Folk Vinyl 1719 Items

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Habibi Funk)

Maha

Orkos

LP | 2022 | US | Original (Empire)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Completely unknown album by Salah Ragab's Cairo Jazz Band vocalist Maha, recorded in Cairo in 1979. Features productions by Hany Shenoda of Al Massrieen. Maha’s “Orkos,” originally released on cassette, is one of these standout musical diamonds that combines Jazz and Egyptian vocal traditions with Funk, Latin and Soul.

Maha’s “Orkos” immediately catches your ear as a unique album. A strong and energetic voice, equally grounded in jazz as well as Egyptian vocal traditions, Maha sings over instrumentals that offer a wide palette of influences, sonically emblematic of the cultural changes that were occurring in the country. The album features rich compositions and productions by renown Egyptian musician Hany Shenoda, who’s group, Al Massrieen, Habibi Funk worked with in 2017 (the release led to sync placements in Hulu’s “Ramy” TV Series).

At the time of its release, however, the “Orkos” cassette quickly faded away among the growing number of releases populating the Egyptian musical soundscape. For more than 40 years, it sat in near obscurity before being given new life in the form of a properly licensed vinyl release. Habibi Funk and Disco Arabesquo are honored to play a part in sharing Maha’s story. Below is a bit more context around the release as well as the campaign schedule.

The arrival of the cassette brought a seismic shift in how music was produced and consumed around the world. Smaller bands and labels were able to release music without the logistical and financial barrier present in vinyl manufacturing. At the same time, in Egypt, a new crop of musicians and composers made their way into the scene, seeking to bring something fresh to what was perceived as the widely monophonic musical traditions of Egypt. Hany Shenoda, Mohamed Mounir, Magdy El Hossainy, Omar Korshid, Salah Ragab and Hamid El Shaeri are some names that come to mind. Many built their sounds combining their own musical upbringing with influences coming from the outside. The success of these projects varied widely, but for each there were numerous lesser-known bands and singers. Many of these often-short-lived projects would release their music on cassettes on tiny labels only to fade into the musical ether.

Maha’s “Orkos” album fits this category. Put out in a small run of cassettes, it’s fair to say that the singer’s sole recording outing was not a financial success when it was originally released by Egyptian label Sout El Hob in 1979. While it may not have found an engaged and open-eared audience upon its release, the first few bars of the album indicate this is a special, timeless album that transcends the musical boundaries that many artists were seeking to break through at the time.

From the funk sounds of “Law Laffeina El Ard” (Single 1, out September 1 with Pre-Order announcement); the moody, mellow sounds of “Kabl Ma Nessallem We Nemshy” (Single 2, out September 23) or “We Mesheet;” to excursions into Latin sounds in the title track “Orkos,” and disco with “Ana Gaya” (Album Focus Track, out October 10) the album is an amalgamation of genres that stands out from the immense creativity present in Egypt at the time.

We connected Maha in late 2021 and she was clearly surprised to have someone call about music she recorded more than 40 years ago. She also seemed interested in the idea in bringing her music back to people’s attention. A few weeks later we were speaking with our friend Moataz, who runs the Disco Arabesquo project and showed him this great new album we found and to our surprise he knew the album, having found a copy of it a year or two before, in Cairo. It was then obvious to team up for a collaboration for this project. You can find Moataz’s story about Maha and her music, as well as extensive interviews with Maha herself, in the booklet accompanying the release.

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Pat Green

Carry On

LP | 2022 | EU | Reissue (Vampisoul)

Release: 2022 / US – Original

Genre: Rock & Indie

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Carry On, issued in 2000, is Pat Green's third album and his last before signing to Universal Republic. One can hear transition in the sound of this record, and traces of Nashville's mighty presence in the production, but this is still very much a Texas record. Carry On is a more mature and artfully rendered collection than anything Green had released before.

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Wganda Kenya

Africa 5000

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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LP | 2022 | EU | Original (Vampisoul)

14 Magficos Bailables

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Trapped Animal)

Cormorant Tree Oh

Swoontide

Release: 2022 / EU – Original

Genre: Rock & Indie

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Ties Of Blood And Affection

Jeremy Pinnell

LP | 2022 | EU | Original (Sofaburn)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Let Us Now Praise Sleepy John 15th Anniversary Edition

Peter Case

LP | 2022 | US | Original (Yep Roc)

Release: 2022 / US – Original

Genre: Rock & Indie

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10" | 2022 | US | Original (Doug Paisley)

Doug Paisley

Golden Embers

Release: 2022 / US – Original

Genre: Rock & Indie

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On The Ranch Indie Exclusive Autographed Tan And Gold Marble Vinyl Edition

Emily Nenni

LP | 2022 | US | Original (Normaltown)

Release: 2022 / US – Original

Genre: Rock & Indie

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On The Ranch Blck Vinyl Edition

Emily Nenni

LP | 2022 | US | Original (Normaltown)

Release: 2022 / US – Original

Genre: Rock & Indie

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Waging Peace Red Vinyl Edition

Alex Williams

LP | 2022 | US | Original (Lightning Rod)

Release: 2022 / US – Original

Genre: Rock & Indie

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Traveling Alone 10th Anniversary Edition - Cloudy Sage Vinyl Edition

Tift Merritt

2LP | 2012 | US | Reissue (Yep Roc)

33,99 €*

Release: 2012 / US – Reissue

Genre: Rock & Indie

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LP | 2022 | EU | Original (Discreet Music)

Jon Collin

Bridge Variations

19,79 €* 21,99 € -10%

LP | 2022 | EU | Original (Southern Songs, Llc)

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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On Bridge Variations, the now Stockholm-based English guitarist Jon Collin changes his guitar for a keyed fiddle. Mostly recorded to tape under different bridges around Stockholm during 2021, partly for the sound but also because of their importance to the geographical make-up of the place, the album is like a modern take on traditional Swedish folk music made by an outsider looking in. The sound is pretty much a continuation of the palette explored on 'Dream Sequence, End Of Summer', Collin's contribution to the Contemporary Homemade Music compilation put out by Discreet Music last year. Slowly moving and drawn-out melodies evolve into immense droning beauty, rich of texture and with the environmental sounds from the sites becoming an integral part of the recording. Mastered by Giuseppe Ielasi and pressed in an edition of 1000 copies. Comes with a 12-page colour-coded booklet of photos of the recording locations.

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Adam Hood

Bad Days Better

Release: 2022 / EU – Original

Genre: Rock & Indie

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Whom The Moon A Nightsong Sings Dark Green Vinyl Edition

2LP | 2022 | EU | Original (Prophecy Productions)

42,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Haavard White Vinyl Edition

Haavard

2LP | 2022 | EU | Original (Prophecy Productions)

45,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Haavard Black Vinyl Edition

Haavard

2LP | 2022 | EU | Original (Prophecy Productions)

41,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Live Forever: A Tribute To Billy Joe Shaver

Release: 2022 / US – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Compagnie 4000)

Asnake Gebreyes

Ethiopia Wedet Neshe

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Guilhem Desq / Sebastien Gisbert

S.T.O.R.M

LP | 2022 | EU | Original (Kiwi Production)

Release: 2022 / EU – Original

Genre: Rock & Indie

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DJ Click & Hamadcha De Fe`S

Art Of Beat

LP | 2022 | EU | Original (No Fridge)

Green Roses Volume 1 Green Vinyl Edition

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie

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The Hamadcha of Fez are dervishes belonging to the very old (xvii) Moroccan Sufi brotherhood Hamdouchiyia. Its members are mystics who sing and dance to trance in honor of the holy founder, the miracle worker Sidi Ali Ben Hamdouch.During a performance their amazing spiritual and artistic practices transmit to those who approach them their “baraka”, a divine grace.The audience vibrates and moves to the rhythms of the dervishes songs, tempos, stories and fascinating dances.Dj Click puts down his suitcases in the heart of the old city. He goes in search of atypical sounds coming from the heart of the streets, soaks up the atmospheres, then offering us a sound postcards where tradition alongside modernity.He is the first producer to be accepted into their brotherhood for a such meeting!

