Folk Vinyl 4698 Items

Release: 1990 / DE

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

blue vinyl.

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Long Story Short: Willie Nelson 90: Live At The Hollywood Bowl

2LP | 2023 | EU | Original (Sony Music Catalog)

31,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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2LP+Box Set | 1974 | JP | Original (CBS/Sony)

New Gift Pack

11,99 €*

Release: 1974 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Simon & Garfunkel = Simon & Garfunkel

Pack 20

LP | 1973 | JP | Original (CBS/Sony)

Bluegrass Marbled Vinyl Edition

Release: 1973 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with OBI and insert

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Willie Nelson

LP | 2023 | EU | Original (Sony Music Catalog)

Release: 2023 / EU – Original

Genre: Rock & Indie

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La Vie En Rose-The Collection & Biografie

Edith Piaf

LP | 2021 | EU | Original (ZYX)

16,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Ecuatoriana - El Universo Paralelo

LP | 2023 | EU | Original (Analog Africa)

32,99 €*

American IV: The Man Comes Around

Release: 2023 / EU – Original

Genre: Rock & Indie

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On 12 February 1949 an angry mob stormed into the centre of the Ecuadorian capital of Quito, burning the offices of the city’s main newspaper and its oldest radio station to the ground.

On that tragic day Radio Quito had just broadcast a local adaptation of H.G. Wells’s The War of the Worlds. The novel – first published in 1898 and famously adapted into a radio series by Orson Welles – is one of the earliest stories to depict a conflict between mankind and a hostile race of extra-terrestrials. The large audience - not understanding that it was pure fiction - believed that intergalactic intelligence had invaded the country as all hell broke loose. Thousands began running the streets of Quito looking for shelter, chaos broke out, causing a deadly stampede. People blamed the broadcaster for the tragedy, formed a dense crowd and stormed Radio Quito, setting it ablaze. Several musicians, who were there performing, were killed.

In the decades after the second world war, outer space was on everyone’s mind and the ‘space race’ of the 1950s and 60s not only produced groundbreaking efforts to launch artificial satellites, send space probes to Mars and land a human on the moon, it also had a huge impact on the movie and music industry which was taking advantage of the world‘s fascination with space voyages and lunar missions to create instruments capable of mimicking imaginary interstellar sounds. These synthesised space effects that captivated the imagination of a whole generation of young Ecuadoreans coincided with a period in which workers and musicians from the provinces started flocking to Quito and to the commercial port of Guayaquil, some hoping to find regular work, others looking to break into the musical big leagues by getting hired by one of the prestigious urban radio station. These artists brought riches of rhythms to the major Ecuadorian cities who would soon witness the explosion of what would be known as “Andean Cumbia”.

That fusion, of tropical electronics mixed in with Andean melodies and lyrics describing the cruel reality of migrant workers, achieved massive success. And so while budding Ecuadorian UFOlogy lead to widespread extraterrestrial sightings, Ecuadorian musicians began released various albums consisting of traditional music combined with synthesisers in order to bring their traditional music into the space age. One of these musicians is Polibio Mayorga who had travelled 160km from his hometown of Chisalata to Quito where he showcased his talent as he championed the art of modernising his region’s ancestral rhythms - Huaynito, Sanjuanito, Albazo and many others - using the latest in electronic instruments.

After 4 years with Los Locos del Ritmo, one of Ecuador’s most popular bands, Polibio joined Fadisa (Fabrica De Discos S.A) in 1973 as a solo musician and songwriter before becoming their musical director a year later. While there he would team up with saxophonist extraordinaire Olmedo Torres, and for 10 years they would compose and arrange hits, not only for themselves but also for their fellow artists in the Fadisa family. Although Fadisa had countless labels in their roster, the jewel in their crown was Rondador and it was on that imprint that Polibio would release “Ponchito de Colores” and his famous album “La Farra Está Aquí”. With their novel use of Moog synthesiser, both become huge hit records and were broadcast constantly by Cosmopolita and Marañón de Quito – the two major radio stations of the capital. This led to a surge of interest in Andean cumbia, and the subsequent record sales helped to revive the country’s flagging music industry, turning Polibio into Ecuador’s most influential musician.

Polibio has never considered his music to be “tropical psychedelia” - although he thinks it would make a good name for a band. He has the sense of humour of a genius and the ability to make anyone laugh, yet he remains discreet, eloquent and humble … but as a musician he is daring and visionary, with an intrepid, vigorous style almost impossible to imitate. More than perhaps any of his peers, Polibio Mayorga established a unique place for himself at the vanguard of tropical music.

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Johnny Cash

2LP | 2002 | EU | Reissue (Universal)

38,99 €*

Tamino Ep Gold Vinyl Edition

Release: 2002 / EU – Reissue

Genre: Rock & Indie

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Reissue of this classic produced by Rick Rubin on 180 gram vinyl

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Tamino

10" | 2022 | EU | Original (Unday)

Buck Owens & His Buckaroos

Release: 2022 / EU – Original

Genre: Rock & Indie

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The 2017 groundbreaking debut EP for Tamino-Amir Moharam Fouad, Tamino in short. The grandson of Egyptian actor/musician Moharam Fouad stormed the charts with the brilliant single 'Habibi', a song that envelops itself in a mist of melancholy and gloom. Tamino's phenomenal voice, ranging from a deep croon to a towering falsetto, goes right to the bone. He combines the tradition of the greatest singer-songwriters with his own Arabic roots. Belpop history was made right there.

