Folk Vinyl 2075 Items

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Sub Rosa)

Winter Family

Chevaliers

Release: 2021 / EU – Original

Genre: Rock & Indie

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Poison The Unreleased Demos

Jay-Jay Johanson

10" | 2021 | EU | Original (Wort)

St Peter Gold Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Includes five unreleased songs, three early demo recordings and two Robin Guthrie covers.

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Emma Tricca

LP | 2018 | EU | Reissue (Dell’Orso)

18,99 €* 19,99 € -5%

LP | 2017 | EU | Original (Discrepant)

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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Praised on first release as a 'wonderfully romantic piece of folk-pop' (The Times), possessing 'a startling and sublime new sound' (The Quietus, 5 stars), St Peter features guest appearances from folk legend Judy Collins alongside indie icons Howe Gelb, Jason Victor and Steve Shelley.

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The Dead Mauriacs

Beauté Des Mirages

Release: 2017 / EU – Original

Genre: Rock & Indie

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Bob Dylan Debut Album Colored Vinyl Edition

Bob Dylan

LP | 2018 | EU | Original (Waxtime)

Release: 2018 / EU – Original

Genre: Rock & Indie

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The Invisible World Of Beautify Junkyards

Beautify Junkyards

LP | 2018 | UK | Original (Ghost Box)

LP | 2017 | EU | Original (Lullabies For Insomniacs)

Release: 2018 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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The Invisible World Of Beautify Junkyards is Lisbon band Beautify Junkyards’s third album and effortlessly blend their love of English Acid Folk and Brazilian Tropicalia. In a collection of songs that conjure up a warm and verdant faerie world, delicate acoustic guitars evoke an autumnal England suffused with Iberian heat by other- worldly voices; the ethereal lilt of João Branco Kyron and the warm languor of Rita Vian (a voice redolent of Gal Costa or Os Mutantes’ Rita Lee.)

The production is tempered with a haunted electronic palette that anchors the band squarely in the world of Ghost Box. But more than this, Beautify Junkyards’ sheer song writing talent, production skill and performance virtuosity grant them a place amongst the great outside-of-time bands like Broadcast or The High Llamas.

In 2012, the band’s eponymous first album set out their stall, with a collection of cover versions; mainly of classics of the British Acid-Folk period, but also taking in Tropicalia and German Kosmiche. The album was a hit in Portugal and picked up for airplay in the UK on BBC Radio 2 & 6 Music. Their version of Kraftwerk’s Radioactivity was included on DJ Food’s Krafwerk Kover Kollection.

Their second album in 2015, The Beast Shouted Love, carried their influences forward with original songs and cemented a style that is at once traditional, experimental and exotic. In 2016 the band debuted on Ghost Box with a single as part of the label's Other Voices Series.

Packaging: The lavish packaging on all formats is designed by Julian House with artwork that attempts to capture the band’s love of the Czech New-Wave and the twilight worlds of WB Yeats. The heavyweight vinyl LP includes a free download card.

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Million Brazilians

Red Rose And Obsidian

Ganimian & His Oriental Music

Release: 2017 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Millions Brazilians formed in Portland, Oregon in 2006. Founding members Grant Corum and Suzanne Stone have been central to the band since it’s inception, while a rotating line-up backs them depending on the latest vision for the sound. TIP!
.

The band carry out their own interpretation of a genre bending ethos that has evolved throughout the American underground. Drifting between boundless compositions, focused energetic improvisations and experimental collaborations that embrace a weird sort of transcendence.

Their next installment Red Rose and Obsidian was recorded in Maine and engineered by Big Blood’s Caleb Mulkerin. Both he and the band deliver a powerful yet fragile and personal release. The mythical and evocative recordings are inspired by Maine's rugged coastlines; mournful ripples of sound wash up on the shore, whilst a lonesome, at times harrowing saxophone drifts through the rolling mountains, providing unsettling melodic interludes. Electronic treatments veil organic sounds, a fleeting whistle meets spontaneously with spacey flutes, mutated rock rhythms are topped off with the soaring vocals of Suzanne Stone who leads the listeners into the magical world of the Million Brazilians.

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Come With Me To The Casbah

LP | 2016 | UK | Original (Cacophonic)

LP | 2016 | UK | Original (Discrepant)

Release: 2016 / UK – Original

Genre: Rock & Indie

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Often overlooked for over half a century while misfiled amongst exploit bellydance
records and holidaymaker souvenirs this one-off twelve track album is the only
existing full-length record by the best-kept mutant musical secret of the Armenian
American diaspora, oud pop maestro Charles ‘Chick’ Ganimian.
One of the earliest examples of any kind of recorded fusion between rhythm heavy
pop music and traditional Turkish music, Ganimian’s developments in New York
City - with his sadly unrecorded turk jerk combo The Nor-Ikes (New Dawn) combo
- ran almost simultaneously alongside the rising Anadolou Pop scene in Turkey,
resulting in his short lived powerhouse of Kif proto-rock under the changing names
of Ganim’s Asia Minors, Ganimian & His Orientals and Ganimian & His Oriental
Music Orchestra. Combining a line-up of mostly unknown musicians from his local
community (where he was worked as a butcher), Ganimian, in a short unison with
ATCO records, was fortunate enough to accommodate jazz guitarist Al Schactman
as part of his studio personnel (launching the career of this Nina Simone regular)
as well as French born Armenian folk singer Onnik Dinkjian and reid player Steve
Bogoshian (both from the band The House Of The Seven Uncles) as well as the
esteemed Turkish raised Kanun player Ahmet Yatman. As one of the very few early
American recorded authentic Middle Eastern fusion record Come With Me To The
Casbah has piqued a refined interest in a new generation of progressive world
music collector resulting in a distinct drought in original Ganimian pressings on
the collectors’ market earning Chick’s name a rising placeholder on the want lists
of DJs, vinyl hounds and ethno psychedelia collectors.
This LP includes all of Ganimians recordings including the rare singles for Atco
and East West which sit awkwardly next to bizarre and unique takes on popular
American standards enhancing the exciting freak factor of this record which simply
could not be made by today’s stifling self-aware anti-standards. Aside from rare
(poorly recorded) private family tapes this album is the only chance to hear the
music of this lost enigma of early world music, Eastern fusion and a missing kink
in the fabric of New York pop music history captured before his short stint as an
exotic Herbie Mann sideman which proceeded his migration into obscurity and
his well-imparted tragic struggle with alcohol dependency depriving pop culture
of a forward thinking pioneer who paved the way for the more credible exponents
of the cross-continental Indo fusion enigma such as

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Tiago Sousa

Um Piano Nas Barricadas

18,99 €* 19,99 € -5%

Release: 2016 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Discrepant presents Tiago Sousa's brand new LP with collaborations from Tó Trips, Ricardo Ribeiro, Balthazar Molina and Rebecca Roth.
Expect a unique work by one of the most interesting and intriguing musicians to come out of the burgeoning Portuguese music scene.

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Slow Grind Fever Volume 5

LP | 2015 | EU | Original (Stag-O-Lee)

Release: 2015 / EU – Original

Genre: Organic Grooves, Rock & Indie

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LP | 2014 | UK | Original (Discrepant)

Malayeen

LP | 2011 | UK | Original (Discrepant)

Release: 2014 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Discrepant proudly presents the Vinyl edition of Lebanese trio Malayeen. Malayeen is the project of Lebanese musicians Raed Yassin (Keyboards, Turntables & Electronics), Charbel Haber (Electric Guitar & Electronics) and Khaled Yassine (Darbouka, Percussion). Born from Yassin and Haber's love for the music of quintessential Egyptian guitarist Omar Khorshid, Malayeen disassembles and re-configures the work and style of the iconic guitarist innovative take on Arabic music. The final result makes for an original and unique update of Khorshid & belly dancing inspired songs from the past.

