Folk Vinyl 2051 Items

Release: 2017 / US – Original

Genre: Rock & Indie

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LP | 2017 | US | Original (You've Changed)

Richard Laviolette

Taking The Long way Home

Release: 2017 / US – Original

Genre: Rock & Indie

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Tommy Peltier & Judee Sill

Chariot Of Astral Light

LP | 2017 | EU | Original (Mapache)

How Beauty Holds The Hand Of Sorrow

Release: 2017 / EU – Original

Genre: Rock & Indie

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Tommy Peltier was born in New Orleans and came out to Los Angeles with his mom on his 13th birthday. A decade later he was a regular playing cornet with his group the Jazz Corps at the famous jazz club, The Lighthouse. In 1966 the Jazz Corps cut an album for Pacific Jazz and featured the fantastic Roland Kirk. In 1970, due to an injury, Peltier could no longer play the horn and looked for other means for expression.

Not one to be undone, he took a few chords that he had learned from friends like Jude Sill - who became occasional collaborator, sometime lover, and lifelong friend - and set out as a singer-songwriter. None of that music saw the light until It was collected together as Chariot of Astral Light. They worked together on a lot of Peltier's material, and Judee pops up on half of the disc handling backing vocals, guitar and organ lines.

He had a house in Echo Park where he held weekly Saturday recording sessions in his front room that a number of peripheral scenesters would attend (Lynn Blessing, Wolfgang Melz, Dave Parlato, and Barry McManus - all of whom appear here). Aside from the few takes done at actual studios, the bulk of the stuff was recorded in that tiny room.

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Ane Brun

LP | 2020 | EU | Reissue (Balloon Ranger)

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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LP | 2024 | EU | Original (Balloon Ranger)

Ane Brun

Portrayals

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2015 | EU | Reissue (Balloon Ranger)

Ane Brun

When I'm Free

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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LP | 2024 | EU | Original (Rookie)

Wick Bambix

When Things Grow Teeth

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Nordvis)

Pettersson & Fredriksson

Sotali

LP | 2024 | EU | Original (Howl)

Release: 2024 / EU – Original

Genre: Rock & Indie

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“Sotali” (2010) by Swedish folk duo Pettersson & Fredriksson – featuring members of Otyg and Solsaate – becomes available on vinyl for the first time. Renowned for mastery with the keyed fiddle and mandola, the pair bridges their Västerbotten heritage with influences ranging from Sigur Rós’s avant-garde creativity to José Gonzalez’s serene melancholy. “Sotali” emerges as an opus that balances the energy of traditional melodies with the tranquillity of modern folk artistry.

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Mighty Oaks

High Times

Release: 2024 / EU – Original

Genre: Rock & Indie

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12" | 2024 | EU | Original (Basin Rock)

Kevin Fowley

À Feu Doux

7" | 2024 | JP | Original (Universal Music Japan)

Release: 2024 / EU – Original

Genre: Rock & Indie

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New signing to Basin Rock label who released breakthrough albums by Julie Byrne, Nadia Reid, Aoife Nessa Frances, Jim Ghedi, Andrew Tuttle, Trevor Beales….Limited edition black vinyl with download code.French lullabies and traditional folk songs dating as far back as the 14th century, adapted with contemporary arrangements and faint tape manipulations in Dublin, Ireland.Imagine Serge Gainsbourg, John Martyn and Gábor Szabó squeezed on a small stage in the early hours of a smokey backstreet Parisian jazz club, slowly hypnotising the audience into hypnagogic hallucinations.

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Asako Toki

A Night In New York

Release: 2024 / JP – Original

Genre: Rock & Indie

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Preorder shipping from 2024-08-09

Taifu13Gou / Tsumetaionna

Fumio Nunoya

7" | 2024 | JP | Original (Universal Music Japan)

Release: 2024 / JP – Original

Genre: Rock & Indie

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LP | 2024 | WW | Original (Ossi Müzik)

Pop Folk From Anatolia

Release: 2024 / WW – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (McCoury Music)

The Del Mccoury Band

Songs Of Love And Life

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2022 | EU (La Munai)

Benyamin S.

Funky Kromong Volume 1

10" | 2024 | US | Original (Nublu)

Release: 2022 / EU

Genre: Rock & Indie, Pop

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Funky Kromong is a compilation from the multitalented Legendary Betawi artist Benyamin Suaeb. Consisting of 10 tracks from the 70s, this compilation is rich with Benyamin Suaeb’s eccentric vocals with tongue-in-cheek lyrics and walled with funk and psychedelic and traditional sounds. He made is own humorous style of psychedelic music that everyone could relate. We really hope you enjoy this record with beautiful nostalgia in mind. Don’t miss it.

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Ayyuka

Zaman Ziyan

Musakayike Red Clay Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Active since 2001, Ayyuka was one of the first bands to look back at 70’s Turkish music to find a new voice. Not caught up in the Retromania but reincarnating Turkish Psychedelic within their own style, the band managed to develop an unmistakeable unique sound. Inspirations of Dick Dale, John Frusciante, and local heroes like Erkin Koray, Orhan Gencebay, make their music more guitar oriented but their fascination with film music and improvisation creates unexpected twists within their songs. Right after their eponymous debut in 2007, the band shared stage with Sonic Youth and Jonathan Richman. Heading to a completely instrumental music, their 3rd studio recording “Sömester” had already become a cult album for record collectors. They’ve collaborated with Orlando Julius, Ilhan Ersahin and had guests on almost every album. Their latest full length “Maslak Halayı” was a creative collaboration with Calibro35 genius Tommaso Colliva. The worldwide hype of "Yukadans” will now be followed by their upcoming EP "Zaman Ziyan”, showcasing four brand new instrumental tracks that will transport listeners through a kaleidoscope of musical landscapes, experimenting with techniques of music writing and flirting with genres like afro-beat, funk, dub or arabesque. Save the date for their very first performance of these, live at babylon, as a part of Akbank Jazz Festival.

