album bizarrely entitled “L’Enfant Assassin des Mouches” by a custom-built avant-rock entourage called Insolitudes. The rocking-horse manure treasure hunt began.

So here we have it. The mythical teen-tonic for all those suffering from Melody Nelson withdrawal symptoms. For record collectors looking for that special something, this LP contains the extra special everything. Peruse the following genres: psychedelic, classical, soundtracks, jazz, hip hop, samples, avant-garde, funk. Then place a copy of L’Enfant Assassin des Mouches in each section. History denotes that when ‘our man in Paris’ Msr. Gainsbourg first heard the initial bones of this LP he took his poetic pencil to paper providing bizarre liner notes, thus consummating the most extraordinary concept album of all time. The story “The Child Assassin Of The Flies” was to be included as the only information to grace the LPs highly collectible, concertina gatefold sleeve. The story in full is reproduced in its native-tongue on this very special re-release package.

DJs and Producers such as Jim O’Rourke, Stereolab’s Tim Gane and David Holmes have spent sleepless nights in perusal of original copies of this perfect release and now regard it as ‘One Of The Best’. Recent copies on eBay have commanded ridiculous price tags, and is now one of the most sought-after articles amongst the vinyl hungry hip-hop community

Another great release in the prestigious ReR Recommended vinyl reissue series.
Water Messages on Desert Sand was the very first sound creation from the Italian avantgarde duo of Roberto Musci and Giovanni Venosta. A classic work in the genre, released by Chris Cutler's Recommended Records in 1987.
Back in the mid Eighties, Musci & Venosta, both on sampler, synthesizer, guitar, piano, effects and tapes were masters in overlaying and constructing rhythmic and harmonic pictures of transparent sound from electronic, acoustic and documentary source, taking ethnic field recordings (from Africa, Indonesia, Asia, India) as their thematic centre. "Water Messages" finds place In the realm of Eno-Byrne "My Life in the Bush of Ghosts" but far more accomplished and developed. A rich moving and still very stimulating work and an essential purchase for anyone interested in adventurous modern art informed by ethnic music and sound explorations. In two words: Highly Recommended!

Mastered from the original analog tapes
Deluxe Stoughton “tip-on” jacket with debossing
Vinyl pressed at RTI
All tracks previously unreleased
Booklet with liner notes and rare archive photos

On March 4, 1975, Jim Sullivan mysteriously disappeared outside Santa Rosa, New Mexico. His VW bug was found abandoned, his motel room untouched. Some think he got lost. Some think the mafia bumped him. Some even think he was abducted by aliens.

By coincidence–or perhaps not–Jim’s 1969 debut album was titled U.F.O.. Released in tiny numbers on a private label, it too was truly lost until Light In The Attic Records began a years-long quest to re-release it–and to solve the mystery of Sullivan’s disappearance. Only one of those things happened, and you can guess which…

Light In The Attic’s reissue of U.F.O. introduced the world to an overlooked masterwork and won Sullivan, posthumously (presumably), legions of new fans. Those new admirers are in for a real treat: a lavish, first-time release of a previously unheard 1969 studio session.

If The Evening Were Dawn contains 10 acoustic solo recordings that have never seen the light of day. Whereas U.F.O. was bolstered by legendary sessioneers The Wrecking Crew, this is Jim Sullivan on his own terms, stripped down and soulful as ever. Recorded at a Los Angeles studio circa 1969, the session contains acoustic versions of a handful of U.F.O. tracks alongside a half dozen previously unheard songs. This, then, is the closest thing to those fabled Malibu bar performances at which Sullivan was first noticed.

According to his widow, Barbara, this was the album Jim always hoped to record. It serves as an unprecedented glimpse into the mysterious, larger-than-life figure who’s become the stuff of legends.

While Sullivan’s disappearance remains unsolved, his music endures and is finally gaining him the recognition he deserves, albeit long overdue. This recording serves as an unexpected missing piece of the puzzle; this is Jim Sullivan’s true swan song.

