Folk Vinyl 1864 Items

Complete Mercury Albums (1986-1991) Box Set

Release: 2010 / ES – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Limited Edition.

Small light scuff on side A1.
Includes booklet and innersleeve with seam splits.
Box with small damage at the lower bottom edge.

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Johnny Cash

Box Set | 2020 | US | Original (Mercury Nashville)

147,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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2LP | 2010 | US | Original (Vinyl Films)

Sun Kil Moon

Admiral Fell Promises

139,99 €*

Joni Mitchell Archives Volume 4:The Asylum Years 1976-1980

Release: 2010 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs. With original inner sleeves. Cover with slightly bumped corner. Beautiful copy, overall closer to NM.

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Joni Mitchell

4LP | 2024 | Original (Rhino)

124,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Preorder shipping from 2024-10-04

Box Set | 2024 | EU | Original ([Pias] Le Label)

Jean-Louis Murat

Parfum DAcacia Au Jardin

122,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-09-27

3LP Box | 2013 | US | Original (Mobile Fidelity)

Bob Dylan

Blonde On Blonde Box Set

111,99 €*

Release: 2013 / US – Original

Genre: Rock & Indie

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Limited, numbered box set edition on 45 rpm 180 gram audiophile vinyl!

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To Scratch Your Heart: Early Recordings From Istanbul

4LP+Box Set | 2010 | UK | Original (Honest Jon's)

99,99 €*

LP | 2011 | US | Original (Heaven & Earth Magic Recording Company)

Release: 2010 / UK – Original

Genre: Rock & Indie, Classical Music

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Used Vinyl

Medium: VG+, Cover: VG

4 LP compilation of recordings made in Istanbul for Gramophone Company and His master's voice (HMV) during the first years of the 20th century.
Sound restoration at Abbey Road studios.

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Hiss Golden Messenger

Bad Debt

99,99 €*

The Studio Albums 1980 - 83 Record Store Day 2019 Edition

Release: 2011 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

Limited Edition.
No. 39/100.
Label on side B is slightly bulging due to double labeling.
Includes booklet.

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Emmylou Harris

5LP | 2019 | US | Original (Warner Bros.)

96,04 €* 112,99 € -15%

Devotion: Songs About Rivers & Spirits & Chil

Release: 2019 / US – Original

Genre: Rock & Indie

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Emmylou Harris The Studio Albums 1980 - 1983 collects five of her albums in a single box set: Roses In The Snow,
Evangeline, Cimarron, Last Date and White Shoes. All in, it features 54 songs, including ten Top 10 singles. Emmylou
received five Grammys for various repertoire on the enclosed albums. It is the compendium to her first box set
released two years ago on Record Store Day.
These five albums feature a who's who of Country and Rock music in the early 80's, including Dolly Parton, Johnny
Cash, Linda Ronstadt, The Whites, Ricky Skaggs, Willie Nelson, James Burton, Rodney Crowell, Jerry Douglas, Amos
Garrett, Emory Gordy, Jr., Glen D. Hardin, Waylon Jennings, Albert Lee, Larrie Londin, Bill Payne, Herb Pedersen, Dr.
John, Barry Tashian, Tony Brown, Hank DeVito, Paul Kennerley, John Ware, Don Williams, Bonnie Bramlett, Don
Heggington, Jim Horn, Keith Knudsen and John McFee, and many others

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Hiss Golden Messenger

4LP | 2018 | US | Original (Merge)

93,99 €*

Release: 2018 / US – Original

Genre: Rock & Indie

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Another Day, Another Time: Celebrating The Music Of Inside Llewyn Davis

3LP | 2015 | US | Original (Nonesuch)

87,99 €*

In A Lifetime Super Deluxe Bookpack Edition

Release: 2015 / US – Original

Genre: Rock & Indie

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A one-night-only concert was held at New York City’s Town Hall last fall, to celebrate the music of the Coen brothers film Inside Llewyn Davis. The evening was filmed for a documentary that was broadcast by Showtime last winter, and now Nonesuch Records releases a live recording of the concert, Another Day, Another Time: Celebrating the Music of “Inside Llewyn Davis,” on January 13, 2015. The concert, documentary, and live album were produced by Inside Llewyn Davis writer/director/producers Joel and Ethan Coen and soundtrack producer T Bone Burnett. It features Elvis Costello, Conor Oberst, Marcus Mumford, Jack White, Willie Watson, and many others

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Clannad

2LP+LP+4CD+7"+Book+4Cards+Poster | 2020 | EU | Original (Warner)

83,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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Box including a 4CD Anthology, 2LP on black vinyl, 1 LP of Macalla, a 7", a book, 4 post cards and a poster.