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Madalitso Band

LP | 2022 | EU | Original (Les Disques Bongo Joe)

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2017 | Original (True North)

Leeroy Stagger

Love Versus

Release: 2017 / Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Black Hen Music)

John Wort Hannam

Long Haul

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2023 | UK | Original (Blackford Hill)

Makushin

Move Into The Luminous

LP | 2023 | EU | Original (Mama Bird Recording Co.)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Move into the Luminous is the debut album by the trio Makushin.
Double bassist Jon Thorne (Lamb, Yorkston Thorne Khan), guitarist Peter Philipson (Jane Weaver, Fenella) and singer Nancy Elizabeth (Leaf Label, James Yorkston) lead this inspiring collective whose work explores the intersection between folk, jazz and ambient music.
The album also features contributions from Andrew Wasylyk, Raz Ullah, David A Jaycock and more.
Nancy Elizabeth is a singer and multi-instrumentalist who has released three chamber folk albums under her own name on the Leaf Label. She has also previously played with James Yorkston and recorded with the late ambient composer Susumu Yokota.
Jon Thorne is a double bassist best known as a member of the pioneering electronic band Lamb and, more recently, Yorkston Thorne Khan. He has worked with many other musicians, including Jon Hopkins, Robert Fripp and his mentor Danny Thompson, as well as releasing his own music.
Peter Philipson is a guitarist who has previously performed with Jane Weaver as her guitarist for a decade and has collaborated with her and Raz Ullah on two ambient albums under the artist name of Fenella. He has also released a number of instrumental guitar albums under his PJ Philipson guise.

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Haley Heynderickx

I Need To Start A Garden

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Les Disques Magnétiques)

Pekodjinn

Dharba

Release: 2023 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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LP | 2023 | UK | Original (Shapes Of Rhythm)

Mldva & Cinar Timur

LP | 2022 | EU | Original (Compliments Only)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Shapes of Rhythm is proud to present the self-titled debut LP of Turkish psychedelic pop from Mldva & Çınar Timur. This record is a celebration of the classic music and culture typically of the 70s and 80s, but which also leans into western jazz funk and soul jazz moments. If you're into the Turkish music legends of the 70s and 80s such as Barış Manço and more recently Altın Gün or Derya Yıldırım & Grup Şimşek, you've come to the right place.
Mldva were formed in Krakow, Poland in 2013 as a DJ and production outfit. Under the influence of Greek and Turkish folk and psych-rock music they began to transform into a band, taking up instruments including the Saz which is one of the most recognisable trademarks of the Turkish sound. Two years later in 2015 they invited Turkish instrumentalist Çınar Timur to join them and this completes the line up on their debut. This electric album is packed with excellently-recorded expansive tracks which are full of energy, psychedelic deep grooves, hard-hitting breakbeats and everything else you'd expect with classic Turkish sounds.
The instrumental double-header of Neşat Erkaş' Zülüf Dökülmüş Yüze, moving into the time-honoured traditional Kozan Dağıis the perfect opening track. The introduction is an overture of sorts with two minutes of Çınar Timur's pondering guitar. This tees up the record perfectly before heading into a break-beat driven workout with the band matching Çınar's evocative and energetic riffing. The result is a tight sound and a heavy groove that sets the tone for what's to come.
With the band unveiled, Sarı Çizmeli Mehmet Ağa, written by Barış Manço (a legend in Turkish popular music), hits a relaxed, deeper and more psychedelic groove, dominated by Wojciech Długosz's dreamy Rhodes piano, set against choppy wah-wah guitar licks that characterize that classic electric Turkish pop sound. We're introduced to Ulaş Çıbuk's vocals for the first time, telling the historic tale of a charitable village lord Mehmet Ağa from 19c Anatolia known for his generosity. He shared his fortune with people inneed and as a result, died penniless. This track also features the unique sound of Çınar's Mictrotonal electric guitar.
Bir Adım Öte is Mldva & Çınar Timur's magnificent mellow moment, marking the halfway point in their debut. The group shows that it's not all about the frenetic in a nod to western Soul-Jazz constructs. They showcase restraint, emotion and that joy in repetition of a wonderful guitar refrain. Not content with holding this down, Wojciech Długosz's Rhodes solo steps into a world that's US-influenced Soul jazzand is a lesson in reduction and feeling. Çınar Timur then takes a solo turn, keeping it western-influenced with an on the spot improvisation. When the three minutes of solos are over, we're brought back out of thedream and towards the East again.
Adımız Miskindir Bizim kicks off like a hip hop/funk crossover tune, until the chord changes muscle in, to remind you where you are in the world. As with other tracks on the debut, the tune is marked by recurring motifs, this time from Çınar's microtonal electric guitar. We've more solo Rhodes action, thist ime busier and more urgent. The lyrics–originally written by Yunus Emre – criticizevalues such as holding grudges that destroy ideas of love, friendship and peace among people which causes hostility. Adımız Miskindir Bizim concludes with an uplifting vocal vamp which switches it up unlike any of thetracks on the LP.
In Fesupanallah– made most popular by Erkin Koray – Ulaş Çıbuk sings about the simple subject ofbeing patient with never ending problems in life, and trying to find a solution for them. This cut takes a rhythmical side-step to the rest of the album. The kick drum maps out a solid four-four, but the vocals and guitar lines move around it to impose Fesupanallah as being the record's most traditionally Turkish-sounding cut.
The album's closing track Ölüm Allah'ın Emri (another Manço classic) was recorded live in the band's more familiar surroundings of Krakow's Cheder Cafe during 2020's Jewish Culture Festival. The lyrics tell the tale of someone who has accepted death but cannot accept the separation that comes with it. We open with a dreamy, psychedelic mood before progressing into a heavy-riffing rock feeling with probing synths. Ulaş delivers his vocals over the top of a stripped back, shuffling groove. As the track progresses towards a frenetic conclusion, drummer Szymon Piotrowski cuts loose, combining with Grzegorz Dąbek's synth lines.
Mldva & Çınar Timur's debut LP is not the sound of a band starting out. Taking time to hone their craft and let influences across the global spectrum of music mature, this is the result of years of jamming, gigging and collaborating. Now, after prestigious festival appearances and their place on Saz Power – an essential modern Turkish music compilation – they're making a lasting contribution to a rich, time-honored culture. Mldva & Çınar Timur releases Friday 30 June 2023 on limited edition vinyl LP and digital download/streaming services on Shapes of Rhythm. Global distribution by Kudos Records.

