Folk Vinyl 873 Items

Release: 2012 / US – Reissue

Genre: Rock & Indie

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LP | 2022 | US | Original (The Bunker New York)

Zemi17

Gamelatron Bidadari

LP | 2021 | EU | Original (La Sape)

Release: 2022 / US – Original

Genre: Rock & Indie, Electronic & Dance

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The Gamelatron is many things; one could call it a sculpture, a multimodal installation, an instrument, a robot, a feat of engineering, a vision—and it is all of these things. More importantly, though, it is a concept sustained by Aaron Taylor Kuffner, aka Zemi17, whose Gamelatrons are “sound producing kinetic sculptures” designed to create an immersive, visceral experience for the listener. Not a small feat, and yet the ambitions of Zemi17 are absolutely realized in this long-standing project, culminating now in his third release for The Bunker NY: Gamelatron Bidadari.

The Gamelatron Bidadari is not just a name—it is one of seventy-plus musical sculptures that Zemi17 has conceptualized, designed, and fabricated. Therefore, it would be inaccurate to think of this release as simply a series of arrangements composed in a finite period of time. Rather, it’s a window into a project and a process that is much larger than any single album can encapsulate. Gamelatron Bidardi is the culmination of more than a decade of work, and is central to Zemi17’s evolution, not only as a musician but as an artist.

Having studied gamelan for many years in Indonesian villages and at the Institut Seni Indonesia in Yogyakarta, Kuffner is a musician, an artist, technologist, and craftsman. The gongs in his sculptures are co-created with master Indonesian artisans. Each Gamelatron composition is site-responsive, meaning its sounds are composed for the acoustics and intentions of the space it inhabits, whether it’s an art gallery, a wooded landscape, or the inner temple of Burning Man. The Gamelatron does not stand alone: it is in constant co-creation with its physical environment, and in dialogue with gamelan’s long-standing history.

Originally exhibited at the Smithsonian Renwick as part of a show entitled, No Spectators: The Art of Burning Man, the Gamelatron Bidadari produces sounds that are delicate yet strong, and deeply hypnotic. Textured chiming creates intricate polyrhythmic patterns that are both complex and simple, or in a word, elegant. On Gamelan Bidadari, Zemi17 refrains from adhering to the strict musical structures; his approach to composition is free flowing.

He says, “I want to evoke what the music tells me it has to offer. It is like following water to its conclusion (or non-conclusion).” The arrangements on this album, written by Zemi17 and performed by the robotic arms of the Gamelatron, leaves the listener feeling enchanted, nourished and enriched.

A sense of the mystical comes through in the tonal quality of the instrument, and is conceptually felt in the sculpture’s name: the Bidadari, which loosely translates to “forest nymph.” The music conjures up natural wonder, and the four sculptures that make up the Gamelatron Bidadari, in fact, resemble trees. They are four independent yet connected entities, each with a large gong situated at their structural base—the sonic “roots” of the sculpture—while smaller gongs branch off of a golden, trunk-like spine. The Gamelatron Bidadari is as physically stunning as it is mesmerizing to the ear. A kind of divinity is invoked through its sound, or a sacred cohesion between past and present, tradition and new form. Meant to be viscerally experienced, the sounds of the Gamelatron call for sublime togetherness. Gamelatron Bidadari is not just an album but the crystallization of Kuffner’s work; it is a condensed yet spacious glimpse into the sonic power of Zemi17’s Gamelatrons, which have already been heard and experienced live by over a million people.

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Zeitgeist & Tucceri

Jin Mu

19,99 €* 24,99 € -20%

The Road Home White Vinyl Edition

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Having worked together for several years on the project 'Zeitgeist Freedom Energy Exchange' Zeitgeist and Tucceri come together here in a very intimate and vulnerable setting. This recording offers a place of reflection and healing amongst an ever imposing and disposable pop culture. In a time where we fight for each others attention in 10 second social media grabs. The duo offer something of the opposite. An opportunity to tap out of the technological bombardment and allow the listener the place to reflect, to ponder, to imagine.

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Yoon Ji-Young

LP | 2021 | JP | Reissue (Beat Ball Music)

17,99 €* 23,99 € -25%

LP | 2021 | EU | Original (Concord)

Release: 2021 / JP – Reissue

Genre: Rock & Indie

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This is the vinyl reissue of the second album by folk singer and original composer of 'If I Had Wings on my Song', Yoon Ji-Young. After having released his debut effort, Yoon turned to Oasis Records for his second album. This work was undertaken with the wholehearted backing of musical partner and legendary Korean folk singer/songwriter Kim Min-ki. This album is unique in that it features an unlikely pairing of the socially critical metaphors of Kim's earlier works against the lush instrumentation of the Oasis studio session musicians. The album, with its arrangements incorporating chamber pop vibes as well as folk-rock elements, has a well-crafted quality to it that sets it apart from most gayo albums of its time. Perhaps due to Kim's outspoken lyrics, only small promotional batches of this album were produced at the time of its release. It soon faded into obscurity, going on to become a 'holy grail' rarity among collectors.

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Yola

Stand For Myself

Release: 2021 / EU – Original

Genre: Rock & Indie

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We Will Never Die Orange Vinyl Edition

Yat-Kha

LP | 2021 | DE | Original (Lollipoppe Shoppe)

Release: 2021 / DE – Original

Genre: Rock & Indie

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LP | 2022 | UK | Original (Ici D'Ailleurs)

Yann Tiersen

Avant La Chute

Release: 2022 / UK – Original

Genre: Rock & Indie

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2LP | 2016 | EU | Original (Vinyl Passion)

Woody Guthrie

American Folk Legend

Release: 2016 / EU – Original

Genre: Rock & Indie

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LP | 2013 | US | Reissue (Now-Again)

Witch

Lukombo Vibes

I've Forgotten Now Who I Used To Be

Release: 2013 / US – Reissue

Genre: Rock & Indie

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Archival reissue of the Afro-prog-psych Zamrock masterpiece Presented For The First Time Ever In An Aged Copper Green Pressing The entirety of WITCH’s fourth album, restored and remastered from master tapes, and presented as an archival reissue in an aged copper green vinyl pressing. WITCH’s musical arc is contained to a five year span and, in retrospect, it is a logical one. The band’s fourth album - recorded after the band toured with Osibisa - makes use of traditional Zambian rhythms and folk melodies alongside progressive rock movements. It is the most "afro-rock" of WITCH’s oeuvre.

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Witch Camp

LP | 2021 | EU | Original (Six Degrees)

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | US | Original (Sony Legacy)

That's Life

Release: 2021 / US – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Sony)

That's Life

Release: 2021 / EU – Original

Genre: Rock & Indie

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Live At Budokan Black Friday Record Store Day 2022 Edition

2LP | 2022 | EU | Reissue (Legacy)

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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Black Friday Record Store Day 2022 Edition. Color: unknown. Limitation: 9100 copies. This performance finds Willie and Family at a monumental point of their powers and includes a 27-song, hit-filled set across two LPs.