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Kink Gong

Xinjiang

Release: 2011 / UK – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Universal)

Wesley Schultz

Vignettes

Release: 2021 / EU – Original

Genre: Rock & Indie

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Lasten Hautausmaa Black Vinyl Edition

Lasten Hautausmaa

10" | 2024 | EU | Original (Svart)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Jerry Lee Lewis & Johnny Cash

Sing Hank Williams

LP | 2024 | EU | Original (Not Now)

Release: 2024 / EU – Original

Genre: Rock & Indie

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2LP | 2018 | EU | Original (Beste! Unterhaltung)

Myrra Ros

One Amongst Others

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (La République Des Granges)

Borguefül

Horst

Gunfighter Ballads And Trail Songs Colored Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Borguefül is a double bass and voice solo, imagined and composed by Mélanie Loisel. Borguefül is sensations, mountains, stones, rain, faults, wind, fluids, monsters, nights. Lots of land. Lots of dust.

It's a voice that sings, whispers, rattles, shouts, in a distant language, a revisited patois. It is a double bass with a raw sound, developing small melodic and rhythmic fragments, variations of timbre, textures, dirty vibrations, repetitions and breaks in frank motifs, without too much fuss.

Hear the relief of the spaces by the sounds rolled in the mouth, the strangeness, the accents, the dissonances, the attacks, the roundness. And then breath and silence.

The language that unfolds there under the blows of the bows and the drones of the double bass, is that, harsh and persuasive, of a patois of Haute-Loire. The texts of these surly songs evoke sensations, mountains, rain, wind, faults, monsters. In this earthy landscape, powerful vibrations emerge, from which escape melodic fragments, rhythmic and percussive patterns.

Borguefül grabs and holds to the body. In these strange interstices between traditional song and contemporary music, Borguefül carries a raw and hoarse breath, marked by the exercise of free improvisation.

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Marty Robbins

LP | 2023 | UK | Original (Vinyl Passion)

Release: 2023 / UK – Original

Genre: Rock & Indie

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7" | 2023 | US | Original (Playground)

Dina Ögon

Mellan Slagen

12" | 2023 | EU | Original (Discreet Music)

Release: 2023 / US – Original

Genre: Organic Grooves, Rock & Indie

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Two of Sweden's most interesting artists collaborate on this brand-new version of "Mellan slagen" from Dina Ögon's celebrated album "Oas". The song - which was originally inspired by glaciers and fjords lit up with neon lights and permeated with a smokey club feel - weaves together Broder John's nasal, soft flow with the slow, almost ghostly groove which brings to mind the 90s Bristol trip hop scene. Broder John has made quite a name for himself as a force to be reckoned with on the Swedish music scene. This Umeå-bred artist has contributed to shaping the music of today and leading the way for a new generation of artists. Following his debut album "Cool" and the sophomore album "drift", he was picked as the first-ever artist singing in Swedish to perform on the international platform Colorsxstudios. Broder John says, "Dina Ögon is the best thing to have happened to Sweden in the last 10 years and 'Oas' is an instant classic. I don't think I've ever been as quick to accept an invitation as I was when this one came in." Broder John on the new lyrics: "If you've listened to my previous lyrics, you can see that I'm often drawn to writing about different contradictions in life. I'm very inspired by Anna's lyrical writing, and I heard her words in the chorus "finns inga krav" ["there are no requirements"] and I wanted to explore if there was something I could take from that into my world. I've had this idea for quite a long time about the scenario in which someone says that "everyone is lying" and what that means for the person saying it - are they lying too in that case? So, in combination with Anna's world and the incredible production, it felt like a perfect painting to continue painting. I think the last sentence ties it together nicely, "Kan inte lita på nån här, det är sjukt, så tro mig när jag säger att det är sant - alla ljuger" ["Can't trust anyone here, it's insane, so believe me when I say that it's true - everyone is lying"]. Dina Ögon on the collaboration: "Broder John is one of the best ones we have, we like that stuff, please listen!"

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JJ Band

Live I Kungsten

7" | 2023 | UK | Original (Mr Bongo)

Release: 2023 / EU – Original

Genre: Rock & Indie

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While working on his solo albums, JJulius put together a live band consisting of Clara Flygare (Standard) on drums and vocals, Gustav Danielsbacka (Incipientium) on guitar and Mattias Rörström (Happiest Place Records) on bass. The all star incarnation debuted in Gothenburg in October 2021 and the following year the group recorded a couple of songs in Kungsten. The heavy ballad opener '500 spänn' sort of evokes the spirit of prime time Felt while the angular Ukdiy bizarro blast of 'Sorg I Göteborg' and the late era Skiftande Enheter noddings of 'u2" shows a more energetic side. The galloping, life-affirming instrumental closer 'Vargen' is one of those epics you could easily see the band expand and just doing longer and longer versions of live until it finally takes over the whole set.

45rpm white label 12" with risograph paste-on sleeves and insert. Edition of 490 copies. Mastered by Lasse Marhaug.

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Kit Sebastian

L'Addio / Hayat

I Don't Like My Chances On The Outside Red Vinyl Edition

Release: 2023 / UK – Original

Genre: Organic Grooves, Rock & Indie

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The illustrious, London-based duo Kit Sebastian, aka Kit Martin and Merve Erdem, return with a limited edition 7” single. It features ’L’addio’, a breakbeat driven, sultry ballad, and ‘Hayat’, a hazy, psychedelic scorcher that delves into the band’s Turkish and Azerbaijan influences.

‘L’addio’ saw the band perfecting their production and orchestration, with strings, horns and double bass, and an Italian synth found in a French dump. The music was greatly influenced by Italian soundtracks and Italian female singers, such as Mina or Rita Pavone. The track announces itself with a break that is guaranteed to get samplers twitching. The tone of the melody and lyrics is heartfelt and aching. It has a beautiful, intimate sadness like the closing scenes to a love affair, and it exquisitely rides over the slow, psych-funk-dramatic backing track. The lyrics are inspired by a flat opposite Merve's window that's occupied by drug addicts, with many guests coming in and out every night. Merve elaborated “Being both neighbours and strangers, and with the boredom of a post-tour everyday domestic life and a pinch of urban voyeurism, it was hard not to wonder what was happening in that flat. The words imagine an addict before her/his golden shot as if it's a love relationship between them that comes to an end.”

Having spent much of 2022 touring and writing, ‘Hayat’ was the first original composition the band recorded since their October 2021 album, ‘Melodi’. Here we see them weaving a psychedelic tapestry of Mugham melodies, organ-driven grooves, and jazz-pop harmonies in classic Kit Sebastian fashion. Recorded to Fostex 1/4” tape, the essence of the production is perfectly balanced between being brand new and retro, which is a feat very hard to pull off.

‘Hayat’ is sung in Turkish and the title translates as ‘Life’ in English. The song examines our desire to find one's place in the world and the provisionality of existence. Merve's searching lyrics ask “Where are you? Where is the universe?”. Her vocal delivery perfectly reflects the lyrical focus, its texture is probing and ethereal, almost as if sung from looking above us.

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Lilo

LP | 2023 | UK | Original (Dalliance)

19,19 €* 23,99 € -20%

LP | 2022 | US | Original (Wax Thematique)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Folk duo lilo's ascent continues with second EP, I Don’t Like My Chances On The Outside. Having met at school aged 11, Christie Gardner and Helen Dixon’s friendship runs over a decade deep. Starting out with homespun recordings and YouTube covers, by the time they moved to London in their late-teens, they had an unshakeable creative bond that forms an incredible bedrock for them to flourish from. Their exceptional debut EP Sleep Country (Practise Music) came out in late-2021. Taking cues from alt-folk and classic country, it showed a maturity and dexterity that belied their years. As Loud & Quiet said of the band in a recent interview, "what sets them apart from their contemporaries is a real understanding of Americana-influenced folk’s lineage as a genre. Think Emmylou Harris’ soul bearing and the pitchperfect vocal glide of Karen Carpenter." New EP, I Don’t Like My Chances On The Outside, is a truly brilliant follow-up that underscores that we're no longing talking about promise with this duo. Working with producer friend Joseph Futák, they're now firmly in their stride, deftly counterbalancing delicate moments and harmony-led pop highs across a full-bodied band sound. Their lyrics speak for their generation too, encapsulating the panic, anxiety and love of twenty-somethings at a time of great uncertainty; from single 'Settled' where the financial realities of needing to move back in with your parents to the sheer relief of ending a relationship on 'I Don't Love You Anymore' and 'Just A Thought's failing attempts to pull a friend away from a bad person ("It's your hill to die on," they warn), nothing is off the plate.