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Katelyn Tarver

Subject To Change

21,59 €* 26,99 € -20%

Release: 2022 / EU – Original

Genre: Rock & Indie

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1971-1973 Single Compilation

Gülden Karaböcek

LP | 2022 | TR | Original (Sah Plak)

21,84 €* 22,99 € -5%

LP | 2023 | EU | Original (Hyperjazz)

Release: 2022 / TR – Original

Genre: Rock & Indie

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2018 Remastered, 180g black vinyl in gatefold with new cover art. This is a great collection of rare, early singles of another female Turkish singer Gulden Karabocek which focuses on traditional folk instrumentation and 70s pop elements. Her pure voice, vibes and catches you at the first second when she sings. Album is a singles compilation of 1971-1973 which represents the golden era of Turkish pop music.

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Khalab

Layers

21,84 €* 22,99 € -5%

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Every person we meet, every moment we live through, all the love we feel, and the losses we endure, add another layer to the intricate pattern of our lives. Like multicolored threads, these layers twist together to form a complex, vibrant tapestry — a reflection of our life journey until this point. On his new album Layers, Khalab acknowledges and celebrates the encounters that have shaped his ever-evolving musical vision. The record, out on August 25th with his own Hyperjazz Records, represents the culmination of a creative journey that began with his Eunoto EP (Black Acre Records, 2015), evolved with the Afro-Futuristic soundscapes of 2018’s highly acclaimed album Black Noise 2084 (On The Corner Records/!K7), and has since developed further through a series of experiences and deep musical collaborations. Layers summons all the alchemy of Khalab’s live performances, and embodies the transcendental power of music making as a collective art form. Over the past five years, Khalab has shared the stage at Italian and International festivals with many exceptional musicians, an experience which has sharpened the musicality of his compositions and enhanced the depth and complexity of his sound. “Since the release of Black Noise 2084 I’ve increasingly developed the stage and band dynamic, focusing on arranging with the musicians in mind, and this album was almost entirely conceived together with musicians I’ve collaborated with” says Khalab. In a testament to the label’s close-knit and highly collaborative nature, Khalab's live band includes a cadre of musicians from the Hyperjazz family, including David Paulis and Enrico Truzzi of Phresoul, as well Pietro Santangelo, Fabio Sasso, and longstanding creative-partner Nicola Guida. The album’s nine tracks feature an impressive lineup of collaborators old and new, including UK drummer and producer Emanative, Burkinabe singer, guitarist, and m’bira player Gabin Dabiré (passed away a few weeks ago), Italian producer Clap! Clap!, multi-wind instrumentalist Tamar Osborn, drummer and producer Tommaso Cappellato, British-Bahraini trumpeter Yazz Ahmed, Bristol’s vocalist and producer Grove, multi-instrumentalist Tenderlonious, Italian jazz singer Alessia Obino and British-born Nigerian spoken-word artist Joshua Idehen. Layers still revolves around the key components of Khalab’s sound — dark and trancey electronics and his research into Black music and all its evolutions — but with a bigger emphasis on harmonic arrangements. Across the album, Khalab’s productions twist and pulsate into mesmerizing motifs, as the interplay between different instruments coalesce into focused melodies and rich, complex textures. Khalab and his collaborators masterfully blend gloomy and radiant tones, eliciting feelings of both doom and hope. The album will be preceded by three lead singles: “Layers” feat. Joshua idehen, “Tunnel Of Jealousy” feat. Lady Blue Eyes, and “Female Side” feat. Tommaso Cappellato.

For Khalab, Layers represents the end point of a journey that began with the synthesis of ancestral rhythms and electronic experimentation on Black Noise 2084, and has taken him on a meandering route through a Mauritanian refugee camp (M’berra, Real World Recordings, 2021), and deep into the catalogs of legendary Italian labels Soul Note and Black Saint (for the Hyperituals compilations, released on his own Hyperjazz label). In Khalab’s own words: “For me this feels like coming full circle, because everything will be more experimental going forward”. Credits All tracks written & arranged by Khalab Produced by Khalab & DJ Knuf With the vital contribution of these amazing musicians: A1. Yazz Ahmed (flugelhorn, trumpet), Alessia Obino (voice), Nicola Guida (synths), Fabio Sasso (drums) A2. Emanative (drums), Tamar Osborn (baritone saxophone), Grove (lyrics, voice) A3. Lady Blue Eyes (voice) A4. Cristiano Crisci (synths), Pietro Santangelo (tenor saxophone) A5. Joshua Idehen (lyrics, voice), Cristiano Crisci (additional synths) B1. Tommaso Cappellato (synths), Enrico Truzzi (drums), David Paulis (electric bass), Cristiano Crisci (additional synths) B2. Gabin Dabiré (voice, m’bira) B3. Tenderlonious (flute) B4. Magnus PI (percussion), Alessia Obino (voice), Pietro Santangelo (tenor saxophone), Enrico Truzzi (drums) Mix by DJ Knuf at Studio 33, Rome Remix by Khalab at Studio 33, Rome Megamix by Satori Stereo Saiyan Mastered by Frank Merritt at The Carvery, London Visual project design by Marco Klefisch

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LP | 2023 | UK | Original (Platform 23)

Ethniques Psychedliques

LP | 2023 | EU | Original (Watusi)

Release: 2023 / UK – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Platform 23 reunites once more with Vox Man Records to dig deep into their archives and shine a new light on. In the past they have done some mega well loved Alternative Funk compilations which got the label off to a fine start and now they dig into an array of cult cassette releases to bring us treasure from Audiologie N-4 - The Independant Psychedelic Trip and Audiologie 5 et 6 - Ethniques Urbaines. This is music from the avant-garde and post punk scenes that draws on wave, spoken word, dark dub and industrial for its eerie yet alluring charms, all with a real edge. Ethnic, idiosyncratic and psyched out, this is another great overview.