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And Then I Wrote 180g Edition

2LP | 2022 | US | Reissue (Analogue Productions)

75,99 €*

Release: 2022 / US – Reissue

Genre: Rock & Indie

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Ready The Astronaut Clear Vinyl Edition

William Fitzsimmons

LP+CD | 2021 | EU | Original (Grönland)

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Will Hoge)

Will Hoge

Wings On My Shoes

Release: 2022 / EU – Original

Genre: Rock & Indie

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2LP | 2016 | Original (Holz)

Wildes Holz

Astrein

Release: 2016 / Original

Genre: Rock & Indie

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LP | 2022 | US | Original (New West)

Wild Feathers

Medium Rarities

Release: 2022 / US – Original

Genre: Rock & Indie

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12" | 2021 | EU | Original (Stroom)

White Light / Jo Bogaert

Whale

20,99 €*

2LP | 2022 | EU | Original (Wiggy Thump)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Strange lovesongs from the Belgian Dender area in the early 80's

"The other night when I was talking to my friend I said: believe me, I wasn’t far from death when I lived in the hotel the only thing that he could do was take me in his arms and love me and kiss me and show me the difference between friendship and love but there is none"

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Whiskey Myers

Tornillo

33,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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2LP | 2022 | EU | Original (Wiggy Thump)

Whiskey Myers

Tornillo

33,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | UK | Original (Nie X Nine)

Whelligan

In The Mean Mean Time

21,24 €* 24,99 € -15%

LP | 2016 | US | Original (Pepper Hill)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Songwriter and singer Jamie Whelligan is a pop troubadour in the classic late 1960s mode. A busker on the London Underground, an actor in arthouse film. One of those ever present characters who seems weirdly displaced in the modern world. • Whelligan’s songs mine that vein of melodic, psychedelic guitar pop that a certain type of English band are famous for. With songs spinning effortlessly from one genre to another, fans of XTC, Syd Barrett, and even The Rutles won’t be disappointed. • Recent years have seen Whelligan focus on a project called ‘Annexe The Moon’. A modern-psyche collaboration with award winning BBC Sound Designer/Producer Phil Channell (#1 podcast Death In Ice Valley). Their single ‘Full Stop’ was a firm favourite on Bbc6 Music, with notable plays from Guy Garvey, Radcliffe and Maconie, Vic Galloway, Marc Riley and Steve Lamaqc. • 2021 saw the first of a new crop of Whelligan tunes, and his forthcoming album ‘In The Mean Meantime’ is lined up for release in April ‘22. Co-produced by long term collaborator Nick Frater (Big Stir Records/Great Sheiks) whose trademark sonic fairy-dust brings the magic of Whelligan’s tunes to your ears. • Sweet vocals harmonise over warm and wiry guitars, while inventive lyrics are matched with floating melodies. The album promises an enjoyable trip down a psyche-pop rabbit hole

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Wheeler Walker Jr

Redneck Shit

Release: 2016 / US – Original

Genre: Rock & Indie

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Sex, Drugs & Country Music

Wheeler Jr. Walker

LP | 2022 | EU | Original (Pepper Hill)

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Reissue (Vampisoul)

Wganda Kenya

Africa 5000

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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LP | 2015 | WW | Reissue (Mexican Summer)

Weyes Blood

Cardamom Times

Release: 2015 / WW – Reissue

Genre: Rock & Indie

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LP | 2021 | EU | Original (Universal)

Wesley Schultz

Vignettes

18,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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The Midwest Book Of The Dead

Wes Tirey

LP | 2022 | EU | Original (Mapache)

LP | 2021 | US | Original (Half A Million)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Wes Tirey’s The Midwest Book Of The Dead, is an intimate study of the Midwestern condition. A double album, it tells of silos like chapels, spiders in the cane, of drunkards and saints and fugitives; it speaks of wild geese, and the good life, rhinestone suits, Coca Colas, and dishes drying on the rack. Sincerity, sensuality, and humor all reside in the candor and weight of these songs — its playing and arrangements, rich but unfettered, and Tirey’s voice grown several feet deeper and more sonorous. It is a sublime expansion of a trademark style he has come to call “rustic minimalism”.

The Midwest Book of the Dead finds Tirey both solo for acoustic laments and backed by close collaborators for barroom ballads, with Ryan Gustafson (Hiss Golden Messenger, Phil Cook, Charlie Parr) taking the helm as producer.

This assemblage of strangers and stories and snapshots of lives that make up The Midwest Book of the Dead, Tirey likens to “the book of photographs that you find at a Goodwill” — perhaps in Dayton, or Fayetteville, or in any of the stops on the highways that separate them. And while there are clues laid out across these lyrics, he believes there is an open-endedness to these songs. Still, the clues carry us on, into this land of high corn and pool halls, of farmboys, rusty Fords, and fathers like Elvis. Blue herons, hearts of steel, vinegar and piss; a land where people might rise “with everything to show, strong and comely as a colt.” They are songs told straight and sincere, but that are nonetheless beguiling; the work of a master songwriter, a craftsman, an artist; a man who will always be part of the Midwest.

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Wes Buckley

The Towering Ground

2LP | 2022 | EU | Original (!K7)

Release: 2021 / US – Original

Genre: Rock & Indie

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Wes has been working in and around the Berkshires for some time, performing solo, duo, or with full band. His music stretches out quite a bit, sometimes offering a more homespun, traditional mountain bus folky type feel, other times extending outward toward Dead spaces or even Arkestra-esque freakouts. He’s released records with Michael Hurley, self released CDs, and been collected on CD by the wonderful Mystra label. His record with us, The Towering Ground, will be his first LP and we’re very excited about it. The songs collected here maintain a bit of his folky character, but they offer something more in the way of a hazy, If I Could Only Remember My Name / Fred Neil’s 'The Dolphins' languor. The songwriting chops Wes displays are strong, and while he’s a New Englander, there’s a California sunset melancholy running through these tunes, recalling a bit of FJ McMahon’s mournfulness or John Wonderling’s knack for somehow still chilled-out grandiosity..."—Half A Million Records

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Wema

Green Roses Volume 1 Green Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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For Wema, collaboration is a state of mind. The five-piece collective - consisting of Tanzanian multi-instrumentalist Msafiri Zawose, producer Photay and Penya members Magnus P.I, Lilli Elina and Jimmy le Messurier - is an artistic pursuit founded on community; a space in which to harness the transformative power of connection. Translated from Swahili, 'wema' means kindness and benevolence - virtues that lie at the core of the project, and are reflected in the group's world-embracing approach to music. "Wema is a state of gratitude and belief, without sorrow or grief. It's about giving your entire heart," Msafiri declares. Wema's beginnings, however, have a more cosmic origin. As the world ground to a halt in March 2020, Photay and Magnus were both feeling the strain of creative burnout. Both artists had been keen to collaborate for a while, but the stars never quite aligned - until an off-hand conversation about the pressures of losing yourself to a project sparked an unlikely moment of inspiration. The pair began exchanging their backlog of beats, home-spun demos and unfinished ideas. Before they knew it, their songs began to take real shape - and it was some of the most invigorating music they'd ever written.

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Weeed

LP | 2022 | US | Original (Halfshell)

How Is It That I Should Look At The Stars

Release: 2022 / US – Original

Genre: Rock & Indie

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This session is the first of two recorded during the early summer of 2021 in the pristine and remote town of Hansville, WA. Under mutual spells of sunlight and grief, these songs were often written, rehearsed, and recorded in the same day, using both new and familiar instruments, tunings, and feelings. In this way they like everything else, transitory.