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Christmas With Buck Owens And His Buckaroos

LP | 2022 | EU | Original (Sundazed)

31,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Lady Aicha & Pisko Cran's Original Fulu Miziki

N'djila Wa Mudjimu

LP | 2022 | UG | Original (Nyege Nyege Tapes)

LP | 2022 | US | Original (Sahel Sounds)

Release: 2022 / UG – Original

Genre: Rock & Indie

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In 2003, Pisco Crane assembled a six-piece band from motivated and talented like minds in the Kinshasa slums where he grew up. Pisco had been involved with a handful of local rap acts when he was younger, but after meeting legendary instrument builder Bebson De La Rue, he was inspired to follow a new path. He set about building instruments from the discarded trash that surrounded his city: bits of old computers or oil cans were fashioned into bass guitars and drums, and keyboards were bashed together using springs, metal pipes, and offcuts of tubing. If there was a core philosophy that guided Pisco at this stage in his journey, it was that everyone should have access to instruments, no matter where they come from or what their budget might be. And following in the footsteps of Bebson, Pisco locked into a Congolese tradition that touches on the eccentric genius of globally lauded artists like Konono N§1 and Staff Benda Bilili. Over the years, Fulu Miziki's notoriety grew in the Kinshasa underground - their utopian vision of the future was infectious. Eventually, they were joined by performance artist, sculptor and fashion designer Lady Aisha, who offered the band unique colour and a soulful central focus. Influenced by Kinshasa's street performance scene, Aisha helped the band devise vivid masks and costumes that were as electric and singular as the instruments they played, and the scene was set. In 2020, as the world was plunged into lockdown, footage of Fulu Mziki went viral and their star began to grow exponentially, with a video of the band preforming the track 'Tikanga' racking up millions of views on Facebook. The band used this opportunity to work on documenting their sound, and shored up at the Nyege Nyege studios in Kampala for a year to assemble a definitive album. Recorded by HHY & The Macumbas' Jonathan Saldanha, this record captures the band's furiously innovative mixture of industrial sonics, spiritual jazz, punk, and Congolese soukous pressure. At their best, Fulu Mziki sound almost completely out of time, curving pounding rhythms around microtonal clanks, rousing chants and spiky sonics. On 'Mutangila', there's a hint of disco in the 4/4 stomp, but it's been shifted into a post-punk ritual, adorned with complex bell percussion and overlapping vocals. 'Congo' is even harder to define; electrified buzzes form a bassline, but it's the mindboggling rhythms that shuttle the track into psychedelic realms, led confidently by Lady Aisha's limber rhymes. Fulu positively slither on the sultry, industrial-influenced 'Sebe', while 'Tikanga' reminds of Congo's rumba-derived soukous traditions, materializing the sounds into the future with tight, pounding percussion and head-melting fx. The story of Fulu Miziki is sprawling and complex and constantly evolving, with various offshoots and band iterations. Two members left the band in 2016 to form Kokoko! with French producer Débruit. Not long after they recorded this magnum opus album, several other original members left to form a similarly named outfit currently based in Europe. This other incarnation recently released an EP of electronic productions without the band founder Pisko Crane and lead vocalist Lady Aicha, on the UK based Moshi Moshi records. Pisco and Lady Aicha currently lead a different outfit in Kinshasa made up of completely new musicians. This full-length is the remaining proof of Fulu Miziki at their most vital and most complete - it won't be repeated - and can never be recreated. It's an essential portrait of one of the Democratic Republic of Congo's most innovative contemporary outfits, and some of the most surprising hybrid music you're likely to hear.

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Wau Wau Collectif

Mariage

LP | 2022 | EU (Outside Music)

Release: 2022 / US – Original

Genre: Rock & Indie

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Wau Wau Collectif's second album, Mariage, is instilled with a newfound sense of purpose. Expanding upon the inspirational themes of their acclaimed 2021 debut, Yaral Sa Doom (Educate The Young), this long distance collaboration from musicians in Senegal and Sweden's Karl Jonas Winqvist is an even more stylistically expansive affair Joyful children's songs collide with fuzzy guitar solos and thumping hip-hop beats. Shimmering synths lift off from the plunky percussion of the balafon and versatile sounds of the 22-string kora. Familiar voices from the first album return with more explicitly political lyrics, while the music feels both rhythmically dense and sonically weightless, flowing from one spellbinding moment to the next. For Mariage, band members from each country were inspired to include a wider array of instrumental flourishes unique to their cross-continental collaboration. "Yay Balma" revolves around the cycling riffs of Jango Diabaté's xalam guitar, as this song's fuzzy tones and soaring sax solos open side two with a bang. "Pitchi Goubidi" provides a stark contrast, with the kora played like a harp and Gilbert Badji's gravelly lyrics about "the bird of the night" disappearing into dubbed-out chamber pop. Winqvist's omnichord hovers back into focus on "Yonou Natangue," a free-floating jam that maintains the messages of Wau Wau Collectif's debut, promoting youth education to address the social issues facing contemporary Senegal: "Peace is the better wealth / The way to wander."

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Abigail Lapell

Stolen Time

Release: 2022 / EU

Genre: Rock & Indie

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LP | 2021 | EU | Original (Not Now)

Ink Spots

Best Of

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Die True)

Jesse Daniel

Beyond These Walls

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 1979 | EU | Reissue (Sundazed)

Annette Peacock

Perfect Release

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | EU | Reissue (Atlantic)

Boz Scaggs

42,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 2019 | EU | Original (BBE)

Lumingu Puati (Zorro)

Mosese

LP | 2012 | US | Original (Dead Oceans)

Release: 2019 / EU – Original

Genre: Organic Grooves, Rock & Indie

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In the late Congolese musician Lumingu Zorro, protégé of Kinshasa’s legendary 60s band leader Dr Nico, recorded Mosese, his only pre-2000 solo album, for the Tabansi label- and this is it.CHAMPETA STORM WARNING! The first-ever reissue of one of West Africa’s best-kept rumba-soukous secrets- as well as being one of the most in-demand titles on Colombia’s booming Champeta sound system scene, where a rare record is protected as fiercely as on the Northern Soul or Jamaican sound system scenes, the label scratched off, the record hidden from view when not on the turntable.Possibly one of the strongest and most consistent Congo dancefloor albums ever recorded perfectly balanced between voices, horns, guitars and percussion.Which is why original copies of this all-time rumba rarity almost never reach the open market, being traded between Colombia’s champeta picoteros (sound system selectors) instead.In Kinshasa they say ‘Miziki ezelaki eleng ndeko’- ‘Sweet music, brother!’. Roger that

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The Tallest Man On Earth

There's No Leaving Now

LP+7" | 2012 | FR | Original (Fargo)

Release: 2012 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Still in shrink but opened, with hype sticker. Cover has tiny corner wear. Vinyl is close to NM.