Ultimate space-age exotica trip from Venezuela.
In the early 70s, well-known composer and arranger Chelique Sarabia (who penned the famous “Ansiedad” when he was just a kid) decided to register an album of traditional & folkloric songs from Venezuela but giving them a modern touch, using especially developed equipment (M.R.A.A.), based off of the principles of the Moog.
Chelique, helped by a team of gifted musicians, employed traditional instruments like the cuatro and the bandola llanera, filtering them through oscillators, playing with feedback, tape delay, synthesized frequencies, echoing sounds… The result was “Revolución Electrónica en Música Venezolana”, an album with a truly exotic, psychedelic, and ahead of its time sound.
Originally, the album was sponsored by the Shell Company in Venezuela, given away to customers, employees and friends of the company as a Christmas gift in 1973. It was titled “4 Fases del Cuatro - Música Venezolana desarrollada Electrónicamente por Chelique Sarabia” (“4 Phases of Four – Venezuelan Music Electronically Developed by Chelique Sarabia”). Once the exclusivity period with the petrol company was over, Chelique did a commercial release, this time under the name of “Revolución Electrónica en Música Venezolana” (“Electronic Revolution in Venezuelan Music”). Thanks to this, Chelique and his team were considered electronic music pioneers in Latin America.
“In the past five decades, there have been many attempts at modernizing the vast folkloric tradition of Venezuela, but nobody has reached the level of depth that CHELIQUE SARABIA did when he put his impeccable reputation as a composer and arranger at risk with this out-of-the-blue revolutionary musical manifesto in 1971. 47 years later, an album that remains ahead of its time.” - Alex Figueira (Fumaça Preta)

Shot of Love is the twenty-first studio album by American singer-songwriter Bob Dylan, originally released in 1981.

Released in 1975, “Continente Nero” is the perfect flip side of “Africa” (1972), an album that significantly expanded Piero Umiliani’s music perspectives, incorporating partially explored rhythmic variations already used in “Percussioni ed Effetti Speciali” and “To-Day’s Sound”. It does so by taking inspiration from a tradition that starts from the divine Fela Kuti and reaches the amateur and field recordings by musicologists such as David Toop, but also from the Afro-American jazz history of Art Ensemble of Chicago, John Coltrane, Max Roach and hundreds of others.

Continente Nero (1975) Released via the Omicron label in 1975, three years after Africa, Continente Nero is the perfect flip side of an album that significantly expanded Piero Umiliani’s music perspectives, incorporating partially explored rhythmic variations already used in records such as Percussioni ed Effetti Speciali and To-Day’s Sound or experimenting new solutions that drew from a musical heritage little known at the time such as the African one. Without bothering with the usual alias M. Zalla, Umiliani reveal his birth name and surname for a second foray into a territory that pays homage to an entire continent. And it does so by taking inspiration not only from a tradition that starts from the divine Fela Kuti and reaches the amateur and field recordings by musicologists such as David Toop, invaluable documents of an artistic heritage still today almost impossible to map in its complexity, but also from the Afro-American jazz history by Art Ensemble of Chicago, John Coltrane, Max Roach and hundreds of others. It sounds clear in tracks such as Nuovi Fermenti, Rivoluzionari, Riscossa or Ultimo Stregone that show Umiliani’s extraordinary ability to grab a distant tradition essential traits and put them effortlessly into a personal imaginary world, as much exciting as the original one.

Vinyl LP pressing. 1976 album from the iconic singer-songwriter.

Vinyl LP pressing. 1973 album from the iconic singer-songwriter. Jimmy Buffett's third studio album, A White Sport Coat and a Pink Crustacean, was released in 1973 and features "Why Don't We Get Drunk," and "He Went to Paris." Newly remastered and available for the first time on vinyl.

Fully licensed, ltd to 500 copies, 180 gr. Comprised of a precious inlay card featuring an exclusive essai by Emma Tricca. “This is an album that takes you on a supernatural journey to the discovery of ancient sounds that move our souls in the deepest of manners”.

