Folk Vinyl 2979 Items

Cowboy Carter Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie, Pop

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Cowboy Carter Black Vinyl Edition w/ Seamsplit

Release: 2024 / EU – Original

Genre: Rock & Indie, Pop

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Cowboy Carter Blue Vinyl Cowboy Hat Edition

36,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie, Pop

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Cowboy Carter White Vinyl Snake Face Edition

35,14 €* 36,99 € -5%

Release: 2024 / EU – Original

Genre: Rock & Indie, Pop

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LP | 2019 | US | Original (Boocoo Music)

Bhi Bhiman

Peace Of Mind

15,59 €* 23,99 € -35%

Release: 2019 / US – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Warp)

Bibio

BIB10

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Mint, Cover: Sealed

LP | 2022 | JP | Original (Warp)

Bibio

BIB10

Release: 2022 / JP – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Mint, Cover: Sealed

LP | 2023 | UK | Original (Warp)

Bibio

Sunbursting EP

25,19 €* 27,99 € -10%

Release: 2023 / UK – Original

Genre: Organic Grooves, Rock & Indie

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7" | 2011 | UK | Original (Moshi Moshi)

Big Deal

Talk

13,99 €*

Release: 2011 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM. Limited edition

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LP | 2017 | EU | Original (Saddle Creek)

Capacity

21,99 €*

Release: 2017 / EU – Original

Genre: Rock & Indie

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The trails that Brooklyn's Big Thief take us down on Capacity, the band's highly anticipated second record, are overgrown with the wilderness of pumping souls.

After last year's stunning Masterpiece, Capacity was recorded in a snowy winter nest in upstate New York at Outlier Studio with producer Andrew Sarlo.

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Dragon New Warm Mountain I Believe In You

2LP | 2023 | Reissue (4AD)

Release: 2023 / Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: VG+

Cover with slightly bumped corner

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LP | 2019 | EU | Reissue (4AD)

Two Hands

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker. 2022 reissue.

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LP | 2020 | EU | Original (4AD)

U.F.O.F.

36,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker.

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LP | 2011 | US | Original (Drag City)

Apocalypse

Bill Callahan & Bonnie Prince Billy

Release: 2011 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Still in shrink, but opened, with hype sticker. Vinyl with a couple of light scuffs

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Blind Date Party

2LP | 2021 | US | Original (Drag City)

42,99 €*

Release: 2021 / US – Original

Genre: Rock & Indie

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The Blind Date Party hosted by Bill Callahan and Bonnie ‘Prince’ Billy and featuring Azita, Matt Sweeney, Alasdair Roberts, Matt Kinsey, Sean O’Hagan, Bill MacKay, George Xylouris, Dead Rider, David Pajo, Mick Turner, Meg Baird, Ty Segall, Emmett Kelly, Cory Hanson, Six Organs of Admittance, David Grubbs, Cassie Berman, Cooper Crain and Sir Richard Bishop happened online in the fall and winter of ’20–’21 — but the party planning dated back to the spring of 2020. Stuck at home, with no gigs in the foreseeable future, Bill, Bonnie and Drag City needed an outreach program to keep themselves busy, not to mention sane. In the absence of any company or anything on the calendar, playing songs they loved was an idea; playing with people they loved, the desire. And making it fun — so pairing someone with someone else having no say in the matter, the essence of the blind date, was the plan. Favorite songs were chose; players from around the Drag City galaxy were messaged. Pretty soon, songs were flying back and forth — music in the air! And thus, they were entertained throughout the summer of 2020, when so much else in the world seemed so completely wrong. By the fall, the songs started to appear online: Bill and Bonnie singing a song by someone they loved and admired; each song cut by another another artist they loved and admired, then sent to Bill and Bonny to provide the finishing touches. The spotlight pointed in every direction each week: toward the singers and writers who’d originally played the songs (Yusuf Islam, Hank Williams Jr., Dave Rich, The Other Years, Billie Eilish, Steely Dan, Lou Reed, Bill Callahan, Jerry Jeff Walker, Robert Wyatt, Lowell George, Johnnie Frierson, Air Supply, Will Oldham, Leonard Cohen, David Berman, Iggy Pop and John Prine), toward their featured collaborators, the artists whose artwork adorned each digital single and videos made by still more collaborators. And you, the listener. Like the best parties, it turned out to be everything and more than they’d even hoped for. So many more people were involved in the process that we can get on the page here. Suffice to say, making records over the years has required a broad sense of community and an always-surprising mix of independence and unity, inspiration and utility. Some of our best memories are those where as many of our folks as possible were together in one place at one time. In those moments, it was just a great thing just to be there. And with others looking in . . . this was a joy one could only be infinitely lucky to feel and to take for granted, as well. The Blind Date Party was one of these, maybe the most improbable one yet. It’s for everyone who’s here and it’s in the name of everyone who’s gone but will never go and will always live with us here. This album will too. And thus, we are entertained.