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Two Gallants

The Bloom And The Blight

Alexander ''Skip'' Spence

Release: 2012 / FR – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Still in shrink but opened with hype sticker. close to NM. With 7".

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Andoaragain Record Store Day 2019 Edition

3LP | 2019 | US | Original (Modern Harmonic)

64,99 €*

LP | 1966 | UK | Reissue (The state51 Conspiracy)

Release: 2019 / US – Original

Genre: Rock & Indie

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AndOarAgain provides unparalleled access to what David Fricke calls ''the most harrowing and compelling artifacts of rock & roll's most euphoric era, across three dozen unheard tracks! A triple LP pressed at RTI, AndOarAgain features nearly two hours of unheard music on the way to Oar –along with roads not taken–that both clarifies and muddies the enigma of how psychedelic legend Alexander ''Skip'' Spence determined the final state of his iconic masterpiece.

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Donovan

Sunshine Superman

Roberto Musci / Giovanni Venosta

Release: 1966 / UK – Reissue

Genre: Rock & Indie

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Donovan Philips Leitch is a Scottish singer-songwriter and guitarist who in the 1960s developed an eclectic and distinctive style that blended folk, jazz, pop, psychedelia, and world music. He emerged from the British folk scene and reached fame in the UK in early 1965 before replicating this in the US the following year, baring the fruits of the blossoming, successful, and eventually long collaboration with record producer Mickie Most.

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Water Messages on Desert Sand

LP | 1987 | EU | Reissue (Rer Vinyl)

LP | 1969 | US | Reissue (Intervention)

Release: 1987 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Another great release in the prestigious ReR Recommended vinyl reissue series.
Water Messages on Desert Sand was the very first sound creation from the Italian avantgarde duo of Roberto Musci and Giovanni Venosta. A classic work in the genre, released by Chris Cutler's Recommended Records in 1987.
Back in the mid Eighties, Musci & Venosta, both on sampler, synthesizer, guitar, piano, effects and tapes were masters in overlaying and constructing rhythmic and harmonic pictures of transparent sound from electronic, acoustic and documentary source, taking ethnic field recordings (from Africa, Indonesia, Asia, India) as their thematic centre. "Water Messages" finds place In the realm of Eno-Byrne "My Life in the Bush of Ghosts" but far more accomplished and developed. A rich moving and still very stimulating work and an essential purchase for anyone interested in adventurous modern art informed by ethnic music and sound explorations. In two words: Highly Recommended!

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The Flying Burrito Bros

The Gilded Palace Of Sin

49,99 €*

Release: 1969 / US – Reissue

Genre: Rock & Indie

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LP | 2010 | US | Original (Dead Oceans)

The Tallest Man On Earth

The Wild Hunt

LP | 2012 | EU | Reissue (Myproudmountain)

Release: 2010 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Tiny wear. Vinyl is close to NM.

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Nate Hall

A Great River

23,99 €*

Mark Ernestus' Ndagga Rhythm Force

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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A Great River only captured a single, brief, impulsive moment. Recorded in a single March evening, it is as pure and honest as music gets. The songs are regretful of the bad times, hopeful of times to come, and respectful of the great power that causes all thing to be. It is a reflection of a lifetime spent with the echoes of Dylan, Young, Petty, Springsteen, and Van Zandt. It draws from the rich musical history of America, the melancholy of Appalachia, and harnesses the "electric vacuum roar" of guitar slingers past and present.The river doesn't ever stop. It is a continuous bringer of whatever it touches, and whomever is chosen to step within its waters.The first time I heard Nate Hall's voice I knew that I was hearing something that would haunt me forever. The unmistakable sound of mountains' wind and the desperation and anguish of truth and experience.Authenticity isn't something you can acquire. Either you are or you are not.Nate's work shows a depth of heart and a pure channeling that you wont come across 10 times in your life.This is the work of the soul that we all know.And the soul that knew us first.You aren't born into this and you don't die out of it. This is eternity, and it brings us all to the center of the river that wants us to be here at this moment.- Scott Kelly

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Yermande

12" | 2015 | DE | Original (Ndagga)

8,99 €*

Release: 2015 / DE – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance, Reggae & Dancehall

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Used Vinyl

Medium: VG+, Cover: Generic

7" | 2009 | US | Original (Drag City)

Bonnie "Prince" Billy

Stay

7,99 €*

LP | JP | Original (Barclay)

Release: 2009 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl with a couple of light scuffs

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Danielle Licari

Danielle Licari Max 20

The Mugwumps Orange Vinyl Edition

Release: JP – Original

Genre: Rock & Indie, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi

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The Mugwumps

LP | 1967 | US | Reissue (Sundazed)

30,99 €*

Release: 1967 / US – Reissue

Genre: Rock & Indie

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The Fear Of Standing Still

American Aquarium

LP | 2024 | Original (Losing Side - Thirty T)

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | US | Original (McCoury Music)

The Del Mccoury Band

Songs Of Love And Life

Release: 2024 / US – Original

Genre: Rock & Indie

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Petty Country: A Country Music Celeb. Of Tom Petty

2LP | 2024 | Original (Universal)

38,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Outside Music)

Abigail Lapell

Anniversary

Kelasea / Colored Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Award-winning Toronto songwriter and multi-instrumentalist Abigail Lapell returns with "Anniversary", an evocative collection of original love songs. Produced with Great Lake Swimmers’ Tony Dekker, the album was recorded at 200-year-old St Mark’s Church in Niagara-on-the-Lake, Ontario. Dekker helped shape the sessions’ spooky, resonant sound and also lent his voice to a couple of spellbinding duets.

Lapell’s deft lyrics jostle with love song tropes, grappling with love’s finitude and the irony of how codependency and longing are revered in popular music. A ghost story is woven through the album: waltzing in the dusty barroom country of “Blue Blaze,” buried in the superstitious lyrical streak of “Rattlesnake” and audible in a wheezing organ as it shuts down at the end of “Footsteps.” Still, "Anniversary" emerges as an earnest celebration of commitment. Earworms like “Anniversary Song” and “Someone Like You” showcase intricately layered harmonies, while closer “Stars” affirms that there’s no place the speaker would rather be than with the one she loves.