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Weather Station

LP | 2022 | US | Original (Fat Possum)

LP | 2022 | US | Original (Sahel Sounds)

Release: 2022 / US – Original

Genre: Rock & Indie

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One year after the release of Ignorance, The Weather Station returns with How Is It That I Should Look At The Stars. The album is intended to be heard as a companion piece to Ignorance; songs written at the same time that connect thematically and emotionally, songs that reveal the vulnerability at the heart of the body of work. Recorded live in just three days, How Is It That I Should Look At The Stars is achingly intimate; full of breath, silence, and detail.

How Is It That I Should Look At The Stars was written in the same fruitful winter of songwriting that gave rise to Ignorance, but were songs that Lindeman felt were too internal, too soft to fit on the album she had envisioned.

Not long after completing Ignorance, Lindeman decided to make this album on her own terms, fronting the money herself and not notifying the labels. She assembled a new band, and communicated a new ethos; the music should feel ungrounded, with space, silence, and sensitivity above all else.

On this record, there are no drums, no percussion; in the absence of rhythm, time stretches and becomes elastic. Lyrically, many of the songs return to what has often been a hallmark of Lindeman’s writing; a description of a single moment and all the meaning it might encompass. And this dilation of the moment occurs musically too; as the band moves through music so ephemeral it often incorporates stretches of near silence, and breaths, single notes, and brief solos take on greater importance in the absence of other sound. Whereas the recordings on Ignorance leaned towards ambition and grandeur, here the band reaches towards a different goal; grace perhaps.

How Is It That I Should Look At The Stars was recorded from March 10 - 12, 2020. When the band entered the studio, Covid-19 was a news item, not front of mind, but by the time they left, just three days later, everything had changed. Somehow, the music captures that instability; it is ungrounded and diaphanous, it floats and drifts. It is an album of immense sensitivity, a recording of a band and a person daring to reach towards softness without apology.

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Wau Wau Collectif

Mariage

Watkins Family Hour Volume 2

Release: 2022 / US – Original

Genre: Rock & Indie

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Wau Wau Collectif's second album, Mariage, is instilled with a newfound sense of purpose. Expanding upon the inspirational themes of their acclaimed 2021 debut, Yaral Sa Doom (Educate The Young), this long distance collaboration from musicians in Senegal and Sweden's Karl Jonas Winqvist is an even more stylistically expansive affair Joyful children's songs collide with fuzzy guitar solos and thumping hip-hop beats. Shimmering synths lift off from the plunky percussion of the balafon and versatile sounds of the 22-string kora. Familiar voices from the first album return with more explicitly political lyrics, while the music feels both rhythmically dense and sonically weightless, flowing from one spellbinding moment to the next. For Mariage, band members from each country were inspired to include a wider array of instrumental flourishes unique to their cross-continental collaboration. "Yay Balma" revolves around the cycling riffs of Jango Diabaté's xalam guitar, as this song's fuzzy tones and soaring sax solos open side two with a bang. "Pitchi Goubidi" provides a stark contrast, with the kora played like a harp and Gilbert Badji's gravelly lyrics about "the bird of the night" disappearing into dubbed-out chamber pop. Winqvist's omnichord hovers back into focus on "Yonou Natangue," a free-floating jam that maintains the messages of Wau Wau Collectif's debut, promoting youth education to address the social issues facing contemporary Senegal: "Peace is the better wealth / The way to wander."

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Watkins Family Hour

LP | 2022 | EU | Original (Family Hour)

Release: 2022 / EU – Original

Genre: Rock & Indie

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We Fucked A Flame Into Being

Warhaus

LP | 2016 | EU | Original (Pias)

Release: 2016 / EU – Original

Genre: Rock & Indie

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2LP | 2021 | EU | Original (Columbia Local)

Wardruna

Kvitravn

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Reissue (Animal Music)

Vladimir Misik

Nocni Obraz

29,99 €* 39,99 € -25%

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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Vivian Leva & Riley Calcagno

LP | 2021 | Original (Free Dirt)

Release: 2021 / Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (La Honda)

Vincent Neil Emerson

Release: 2021 / EU – Original

Genre: Rock & Indie

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Valentina Cenni & Stefano Bollani

Via Dei Matti N 0

2LP | 2021 | EU | Original (Columbia)

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Valentina Cenni & Stefano Bollani

Via Dei Matti N 0

2LP | 2022 | EU | Original (Columbia)

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Zar: Songs For The Spirits

2LP | 2021 | EG | Original (Juju Sounds)

Release: 2021 / EG – Original

Genre: Rock & Indie

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Why The Mountains Are Black - Primeval Greek Village Music: 1907-1960

LP | 2016 | US | Original (Third Man)

37,99 €*

Release: 2016 / US – Original

Genre: Rock & Indie

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Whom The Moon A Nightsong Sings Dark Green Vinyl Edition

2LP | 2022 | EU | Original (Prophecy Productions)

42,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Wewantsounds Presents Pierre Barouh And The Saravah Sound

2LP | 2022 | EU | Original (Wewantsounds)

35,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Wewantsounds is delighted to present the first retrospective on vinyl of Saravah Records, one of the most influential French labels founded in Paris by singer, songwriter and producer Pierre Barouh in 1966. Featuring Brigitte Fontaine, Jacques Higelin, Alfred Panou, and many rare tracks reissued on vinyl for the first time, the set gives a glimpse of the free-form, groovy sound of the label between 1965 and 1976. Supervised by Pierre Barouh's son and Saravah historian, Benjamin Barouh, The 2-lp Gatefold set comes with a 4p insert featuring liner notes (Eng/Fr) by Benjamin plus an exclusive interview of Barouh's partner Fernand Boruso by Jacques Denis telling fascinating anecdotes around the label.

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Turk Pop Muzik Tarihi 1960-70 Lp2

LP | 2021 | TR | Original (Yapi Kredi Kültür Sanat Yayincilikq)

Release: 2021 / TR – Original

Genre: Organic Grooves, Rock & Indie

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Turk Pop Muzik Tarihi 1960-70 Lp1

LP | 2021 | TR | Original (Yapi Kredi Kültür Sanat Yayincilikq)

Release: 2021 / TR – Original

Genre: Organic Grooves, Rock & Indie

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Time Wept - Vocal Recordings From The Levant, 1906-1925

2LP | 2015 | UK | Original (Honest Jon's)

Release: 2015 / UK – Original

Genre: Rock & Indie

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Stunningly beautiful, poignant music from Bilād al-Shām — ‘the countries of Damascus’, known nowadays as Syria, Lebanon and Palestine — including performances from the very first recording sessions in the region. The legendary, moody Beirut singer Būlus Ṣulbān is here — some historians have him singing before Egypt’s Pasha Ibrāhīm Bāshā during his military campaign in Syria, in 1841 — and Ḥasība Moshēh, Jewish ‘nightingale of the Damascene gardens’. Thurayyā Qaddūra from Jerusalem; Yūsuf Tāj, a folk singer from Mount-Lebanon; Farjallāh Baiḍā, cousin to the founders of Baidaphon Records... Musical directors like the lutist Qāsim Abū Jamīl al-Durzī and the violinist Anṭūn al-Shawwā (followed by his son Sāmī); such virtuosi as the qanun-players Nakhleh Ilyās al-Maṭarjī and Ya‘qūb Ghazāla, and lutist Salīm ‘Awaḍ. Even at the time, notwithstanding such brilliance, public music-making was frowned upon as morally demeaning, especially for women. Musical venues were generally dodgy. Ṣulbān once cut short a wedding performance for the Beiruti posh, after just one song, he was so disgusted with his audience. ‘If I had to tell you about the catcalls,’ one commentator wrote about the musical theatre of the time, ‘the stomping of feet, the sound of sticks hitting the ground, the noise of the water-pipes, the teeth cracking watermelon seeds and pistachio nuts, the screams of the waiters, and the clinking of arak glasses on the tables, I would need to go on and on and on...’