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Weeed

LP | 2022 | US | Original (Halfshell)

The Discomfort Of Evening

Release: 2022 / US – Original

Genre: Rock & Indie

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This session is the first of two recorded during the early summer of 2021 in the pristine and remote town of Hansville, WA. Under mutual spells of sunlight and grief, these songs were often written, rehearsed, and recorded in the same day, using both new and familiar instruments, tunings, and feelings. In this way they like everything else, transitory.

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Michiel De Malsche

LP | 2022 | EU | Original (Meakusma)

20,99 €*

Rossana Casale / Grazia Di Michele / Mariella Nava

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance, Classical Music

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The Discomfort Of Evening is the incredible and original soundtrack by prolific Belgian composer Michiel de Malsche to 2020 International Booker Prize winner The Discomfort of Evening by Marieke Lucas Rijneveld. Visceral and virtuosic, Rijneveld's novel follows Jas, a girl growing up in a devout Christian family that runs a Dutch dairy farm, whose brother dies in an accident after she wishes he would die instead of her rabbit. Lost in grief, her family falls apart as she becomes consumed by increasingly dangerous fantasies.

Michiel de Malsche has captured the atmosphere and spirit of Rijneveld's book perfectly, moving through moments of confrontation and introspection, sinking into spirals of despair, stasis and subtle hope and change. Brooding ambient basslines, driven by droning murmurs, are offset with melismatic electro-acoustic pieces that embody the novel's haunting and dissonant world, whilst also incorporating manipulated field recordings such as animal sounds and a church service, allowing for a full manifestation of Jas’s world in a completely new way.

De Malsche achieves this by rallying an unusual combination of acoustic instruments (16 in total) played by top-of-their-field musicians, creating a truly unique sound world and tonal palette, including an Ondes Martenot, a 7-stringed Chinese instrument called a guqin, a marimba, a string 6-tet, a toy piano and a bass flute.

De Malsche always confronts all emotional levels of his source material head-on, making his soundtrack into much more than just a fever dream. It is a precise description of, and accompaniment to, a devastatingly impactful book.

Michiel De Malsche is a Belgian composer, multi-instrumentalist and sound designer. He studied classical composition at the conservatories of Rotterdam and Ghent. His music has been performed all over the world and he has composed and produced dozens of soundtracks for contemporary dance, theatre, movies and documentaries.
Besides his work as a contemporary classical composer, he is active as a studio musician and producer in the world of electronic music.

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Trialogo

LP | 2022 | EU | Original (Suoni Dall'italia)

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | US | Original (Western Vinyl)

Logan Farmer

A Mold For The Bell

Valentina Cenni & Stefano Bollani

Release: 2022 / US – Original

Genre: Rock & Indie

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"It's going to be hard to talk about this when it's done." So begins A Mold ForThe Bell, the new album from Colorado singer-songwriter and producer LoganFarmer. What follows that enigmatic lyric is a collection of stark and ambientfolk songs, tethered solely by Farmer's unadorned vocals, acoustic guitar, andmoving embellishments from contributors, including saxophonist JosephShabason (who also mixed the album) and renowned harpist Mary Lattimore.With the help of Grammy-nominated producer Andrew Berlin (Gregory AlanIsakov), Farmer tracked all of the vocal and guitar parts over two days in theearly months of 2021. The tracks were recorded quickly, live in the studio tocapture the raw intimacy and immediacy of Farmer's live performances. Therest of the album's creation occurred remotely, over texts, phone calls, andemails with Shabason and a handful of other musicians, as wildfires, insurrec-tions and the pandemic raged around them."I was working at a bookstore that winter," Farmer explains, "and I'd walk to myshift every day, obsessing over lyrics and early mixes in a cheap pair ofearbuds." These daily walks would take him past a church, where he'd oftenstop on the sidewalk and listen to the bells at the top of the hour. "I've alwaysloved the sound of church bells, but as the situation worsened, what began asa comfort began to feel ominous, almost threatening." This experience, along-side influences as disparate as Tarkovsky's film Andrei Rublev and the novels ofOlga Tokarczuk, led to a collection of songs that are similarly foreboding,expanding upon the stark and spacious universe of Farmer's last album(2020's Still No Mother) to reveal an atmosphere that's even more oppressivelystill, like an abandoned Victorian home.

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Via Dei Matti N 0

2LP | 2022 | EU | Original (Columbia)

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie

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LP | 2011 | EU | Original (USM)

The Zen Circus

Nati Per Subire

37,99 €*

Release: 2011 / EU – Original

Genre: Rock & Indie

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Calibro 77 Red Vinyl Edtion

Gang

2LP | 2016 | EU | Original (Gang)

Release: 2016 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Miramar/Universal Portugal)

Frankie Chavez & Peixe

Miramar Ii

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Alfamusic)

Ettore Castagna

Eremia

Release: 2022 / EU – Original

Genre: Rock & Indie

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Beamorose Purple Vinyl Edition

Penelope Antena

LP | 2022 | US | Original (Youngbloods)

29,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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10" | 2018 | US | Original (Swamp Jam)

The Brothers Comatose

Dust

Release: 2018 / US – Original

Genre: Rock & Indie

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10" | 2017 | US | Original (Swamp Jam)

The Brothers Comatose

Ink

Release: 2017 / US – Original

Genre: Rock & Indie

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2LP | 2015 | EU | Original (Rabble Rouser)

Mount The Air

Release: 2015 / EU – Original

Genre: Rock & Indie

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Lines-Part Two: World War One

LP | 2018 | EU | Reissue (Rabble Rouser)

19,99 €*

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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Lines-Part Three: Emily Bronte

LP | 2018 | EU | Reissue (Rabble Rouser)

19,99 €*

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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Lines-Part One: Lillian Bilocca

LP | 2018 | EU | Reissue (Rabble Rouser)

19,99 €*

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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Diversions Volume 4 The Songs And Poems Of Molly Dra

LP | 2017 | EU | Reissue (Rabble Rouser)

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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LP | 2019 | EU | Reissue (Flatfish)

Flook

Ancora

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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LP | 2022 | CA | Original (Telephone Explosion)

Quilting

Elijah McLaughlin Ensemble

Release: 2022 / CA – Original

Genre: Organic Grooves, Rock & Indie

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The mesmerizing debut LP by Nova Scotia’s Quilting on October 7, 2022. The album is a quietly stunning collection of pastoral ambience dotted with moments of tension that reflects the maritime environment in which it was created, inadvertently paying homage to the light and darkness of rural life.

Co-founded by Holy Fuck’s Brian Borcherdt, the quartet is comprised of a diverse and accomplished collection of musicians who came together when he moved back to his home province in 2019 after a lengthy stay in Toronto.