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Nathan Womack

Lagu Loops

19,49 €* 29,99 € -35%

Release: 2022 / US – Original

Genre: Rock & Indie

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* Printed Photographic Inner Sleeves * Mastered in Seattle by Mell Dettmer * Layout and Design by Nathan Womack * Liner Notes by Dave Segal and A.G. * 2nd installment of the DigginEast series

A diligent and savvy crate-digger, Nathan Womack possesses an unerring ear for tantalizing snippets of songs, inevitably getting you jonesing for more of the nutrient-rich morsels he excavated on trips to mainland China, Hong Kong and Thailand. Like a world-class tease, the record’s evanescent efflorescences of aural excitement leave you gasping in admiration. Womack has done the heavy lifting in the field, mining raw materials that thwack with the impact of a KPM Records LP, except here they’re emanating from the Far East recordings and radio ephemera instead of a workaday English studio full of clock-watching musicians. Sourced from various record stores and random haunts in foreign climes, the tracks on Lagu Loops, according to Womack, are “essentially an Easter egg hunt for locals there or people who happen to notice [and are] curious enough to dig in.” Those blessed with a hunger for cleverly recontextualized sonic delights will have their appetites thoroughly sated. -Dave Segal

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Future Nuggets Volume 4 Colored Vinyl Edition

2LP | 2022 | EU | Original (Fun In The Church)

19,49 €* 25,99 € -25%

Release: 2022 / EU – Original

Genre: Rock & Indie

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Last Animals Yellow Vinyl Edition

A. Smyth

LP | 2021 | EU | Original (Lover)

19,49 €* 25,99 € -25%

Release: 2021 / EU – Original

Genre: Rock & Indie

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Tasjan! Tasjan! Tasjan! Black Vinyl Edition

Aaron Lee Tasjan

LP | 2021 | US | Original (New West)

19,49 €* 25,99 € -25%

Release: 2021 / US – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Discreet Music)

Jon Collin

Bridge Variations

LP | 2018 | EU | Reissue (Grund)

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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On Bridge Variations, the now Stockholm-based English guitarist Jon Collin changes his guitar for a keyed fiddle. Mostly recorded to tape under different bridges around Stockholm during 2021, partly for the sound but also because of their importance to the geographical make-up of the place, the album is like a modern take on traditional Swedish folk music made by an outsider looking in. The sound is pretty much a continuation of the palette explored on 'Dream Sequence, End Of Summer', Collin's contribution to the Contemporary Homemade Music compilation put out by Discreet Music last year. Slowly moving and drawn-out melodies evolve into immense droning beauty, rich of texture and with the environmental sounds from the sites becoming an integral part of the recording. Mastered by Giuseppe Ielasi and pressed in an edition of 1000 copies. Comes with a 12-page colour-coded booklet of photos of the recording locations.

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Laszlo Tolcsvay

'68

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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LP | 2021 | EU | Original (Rc1)

Rodney Crowell

Triage

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Hinterground)

David John Morris

Monastic Love Songs

Release: 2021 / EU – Original

Genre: Rock & Indie

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David has written five critically acclaimed collections of songs under the Red River Dialect name. The last two albums (released by Paradise of Bachelors) achieved a glowing Pitchfork review and a Folk Album of the Month award from the Guardian. Selected press below.

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Guitarists Of Istanbul (Orient & Occident)

LP | 2023 | TR | Original (Rainbow45)

Release: 2023 / TR – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Rebel Up)

Deli Teli

Tsifteteli Club

19,94 €* 20,99 € -5%

I Saw A Star Behind Your Eyes, Don't Let It Die Away

Release: 2022 / EU – Original

Genre: Rock & Indie

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Bongos, bouzouki and Farfisa organ galore! The explosive cocktail of rock'n'roll and traditional Tsifteteli hailing from 1960's Greece is still alive thanks to Deli Teli: the Marseille-based quartet performs a string of forgotten hits that once set Athens on fire, with a contagious energy and a subtle dose of Mediterranean drama.

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Bennett Wilson Poole

LP | 2023 | UK | Original (Bwp)

LP | 2021 | EU | Original (Wrasse)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Preorder shipping from 2024-08-09

Nearly five years on from their acclaimed debut, Bennett Wilson Poole reveal the follow up. It's been a long time coming, but... That eponymous first album was only ever intended as a one-off collaborative project — a serendipitous series of events which began with a late evening session where the trio wrote ‘Hate Won't Win’. A response to the murder of MP Jo Cox, it was something of a fresh take on Crosby Stills Nash and Young’s classic protest song ‘Ohio’. The release saw Bennett Wilson Poole embraced by the Americana community, playing live on the Andrew Marr show and crowned as ‘UK Artist of the Year’ at the 2019 UK Americana Awards, in front of a watching crowd including Graham Nash himself. The new album came together in similar fashion; Robin (Bennett) and Danny (Wilson) started writing new songs late into the night whilst on tour to promote the first record — a tour which unfolded from a three-night residency in a London pub into a year-long odyssey culminating in a headline show in Hall One at King’s Place — and before they knew it, there were enough songs to begin recording an unplanned second album. Where the first record drank deep from 70s US west coast folk-rock, the second has been heavily spiked with 1960s British psychedelia, even featuring a cover by legendary counterculture artist John Hurford (whose credits include 60s artwork for Oz Magazine and International Times).* Tony Poole’s meticulous and inspired production has spun Robin and Danny’s fresh batch of songs into a delicate web of musical delight. Fans of the ‘spot the reference’ game Tony started on the first record won’t be disappointed this time either, as there are plenty more to be found here. As with the first album, the lyrics don’t shy away from current affairs – by the end of that year of touring, the band were already playing “I Wanna Love You (But I Can’t Right Now)”, reflecting on the state of US politics, yet optimistic that the problems are only temporary. Many of the tracks on the new album feature live rhythm section Fin Kenny (drums) and Joe Bennett

(bass) for the first time on a BWP record.

The title of the album comes from the lyrics of ‘Help Me See My Way’, the first single, a prayer for strength in difficult times, the trippy animated video for which was originally issued during lockdown. The dreamy positivity of the line "I saw a star behind your eyes" is tempered with the plea "don't let it die away", a message which feels as important as ever two years on.

All three collaborators have had critical acclaim in their own right. Danny Wilson’s credentials go back to his days in Grand Drive with brother Julian, and his consistent high calibre output with his Champions of the World led them to sweeping the board at the first UK Americana Awards with Album, Artist and Song of the year awards richly deserved; Tony Poole’s Starry Eyed and Laughing were hailed as “the English Byrds” on the back of their two CBS-released albums in the mid-seventies and he has since built an enviable reputation as producer and engineer; Robin Bennett has been relentlessly turning out timeless songs from his Oxfordshire base in bands from Goldrush to The Dreaming Spires

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Damir Imamovic

Singer Of Tales

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2022 | NO | Original (Blue Mood)

Trond Svendsen & Tuxedo

Dont Trust The Moon

Release: 2022 / NO – Original

Genre: Rock & Indie

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Lines-Part Two: World War One

The Unthanks

LP | 2018 | EU | Reissue (Rabble Rouser)

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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Lines-Part Three: Emily Bronte

The Unthanks

LP | 2018 | EU | Reissue (Rabble Rouser)

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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Lines-Part One: Lillian Bilocca

The Unthanks

LP | 2018 | EU | Reissue (Rabble Rouser)

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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Bbc Paris Theatre London 1972

Judee Sill

LP | 2022 | EU (Chush)

LP | 2022 | US | Original (Green Cookie)

Release: 2022 / EU

Genre: Rock & Indie

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A singer-songwriter who wrote for the Turtles, Sill - in her early 1970s heyday - was compared to Asylum label contemporaries like Joni Mitchell, though her music had stronger spiritual overtones. This nearly forgotten performance reveals a true talent that deserved so much more during her short lifetime. Judee Sill grew up in a very troubled home and came through it with some truly great music to tell so many stories that many of the more sentient listeners will appreciate.