Dekker and Lapell assembled a stellar cast of musicians to support Lapell’s powerhouse vocals, piano, harmonica and signature fingerstyle guitar. The core band includes Dan Fortin on bass, Jake Oelrichs on drums, and Tania Gill on the church’s piano, harpsichord and organ. Rounding out the ensemble’s sensitive orchestral arrangements are Rebecca Hennessy (trumpet), Rachael Cardiello (viola), Michael Davidson (marimba and vibraphone) and Joe Lapinsky (pedal steel), who also engineered and mixed the record.

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Kelsea Ballerini

LP | 2020 | EU | Original (Black River)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Sex, Drugs & Country Music

Wheeler Jr. Walker

LP | 2022 | EU | Original (Pepper Hill)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Live At Third Man Records

John Moreland

LP | 2023 | EU | Original (Third Man)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Greatest Hits 2 Gold Disc

LP | 1974 | JP | Original (CBS/Sony)

My Baby Just Cares For Me

Release: 1974 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Without OBI.

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Nina Simone

LP | 2023 | EU | Original (Wagram)

17,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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The O-Zone Percussion Group

The Percussion Record

LP | 2022 | EU | Original (Clearaudio)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Country Funk Volume 3 1975-1982 Clear Vinyl Edition

2LP | 2021 | US | Original (Light In The Attic)

19,99 €*

Trujillo, Peru 1971 - 1974

Release: 2021 / US – Original

Genre: Rock & Indie

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Volume 3 in LITA’s acclaimed Country Funk series! Featuring Dolly Parton, J.J. Cale, Conway Twitty, Larry Jon Wilson, and Billy Swan, amongst many others Includes previously unreleased track by Tony Joe White Newly remastered audio New original artwork by renowned artist J. William Myers (artist for Robert Altman’s Nashville, Waylon Jennings and Willie Nelson’s Waylon & Willie album, and LP covers for the Charlie Daniels Band) Description: The horse still bucks, the band still funks, and well…the fire still burns.

That’s right—Country Funk is back.

In the summer of 2012, a new sound blew in from the dusty desert. It was a sound difficult to pin down, to codify; a sound that, like some wild horse, resisted one’s grasp. But this was no trend, no flash-in-the-pan movement, no shotgun marriage of styles, no ma’am. This sound went back decades, back to the latter half of the 1960s and early 1970s when adventurous artists started to blend country hoedown harmony with the elation of gospel, the sexual thrust of the blues and a touch of inner-city grit. This was a new sound with a simple name: Country Funk.

Country Funk 1969-1975, first released in 2012 and co-produced by Zach Cowie, Patrick McCarthy and Matt Sullivan, brought together a disparate group of artists that were neither bound by geography nor a shared ideology, but connected through the simple feel of their songs. Country Funk is alternatively playful and melancholic, slow jammin’ and booty-shakin’. It’s a sound both studio slick and barroom raw, as evident in the artists featured on Volume I: Johnny Adams, Mac Davis, Dale Hawkins, Tony Joe White, Bobbie Gentry, Larry Jon Wilson, and many others. Just two years later, we chased Volume I with a new collection of songs for Country Funk 1967-1974 (lita 116, 2014). Volume II didn’t let up, dealing out all the loose-talking and lap-steel twangin’ one could handle. Heavy hitters like Willie Nelson, Townes Van Zandt, Kenny Rogers, Dolly Parton and J.J. Cale shared barstools with the lesser-known voices of Bill Wilson, Donnie Fritts and Thomas Jefferson Kaye.

With Country Funk Volume III 1975-1982 (lita 194) we’re here to say there’s more funk left in the trunk yet. This time around, the jeans are tighter, the hair is bigger and the disco ball spins along to a country-synth beat. Produced and compiled by Jason Morgan (Bay Area DJ/collector) and Patrick McCarthy (co-producer/compiler of Volume I & II), the tracklist features regulars Dolly Parton, J.J. Cale, Larry Jon Wilson and Tony Joe White (whose track is released here for the first time) alongside new faces like Steven Soles, Gary & Sandy, Conway Twitty, Travis Wammack, Billy Swan, Rob Galbraith, Brian Hyland, and so many more. As the 1970s began to wane and the 1980s approached, the Country Funk pallet expanded to include disco beats, heavy Moog synth bass lines and more clavinet than you could shake a stick at. Volume III shows artists continuing to buck traditional country tropes and production while embracing modern soul, disco, and coked-up 80s synth-pop. This is the true soundtrack of the Urban Cowboy. Saddle up, partners.

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Manzanita Y Su Conjunto

LP | 2021 | Original (Analog Africa)

29,99 €*

LP | 1971 | EU | Reissue (Rhino)

Release: 2021 / Original

Genre: Organic Grooves, Rock & Indie

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I was in Lima, hanging out with collector-extraordinaire Victor Zela, who had spent the previous few years pouring his passion for Peruvian Cumbia into the blog „la cumbia de mis viejos“, a trove of incredible music. But after the birth of his first child, his priorities shifted and he decided to part with some of his rarest LPs. I was one of the lucky few given an early chance to examine his treasures, and when I picked up the album Manzaneando com Manzanita, Victor said: “Take it! its one of the best LPs ever recorded in Perú … easily in the top five”. That was all the encouragement I needed … two years later many of the songs from that masterpiece have made it onto Manzanita y su Conjunto, a compilation of electrifying Cumbia sides from Manzanita’s golden era.

Berardo Hernández – better known as Manzanita – first surfaced during the psychedelic Cumbia craze. At the head of the scene were the magnificent Los Destellos, whose leader, Enrique Delgado, was such a six-string wizard that other guitarists found it impossible to escape his shadow. But when Manzanita arrived, his electric criollo style sent shockwaves through Lima’s music scene and posed a serious threat to Delgado’s dominance as king of the Peruvian guitar.