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Dr. Strangely Strange

Heavy Petting

LP | 2021 | DE (Vertigo)

79,99 €*

Archeophony Black Vinyl Edition

Release: 2021 / DE

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Bootleg with die-cut gimmick cover with polylined LP sleeve and Vertigo "swirl" label.

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Raed Yassin

2LP | 2021 | EU | Original (Akuphone)

79,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

2LP+CD | 2015 | UK | Original (Play It Again Sam)

Lord Huron

Strange Trails

75,99 €*

LP | 2024 | Original (Vere Music)

Release: 2015 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Cracked corner. Original inner sleeves. With CD.

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Hillbilly Thomists

Marigold

Release: 2024 / Original

Genre: Rock & Indie

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Preorder shipping from 2024-09-13

LP | 2024 | JP | Original (Nippon Columbia)

Kegawa No Maries

The End

Release: 2024 / JP – Original

Genre: Rock & Indie

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LP | 2024 | JP | Original (Nippon Columbia)

Kegawa No Maries

Tin Pan Alley

Release: 2024 / JP – Original

Genre: Rock & Indie

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LP | 2024 | JP | Original (Nippon Columbia)

Kegawa No Maries

Release: 2024 / JP – Original

Genre: Rock & Indie

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Chu Kosaka & Four Joe Half

Motto Motto

LP | 2024 | JP | Original (Sony Music Direct)

72,99 €*

Release: 2024 / JP – Original

Genre: Rock & Indie

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LP | 2013 | EU | Original (City Slang)

Calexico

Spiritoso

71,99 €*

2LP | 2024 | Original (Reprise)

Release: 2013 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

White vinyl

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Picture
Coming Soon

Billy Strings

Highway Prayers

70,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Preorder shipping from 2024-09-27

LP | 2018 | Original (Mute)

Laibach

The Sound Of Music

69,99 €*

Release: 2018 / Original

Genre: Rock & Indie, Pop, Soundtracks

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Used Vinyl

Medium: Mint, Cover: Sealed

LP | 2020 | Reissue (Elektra)

Love

Forever Changes

69,99 €*

Release: 2020 / Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

12" | 2021 | JP | Reissue (Matador)

Boygenius

69,99 €*

LP | 2024 | EU | Original (Copper Feast)

Release: 2021 / JP – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Mint, Cover: VG+

Sealed, but cover has slight ringwear.

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Endless Valley

Kaskashir

68,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-09-13

LP | 2019 | AT | Original (Lotterlabel)

Voodoo Jürgens

'S Klane Glücksspiel

68,99 €*

88 Maestro Giora Feidman Blue Vinyl Edition

Release: 2019 / AT – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Tiny corner wear. With insert.

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Giora Feidman

LP | 2024 | EU | Original (BuschFunk)

67,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Eden's Island Extended Deluxe Edition

Eden Ahbez

2LP Box | 2021 | EU | Original (Everland Psych)

The Cutting Edge 1965-1966: The Bootleg Series Volume 12

Release: 2021 / EU – Original

Genre: Rock & Indie

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Deluxe edition in wooden box set.

The ultimate reissue of one of the world’s most important albums in the field of Exotica, Jazz and even Proto Psychedelic Music from 1960 - and the first official reissue ever!

Eden Ahbez was said to be "the first Hippie on earth", his enchanting life and his amazing music laid the foundation of the Hippie movement.

This reissue of Eden Ahbez' sole album includes 20 almost unreleased bonus songs from different sessions, carefully restored and remastered from original master tapes by prolific grammy nominated sound engineer Jessica Thompson.