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LP | 2021 | EU | Original (30m)

This Is Tehran

Release: 2021 / EU – Original

Genre: Rock & Indie

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This Is Cairo Not The Screamers

LP | 2022 | EU | Original (Nashazphone)

Release: 2022 / EU – Original

Genre: Rock & Indie

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7 intense Egyptian shaabi remixes by Cairo's finest: Zuli, 1127, 3Phaz, Abadir, Nadah El-Shazly, Kzlk & Youssef Abouzeid.

The adrenalised, electrification of Egyptian Shaabi music in recent years has produced absolutely scorching tracks, and Nashazphone’s This is Cairo Not The Screamers can certainly be added to those ranks. Shaabi translates directly as ‘of the people’. Here, it serves as a vehicle for the incendiary and propulsive. Raw power, Cairo-style, distorted variations on a theme.

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The Secret Museum Of Mankind - Guitars Vol. 1: Prologue To Modern Styles

LP | 2021 | EU | Original (Jalopy)

20,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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The Monsters Burn In Hell

LP+CD | 2016 | EU | Original (Voodoo Rhythm)

16,99 €*

Release: 2016 / EU – Original

Genre: Rock & Indie

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A variety of Voodoo Rhythm artists pay tribute to The
Monsters! Featured acts include Urban Junior, King Automatic,
The Devils, Roy And The Devils Motorcycle, Delaney Davidson,
The Seniles, Rolando Bruno, Sudden Infant and others.

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The Cool-Aid Benefit Album

2LP | 2012 | US | Original (Light In The Attic / Lion Productions)

Release: 2012 / US – Original

Genre: Rock & Indie

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At the end of the 1960’s, there was a house in Vancouver that was a home solely for Hippies and homeless youth; it was known to locals as "the Cool Aid House." When the Canadian government withdrew funding in 1970, the house was in danger of closing. All of the top bands in the Vancouver area offered to record songs for a benefit album—and since the local music scene produced some of the best bands in Canada, the album that resulted was stunning; it has long been a much sought-after collector's item. What no one knew until recently was that the original “Cool Aid Benefit Album” was intended as a two-record set: contractual problems with Capitol Records forced Cool Aid House founder John Walsch to drop tracks by Mother Tucker's Yellow Duck—tracks that are now restored to this package. Other cuts include the strange proto-electronic burbles of Mock Duck (quite unlike almost everything else they ever recorded) on ‘As the Bullet Enters Anton’ and ‘Pointillistic Scherzo’; the vicious snarl of Black Snake’s ‘Carousel,’ and the strange Spalding Grey-ish acoustic song/poem ‘The Planet Man.’ Hydro Electric Street Car have left little behind them, but their lovely ‘High Memory’ sounds like a lost Grateful Dead track from their early, dreamy period. A terrific discovery!

The end result of the joint efforts of Light in the Attic and Lion Productions is this deluxe 2xLP package, jam-packed with stand-out music by Vancouver’s top bands of the day: Mother Tucker's Yellow Duck, Papa Bear's Medicine Show, Mock Duck, Hydro Electric Streetcar, Route Nine, Blacksnake Blues Band, Nancy, Spring, and Greydon Moore and Leo Jung. Obscure cuts available nowhere else, in a wide variety of styles: weird electronic sounds, heavy garage fuzz guitar freakouts, stoner rock, and acoustic folk.

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Slow Grind Fever Volume 5

LP | 2015 | EU | Original (Stag-O-Lee)

18,99 €*

Release: 2015 / EU – Original

Genre: Organic Grooves, Rock & Indie

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2LP | 2016 | EU | Original (Efficient Space)

Sky Girl

Release: 2016 / EU – Original

Genre: Rock & Indie

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2024 restock. Sky Girl is a mysteriously unshakeable companion, a deeply melancholic and sentimental journey through folk-pop, new wave and art music micro presses that span 1961-1991. It's a DIY collection of different genres, from different countries across different decades, that are all bound by the same longing sentiment. A concept compilation! A seemingly disparate suite of selections of forgotten fables by more or less never-knowns, Sky Girl forms a beautifully coherent and utterly sublime whole deftly compiled by French collectors DJ Sundae and Julien Dechery. From Scott Seskind's adolescent musical road movie to Karen Marks' icy Oz-wave, the charming DIY storytelling of Italian-American go-getter Joe Tossini and the ethereal slow dance themes of Parisian artists Nini Raviolette and Hugo Weris, Sky Girl resonates on a wide spectrum historically, geographically and stylistically. It unites in a singular, longing, almost intangible ambience. If the names sound wholly unfamiliar that doesn't matter, the nature of the compositions swiftly nurtures an intimacy with these lonely, poignant, openhearted wanderers. Most were available in a very limited capacity at the time of their release, some were never really released at all - Gary Davenport declined to release "Sarra" after he split with the girl for whom the track is named - years later a friend convinced Davenport to allow him to put 100 copies online to sell and DJ Sundae was quick enough to snare one. Beyond their scarcity, these tracks are bound together by a certain raw beauty that's achievable when music is made and no one is listening. Sky Girl comprises of fifteen officially licensed songs, a two year international scavenger hunt through long-folded home label operations, the depths of internet forums and traceless acetates. Both compilers are well trained record sleuths - DJ Sundae's labels Hollie and Idle Press have reissued Arthur Russell affiliate Nirosta Steel and DIY relic Pitch, while Julien Dechery previously compiled Fire Star, a retrospective on Tamil film composer Ilaiyaraaja, for Bombay Connection. Released by popular NTS show "Noise In My Head" offshoot Efficient Space, Sky Girl is enriched with artwork from Perks and Mini mutant Misha Hollenbach and appropriately elegant sleeve notes courtesy of Ivan Smagghe. Includes digital download. Also features: Linda Smith, Bruce Langhorne, The Seraphims, Some of My Best Friends Are Canadians, The Rising Storm, Warfield Spillers, Joyce Heath, Angel, Nora Guthrie and Once.

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Sacred Soul Of North Carolina

2LP | 2021 | EU | Original (Bible & Tire Recording Company)

23,24 €* 30,99 € -25%

Release: 2021 / EU – Original

Genre: Rock & Indie

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Rock Your Soul Volume 1: Blue Eyed Soul & Sounds From The Land Of The Free

2LP | 2016 | EU | Original (BBE Music)

Release: 2016 / EU – Original

Genre: Rock & Indie

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Compiled by Zaf Chowdry also responsible for Suss'd amazing 'P&P' and 'Deep Disco Culture' series. Co-compiled with music enthusiast and broadcaster Mark Taylor. A great genre of music given an arguably absurd title. A collecton of predominately white singer/songwriters from America's west coast influenced by African-americans R & B artists as much as soft rock, country, disco and jazz.

