Folk Vinyl 1500 Items

Bear's Sonic Journals: The Foxhunt 1973

Release: 2022 / EU – Original

Genre: Rock & Indie

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Karishina is an album in which Helena Recalde and her musicians alternately perform original compositions, a traditional South American song “No Valentin” and a theme from the jazz repertoire “Afro Blue”. Within this musical universe, the nostalgia of Andean melodies mixes with the piquant joy of Afro Pacific rhythms, passing through jazz tones and dizzying improvisations, all embellished with textures of nature and committed titles.

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The Chieftains

LP | 2022 | EU | Original (Decca)

12,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Elijah McLaughlin Ensemble

Elijah McLaughlin Ensemble II

LP | 2022 | US | Original (Tompkins Square)

Tini Trampler & Playbackdolls

Release: 2022 / US – Original

Genre: Rock & Indie

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"If there was a silver lining to the cloud of uncertainty that was life during the early days of the pandemic, it was that all of the isolation provided a clear break from the entrenched routines of day to day life. This respite allowed me to see in sharp contrast all of the things that were important in my life, and all of the things that were trivial, and thus expendable. It was during this time that I began to write in earnest for this second Elijah McLaughlin Ensemble record." "Over the course of a year, I would bring my new compositions to my collaborators (Jason Toth and Joel Styzens), and usually after a very limited number of rehearsals we would enter the studio at the Fine Arts Building in Chicago and record the songs on an old Tascam ½” tape machine. There were four such studio sessions, in which all recorded material was culled down to these 9 songs. We recorded the material with a strong improvisational approach, and a couple of these songs are essentially first takes. I am very proud of the material on this album, and the energy we captured in the studio. I am glad to partner with Tompkins Square in sharing this album with the world." "The Chicago group, which features Elijah McLaughlin on 12 and 6 string guitars, Joel Styzens on hammered dulcimer, and Jason Toth on upright bass, blends elements of American primitivism guitar styles, with free jazz and modern classical music together into something daringly original and stunningly beautiful."—Record Crates United

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Chansons 2084

LP | 2022 | EU | Original (Medienmanufaktur Wien)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Whom The Moon A Nightsong Sings Dark Green Vinyl Edition

2LP | 2022 | EU | Original (Prophecy Productions)

42,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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World Spirituality Classics 3: The Muslim Highlife

Alhaji Waziri Oshomah

2LP | 2022 | US | Original (Luaka Bop)

LP | 2022 | US | Original (American Dreams)

Release: 2022 / US – Original

Genre: Rock & Indie

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Alhaji Waziri Oshomah begins his sermon before a dancing crowd. His lyrics warn about the vice of jealousy but the congregation is here to get down. We're in a small part of Edo State in southern Nigeria called Afenmailand, which is known for being a harmonious region where Muslims and Christians live and dance together. The atmosphere is one of enjoyment, excitement, and pleasure, because to see Waziri perform is to be addressed, body and soul. He's the creator of a unique dance music that's fused with local folk styles, highlife, and Western pop, and imbued with Islamic values - and he's the greatest entertainer in all of Edo State. They call him the Etsako Super Star.

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Claude

A Lot's Gonna Change

Denim & Diamonds Opaque Yellow Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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“This album is a snapshot of my early-to-mid twenties — formative, sometimes confusing years.” That’s Chicago singer-songwriter Claudia Ferme, AKA Claude, on her debut album a lot’s gonna change. For years she’s tinkered away, self-releasing a 12” EP titled Enactor in 2021, and playing shows across the city. Her first full-length has been a long time in the making, with sketches of ditties happening as early as 2017. Since then, she’s refined her craft - words, melodies, and sound - crystallizing in this collection, buttressed by Windy City Wunderkind Michael Mac’s (Tasha, Devin Shaffer, Mia Joy) woozy, lush production. It’s an evocative, relatable assemblage, detailing the peaks and pitfalls of early adult life, all the while maintaining a sense of humor, a bit of hope, and piles of earworms.

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Nikki Lane

LP | 2022 | EU | Original (Aunt Daddy)

Release: 2022 / US – Original

Genre: Rock & Indie

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From the first bass note within the driving drum beat you can tell something is different about the new record from Nikki Lane. The backbeat feels like a gutsy strut while the lead guitar feels like a revved up engine shifting gears. Denim & Diamonds comes out firing, spit shining the cowboy boots and tossing on a jean jacket. Produced by Joshua Homme (Queens of the Stone Age), Denim & Diamonds has the Highway Queen embracing a more rock-oriented sound while still maintaining the heartfelt outlaw country sound she has developed across her previous three releases. Denim & Diamonds still has the fuck-off flare of which Nikki has come to be known. Her stylized, story-telling lyrics are all there as well as her catchy country hooks. The outlaw country sound is now balanced out with a gritty guitar and a machine gun snare that echoes the sound of 70’s rock. Nikki Lane has made a record that sounds new and old. Familiar and surprising. She embraces where she has come from, (“First High”, “Born Tough”) the lessons learned along the way, (“Good Enough”, “Try Harder”) all while doing things her way, (“Denim & Diamonds”, “Black Widow”).