The shock of settling into a town of 600 people was softened almost immediately by a care package left on Borcherdt’s front porch. It included the curious juxtaposition of homemade preserves and a circuit-bent keyboard. His interest was piqued. As luck would have it, his new neighbour happened to be renowned folk guitarist Kim Barlow.

“Kim was in the process of organizing an improvisation series featuring over a dozen Nova Scotia-based musicians. The series struggled under lockdown restrictions, and on the second attempt only the four of us showed up.” Borcherdt recalls. “We didn't really know each other that well, were a bit shy and played very quietly. However, we really enjoyed how spacious our jam was.”

One week after their initial jam, Borcherdt was invited to perform a solo set at a Halifax-based experimental festival called Open Waters. He instead volunteered the same lineup: himself, Barlow, distinguished Isle Of Skye harpist (and Berklee professor) Mairi Chaimbeul, and Sahara Nasr, a noted songwriter and player of the rare Indian Sarangi. It wasn’t long before they began recording and soon realized a name was necessary to make the project official.

“When we get together to play music, it's our 'poker night'. That led us to think of other community or 'grown-up' gatherings, similar or antiquated... like barnraising bees, quilting bees.” Explains Borcherdt. “We were sort of quilting: four corners of fabric, texture, sewing threads, telling a story, all making one complete piece while drinking a few beers. We could've also called it ‘Therapy’.”

While providing a necessary distraction from early-COVID life, Quilting also offered a chance to improvise within a uniquely ambient soundspace. This was a welcome change for some of the members, including Borcherdt, who was used to creating music with decidedly more volume.

“Space is welcome. Writing in Quilting is a spontaneous and thoughtful process, very synesthetic and, of course, collaborative. I've only really gotten to explore space and silence with solo music.” He reflects. “With my other bands, even when spontaneous and improvised, the result is dense and cathartic, expressive through pulse and rhythm and volume. With Quilting we get to drift, no beats, no safety net. Every note counts. Yet rather than being stressed or scrutinized under a microscope we all have fun and daydream a bit.”

Sonics aside, Quilting has also given all four members the chance to experiment with the boundaries created by headquartering in a remote area not commonly associated with the avant-garde music community.

“Nova Scotia, unlike other provinces, has basically one city, one place where musicians congregate, play shows and hang out. Anything happening outside of Halifax can be considered an experiment, a test to see anything can get off the ground.” Borcherdt explains. “ In Toronto there's already an infrastructure, whether you play the same venues or build your own new thing- there's an audience, there are friends and like-minded individuals. It's healthier. Here we have to take what we get. But the good news is that it's kind of a blank slate.”

The LP, which features hand-calligraphed cover art from Upstate New York-based artist and musician Sarah Le Puerta, features five songs all recorded live off-the-floor in a single live performance. Moods range from reflective to unsettled, and even at its loudest parts a sense of intimacy persists.

“This album feels like a complete picture, a snapshot of one fun night.” He states. “That seems to me to be a perfect introduction. The listener gets to “attend” the concert, which is an amazing way to discover new music.”

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Elijah McLaughlin Ensemble II

LP | 2022 | US | Original (Tompkins Square)

If I Could Only Remember My Name

Release: 2022 / US – Original

Genre: Rock & Indie

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"If there was a silver lining to the cloud of uncertainty that was life during the early days of the pandemic, it was that all of the isolation provided a clear break from the entrenched routines of day to day life. This respite allowed me to see in sharp contrast all of the things that were important in my life, and all of the things that were trivial, and thus expendable. It was during this time that I began to write in earnest for this second Elijah McLaughlin Ensemble record." "Over the course of a year, I would bring my new compositions to my collaborators (Jason Toth and Joel Styzens), and usually after a very limited number of rehearsals we would enter the studio at the Fine Arts Building in Chicago and record the songs on an old Tascam ½” tape machine. There were four such studio sessions, in which all recorded material was culled down to these 9 songs. We recorded the material with a strong improvisational approach, and a couple of these songs are essentially first takes. I am very proud of the material on this album, and the energy we captured in the studio. I am glad to partner with Tompkins Square in sharing this album with the world." "The Chicago group, which features Elijah McLaughlin on 12 and 6 string guitars, Joel Styzens on hammered dulcimer, and Jason Toth on upright bass, blends elements of American primitivism guitar styles, with free jazz and modern classical music together into something daringly original and stunningly beautiful."—Record Crates United

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David Crosby

LP | 2010 | Reissue (Atlantic)

Release: 2010 / Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

La Bete Noire / Paris N'Existe Pas

Jean-Claude Vannier

LP | 2022 | UK | Original (Finders Keepers)

Release: 2022 / UK – Original

Genre: Rock & Indie

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With a discography held in such high esteem amongst fans of conceptual French pop and soundtrack composition, the likelihood of finding an unturned stone amongst maestro Jean-Claude Vannier’s fertile psychedelic rockery falls somewhere between slim and skeletal. Even the most intrepid explorers of the most fearless and fastidious nature should naturally expect to encounter one or two shadowy characters when braving the oblique corners of the Vannier vault, but few lost souls cast a darker silhouette than the cinematic obscurity known only as »La Bête Noire« (The Black Beast).

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2LP | 2022 | EU | Original (Morr Music)

Minna Miteru 2

33,99 €*

Chris Forsyth / Dave Harrington / Ryan Jewell / Spencer Zahn

Release: 2022 / EU – Original

Genre: Rock & Indie

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Following the »Minna Miteru« compilation, released in 2020, Morr Music announces a sequel, dedicated to Japanese indie music, overflowing with surprises and welcome discoveries. Like its predecessor, »Minna Miteru 2« is compiled by Saya of Tenniscoats, with the support of Markus Acher (The Notwist). It’s also another part of the Minna Miteru universe, alongside retrospective albums by The Andersens (»There Is A Sound«, 2020) and yumbo (»The Fruit Of Errata«, 2021). Taken together, these albums suggest a scene in rude health, sharing a unique vibration. If its predecessor circled around Tenniscoats and their close friends, the second volume, though featuring a collaboration between Tenniscoats and Deerhoof as oneone, reaches far further afield, drawing from music old and new, far and wide. Consistent across »Minna Miteru 2« is a sense of wonder and a cheerful unpredictability: you never quite know what you’ll hear next. There are some gorgeous indie pop songs here, like Yuko Kono’s »Ginger« or HOSE’s »Baseball«, but there are other sounds too, like Kariu Kenji’s blue-hued electro-pop, or the wheezing pipe-organ ambient of Fuji||||||||||ta: »Minna Miteru 2« hints at new kinds of beauty. Some of the more widely known names here contribute typically gorgeous melodies – Kama Aina’s »Wedding Song«, from 2005’s »Hawaii Hawaii« CD, is a reflective tune that combines a country-ish lilt with hints of slack-key guitar. Shugo Tokumaru’s »5 A.M.« is a delirious psychedelic pop mantra, drawn from his excellent 2005 album, »L.S.T.«. Many of the revelations, though, come from artists and groups relatively unknown outside Japan. The lovely, disorienting glitch-folk of Wasurerogusa features Aki Tsuyuko, perhaps best known for her albums on Thrill Jockey and Jim O’Rourke’s Moikai label, collaborating with psych-folk legends Eddie Marcon. There’s also the delightful synth-pop of Jonathan Conditioner; the electronic dreamscape of Chaplin, whose opening »Out Cont« runs along several parallel paths at once; the twinkling, acoustic jangle at the heart of mmm’s luscious »Blue«; and a curious collection of miniatures, from acts like tenshinkun, Daisuke Tanabe and Nnmie, that embrace a childlike curiosity, essaying a kind of toytown pop-tronica. The twenty-six songs on »Minna Miteru 2« repeatedly catch you unawares, upending your expectations and signaling both the breadth and depth of the Japanese indie underground. It’s a compilation of play and pleasure, but also of bold experiment smuggled into the everyday through pop music’s welcoming moods, magically creating a new world for the listener, spun out of the air and woven in between your ears.