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Ojibo Afrobeat

Ojiboland

Release: 2022 / US – Original

Genre: Rock & Indie

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LP | 2022 | UK | Original (Bella Union)

Warmduscher

At The Hotspot

Release: 2022 / UK – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (BuschFunk)

The Mazookas

Sonntags-Picknick

19,99 €* 24,99 € -20%

Release: 2018 / EU – Original

Genre: Rock & Indie

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Methusalem - Popcorn Sound Of Vienna 1954-1964

10" | 2022 | EU | Original (Club Methusalem)

Look At It In The Light Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Incredible 1954-1964 black pre-pop dance music. The Club Methusalem, Nomen est Omen, is musically dedicated entirely to the biblical times of modern popular music. In our definition it sounds like this: We are playing mid 1940s to early 60s rhythm´n blues, rumba, mambo, cha-cha-cha, rock´n roll, early soul, ska, jazz, schlager, doo wop, gospel, twist – vinyl only. Founded in summer 2016, the Methusalem DJ collective was the musical host in Vienna’s most beautiful urban garden location, the Volksgarten Pavilion, for three summers every thursday. Other locations followed. The Methusalem sound refers to the 500 year old African diaspora, which produced countless musical blossoms in the middle of the twentieth century (see definition). We also shed light on the shock waves of these then new styles on the European music market. Our goal is to show everyone when pop music was at its most beautiful: At the time it was created! Vinyl only is a matter of honor for us. The trend of rediscovering the old dances of the era before, such as Lindy Hop, Shag, Charleston etc., takes us further to the times when all these styles merged into one, the “Rockin an Rollin”, the harbingers of soul and funk, and thus modern pop music. Methusalem DJs: Mrs. Lovett, Don Arno, Turner T., Nikola, Bunani, Levi, Fernando Terror, Scott, Darking Max

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Kate Bollinger

LP | 2022 | US | Original (Ghostly International)

Sergio Messina & The Four Twenties

Release: 2022 / US – Original

Genre: Rock & Indie

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Kate Bollinger's songs tend to linger well beyond their run times, filling the negative space of ordinary days with charming melodies and smart phrasings. She writes them at home in Richmond, Virginia, letting her subconscious lead, an open-ended process she likens to dreaming. From a chord progression appears a line, maybe a syllable will start to stick, enough to pursue, but she says sometimes the words don't feel likeher own, more like shapes that form in the mind's sky. Bollinger's musical universe is relaxed, tender, and unassuming; within lives a timeless sensibility, a songwriter's knack for noticing the little things and their counterpoints. Darkness and light, pain and pleasure, reality and escape. Her new EP, Look at it in the Light, her first project on Ghostly International, is collaborative; she shoots music videos with her friends and colors each of her folk-pop songs with musicians in her community. The title Look at it in the Light is a reference to the aspects of Bollinger's life that she knows need examining. For one, there's her persistent resistance to change _ she chooses to ignore it on the title track ("I try not to notice / I deny my fate"), as wiry strums sync with crisp drums. She surrenders to comfort on "Who Am I But Someone," a light and softly psychedelic number. "Yards / Gardens" finds Bollinger in full swing, skipping verses of uncertainty above a bright and nimble bassline and kick. Guitar riffs unravel across the bridge, trailing her lines like ellipses. The string-backed "Lady in the Darkest Hour" is the set's most luxuriant statement, recorded during a session at Matthew E. White's Spacebomb Studios with in-house arranger Trey Pollard (Natalie Prass, Helado Negro). Here her lines ring bittersweet yet reassuring, uplifted by swells of golden-hued instrumentation. From the hushed abstractions of "I Found Out" to the biting suspicions of closer "Connecting Dots," Kate Bollinger uses every inch of this dazzling EP to find her footing amidst the ever-present sways of life

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Sensual Musicology

LP | 2022 | UK | Original (Hell Yeah)

LP | 2022 | EU | Original (Exile On Mainstream)

Release: 2022 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Legendary Italian musician Sergio Messina serves up his 13 track Sensual Musicology on Hell Yeah this March. It comes a couple of years after he first released on the label's Buena Onda compilation and takes in everything from demented waltz to grown-up jazz, groovy beach music to heart-aching melancholia with artwork by virtuoso Italian AD DeeMo. Now based in Lombardy, Sergio was there at the birth of pirate radio in the mid-seventies and eventually produced Radio art for national broadcaster Rai. At the same time, his DJ career took off and he helped establish Hip hop in Rome before taking his own live show to the stage with a mix of PCs, samplers and tape recorders as early as 1989. Frank Zappa declared himself a fan and in the years since Sergio has done everything from radio art to producing Neapolitan reggae and hip hop band 99 Posse, producing his own solo albums and writing for monthly music magazine Rumore.

On top of this, he has both written books about and delivered lectures on the digital porno revolution, as well as teaching History of Pop Culture at the Istituto Europeo di Design in Milan. All this makes him a truly original creative thinking who has long been immersed in many niche facets of popular culture. Sensual Musicology took several years and four different locations to happen. Its release has been delayed by the pandemic, during which Sergio lost many friends and relatives close to him. As a result, the album is dedicated to all of them. It is a record that addresses many topics from economic migration to jazz piano, 60s blues motifs to corruption, pollution and racism via Michael Jackson covers, odes to West Coast guitar albums and spaced-out pieces of electronica. Opening with the beautifully delicate Mingus melodies of 'Goodbye Porkpie Hat' the album roams through the bluesy Italo-American-Jamaican groove of 'Amara,' slow melancholy of 'Sometimes Remember' with classy vocals from chanteuse Valeria Rossi and 'The Way You Make Me Feel', an acoustic rebuild of Michael Jackson's hit song. Then comes the serenade that is 'Just Because You're Dead,' and ‘Sono Stufa di Tutto’ which is based around a protest speech recorded from the radio in the 1980s. Jon Hassell Beach Bar' is a musical hybridisation for dancing pleasure. The second half of the album takes in 'Ouana Di lambo' which is the Four Twenties taking you to a cocktail bar in the tropics, 'Benjamino Placido' which is a melody for a man who inspired Sergio to start writing his columns, and 'Nowhere Special' which is a tribute to West Coast guitar albums. Closer ‘Switchblade Bolero' has a Zappaesque theme. Sensual Musicology is a rich and diverse musical world that is as thought-provoking and deep as it is emotionally rewarding.

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Arne Heesch

Demons Are Scared

Release: 2022 / EU – Original

Genre: Rock & Indie

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Kensuke Ide with His Mothership

Madam The Whisper / Landline Boogie

7" | 2022 | JP | Original (P-Vine)

Monstruos Y Duendes Volume 3: Medyn

Release: 2022 / JP – Original

Genre: Rock & Indie

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“Madam the Whisper” is the lead single lifted from Ide Kensuke’s second album Contact From Exne Kedy And The Poltergeists. It is paired with “Landline Boogie” on this new limited edition 7” inch release on P-vine records.

Fans of the melody-driven snarl of Shintaro Sakamoto records and the Japanese folk-rock traditions of Happy End will surely find much to like in the crunching leads of “Madam the Whisper”. Always shape-shifting to avoid being boxed into a sound, the opposing tension in the guitars of “Landline Boogie” finds Ide’s reaching for the falsetto, and his catchy multi-layered vocals draw pleasing comparisons to of Montreal and Ezra Furman.

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Myrddin

LP | 2022 | EU | Original (Zephyrus)

Santiago Cordoba & The Bauls Of Bengal

Release: 2022 / EU – Original

Genre: Rock & Indie

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Volume three of his four part solo album set. (Monstruos Y Duendes)The music of Myrddin goes through marrow and bone and is both complex, passionately rhythmic and profoundly emotional.