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Sunny Sweeney

Married Alone

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Anti)

Cass McCombs

Heartmind

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Son Of Davy)

Charley Crockett

Man From Waco

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Banjodad)

Trampled By Turtles

Alpenglow

23,79 €* 27,99 € -15%

Release: 2022 / EU – Original

Genre: Rock & Indie

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The Doudou Ndiaye Rose Family

Twenty-One Sabar Rhythms

2LP | 2022 | UK | Original (Honest Jon's)

LP | 2022 | EU | Original (Discreet Music)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Magnificent Wolof drum music, performed by an extended griot family over seven consecutive days, in the mystical setting of Lac Rose, outside Dakar.

Doudou Ndiaye Rose — who died in 2015 — is a key drummer in the musical history of the world. He developed a system of five hundred original drumming patterns, ancient and new. Amongst the modern rhythms here is Bench Mi — ‘under the Baobab tree,’ a spot where where problems get solved. Also Hibar Yi — ‘passing on information’ — the theme-tune of Senegalese TV national news for decades — and Les Rosettes, the signature rhythm of Senegal’s first ever all-female percussion group, convened by Doudou, and named after his grandmother.

These original compositions sit alongside important traditional rhythms, familiar to every Sabar player, such as Farwu Jar (a courtship game sometimes resulting in a wedding), Ceebu Jin (also the name of the national dish of fish and rice), and Gumbé, often played after a successful harvest.

Recorded in joyful single takes, with no overdubs, mastered by Rashad Becker, the music is deep and thrilling, polyrhythmic to the bone, with a complex, pointillistic intensity at times evoking Jeff Mills in full flight.

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Jon Collin

Bridge Variations

19,79 €* 21,99 € -10%

Play It Like Jacqueline Remix Album

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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On Bridge Variations, the now Stockholm-based English guitarist Jon Collin changes his guitar for a keyed fiddle. Mostly recorded to tape under different bridges around Stockholm during 2021, partly for the sound but also because of their importance to the geographical make-up of the place, the album is like a modern take on traditional Swedish folk music made by an outsider looking in. The sound is pretty much a continuation of the palette explored on 'Dream Sequence, End Of Summer', Collin's contribution to the Contemporary Homemade Music compilation put out by Discreet Music last year. Slowly moving and drawn-out melodies evolve into immense droning beauty, rich of texture and with the environmental sounds from the sites becoming an integral part of the recording. Mastered by Giuseppe Ielasi and pressed in an edition of 1000 copies. Comes with a 12-page colour-coded booklet of photos of the recording locations.

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Jacqueline Taieb

LP | 2022 | EU | Original (Diggers Factory / Fgl Productions)

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | UK | Original (Fire)

Marina Allen

Centrifics

La Bete Noire / Paris N'Existe Pas

Release: 2022 / UK – Original

Genre: Rock & Indie

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LA-based musician Marina Allen's spectacular debut proper, and follow up to last years acclaimed 18 minute mini-opus, 'Candlepower'. 'Centrifics' is a joyful collection of observations and questions about the self, the world, and how they interact. Awe-inspiring reflections accompany mesmerizing melodies while Allen's extraordinary range and depth of singing showcases a wide array of influences from Karen Carpenter to Karen Dalton, from Joanna Newsom to Fiona Apple, from Cate Le Bon to Waxahatchee, via Meredith Monk and the New York avant-garde. While the more DIY Candlepower, pieced together over a couple of years was subversive, and obscure, Centrifics is more joyful, funny and direct. Lilting melodies deliver serious messages: "For me a lot of the magic rises in the studio as my arrangements emerge and shift. I had wonderful collaborators on Centrifics who were willing to go along with the cinematic flow I tend to envision. Chris Cohen and later, Ben Varian and I, worked off barebones tracks, adding only those thoughts and lines and instruments that we were certain could amplify the meaning. Other beautiful contributions came from Emily Elhaj, Logan Hone, Jasper McMahon and Joachim Polack." Produced, engineered, and mixed by Chris Cohen, o-engineered by Jonny Kosmo. Classic Black Vinyl, postcard. DL Card. "A songwriter of rare skill and intensity" Clash "Exquisite melodies and cool, pure, dreamy delivery" Mojo "Intensely personal and widely universal" Paste