Veronique Chalot was born in Normandy in the north of France, but it was in Paris that she first became interested in traditional French folk music. In 1974 she landed in Rome where she soon earned a small, but dedicated following. In 1979 she recorded her first studio effort, J'ai vu le loup, for the Italian Materiali Sonori label. Over the past 30+ years she has given hundreds of concerts, presenting her repertoire of traditional French/Italian folk songs and building awareness of that fascinating patrimony of antique melodies and dance rhythms. She passed away unfortunately on the 3rd of July 2021

“First glance into Veronique's voice and you're under a spell she's unaware of casting. Like hearing the magical sound of Ulysses' sirens, you want to throw yourself into the deep blue waters of this record, its saucerful of secrets. Like finding the hidden doors into an ancient world of court jesters, magic flutes, troubadours, and love potions, her delivery, both on the instrument and the singing, is of a beauty impossible to comprehend. Pointless for me to dissect every song or try to draw the history of each and every poem or musical piece. This is an album that takes you on a supernatural journey to the discovery of ancient sounds that move our souls in the deepest of manners. All of this and more was how I felt back in the mid-90s, as a kid, when I first saw Veronique playing in a small club in Rome called Folkstudio. This record captures all the wondrous sensations I had seeing her perform; a life-changing experience. Bon voyage; she'll take you places. (Emma Tricca)”

1971 acid folk masterpiece reissued on 180 g vinyl and remastered from the original tapes ... and limited to 1000 copies!

Folksongs and Ballads by Tia Blake & Her Folk-Group, is more than just a “lost classic”. As clear and honest as can be, Folksongs and Ballads is a magnetic record, a refuge like only Nick Drake, Nico, and a few others have been able to create. A graceful, delicately minimalist approach to classic Appalachian and British folk songs.The perfect balance between melancholy and daydream. Originally released only in France in 1971, Ici Bientôt is very pleased to present the first ever reissue on vinyl. When she recorded her only album, Tia Blake was nineteen years old and had just arrived in Paris a year and a half beforehand. She spent most of her time at Disco’Thé, a record shop in the Latin Quarter, a free space, peaceful and inspiring, a hub for students as well as the local artistic community. There, Tia would occasionally sing—when she managed to overcome her shyness. Two young guitarists who were passionate fans of folk music and regulars at the shop began to accompany her, forming “Her Folk Group.” One year later, they cut 11 tracks at Pierre Barouh’s Studios Saravah. Folksongs and Ballads is composed of traditional tunes that have been covered many times, but they’re not the best known folk standards. A collection of stories ranging from the Middle Ages to the 1960s, bringing together sublimely doleful ballads, lamentations for a lost lover, and an unexpected, brilliant version of the road anthem “Plastic Jesus.” Tia Blake's haunting, unaffected voice captivates and comforts us, wrapping us in its cool embrace. Meanwhile, the tasteful, stripped-down, mellow acoustic arrangements provided by the guitarists, reminiscent of Bert Jansch and John Renbourn, occasionally supported by a kena flute, have created the space Tia Blake needed to reinvent these traditional songs. Folksongs and Ballads is a timeless record, deep and unique, a longtime companion for repeated listening, in the vein of works by Sibylle Baier, Bridget St. John and Vashti Bunyan.

Recorded when he was just nineteen, “Dreaming With Alice” by British folk musician/artist Mark FRY was (barely) released only in Italy in 1972, making it one of the rarest and most desirable acid-folk / psychedelic albums ever. Tracks like “The Witch” or “Mandolin Man” are considered nowadays classics of the genre.

Recorded when he was just nineteen, “Dreaming With Alice” by British folk musician/artist Mark FRY was (barely) released only in Italy in 1972, making it one of the rarest and most desirable acid-folk / psychedelic albums ever. Tracks like “The Witch” or “Mandolin Man” are considered nowadays classics of the genre.