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Doroja

LP | 2021 | EU | Original (Earthly Measures)

Damon Albarn (Blur / Gorillaz)

Release: 2021 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Earthly Measures are very excited to bring to you 'Doroja', an album by Santiago Córdoba & The Bauls of Bengal. Different to past releases, EM explores another part of the world, introducing you to the traditional sounds of Bengal & its talented musicians. Doroja, is the third album by Argentinian musician Santiago Córdoba, this time in collaboration with The Bauls of Bengal. Recorded at the Hansadhwani Studio in Calcutta, India, where Santiago arrived with only a synthesiser, some effects, and a Legüero Bass Drum (an Argentine percussive instrument used mostly in local folklore) - this album was first conceived in December 2017 during a residency in this mythical city, together with The Bauls of Bengal. The Bauls believe the body and mind are the sources of all truths and that the expression of freedom cannot be restrained by the labelling of genres or religions, something which is evidently expressed in their music. This provides the perfect foundations for this album to develop without limitations and too effortlessly flow to whichever realms both Santiago and the Bauls of Bengal wish to take us too. The album combines traditional songs of the Bauls, rhythmic Jhumar instrumental improvisations with the Argentinian legüero bass drum, and other compositions created together in the studio. The result is a melodic mixture/dialogue of cultures, folklore and ancestral sounds with modern influences that help create an experimental and addictive sound full of electronic textures. Participating in these first recordings: Arpita Chakraborty (vocals), Chandan Ray (dotara), Pijush Baul (Vocals, Dubki) and Tanmoy Pan (percussion), who later, are joined by other artists from different latitudes to achieve a captivating fusion: Matías Romero on strings (Formosa, Argentina), Guilherme Peluci from Mineiro on winds and Daniel Guedes on percussion (Belo Horizonte, Brazil), Porteños Walter Broide on tabla and Cobra Rod on bass (both members of Poseidotica), and the Spanish Ángel Calvo on trumpet.

The album was mixed by Rodrigo Cursach at Delta Uno Estudio, mastered by Daniel Ovie, and the fascinating cover art is by Alejandro Sordi. It will be released on vinyl by the UK based label Earthly Measures, in addition to being available on all digital platforms. ‘Doroja’ means portal, and this album is indeed a magical portal to music, song and dance. Santiago's only means of communication with Bengali colleagues functioned as an astral portal to build the sounds of this journey through strange and unfathomable landscapes that captivate and surprise by building bridges between different cultures of our planet. Santiago Córdoba is a multi-instrumentalist musician born in the city of Buenos Aires who has been developing his unique sound both with his solo project and with prominent bands from the Argentinian independent music scene. He has been developing his solo career through deep musical and spiritual searching, with the infinite journey as a primary objective. In recent years, he has lived in places such as Madrid, Beirut and Berlin and has released two albums: ‘Corso’ (2015) and ‘En Other Places’ (2019).

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The Nearer The Fountain, More Pure The Stream Flows Black Vinyl Edition

LP | 2021 | UK | Original (Transgressive)

Release: 2021 / UK – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Meadows)

Fuzzy Lights

Burials

LP | 2021 | CA | Original (Telephone Explosion)

Release: 2021 / EU – Original

Genre: Rock & Indie

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After a hiatus of over eight years Fuzzy Lights are making a welcome return. Burials is the follow-up to the critically acclaimed album Rule of Twelfths, and the fourth album from the Cambridge-based post-folk collective.

Their sound has been stripped back to its component parts, deconstructed and rebuilt under less obvious influences. There’s a bedrock of folk-rock - predecessors like Trees and Fairport Convention - but this is then built upon through multiple layers, from the stillness of Talk Talk to the orchestral chaos of Godspeed You! Black Emperor. With Burials Fuzzy Lights have cultivated these sounds and influences into something new and fresh that distances the album from the rest of the folk-rock crowd.

The most striking element of these songs is how intimate they are. Lyricist Rachel Watkins has revealed a lot about herself in these seven songs, which have been written from a very personal perspective. Raw experiences have been distilled into each piece, her translucent vocals often betraying the content of the songs themselves. The album is bookended with the most personal of these. Opener ‘The Maidens Call’ reveals her loss from suffering a miscarriage, whilst album closer, ‘The Gathering Storm’ frames the rallying cry of women’s rights around how individuals must work together now, and in future generations, to destroy prejudice. There is also engagement with humanity’s immediate surroundings and the environment. ‘Under The Waves’ deals with devastation of coral reefs, ocean resources and our natural world, and ‘The Graveyard Song’ imagines the perception of time from the juxtaposed views of a yew tree and a young woman.

As scenarios, paths, and outcomes shift around us, Burials’ amalgam of glowering, intense instrumentation, timeless, weightless melody, and exactingly revealing lyricism carves a very particular path through the world. This is music that tears us away from the everyday not just as a form of escapism, but as a means of self-reflection on hardship and the strategies we develop to overcome it. It is the band’s rawest yet most accomplished statement to date.

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Dorothea Paas

Anything Can't Happen

LP | 2021 | US | Original (Western Vinyl)

Release: 2021 / CA – Original

Genre: Rock & Indie

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Anything Can’t Happen is the long-awaited debut album from Dorothea Paas, one of Canada’s most beloved singer-songwriters. For over a decade, Paas has played her unique, prismatic style of folk songcraft for audiences across North America, and lent her talents as a guitarist and vocalist to artists like Jennifer Castle, U.S. Girls and Badge Epoque Ensemble. The songs on this album have been through a near-infinite number of forms – Paas has played them solo and with a full band, electric and acoustic, at house shows and in sold-out venues. they manage to fit inside each context, like water taking the shape of its container. All of this makes Anything Can’t Happen feel far more mature and complex than a debut album. It’s a statement of purpose, a next step in a decade-long process of artistic growth and evolution, and a bridge between the DIY style of Paas’s previous cassette releases and a more refined studio sensibility. Recorded in studios in Hamilton and Toronto, and mixed by Max Turnbull of Badge Epoque and U.S. Girls and Steve Chahley, these songs bring a diverse range of musical influences into conversation: inflected with the layered reverberations of Grouper, shot through with the piercing harmonies of the Roches, electrified with the searing energy of Sonic Youth. You can hear Neil Young in the grittiness of the title track’s guitar; Joni Mitchell’s Hejira in the album’s lyrics, Fairport Convention in Paas’s voice. The influence of Stevie Wonder - one of Paas’s greatest musical role models - is present too, in the album’s conceptual foundations.

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Carter Tanton

19,99 €* 24,99 € -20%

Black Ants Always Fly Together; One Bangle Makes No Sound

Release: 2021 / US – Original

Genre: Rock & Indie

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Carter Tanton Has Been Performing And Recording Music Since The Age Of 15. Over The Years, Tanton Has Toured And Recorded With Numerous Artists Including Marissa Nadler, Strand Of Oaks, Lower Dens, And The War On Drugs. In 2012, He Assembled Freeclouds, His First Collection Of Songs For Western Vinyl. A Couple Of Years Later, Tanton Moved To England Where He Wrote All Of The Songs On His Sophomore Solo Album Jettison The Valley, Which Featured Vocal Contributions By Nadler And Sharon Van Etten.Carter Tanton On His New Self-Titled Album: "I Recorded These Songs From May To September 2017 In My Childhood Home Which Had Been Sitting Empty On The Market For Nearly A Year When I First Brought Over A Microphone And Laptop, Guitar And Piano. I Set Up In My Parents Old Room Because It Had The Best Sunlight And Quietest Electrical Grounding But From The Start An Allegorical Quality Ran Underneath Any Surface Level Pragmatism I Told Myself Was Guiding Things. (...) The Records Which Haunt Me Are The Ones Which Have A Definitive Feeling Of Time. "Plastic Ono Band", Cat Power's "Covers Record", "Seventeen Seconds", The Blue Nile's "Hats" And Lewis' "L'amour" All Seem...