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LP | 2013 | US | Original (Drag City)

Dream River

Release: 2013 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Cover has tiny wear. Original inner sleeve.

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LP | 2013 | US | Original (Drag City)

Dream River

Release: 2013 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: Near Mint

Vinyl with scuffs and hairlines

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LP | 2020 | US | Original (Drag City)

Gold Record

31,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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For his first record in….uh, well, just a little over a year (!), Bill Callahan Bill Callahan’s given us his first Gold Record Gold Record . They can’t all be gold, and they’re not all six years apart either — all good! You could probably call the album “ Gold Records Gold Records ,” too: all the songs have a standalone feel, like singles, meant for you to have a deep encounter with all of a sudden, from the start of the song to the finish. And what do you got when you have a record full of singles — and let’s face it, hit singles, at that? That’s a Gold Record Gold Record for you. From the top, it’s clear this is music with an affection for people, as Bill Bill immediately slips easily and deeply into his characters. Among them: a limo driver, a watcher of television, a suitor, a man in a broken-down car, a reader of books, a Ry Cooder Ry Cooder superfan, and in the closing number, a wanderer who “notices when people notice things”. The voices of the people, with their ups and downs, their loss and laughter. You can feel the love. For Bill Bill, preparing to tour for Shepherd In a Shepherd In a Sheepskin Vest Sheepskin Vest meant considering being away from home for long stretches of time — maybe up to a year, who knew? Feeling his oats, Bill Bill pulled out a few sketches from over the years and touched them up. Before he knew it, he was recording them, and in the shuffle, newer songs started popping up. It happened fast. Basics were recorded live with Matt Kinsey Matt Kinsey playing guitars, guitars, guitars and Jaime Zurverza Jaime Zurverza holding it down “and then letting it go” on bass. Drums and horns were brought in for a couple songs. Spirits were high! Six out of the ten were done first take; overdubs, when needed, came equally quickly. Listening, one hears their intuitive cohesion coming together richly behind Bill Bill’s titanic voice spread across the stereo spectrum: the gentle conversation of Bill Bill and Matt Matt’s guitars, the subtle percussion of the bass and drums, and odd appearances of trumpet, woodwind and synth, striking notes both decorous and discordant, sounding for all the world like the naturally occurring sound meant to accompany and express lives lived everywhere. These are in fact songs meant for other people to sing — but until they do, Bill Bill’s got this. He’s got a secret on this one, and before we go, we don’t mind sharing it with you: he’s figured out how to perfectly place his voice in proximity to your ear. It’s based on the distance from your heart to your brain. Simple! Why don’t more people think like this?

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2LP | 2024 | US | Original (Drag City)

Resuscitate!

42,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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This is a live album that was taken from the tour for Ytilaer. Songs tend to mutate after they"ve been recorded. These songs were mutating faster than usual. Like whatever happened to Bruce Banner in the lab - I knew these songs were about to get superpowers. As far as I was concerned, this change needed to be documented. The best thing about documenting something is that it gives the creator permission to move on should they wish to move on. I usually prefer to move on. These songs were recorded in Chicago, America"s heart. And at one of the best clubs in the country - I try to only work with venues that are not entangled with LiveNation/Ticketmaster. Thalia Hall, baby. Stay free. The date was mid-point in the tour, so I knew we"d be as hot as we were going to get. Not too green, not too brown. There was the thought, "let"s take this op to make it something special." So we took advantage of Chicago"s easily accessible players - we got Nick Mazzarella to add alto sax to one song, and from the opening band, Pascal Kerong"A to sing on a song, and Nathaniel Ballinger on piano on one song - and I couldn"t pass up the opportunity to invite Joshua Abrams and Lisa Alvarado to play on "Natural Information." The hardest part of making the record was cutting songs out - it could have been a triple album. But I don"t know, maybe the show should have been this short?" - Bill Callahan

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LP | 2020 | US | Original (Dead Oceans)

Countless Branches

Release: 2020 / US – Original

Genre: Rock & Indie

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Countless Branches Deluxe Edition

2LP | 2020 | US | Original (Dead Oceans)

Release: 2020 / US – Original

Genre: Rock & Indie

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Bill Fay / Julia Jacklin

Just To Be A Part

11,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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Bill Fay / Kevin Morby

I Hear You Calling

Bill Fay / Mary Lattimore

Release: 2022 / US – Original

Genre: Rock & Indie

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Dead Oceans has announced the re-issue of Bill Fay's Still Some Light, a double compilation album made up of 70s album demos and 2009 home recordings. Released in two parts, pressed on vinyl and out digitally for the first time, `Still Some Light Part 1' is released 14th Jan, 2022. Alongside, Dead Oceans has announced plans of a special series of four 7" singles, consisting of different musicians' interpretations of Bill Fay classics. The first two (one a cover of `Dust Filled Room' by Steve Gunn and the second, Kevin Morby's version of `I Hear You Calling') will also be released 14th Jan, 2022.