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Jean-Claude Vannier

LP | 2022 | UK | Original (Finders Keepers)

21,99 €*

Anoushka Shankar & Metropole Orkest & Jules Buckley

Release: 2022 / UK – Original

Genre: Rock & Indie

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With a discography held in such high esteem amongst fans of conceptual French pop and soundtrack composition, the likelihood of finding an unturned stone amongst maestro Jean-Claude Vannier’s fertile psychedelic rockery falls somewhere between slim and skeletal. Even the most intrepid explorers of the most fearless and fastidious nature should naturally expect to encounter one or two shadowy characters when braving the oblique corners of the Vannier vault, but few lost souls cast a darker silhouette than the cinematic obscurity known only as »La Bête Noire« (The Black Beast).

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Between Us... Feat. & Metropole Orkest & Jules Buckley

LP | 2022 | EU | Original (BMG Rights Management)

Release: 2022 / EU – Original

Genre: Rock & Indie

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1971-1973 Single Compilation

Gülden Karaböcek

LP | 2022 | TR | Original (Sah Plak)

21,84 €* 22,99 € -5%

LP | 2022 | US | Original (Easy Eye Sound)

Release: 2022 / TR – Original

Genre: Rock & Indie

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2018 Remastered, 180g black vinyl in gatefold with new cover art. This is a great collection of rare, early singles of another female Turkish singer Gulden Karabocek which focuses on traditional folk instrumentation and 70s pop elements. Her pure voice, vibes and catches you at the first second when she sings. Album is a singles compilation of 1971-1973 which represents the golden era of Turkish pop music.

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Early James

Strange Time To Be Alive

Release: 2022 / US – Original

Genre: Rock & Indie

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Horsepower For The Streets

Jonathan Jeremiah

LP | 2022 | EU | Original (Pias)

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | US | Original (Antarctica Starts Here)

Bob Lind

Since There Were Circles

LP | 2022 | US | Original (Palilalia)

Release: 2022 / US – Original

Genre: Rock & Indie

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Originally released in 1971 on Capitol Records.Recorded at the Record Plant with Doug Dillard, Gene Clark, Bernie Leadon and Carol Kaye. Recommended for fans of Gene Clark's No Other, Bobby Charles' self-titled album and Lee Hazlewood's Cowboy in Sweden Singer-songwriter Bob Lind will forever be immortalized by his 1965 hit, "Elusive Butterfly," but his career is so much more interesting than the fading wonder of that one hit. Once a hard-partying buddy of Charles Bukowski, Lind was the inspiration for the character "Dinky Summers," a down-on-his-luck folk singer in Bukowski's 1978 novel Women. Lind also doubled as a writer, penning a number of novels and plays as well as serving as a long-time staff writer at the lowbrow tabloid Weekly World News. If that wasn't enough, Lind is also responsible for one of the greatest major-label "loner" albums of all time, 1971's Since There Were Circles. After several years languishing without a second hit for the World Pacific label, Lind signed to Capitol and went into the studio with some of the biggest names in the LA country-rock scene including Doug Dillard, Gene Clark, Bernie Leadon and legendary session bassist Carol Kaye. While the record was well-received critically, it sold poorly and marked Lind's bitter departure from the music business for several decades. The intervening half-century has been incredibly kind to Since There Were Circles, and it is now regarded as a cult masterpiece that pairs perfectly with Gene Clark's No Other, Bobby Charles' self-titled Bearsville album and Lee Hazlewood's Cowboy in Sweden. Lind's songwriting here is vastly darker and more self-reflective than anything from his folk-pop period, and the production is simultaneously loose and rootsy, yet lushly orchestrated and occasionally bombastic. Lind somehow manages to bring it all together with wry delivery and literate detail.

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Bill Orcutt

Music For Four Guitars

35,99 €*

LP | 2022 | EU | Reissue (Oh Boy)

Release: 2022 / US – Original

Genre: Rock & Indie

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In a trajectory full of about-faces, Music for Four Guitars splices the formal innovations of Bill Orcutt's software-based music into the lobe-frying, blown-out Fender hyperdrive of his most frenetic workouts with Corsano or Hoyos. And while the guitar tone here is resolutely treble-kicked—or, as Orcutt puts it, 'a bridge pickup rather than a neck pickup record'—it still wades the same melodic streams as his previous LPs (yet, as Heraclitus taught us, that stream is utterly different the second time around). Although it's a true left-field listen, Music for Four Guitars is bizarrely meditative, a Bill Orcutt Buddha Machine, a glimpse of the world of icy beauty haunting the latitudes high above the Delta (down where the climate suits your clothes)..."—Tom Carter