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Steve Gunn

Nakama

Sound Emporium Record Store Day 2023

Release: 2023 / EU – Original

Genre: Rock & Indie

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Steve Gunn has always had one foot in indie rock and the other in an expansive improvisational scene. His songwriter albums alternate with freewheeling jams, most notably in his Gunn-Truscinski Duo, but are not confined to that. So when Gunn decided to revisit Other You, it made sense that he brought in some guests from the far side of the commercial/experimental spectrum to reimagine his songs. Nakama presents five tracks from that last album, reshaped by artists that Gunn admires. The process loosens the songs up considerably.

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Jason Isbell & Amanda Sh

LP | 2023 | US | Original (Southeastern)

Release: 2023 / US – Original

Genre: Rock & Indie

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Limited edition of 11750 copies worldwide. RSD first release.
Single-sided 12" EP featuring two new originals from RSD US Ambassadors Jason Isbell & Amanda Shires, a reimagined version of "Tour of Duty" from the Jason Isbell and The 400 Unit album Here We Rest, and a cover of Richard Thompson's "Beeswing". Side B holds a stunning vinyl etching designed by Pearl Rachinsky-Moreland.

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LP | 2020 | TR | Original (Dogan Music Company)

Altin Mikrofon 1966

LP | 2023 | UK | Original (Maple Death)

Release: 2020 / TR – Original

Genre: Rock & Indie

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Altın Mikrofon (Golden Microphone) is a music contest organized in 1965 by "Hürriyet", one of the biggest newspapers of the time. The first Golden Microphone contest was organized in 1965. The qualifiers of the 2nd Competition organized in 1966 were held in 9 hours in front of a jury including the famous artist Zeki Müren. This time 7 finalists were selected and their contest tracks were released as 45 rpm singles. They gave concerts in Izmir, Ankara, Istanbul, Bursa, Bursa, Eskişehir, Samsun and Konya. The last concert was again held in Istanbul. Silhouettes won the contest with 4563 votes. Second place was Blue Lights with 2850 votes, just like last year. The third with 2382 votes was Selçuk Alagöz. The finalists Kent Yedilisi, T.P.A.O.Batman Orkestrası, Cahit Oben, Siluetler, Ali Atasagun, Mavi Işıklar and Selçuk Alagöz Orkestrası shaped the Turkish Pop Music and Anatolian Rock movement

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Everest Magma

Alto // Piano

Release: 2023 / UK – Original

Genre: Rock & Indie

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It's Ok To Be Happy (1999-2001)

The Strange Girls

LP | 2022 | EU | Original (Fördämning Arkiv)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Early and mostly previously unreleased recordings from Dundedin's The Strange Girls, a band that initially consisted of Clayton Noone, Kaaterama "Motty" Morehu and Jon Arcus. The Strange Girls existed on and off from 1999 up until Motty's passing in 2019 and left behind a peculiar trail of gems scattered around on a myriad of limited lathe cuts, cassettes and CDrs. It's OK To Be Happy focuses on the trio era - Jon Arcus left the band in 2002 - and starts at the very beginning with 'Satan', the first song at the first gig they ever played. Ten tracks of atmospheric bummer folk/downer rock with that unmistakable lo-fi Root Don Lone For Cash anything-goes approach, carefully sequenced into something that feels like the album that never was rather than just a compilation. Edition of 500 copies. Insert with liner notes to each track by Clayton Noone. Fördämning Arkiv 8.

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Coro Dos Tribunais

Release: 2022 / EU – Original

Genre: Rock & Indie

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Com As Minhas Tamanquinhas

Release: 2022 / EU – Original

Genre: Rock & Indie

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Svavar Knutur / Kristjana Stefans

Glaedur

LP | 2020 | EU | Original (Nordic Notes)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Svavar Knutur / Kristjana Stefans

Fadmlög

LP | 2020 | EU | Original (Nordic Notes)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Eu Vou Ser Como A Toupeira

Release: 2022 / EU – Original

Genre: Rock & Indie

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Cantigas Do Maio

Release: 2022 / EU – Original

Genre: Rock & Indie

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Traz Outro Amigo Tambem

Release: 2022 / EU – Original

Genre: Rock & Indie

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Cantares Do Andarilho

Release: 2022 / EU – Original

Genre: Rock & Indie

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Venham Mais Cinco

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | US | Original (Empire)

Pat Green

Carry On

LP | 2019 | EU | Reissue (Flatfish)

Release: 2022 / US – Original

Genre: Rock & Indie

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Carry On, issued in 2000, is Pat Green's third album and his last before signing to Universal Republic. One can hear transition in the sound of this record, and traces of Nashville's mighty presence in the production, but this is still very much a Texas record. Carry On is a more mature and artfully rendered collection than anything Green had released before.

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Flook

Ancora

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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LP | 2022 | CA | Original (Telephone Explosion)

Quilting

La Bete Noire / Paris N'Existe Pas

Release: 2022 / CA – Original

Genre: Organic Grooves, Rock & Indie

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The mesmerizing debut LP by Nova Scotia’s Quilting on October 7, 2022. The album is a quietly stunning collection of pastoral ambience dotted with moments of tension that reflects the maritime environment in which it was created, inadvertently paying homage to the light and darkness of rural life.