Co Produced by movie maker Brian Chidester, who now, after 20 years of research, completed the full time documentary movie

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Bob Dylan

3LP+2CD | 2015 | EU | Original (Columbia)

Release: 2015 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Teles Music)

Guy Van Nueten

Decent Music

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-09-20

LP | 2024 | JP | Original (Cutting Edge)

X0o0x_

Ningyou

Release: 2024 / JP – Original

Genre: Rock & Indie

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5LP | 2018 | EU | Original (Asthmatic Kitty)

Sufjan Stevens

Songs For Christmas

65,54 €* 68,99 € -5%

Release: 2018 / EU – Original

Genre: Rock & Indie

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Alexander ''Skip'' Spence

Andoaragain Record Store Day 2019 Edition

3LP | 2019 | US | Original (Modern Harmonic)

64,99 €*

Hummingbird Yellow Vinyl Edition

Release: 2019 / US – Original

Genre: Rock & Indie

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AndOarAgain provides unparalleled access to what David Fricke calls ''the most harrowing and compelling artifacts of rock & roll's most euphoric era, across three dozen unheard tracks! A triple LP pressed at RTI, AndOarAgain features nearly two hours of unheard music on the way to Oar –along with roads not taken–that both clarifies and muddies the enigma of how psychedelic legend Alexander ''Skip'' Spence determined the final state of his iconic masterpiece.

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Carly Pearce

2LP | 2024 | US | Original (Big Machine)

64,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Woodstock - Music From The Original Soundtrack And More

3LP | 2020 | EU | Reissue (Cotillion)

62,99 €*

LP | 2024 | EU | Original (1301 Media)

Release: 2020 / EU – Reissue

Genre: Rock & Indie, Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Beautiful vinyl housed in a Tri-Fold Jacket

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Christoph Bouet

Groeninger Bad 23

62,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Singlar Och Andra Sidor Clear Vinyl Edition

Agnetha Fältskog

LP | 2024 | EU | Original (Cupol)

62,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Whole Love (Expanded) Record Store Day 2024 Vinyl Edition

Wilco

3LP | 2011 | EU | Reissue (Sony Music Catalog)

62,89 €* 73,99 € -15%

Better Oblivion Community Center

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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Quantity: 4500
Release type: RSD Exclusive Release

Wilco’s legendary 2011 album now on three LP’s. Expanded to include all related single, EP and bonus tracks - plus A selection from The Loft's archive of live in-studio performances and previously unreleased alternate mixes and demos. Includes Wilco classics "Art of Almost", "Dawned on Me”, "Sunloathe” . 3LP Box

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LP | 2019 | US | Original (Dead Oceans)

60,99 €*

Release: 2019 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Orange vinyl. Still in shrink but opened with hype sticker. Tiny wear. Limited edition.

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We Still Cant Say Goodbye: A Musicians Tribute To Chet Atkins

LP | 2024 | EU | Original (Morningstar Music)

60,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Zhao Jiping, Jonathan Lee , Sandy Lam

霸王別姬電影原聲帶 = Farewell To My Concubine Original Motion Picture Soundtrack

LP | 2020 | TW | Original (Rock Records & Tapes)

59,99 €*

LP | 2019 | JP | Original (Universal Japan / Dessinee)

Release: 2020 / TW – Original

Genre: Rock & Indie, Pop, Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: Generic

Original cover is missing!

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B.J. Ward

Vocal Ease

58,99 €*

The Nearer The Fountain, More Pure The Stream Flows Deluxe Vinyl Edition

Release: 2019 / JP – Original

Genre: Rock & Indie

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Japanese import

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Damon Albarn

LP+7" | 2021 | UK | Original (Transgressive)

58,64 €* 68,99 € -15%

Release: 2021 / UK – Original

Genre: Rock & Indie

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Songwriter Clear With Black Splatter Vinyl Edition

Johnny Cash

LP | 2024 | Original (Universal)

57,99 €*

Boy From Michigan Deluxe Edition

Release: 2024 / Original

Genre: Rock & Indie

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Limited Clear with Black Splatter Colored Vinyl. Johnny Cash recorded an album's worth of self-penned songs in 1993. Shortly thereafter, he released the American Recordings albums and re-established himself as one of the world's greatest songwriters, introducing him to a new generation of fans. Songwriter's unreleased 11 songs have been updated and produced by his son John Carter Cash and co-producer David Ferguson.

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John Grant

2LP | 2021 | UK | Original (Bella Union)

Release: 2021 / UK – Original

Genre: Rock & Indie

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LP | 2024 | AU | Original (Ada Global)

Henry Wagons

Four Seasons

Release: 2024 / AU – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Mean Dorris Music)

Gleeman

Something To Say

Release: 2024 / US – Original

Genre: Rock & Indie

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2LP | 2013 | EU | Original (New West)

Patty Griffin

American Kid

Best Of The Rest: Rare And Unreleased Recordings Record Store Day 2023 Edition

Release: 2013 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Gatefold cover and vinyl are close to NM.