Manzanita had come to Lima from the coastal city of Trujillo, five hundred miles up the coast – a place where Spanish, African and indigenous populations had been living and making music together for centuries – and came of age at a time when the first wave of psychedelic rock from the US and UK was starting to sweep the airwaves. But the sounds of Cream and Hendrix disappeared from the radio just as quickly in 1968 when Juan Velasco seized control of the country in a military coup. The new regime, which favoured local traditions over cultural ‘imports’ from the north, was a blessing in disguise for the Peruvian music scene.

Record labels flourished as new bands, raised on a hybrid diet of electric guitars and Cuban rhythms, rushed in to fill the vacuum created by the lack of imported rock. A new genre, known as Peruvian cumbia, was born and Manzanita quickly became one of its most original voices.

Starting in 1969, Manzanita y su Conjunto released a steady stream of singles that used Cuban guaracha rhythms as the foundation for dazzling electric guitar lines. After countless 45s and several years on the touring circuit, the band signed to Virrey, an important Peruvian label, and recorded two LPs acknowledged as masterpieces among aficionados of tropical music. Most of the songs on Analog Africa’s new compilation Manzanita y su Conjunto are drawn from those legendary sessions of 1973 and 74.

Although he scored a few more hits in the later 70s, his dissatisfaction with the music industry caused him to withdraw from the scene for several years; and when he finally retired for good, the golden age of Peruvian cumbia was a distant memory. But when Manzanita was at the top of his game he had few equals. Victor Zela was right: this is some of the best music ever recorded in Perú.

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John Prine

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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LP | 2020 | US | Original (Third Man)

North Americans

Roped In

23,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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2LP | 2020 | EU | Original (Gated)

Sol Seppy

I.A.A.Y.A Part One

More Blood, More Tracks - The Bootleg Series Volume 14

Release: 2020 / EU – Original

Genre: Rock & Indie

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What Sophie Michalitsianos has created, using barely more than her voice, piano, and cello, is magical, defying labels. Originally released as a private-press CD for her fans, I.A.A.Y.A, or I Am As You Are, is sublime, intimate, weightless, and comforting. The album takes its time yet feels urgent, like you need this music, this moment. This is the first time it's been available on vinyl. If the name Sol Seppy sounds familiar, it's because Michalitsianos had one groundbreaking album in 2006, The Bells of 1 2, which for those that heard it became one of the most important albums of the 00s. From it came the track Enter One, which has been used on numerous high-profile TV shows and has a silly number of views on YouTube. Most of I.A.A.Y.A was recorded and mixed in Knoxville, United States. Now, though, Michalitsianos lives in a small Greek village, hoping to make it her home while she works on the next two records. Yes, this is just the first part of a trilogy. In Sophie's own words: "Deep within these songs is a meeting place. It's an old home of everyone's and I hope for it to be an anchor whilst we bob up and down in chop." This is rare, this is real, this is true.

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Bob Dylan

2LP | 2018 | EU | Original (Columbia)

Release: 2018 / EU – Original

Genre: Rock & Indie

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2LP | 2017 | UK | Original (R Coup D)

Fink

Resurgam

LP | 2014 | US | Original (Nettwerk)

Release: 2017 / UK – Original

Genre: Rock & Indie

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Resurgam– meaning “I shall rise again” – is the hotly-anticipated sixth studio album from Fink: UK-born, Berlin-based founding singer-songwriter musician Fin Greenall, alongside long-time bandmates Tim Thornton (drums, guitar) and Guy Whittaker (bass). It continues an acclaimed and distinctly adventurous catalogue, from the sample-splicing debut Fresh Produce (2000), through to the beautifully heady expressions of their last album, Hard Believer (2014). Greenall has also earned global props as a film music composer, songwriting collaborator (including works with John Legend and Amy Winehouse) and solo innovator, with recent side-projects spanning the electronic Horizontalism (2015) to Fink’s Sunday Night Blues Club Vol.1 (2017). Fink have never been afraid to experiment; on Resurgam, they arguably sound more fearless than ever.

Resurgam derives its title from a Latin inscription in a 900-year-old church in Greenall’s native Cornwall. Its vital, insistent spirit pulses through the entire album, which was recorded with ground-breaking producer Flood (PJ Harvey, U2, Foals, Warpaint, The Killers) at his Assault & Battery studios in North London. Its ten new tracks were created over two months, a relatively luxurious stretch of time compared to previous Fink albums, resulting in a collection that is both assertive and richly immersive.

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Frazey Ford

Indian Ocean

30,99 €*

Release: 2014 / US – Original

Genre: Rock & Indie

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Jerry Garcia & David Grisman

2LP | 2014 | US | Original (Mobile Fidelity)

74,99 €*

LP | 2010 | US | Original (Third Man)

Release: 2014 / US – Original

Genre: Rock & Indie

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2LP, 180 Gram Audiophile Vinyl, Numbered Limited-Edition

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Karen Elson

The Ghost Who Walks

LP | 1966 | JP | Original (CBS)

Release: 2010 / US – Original

Genre: Rock & Indie

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Jack Whites wife & professional super model … she can sing, no doubt!

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Andy Williams

Hawaiian Wedding Song

Release: 1966 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Ertan Anapa, Esmeray, Funda Anapa, İskender Doğan, Kerem Yılmazer, Melike Demirağ

İnsanız Biz (1978 Eurovision Yarışması)

7" | 1978 | TR | Original (Hop)

11,99 €*

Londra Sokaklarında Ağlar Gezerim / Zindan Oldu Sensiz Geçen Günlerim

Release: 1978 / TR – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: G+

spines torn

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Yüksel Özkasap

7" | 1969 | TR | Original (Türküola)

15,99 €*

Release: 1969 / TR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: Generic

7" | 1972 | TR | Reissue (İstanbul Plak)

Orhan Gencebay

Sev Dedi Gözlerim

Nem Kaldı / Dam Üstünde Çul Serer

Release: 1972 / TR – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: G+, Cover: Generic

Cover is missing.