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First Flight

LP | 2022 | UK | Original (Algorithm Free)

LP | 2022 | US | Original (Dear Life)

Release: 2022 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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"First Flight" documents about 40 minutes of jams recorded during the third week of my September residency at Nublu last year, and, for me, this show was just about the most enjoyable hour of music I played all year.

The ideal of the residency was to mix things up with special guests, different band lineups, and varied set lists, keeping things fresh and new week-to-week, and this show was the wild card of the bunch.

That's because although Ryan and I have played together for years, and Dave and Spencer have played together for years, neither half of the band had ever met each other. I was tangentially aware of Dave and his music and was intrigued by what I'd heard, so I thought it was a cool idea when Chris Tart, the residency promoter, suggested a collaboration.

So, about 30 minutes after we'd all heard each others voices for the first time, we got up and played for a little over an hour, uninterrupted. The only thing discussed beforehand was that we shouldn't discuss anything beforehand - not a key or a riff to start with, nothing - so as to preserve maximum spontaneity.

I think this music demonstrates a real connection on stage. In other words, each player was completely present and actively listening on the bandstand. Listening back, there are moments I can hear Ryan saying - musically - "Hey, let's go over here! Check this out!," or Spencer being like "Wouldn't it be cool to go down this path?" And we followed. And it was cool.

In my mind, that listening thing is the number one most important factor in any collaboration or cooperative effort, but especially in improvised music.

And I think it's fair to say that a little more listening, a little more presence, would do the whole world some good right about now, don't you think?

-Chris Forsyth

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Shane Parish

Liverpool

36,99 €*

LP | 2022 | EU | Original (Anti)

Release: 2022 / US – Original

Genre: Rock & Indie

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After months of developing elaborate acoustic guitar versions of the songs for what he at first intended to be a solo acoustic guitar album, a burst of inspiration hit and he rearranged the music for electric guitar, where he has long been at home with his two decades of work as composer and bandleader for morphing avant-prog outfit Ahleuchatistas. What Parish ended up with are arrangements in his intuitive, intense, and intimate style, more directly aligned with his flagship electric band. While acoustic guitar produces resonance through tactile manipulation, the electric guitar harnesses the flow of electricity, allowing Parish to cut a more urgent and colorful slice through our historical moment with these haunting melodies which were first formed under the most ruthless of working conditions, defiantly affirming the creative human spirit’s ability to burst forth from any circumstances.

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Cass McCombs

Heartmind

Release: 2022 / EU – Original

Genre: Rock & Indie

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2LP | 2015 | EU | Reissue (Columbia)

Bob Dylan

Blonde On Blonde

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Here Again: A Retrospective 1994-2002

Say Zuzu

2LP | 2022 | UK | Original (Strolling Bones)

Release: 2022 / UK – Original

Genre: Rock & Indie

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And Then There Were Three

Michael Chapman

2LP | 2022 | EU | Original (Lantern Heights)

37,99 €*

Outlaw Carnie Green Vinyl Edtion

Release: 2022 / EU – Original

Genre: Rock & Indie

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Fully licensed, ltd to 500 copies double 180 gr. vinyl. Here’s Lantern Heights’ personal tribute to the one and only Michael Chapman, a hero in his own right, a ‘Fully Qualified Survivor’ (just to mention one of his most successful creations). An unreleased live album on vinyl in the form of an astonishing trio.” A live set recorded at Nottingham’s Playhouse Theatre on July 23rd 1977 by Chapman and a power house rhythm section in Lindisfarne bassist Rod Clements and former John Mayall drummer Keef Hartley. Some of his best-loved songs are showcased in “And There Were Three” – a jocular reference to Chapman’s ever-shrinking band, also known as ‘a beast with three heads’.

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Bob Wayne

LP | 2011 | EU | Reissue (Svart)

Outlaw Carnie Black Vinyl Edition

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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Bob Wayne lives and breathes both country music and punk rock, and has worked with a very diverse cast of artists in his career, from Hank Williams III to Exodus. A true outlaw and a DIY spirit, he is incessantly on tour or working on new music. Some years ago he got signed by a metal label, being the first country artist on Century Media.

This album, Outlaw Carnies, was Wayne’s debut for Century Media/People Like You in 2011. Long sold out on vinyl, Svart Records are happy to present an authorised vinyl reissue, available on classic black and limited dirty swamp green wax.

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Bob Wayne

LP | 2011 | EU | Reissue (Svart)

LP | 2022 | US | Original (The Bunker New York)

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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Zemi17

Gamelatron Bidadari

2LP | 2022 | US | Original (Keeled Scaless)

Release: 2022 / US – Original

Genre: Rock & Indie, Electronic & Dance

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The Gamelatron is many things; one could call it a sculpture, a multimodal installation, an instrument, a robot, a feat of engineering, a vision—and it is all of these things. More importantly, though, it is a concept sustained by Aaron Taylor Kuffner, aka Zemi17, whose Gamelatrons are “sound producing kinetic sculptures” designed to create an immersive, visceral experience for the listener. Not a small feat, and yet the ambitions of Zemi17 are absolutely realized in this long-standing project, culminating now in his third release for The Bunker NY: Gamelatron Bidadari.

The Gamelatron Bidadari is not just a name—it is one of seventy-plus musical sculptures that Zemi17 has conceptualized, designed, and fabricated. Therefore, it would be inaccurate to think of this release as simply a series of arrangements composed in a finite period of time. Rather, it’s a window into a project and a process that is much larger than any single album can encapsulate. Gamelatron Bidardi is the culmination of more than a decade of work, and is central to Zemi17’s evolution, not only as a musician but as an artist.

Having studied gamelan for many years in Indonesian villages and at the Institut Seni Indonesia in Yogyakarta, Kuffner is a musician, an artist, technologist, and craftsman. The gongs in his sculptures are co-created with master Indonesian artisans. Each Gamelatron composition is site-responsive, meaning its sounds are composed for the acoustics and intentions of the space it inhabits, whether it’s an art gallery, a wooded landscape, or the inner temple of Burning Man. The Gamelatron does not stand alone: it is in constant co-creation with its physical environment, and in dialogue with gamelan’s long-standing history.

Originally exhibited at the Smithsonian Renwick as part of a show entitled, No Spectators: The Art of Burning Man, the Gamelatron Bidadari produces sounds that are delicate yet strong, and deeply hypnotic. Textured chiming creates intricate polyrhythmic patterns that are both complex and simple, or in a word, elegant. On Gamelan Bidadari, Zemi17 refrains from adhering to the strict musical structures; his approach to composition is free flowing.