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Phil Ochs

2LP | 2020 | UK | Reissue (Liberation Hall)

Release: 2020 / UK – Reissue

Genre: Rock & Indie

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Another Time, Another Place

Jennifer Warnes

LP | 2019 | UK (Impex)

Release: 2019 / UK

Genre: Rock & Indie

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Country Hits ... Feelin' Blue

Tennesse Ernie Ford

LP | 2020 | US | Original (Analogue Productions)

Iain Matthews & The Salmon Smokers

Release: 2020 / US – Original

Genre: Rock & Indie

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"Country Hits...Feelin' Blue", released by Tennessee Ernie Ford in 1964, is a throwback — or as the liner notes to this country classic (perhaps Ford's best) say, »You don't hear much singing like this nowadays — just a voice with easy guitar and bass accompaniment«. But oh, what a voice. Ford's resonant-voiced baritone might be best known for his 1955 cover of Merle Travis' grim coal-mining song "Sixteen Tons“, with sales topping 4 million copies. The hit cemented Ford's place as one of America's top entertainers — a singer and TV host who enjoyed success during the 1950s, '60s and '70s in multiple musical genres — country, pop, and gospel.
He first guested on the Grand Ole Opry in 1950, and in 1953 he became the first country singer to appear at London's prestigious Palladium. Soon NBC hired him to emcee the television game show "Kollege of Musical Knowledge", and also to host his own weekday program. His subsequent prime-time network variety programs made »Bless your little pea-pickin' hearts« a household catch phrase and provided wide exposure for his musical renditions of great country and gospel favorites.
The songs chosen by Ford for "Country Hits...Feelin' Blue" are all favorites, some of the best tunes from the inspired pens of such country composers as Hank Williams, Fred Rose, Jenny Lou Carson, Willie Nelson, and Don Gibson. The album (one of Ford's favorite LPs) was recorded with backup provided by just two musicians; guitarist Billy Strange and bassist John Mosher.
Some of these songs go back to the start of Ford's career when he and Strange were working together as cast members of Los Angeles's "Hometown Jamboree" country music radio show. Mosher was a member of Ford's TV show band since its inception. Strange created the musical arrangements for "Country Hits...Feelin' Blue" — a quiet, simple get-together with the songs they had been playing and singing down through the years. That's why it's more than just another album. You can hear the affection and understanding coming through.
For this Analogue Productions reissue we turned to the experts who once again bring their stellar craftsmanship to the creation of a phenomenal-sounding release. Lacquers were cut by Kevin Gray at Cohearent Audio who mastered the LP from the original tape. Plating and 200-gram pressing was by our own Quality Record Pressings, makers of the world's finest-sounding LPs noted for their superior sonics and silent backgrounds. And nothing less than a Stoughton Printing old-style tip-on jacket would suit such a great LP.
Albums have been made with lots more people and lots more sound. But quantity never did mean quality. This is just a simple, great album. Great voice, great guitar and bass, and great songs — the best of each.

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Fake Tan

LP | 2020 | NO | Original (New Noise)

3LP | 2021 | EU | Original (Milk Carton Kids)

Release: 2020 / NO – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Limited Edition.
Clear Vinyl.
Record is close to NM.
Includes original inner sleeve.

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Milk Carton Kids

Prologue

Release: 2021 / EU – Original

Genre: Rock & Indie

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3rd Sea Glass Vinyl Edition

Mitchell Tenpenny

LP | 2024 | US | Original (Sony Music Nashville)

Release: 2024 / US – Original

Genre: Rock & Indie

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12" | 2011 | US | Original (Captured Tracks)

Beach Fossils

What A Pleasure

LP | 2024 | US | Original (Roman Label / Bayon)

Release: 2011 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Cover with very slightly bumped corner. Red vinyl. Copy closer to NM

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Never Young Beach

Yashinoki House

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Roman Label / Bayon)

Never Young Beach

Fam Fam

Release: 2024 / US – Original

Genre: Rock & Indie

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Stampede Bone Colored Vinyl Edition

Orville Peck

2LP | 2024 | US | Original (Warner Bros.)

Release: 2024 / US – Original

Genre: Rock & Indie

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Weak Point White Vinyl Edition

Hannes Aitman

LP | 2024 | EU | Original (Freebird Entertainment)

53,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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2LP | 2024 | EU | Original (Everland)

Boban Petrovic

Zur / Zora

53,99 €* 59,99 € -10%

Release: 2024 / EU – Original

Genre: Rock & Indie

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Ma Ningen Purple Vinyl Edition

Atarashii Gakko!