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Love Is The Tune

11,99 €*

Bill Fay / Mary Lattimore

Release: 2022 / US – Original

Genre: Rock & Indie

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Dead Oceans has announced the re-issue of Bill Fay's Still Some Light, a double compilation album made up of 70s album demos and 2009 home recordings. Released in two parts, pressed on vinyl and out digitally for the first time, `Still Some Light Part 2' is released 6th May, 2022. Alongside, Dead Oceans has announced plans of a special series of four 7" singles, consisting of different musicians' interpretations of Bill Fay classics. Number three ( a cover of `Just To Be A Part' by Julia Jacklin) and the fourth, Mary Lattimore's version of `Love Is The Tune') will also be released 6th May, 2022.

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Love Is The Tune

8,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Bill Fay / Steve Gunn

Dust Filled Room

Release: 2022 / US – Original

Genre: Rock & Indie

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"Bill Fay's music was a revelation to me when I first discovered it: the commanding power of his words; the modest, universal language of his sorrow. And listening to his music still makes me feel as if an old friend had been lingering in the shadows, emerging at just the right time. It was a real honor to record one of my favorites of his, "Dust Filled Room". - Steve Gunn, Brooklyn, NY Dead Oceans has announced the re-issue of Bill Fay's Still Some Light, a double compilation album made up of 70s album demos and 2009 home recordings. Released in two parts, pressed on vinyl and out digitally for the first time, `Still Some Light Part 1' is released 14th Jan, 2022. Alongside, Dead Oceans has announced plans of a special series of four 7" singles, consisting of different musicians' interpretations of Bill Fay classics. The first two (one a cover of `Dust Filled Room' by Steve Gunn and the second, Kevin Morby's version of `I Hear You Calling') will also be released 14th Jan, 2022.

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Bill Fay / Steve Gunn

Dust Filled Room

12,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2LP | 2022 | US | Original (Dead Oceans)

Still Some Light Part 1

32,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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Bill Fay has always sung about attempting to understand the most universal questions: those of nature, spirituality, humanity. His songs are "calming hymns for another chaotic time", he says. His influence can be traced through many artist's work, and so it only seemed right to celebrate this with a collection of newer voices interpreting his timeless tracks. Originally released in 2010 by David Tibet (Current 93), Still Some Light was released as a double CD, made up of 70's album demos (Disc One) and 2009 home recordings (Disc Two). This year, for the first time, this collection of recordings will be pressed to vinyl and released digitally, presented alongside contemporary reimaginings of the tracks by Kevin Morby, Steve Gunn, Julia Jacklin and Mary Lattimore. Bill Fay's words and melodies remain unaffected by the passing of time and changing trends; and here alongside the original recordings, these reinvented versions still calmly guide us through another moment of chaos. Bill Fay's Still Some Light was originally released on compact disc as a two CD collection in 2010. Reimagined with new artwork and available for the first time ever on vinyl, Dead Oceans is pleased to present Still Some Light Pt. 1, collecting Fay's archival recordings from 1970 and 1971. Many of the songs are intimate sketches which were eventually re-recorded for Fay's self-titled debut and for his landmark album, Time of the Last Persecution. This double LP set includes heart wrenching versions of some of his timeless works, such as "I Hear You Calling" and "Pictures of Adolf Again", and features equally powerful songs like "Arnold is a Simple Man" and "Love is the Tune," which only appear in this collection.

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2LP | 2022 | US | Original (Dead Oceans)

Still Some Light Part 1

Release: 2022 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2022 | US | Original (Dead Oceans)

Still Some Light: Part 2

Release: 2022 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2020 | EU | Original (Last Music Company)

Bill Kirchen

Waxworks

Release: 2020 / EU – Original

Genre: Rock & Indie

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Bill Mackay And Nathan Bowles

Keys

LP | 2021 | US | Original (Drag City)

23,99 €* 31,99 € -25%

Release: 2021 / US – Original

Genre: Rock & Indie

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LP | 2023 | US | Original (Palilalia)

Bill Orcutt

Jump On It

LP | 2022 | US | Original (Palilalia)