One reviewer said this about Lavender Daydreams: “Blissed out folk psycher in the vein of Tim Buckley or Dan Fogleberg but waaay more psyched out. Richard has certainly dropped a tab or three in his time. A really, really good album to mind-surf to, and also poppy enough that it would sound good coming out of a boombox in a field while you are throwing the frisbee and smoking some bohoofus.” And they were right—Richard did drop many a tab when writing and recording the album: "The songs ‘Lord and Master,’ ‘Here We Are,’ ‘Sunny Days,’ and several others were inspired by experiences I had on psychedelics. Lavender Daydreams comes from my meditation experiences. ‘Electra’ is about a girl I fell in love with while tripping... I realized my purpose in life I was always looking for was in experiencing the extraordinary perfection in front of me every moment and engaging it in play and fun… This is a common theme in my songs. Celebrating those everyday moments. ‘Falling Angels’ was written about crashing on acid. About when we have to squeeze back into our everyday self and the feeling of “Now that the doors of perception have been blown off their hinges what am I going to do about it.” And that slides right into ‘A Stranger’ where you begin reflecting on it. There you are, crashing, beer in hand, a stranger to yourself. ‘Soaring’ is inspired by lying on our back in the field by the Long Island Sound on spring afternoon tripping on ‘Windowpane’. Mike and I were staring up at the sky and the clouds turned into angels singing and it felt like we were soaring up there free. ‘Soaring’ was trying to capture the rapture.” Edition of 370 copies on black vinyl.

Originally releaed in 1971 the album is a milestone in modern Pop and Rock music and decorated with four Grammys.

Wewantsounds is delighted to announce the reissue of Ziad Rahbani's cult album, "Bennesbeh Labokra...Chou?" released in Lebanon only and mixing arabic music with Jazz, Bossa Nova and other western influences. Hailed as an absolute classic, the album is the soundtrack to his eponymous play and has been highly sought-after by DJs and collectors around the world. Curated by Lebanese-born music expert Mario Choueiry from Institut du Monde Arabe in Paris, the album is reissued on vinyl for the first time since 1978, featuring original gatefold sleeve, remastered audio and a 2 page insert with a new introduction by Choueiry. When Ziad Rahbani released "Bennesbeh Labokra... Chou?" he was only 22 years old. He had started to make an impression on the Lebanese cultural scene a few years before, while still a teenager, composing and releasing albums under his own name. Born into an illustrious musical family - his mother is the legendary Lebanese Diva Fairuz and his father, Assi Rahbani, was a renowned composer and part of one of the most famous Lebanese groups, The Rahbani Brothers - Ziad quickly gained exposure as a gifted composer and producer. When his father fell ill in the mid 70s, he took over as Fairuz's producer which led to a fruitful collaboration starting with the 1979 album "Wahdon." ?Highly influenced by other genres of music, Rahbani had started bringing modern western influences to traditional arabic music. 1978 saw the release of two key albums by the young musician, the Disco 12-inch "Abu Ali" which went on to become one of the most sought-after Arabic albums on the international DJ scene and "Bennesbeh Labokra... Chou?" which follows "Abu Ali" closely in many diggers' want-list. ?A soundtrack to Rahbani's eponymous play, the album "Bennesbeh Labokra… Chou?" gathers all the musical interludes heard during the play, a social diatribe about the Beirut society underlining the difficulties of living in the tense social and political climate of the Lebanese civil war. Written by and starring Rahbani, the play follows the everyday life and problems of a young couple running a cafe in the heart of Beirut. The play underlying Rahbani's leftist sensitivity was an immense success and the album was released the same year (the complete play was also released over three LPs). ?"Bennesbeh Labokra… Chou?" is a skilful blend of Arabic music and Bossa-nova ("First Introduction" - the recurring theme of the album), groove with the funky beat of "Second Introduction" and the jazz vibe of "Variation 3" and "Variation 4." It's also interesting to hear an early version of "Al Bosta" which would grace Fairuz's 1979 album "Wahdon" in a faster, funkier version also produced by Rahbani." ?with a knack for cinematic orchestrations reminiscent of Lalo Schifrin, Ziad Rahbani also brings more complex arrangements to the album on such tracks as "Variation 5" making the album such a rich listening. Undoubtedly one of the most important albums recorded in the Middle East which Wewantsounds is glad to reissue in its full glory with remastered audio and original artwork.