12" | 2024 | JP | Original (Atarashii Gakko!)

51,99 €*

Release: 2024 / JP – Original

Genre: Rock & Indie

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Breakup Over Breakfast (Indies)

Avery Anna

LP | 2024 | US | Original (Warner Music Nashville)

50,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Painted Desert)

Travis Tritt

Proud Of The Country

50,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Lifa Iotungard Clear Vinyl Edition

Heilung

2LP | 2024 | EU | Original (Season Of Mist)

Lee Hazlewoodism - Its Cause And Cure

Release: 2024 / EU – Original

Genre: Rock & Indie

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Heilung don’t play “shows”. They perform a ritual. Christopher Juul, Maria Franz, Kai Uwe Faust and their Nordic collective sweep audiences into rapture with throat singing, primordial rhythms, subtle electronic textures, a mesmerizing light show, an army of warriors and bursts of fire. What better place on earth to experience their ancient ritual than Red Rocks? The world-famous venue - which is located outside of Denver, Colorado, tucked between two giant sandstones - was once home to indigenous tribes. When Heilung performed on October 5th 2021, they recognized this history by inviting Natives to join the prayer that opens all of their rituals. “Remember that we all are brothers. All people, beasts, trees, and stones, and wind. We all descend from the one great being.” What followed was a night that no one would forget. Experience the magic of Heilung’s very first Red Rocks performance again and again on CD and vinyl. CD11. Opening Ceremony (01:03)2. In Maidjan (12:30)3. Alfadhirhaiti (07:23)4. Krigsgaldr (09:04)5. Hakkerskaldyr (03:33)6. Svanrand (03:31)CD27. Norupo (05:42)8. Othan (10:21)9. Traust (09:41)10. Elddansurin (07:25)11. Hamrer Hippyer (13:32)

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Lee Hazlewood

LP | 2015 | US | Reissue (Light In The Attic)

Release: 2015 / US – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2015 | US | Original (Light In The Attic)

This Record Belongs To

Release: 2015 / US – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2024 | US | Original (Beatball)

Mukimukimanmansu

2012 Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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2x10"+CD | 2012 | UK | Original (Domino)

James Yorkston

I Was A Cat From A Book

3LP | 2020 | IE | Original (Tara)

Release: 2012 / UK – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

2x10" + 2CD + DVD

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Christy Moore

The Early Years 1969-81

2LP | 2019 | US | Reissue (Thin Wrist)

Release: 2020 / IE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

White vinyl.

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75 Dollar Bill

I Was Real

49,39 €* 51,99 € -5%

2LP | 2019 | US | Original (Audika)

Release: 2019 / US – Reissue

Genre: Rock & Indie

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75 Dollar Bill is one of the essential groups at the heart of NYC's underground. Driven by the telepathic union of CHE CHEN's microtonal electric guitar and Rick BROWN's odd metered percussion their long-form sound is unmistakable and compelling. On their third album I Was Real, the group expands in bold new directions, embracing brilliant fuller orchestrations, joyous rockers and entrancing new textures. The album is 75 Dollar Bill's third, featuring new directions accompanying the band's previously established interest in sprawling, unusual grooves and microtonal melodies. The record is enhanced by the presence of eight additional players in various combinations over its nine tracks—but also shows off the duo's strength when stripped down to the core. Requiring a variety of approaches, the album was recorded over a four-year period, in four different studios, with the band's closest associates and collaborators in a range of different ensemble configurations. The album also features several "studio as instrument" constructions that harken back to the collage-experiments of the band's early cassette tapes, while at the same time pointing to territories altogether new.