Release: 2023 / US – Original

Genre: Rock & Indie

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"It's been ten years since Bill Orcutt released A History of Every One, a compendium of hacksaw renditions of American standards on acoustic guitar—and since ten years is a blink of an eye, you are forgiven for not immediately realizing that we've gone an entire decade waiting for Jump On It, the next Orcutt solo acoustic record. As those of us of 'a certain age' will tell you (ad nauseam), a decade is a blink of an eye containing an infinity of experiential moments, and if this record is any gauge, the weight of those experiences have squashed Orcutt's rough edges, feathered his stop-motion timing into a languid lyrical flow, and snapped the shackles tethering his instant compositional skills to the imperative to deconstruct guitar history. In short, Jump On It is a collection of canonical, mature acoustic guitar soli to contrast against the fractured downtown conceits of previous acoustic releases. For those paying attention to the arc of Orcutt's electric records, which chart a course from Quine's choppiness to Thompson-ian/ Verlaine-ian flow, it should be no surprise that the ten-year gap between acoustic records should expose a similar underlying journey. But what's maybe more surprising is that Jump On It , with its living-room aesthetics and big reverb, packs a disarming intimacy absent from the formal starkness of Orcutt's earlier acoustic outings. Although you might sense the looming human in the audible breath whispering intermittently between chords (a physical flourish reminiscent of the late Jack Rose), such documentarian signposts are the exception rather than the rule. Not quite refuting (yet not quite embracing) the polish of revered watershed records by Bert Jansch, John Renbourn, or Bola Sete, Jump On It treads a path between the raw and the refined, exemplified in tracks such as 'The Life of Jesus' and 'In a Column of Air' that alternate swaying chords with Orcutt's trademark angular quicksilver runs (cut brickwall short). While you won't mistake Jump On It for incidental music, at least not if taken at full strength, stray passages radiate a conversational beauty that would please the most dissonance-adverse listener. Strangely, some of the melted lockstep grooves found in Jump On It evoke nothing other than Music for Four Guitars. While many of the linear runs are clearly improvised, and the phrasing distinctly slurred, intuitive and non-mechanical, the strummed chords hint at a cellular construction similar to Jump On It 's electric predecessor. (Orcutt states that he prefers to keep his strategies obscure—but that implies there is in fact a strategy). Whatever the case, I also hear Satie in Music for Four Guitars, and I hear him here too, hidden within Jump On It 's lilting repetition, which I easily imagine stretching to an infinitely-distant horizon. Like each of Satie's three Gymnopedies, each facet of Jump On It is a tiny miniature bound in a slim volume, an earworm you might savor again and again upon awakening or before drifting off. Each track is a key to a memory, a building block in a shining anamnesis leading to the recollection that hey, we're all humans in a shared cosmos, and music is one way we might make that universe go down easy. And who wouldn't jump on that?"—Tom Carter. Recorded Spring/Summer 2022 at the Living Room, San Francisco. Mixed and mastered by Chuck Johnson.

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Bill Orcutt

Music For Four Guitars

35,99 €*

LP | 2019 | US | Reissue (Palilalia)

Release: 2022 / US – Original

Genre: Rock & Indie

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In a trajectory full of about-faces, Music for Four Guitars splices the formal innovations of Bill Orcutt's software-based music into the lobe-frying, blown-out Fender hyperdrive of his most frenetic workouts with Corsano or Hoyos. And while the guitar tone here is resolutely treble-kicked—or, as Orcutt puts it, 'a bridge pickup rather than a neck pickup record'—it still wades the same melodic streams as his previous LPs (yet, as Heraclitus taught us, that stream is utterly different the second time around). Although it's a true left-field listen, Music for Four Guitars is bizarrely meditative, a Bill Orcutt Buddha Machine, a glimpse of the world of icy beauty haunting the latitudes high above the Delta (down where the climate suits your clothes)..."—Tom Carter

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Bill Orcutt

Odds Aginst Tomorrow

30,99 €*

LP | 2024 | US | Original (Mercury Nashville)

Release: 2019 / US – Reissue

Genre: Rock & Indie

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After two LPs and over half a decade spent toiling in the margins of the American Songbook, Bill Orcutt returns to original composition and the blues with his latest LP, Odds Against Tomorrow. Taking its title from Robert Wise 's 1959 film noir, Odds Against Tomorrow retrofits familiar folk/blues forms to the unique sound of Orcutt's guitar and the result crackles with a freshness and authority that nostalgic retreads cannot deliver. Odds Against Tomorrow is more than an expansion of the territory charted by Bill Orcutt, his eponymous 2017 studio electric debut, although it's certainly that. With its nods to existing musics, half-step fluctuations, and near-songwriter-ly manipulations of tension/release, Odds Against Tomorrow is a rock record—almost. Clearly and simply recorded through a clattering Fender Twin in Orcutt's living room and lovingly mixed by Bay Area neighbor and pedal-steel savant Chuck Johnson, no one would mistake it for any era's radio fodder, yet the precision of its technique and the swaying Child-ballad logic of its gentler improvisations comfortably seats it between John Mayall and Richard Thompson in your Ikea Kallax... Odds Against Tomorrow challenges contemporary solo guitar practice in a way that simultaneously nullifies hazy dreams of folk purity and establishes a new high-water mark for blues-rock reconstruction."—Tom Carter

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Billy Currington

#1's - Volume 1

35,99 €*

I've Seen A Lot Of Highway

Release: 2024 / US – Original

Genre: Rock & Indie

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Limited tan colored vinyl LP pressing. #1's - Volume 1 includes 11 tracks that all went to #1 on the country charts. A perfect compilation for any country music fan. Album includes "People Are Crazy," "We Are Tonight," "Hey Girl," "Don't It," and more.