Cult South Asian New Wave! Naya Beat is proud to announce its second release, Tere Liye, the highly sought after and impossible to find New Wave album by the unsung pioneers of the British Asian music scene, Pinky Ann Rihal. Remastered for vinyl by multi Grammy-nominated Frank Merritt at The Carvery and available for the first time since its limited 1985 release, the album is as fresh and relevant today as it was 37 years ago. South Asian New Wave. Four words that you will rarely see together. Pinky Ann Rihal were the brainchild of two London-based Punjabi immigrants and progressive rock musicians – Harry Rihal and Jati Sodhi – at a time in the U.K. when progressive rock musicians were almost exclusively white and Punjabi musicians were almost exclusively making Bhangra. Encouraged by their friend and disco pioneer Biddu (yes, that Biddu!), they cut ‘Tere Liye’ – a one-off Hindi-language New Wave album with producer John Hamilton and vocalists Pinky Rihal (married to Harry) and Anne Barrett (married to John). It is an album that exemplifies the cultural collaboration and musical synthesis of the time. Complementing the rich, cosmic and layered synths and drum programming of Hamilton and the distorted guitars of Rihal and Sodhi are the Hindi lyrics of vocalists Pinky and Anne. The result is an amazing one-of-a-kind South Asian New Wave album. Nothing like it has come out before or since. Stymied on its original release by bungled distribution, poor marketing and plenty of bad luck, this incredible album seemed destined to be lost to history. With Asian electronic music in the U.K. seeing a rebirth and capturing imaginations around the world,‘Tere Liye’ can finally take its rightful place as one of the pioneering albums of the Asian underground. This is Naya Beat’s second release in a series of reissues, reworks and remixes, and compilations dedicated to uncovering electronic and dance music from the overlooked ‘80s and ‘90s South Asian music scene. Their first release Naya Beat Volume 1: South Asian Dance and Electronic Music 1983-1992 was named by the Vinyl Factory as the Number 1 reissue of 2021

The second album Judee Sill made, proved to be her last. Instead of using an outside arranger for the strings for her album Heart Food (as she did on her previous album Judee Sill [MOVLP1800]), Sill did all of the work herself.

“Authentic and personal, at times it reminds this writer of luminaries such as Jackson C. Frank, PF Sloan, Skip Spence, and Phil Orchs while never feeling derivative. The songs are melodic and haunting, fueled by existential woes, political angst, and good ol’ fashioned love. Scott’s rich voice has an unpretentious gravitas, his simple-yet-effective guitar playing ranging from delicate fingerpicking to angry bashing. Created at home on a Tascam 4-Track Portastudio, the recording features few frills and is all the better for it. Unlike most mid-80s records it sounds like it could have come from any time since the late ’60s onwards. As a testament to its greatness, and despite the late recording date, it even gets a nod on Patrick Lundborg’s “Acid Archives” compilation website, Lysergiawhere it’s described thus: “Late phase downer-loner folk and singer-songwriter trip, mostly acoustic, some tracks with a small band.” – Andrew Ure for Ugly Things.

limited edition 180 gram vinyl

A reissue of this ultra rare Oriental psych monster from the organ king of Casablanca, combining traditional rhythms with spaced out modern sounds. This is the first part of Abdou's 'Nuits' trilogy. Mystical sounds from Morocco!