He says, “I want to evoke what the music tells me it has to offer. It is like following water to its conclusion (or non-conclusion).” The arrangements on this album, written by Zemi17 and performed by the robotic arms of the Gamelatron, leaves the listener feeling enchanted, nourished and enriched.

A sense of the mystical comes through in the tonal quality of the instrument, and is conceptually felt in the sculpture’s name: the Bidadari, which loosely translates to “forest nymph.” The music conjures up natural wonder, and the four sculptures that make up the Gamelatron Bidadari, in fact, resemble trees. They are four independent yet connected entities, each with a large gong situated at their structural base—the sonic “roots” of the sculpture—while smaller gongs branch off of a golden, trunk-like spine. The Gamelatron Bidadari is as physically stunning as it is mesmerizing to the ear. A kind of divinity is invoked through its sound, or a sacred cohesion between past and present, tradition and new form. Meant to be viscerally experienced, the sounds of the Gamelatron call for sublime togetherness. Gamelatron Bidadari is not just an album but the crystallization of Kuffner’s work; it is a condensed yet spacious glimpse into the sonic power of Zemi17’s Gamelatrons, which have already been heard and experienced live by over a million people.

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Twain

Noon

LP | 2022 | EU | Original (Don Giovanni)

Release: 2022 / US – Original

Genre: Rock & Indie

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Matthew Davidson is a prolific contributor to beloved projects including Big Thief, whose latest album Dragon New Warm Mountain I Believe in You features Davidson's distinct contributions on six songs, as well as a current member of Buck Meek's band. Davidson is also a former member of The Low Anthem, Spirit Family Reunion, and Deslondes and has toured with the likes of Langhorne Slim, Courtney Marie Andrews and more. He made his label debut as Twain with Rare Feeling in 2017. Twain's music resonates a transcendental weight, his performances reliably noted as raw and intensely emotional. The long-awaited album from Twain released via Keeled Scales is his first-ever double LP titled Noon. Twain's first album in three years, Noon looks to explore the balancing exercise between soul-fantasy and self-scrutiny. The songs on Noon try to sit in the liminal state between the spirit's ambition for itself and the often harsh truth of the present. The hope is to erode the barrier between those two states. 'Twain' is Mat Davidson's approach to reconcile those two states, and to forget that they could ever exist in opposition.

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Paisley Fields

Limp Wrist

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | UK | Original (Demon)

Foster & Allen

We'll Meet Again

30,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Diggers Factory / Inasound)

Barbara

Premiers Micros

30,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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World Spirituality Classics 3: The Muslim Highlife

Alhaji Waziri Oshomah

2LP | 2022 | US | Original (Luaka Bop)

LP | 2022 | UK | Original (Kitchen Label)

Release: 2022 / US – Original

Genre: Rock & Indie

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Alhaji Waziri Oshomah begins his sermon before a dancing crowd. His lyrics warn about the vice of jealousy but the congregation is here to get down. We're in a small part of Edo State in southern Nigeria called Afenmailand, which is known for being a harmonious region where Muslims and Christians live and dance together. The atmosphere is one of enjoyment, excitement, and pleasure, because to see Waziri perform is to be addressed, body and soul. He's the creator of a unique dance music that's fused with local folk styles, highlife, and Western pop, and imbued with Islamic values - and he's the greatest entertainer in all of Edo State. They call him the Etsako Super Star.

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Aspidistrafly

A Little Fable

23,99 €* 29,99 € -20%

LP | 2015 | US | Reissue (Neurot)

Release: 2022 / UK – Original

Genre: Rock & Indie

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“I went mourning without the sun; I am a companion to owls.”

In the autumn/winter of 2010, Singapore-based April Lee and Ricks Ang of Aspidistrafly (also founders of Kitchen. Label) embarked on the recording of their second album A Little Fable in Japan in collaboration with several artists. Fascinated by the patina of time and themes of folklore, A Little Fable narrates a surrealist procession of tales, twelve compositions simmering one into the other lyrically and picturesquely. This album sees the duo returning to a warm, organic palette of closely-whispered vocals, fingerpicked guitar, string arrangements and their trademark texture-focused arrangements. Featuring guest collaborators Kyo Ichinose, Seigen Tokuzawa, haruka nakamura, Junya Yanagidaira (ironomi), honagayoko, Akira Kosemura, Janis Crunch and more.

A dusty bottom drawer of forgotten memoirs is unlocked, and the album opens with a mourning, solitary cello while a harmonium drone forebodes an oscillating motif of glockenspiel tones, or sprinkled stars if you will. In Landscape With A Fairy, a tale of loss and longing during the earliest dawn mist – the world in its daily transition – is daubed in the hues of intensified sunlight, foliage or shadows, only to be diffused and faded by time, not unlike Andrei Tarkovsky’s polaroids of the Russian countryside. April Lee’s intimate vocals and acoustic guitar gently break the silence of a cold morning, backed by graceful string flourishes arranged by Kyo Ichinose. Kitchen. Label’s very own haruka nakamura and Junya Yanagidaira (ironomi) add harmonizing colors of the guitar and piano respectively.

Tracing the mysterious migration routes of nocturnal animals, Homeward Waltz skips home along a breadcrumbed-path with ephemeral glimpses of forest sights, ornamented by violins and other curious sounds before fulminating into a amorphous guitar drone, as Seigen Tokuzawa’s improvised cello strokes drift and wander with split-second apparitions in the night sky. Sounds of wooden creaks and early morning spoon-in-coffee stirrings permeate the spontaneous atmosphere of Cocina. honagayoko’s quaint and chopped piano phrases waltz with spliced vocals and flute.

Emerging from the darkened foliage into a vast, cryptic hemisphere, the second half of the album teeters on the frailty and transitoriness of the world. A Little Fable’s voyage reaches a turning point by SEA OF Glass. Ricks Ang constructs a prolonged arpeggio of sonorous looping guitar motifs that float in and out of focus, reverberating almost like a narcotic percussion across tumultuous oceans. Now distanced and gauzy, sounds of surging waves open Countless White Moons in a misty indefiniteness, yet held together charmingly by Akira Kosemura’s luminous piano. The elusive narration in Language OF Flowers tells of a deliberate escape from the passage of time with a folkloric enchantress who wordlessly casts her spells. In Gensei, April Lee relates an unspoken anguish in her tender, wavering vibrato while Janis Crunch’s somber piano and chorus vocals loom like a harbinger of death. The last chapter Twinkling Fall, the second track to feature haruka nakamura, now shuts the drawer of secrets, dissipated monochrome colours restored once again to full bloom.

A Little Fable is available on CD and the digital format on 15th December 2011. The physical CD copy comes in a 48-page artbook edition (21 x 15cm) featuring photographs and collages by April Lee and Miu Nozaka, with styling by Rika M. Orrery, who have, from their expeditions during the making of this album, directed a dream sequence around the encompassing atmosphere of a secluded hilltop cottage, a forest hued in the splendor of autumn and distant, rocky shores.

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Steve Von Till

A Life Unto Itself

LP | 2022 | US | Original (Palilalia)

Release: 2015 / US – Reissue

Genre: Rock & Indie

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Steve Von Till, best known as Californian heavyweights Neurosis' singer and guitarist, is due to release a new solo album, A Life Unto Itself on his main band's Neurot Recordings Von Till enlisted Randall Dunn, production supremo and Master Musicians of Bukkake founder, to helm the desk, as well as bringing in Eyvind Kang on viola and percussionist Pat Schowe. 'A Life Unto Itself' also showcases J. Kardong on pedal steel, texturising Von Till's baritone gravel and sun-bleached skeleton of...