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LP | 2021 | US | Original (Geffen)

Rhythm Country & Blues

37,99 €*

Release: 2021 / US – Original

Genre: Rock & Indie

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Rhythm & Blues House Party Volume 2

7" | 2021 | EU | Original (Koko Mojo)

11,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Türküola / Arsivplak)

Pop Hits 12

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Turkish disco pop funk sound compilation album. Great soul-pop and disco-funk with amazing moog organ, keyboards/synths, bass, rhythm and wah guitars.. This compilation has the unique sound in Turkish Disco-Funk music with influences of soul, jazz, pop, rock and beats. Turkish instruments with great disco tunes and great female & male vocals.

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2LP | 2022 | EU | Original (Analog Africa)

Perú Selvático

Release: 2022 / EU – Original

Genre: Rock & Indie

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Less than a hundred miles inland from the capital city of Lima lies the great Peruvian jungle, an untamed land of impenetrable forests and endless winding rivers. In its isolated cities, cut off from the fashions of the capital, a unique style of music began to develop, inspired equally by the sounds of the surrounding forests, the roll of the mighty Amazon and Ucayali Rivers, and the rhythms of cumbia picked up from distant stations on transistor radios. With the arrival of electricity, a new generation of young musicians started plugging in their guitars and trading in their accordions for synthesizers: Amazonian cumbia was born.

Powered by fast-paced timbale rhythms, driven by spidery, treble-damaged guitar lines, and drenched in bright splashes of organ, Amazonian cumbia was like a hyperactive distant cousin of surf music crossed with an all-night dance party in the heart of the forest. While many of the genre’s greatest tracks were instrumental, and others were simple celebrations of life in the jungle, the goal of every song was to keep the party going.

Radio stations in Lima remained unaware of the new electric sounds emanating from the jungle, but a handful of pioneering record producers ventured over the mountain passes to the cities of Tarapoto, Moyobamba, Pucallpa – even Iquitos, a city reachable only by boat or plane – and lured dozens of bands to the recording studios of the capital to lay down their best tracks. Although many became local hits, few were ever heard outside the Amazonian region … until now. With eighteen tracks from some of the greatest names in Amazonian cumbia, Perú Selvatico is both the improbable soundtrack to a beach party on a banks of the Amazon and a psychedelic safari into the sylvan mysteries of the Peruvian jungle.

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LP | 2021 | EU | Original (Flee Project)

Nahma : A Gulf Polyphony

27,90 €*

Release: 2021 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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The pearls of the Gulf have stoked the imagination and desire of people around the world for centuries their magnificence matched only by the courage of the divers who found them. This project aims to honor the memory of these valiant free-divers, their culture and their music by the means of a transmedia object including: A 2xLP vinyl compilation containing undisclosed original recordings of pearl divers and inspired modern-day compositions by artists like Tomaga, YPY, Aya Metwalli, Joakim, Tarek Yamani or Hieroglyphic Being.

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Music Of The Bahnar People From The Central Highlands Of Vietnam

LP | 2016 | EU | Original (Sublime Frequencies)

Release: 2016 / EU – Original

Genre: Rock & Indie

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2LP | 2022 | EU | Original (Morr Music)

Minna Miteru 2

33,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Following the »Minna Miteru« compilation, released in 2020, Morr Music announces a sequel, dedicated to Japanese indie music, overflowing with surprises and welcome discoveries. Like its predecessor, »Minna Miteru 2« is compiled by Saya of Tenniscoats, with the support of Markus Acher (The Notwist). It’s also another part of the Minna Miteru universe, alongside retrospective albums by The Andersens (»There Is A Sound«, 2020) and yumbo (»The Fruit Of Errata«, 2021). Taken together, these albums suggest a scene in rude health, sharing a unique vibration. If its predecessor circled around Tenniscoats and their close friends, the second volume, though featuring a collaboration between Tenniscoats and Deerhoof as oneone, reaches far further afield, drawing from music old and new, far and wide. Consistent across »Minna Miteru 2« is a sense of wonder and a cheerful unpredictability: you never quite know what you’ll hear next. There are some gorgeous indie pop songs here, like Yuko Kono’s »Ginger« or HOSE’s »Baseball«, but there are other sounds too, like Kariu Kenji’s blue-hued electro-pop, or the wheezing pipe-organ ambient of Fuji||||||||||ta: »Minna Miteru 2« hints at new kinds of beauty. Some of the more widely known names here contribute typically gorgeous melodies – Kama Aina’s »Wedding Song«, from 2005’s »Hawaii Hawaii« CD, is a reflective tune that combines a country-ish lilt with hints of slack-key guitar. Shugo Tokumaru’s »5 A.M.« is a delirious psychedelic pop mantra, drawn from his excellent 2005 album, »L.S.T.«. Many of the revelations, though, come from artists and groups relatively unknown outside Japan. The lovely, disorienting glitch-folk of Wasurerogusa features Aki Tsuyuko, perhaps best known for her albums on Thrill Jockey and Jim O’Rourke’s Moikai label, collaborating with psych-folk legends Eddie Marcon. There’s also the delightful synth-pop of Jonathan Conditioner; the electronic dreamscape of Chaplin, whose opening »Out Cont« runs along several parallel paths at once; the twinkling, acoustic jangle at the heart of mmm’s luscious »Blue«; and a curious collection of miniatures, from acts like tenshinkun, Daisuke Tanabe and Nnmie, that embrace a childlike curiosity, essaying a kind of toytown pop-tronica. The twenty-six songs on »Minna Miteru 2« repeatedly catch you unawares, upending your expectations and signaling both the breadth and depth of the Japanese indie underground. It’s a compilation of play and pleasure, but also of bold experiment smuggled into the everyday through pop music’s welcoming moods, magically creating a new world for the listener, spun out of the air and woven in between your ears.

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Methusalem - Popcorn Sound Of Vienna 1954-1964

10" | 2022 | EU | Original (Club Methusalem)

19,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Incredible 1954-1964 black pre-pop dance music. The Club Methusalem, Nomen est Omen, is musically dedicated entirely to the biblical times of modern popular music. In our definition it sounds like this: We are playing mid 1940s to early 60s rhythm´n blues, rumba, mambo, cha-cha-cha, rock´n roll, early soul, ska, jazz, schlager, doo wop, gospel, twist – vinyl only. Founded in summer 2016, the Methusalem DJ collective was the musical host in Vienna’s most beautiful urban garden location, the Volksgarten Pavilion, for three summers every thursday. Other locations followed. The Methusalem sound refers to the 500 year old African diaspora, which produced countless musical blossoms in the middle of the twentieth century (see definition). We also shed light on the shock waves of these then new styles on the European music market. Our goal is to show everyone when pop music was at its most beautiful: At the time it was created! Vinyl only is a matter of honor for us. The trend of rediscovering the old dances of the era before, such as Lindy Hop, Shag, Charleston etc., takes us further to the times when all these styles merged into one, the “Rockin an Rollin”, the harbingers of soul and funk, and thus modern pop music. Methusalem DJs: Mrs. Lovett, Don Arno, Turner T., Nikola, Bunani, Levi, Fernando Terror, Scott, Darking Max

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Mali: The Art Of Griots Of Kela, 1978-2019

LP | 2021 | EU | Original (Musee D'Ethnographie De Geneve)

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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About a hundred kilometers south-west of Bamako, on the left bank of the Niger River, the Malian village of Kela is known to be home to a large community of griot musicians (jeliw) mostly belonging to the Diabaté family. Their art is recognised throughout West Africa and many griots come from all over the world to stay there, sometimes for several years, in the hope of becoming immersed in it. The six pieces for voice accompanied by guitar or traditional koni lutes were recorded in 1978 (tracks 3 to 6) and in 2019 (tracks 1 to 3), in the same traditional dwelling, which still serves as a “studio". The accompanying booklet contains the testimonies of several important musicians who took part in the recording, and evoke key elements of their universe Points of interests - For the fans of the traditional repertoires of Mali’s famous griot musicians. - For music lovers who love the voices accompanied by the guitar and the traditional lutes of the griots.