This reissue comes on 180g. Right Track is a specialized music label based in Beirut - Lebanon. As an IFPI certified member they are the exclusive Licensee and distributor of multiple international and regional labels in addition to a range of Lebanese Artists. From Omar Khorshid’s arabian-funk to Fairuz’s eerie songs, from Ziad Rabani’s proto-disco to lebanese traditional Wadih Al Safi compositions, Right Track is committed to re-releasing the Immortal Arabic music repertoire on 180 g vinyls, delivering the highest possible quality from remastered audio to satisfy the demanding audiophile connoisseurs.

Closing Time foreshadows the distinctly lyrical storytelling and original blending of jazz, blues, and folk styles that would come to be associated with Waits. It is on this debut album that Waits performs enduring classics of his career “Ol’ 55” (famously covered by the Eagles), the heartbreaking “Martha” and the gentle acoustic folk of “I Hope That I Don’t Fall In Love With You”. Reissued for the first time as a double LP to commemorate the 50th anniversary of the landmark debut with newly half speed mastering at Abbey Road Studios.

Dando Shaft’s self-titled sophomore set continued to build on the reputation established by their excellent debut, and now the arrival of female singer Polly Bolton added another textural dimension, as heard most clearly on the soaring ‘Riverboat,’ the absence of drums throughout allowing us to fully appreciate the players’ excellent musicianship, with Martin Jenkins’ masterful mandolin, flute and fiddle drawing the sound to higher realms. As it was issued on RCA’s prog sub-label Neon, which folded soon after its release, the LP is as rare as it is excellent—another must-have for fans of progressive folk and psychedelic folk rock.

Arabesk and Turkish folk music singer Müslüm Gürses released more than 70 albums, concert recordings and compilations between 1975 and 2014. Gürses starred in 38 movies between 1979 and 2011, reaching a wide audience as a popular cult figure from the 2000s onwards. The Mutlu Ol Yeter album, originally dated in 1981,is back on the shelves in 2017.The songs that stand out in the album are “Mutlu Ol Yeter” and “İtirazım Var”,which also give the album its title. Orhan Akdeniz and Burhan Bayar are the musical directors and producers of the album, who also wrote most of the tracks.

Blue Vinyl Limited TO 318 Hand-numbered Copies

Travel back in time to the modern pre-Revolution Teheran and dig this wonderful, ear-catching album from 1976 by Iranian female singer Pari Zangeneh. Traditional Persian folk songs with a lovely, sweet psychedelic flavor with the use of beautiful strings, flutes, charming and tasty drumming, some organ and orchestration, percussions… imagine a Persian version of Mellow Candle or Vashti Bunyan and you’re there! Born in 1939 in Kermanshah (Iran), Pari Zangeneh is a Soprano singer that lost her sight after a car accident in 1972. Her work over the years on restoring traditional Persian music and regional folk songs is invaluable. In 1976 she recorded this very unique album commissioned by Kānoon (Institute for the Intellectual Development of Children and Young Adults), a social organization that produced many kinds of materials (books, films, records) for children in Iran. The arrangements were done by Varoujan (famous for his work with Googoosh, Dariush, etc…) *Sourced from the original masters *Hard cardboard sleeve + OBI

* Includes download card

In 1967, the English poet George Duffell, alias Jorgy Porgy, decided to set his verses to music, birthing J.P. Sunshine with guitarist/vocalist Rod Goodway of pop act the Pack (later with the Crazy World of Arthur Brown), the line-up expanding with a bassist and bongo player, Duffell’s girlfriend on percussion, and former Pack guitarist Andy Rickell on electric lead. These resultant recordings, cut on basic gear in Duffell’s flat, evidence an individual psychedelic sound, marked by the incestuous claustrophobia of the group’s romantic rivalries, the meandering lyrics and disjointed melodies pointing to the pervasive drug use that ultimately squashed the project. This is psych with a difference: rare, rough, and freaky!

Incredibly cool & rare Turkish 45 from 1973 with super-groovy, psychedelic, jazzy, hot sounds reminding both Rita or Cal Tjader. Not to mention the cover artwork! You will Never find this original in more than VG+, no care what you’re willing to pay. Get this super reissue now and get your party on fire!!! Licensed 1000 copies press.