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Billy Don Burns

LP | 2023 | Original (Black Country)

Release: 2023 / Original

Genre: Rock & Indie

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Nowhere To Go But Out Of My Mind

Billy Gray

LP | 2023 | EU | Original (Americana Anthropology)

31,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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2LP | 2024 | Original (Reprise)

Billy Strings Live Vol.1

45,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2022 | US | Original (Concord)

Release: 2022 / US – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Rounder)

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed.

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LP | 2022 | EU | Original (Rounder)

55,99 €*

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker. Purple vinyl Limited edition.

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LP | 2022 | EU | Original (Rounder)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker. Violet vinyl Limited edition.

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Me / And / Dad Limited Violet Vinyl Edition

LP | 2022 | US | Original (Concord)

33,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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2LP | 2021 | EU | Original (Concord)

Renewal

38,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Grapefruit)

Bingo Trappers

Karaoke Parkman Blues

LP | 2018 | US | Original (Island)

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-08-16

The Amsterdam based Bingo Trappers are the moniker of songwriter and singer Waldemar NOË and multi-instrumentalist WIM Elzinga, who also creates the arrangements and recordings of their prolific oeuvre, which began in 1995 with the cassette More/Soul on the legendary Shrimper label. They’ve been active ever since, Rolling Stone mentions them as a special pick with their CD-only release Juanita Ave. in 2001, and in the last decade they’re on a steady vinyl-streak with the albums Sister Planet (’13), Elizabethan (‘18) and ‘Giddy Wishes (’20) (for the complete discography, see their Bandcamp-page). Their music is tasty enough to dub it a delicious stew of sixties-twangs, bluesy strums, luring slide-guitars or pedal-steels, warm vocals and tickling choirs. Please enjoy.

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Bishop Briggs

Church Of Scars

Release: 2018 / US – Original

Genre: Rock & Indie

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LP | 2021 | NO | Original (Blue Mood)

Bjorn Berge

Heavy Gauge

17,99 €* 19,99 € -10%

Release: 2021 / NO – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Les Disques Bongo Joe)

BKO

Djine Bora

LP | 2022 | CA | Original (Constellation)

Release: 2022 / EU – Original

Genre: Rock & Indie

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In response to the current political and ecological turmoil, the famous Malian quintet BKO appeals to the magical spirit of the djinn with Djine Bora (the appearance of the genie). An explosive and mystical third album, embodied by a music of resistance, the fruit of their unique experimentation with Mandingo music and their extraordinary history.

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Black Ox Orkestra

Everything Returns

LP | 2020 | EU | Original (Improved Sequence)

Release: 2022 / CA – Original

Genre: Rock & Indie

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Everything Returns reunites the original Black Ox Orkestar lineup following a 15-year hiatus. Arising from the fertile Montréal post-punk agit-prop scene of the early 2000s, the band comprises Scott Gilmore, Jessica Moss and Thierry Amar of Thee Silver Mt. Zion (Amar also continues to compose and play bass for Godspeed You! Black Emperor) and Gabriel Levine of Sackville. Black Ox made two acclaimed albums of roiling acoustic avant-folk in the mid-2000s, exploring Eastern European and North African folkways through the lens of a gritty, resonant indie rock sensibility, juxtaposing interpretations of instrumentals from various Jewish, Romani and Arabic traditions with originals led by Gilmore's politically-charged Yiddish vocals. These early albums have since become lodestars for many among a new generation of Yiddish, Klezmer and radical Jewish diasporic music practitioners and fans. First revealing its resurrection in February 2022 with a surprise flexi 7" single issued by left journal Jewish Currents as a gift to its thousands of subscribers, Black Ox has indeed fully and fruitfully reunited. Exquisitely recorded by Greg Norman (Jason Molina, Nina Nastasia, Electrical Audio), Everything Returns picks up right where the band left off: an incisively atmospheric, melancholic yet resolute album of uniquely modern Jewish folk music, with piano, violin, upright bass, clarinet and cymbalom making up the core instrumentation, and the vocal tunes sung primarily in Yiddish, alongside album centerpiece "Viderkol" and closer "Lamed-Vovnik" where English also features. This is not fusion music, but diaspora music: a cross-cultural call and response of musical lexicons, emerging from the history of Jewish persecution and displacement, the musicology of 19th century repertoire from Jewish shtetls , the improvisational traditions of nusakh in Jewish music and taqsim in Arabic music, and a wider polyglot dialogue of Jewish, Slavic, Arabic, and Central Asian musical traditions. Lyrically and stylistically, Everything Returns connects key current issues_from refugees forced to leave their homes, to the return of fascism and exclusionary nationalism_with the legacy of modernist Yiddish poetry and song. The new Black Ox Orkestar album is a sublime, poetic, politically-informed statement of re-energized diasporic musical intent, where Gilmore's voice and the band's simmering arrangements conjure an ardent, doleful balladry that echoes the sound and sensibility of artists like Tindersticks, The National, Nick Cave and Leonard Cohen. Everything Returns is a haunting, richly textured, darkly sparkling song cycle at once from a vanished world and very much of our time and place. Thanks for listening.