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Kasai Allstars

LP | 2021 | EU | Original (Cramned)

7" | 2021 | JP | Original (P-Vine)

Release: 2021 / EU – Original

Genre: Rock & Indie

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This 4th full-length album by the legendary Congolese collective marks a new milestone in their already rich history, as the band have incorporated their own approach to electronic music into their new compositions. The album was produced by guitarist Mopero Mupemba, who also wrote about half of the songs. Mopero also took care of the often intricate programming, which is perfectly adapted to Kasai Allstars' peculiar rhythmic patterns drawn from traditional trance and ritual music. The album features Kasai Allstars mainstays such as vocalist Muambuyi (whose voice and personality inspired the making of multi-awarded feature film Félicité), vocalist and electric likembe player Kabongo, powerful singer Mi Amor, and instrumentalists Tandjolo and Bayila. Wonderful young vocalist Bijou makes a notable first appearance on several tracks. As is well-known by now, Kasai Allstars was born from the reunion of five bands, all from the Kasai region, but originating from five different ethnic groups whose diverse musical traditions were thought to be incompatible until these musicians decided to pool their resources and work together, an inspiring example of collaboration transcending ethnic and language barriers. Ever since the debut release in 2008, Kasai Allstars' music struck the imagination of music lovers and artists worldwide. They're particularly admired by avant-indie rock, electronic & hip hop musicians and media, who consider it as a kind of "primal rock", an accidental blend of trance and avant-garde. They're admired by artists such as Saul Williams, Questlove and Björk, have engaged in live collaborations with Deerhoof, Juana Molina and Konono Nd1, and have had their tracks remixed by the likes of Animal Collective, Deerhoof, Aksak Maboul, Jolie Holland, Shackleton and more.

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Cantaro Ihara

Gypsy / Rhapsody

LP | 2018 | EU | Original (Caroline)

Release: 2021 / JP – Original

Genre: Rock & Indie

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Tokyo based multi-instrumentalist / singer "Kantaro Ihara'', his music are mainly based on 70's ~ 80's Soul/pops/aor and there are some reputation that he could be new generations of Tatsuro Yamashita, P-vine is confident it is NOT hype. This 7 inch is cutted from his 1st full length "C" which has been released as a digital track so this is the first physical release from him. For fans of Japanese Pops, city pops, AOR etc...

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John & Beverly Martyn

Road To Ruin

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2017 | EU | Original (Crammed)

Yasmine Hamdan

Al Jamilat

Release: 2017 / EU – Original

Genre: Rock & Indie

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LP | 2017 | EU (Akenaton)

Metqal Qinawi

Kottarashky & The Rain Dogs

Release: 2017 / EU

Genre: Rock & Indie

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Metqal Quenawi, born in 1929 in Luxor, Egypt, (also known as a.o. Met'qal, Metaqal Kinawi Metaqal and Awlad Metqal, and active with his Metaqal Rebab Ensemble), developed a style based on folk traditions from southern Egypt. Recovering the traditions of the Said (the southern region around Luxor), Metqal was brought up with the customs of the Fellahin (agricultural labourers who passed on the age-old traditions of Egypt) he mastered the rebab, an violin-like, Bedouin instrument made out of coconut shell, wood and animal skin that's played with a horse hair bow. His many recordings from the '70s and '80s (relesed on various cassettes) disseminated and rescued in the '70s and '80s made Metqal into a key reference in Egyptian music. Thanks to this LP, pressed in an edition of 500 copies, Metqal's music is now also available to western audiences.

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Cats, Dogs And Ghosts

LP | 2016 | EU | Original (Asphalt Tango)

LP | 2017 | EU | Original (Radio Martiko)

Release: 2016 / EU – Original

Genre: Rock & Indie

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After his groundbreaking album 'Opa Hey!' and the raw and groovy 'Demoni', Kottarashky's third album takes us deep into the NYC district called Sofia and introduces us to its street corners brimming with rock, blues, Balkan-style funk and the jazz-flavoured rhythms of late summer. On this album The Rain Dogs are much more than just the back-up band of a lone sonic wizard. This time around the crew comprises some of the most sought-after musicians drawn from the contemporary Bulgarian scene.

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Abdou El Omari

Nuits De Printemps

Nuits D'Ete Avec Naima Samin

Release: 2017 / EU – Original

Genre: Rock & Indie

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Part 3 of the Abdoul El Omari trilogy. For the first time on vinyl.

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Abdou El Omari

LP | 2017 | EU | Original (Radio Martiko)

Madisen Ward & The Mama Bear

Release: 2017 / EU – Original

Genre: Rock & Indie

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Part 2 of the Abdoul El Omari trilogy. For the first time on vinyl.

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Live At Grimeys

LP | 2016 | US | Original (Glassnote)

2LP | 2014 | EU | Original (Heavenly Sweetness)

Release: 2016 / US – Original

Genre: Rock & Indie

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Limited edition for Record Store Day 2016!

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Kasa Tessema

Kassa Tessema

LP | 2024 | EU | Original (Forward Music Group)

Release: 2014 / EU – Original

Genre: Rock & Indie

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Kassa belongs to the long tradition of melancholy raconteurs with a decided gift of gab. And the unique embrace of his deep voice heightens the emotion generated by the hum of his lyrics. For Ethiopians he is, along with the other great traditional voices of the post-war period such as Assèfa Abatè, Fréw Haylou, Asnaqètch Wèrqu or Kètèma Mèkonnen, a perfect example of the culture of the word: poetry and freedom of expression, with an impressive verve that hits the mark, quiet vehemence and merciless loquacity, lovelorn despair and self-deprecation. It must be underscored – to invoke some notion of a virtual scale of values – without exaggerating that there is a certain similarity between Ethiopians’ perception of Kassa Tèssèma’s “music” and the rapture Emahoy Tsegué-Maryam Guèbrou’s piano playing inspires in non-Ethiopian audiences. Each in his own way, both these artists are able to captivate their listeners. Music that demands to be listened to.

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Mo Kenney

From Nowhere

Sings I Walk The Line 8 Tracks Limited Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-09-06

On their fifth studio album, Mo Kenney embraces the textures of ambiguity and the rich blur of being, failing, and becoming. As they shift through lush arrangements that touch on dreamy folk, sparse alt-country, and warm, hazed-out lo-fi pop, everything is up for interpretation and nothing is fixed. In their lyrics, Kenney opts instead to defy definition, making room for non-linear and fragmentary sentiments that challenge their own feelings about personal growth, acknowledge the slippery and shadowy nature of memory, and build love songs that conjure the bonds of friendship just as much as they hint at romance.

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Johnny Cash

LP | 2024 | Original (Number One Essentials)

Release: 2024 / Original

Genre: Rock & Indie

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Preorder shipping from 2024-08-16

LP | 2017 | Original (Crosscut)

Harry Marte

Little Prayers

Release: 2017 / Original

Genre: Rock & Indie

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12" | 2024 | WW | Original (Emre)

Baris Manco

Egri Egri Dogru Dogru EP

Release: 2024 / WW – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Norske Albumklassikere)

Shit City

God Bless Our Home

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Texas Tapes Purple Vinyl Edition

Rainer & Das Combo

LP | 2017 | UK | Reissue (Fire)

19,99 €* 24,99 € -20%

Release: 2017 / UK – Reissue

Genre: Rock & Indie

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LP | 2023 | EU | Original (Intermusic)

Dave Van Ronk

Folksinger

Release: 2023 / EU – Original

Genre: Rock & Indie

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Nico Paulo Colored Vinyl Edition

Nico Paulo

LP | 2023 | Original (Forward Music Group)

Release: 2023 / Original

Genre: Rock & Indie

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Nico Paulo Black Vinyl Edition

Nico Paulo

LP | 2023 | Original (Forward Music Group)

Release: 2023 / Original

Genre: Rock & Indie

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LP | 2023 | UK | Original (None More)

Joe Woodham

Worldwide Weather

Smoke & Oakum Orange Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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Joe Woodham's brand new album 'Worldwide Weather', his first solo album for None More Records, is due out just in time for the Summer Solstice 2023. A musical interpretation of how the moon interacts with our oceans, the album is a hazy, looping soundscape built around warm synths, hypnotic tape loops, cosmiche guitar, ambient washes, field recordings, folk melodies and gentle propulsion and percussive beats, searching for hidden signals in the shipping forecast.

Joe is a long time fellow in the brotherhood of Jouis, spending formative years on the road, evolving within the festival circuits and releasing two studio albums; Dojo (2014 Beetroot Records) and Mind Bahn (2019 None More Records).