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Bill Orcutt

Music For Four Guitars

35,99 €*

2LP | 2016 | EU | Original (Repertoire)

Release: 2022 / US – Original

Genre: Rock & Indie

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In a trajectory full of about-faces, Music for Four Guitars splices the formal innovations of Bill Orcutt's software-based music into the lobe-frying, blown-out Fender hyperdrive of his most frenetic workouts with Corsano or Hoyos. And while the guitar tone here is resolutely treble-kicked—or, as Orcutt puts it, 'a bridge pickup rather than a neck pickup record'—it still wades the same melodic streams as his previous LPs (yet, as Heraclitus taught us, that stream is utterly different the second time around). Although it's a true left-field listen, Music for Four Guitars is bizarrely meditative, a Bill Orcutt Buddha Machine, a glimpse of the world of icy beauty haunting the latitudes high above the Delta (down where the climate suits your clothes)..."—Tom Carter

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Magna Carta

Tomorrow Never Comes

Release: 2016 / EU – Original

Genre: Rock & Indie

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LP | 2017 | EU | Original (Repertoire)

Magna Carta

Seasons

Release: 2017 / EU – Original

Genre: Rock & Indie

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LP | 2016 | EU | Original (Repertoire)

Magna Carta

Lord Of The Ages

Release: 2016 / EU – Original

Genre: Rock & Indie

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LP | 2022 | UK | Original (Kitto)

Nyamakye Junction

Dasein

LP | 2022 | US | Original (American Dreams)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Born of chance meetings in Accra, the band brings together a Burundian producer and vocalist, Betina Quest; with a Ghanaian singer-songwriter, Eli A Free; and a German percussionist and multi instrumentalist, Ma.ttic. Nyamekye Junction take their name from a bustling junction in the Ghanaian capital, where a number of major roads merge, embodying the musical approach of the band: a singular sound at the junction of their cultural heritages.

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Claude

A Lot's Gonna Change

Denim & Diamonds Opaque Yellow Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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“This album is a snapshot of my early-to-mid twenties — formative, sometimes confusing years.” That’s Chicago singer-songwriter Claudia Ferme, AKA Claude, on her debut album a lot’s gonna change. For years she’s tinkered away, self-releasing a 12” EP titled Enactor in 2021, and playing shows across the city. Her first full-length has been a long time in the making, with sketches of ditties happening as early as 2017. Since then, she’s refined her craft - words, melodies, and sound - crystallizing in this collection, buttressed by Windy City Wunderkind Michael Mac’s (Tasha, Devin Shaffer, Mia Joy) woozy, lush production. It’s an evocative, relatable assemblage, detailing the peaks and pitfalls of early adult life, all the while maintaining a sense of humor, a bit of hope, and piles of earworms.

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Nikki Lane

Live At Gilley's Pasadena, TX: September 15, 1981 White Marbled Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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From the first bass note within the driving drum beat you can tell something is different about the new record from Nikki Lane. The backbeat feels like a gutsy strut while the lead guitar feels like a revved up engine shifting gears. Denim & Diamonds comes out firing, spit shining the cowboy boots and tossing on a jean jacket. Produced by Joshua Homme (Queens of the Stone Age), Denim & Diamonds has the Highway Queen embracing a more rock-oriented sound while still maintaining the heartfelt outlaw country sound she has developed across her previous three releases. Denim & Diamonds still has the fuck-off flare of which Nikki has come to be known. Her stylized, story-telling lyrics are all there as well as her catchy country hooks. The outlaw country sound is now balanced out with a gritty guitar and a machine gun snare that echoes the sound of 70’s rock. Nikki Lane has made a record that sounds new and old. Familiar and surprising. She embraces where she has come from, (“First High”, “Born Tough”) the lessons learned along the way, (“Good Enough”, “Try Harder”) all while doing things her way, (“Denim & Diamonds”, “Black Widow”).

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Kris Kristofferson

Lines In The Leave Colored Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Recorded live on September 15, 1981, Live At Gilley’s captures Kris Kristofferson at a time in his career where he and his band were firing on all cylinders. Kristofferson was with a full band out of the road that featured Stephen Bruton, Donnie Fritts and Billy Swan. On this night, the band stopped by Gilley’s Honkytonk in Pasadena, Texas to deliver a one in a lifetime performance featuring the hits, “Me And Bobby McGee”, “The Pilgrim” and “Sunday Mornin’ Comin’ Down.” “What a great album this is! Classic Kristofferson songs throughout, and live!! Kris was in his prime and his vocals were outstanding and very soulful as always.” - George Strait “Kris Kristofferson was such an amazing songwriter, a great performer, and was a good match for our crowd. It was totally jam-packed every night, but we’d have an especially big crowd whenever an artist like Kris would come to town.” - Mickey Gilley

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Town Mountain

LP | 2022 | EU | Original (Post Present Medium)

Release: 2022 / US – Original

Genre: Rock & Indie

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Hailing from Asheville, North Carolina, Town Mountain is the sum of all its vast and intricate influences — this bastion of alt-country rebellion and honky-tonk attitude pushed through the hardscrabble Southern Appalachian lens of its origin. With their latest album, Lines in the Levee, Town Mountain creates a collage of sound and scope within the same template of freedom found in the round-robin fashion of the musical institution that is The Band — a solidarity also found in the incendiary live shows Town Mountain is now revered for from coast-to-coast, this devil-may-care gang of strings and swagger. Recorded at Ronnie’s Place (part of the Sound Stage Studios) on Music Row in the heart of Nashville, Lines in the Levee is a bona fide workshop in the seamless blend of Americana, country, bluegrass and folk roots — this crossroads of deep influences and cultivated visions each member of Town Mountain brings to the table.

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Syko Friend

The Code

Andy Moor & Yannis Kirikiades

Release: 2022 / EU – Original

Genre: Rock & Indie

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Syko Friend's third LP, 'The Code,' wanders endless margins and endless centers, reveling in every sound, every feeling, every word. It balances the vastness of choice with the certainty of an individual path. This path belongs to Sophie Weil, the sole member of Syko Friend, who acknowledges this swing of extremes, this movement from the center to the edge: "I do want people to understand what's going on," she affirms, "but I know it's weird."Weil plays guitar like it's a faucet, the warm roundness of bathwater just a half-turn from a furious scalding, another full turn from the whole-body shiver of winter rain. Her foundation is a roaming kind of fingerpicking, the nimble, leave-only-footprints comfort of a regular hike. But Weil knows the switchbacks and undergrowth too, constricting the guitar into a staticky bludgeon, or clearing out all melody for the raw nerve glower of a single minor chord. It's an exemplary kind of American Primitive guitar work, the quiet revelation of intensely personal, timely expression found through century-old folk and blues forms. Weil's vocals-curious, fervent, dynamic and certain-fit perfectly with her playing. It's the voice of an observer, of a listener. Many lifetimes are woven through this singing, slight modulations and lung-full bursts of sound revealing half-conversations, slight revelations, world-obliterating moments of connection.For Fans of Rosa Yemen, Kendra Smith, Cynthia Dall, Nico, Neil Young's Dead Man soundtrack, Heather Leigh.,

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Rebetika Lp

LP | 2016 | EU | Original (Discrepant)

Release: 2016 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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The Forest, The People And The Spirits Green Vinyl Edition

O Morto

LP | 2017 | EU | Original (Discrepant)

Release: 2017 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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LP | 2018 | EU | Original (Discrepant)

Pali Meursault

Stridulations

17,99 €* 19,99 € -10%

Release: 2018 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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LP | 2022 | EU | Original (Rebel)

Tony Rice

Guitar

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Les Disques Bongo Joe)

BKO

Djine Bora

Long Distance Call: Europe, 1982

Release: 2022 / EU – Original

Genre: Rock & Indie

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In response to the current political and ecological turmoil, the famous Malian quintet BKO appeals to the magical spirit of the djinn with Djine Bora (the appearance of the genie). An explosive and mystical third album, embodied by a music of resistance, the fruit of their unique experimentation with Mandingo music and their extraordinary history.