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Black Supersuckers

Sub Pop Demos

18,89 €* 20,99 € -10%

LP+LP+All Media | 2021 | EU | Original (3 Legged)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Supersuckers original Sub Pop Demos 1989, for the first time on vinyl. Remastered by Mikey Young in 2020. Recorded by in late 1988 in Tucson, AZ (tracks 1-2) and late 1989 at Word Of Mouth by Jack Endino, Seattle, WA (tracks 3 to 13) Black Supersuckers on these recordings: Eddie 'Spaghetti' Daly, Dan Bolton, Dan Seigal, Ron Heathman, Eric Martin

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Blackberry Smoke

You Hear Georgia

LP+LP+All Media | 2021 | EU | Original (3 Legged)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Yellow Transparent Vinyl.

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Blackberry Smoke

You Hear Georgia

Release: 2021 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Fires At Midnight New Mix

2LP | 2024 | EU | Original (Earmusic)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-09-27

Fires At Midnight New Mix Limited Marbled Vinyl Edition

2LP | 2024 | EU | Original (Earmusic)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-09-27

Shadow Of The Moon Limited Marbled Vinyl Edition

2LP+7" | 2023 | EU | Original (Earmusic)

40,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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+BluRay

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Shadow Of The Moon Limited Red Vinyl Edition

2LP | 2023 | EU | Original (Earmusic)

40,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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+DVD

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Shadow Of The Moon New Mix

2LP+DVD+7" | 2023 | EU | Original (Earmusic)

36,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Shadow Of The Moon New Mix Limitedc Edition

2LP+DVD+7" | 2023 | EU | Original (Earmusic)

40,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Winter Carols Limited White Vinyl Edition

2LP | 2022 | EU | Original (Earmusic)

Release: 2022 / EU – Original

Genre: Rock & Indie

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2LP | 2024 | Original (Gilded Wings)

Blair Dunlop

Out Of The Rain

44,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Caroline)

Blake Mills

Look

LP | 2018 | US | Original (Verve)

Release: 2018 / EU – Original

Genre: Rock & Indie

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Info coming soon

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Blake Mills

Look

37,99 €*

Release: 2018 / US – Original

Genre: Rock & Indie

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If I Could Only Fly / Let Me Ride In Your Big Cadillac

Blaze Foley

7" | 2023 | US | Original (Mapache)

LP | 2019 | EU | Original (No Format)

Release: 2023 / US – Original

Genre: Rock & Indie

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Back in 1979, Blaze Foley presented his first single. If I Could Only Fly / Let Me Ride Your Big Cadillac was released by short life label Zephyr Records and A side song became one of most loved songs from Blaze. The 7” became a high collector’s item and Mapache Records brings for the first time a stand alone reissue of this legendary 45 r.p.m. record.

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Blick Bassy

1958

25,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

White vinyl seems unplayed. Original inner sleeve.

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LP | 2023 | EU | Original (Discreet Music)

Där Ska Barnet Vara

Release: 2023 / EU – Original

Genre: Rock & Indie

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New album from Blod recorded during the second half of 2022 by Gustaf Dicksson. Där Ska Barnet Vara is a continuation of the themes explored on Pilgrimssånger and contains nine more songs dealing with faith in different forms, with a strong presence of death. Compared to Pilgrimssånger, the sound is slightly more lo-fi and fucked up and the approach is somewhat looser and more desperate, but here are some of the strongest and most fragile and heartfelt Blod songs to date. Additional players on the record are Astrid Øster Mortensen (vocals, flute, saxophone & piano), Anna Johannesson (vocals) and Magnus Jäverling (organ and flute). Mastered by Joakim Karlsson and pressed in an edition of 1000 copies. Note: All covers are screenprinted and assembled using old record sleeves so there can be tiny defects like worn out corners, marks and occasional seam splits.

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LP | 2022 | EU | Original (Aguirre)

Knutna Nävar

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Edition of 500 includes insert & large poster.

Swedish progg is not to be confused with "prog" as in progressive rock music. When we are talking about progg, we are refering to the Swedish music movement influenced by the political climate of the late 60's, to some extent the hippie movement and in many cases also Swedish folk music. Music highly driven by an political agenda. Blod's Knutna Nävar, originally released in an edition of 150 copies on Förlag För Fri Musik in 2018 and later a small cassette run, is pretty much a lost progg classic from the 70's. This is not a case of copying a certain sound though, far from it, neither are ideas really rehashed nor does the album feel nostalgic in that sense. Rather it feels like if someone has read about the progg movement and all the records but never actually heard it, yet decided to do an album and somehow managed to succeed big time.