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The Longest Johns

LP | 2023 | EU | Original (Decca)

Release: 2023 / EU – Original

Genre: Rock & Indie

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D-Vine Spirituals Records Story Volume 2

LP | 2022 | EU (Bible & Tire)

20,39 €* 23,99 € -15%

Release: 2022 / EU

Genre: Rock & Indie

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King Wasiu Ayinde Marshal I

Talazo Fuji Music Party!

LP | 2022 | EU | Original (Decca)

20,69 €* 22,99 € -10%

LP | 2023 | UK | Original (Maple Death)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Back in Nigeria in 1995 everybody knew King Wasiu Ayinde Marshal I. Just
about every house party and club floor, every shop front and car window,
pulsed to such megahits as ‘Talazo’ and ‘Consolidation’; to the percussion-rich
polyrhythms and Yoruba chants typical of Fuji music, a genre this one-time
roadie (for Fuji music icon Ayinde Barrister) had customised by adding more
percussion – congas, the sakara frame drum – and an attitude straight off the
street.
Wasiu Ayinde had nearly twenty years’ worth of national fame under his floor
length robes (and occasional zebra-striped jumpsuits) when he played his first
ever WOMAD Festival that same year. Booked in for a session at Real World
Recording Week shortly afterwards, the artist and his 16-piece band were
inadvertently delayed and pulled in to Real World Studios in Box, Wiltshire eight
hours late. The recording went ahead regardless. Against the clock. On-thefly. With a small live audience in party mode and microphones placed about
the floor, Wasiu Ayinde and his crew rode the adrenalin, summoning a set that
moved from trance-like call-and-response and vibrant Afropop ballads to those
aforementioned megahits, all of it soaked in groove and feeling. A kingly feat,
that seems even more majestic now.

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Dead Horses

Sunny Days

20,79 €* 25,99 € -20%

Release: 2023 / UK – Original

Genre: Rock & Indie

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A Mark Twain August - With A Beaker … Volume 2

Alvarius B

LP | 2017 | US | Original (Abduction)

20,89 €* 21,99 € -5%

Release: 2017 / US – Original

Genre: Rock & Indie

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Live In San Francisco Late 1969

Sandy Bull

LP | 2023 | EU (Trading Places)

20,89 €* 21,99 € -5%

Of Shadows Deluxe Edition

Release: 2023 / EU

Genre: Rock & Indie

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Sandy Bull’s unorthodox approach to guitar was as unique as his personal circumstances. Son of jazz harpist Daphne Hellman and brother to the sitarist Daisy Paradis, Bull became part of the bourgeoning Greenwich Village folk circuit. A move to San Francisco in 1963 found him sharing an apartment with Nubian oud master, Hamza El Din, which had a profound effect on his playing, spurring early world music experiments. The previously unreleased Live In San Francisco features bluesy electric ‘Memphis, Tennessee’ and ‘Instrumental Blues,’ plus the abstract ‘Untitled Instrumental’ and ‘Solo Experimental,’ all classic morsels of Bull wizardry.

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Fabrizio Cammarata

LP | 2023 | UK | Original (800a)

Release: 2023 / UK – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Rumi Sounds)

Erbatur

Ukde

20,99 €* 29,99 € -30%

The Discomfort Of Evening

Release: 2023 / EU – Original

Genre: Rock & Indie

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Turkish underground rock misfit Erbatur Çavusoglu's first solo album is finally here: an intimate collection of previously unreleased songs and new versions, with fresh arrangements by Big Daddy Mugglestone. The result is like Iron & Wine being fronted by a Taksim Square street poet, or a Turkish Crazy Horse.

Erbatur's wavering falsetto delivers heartfelt and tender songwriting, accentuated by an eclectic band of old and new Berlin friends. A must for fans of Indie Americana and Turkish Psychedelic Folk, this is a warm and haunting departure from his previous work with Zardanadam, deeply personal but with open arms.
Supported by Initiative Musik gGmbH with project funds from the Federal Government Commissioner for Culture and Media

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Michiel De Malsche

LP | 2022 | EU | Original (Meakusma)

2x10" | 2022 | EU | Original (Okraïna)

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance, Classical Music

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The Discomfort Of Evening is the incredible and original soundtrack by prolific Belgian composer Michiel de Malsche to 2020 International Booker Prize winner The Discomfort of Evening by Marieke Lucas Rijneveld. Visceral and virtuosic, Rijneveld's novel follows Jas, a girl growing up in a devout Christian family that runs a Dutch dairy farm, whose brother dies in an accident after she wishes he would die instead of her rabbit. Lost in grief, her family falls apart as she becomes consumed by increasingly dangerous fantasies.

Michiel de Malsche has captured the atmosphere and spirit of Rijneveld's book perfectly, moving through moments of confrontation and introspection, sinking into spirals of despair, stasis and subtle hope and change. Brooding ambient basslines, driven by droning murmurs, are offset with melismatic electro-acoustic pieces that embody the novel's haunting and dissonant world, whilst also incorporating manipulated field recordings such as animal sounds and a church service, allowing for a full manifestation of Jas’s world in a completely new way.

De Malsche achieves this by rallying an unusual combination of acoustic instruments (16 in total) played by top-of-their-field musicians, creating a truly unique sound world and tonal palette, including an Ondes Martenot, a 7-stringed Chinese instrument called a guqin, a marimba, a string 6-tet, a toy piano and a bass flute.

De Malsche always confronts all emotional levels of his source material head-on, making his soundtrack into much more than just a fever dream. It is a precise description of, and accompaniment to, a devastatingly impactful book.

Michiel De Malsche is a Belgian composer, multi-instrumentalist and sound designer. He studied classical composition at the conservatories of Rotterdam and Ghent. His music has been performed all over the world and he has composed and produced dozens of soundtracks for contemporary dance, theatre, movies and documentaries.
Besides his work as a contemporary classical composer, he is active as a studio musician and producer in the world of electronic music.

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Maher Shalal Hash Baz

Je Est Un Autre

Release: 2022 / EU – Original

Genre: Rock & Indie

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Het Vlier, Een Hommel Op Aarde

Linus Vandewolken

2x10" | 2022 | EU | Original (Okraïna)

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Adagio 830)

Fletcher Tucker

Unlit Trail

Release: 2021 / EU – Original

Genre: Rock & Indie

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Summer Sun / Like Stone (Sean Ono Lennon Remix)

Matt Berry

12" | 2022 | UK | Original (Acid Jazz)

Release: 2022 / UK – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Corduroy Punk)

Josienne Clarke

I Promised You Light

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2021 | UK | Original (Outernational)

The Mallory-Hall Band

The Last Special

LP | 2021 | UK | Original (Outernational)

