Folk Vinyl 219 Items

2x10" + 2CD + DVD

Limited edition numbered reissue from 2018. Tiny wear.

Red vinyl. Cover with light spine wear.

Cover is close to NM.

Gold vinyl version!

Cuts from essential albums like Cowboy In Sweden Features duets with Suzi Jane Hokom, AnnMargret and Nina Lizell Audio remastered from original tapes Unreleased song “I Just Learned To Run” Indepth liner notes & unseen photographs As a true legend of the great American songbook and a rebellious pioneer who left behind a lengthy trail of echo laden pop masterpieces, Lee Hazlewood’s influence continues to reverberate today. Between 196871, Hazlewood not only released his finest solo work, but produced numerous artists on LHI. From acidfolk and countryrock to poppsych and soul, LHI issued dozens of long forgotten 45s and LPs. This series will include material from LHI (remastered for the first time from the original analog tapes), along with Lee’s output for other labels, rarities, and unreleased gems.

With his handlebar moustache and booming baritone, Lee Hazlewood was one of the defining stars of the late ‘60s. Though he’s perhaps best known for his work with Nancy Sinatra (including writing megahit “These Boots Are Made For Walking”), Hazlewood did stunning work away from that particular glamour queen and found latter day champions in Beck, Sonic Youth, and Jarvis Cocker. Now, for Record Store Day 2012, we are kicking off our excavation of the Lee Hazlewood archives with this anthology, Singles, Nudes & Backsides, collecting the best of Lee’s solo songs and duets from his LHI (Lee Hazlewood Industries) imprint.

As a true legend of the great American songbook and a rebellious pioneer who left behind a lengthy trail of echo laden pop masterpieces, Lee’s influence continues to reverberate today. Between 196871, Hazlewood not only released his finest solo work, but produced numerous artists on LHI. From acidfolk and countryrock to poppsych and soul, LHI issued dozens of long forgotten 45s and LPs. This series will include material from LHI (remastered for the first time from the original analog tapes), along with Lee’s output for other labels, rarities, and unreleased gems.

See the sleeve: surrounded by nude girls, each wearing a fake moustache, Hazlewood wears a suit, eversoslightly awkwardly playing the role of the ‘60s playboy. Just like the picture, the songs present a man conflicted; he’s the tenderhearted romantic, the brokenhearted loser and the rugged cowboy, all in one. It’s there in the western swing of “Califia (Stone Rider)”, the loneliness of ”The Bed” and the bleak beauty of ”If It’s Monday Morning.” Hazlewood’s tremulous voice was made for duets (indeed, he wrote ”Some Velvet Morning”, one of the greatest of all time); here, Suzi Jane Hokom, AnnMargret and Nina Lizell play counterpart to his manly tones.

In the wonderful liner notes, written by British journalist Wyndham Wallace, the writer describes his friend Hazlewood as “a curmudgeonly, unpredictable sort at the best of times, as impatient with his own talent as he is with other people.” The Hazlewood Wallace knew was puzzled by the growing interest in him in the last two decades of his life, which was ended by cancer at age 78. That late flurry of interest saw him perform at the Royal Festival Hall in 1999, his first ever solo performance in the UK.

A natural wanderer, Lee lived a big life, fighting in the Korean War, working as a radio DJ in Phoenix, Arizona, setting up Viv Records in the ‘50s, working as a bigshot LA producer in the ‘60s, signing Phil Spector to his Trey Records label and prematurely announcing retirement in the wake of the mid‘60s British invasion. He didn’t: Nancy Sinatra came along, the hits started flowing and he continued producing characterful solo albums into the ‘70s, which saw his move to Sweden. By 2007, Hazlewood was living in Vegas, and begrudgingly enjoying that flurry of latterday interest in his work. This landmark compilation promises to create many more converts.

Limited edition for Record Store Day 2018!

Limited edition for Record Store Day 2018!

More poppy soulful folk from Afie Jurvanen.

In August of 2012, Jason Isbell and The 400 Unit assembled in their home state of Alabama in front of a couple of sold-out concert halls to record their first live album, Live From Alabama. After years of hard touring, the critically-lauded band has gelled into a versatile rock and roll squad that is equally at ease performing Muscle Shoals soul to hardcore country to balls-out rock. Live From Alabama’s tracklist mines some of Isbell’s most popular songs and includes a pair of inspired covers in Neil Young’s “Like a Hurricane” and Candi Staton’s “Heart on a String.”

This is a live album of songs from “A Crow Looked At Me” and “Now Only”, eleven songs recorded in a huge church on spare acoustic guitar and singing.

The jackets are the usual high-standard heavy gatefold beautiful ones, with copper foil stamping and multiple paper textures, great printing. This is an object worth owning, a concept which becomes more absurd in the context of the words of these songs.

JD McPherson presents A Christmas Album, SOCKS. Featuring 11 original tracks written by JD McPherson and his friends. SOCKS is an album of Holidays songs sure to be standards while you are decorating the tree. Come get warm by the fire with songs such as , "All The Gifts I Need" and "Every Single Christmas." Or, burn the cookies to "SOCKS" and "Ugly Christmas Sweater." There is something for everyone on this record to enjoy whether you are in the Christmas spirit or if you just wanna say, "Bah Humbug".