Further developing the sound palette and ambience initiated with parts of the Leendet Från Helvetet recording, the music feels slightly louder and more in your face. It's like it's more of everything. The melodies are immediate and it's quite impossible to resist the brash catchiness of it all. Albeit mentioning progg music and it's importance for this recording, the actual musical side of Knutna Nävar has in reality more in common with soundtrack/library music and Swedish composers like the late Björn Isfält when you attempt to break it down. The crude DIY approach and anything-goes mentality just adds an extra dimension to it all and ultimately places the music somewhere else. There's a rather blunt use of samples throughout the record (sources probably best to leave out, though you don't have to be a Einstein to figure these out), but then again this is made by the same guy that gave the world the Abba album. Those samples have managed to become an integral part of the music through the few years that has passed and though well familiar with the records those snippets are now to me genuinely Blod and nothing else.

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LP | 2022 | EU | Original (Aguirre)

Leendet Fran Helvetet

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Edition of 500. Includes insert.

It's been a true pleasure but also a rather chaotic experience to follow the progress of Blod from a close distance since the beginning. I have fond memories of receiving the odd cassettes from the early days, like the severely fucked up Unga Röster (later issued as an LP on Förlag För Fri Musik) and the awfully mesmerising Prat Om Depression recording. Returning to Leendet Från Helvetet for the first time for long a while, it's quite evident that the album marked a new phase in the troubled Blod universe. There's few traces left of the found tapes/audial voyeurism and brutish stop/rec editing that made up the first few releases, instead we are served with what is pretty much a proper album in a, sort of, traditional sense.

The record opens with a sole beat from a hand drum soon accompanied by a beautiful and very Blod-ish subtle melody from a glockenspiel but it only takes a few minutes before Gustaf's past as a free jazz aficionado is noticeable with the rather rough saxophone burst of 'Natten'. It's not until the title track that things kicks off for real though, most likely the first example of the sound and, maybe more so, very special feeling that I would say most people associate Blod with nowadays. To me, it's the sound of growing up in Sweden in the 80's; having two channels on the TV, eating brown food, rainy summers, taping commercial stuff on the radio, playing D&D in a purple tent in the garden. Memories of that certain bright light that can occur during the Scandinavian summers, those warm days when the skies are foggy. Long windswept grass and a very peculiar feeling of utter boredom. Arguably, Blod has never sounded more Blod than on this track, this is the very essence of the man's work right here. The progamm continues on side B with the solemn piano piece 'Lust', another saxophone rager and then the flipside's centrepiece 'Tro, Hopp & Kärlek' which pretty much mirrors the title track in it's larger-than-life scope and pure beauty.

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LP | 2023 | EU | Original (Blod)

Ondskans Frö

21,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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The seed of evil has been sown and all the trees have been infected. The trees infect the water, the animals, the air and the children. The fragmentation is becoming more and more apparent. Have the one you trusted the most turned its back on you? All of a sudden you are all alone. Can you drink the water? Dead fish float to the surface. The sky is slowly fading away. What do you do when the last day is here?

Ondskans Frö ('The Seed Of Evil') is an album about the last day of the earth, when the evil forces finally has taken over both the people and the nature. The album starts in the morning and takes the listener through a 24 hour journey towards a new dawn where everything is gone. Recorded during April and May 2023, all music and instruments by Gustaf Dicksson. Paste-on artwork on re-used old record jackets. Edition of 500 copies.

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LP | 2022 | EU | Original (Discreet Music)

Pilgrimssanger

LP | 2013 | US | Original (Captured Tracks)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Pilgrimssånger is the first of two new Blod albums deeply inspired by the Swedish Christian parish culture. The songs deals with human connection and solitude in a life built upon faith. The lyrics depicts exposure and anxiety but also joy and belief among free church members, the complexity of the relationships in the community with its leaders and priests and - ultimately - God. The songs are mainly influenced by Swedish folk music, psalms and choral music.

While being an heavy album, Gustafs' intention has still been to fill the listener with hope and light rather than the opposite. As usual with Blod, the approach has been to highlight the beautiful things in generally ugly contexts, something that has probably never been as evident as on Pilgrimssånger.

Pilgrimssånger features guest apperances by Elin Engströmd and Anna Johannesson on vocals and percussion. Joakim Karlsson mixed and mastered the album. Edition of 500 copies with screenprinted covers, lyric book and additional insert. Discreet Music 08.

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Blouse

Imperium

LP | 2018 | US | Original (Cosmic Compositions)

Release: 2013 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Still in shrink but opened with hype sticker. Clear with black smoke vinyl. Original inner sleeve. With insert and cardboard artwork. Limited edition

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Blu Jeen

6,79 €* 7,99 € -15%

Release: 2018 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl with scuffs and hairlines

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7" | 2021 | US | Original (Third Man)

Blind Willie McTell

10,99 €*

Release: 2021 / US – Original

Genre: Rock & Indie

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2LP | 2015 | EU | Reissue (Columbia)

Blonde On Blonde

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

3LP Box | 2013 | US | Original (Mobile Fidelity)

Blonde On Blonde Box Set

112,99 €*

Release: 2013 / US – Original

Genre: Rock & Indie

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Limited, numbered box set edition on 45 rpm 180 gram audiophile vinyl!