Release: 2021 / UK – Original

Genre: Rock & Indie

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Outernational Sounds very proudly Presents The Mallory-Hall Band "Song of Soweto" & "The Last Special". Limited, fully licensed digital and vinyl reissues of two crucial South African sessions led by Charles Mallory and Al Hall, Jnr., featuring Kirk Lightsey, Marshall Royal, Rudolph Johnson, Billy Brooks and more! Essential companion pieces to Kirk Lightsey’s legendary ‘Habiba’. Featuring tracks: Song Of Soweto: Side A – ‘Song of Soweto’, ‘Hamba Samba’; Side B – ‘Cape Town Blues’, ‘Moroka Rock’, ‘The African Night’ The Last Special: Side A - ‘The Last Special’, ‘Princess of Joh’Burg’; Side B - ‘Amafu (Clouds)’, ‘Blue Mabone’ Never released outside South Africa, and out of print since 1974, Outernational Sounds presents two long-lost Johannesburg sessions from the Mallory-Hall Band – an all-star review of West Coast jazz stars who toured apartheid South Africa in the mid-1970s. Sanifu Al Hall, Jnr. is a musician’s musician. During a storied career stretching across six decades, Hall has recorded with the greats of the music including Freddie Hubbard, Doug Carn, and Johnny Hammond, and leads his own Cosmos Dwellerz Arkestra. But until recent years, the only records on which he had appeared as leader were a brace of rich, funky LPs, Song Of Soweto and The Last Special, issued only in South Africa under the moniker of The Mallory-Hall Band (named for Hall and his co-leader, guitarist Charles Mallory – musical director for Martha Reeves and the Vandellas, Mallory was conductor for Dusty Springfield touring bands, and had worked with John Lee Hooker, Stevie Wonder, and many others). Neither LP had any wider release, and both have remained out of print since 1974. How did a young stalwart of the Los Angeles jazz scene end up in a recording studio in apartheid South Africa? Al Hall, Jnr. and Charles Mallory had arrived in South Africa as part of the touring band for the singer Lovelace Watkins. Sometimes billed as ‘the Black Sinatra’, the Detroit-born Watkins sang standards and ballroom classics on the Las Vegas circuit. He never made it big in the US, but in his 1970s heyday he was a huge star in southern Africa, and 1974 he hired a jazz big band to accompany him on a tour of South Africa – Hall and Mallory were part of the line-up, alongside Mastersounds bassist Monk Montgomery, pianist Kirk Lightsey, tenorist Rudolph Johnson, drummer Billy Brooks, and Marshall Royal, musical director of the Count Basie band. The tour was a huge success, and during downtime from performing, members of the group managed to independently record no fewer than three albums. Lightsey and Johnson’s stunning Habiba was the first (reissued as Outernational Sounds OTR.013), and it was followed by two crucial sessions led by Hall and Mallory – Song of Soweto and The Last Special, issued on the local IRC imprint. Visiting apartheid South Africa in 1974 was a controversial choice for any artist. Numerous artistic and cultural bodies around the world had already announced that their members would boycott the country in solidarity with the struggle against apartheid, and working in South Africa was severely frowned on by anti-apartheid activists everywhere. For a Black band, touring the country to play to mostly white audiences could have been seen by many both inside and outside South Africa as a questionable decision. ‘It was a batch of mixed reactions when I choose to visit South Africa whilst apartheid policies were in place,’ Hall recalls. ‘To me the choice was a simple one – “I wanna see for myself!” I also wanted to be a part of breaking down racial barriers, having been down some of the same roads in my own country.’ The albums were recorded by a twelve-piece band at Johannesburg’s Video Sounds Studios in December 1974, and feature the legendary pianist Kirk Lightsey, Black Jazz recording artist Rudolph Johnson, and the rest of the touring band. Both records are superbly arranged slabs of peak 1970s funky big band soul jazz, with tasteful Latin inflections and more than a nod to South Africa’s upful township jazz sound. They are the sonic traces left by a seasoned African American band who were touring South Africa in the depths of the apartheid era, and who immediately moved beyond the segregated hotels and ballrooms to build links with local South African players and audiences. Never previously available outside South Africa, Outernational Sounds’ new editions of Song of Soweto and The Last Special (alongside our edition of Kirk Lightsey’s Habiba) represents the first time these albums have been in print for nearly fifty years. Fully licensed from Gallo Records and pressed at Pallas in Germany from Gallo’s original masters, they feature new sleeve notes from Francis Gooding (The Wire) based on interviews with Al Hall, Jnr., and a reminiscence from pianist Kirk Lightsey.

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The Mallory-Hall Band

Song Of Soweto

LP | 2021 | EU | Original (Zephyrus)

Release: 2021 / UK – Original

Genre: Rock & Indie

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Molo Sayat

Hadaeq

LP | 2021 | EU | Original (Crows Feet)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Mòlo Sâyat is the meeting of souls of Lebanese singer Pl Seif and some European instrumentalists. Their repertoire has established its base camp around the Mediterranean Sea without renouncing their sporadic visits deep inland. Led by an ear cravingthe beauty of contradictions, the band composes songs in Arabic, Italian and Romani language. Voices and instruments rise up together to invoke a chimeric and colourful folklore and to transport the listeners into a voluptuous inner-world.

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Jack Broadbent

Ride

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Morphine)

Gordan

Down In The Meadow

Swaying Steady Seamsplit Sleeve Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Truly adventurous and life enhancing music that invigorates your soul. TIP!

Press Release:

Gordan join traditional Serbian singing with abstraction, energy and minimalism. Their music is marked by radical reduction, seemingly endless ascension and a passion for experiments.

The Serbian singer Svetlana Spajić is an internationally recognized and acclaimed artist. She, like almost no other contemporary singer, is a master of all the complex local stylistic variations of singing from Balkan music. Guido Möbius plays bass and various electronic sound generators. Additionally he uses guitar amps, microphones and effects to provoke feedback which either harmonize or are juxtaposed with the song. It is a dialogue between sound and noise which is accentuated or fragmented by means of Andi Stecher’s expressive drumming. With a rich pool of ideas the percussionist drives the sound forward breathlessly and grounds it. Together the trio form a dynamic body of sound.

Gordan recorded their debut during the first wave of the Covid19 pandemic in Europe in March 2020. Due to the lockdown in Berlin at that time the city didn’t have many distractions to offer, so the trio just concentrated on work. The atmosphere of being isolated in a recording studio had a big impact on the musical results. All three band members came up with ideas for new pieces, which were immediately tested, worked out and recorded. On abstract instrumentals provided by Stecher and Möbius, Svetlana Spajic sometimes reacted with personal interpretations of serbian traditionals, and the other way around. Most of the time it was as if the music just happend to the band; playing together felt natural from the first moment on.

Some of the old serbian traditional songs that Spajic sang are extinct forms with a specific local melodic mode. The skillful improvisation of their lyrics and ornaments was of great importance and very estimated among village singers. The title song Down In The Meadow for instance originally is a love song from the village of Odevce in eastern Kosovo, Serbia. The singing manner is of a great intensity and sonority, with lots of specific local ornaments. It disappeared along with the village communities from the area. Oh, my Rose flowers is from the region of Kopaonik mountain (southwest Serbia) and the mode, scale is known as ”kopaonički glas” (Kopaonik mountain air). Svetlana adopted the style from the late singer Veličko Veličković from the village of Ostraće. It is an old mountain solo chant, rich in fast ornamentation movements and microtonal intervals. Don’t ask how I live is Svetlana’s homage to the new popular folk music movement from the 80ies known as Južni Vetar (Southern Wind) led by a musician and composer Mile Ilić, known as Mile Bas (“Mile the Bass”) which revolutionized popular music introducing tabooed oriental music and original arrangements.

All music by Spajic Stecher Möbius except ‘Don’t Ask How I Live’ by Miodrag M. Ilić, original title Što me pitaš All lyrics are traditional, except ‘Don’t Ask How I Live’

Svetlana Spajic — vocals Andi Stecher — drums & percussion Guido Möbius — bass, feedback, electronics

Recorded by Alberto Lucendo at UFO sound studios Berlin in March 2020 mixed by Morphosis Mastering by Neel at Enisslab, Rome Artwork by Lorenzo Mason Studio

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Megan Siebe

LP | 2021 | US | Original (Shrimper / Grapefruit)

LP | 2021 | EU | Original (Wah Wah)

Release: 2021 / US – Original

Genre: Rock & Indie

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A few copies arrived with split sleeve that we offer at a lower price.

Megan Siebe is a multi-instrumentalist, songwriter and arranger from Omaha, Nebraska. She’s cut her teeth as a member of bands such as Simon Joyner & the Ghosts, The David Nance Group, Cursive, Sean Pratt & the Sweats, The Jim Schroeder Sextet, and many others, touring nearly non-stop for the last decade. She’s also written string arrangements for albums by Refrigerator, John Davis, the Renderers, Dennis Callaci, L. Eugene Methe, Justin Townes Earle, and Anna McClellan. But all the while she was writing her own intimate, finely-crafted songs in secret, only breaking them out around the occasional Nebraska campfire amongst friends. A break from touring in other bands these last fifteen months has allowed Siebe more time to focus on a powerful cycle of songs she’s had brewing for some time. Grapefruit and Shrimper are proud to join forces to release Megan’s humble yet astonishing debut. Swaying Steady is a gorgeous collection of literate and evocative singer-songwriter, country-tinged, melancholy pop songs about relationships in crisis, bad seeds, family, and emotional endurance. For fans of Lucinda Williams, Harry Nilsson, Elyse Weinberg, Nick Drake, and Sibylle Baier.

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Bazali Bam

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