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Arthur Russell

Iowa Dream

Zia Mohiuddin Dagar & Zia Fariduddin Dagar

Release: 2019 / US – Original

Genre: Rock & Indie

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Over the past decade, the visionary musician ARTHUR RUSSELL has entered something close to the mainstream. Sampled and referenced by contemporary musicians, his papers now open to visitors at the Performing Arts Library at Lincoln Center in New York, and his name synonymous with a certain strain of tenderness, Russell is as widely known as he’s ever been. Thanks to Russell’s partner Tom Lee and to Steve Knutson of Audika Records, who have forged several records from Russell’s vast archive of unfinished and unreleased work, the world now hears many versions of Arthur Russell. There’s the Iowa boy, the disco mystic, the singer-songwriter and composer, and the fierce perfectionist deep in a world of echo. While all of these elements of Russell are individually true, none alone define him. Now, after ten years of work inside the Russell library, Lee and Knutson bring us Iowa Dream, yet another bright star in Russell’s dazzling constellation. Blazing with trademark feeling, these nineteen songs are a staggering collection of Russell’s utterly distinct songwriting. Features contributions from downtown NYC musicians ERNIE BROOKS, RHYS CHATHAM, HENRY FLYNT, JON GIBSON, PETER GORDON, STEVEN HALL, JACKSON MAC LOW, LARRY SALTZMAN and DAVID VAN TIEGHEM, along with PETER BRODERICK, who makes a contemporary addition to this list: more than forty years after Russell recorded several nearly finished songs, Broderick worked diligently with Audika to complete them, and performed audio restoration and additional mixing. At once kaleidoscopic and intimate, Iowa Dream bears some of Russell’s most personal work, including several recently discovered folk songs he wrote during his time in Northern California in the early 1970s.

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Raag Malkauns & Ragini Miyan Ki Todi

3LP | 2024 | EU | Original (Black Sweat)

LP | 2018 | CA | Reissue (Return To Analog)

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie

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These recordings were made in Bombay in 1968 by Bengt Berger (Bitter Funeral Beer Band) during a stay with Ustad Zia Mohiuddin Dagar, who was primarily responsible for the revival of the Rudra Veena as a solo concert instrument. His home in the suburb of Chembur was at the time the magical haunt of a plethora of fantastic musicians, including Ritwik Sanyal and K. Sridhar, who took part in the session. In perfect and stern Duphrad vocal style, these two Raga lead us to different atmospheres and perceptions : Malkauns is the contemplative state of the evening, of the abandonment of the senses before the breaking of the silence in the night; Miyan Ki Todi is the first breath of the morning, the gentle awakening of the limbs before a puja. The two Dagar brothers, Mohiuddin on the Rudra and Fariduddin on the chant, complement each other, become ocean and fire, stillness and storm, in an intimate and tight dialogue of exploration and expressive subtlety, in which the purity of an Indian summer becomes the highest symbol of beauty and freedom of spirit. Originally released on CD by Country & Eastern.

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Beverly Glenn-Copeland

Beverly Copeland

10" | 2010 | US | Reissue (Vinyl Films)

Release: 2018 / CA – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Limited edition numbered reissue from 2018. Tiny wear.

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Sun Kil Moon

Third And Seneca

Bela Fleck & Toumani Diabate

Release: 2010 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Golden vinyl has a few scuffs. Still in shrink but opened. Limited edition 2014 reissue.

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Ripple Effect

LP | 2020 | EU | Original (Craft)

47,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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Eden & Johns East River String Band

Drunken Barrel House Blues

LP | 2011 | CZ | Original (East River)

47,99 €*

Release: 2011 / CZ – Original

Genre: Rock & Indie

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Psych! British Prog. Rock. Folk. And Blues 1966-1973

LP | 2024 | Original (UMC)

47,99 €*

Release: 2024 / Original

Genre: Rock & Indie, Pop

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2012 - Pink Vinyl Edition

Mukimukimanmansu

LP | 2024 | US | Original (Beatball)

47,59 €* 55,99 € -15%

Release: 2024 / US – Original

Genre: Rock & Indie

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Red Dirt Girl Colored Vinyl Edition

Emmylou Harris

LP | 2021 | NL | Original (Nonesuch)

Release: 2021 / NL – Original

Genre: Rock & Indie

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition

2LP | 2024 | US | Original (Light In The Attic)

LP | 2024 | WW | Original (Evo Sound)

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-10-18

Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

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Livingston Taylor

Ink

Release: 2024 / WW – Original

Genre: Rock & Indie

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Futha Yellow / Blue Marbled Vinyl Edition

Heilung

LP | 2024 | EU | Original (Season Of Mist)

Release: 2024 / EU – Original

Genre: Rock & Indie

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2LP | 2024 | EU | Original (Season Of Mist)

Heilung

Lifa Iotungard

2LP | 2024 | EU | Original (Shukai)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Cukor Bila Smert'

LP | 2021 | US | Original (Old Bear Records Reissued)

Release: 2024 / EU – Original

Genre: Rock & Indie

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The founders of Cukor Bila Smert’ (Ukrainian: Цукор– Біла Смерть, English: Sugar – White Death) band were Svitlana Okhrimenko (a.k.a. Svitlana Nianio), Oleksandr Kohanovs’kyi, and Tamila Mazur, who studied at the Reinhold Glier Kyiv Academy of Music in 1984-1988. In the summer of 1988, they got acquainted with Eugene Taran, a young guitarist and artist. He joined the band and also became the ideologist of Sugar – White Death. Moreover, Eugene coined the name for the band: the irony towards the Yellow Press. The musicians gathered at Kohanovs’kyi’s house, where they spent their free time not only playing music but also listening to and discussing new records and thinking about the conception of their new project.