Co-founded by Holy Fuck’s Brian Borcherdt, the quartet is comprised of a diverse and accomplished collection of musicians who came together when he moved back to his home province in 2019 after a lengthy stay in Toronto.

The shock of settling into a town of 600 people was softened almost immediately by a care package left on Borcherdt’s front porch. It included the curious juxtaposition of homemade preserves and a circuit-bent keyboard. His interest was piqued. As luck would have it, his new neighbour happened to be renowned folk guitarist Kim Barlow.

“Kim was in the process of organizing an improvisation series featuring over a dozen Nova Scotia-based musicians. The series struggled under lockdown restrictions, and on the second attempt only the four of us showed up.” Borcherdt recalls. “We didn't really know each other that well, were a bit shy and played very quietly. However, we really enjoyed how spacious our jam was.”

One week after their initial jam, Borcherdt was invited to perform a solo set at a Halifax-based experimental festival called Open Waters. He instead volunteered the same lineup: himself, Barlow, distinguished Isle Of Skye harpist (and Berklee professor) Mairi Chaimbeul, and Sahara Nasr, a noted songwriter and player of the rare Indian Sarangi. It wasn’t long before they began recording and soon realized a name was necessary to make the project official.

“When we get together to play music, it's our 'poker night'. That led us to think of other community or 'grown-up' gatherings, similar or antiquated... like barnraising bees, quilting bees.” Explains Borcherdt. “We were sort of quilting: four corners of fabric, texture, sewing threads, telling a story, all making one complete piece while drinking a few beers. We could've also called it ‘Therapy’.”

While providing a necessary distraction from early-COVID life, Quilting also offered a chance to improvise within a uniquely ambient soundspace. This was a welcome change for some of the members, including Borcherdt, who was used to creating music with decidedly more volume.

“Space is welcome. Writing in Quilting is a spontaneous and thoughtful process, very synesthetic and, of course, collaborative. I've only really gotten to explore space and silence with solo music.” He reflects. “With my other bands, even when spontaneous and improvised, the result is dense and cathartic, expressive through pulse and rhythm and volume. With Quilting we get to drift, no beats, no safety net. Every note counts. Yet rather than being stressed or scrutinized under a microscope we all have fun and daydream a bit.”

Sonics aside, Quilting has also given all four members the chance to experiment with the boundaries created by headquartering in a remote area not commonly associated with the avant-garde music community.

“Nova Scotia, unlike other provinces, has basically one city, one place where musicians congregate, play shows and hang out. Anything happening outside of Halifax can be considered an experiment, a test to see anything can get off the ground.” Borcherdt explains. “ In Toronto there's already an infrastructure, whether you play the same venues or build your own new thing- there's an audience, there are friends and like-minded individuals. It's healthier. Here we have to take what we get. But the good news is that it's kind of a blank slate.”

The LP, which features hand-calligraphed cover art from Upstate New York-based artist and musician Sarah Le Puerta, features five songs all recorded live off-the-floor in a single live performance. Moods range from reflective to unsettled, and even at its loudest parts a sense of intimacy persists.

“This album feels like a complete picture, a snapshot of one fun night.” He states. “That seems to me to be a perfect introduction. The listener gets to “attend” the concert, which is an amazing way to discover new music.”

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Jean-Claude Vannier

LP | 2022 | UK | Original (Finders Keepers)

12" | 2022 | EU | Original (AM)

Release: 2022 / UK – Original

Genre: Rock & Indie

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With a discography held in such high esteem amongst fans of conceptual French pop and soundtrack composition, the likelihood of finding an unturned stone amongst maestro Jean-Claude Vannier’s fertile psychedelic rockery falls somewhere between slim and skeletal. Even the most intrepid explorers of the most fearless and fastidious nature should naturally expect to encounter one or two shadowy characters when braving the oblique corners of the Vannier vault, but few lost souls cast a darker silhouette than the cinematic obscurity known only as »La Bête Noire« (The Black Beast).

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Salar Salman

God Created Everything Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Salar Salman (1959), an exceptional musician and composer, was born in Kirkuk, a city in Kurdistan — the North of Iraq. As a young boy he was famed in his village for his rich and warm voice. When he develloped his talent as a guitar player he was seen as one of the best guitar players from North Iraq. As his fingers found a way to accompany his moving voice, he was able to share his songs with a broader audience. Salar Salman's songs about love, tenderness and soreness affected many people and delivered him the nickname 'Santana of Kurdistan'. Unanswered love, hidden love, lost love, failing love — his lyrics resonated with his peers in their integrity and honesty. But it was not only his new way of storytelling that moved many; the way he composed music was something new. Moving away from the more traditional, folkloric, often monotonous sound, his melodies moved freely. Inspired by Afro-Western sounds from the 70’s and 80’s, like jazz, psychedelic rock or flamenco, he was able to give a new meaning to his own musical heritage and to create an alternative sound that is still influencing younger generations of Iraqi Kurdish musicians today.

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Linda Ayupuka

LP | 2022 | EU | Original (Mais Um Discos)

The Significance Of Peaches Ivory Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Pulsing electro-Fra Fra and DIY afro-gospel combine on God Created Everything, the debut album by Ghanaian singer Linda Ayupuka. Reminiscent of recent releases by Otim Alpha (Nyege Nyege) and Ata Kak, God Created Everything captures the rawness and immediacy of early-career recordings from the likes of Oumou Sangaré and Rokia Traoré, and heralds a new West African vocal talent - Linda Ayupuka. Produced by Francis Ayamga, (King Ayisoba, This Is FraFra Power!), at his locally renowned Top Link Studio in Bongo, Northern Ghana, God Created Everything features eight highly charged exchanges of polyrhythmic dancefloor beats where Linda and Francis channel traditional Guren+¢-language, Frafra ceremonial music with rapid fire tempos and hypnotic drum loops, referencing an international palette of dance styles from Malian DJ-led Balani Show street sound, electro-acholi to modern dancehall/RnB.