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Şenay Şenses

7" | 1973 | TR | Original (Ersak)

4,99 €*

7" | 1976 | US | Reissue (Bouzouki Joe)

Release: 1973 / TR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: G+, Cover: Generic

Cover is missing.

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Edip Akbayram & Dostlar

Mehmet Emmi

16,99 €*

Sarı Çizmeli Mehmet Ağa / Aynalı Kemer İnce Bele

Release: 1976 / US – Reissue

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

2011 reissue

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Baris Manco

7" | 1980 | DE | Reissue (Türküola)

40,99 €*

Olivia Newton-John's Greatest Hits

Release: 1980 / DE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

2012 reissue. close to NM

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Olivia Newton-John

LP | 1977 | JP | Original (EMI)

Release: 1977 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

American Morning - Greatest Hits

Randy Vanwarmer

LP | 1984 | JP | Original (CBS/Sony)

Release: 1984 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | JP | Original (Elektra)

Eddie Rabbitt

Loveline

17,99 €*

Release: JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Lespri Ka: New Directions In Gwo Ka Music

2LP | 2022 | EU | Original (Time Capsule / Séance Centre)

29,99 €*

2LP | 2018 | NL | Original (New Dawn)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

"L'Esprit Ka: New Directions in Gwoka Music from Guadeloupe 1981-2010" is the first compilation of its kind to bring the sound of modern gwoka to a wider audience. As Guadeloupean vocalist and composer Marie-Line Dahomay writes in her linernotes to the compilation, gwoka is more than a style of music, it is "a way of livingand thinking." Rooted in the social, musical and ritual practices of enslavedAfrican people and their descendants on Guadeloupe, gwoka has always sought to express the spirit of independence andresistance authentic to the island.

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Jungle By Night

Livingstone

19,99 €*

Release: 2018 / NL – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

12" | 1991 | EU | Reissue (Thank You)

Simone

Mabsouta

17,99 €*

Boots Swirl Colored Vinyl Edition

Release: 1991 / EU – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Reissue from 1991, Killer Egyptian cover version of Suzanne Vega - Toms Diner by Simone, Egyptian singer and actress. Originally only released on CD, now remastered for vinyl and pressed on 12" maxi format. Including a bonus beat edit of "Rekka" by Castro.

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Nancy Sinatra

LP | US | Reissue (Light In The Attic)

Release: US – Reissue

Genre: Rock & Indie

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LP | US | Reissue (Light In The Attic)

Nancy Sinatra

Boots Red Vinyl Edition

Release: US – Reissue

Genre: Rock & Indie

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Country Funk Volume 3 1975-1982 Orange & Blue Vinyl Edition

2LP | US | Reissue (Light In The Attic)

Release: US – Reissue

Genre: Rock & Indie

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Leslie Winer & Maxwell Sterling / Tim Buckley

Once I Was

7" | US | Reissue (Light In The Attic)

Release: US – Reissue

Genre: Rock & Indie

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LP | 1972 | JP | Original (A&M)

Carpenters

A Song For You

Release: 1972 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1976 | JP | Original (MCA)

Tanya Tucker

Here's Some Love

4,99 €*

Release: 1976 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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Wednesday Morning, 3 A. M.

LP | 1969 | JP | Reissue (CBS/Sony)

12,99 €*

LP | 2023 | US | Reissue (Skull Valley)

Release: 1969 / JP – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing.

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Morris Belknap

Jesus Saves

29,99 €*

Release: 2023 / US – Reissue

Genre: Rock & Indie

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LP | 2023 | US | Original (Discos Fantastico)

Los Darlings De Huanuco

Singles From 1970-1980

33,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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Bridge Over Troubled Water

LP | 1972 | JP | Reissue (CBS/Sony)

14,99 €*

An Evening With John Denver

Release: 1972 / JP – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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John Denver

2LP | 1975 | JP | Original (RCA)

Bela Zakir Hussain Edgar Meyer Fleck

Release: 1975 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi.

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As We Speak

LP | 2023 | EU | Original (Bela Fleck Productions)

Release: 2023 / EU – Original

Genre: Rock & Indie

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2LP | 2023 | UK | Original (Beatservice)

Flunk

Cover Ups, Volume 1 & 2

Strange Ways / Inside Jungle

Release: 2023 / UK – Original

Genre: Rock & Indie

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The Cover Ups vinyl edition is a double LP consisting of the first Cover Ups (digital only release 2016) and the new Cover Ups 2 (released April 2023).
Recorded mostly on Flunk's annual Christmas parties, "julebord" in Norwegian, with a big dinner and plenty of drinks, rounding off with an acoustic recording of a favourite cover version.
Cover Ups / LP1 consists of coversongs from New Order, Yazoo, Depeche Mode and Fink.
Cover Ups 2 / LP2 consists of coversongs from Rod Stewart / Everything But The Girl, Simon & Gafunkel, Jesus and Mary Chain, The Stranglers, Soft Cell and Radiohead, and some new acoustic versions of old Flunk-songs.
The acoustic downbeat version of Yazoo's "Only You" was featured on the Designated Survivor TV-series.

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Zann

LP | 2019 | AU | Reissue (Isle Of Jura)

Release: 2019 / AU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

LP | 2022 | US | Original (Mississippi)

Markos Vamvakaris

Death Is Bitter

2LP | 2015 | EU | Reissue (Columbia)