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Live Forever: A Tribute To Billy Joe Shaver Diamond Color Vinyl Edition

LP | 2022 | US | Original (New West)

Release: 2022 / US – Original

Genre: Rock & Indie

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Billy Joe Shaver’s songs were stories of his life; they were real, and they were raw. Many artists have covered Billy Joe songs over the years. From Willie to Waylon to Elvis and Cash. Billy Joe’s influence on some of the greatest of artists is what inspired this project. Now, with Live Forever: A Tribute to Billy Joe Shaver a whole new batch of artists and songwriters are taking their cut at one of the greatest songwriting catalogs of all time. This album is a testament to Billy Joe’s words and the deep impact they had on so many wonderful songwriters and performers. He’s a hero to so many, and New West is honored to pay homage to the legacy of Billy Joe Shaver. Just like the songs he left behind him, he’s gonna live forever now.

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Live Forever: A Tribute To Billy Joe Shaver

LP | 2022 | US | Original (New West)

Release: 2022 / US – Original

Genre: Rock & Indie

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Lift It Up! Volume 4: Global Players

LP | 2022 | EU | Original (Gutfeeling)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Kwangkay: Funerary Music Of The Dayak Benuaq Of Borneo

LP | 2016 | US | Original (Sublime Frequencies)

Release: 2016 / US – Original

Genre: Rock & Indie

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Numbering less than 1.000 people, the Dayak Benuaq from the Eastern Kalimantan region of Indonesian Borneo still practice many of their traditional ceremonial customs. This album of field recordings presents the music associated with the kwangkay, the secondary mortuary ritual celebrated by the Dayak Benuaq, recorded live on location by Vincenzo Della Ratta. According to the Benuaq belief system, upon death the soul of the human being is transformed into the liau, associated with the physical body, and the kelelungan, associated with the intellect or the head. Both the liau and the kelelungan temporarily reside in a sort of cosmic location, connected respectively with the bones and the skull of the deceased, who has entered a state of deep unconsciousness, as yet neither pertaining completely to the realm of the living, nor to that of the dead. Music plays a key role within the kwangkay, as it is crucial for guiding the liau and kelelungan spirits to their final destinations. It is also intended to please the spirits of the dead by providing them with entertainment. This ritual includes a night dance performed for the spirits and accompanied by a musical piece known as the ngerangkau. These rites and ceremonies are often dedicated to several deceased persons and are held within a house belonging to one of their family members. Featured here are two different versions of the ngerangkau, with their long, trance-inducing rhythmic gong patterns. There are two more tracks on the album which are not specifically related to the kwangkay. "Titi Mati" is a gong piece commonly played to proclaim the recent death of a villager. And finally, a nocturnal soundscape of a village by the river Mahakam, a channel of transport and communication which is essential for the local people of the Benuaq territories. Limited edition LP; includes insert of text and images by Vincenzo Della Ratta.

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2LP | 2021 | EU | Original (Elkar)

Katebegiak

38,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Music produced in the 70’s in the Basque Country got trapped between two earth shattering artistic currents; Ez Dok Amairu in the 60s and Basque Radical Rock in the 80’s, and unfortunately, most of the lovely discs and tunes created at that magical time have been pushed to a remote (and sometimes even despised) corner of our collective memory. 60’s and 80’s music currents are almost opposite, and both work as magnetic poles with a very strong power of attraction, and maybe also as a burden for any of the later artistic currents. 60’s generation of artists searched within their rich and ancient cultural roots to acknowledge and update them, in proud, hopeful and unforgettable folk songs. The 80’s one on the other hand, worked in a flammable environment in constant social and political conflict and found in punk the perfect way to express their anger and weariness for so many unfulfilled promises and the lack of opportunities into short, noisy, direct and corrosive songs, technically sparse but full of energy and expressive power. Most of the “classic” names engraved in our memory come from one or the other like Benito Lertxundi, Mikel Laboa, Lourdes Iriondo and Xabier Lete or Kortatu, Hertzainak, Zarama, Las vulpes, Eskorbuto or Cicatriz. 70’s generation and their music works somehow as the “missing link” (“katebegia” in Basque) between the two. They loved folky tunes and don’t forget their ancient roots, but they also look outside for inspiration and experimentation. Just as the 80’s boys and girls found punk the 70’s guys found a completely different sonic and aesthetic landscape in the works of Grateful Dead, Fairport Convention, King Crimson, Soft Machine, Gong,… and worked closely with keen souls in other neighboring regions such as Maquina!, Pau Riba or Sisa in Catalonia or Smash and Triana in Andalusia. This resulted in more abstract and poetic lyrical content, much longer psych-folk-prog-jazz tunes, full of complex instrumental passages and mesmerizing structures of sheer ambition and masterful execution in many cases. But, most important of all, they found a voice of their own, rich, unique, and fascinating, and that’s what makes them so valuable to us. Not only to us, but also to lots of vinyl collectors and crate-diggers around the world, who have in many cases paid fortunes for some of the original editions of LPs that are the source of tunes in this compilation. Mikel Unzurrunzaga Schmitz aka DJ Makala, Dj and producer of worldwide scope and wisdom, noticed this fact first and decided to pay homage to these wonderful tunes through this masterful and dedicated selection for your pleasure and as an open invitation to dig deeper into your adventures in the dark and hidden side of Basque popular music. The album Katebegiak, now published by Elkar, contains 13 tunes on double LP gatefold edition from Haizea, Izukaitz, William S. Fischer, Magdalena, Enbor, Itoiz, Koska, Itziar, Errobi, Lisker, Amaia Zubiria & Pascal Gaigne, Gontzal Mendibil & Taldea and Urria, and the CD-Book edition adds an extra bonus track by the great unknown artist Juan Arkotxa. Along with this compilation, and as a sample of the era, we reissued two more little gems of which we have included a track on the compilation.

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Jazz - Masterpieces By The Queens Of

LP | 2022 | EU | Original (Wagram)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Imaginational Anthem XI - Luke Schneider Presents Chrome Universal - A Survey Of Modern Pedal Steel

LP | 2022 | US | Original (Tompkins Square)

Release: 2022 / US – Original

Genre: Rock & Indie

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Curated by in-demand Nashville pedal steel maverick and Third Man recording artist Luke Schneider, the eleventh volume of Tompkins Square’s venerable acoustic guitar series Imaginational Anthem features exclusive tracks by legend BJ Cole, as well as leading exponents on the instrument including Susan Alcorn, Luke himself, and British expat / Nashville hotshot Spencer Cullum among others. Nashville native and Merge recording artist William Tyler has written a beautiful detailed history of the pedal steel for the package.