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Chris Bathgate

LP | 2022 | EU | Original (Quite Scientific)

Look At It In The Light Dark Blue Marbled Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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After a five-year hiatus encompassing the birth of a son, a third coast to west coast and back to the third coast move, and an ongoing global pandemic - Chris Bathgate returns with 'The Significance of Peaches'. On this, his 6th full-length album, the NPR & BBC-lauded artist is found ruminating on time spent living in the National Forests of Michigan while homeless, his emergence into fatherhood, and yes, the significance a certain stone fruit has played throughout his life. Sonically, 'The Significance of Peaches' leans heavily on the structural support of parlor organ and Bathgate's signature multi-tracked percussion - surprisingly sparse use of guitar and strings sheathed in the middle - his haunted vocals and perching atop it all.For Fans of Horse Feathers, Michael Nau, Damein Jurado.

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Kate Bollinger

LP | 2022 | US | Original (Ghostly International)

Release: 2022 / US – Original

Genre: Rock & Indie

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Kate Bollinger's songs tend to linger well beyond their run times, filling the negative space of ordinary days with charming melodies and smart phrasings. She writes them at home in Richmond, Virginia, letting her subconscious lead, an open-ended process she likens to dreaming. From a chord progression appears a line, maybe a syllable will start to stick, enough to pursue, but she says sometimes the words don't feel likeher own, more like shapes that form in the mind's sky. Bollinger's musical universe is relaxed, tender, and unassuming; within lives a timeless sensibility, a songwriter's knack for noticing the little things and their counterpoints. Darkness and light, pain and pleasure, reality and escape. Her new EP, Look at it in the Light, her first project on Ghostly International, is collaborative; she shoots music videos with her friends and colors each of her folk-pop songs with musicians in her community. The title Look at it in the Light is a reference to the aspects of Bollinger's life that she knows need examining. For one, there's her persistent resistance to change _ she chooses to ignore it on the title track ("I try not to notice / I deny my fate"), as wiry strums sync with crisp drums. She surrenders to comfort on "Who Am I But Someone," a light and softly psychedelic number. "Yards / Gardens" finds Bollinger in full swing, skipping verses of uncertainty above a bright and nimble bassline and kick. Guitar riffs unravel across the bridge, trailing her lines like ellipses. The string-backed "Lady in the Darkest Hour" is the set's most luxuriant statement, recorded during a session at Matthew E. White's Spacebomb Studios with in-house arranger Trey Pollard (Natalie Prass, Helado Negro). Here her lines ring bittersweet yet reassuring, uplifted by swells of golden-hued instrumentation. From the hushed abstractions of "I Found Out" to the biting suspicions of closer "Connecting Dots," Kate Bollinger uses every inch of this dazzling EP to find her footing amidst the ever-present sways of life

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10" | 2022 | EU | Original (Stag-O-Lee)

Gunsmoke 08

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Ernest Jenning)

Mary Simich

How Does One Begin

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Rubyworks)

Ryan Sheridan

Americana

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Tiger Diger)

Frokedal

Flora Grey Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Paley & Francis Black Vinyl Edition

Paley & Francis

LP | 2011 | UK | Reissue (Demon)

Release: 2011 / UK – Reissue

Genre: Rock & Indie

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Where The Mountains Meet The Sky: Folk Music Of Ladakh

LP | 2017 | EU | Original (Sublime Frequencies)

Release: 2017 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Grund)

Janos Brody

Gaz Van, Babam!

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2019 | EU (Akuphone)

Komendarek

LP | 2017 | EU (Akuphone)

Release: 2019 / EU

Genre: Rock & Indie

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Maybe the missing link between Kraftwerk, YMO and Nitzer Ebb!

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Kink Gong

Tibetan Buddhism Trip

The Virtuoso Of Sitar, Volume II

Release: 2017 / EU

Genre: Rock & Indie

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Puzzling collage of Tibetan Buddhist rites

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Kalyani Roy

LP | 2020 | US | Original (Vishra)

The Virtuoso Of Sitar, Volume I

Release: 2020 / US – Original

Genre: Rock & Indie

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First vinyl reissue of this Indian classical masterpiece recorded by Shrimati Kalyani Roy in the late 1960's. Undoubtedly one of the most talented sitar players in the history of the instrument. She is considered as one the [sic] finest female players in a field that was dominated by her male counterparts. On these recordings, she is accompanied by Manick Das (Tabla) and Namita Chatterjee (Tambura). Volume 2

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Kalyani Roy

LP | 2020 | US | Original (Vishra)

LP | 2020 | EU | Original (Foam On A Wave)

Release: 2020 / US – Original

Genre: Rock & Indie

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First vinyl reissues of this Indian classical masterpiece recorded by Shrimati Kalyani Roy in the late 1960's. Undoubtedly one of the most talented sitar players in the history of the instrument. She is considered as one the [sic] finest female players in a field that was dominated by her male counterparts. On these recordings, she is accompanied by Manick Das (Tabla) and Namita Chatterjee (Tambura). Volume 1.