Here is one of the most sought after Turkish records. Really a rare single from Turkey. Turkish psych folk-rock sound with killer electric saz/fuzz heavy funk single from 1975. Remastered sound, arranged by Zafer Dilek.

Some hard-hitting rhythm section blending into a prime example of the swingin' sound of the cool influences of Jazz, Funk and Folk music, with a Turkish flavor.
It's fantastic funk jazz groove built on a titanium synth bassline!
An instrumental library of traditional Turkish Jazz session reaching a great climax in drums and percussion sets + electro-bass break with moog and synthesizers from the beginning to the end.
Traditional Turkish songs are based on drums and synth bass over moody 5/8 fuzz guitars...
Album recorded & released in Denmark, 1979, and it has never been released in Turkey.

Dizonord is very happy to bring you the reissue of this French 1988 underground self released gem, re-mastered from master tapes!
Dubby, punky, politically engaged new wave with a sense of humour, we've always been touched by the voice of Agnès (bass) and the phlegmatic Michel (machines and graphics). We could have thought the language barrier would have stopped the pleasure of this record but obviously not, as Mobutu song is already an international digger classic!
We really hope you'll enjoy this collection of tracks and collages as we do so, once upon a time...

180 GRAM AUDIOPHILE VINYL
FEATURING NELSON’S FIRST SOLO RECORDING OF “GOOD HEARTED WOMAN”
LIMITED EDITION OF 1500 INDIVIDUALLY NUMBERED COPIES ON TRANSLUCENT
BLUE COLOURED VINYL

Seven fretboard fantasias fromCalifornia's mysterious mail ordermystic. 1973's Guitar Grimoire is acollection of reverberant and originalcharms establishing Burchette as thewhite wizard of tremolo theurgy.Warning: Psychic energy shiftprobable!

California mail-order mystic MasterWilburn Burchette was first known fromhis ads, hidden in the back pages of FateMagazine, Beyond Reality, and GnosticaNews. On his 1972 sophomore album,Burchette channels dreamy early music,druid folk, electric fingerstyle, psychedelicballadry, and new age ontology to createa visionary guitar technique all his own.This faithful reproduction includes theoriginal 12-page full color instructionbook for the secret method of piercing thepsychic heart.

Formed in 1984 by bassist Takuya Nishimura and erhu player and singer Chie Mukai is Che-SHIZU. Their debut on the indie record label Zero records (also known for producing acts such as Shonen Knife, and Luna Park Ensemble) “Yakusoku wa Dekinai” (I Can’t Promise) drew attention for its uncompromising approach to simply making ‘songs’. With Tori Kudo (who’s recent analog release, Tangerine with Reiko Kudo, is making waves across the world) on guitar, ‘Yakusoku wa Dekinai’ is filled with songs that are simultaneously experimental and catchy. P-vine is proud to be reissuing this historic album for the first time ever on vinyl.

New Morning is the eleventh studio album by American singer-songwriter Bob Dylan, originally released in 1970.

This - somehow - mythological album from one of Iran’s top sitarist lurches between traditional Eastern forms and more modern Western styles, blending the two into a fascinating fusion of cultures and flavours. Similar to the work of Indian rare groove master Ananda Shankar, the record brings to life the ultimate marriage of funky drums, lush horns, wah-wah guitars and Eastern harmonies. A necessary re-discovery !

Seven fretboard fantasias fromCalifornia's mysterious mail ordermystic. 1973's Guitar Grimoire is acollection of reverberant and originalcharms establishing Burchette as thewhite wizard of tremolo theurgy.Warning: Psychic energy shiftprobable!

Supernatural meditation, with adrum machine, from California'smysterious mail order mystic. 1975'sMusic Of The Godhead is the ambientalchemy that established Burchette asthe white wizard of tremolo theurgy.Warning: Inner peace lik ely!