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If Music Presents: You Need This!

4LP | 2022 | UK | Original (BBE Music)

55,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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Habibi Funk: An Eclectic Selection Part 2

2LP | 2021 | EU | Original (Habibi Funk)

32,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Second compilation by Habibi Funk, following the success of the first part, featuring a wide range of music from North Africa and the Middle East.

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10" | 2022 | EU | Original (Stag-O-Lee)

Gunsmoke 08

Release: 2022 / EU – Original

Genre: Rock & Indie

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2LP | 2022 | EU | Original (Efficient Space)

Ghost Riders

Release: 2022 / EU – Original

Genre: Rock & Indie

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A North American road trip of coming of age garage soul mapped by Ivan Liechti, Ghost Riders is Efficient Space’s latest narrative compilation, hovering in a liminal emotional ravine between moonlight melancholy, teenage heartache and unchecked, unrealised ambition. Across 17 open hearted ballads recorded 1965-1974, the 2LP collects and connects dots between British Invasion fanatics, child prodigies, the loners and the luckless, in a kind of trans-continental survey of those swept up in rock’n’roll mania and buoyed by local newspaper ads promising fame and gold records.

From the tangerine dreams of 8th grade all-girl combo The Mod 4 to the tri-state jukebox aspiring echoes of The Tempters, The Yardleys' poetic Farfisa vamp and lilting folk pop, and The Landlords’ weepy break up b-side blues, these are mostly one shots by dreamers whose experience was brief before being checked back to the reality of suburban normality and realistic career options. Hailing from the regional backwaters of Illinois, Arkansas, Nevada, Massachusetts, Ohio, Idaho, Texas and beyond, the licensed artists were scouted by way of local fire departments, spiritualist fellowships and animal welfare centres, often barely a stones throw from where their contributions were originally laid.

A barely teenage Dennis Harte's ‘Summer’s Over’ perhaps best taps the collection’s essence. A gut-wrenching lament of the passing of the season as if it was the last on earth. Flanked by players from The Left Banke, Harte, a now-piano tuner to the stars, is from the minor segment that found longevity in showbiz. Likewise with Michigan icon Lyn Nowicki who cast her ghostly voice over Beatles cover song chameleons The Common People and Jerry McGee, The Ventures member and conduit of Dr. John’s ‘Twilight Zone’.

Ghost Riders simmers with the scent of youthful summers, the pang of schoolyard romance, and the excitement (and disenchantment) of teenage naïveté, delivered via a deceptively simple and frequently wonky garage band set up. The vision of record collector and graphic designer Ivan Liechti, these eternal psych-folk howlers are further crystallised by Colin Young’s fastidious audio restoration, the original artwork of Elise Gagnebin-de Bons and an aptly penned forward from Sonic Boom.

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Future Nuggets Volume 4 Colored Vinyl Edition

2LP | 2022 | EU | Original (Fun In The Church)

23,39 €* 25,99 € -10%

Release: 2022 / EU – Original

Genre: Rock & Indie

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Futur Antérieur : Bongo Joe's 5 Years Anniversary

2LP | 2021 | EU | Original (Les Disques Bongo Joe)

19,49 €* 25,99 € -25%

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (River Lea)

Fire Draw Near

32,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (ZYX)

Famous Shanties

Release: 2022 / EU – Original

Genre: Rock & Indie

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Ena Tefariki / Oriental Shake, Farfisa Madness & Rocking Bouzoukis From The Greek Laika Movement (1961-1973)

2LP | 2021 | EU | Original (Radio Martiko)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Includes 16 page booklet. Monster grooves, driven by a perfect symbiosis of fiery oriental rhythms and the deep, relaxed heartbeat of the bass line, with virtuosic, intoxicating solos on bouzoukis, Farfisa organs, clarinets and violins. This is the sound of laika, Greek-oriental pop music from the 60s and early 70s that sets every dance floor on fire!

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D-Vine Spirituals Records Story Volume 2

LP | 2022 | EU (Bible & Tire)

Release: 2022 / EU

Genre: Rock & Indie

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D-Vine Spirituals Records Story Volume 1

LP | 2022 | EU (Bible & Tire)

Release: 2022 / EU

Genre: Rock & Indie

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Country Funk Volume 3 1975-1982 Clear Vinyl Edition

2LP | 2021 | US | Original (Light In The Attic)

Release: 2021 / US – Original

Genre: Rock & Indie

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Volume 3 in LITA’s acclaimed Country Funk series! Featuring Dolly Parton, J.J. Cale, Conway Twitty, Larry Jon Wilson, and Billy Swan, amongst many others Includes previously unreleased track by Tony Joe White Newly remastered audio New original artwork by renowned artist J. William Myers (artist for Robert Altman’s Nashville, Waylon Jennings and Willie Nelson’s Waylon & Willie album, and LP covers for the Charlie Daniels Band) Description: The horse still bucks, the band still funks, and well…the fire still burns.

That’s right—Country Funk is back.

In the summer of 2012, a new sound blew in from the dusty desert. It was a sound difficult to pin down, to codify; a sound that, like some wild horse, resisted one’s grasp. But this was no trend, no flash-in-the-pan movement, no shotgun marriage of styles, no ma’am. This sound went back decades, back to the latter half of the 1960s and early 1970s when adventurous artists started to blend country hoedown harmony with the elation of gospel, the sexual thrust of the blues and a touch of inner-city grit. This was a new sound with a simple name: Country Funk.

Country Funk 1969-1975, first released in 2012 and co-produced by Zach Cowie, Patrick McCarthy and Matt Sullivan, brought together a disparate group of artists that were neither bound by geography nor a shared ideology, but connected through the simple feel of their songs. Country Funk is alternatively playful and melancholic, slow jammin’ and booty-shakin’. It’s a sound both studio slick and barroom raw, as evident in the artists featured on Volume I: Johnny Adams, Mac Davis, Dale Hawkins, Tony Joe White, Bobbie Gentry, Larry Jon Wilson, and many others. Just two years later, we chased Volume I with a new collection of songs for Country Funk 1967-1974 (lita 116, 2014). Volume II didn’t let up, dealing out all the loose-talking and lap-steel twangin’ one could handle. Heavy hitters like Willie Nelson, Townes Van Zandt, Kenny Rogers, Dolly Parton and J.J. Cale shared barstools with the lesser-known voices of Bill Wilson, Donnie Fritts and Thomas Jefferson Kaye.

With Country Funk Volume III 1975-1982 (lita 194) we’re here to say there’s more funk left in the trunk yet. This time around, the jeans are tighter, the hair is bigger and the disco ball spins along to a country-synth beat. Produced and compiled by Jason Morgan (Bay Area DJ/collector) and Patrick McCarthy (co-producer/compiler of Volume I & II), the tracklist features regulars Dolly Parton, J.J. Cale, Larry Jon Wilson and Tony Joe White (whose track is released here for the first time) alongside new faces like Steven Soles, Gary & Sandy, Conway Twitty, Travis Wammack, Billy Swan, Rob Galbraith, Brian Hyland, and so many more. As the 1970s began to wane and the 1980s approached, the Country Funk pallet expanded to include disco beats, heavy Moog synth bass lines and more clavinet than you could shake a stick at. Volume III shows artists continuing to buck traditional country tropes and production while embracing modern soul, disco, and coked-up 80s synth-pop. This is the true soundtrack of the Urban Cowboy. Saddle up, partners.