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Bob Dylan Debut Album Colored Vinyl Edition

LP | 2018 | EU | Original (Waxtime)

18,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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Bob Dylan In Concert: Brandeis University 1963

LP | 2017 | EU | Original (Columbia)

Release: 2017 / EU – Original

Genre: Rock & Indie

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Bootleg Series Volume 1-3

5LP | 2017 | EU | Original (Columbia)

60,99 €*

Release: 2017 / EU – Original

Genre: Rock & Indie

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Collection Jean Marie Perier

LP | 2020 | Original (Wagram)

15,99 €*

Release: 2020 / Original

Genre: Rock & Indie

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LP+7" | 2019 | EU | Original (Glamourama)

Debut Album

22,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2013 | EU | Reissue (Music On Vinyl)

Desire

Release: 2013 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

2013 reissue. With insert. 180gr vinyl.

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Essential Works: 1961-1962

2LP | 2021 | EU | Original (Masters Of Rock)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Fragments-Time Out Of Mind Sessions 1996-1997:

4LP | 2023 | EU | Original (Sony Music Catalog)

102,84 €* 120,99 € -15%

Release: 2023 / EU – Original

Genre: Rock & Indie

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Jokerman / I And I The Reggae Remix Ep Record Store Day 2021 Edition

12" | 2021 | Original (Legacy)

22,99 €*

Release: 2021 / Original

Genre: Rock & Indie, Reggae & Dancehall

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Record Store Day 2021 Drop 2 release limited to 7000 copies worldwide. This 12” features two reggae remixes each of “Jokerman” and “I And I” by Doctor Dread. The original versions of both tracks appeared on Dylan’s ‘Infidels’ album with Sly & Robbie as the rhythm section. The two “I And I” remixes were previously released on ‘Is It Rolling Bob: A Reggae Tribute To Bob Dylan’ (2003) while the ‘Jokerman’ remixes are newly commissioned and previously unreleased. Doctor Dread has worked withBob Marley, Black Uhuru, Jimmy Cliff, Inner Circle, Gregory Isaacs, Luciano, Mad Cobra, Freddy Mcgregor, Sly and Robbie, Steel Pulse, The Wailers and many others.

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More Blood, More Tracks - The Bootleg Series Volume 14

2LP | 2018 | EU | Original (Columbia)

Release: 2018 / EU – Original

Genre: Rock & Indie

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More Blood More Tracks: The Bootleg Series Volume 14

2LP | 2018 | EU | Original (Sony Legacy)

35,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP+CD | 2015 | EU | Original (Columbia)

Shadows in the Night

Release: 2015 / EU – Original

Genre: Rock & Indie

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36th studio album!

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Springtime In New York: The Bootleg Series Vol. 16 1980–1985

2LP | 2021 | EU | Original (Columbia)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Springtime In New York: The Bootleg Series Volume 16

2LP | 2021 | EU | Original (Sony)

33,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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2LP+CD | 2012 | EU | Original (Columbia)

Tempest

Release: 2012 / EU – Original

Genre: Rock & Indie

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The Cutting Edge 1965-1966: The Bootleg Series Volume 12

3LP+2CD | 2015 | EU | Original (Columbia)

66,99 €*

Release: 2015 / EU – Original

Genre: Rock & Indie

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The Karen Wallace Tape May 1960

LP | 2018 | EU | Original (Cornbread)

Release: 2018 / EU – Original

Genre: Rock & Indie

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Minneapolis/St. Paul, May 1960: a young Bob Dylan, still known as Robert Zimmerman and not yet even 19 years old, decides to drop out of college to move to New York City and pursue a career in folk music. That same month he plays a small gathering at Karen Wallace's apartment in St. Paul - Karen's sister, Terri, was an early fan and supporter of Dylan's - mostly covering American folk and blues standards, which he'd become obsessed with since starting at the University. Still a few years before his self-titled debut, this tape is one of the earliest documents of early Dylan, and since Karen Wallace attempted to sell the tape for $10,000 in the 1970s and subsequently disappeared along with the tape, its life is another great story in the history of Bob Dylan, one of the most enigmatic and idiosyncratic celebrities of the 20th Century.

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Time Out Of Mind 20th Anniversary Edition

2LP+7" | 2017 | EU | Original (Columbia)

Release: 2017 / EU – Original

Genre: Rock & Indie

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3LP | 2017 | US | Original (Columbia)

Triplicate

61,99 €*

Release: 2017 / US – Original

Genre: Rock & Indie

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3LP | 2017 | EU | Original (Columbia)

Triplicate

32,39 €* 35,99 € -10%