Release: 2022 / US – Original

Genre: Rock & Indie

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HEAVY, ENTRANCING TRANSMISSIONS FROM THE GREEK UNDERWORLD.Rebetika is the sound of Greece and Asia Minor clashing amid civil war, mass population exchange, and the anarchy of the late 19th and early 20th centuries. Poetic, mournful, and bitter, rebetika music was born in the hash dens (tekes) of Mediterranean ports, its verses whispered in Greek prisons before spilling out to the greater population in the 1930s, propelled in no small part by a series of remarkable recordings by Markos Vamvakaris.Markos, as he's known to this day, sang heady, drugged out songs of love, pain and yearning at brothels, bars and hash dens in the port of Piraeus. He arrived as a youth in 1917, working as a skinner in a tannery. By the time he picked up the bouzouki around 1924, he was fully taken by the life of the manges, the lowest rungs of the Greek social ladder. They lived by their own code and in total opposition to the rest of the population, and rebetika was their music. On these twelve early tracks, recorded in Athens between 1932 and 1936, Markos was already a master of the bouzouki. His forceful, clean playing compliments his hoarse voice and his stunning rhythmic sensibility, the result of his years as a champion zebekiko dancer. Tracks build and spiral outward, his open-note drones and melodic lines drawing calls of ecstasy and encouragement from his fellow musicians. Translations of songs like "Hash-Smoking Mortissa" and "In The Dark Last Night" provide a glimpse into the life and language of the manges - Ottoman cafe music, the calls of displaced Greeks of Smyrna, the chaos and suffering of port life, it all comes through Markos' songs.These recordings, incredibly rare and expertly remastered,mark the height of rebetika, the brief periodbetween the music's emergence on the recording scenein the early 1930s and government censorship of alllyrics starting in 1936. During the Axis occupation therewas no rebetika recording, and though Markos had somehits in the years after the war, he never again attai...

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Bob Dylan

Blonde On Blonde

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

3LP Box | 2022 | EU | Original (Outre National)

Cheb Hasni

Volume 1-2-3 Box Set

89,99 €*

LP | 1968 | EU | Reissue (Gramophone Company Of India)

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Raï is the music of a youth hungover from Algeria's recent independence. It became a space for a liberated, transgressive dialogue that told the social truths of its time -- an up-front yet poetic voice that covers the taboos and frustrations of daily life, expressing emotion without detour. This voice is heard at weddings, cabarets, in the nightclubs of the Oranese coast, and casually on the street... With the boom of the audio cassette, an avalanche of raï tapes were produced in Oran and diffused all over the world. Both women and men sang and listened to the new sound, as raï is intimately tied to parties, alcohol and the night. With the spontaneous improvisation of its singers as the main part of each song, raï keeps reinventing itself. In this style, Cheb Hasni, along with Cheb Nasro, incarnates a second generation of musicians. With the "love raï", or sentimental raï, Hasni sings about love, passion and its setbacks -- moving away from the bittersweet daily chronicles of the first chebs and chebates. Having recorded nearly 150 cassettes, Cheb Hasni remains one of the most prolific and talented raï singers of his generation. Almost thirty years after his death, this three-volume compilation of rare tracks from his cassette releases on the Oriental Music Production label is a tribute to the lasting legacy of Cheb Hasni -- ya raï! The three volumes come in a ince 12’’ box set including liner inotes and large postcards. Limited to 300 worldwide.

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Brijbhushan Kabra

Brij Bhushan Kabra

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Persian Girl Yellow Vinyl Edtion

The Engineers

7" | 2022 | EU | Reissue (Juzz)

I'm The Sky: Studio And Demo Recordings, 1964-1971

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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The Engineers, Abas Miraftab and Reza Agah, recorded and produced this 7’ "Persian Girl" sometime in the late 60s or early 70s. The first edition was independently pressed outside of Iran and only a few copies exist today. Little else is known about the band's music or history.

This stereo recording by far is the best & strongest rhythmic Persian music ever recorded the power burned in the grooves is immense. Turn the volume up, it will make you feel happy to listen & dance to.

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Norma Tanega

2LP | 2022 | EU (Anthology)

36,99 €*

Release: 2022 / EU

Genre: Rock & Indie

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LP | 2019 | US | Original (Plowboy)

Chuck Mead

Close To Home

Release: 2019 / US – Original

Genre: Rock & Indie

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LP | 2022 | US | Original (Sahel Sounds)

Etran De L'Air

Agadez

Dagar Gyil Ensemble Of Lawra

Release: 2022 / US – Original

Genre: Rock & Indie

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Etran de L'Aïr (or "stars of the Aïr region") welcomes you to Agadez, the capital city of Saharan rock. Playing for over 25 years, Etran has emerged as stars of the local wedding circuit. Beloved for their dynamic repertoire of hypnotic solos and sun schlazed melodies, Etran stakes out a place for Agadez guitar music. Playing a sound that invokes the desert metropolis, Agadez celebrates the sounds of all the dynamism of a hometown wedding. Etran is a family band composed of brothers and cousins, all born and raised in the small neighborhood of Abalane, just in the shadow of the grand mosque. Sons of nomadic families that settled here in the 1970s fleeing the droughts, they all grew up in Agadez. The band was formed in 1995 when current band leader Moussa "Abindi" Ibra was only 9 years old. "We only had one acoustic guitar," he explains, "and for percussion, we hit a calabash with a sandal." Over the decades, the band painstakingly pieced together gear to form their band and built an audience by playing everywhere, for everyone. "It was difficult. We would walk to gigs by foot, lugging all our equipment, carrying a small PA and guitars on our backs, 25 kilometers into the bush, to play for free_ there's nowhere in Agadez we haven't played." Whereas other Tuareg guitarists look to Western rock, Etran de L'Aïr play in a pan-African style that is emblematic of their hometown, citing a myriad of cultural influences, from Northern Malian blues, Hausa bar bands, to Congolese Soukous. It's perhaps this quality that makes them so beloved in Agadez. "We play for the Tuareg, the Toubou, the Zarma, the Hausa," Abindi explains. "When you invite us, we come and play." Their music is rooted in celebration, and invokes the exuberance of an Agadez wedding, with an overwhelming abundance of guitars, as simultaneous solos playfully pass over one another with a restrained precision, forceful yet never overindulgent.

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Dagara- Gyil Music Of Ghana's Upper West Region

LP | 2021 | EU | Original (Sublime Frequencies)

23,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Jim Sullivan Mystery Blue Vinyl Edition

Jim Sullivan

LP | 1972 | US | Reissue (Light In The Attic)

35,99 €*

LP | 2014 | DE | Reissue (Sounds Of Subterrania)

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Mastered from the original analog tapes
Deluxe Stoughton “tip-on” jacket with debossing
Vinyl pressed at RTI
All tracks previously unreleased
Booklet with liner notes and rare archive photos

On March 4, 1975, Jim Sullivan mysteriously disappeared outside Santa Rosa, New Mexico. His VW bug was found abandoned, his motel room untouched. Some think he got lost. Some think the mafia bumped him. Some even think he was abducted by aliens.