Still shrink wrapped but opened.
Records are close to NM.
Includes original inner sleeves.

Black Friday Record Store Day 2022 First Release. Color: Turquoise. Limitation: 1350.

"History and legend have often found their way into my songs," reflects Grant-Lee Phillips. "But sometimes, I don't have to look quite so far to find inspiration." The ten songs on Grant-Lee Phillips' Walking in the Green Corn are drawn from Phillips intensive investigations into his native lineage. Phillips, who is Muskogee (Creek), elliptically explores the intersection of past and present, personal and political. While the songs delve deeply into the subconscious mystery of his own backstory, they simultaneously reveal the resonance and insight of ancient myth in parallel to contemporary man's emotions, actions, and errors. With the exception of violin and vocals by Sara Watkins (formerly of Nickel Creek) and an understated vibraphone part by Alexander Burke, everything on Walking in the Green Corn was performed, sung, and engineered by Phillips. For the album's 10th anniversary, Walking in the Green Corn is getting its first-ever vinyl reissue on turquoise color vinyl. This edition also includes a bonus 45 single (also on turquoise color vinyl) of two totally unreleased tracks: "Billy Bowlegs" and "Red River." This is the first time the album has ever been available on color vinyl. The 10th anniversary edition of Walking in the Green Corn is available exclusively at independent record stores for Record Store Day Black Friday 2022.

Cover close to NM

Strut present the first ever compilation series to access the archives of one of the greatest of all French Caribbean labels, Disques Debs out of Guadeloupe. Set up by the late Henri Debs during the late ‘50s, the label and studio has continued for over 50 years, releasing over 300 7” singles and 200 LPs, covering styles varying from early biguine and bolero to zouk and reggae.

Record Store Day 2021 Release. 1000 copies pressed on Black vinyl & DL card. First time on vinyl for 10 years .The poems of iconic 19th century American writer Emily Dickinson crafted into the esoteric sounds of Josephine Foster. Originally released in 2009, this highly collectable record is now back on vinyl for the first time in over a decade.

Tracklisting: 01. Trust IN THE Unexpected 02. HOW Happy IS THE Little Stone 03. SHE Sweeps With Many-colored Brooms 04. AH Teneriffe! 05. WHO IS THE East? 06. They Called ME TO THE Window 07. This IS THE Land THE Sunset Washes 08. Like Mighty Foot Lights 09. Exultation IS THE Going 10. IN Falling Timbers Buried 11. With Thee IN THE Desert 12. I SEE Thee Better IN THE Dark 13. Your Thoughts Don't Have Words Every DAY 14. MY Life HAD Stood A Loaded GUN 15. Eden IS That Old-fashioned House 16. Beauty Crowds ME Till I DIE 17. I Could Bring YOU Jewels 18. Wild Nights - Wild Nights! 19. Only A Shrine, BUT Mine 20. Tho' MY Destiny BE Fustian 21. What Shall I DO - IT Whimpers SO 22. Heart! WE Will Forget HIM 23. Strong Draughts OF Their Refreshing Minds 24. Tell AS A Marksman 25. THE Spider Holds A Silver Ball 26. Whoever Disenchants 27. Touch Lightly Nature's Sweet Guitar

Saigon Supersound Continues… to present more interesting tunes of a musical era that has long been obscured. With the well-received Volume 1, we are very delighted to dig deeper and share with you the beautiful music of a short but significant period in Vietnam‘s history.
Much like the country itself, the music of Vietnam has endured many twists. As the result of the Geneva Accords in 1954, Vietnam was divided into two. From the North, the Nationalist forces fought to reunite Vietnam as a Communist State, while the American troops backed the government of the South. This caused a mass migration of Northerners to the South, which includes many Tân Nhạc (Modern Music) singers and songwriters. Often characterized by its emotive, poetic and prolific personality, Tân Nhạc continued to freely develop in the South and progressively vacating from the influences of its main inspiration, French music. In the North, the Resistance music, or the so-called Nhạc Đỏ (Red Music), which promoted socialism, patriotism and anti-capitalism was the only genre allowed on national radio. Tân Nhạc was something new to the South Vietnamese repertoire. Between 1954–1960, the theme of hometown (quê hương) was a main inspiration for many songwriters such as Hoàng Thi Thơ, Lam Phương and Nguyễn Hữu Thiết. The 9th title of the compilation, “Thôn Trăng Mở Hội Trăng Tròn” showcases a variety of images that were often described in this genre: the harvest moon, playful children, old mother…
Every recording made in this era is then an organic combination of human experiences, communications and uniqueness. In 1965, the first American troop landed in Vietnam, bringing with them the musical influences of the Beatles, Bob Dylan, Jimi Hendrix, Elvis Presley… The Vietnamese people quickly integrated it into the repertoire with hope to further diversify the music of Vietnam. Constantly changing and learning from different cultures, the modern music of Vietnam cuts a window into the soul of a Vietnamese person and the country’s history as a whole. With that, we hope that Saigon Supersound Volume 2 would take you on a trip back to the unique atmosphere of Saigon through the many different palettes of music that this beautiful place offers.

Original inner sleeve

180gr vinyl. Original inner sleeve.

Limited edition for Record Store Day 2018 on clear vinyl!

Smoke vinyl and cover are close to NM.