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R.L. Burnside

LP | 2022 | EU | Original (Fat Possum)

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Ajabu!)

Maher & Sousou Cissoko

Africa Moo Baalu

Release: 2022 / EU – Original

Genre: Rock & Indie

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Live At Gilley's-Pasadena, TX: September 15, 1981 Black Vinyl Edition

Kris Kristofferson

LP | 2022 | EU | Original (New West)

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | JP | Original (Homesick Entertainment)

Kaji Hitoshi

Bokuh Ha Folksinger

52,99 €*

Tumai Takahashi / Uya Nu Kukuru

Release: 2022 / JP – Original

Genre: Rock & Indie

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The long-awaited first analogue release of the debut album by the isolated, nameless, genius folk singer Hitoshi Kaji! Kaji Hitoshi, a convinced folk figure, passed away suddenly at the young age of 40 in 2011. Produced by Hiroki Misawa (letter, Labcry), this painfully delicate and gentle masterpiece has been revived in analogue format! Kaji started his band career in Osaka in the late '80s, and after numerous bands such as Human Gas, Peeping Mania and the 60's GS-style Uzose, he began his storytelling career around '90. After his regrettable sudden death in 2011, he was supported by numerous followers and released a documentary film and two best albums. He released a documentary film and two best-selling albums. Released in 2001, the album contains a number of songs that reveal the feelings of an adult who can't fully grow up. The album contains a total of 11 songs that have caused a storm of praise and sympathy, exposing the feelings of adults who can't grow up. Sad and tender, it is a piece of folk music history that will live on for generations to come.

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Misako Oshiro

7" | 2022 | JP | Original (Tuff Vinyl)

Anoushka Shankar & Metropole Orkest & Jules Buckley

Release: 2022 / JP – Original

Genre: Rock & Indie

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Two songs recorded in 2007 at Kadena Studio One in Kadena, Okinawa, come back alive on 7" analog vinyl after 15 years. The recording is a miraculous session produced by Makoto Kubota and is surely precious being their very first performance in Japan. “Tumai Takahashi” is often sung in a set with “Yatcya guwa” but in this recording it is performed as a stand-alone song, which makes it very rare. The coupling song “Uya nu Kukuru” is a classic piece by Teihan China, Misako Oshiro's mentor. Misako Oshiro sings with Kanako Horiuchi, her top pupil, in a relaxed and lustrous voice.

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Between Us... Feat. & Metropole Orkest & Jules Buckley

LP | 2022 | EU | Original (BMG Rights Management)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Wewantsounds Presents Pierre Barouh And The Saravah Sound

2LP | 2022 | EU | Original (Wewantsounds)

35,99 €*

LP | 2022 | EU | Reissue (Oh Boy)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Wewantsounds is delighted to present the first retrospective on vinyl of Saravah Records, one of the most influential French labels founded in Paris by singer, songwriter and producer Pierre Barouh in 1966. Featuring Brigitte Fontaine, Jacques Higelin, Alfred Panou, and many rare tracks reissued on vinyl for the first time, the set gives a glimpse of the free-form, groovy sound of the label between 1965 and 1976. Supervised by Pierre Barouh's son and Saravah historian, Benjamin Barouh, The 2-lp Gatefold set comes with a 4p insert featuring liner notes (Eng/Fr) by Benjamin plus an exclusive interview of Barouh's partner Fernand Boruso by Jacques Denis telling fascinating anecdotes around the label.

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John Prine

German Afternoons

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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LP | 2018 | EU | Reissue (Grund)

Laszlo Tolcsvay

'68

19,79 €* 21,99 € -10%

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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LP | 2022 | JP | Original (Tuff Vinyl)

Sadao China

Akabana

51,99 €*

Watkins Family Hour Volume 2

Release: 2022 / JP – Original

Genre: Rock & Indie

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This is an innovative work of Okinawan Pops, based on Okinawa island songs and subtly blended with the essence of reggae, soul, rock, and beyond, with unique laid-back feel good vibes. The rare masterpiece includes many originals such as “Bye Bye Okinawa” “Akabana” and “Kijimuna Blues” Nenes' hit songs produced by Sadao China in the 90ʼs.

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Watkins Family Hour

LP | 2022 | EU | Original (Family Hour)

Release: 2022 / EU – Original

Genre: Rock & Indie

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2LP | 2022 | EU | Original (Black Truffle)

Amelia Cuni

Mumbai 04.02.1996

32,99 €*

LP | 2022 | US | Original (Altered State Of Reverb)

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Following on from the stunning recording of her 1992 performance at the Berlin Parampara Festival (BT079), Black Truffle is pleased to continue its documentation of the work of Berlin-based Italian singer Amelia Cuni, one of the great contemporary exponents of dhrupad, the oldest surviving style of North Indian classical vocal music. Beautifully recorded in concert at Vishweshwarayya Hall, Mumbai. 04.02.1996 presents expansive performances of three ragas stretching across four sides and almost one and a half hours of music. Beginning with the serene Raga Lalit, Cuni dwells for over twenty-five minutes on its opening alap movement, accompanied only by tanpura, her limpid yet full-bodied voice moving from graceful exposition in free tempo to increasingly rhythmically active variations, gradually spiralling upward in register. She is then joined by master pakwahaj player Manik Munde for the raga’s dhrupad and dhamar sections, the resonant tone of the drum and his constant invention with the complex 14-beat cycle serving as the perfect accompaniment for Cuni’s ecstatic melodic developments. On the more solemn Raga Bhairav, Cuni’s alap, again stretching out over a whole side, is particularly notable for its powerful held notes and mastery of microtonal movement of pitch. After Munde returns for another rhythmically intricate dhamar movement, the record ends with the buoyancy of the Raga Alhaiya Bilaval, whose mode has, for the Western listener, an unmistakably ‘major’ quality. The rapturous applause that greets the performance is reflected in a remarkable selection of press clippings contemporary with the recording, which demonstrate Cuni’s success with Indian critics. Arriving in a gorgeous gatefold featuring stunning colour photographs of Cuni taken by legendary Australian fashion photographer Robyn Beeche (who resided in India from the early 90s), Mumbai. 04.02.1996 is a document of indescribable beauty and a moving testament to music’s ability to cross national and cultural borders.