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Ultramarine

Folk

LP | 2020 | EU | Original (Real World)

Release: 2020 / EU – Original

Genre: Rock & Indie

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For their first outing, new London-based reissue label Foam On A Wave resurface the remarkable debut album from one of the UK's foremost artists of 'ambient techno', Ultramarine's 'Folk'. Like the surrealist collage of the sleeve designed by Benoît Hennebert, Ultramarine weave together unique instrumentation and sonic influences into rich, ethereal soundscapes, now fully remastered for its 30th anniversary. Ian Cooper and Paul Hammond admitted they weren't totally sure what they were doing when they signed a record deal with the famously bohemian label Les Disques du Crépuscule and found themselves on their way to Brussels. There, over a two week stint, the Essex duo recorded the album - drawing on a kaleidoscopic palette influenced by both the Canterbury scene's jazz-infused psychedelia, as well as the contemporary Benelux scene, with particular nods to the likes of Benjamin Lew, The Durutti Column and Anna Domino. Conceived at a time when technology began reshaping the process of recording and production, the band's interest in fusing the organic and the electronic is apparent, and one that has remained with them throughout their career. 'Folk' both sits apart from and serves as a precursor to the 'pastoral techno' sound Ultramarine went on to pioneer. Following US and European tours alongside Orbital and Bjork, a few more albums and collaborations with the likes of Robert Wyatt and Kevin Ayers, plus remixes for and by Everything But The Girl, Carl Craig, Luke Slater and more, they folded the project for a number of years. Last year the band returned to their inaugural imprint with the ethereal 'Signals Into Space'. Albeit somewhat sparser, more sedate, it is in some ways a coming full-circle to the jazz-laden, analogue sound of their debut, which makes reissuing 'Folk' feel all the more timely.

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Bab L' Bluz

Nayda Blue Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Oh Boy)

Dan Reeder

Every Which Way

Release: 2020 / EU – Original

Genre: Rock & Indie

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Release: 2020 / EU

Genre: Rock & Indie

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LP | 2020 | EU | Original (37d03d)

Eve Owen

Don't Let The Ink Dry

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Universal)

Zalagasper

Release: 2020 / EU – Original

Genre: Rock & Indie

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Kaleidoskop White Vinyl Edition

Früchte Des Zorns

2LP | 2019 | Original (Tanz auf Ruinen)

Release: 2019 / Original

Genre: Rock & Indie

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La Grande Cantatrice Malienne Volume 1

Nahawa Doumbia

LP | 2019 | US | Original (Awesome Tapes From Africa)

Release: 2019 / US – Original

Genre: Rock & Indie

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Justin Peter Kinkel-Schuster

Take Heart, Take Care

LP | 2019 | EU | Original (Big Legal Mess)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Like The River Loses The Sea

Joan Shelley

LP | 2019 | EU | Original (No Quarter)

Thomas Benjamin Wild Esq.

Release: 2019 / EU – Original

Genre: Rock & Indie

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Much of this album was recorded in Iceland. Breath warm from singing rises into frozen air. Atomized. A million bright blue crystals _ the fractal branching of the lungs _ drift back to earth. Radiant, refracting. Clear notes melt like perfect soft snow. Straight lines curve and curve again. Much of this album was recorded in Iceland, but Joan Shelley wrote these songs in Kentucky. That's the dirt clinging to their roots. The wind blowing through Osage orange and pine trees is the joy and ache and urgency of these songs. It's the silence and the music. It's the space between time and words and the stillness in Joan's voice. The world spins more slowly. Moss overtakes a fallen tree. Kentucky is where we plant seeds of regret and stay to watch them flower. Maybe Mark Twain said that Kentucky (always five years behind the times) was the perfect place to ride out the apocalypse. Maybe it's twenty years. Maybe it's apocryphal. That doesn't mean it isn't true. "And oh, Kentucky Stays in my mind it's sweet to be five years behind That's where I'll be When the seas rise Holding my dear friends and drinking wine..." Maybe the world outside has already vaporized. Maybe we're already living on borrowed time. Nathan Salsburg's guitar pours out clean as water through his fingers, turning over every smooth stone. Bonnie "Prince" Billy's harmonies stretch time tight enough to break without breaking. Joan's voice calls us back. Birds are singing outside. Insistent. Don't miss what's right in front of you.

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Awkward Encounters While Walking My Dog

LP | 2019 | UK (Heavy Soul)

Release: 2019 / UK

Genre: Rock & Indie

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LP | 2019 | EU | Original (Svart)

H.C. Slim

Sings

LP | 2019 | EU | Original (Trikont)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Rural legend and outsider folk artist H.C Slim had amassed quite a catalog of original songs he's demoed on a tape recorder, deep in the Eastern Finnish countryside. Over the years cassettes and CDRs began to circulate with original copies selling for high prices, before Svart Records drove out to his remote cabin to offer Slim a deal for his debut album.

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Angela Aux

In Love With The Demons

Release: 2019 / EU – Original

Genre: Rock & Indie

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Malam Minggu: A Saturday Night In Sunda

LP | 2019 | EU | Original (Akuphone)

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Akuphone)

Tamayuge

Baba Yaga

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Akuphone)

Praed

Doomsday Survival Kit

Release: 2019 / EU – Original

Genre: Rock & Indie

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2LP | 2018 | EU | Original (Le Chant Du Monde)

Johnny Cash

I Walk The Line

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Mouthwatering)

Black Sea Dahu

White Creatures

Release: 2018 / EU – Original

Genre: Rock & Indie

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To Catch A Ghost: Field Recordings From Madagascar

LP | 2018 | US | Original (Sublime Frequencies)

Release: 2018 / US – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Akuphone)

Music Of Southern Laos

Mission Bell White Vinyl Edition

Release: 2018 / EU – Original

Genre: Rock & Indie

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Recorded in the provinces of Champasak, Attapeu, Sekong and Saravan by Laurent Jeanneau (Kink Gong). Limited to 1000 copies.