For two years, the band recorded a few home-made albums, such as “Rhododendrons Coral Aspides” in 1988 (which is considered lost), where Kostyantyn Dovzhenko took part as a guitarist and sound engineer. He also replaced Taran during the recording session because Eugene was passing an exam at that time. The band also recorded another album – “Lilies and Amaralises,” in 1989, which is also considered lost. Eugene remembers that the band made a lot of recordings but did not pay so much attention to them. Sugar – White Death played live occasionally but spent more time creating their own sound, which was named by Oleksii Dekhtyar (a founder of “Ivanov Down”) as a “sugar calypso sound.” At that time, the music was mostly created by Oleksandr Kohanovs’kyi, and the lyrics were written by Svitlana Okhrimenko and Eugene Taran.

In February 1990, a quartet came to the Scientists House Studio in Kyiv, where they had one studio session only, recorded by Valerii Papchenko. Musicians played live for about one take. This session was represented on the “Mannered Music” compilation by several blocks – “Venus with Long Neck,” “The New Sissies,” and “Rhododendrons Coral Aspides,” which was shortened to “Rhododendrons” on the cassette (two songs from which – “Summer Will Not Come” and “The Great Hen-Yuan’ River,” dedicated to Grigorii Khoroshylov, the sinologist from Kyiv). The compilation cover design was created by Eugene Taran. Later, this tape got to Vlodek Nakonechnyj, the founder of Koka Records, a young Polish label, who released “Mannered Music” on cassettes and made efforts to invite Sugar – White Death to play several gigs in Poland.

In November 1990, Sugar – White Death played their last gig as a quartet in Kharkiv. They were invited by Sergii Myasoyedov, who curated the art association “Nova Scena” (The New Scene). The band played selected tracks from the albums “The New Sissies” and “The Shellfishes in Gold Wrappers” (the last one is also considered lost). Due to Sergii Myasoyedov's efforts, the performance was documented: he saved a lot of photos and fragments of soundboard recordings on reel-to-reel tape.

Later, Oleksandr Kohanovs’kyi and Tamila Mazur left Sugar – White Death: Oleksandr founded his own project Pan Kifared, and Tamila became a bass player of Shake Hi-Fi (whose co-founder was Eugene Taran). Sugar became a duo of Svitlana and Eugene. They started to focus on their next work: “Antinoy Is Leaving” in late 1990.

In 1992, they were also invited by Sergii Myasoyedov for a studio session in Kharkiv, where due to the efforts of Oleksandr Vakulenko, Sugar recorded the new album called “All Secrets Of A Poem”. Some tracks from the work (“Dead Ceremony,” “Vienna Is Sleeping,” and “Untitled”) were released on their next and last album, “Selo” (“The Village”). The rest compositions were published as a part of the compilation for the first time.

In the autumn of 1992, the musicians went to Poland, where Vlodek Nakonechnyj, who wanted Sugar to come to a “real” studio, organized their last recording session. Although the journey’s beginning was unsuccessful (Eugene’s guitar was taken away by a customs officer when crossing the border), the musicians worked fast during the session at the Arek Was studio at Marki on an 8-track reel-to-reel machine. Boleslav Blazhchyk took part as a cellist, playing the parts created by Svitlana. The album was completed in three days – the musicians spent two days recording and one-day mixing, mostly done by Eugene Taran. In 1993, this work was released as “Selo” (“The Village”) album on cassette tapes by Koka Records (remastered by Tadeusz Sudnik). Later, Sugar – White Death was disbanded.

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Matt Wheeler

Wonder Of It All

The Butterfield Blues Band

Release: 2021 / US – Original

Genre: Rock & Indie

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Story has the power not only to entertain, but to shed light. Matt Wheeler invites you on a journey into story with 'Wonder of It All', a collection of songs based on classic works of literature - namely 'The Little Prince', 'Watership Down'', 'The Horse & His Boy', 'The Hobbit', & 'Orthodoxy' - woven together by engaging audiobook-style narrative story pieces. The vinyl version of the album also features instrumental versions of all of the songs.