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Club Coco Colored Vinyl Edition

LP | 2021 | EU | Reissue (Les Disques Bongo Joe)

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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Bongo Joe presents "Club Coco", a summary outernational latin and afro rooted music compilation curated by Coco María.

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Club Coco Black Vinyl Edition

LP | 2021 | EU | Reissue (Les Disques Bongo Joe)

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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Bongo Joe presents "Club Coco", a summary outernational latin and afro rooted music compilation curated by Coco María.

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Americana Railroad Black Friday Record Store Day Vinyl Edition

2LP | 2021 | EU | Original (Renew)

33,59 €* 41,99 € -20%

Release: 2021 / EU – Original

Genre: Rock & Indie

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2LP, Gatefold This collection consists of 19 classic and original train songs performed by a variety of artists from the worlds of Americana and Rock. None of these tracks have been previously released and most feature innovative takes on songs you are likely familiar with. Together they tell a story of the intersection of the history of railroads and popular music in America.

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A Guide To The Birdsong Of Western Africa

LP | 2022 | EU | Original (Shika Shika)

22,09 €* 25,99 € -15%

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Vampisoul)

14 Magficos Bailables

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Wagram)

100% Women Jazz

Resan White Vinyl Record Store Day 2022 Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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The exceptional 100% TSF Jazz collection is embellished with its latest " 100% Women " volume dedicated to the great female Jazz performers.Let yourself be carried away by the finesse of this selection which honors the women of Jazz. With: Cecile McLorin Salvant, Carmen McRae, Ayo, Nina Simone, Doris Day, Dinah Washington

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Urferd

LP | 2022 | EU | Original (Sound Pollution / Black Lodge)

LP | 2022 | US | Original (Don Giovanni)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Limited Edition for Record Store Day 2022.

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Up Around The Sun

Self Taught

15,39 €* 27,99 € -45%

Release: 2022 / US – Original

Genre: Rock & Indie

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10" | 2016 | UK | Reissue (Clay Pipe Music)

Tyneham House

19,99 €* 24,99 € -20%

LP | 2022 | EU | Original (Left Ear)

Release: 2016 / UK – Reissue

Genre: Rock & Indie

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Back in 2011 when I was tentatively looking for a second release for my fledging record label Clay Pipe Music, I stumbled upon a mysterious MySpace page by a group called ‘Tyneham House’, the page was decorated with artwork by Rena Gardiner (who was unknown to me at that time) and the music was an otherworldly mix of field recordings, Mellotron and acoustic guitar. It turned out that Tyneham was promised to Glen Johnson’s Second Language label, so I offered to do the artwork, and in January 2012 the two labels co-released it on tape and CD in a cardboard box with a handmade booklet of my illustrations.

In 2016 Clay Pipe reissued it on 10” vinyl, in an edition of just 300, which has since become sort after. The new 2023 pressing is on blue and transparent marbled vinyl, with a reverse board cover and inner sleeve, and the booklet of illustrations has been given a complete redesign. Frances Castle 2023

The pastoral, wistful yet ineffably disquieting music of Tyneham House is made by artists who wish to remain anonymous here, save for their eponymous title. The musicians are happy, however, to let it be known that these recordings have been around for some years (many of them complied from old cassettes) and that they take inspiration from the 1960s/’70s/’80s work of the Children’s Film Foundation – a body who really ought to have made a film about this mysterious West Country curio. At least now we have its endlessly poignant soundtrack.

The small village of Tyneham, on the beautiful Isle of Purbeck, in Dorset, was once a thriving little community – that is until the British Government requisitioned it for training manoeuvres and other ‘strategic purposes’ in the run up to Wwii. This was supposed to be a temporary measure, but the area remained in military possession long after hostilities had ceased, causing distress among former inhabitants, many of whom were farmed out to prefabs in nearby Wareham and Swanage.

Tyneham was characterised by its red telephone box, a tiny parade of shops – Post Office Row – and a grand country pile which stood about half a mile away from the village: Tyneham House. The army removed the building’s oak panelling and ornate decorative details and promptly set about using it for target practice. So great was the shame expressed locally about the damage inflicted upon one of Dorset’s grandest houses that the powers that be decided to grow a copse around the remains of the structure to give the impression that it was no longer there. Despite this, a substantial part of the structure remains intact, including its Saxon hall.

Land access around Tyneham was opened up in the 1970s, but admission to the house remains strictly verboten. Those who’ve been found around the premises, especially anyone wielding a camera, have felt the full weight of military trespass law. Tyneham today is regarded as a nature reserve by some – as a national embarrassment by others. It’s still a political hot potato, in Dorset at least.

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Twin Cosmos

Double Action

24,64 €* 28,99 € -15%

2LP | 2022 | US | Original (Keeled Scaless)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Twin Cosmos is not only the name of the musical output of fraternal twins Morihito & Yasuhito Ito, but more philosophically, an album that encapsulates, “the universe of twins”.

The pair were born 1953 in Yokkaichi, Mie Prefecture. A port city 50 kilometres west of Nagoya, famous for its chemical plants. Despite their surroundings, they grew up in an environment that fostered learning and self-expression. From an early age, they began to carve out their own paths.

Morihito was fascinated with scientific endeavours, space travel and spirituality. His father, an electrician by trade - motivated him to build his own musical equipment. This led him to attend an acoustic engineering school in Tokyo from 1972-1974, after which, Morihito returned to Yokkaichi where he worked in the instrument and audio section of a department store. This helped him keep up to date with the latest equipment, while allowing him to simultaneously work on his own musical endeavours.

Morihito’s side of the ‘Double Action’ LP is a cohesive piece, which effortlessly drifts from one song to the next through samples of flowing water and rockets launching into space ,that were recorded while visiting his brother in the States. His music is carried by flowing vocal harmonies, guitar strums, and floating synths to create an eternal dreamlike ambiance.

In contrast, Yasuhito gravitated towards philosophy and the arts and in 1976 followed his Englsih teachers’ advice and moved to the ‘foreign world’ of the United States. It’s here that he further explored his interests in Christianity, sadomasochism and poetry. He was exposed to artists like John Cage and Sun Ra, as well as a variety of ‘Do It Yourself’ recording techniques that enabled him to record remotely.

Using samples, poetry, and an original approach to traditional folk & rock songs, he recorded his side of the LP. The outcome being provocative, dark and confronting realisations, which solely used English lyrics to represent his experiences in the ‘Western world’. In 1980, Yasuhito was wooed back to Japan by his brother and the prospect of a combined record release.

The self-released album ‘Double Action’, was completed at Victor studios in Japan. Without a distribution network, the release was sold mostly to family and friends and fell into obscurity. Despite not reaching commercial success, the pair have continued to make music over the past four decades, crediting it as their driving force in life. This 2022 release includes an insert with archival images & liner notes in both English & Japanese.

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Twain

Noon