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William Fitzsimmons

LP | 2018 | EU | Original (Grönland)

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (WEA)

The Pogues

The Best Of The Pogues

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Pharaway Sounds)

Beyaz Kelebekler

Köln Session 1976

Natural Wonder - With A Beaker … Volume 1

Release: 2018 / EU – Original

Genre: Rock & Indie

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Famous for their matching, colourful suits and always-happy smiles, Beyaz Kelebekler (White Butterflies) were a mixed-gender Turkish band very popular during the ‘70s. They released one album plus numerous 45s in Turkey and other countries like Holland and Italy. In 1976 during the last day of their European Tour, just after one gig in Cologne, Beyaz Kelebekler visited a studio of a friend which was still in construction. They decided to record a few songs, just for fun and for testing the new studio equipment. It was a very basic, one take recording, using an 8-channel mixer, a few mics and a reel-to reel tape machine.
The result was an amazing example of Anatolian psych-funk, featuring wah-fuzz guitar, flute, heavy drums, joyous male / female vocals…
Unreleased until now, we present the first ever release of these surprising recordings, rescued from the only surviving cassette tape.
Colour insert with photos.

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Alvarius B

LP | 2017 | US | Original (Abduction)

Release: 2017 / US – Original

Genre: Rock & Indie

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LP | 2017 | EU | Original (Saddle Creek)

Big Thief

Capacity

LP | 2011 | EU | Original (Coskun / CY Music)

Release: 2017 / EU – Original

Genre: Rock & Indie

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The trails that Brooklyn's Big Thief take us down on Capacity, the band's highly anticipated second record, are overgrown with the wilderness of pumping souls.

After last year's stunning Masterpiece, Capacity was recorded in a snowy winter nest in upstate New York at Outlier Studio with producer Andrew Sarlo.

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Mogollar / Silüetler

Anilarla

LP | 2017 | EU | Original (Türküola)

Release: 2011 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Andalou Folk meets western psychedelic and Surf Rock - an incredible fusion and a long overdue release.

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Baris Manco

Mega Manco

LP | 2017 | FR | Original (Akuphone)

Release: 2017 / EU – Original

Genre: Rock & Indie

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Mega Manço is Barış Manço’s third album which was recorded without Kurtalan Ekspres. The arrangements are by Garo Mafyan the veteran keyboardist of “Turkish Chicago” called İstanbul Gelişim. The album is first time on vinyl. While some songs reflect the modern synthe pop age of Manço, some songs have strong references from his Anatolian rock group music period. Süleyman reflects his singles period with Moğollar such as İşte Hendek İşte Deve. Diral Dedenin Düdüğü reminds us of 1981-83 era of Manço which reflects an Anatolian Rock attitude with Arabic influences. Hemşerim Memleket Nire has also important references to the legendary 2023 album, as the song is based on the critical bass lines of the electronic music hit, 2023. The album also contains an instrumental track called Rüya which is a composition of Manço in a Yanni style new age based on piano and strings. In the album you can also hear a significant electro pop hit of Manço named Ayı which had a great popularity among children at that time period when Manço was a fabulous figure for children because of his TV shows. Türküola is once again in place to make such an important album available on vinyl for the first time.

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Ko Shin Moon

LP | 2020 | EU | Original (Son Of Davy)

Release: 2017 / FR – Original

Genre: Rock & Indie

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Blurring the lines between time and space, Ko Shin Moon blends
acoustic instruments from various corners of the world with
analogue devices, traditional music, electronic arrangements,
sampling and field recordings. Like the soundtrack for a
patchwork journey, the band's first album conveys along a
succession of hybrid territories, imaginary landscapes in sound
and multicoloured collages. Whether it's acid dabke,
Turkish-Greek disco, cosmic raï, new beat molam, Tibetan ambient, synth wave Hindi filmi or rickshaw dance music: the future sound has no borders!

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Charley Crockett

Welcome To Hard Times

Release: 2020 / EU – Original

Genre: Rock & Indie

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Jalek Blount & Mali Obomsawin

Symbiont

LP | 2024 | US | Original (Smithsonian Folkways)

This Old House Without You

Release: 2024 / US – Original

Genre: Rock & Indie

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From the first notes of symbiont, the radical new collaborative album and document of Black and Indigenous futurism from Jake Blount and Mali Obomsawin, the listener is met with rising tidewaters, massive droughts, and the appearance of an iconoclastic uprising amidst the world's indifference. Questions of future or present tense swirl around the music as the duo unspools the intertwined threads of racial and climate justice. Amid rumbling synthesizer drones, the thrum of banjo, and the thwack of drum machines, a whisper of truth can be heard: this crisis has been unfolding for centuries.

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Spencer Burton

7" | 2024 | CA | Original (Dine Alone)

Die Kanaken Live Bone Colored Vinyl Edition

Release: 2024 / CA – Original

Genre: Rock & Indie

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Limited 7" vinyl single pressing. These two songs were written and abandoned. Songs that didn't make the cut for my album "North Wind". That album, in it's entirety, was written alone in the north woods of ontario. The two songs on this seven inch were written out behind my house at the campfire. Both, one after the other, on the same night. If I was to ever release them, it only seemed natural to release them together.

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Cem Karaca

LP | 2024 | EU | Original (Ironhand)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-08-16

"Cem Karaca, known as one of the founding fathers of Anatolian Pop, lived in exile in Germany for years. During that time, he never gave up making music. Preferring group music, he formed a band named Kanaken with his longtime bandmate Fehiman Uğurdemir from Kardaşlar. This LP features captivating live recordings from various shows following their debut album. It features newly arranged renditions of past classics such as “Dadaloğlu” and “Maden Ocağının Dibinde” as well as energetic variations of songs from their debut album. In addition, listeners will discover a previously unreleased original composition entitled “Silbermond.” An exceptional record that defies common misconceptions and shows the remarkable success of Cem Karaca's musical career during his vibrant years in Germany. A must-have for collectors. Bone Color, limited one time pressing of 500! Enjoy! "

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Box | 2017 | Original (Demon / Edsel)

Country - Classic 45s

Release: 2017 / Original

Genre: Rock & Indie

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7" | 2024 | JP | Original (P-Vine)

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Coming Soon

Arisa Nakano

Aoi Sakana (Blue Fish)