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Live At Woodstock

2LP | 2020 | US | Original (Run Out Groove Vinyl)

Release: 2020 / US – Original

Genre: Rock & Indie

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First time that Butterfields incendiary live set at Woodstock is available on vinyl
Remastered for maximum fidelity with lacquers cut at Sam Phillips Recording Studio
Features all new artwork, pressed on 2-140g records and comes in a deluxe gatefold tip-on jacket

Paul Vaughn Butterfield was an American blues harmonica player, singer and band leader. After an early training in classical flute, he developed an interest in blues harmonica and explored the blues scene in his native Chicago.

Butterfield met aspiring blues guitarist Elvin Bishop in the early 1960s and with bassist Jerome Arnold and drummer Sam Lay (both from Howlin Wolfs touring band), the new group secured a highly successful club engagement at Big Johns Folk Club in Chicago which brought them to the attention of producer Paul A. Rothchild. During their engagement, Butterfield met and occasionally sat in with guitarist Mike Bloomfield. Rothchild was impressed with the chemistry between the two and persuaded Paul to bring Bloomfield into the band and eventually signed them to Elektra Records in 1964. Rothchild assumed the role of group manager and used his folk contacts to book them at the Newport Folk Festival in 1965. The band added keyboardist Mark Naftalin, and its debut album, The Paul Butterfield Blues Band was finally successfully recorded in mid-1965 and released later that year. The album reached number 123 in the Billboard 200 chart, but its influence was felt way beyond the sales figures. In July 1966, the sextet recorded their second full length album, EastWest. The album consisted of more varied material and reached number 65 on the album charts. With Bishop and Naftalin remaining, the band added bassist Bugsy Maugh, drummer Phillip Wilson, and saxophonists David Sanborn and Gene Dinwiddie. This lineup recorded the bands third album, The Resurrection of Pigboy Crabshaw in 1967. The album cut back on instrumental jams and focused more on an R&B influenced horn-driven sound. It was Butterfields highest-charting album, reaching number 52 on the chart. On the next album, In My Own Dream, the band continued to move away from its roots in Chicago blues towards a more soul-influenced, horn-based sound. The album reached number 79 on the Billboard chart and by the end of 1968, both Bishop and Naftalin had left the band.

The band was invited to perform at the Woodstock Festival on August 18, 1969. They performed seven songs, and although its performance did not appear in the film Woodstock, one song, Love March, was included on the original album release Woodstock: Music From the Original Soundtrack and More, released in 1970. In 2009, Butterfield was included in the expanded 40th Anniversary Edition Woodstock video, and an additional two songs appeared on the box set Woodstock: 40 Years On: Back to Yasgurs Farm. Finally, in August 2019, Rhino Entertainment released the web-only, 38 CD/blu-ray, numbered and limited box set: WoodstockBack to the Garden: The Definitive 50th Anniversary Archive which included Butterfields complete set. Run Out Groove will issue this incendiary live set on vinyl for the very first time with new artwork and deluxe packaging!

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3LP | 2015 | UK | Original (Earth)

Shirley Inspired...

Love & Wealth: The Lost Recordings

Release: 2015 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Triple gatefold cover. Without OBI. One record has light hairlines, besides that vinyl is NM. Limited edition.

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Louvin Brothers

2LP | 2018 | US | Original (Modern Harmonic)

Release: 2018 / US – Original

Genre: Rock & Indie

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2LP | 2024 | Original (Reprise)

Billy Strings

Billy Strings Live Vol.1

Release: 2024 / Original

Genre: Rock & Indie

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Ao Vivo No Coliseu Triple

José Afonso

3LP | 2024 | EU | Original (Mais 5)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Cisco E La Casa Del Vento

900 Orange Vinyl Edition

LP | 2024 | EU | Original (The Saifam Group)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Antologia Della Canzone Napoletana

LP | 2024 | EU | Original (La Canzonetta)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2015 | UK | Reissue (Season Of Mist)

Theodor Bastard

Vetvi

44,99 €*

Eden's Island Extended Yellow / Green Vinyl Edition

Release: 2015 / UK – Reissue

Genre: Rock & Indie

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For over twenty years Theodor Bastard have been known for their amazing serious attitude to the world beyond that very frontier. The band's 2015 re-issue of 'Vetvi' is set out to take listeners to unexplored and other worlds!

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Eden Ahbez

2LP | 2021 | EU | Original (Everland Psych)

44,99 €*