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Hangtown

Tales From The Gun

LP | 2022 | US | Original (Dear Life)

Release: 2022 / US – Original

Genre: Rock & Indie

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Delayed by Covid, delayed by manufacturing errors, delayed by existential dread... Hangtown and the Altered State of Reverb are proud to present: Tales From The Gun. Hangtown is a post-apocalyptic spaghetti western surf rock band hailing from San Francisco. Founded in 2016 from a solo album by multi-instrumentalist Robb Grimes (also of SF's thrash metal quartet Asada Messiah). The music envisions a dust blown, post-apocalyptic world, and the sad and twisted stories from the inhabitants therein. Old Man Grimes is joined by long-term collaborators, Nick Poulos, MAT Fogel, Resse Douglas and Sandeep Bhutta, who have crafted together a wild genre-bending live show after years of gigging the West Coast. Tales From The Gun is their first full length album as collaborators, undoubtedly one of the strangest album offerings to come out of the bay area this year. A dark blend of cinematic western music, garage surf punk, and doomy western murder ballads, all from the desolate wasteland known as Hangtown.

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Anne Malin

Summer Angel

33,99 €*

Play It Like Jacqueline Remix Album

Release: 2022 / US – Original

Genre: Rock & Indie

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In poet and songwriter Anne Malin’s “Summer Angel,” tales of love and violence intersect in dreamlike soundscapes. Conceived in response to the poem “Summer Angel” by Alfred Starr Hamilton and Marianne Faithfull’s rendition of Morrissey’s “Dear God Please Help Me,” Anne Malin sings with childlike wonder and a sense of harrowing indictment, playing with the lyric as a multilayered tool for self-expression and self-protection alike.

“Summer Angel" wields prisms in the face of sexual abuse and its nonlinear aftermath, asking: what is healing, what is self-harm, and what might freedom look like? These songs, brought into full form with collaborators Will Ringwalt-Johnson, Trevor Nikrant, Jake Smith, DJ Young, and JayVe Montgomery, reveal Anne Malin’s fluid vocal range: capable of operatic force and cutting delivery, and confident in navigating the grey areas in between.

Echoing Henry Mancini and Songs: Ohia in equal measure, “Summer Angel” is Anne Malin’s most ambitious project yet. Produced by Andrija Tokic (Josephine Foster, Alabama Shakes) at the Bomb Shelter in Nashville, TN, Anne Malin and her collaborators worked with ease and humor, benefiting from Tokic’s vibrant conceptions of the songs. Tokic embraced an inappropriateness in production, collaging sounds—from saxophone, pedal steel, and orchestral percussion, to name a few—with agile nonchalance.

The band, chosen for their breadth of experience with song-form genres as well as fully improvised music, dynamically constructed sonic environments around the initial live tracking. Anne Malin, committed to one-take vocal delivery during the band’s live tracking, similarly embraced the possibilities of improvisation and the many shapes a song can take.

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Jacqueline Taieb

LP | 2022 | EU | Original (Diggers Factory / Fgl Productions)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Recordar E Viver: Antologia 1 (1976-87)

Pedro Lima

2LP | 2022 | EU | Original (Les Disques Bongo Joe)

LP | 2022 | EU | Original (Banjodad)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Pedro Lima was certainly the most iconic singer from Sao Tomé Island. Born in 1944, his career began at teenage, with his faithful band Os Leonenses, who were mostly members of his family and shared most of his musical life; and lasted until his death on January 31st, 2019. Until the very end, he kept performing big events all around the country, and was among the very few singers and bands from Sao Tomé & Principe that recorded in Luanda Angola for N'Gola and Merengue labels in the 70's, and in Lisbon for the essential Iefe imprint in the 80's. Respected father of 27 children from 4 different wives, people named him "A voz do povo de Sao Tomé", the people's voice of the island, as he always made very clear his political views on internal affairs and backed since day one the revolutionary party that took power after the independence obtained from Portugal on July 12th 1975. A powerful and free soul, expressing through his beautifully soft and deep voice range, the concerns of the poor, in this often-troubled country.

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Trampled By Turtles

Alpenglow

23,79 €* 27,99 € -15%

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Aguirre)

Blod

Knutna Nävar

LP | 2022 | EU | Original (Aguirre)

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Edition of 500 includes insert & large poster.

Swedish progg is not to be confused with "prog" as in progressive rock music. When we are talking about progg, we are refering to the Swedish music movement influenced by the political climate of the late 60's, to some extent the hippie movement and in many cases also Swedish folk music. Music highly driven by an political agenda. Blod's Knutna Nävar, originally released in an edition of 150 copies on Förlag För Fri Musik in 2018 and later a small cassette run, is pretty much a lost progg classic from the 70's. This is not a case of copying a certain sound though, far from it, neither are ideas really rehashed nor does the album feel nostalgic in that sense. Rather it feels like if someone has read about the progg movement and all the records but never actually heard it, yet decided to do an album and somehow managed to succeed big time.

Further developing the sound palette and ambience initiated with parts of the Leendet Från Helvetet recording, the music feels slightly louder and more in your face. It's like it's more of everything. The melodies are immediate and it's quite impossible to resist the brash catchiness of it all. Albeit mentioning progg music and it's importance for this recording, the actual musical side of Knutna Nävar has in reality more in common with soundtrack/library music and Swedish composers like the late Björn Isfält when you attempt to break it down. The crude DIY approach and anything-goes mentality just adds an extra dimension to it all and ultimately places the music somewhere else. There's a rather blunt use of samples throughout the record (sources probably best to leave out, though you don't have to be a Einstein to figure these out), but then again this is made by the same guy that gave the world the Abba album. Those samples have managed to become an integral part of the music through the few years that has passed and though well familiar with the records those snippets are now to me genuinely Blod and nothing else.

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Blod

Leendet Fran Helvetet

7" | 2022 | EU | Original (EM)

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Edition of 500. Includes insert.

It's been a true pleasure but also a rather chaotic experience to follow the progress of Blod from a close distance since the beginning. I have fond memories of receiving the odd cassettes from the early days, like the severely fucked up Unga Röster (later issued as an LP on Förlag För Fri Musik) and the awfully mesmerising Prat Om Depression recording. Returning to Leendet Från Helvetet for the first time for long a while, it's quite evident that the album marked a new phase in the troubled Blod universe. There's few traces left of the found tapes/audial voyeurism and brutish stop/rec editing that made up the first few releases, instead we are served with what is pretty much a proper album in a, sort of, traditional sense.

The record opens with a sole beat from a hand drum soon accompanied by a beautiful and very Blod-ish subtle melody from a glockenspiel but it only takes a few minutes before Gustaf's past as a free jazz aficionado is noticeable with the rather rough saxophone burst of 'Natten'. It's not until the title track that things kicks off for real though, most likely the first example of the sound and, maybe more so, very special feeling that I would say most people associate Blod with nowadays. To me, it's the sound of growing up in Sweden in the 80's; having two channels on the TV, eating brown food, rainy summers, taping commercial stuff on the radio, playing D&D in a purple tent in the garden. Memories of that certain bright light that can occur during the Scandinavian summers, those warm days when the skies are foggy. Long windswept grass and a very peculiar feeling of utter boredom. Arguably, Blod has never sounded more Blod than on this track, this is the very essence of the man's work right here. The progamm continues on side B with the solemn piano piece 'Lust', another saxophone rager and then the flipside's centrepiece 'Tro, Hopp & Kärlek' which pretty much mirrors the title track in it's larger-than-life scope and pure beauty.

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Henry Kawahara

Minami-Kaze A Wave

16,99 €*