By coincidence–or perhaps not–Jim’s 1969 debut album was titled U.F.O.. Released in tiny numbers on a private label, it too was truly lost until Light In The Attic Records began a years-long quest to re-release it–and to solve the mystery of Sullivan’s disappearance. Only one of those things happened, and you can guess which…

Light In The Attic’s reissue of U.F.O. introduced the world to an overlooked masterwork and won Sullivan, posthumously (presumably), legions of new fans. Those new admirers are in for a real treat: a lavish, first-time release of a previously unheard 1969 studio session.

If The Evening Were Dawn contains 10 acoustic solo recordings that have never seen the light of day. Whereas U.F.O. was bolstered by legendary sessioneers The Wrecking Crew, this is Jim Sullivan on his own terms, stripped down and soulful as ever. Recorded at a Los Angeles studio circa 1969, the session contains acoustic versions of a handful of U.F.O. tracks alongside a half dozen previously unheard songs. This, then, is the closest thing to those fabled Malibu bar performances at which Sullivan was first noticed.

According to his widow, Barbara, this was the album Jim always hoped to record. It serves as an unprecedented glimpse into the mysterious, larger-than-life figure who’s become the stuff of legends.

While Sullivan’s disappearance remains unsolved, his music endures and is finally gaining him the recognition he deserves, albeit long overdue. This recording serves as an unexpected missing piece of the puzzle; this is Jim Sullivan’s true swan song.

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Listener

Return To Struggleville

59,99 €*

LP | 2006 | US | Original (Barsuk)

Release: 2014 / DE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Limited edition of 500 copies. German reissue from 2014 on 180gr vinyl.

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Rocky Votolato

Makers

14,99 €*

LP | 2012 | US | Reissue (Fat Possum)

Release: 2006 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

With insert.

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Townes Van Zandt

For The Sake Of The Song

LP | 2007 | US | Reissue (Fat Possum)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl with a couple of light scuffs, close to NM

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Townes Van Zandt

Delta Momma Blues

Revolucion Electronica En Musica Venezolana

Release: 2007 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl with a couple of light scuffs and a hairline on Side 1. Still in shrink, but opened, with hype sticker

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Chelique Sarabia

LP | 1973 | EU | Reissue (Pharaway Sounds)

2 Remixes By Wolves In The Throne Room Picture Disc Edition

Release: 1973 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Ultimate space-age exotica trip from Venezuela.
In the early 70s, well-known composer and arranger Chelique Sarabia (who penned the famous “Ansiedad” when he was just a kid) decided to register an album of traditional & folkloric songs from Venezuela but giving them a modern touch, using especially developed equipment (M.R.A.A.), based off of the principles of the Moog.
Chelique, helped by a team of gifted musicians, employed traditional instruments like the cuatro and the bandola llanera, filtering them through oscillators, playing with feedback, tape delay, synthesized frequencies, echoing sounds… The result was “Revolución Electrónica en Música Venezolana”, an album with a truly exotic, psychedelic, and ahead of its time sound.
Originally, the album was sponsored by the Shell Company in Venezuela, given away to customers, employees and friends of the company as a Christmas gift in 1973. It was titled “4 Fases del Cuatro - Música Venezolana desarrollada Electrónicamente por Chelique Sarabia” (“4 Phases of Four – Venezuelan Music Electronically Developed by Chelique Sarabia”). Once the exclusivity period with the petrol company was over, Chelique did a commercial release, this time under the name of “Revolución Electrónica en Música Venezolana” (“Electronic Revolution in Venezuelan Music”). Thanks to this, Chelique and his team were considered electronic music pioneers in Latin America.
“In the past five decades, there have been many attempts at modernizing the vast folkloric tradition of Venezuela, but nobody has reached the level of depth that CHELIQUE SARABIA did when he put his impeccable reputation as a composer and arranger at risk with this out-of-the-blue revolutionary musical manifesto in 1971. 47 years later, an album that remains ahead of its time.” - Alex Figueira (Fumaça Preta)

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Mount Eerie

7" | 2018 | US | Original (P.W. Elverum & Sun)

13,99 €*

LP | 2008 | US | Reissue (P.W. Elverum & Sun)

Release: 2018 / US – Original

Genre: Rock & Indie

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Two raw and unmixed songs from Wind’s Poem were transferred from the original analog tape masters into the ProTools HDX system at Owl Lodge. The studio is situated in the woods near Olympia, WA and is the headquarters of Wolves in the Throne Room. A single vocal track from “Lost Wisdom" was layered with newly recorded digital synths and a heavy bass from a vintage Korg MS-20. Wisps of the original organ and guitar appear in a heavily processed form. “Mouth of Sky” was created using techniques inspired by Lee Perry. In this case, the original tracks were routed to a variety of analog and digital FX units via the faders on the studio’s Harrison PP1 console. The mix was performed in real time.

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Mount Eerie

Dawn White Vinyl Edition

"(after)" : Singing And Guitar At Jacobikerk, Utrecht, Netherlands, Nov. 10th, 2017 At Le Guess Who? Festival

Release: 2008 / US – Reissue

Genre: Rock & Indie

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Dawn is finally back in print after many years of absence. The songs were written in 2002 mostly while traveling alone through the United States and Europe and especially while spending the winter of 2002/2003 alone in a cabin in Kjerringøy, Norway, but these recordings didn’t happen until years later when they were recorded simply, quickly in one sitting, just acoustic guitar and singing, and released as an LP and also as a (now out of print) book/CD of journal entries from that cold winter.

For this current edition, the entire text of the Dawn book has been squeezed onto a massive folded double sided poster and included in the record jacket, along with a download card and a pretty white vinyl LP.

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Mount Eerie

2LP | 2018 | US | Original (P.W. Elverum & Sun)

34,99 €*