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John Prine

Aimless Love

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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LP | 2022 | UK | Original (Ici D'Ailleurs)

Yann Tiersen

Avant La Chute

17,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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LP | 2022 | US | Original (Mri Associated)

Nitty Gritty Dirt Band

Dirt Does Dylan

Release: 2022 / US – Original

Genre: Rock & Indie

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Embla And The Karidotters

Hello, I'm Embla

LP | 2022 | EU (Die With Your Boots On)

32,99 €*

Release: 2022 / EU

Genre: Rock & Indie

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Rossana Casale / Grazia Di Michele / Mariella Nava

Trialogo

LP | 2022 | EU | Original (Suoni Dall'italia)

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Miramar/Universal Portugal)

Frankie Chavez & Peixe

Miramar Ii

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Alfamusic)

Ettore Castagna

Eremia

Release: 2022 / EU – Original

Genre: Rock & Indie

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2LP | 2022 | EU | Original (Morr Music)

Minna Miteru 2

LP | 2022 | UK | Original (Kitto)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Following the »Minna Miteru« compilation, released in 2020, Morr Music announces a sequel, dedicated to Japanese indie music, overflowing with surprises and welcome discoveries. Like its predecessor, »Minna Miteru 2« is compiled by Saya of Tenniscoats, with the support of Markus Acher (The Notwist). It’s also another part of the Minna Miteru universe, alongside retrospective albums by The Andersens (»There Is A Sound«, 2020) and yumbo (»The Fruit Of Errata«, 2021). Taken together, these albums suggest a scene in rude health, sharing a unique vibration. If its predecessor circled around Tenniscoats and their close friends, the second volume, though featuring a collaboration between Tenniscoats and Deerhoof as oneone, reaches far further afield, drawing from music old and new, far and wide. Consistent across »Minna Miteru 2« is a sense of wonder and a cheerful unpredictability: you never quite know what you’ll hear next. There are some gorgeous indie pop songs here, like Yuko Kono’s »Ginger« or HOSE’s »Baseball«, but there are other sounds too, like Kariu Kenji’s blue-hued electro-pop, or the wheezing pipe-organ ambient of Fuji||||||||||ta: »Minna Miteru 2« hints at new kinds of beauty. Some of the more widely known names here contribute typically gorgeous melodies – Kama Aina’s »Wedding Song«, from 2005’s »Hawaii Hawaii« CD, is a reflective tune that combines a country-ish lilt with hints of slack-key guitar. Shugo Tokumaru’s »5 A.M.« is a delirious psychedelic pop mantra, drawn from his excellent 2005 album, »L.S.T.«. Many of the revelations, though, come from artists and groups relatively unknown outside Japan. The lovely, disorienting glitch-folk of Wasurerogusa features Aki Tsuyuko, perhaps best known for her albums on Thrill Jockey and Jim O’Rourke’s Moikai label, collaborating with psych-folk legends Eddie Marcon. There’s also the delightful synth-pop of Jonathan Conditioner; the electronic dreamscape of Chaplin, whose opening »Out Cont« runs along several parallel paths at once; the twinkling, acoustic jangle at the heart of mmm’s luscious »Blue«; and a curious collection of miniatures, from acts like tenshinkun, Daisuke Tanabe and Nnmie, that embrace a childlike curiosity, essaying a kind of toytown pop-tronica. The twenty-six songs on »Minna Miteru 2« repeatedly catch you unawares, upending your expectations and signaling both the breadth and depth of the Japanese indie underground. It’s a compilation of play and pleasure, but also of bold experiment smuggled into the everyday through pop music’s welcoming moods, magically creating a new world for the listener, spun out of the air and woven in between your ears.

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Nyamakye Junction

Dasein

17,99 €*

Jerry Jeff Black Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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Born of chance meetings in Accra, the band brings together a Burundian producer and vocalist, Betina Quest; with a Ghanaian singer-songwriter, Eli A Free; and a German percussionist and multi instrumentalist, Ma.ttic. Nyamekye Junction take their name from a bustling junction in the Ghanaian capital, where a number of major roads merge, embodying the musical approach of the band: a singular sound at the junction of their cultural heritages.

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Steve Earle & The Dukes

Jerry Jeff Clear Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Steve Earle has been creating intimate and personal music for well over four decades now. His songwriting has wound itself along a path from Texas to Tennessee and his education came in the form of learning from the best. 2009's Grammy-nominated record, Townes was a tribute to his dear friend and mentor, Townes Van Zandt. Ten years later Earle released, GUY. An album concentrated on paying homage to the late Guy Clark and the indelible friendship that they had formed in stories told through song. 2022 welcomes the release of Jerry Jeff. A 10-song collection of songs written by the gypsy songman, Jerry Jeff Walker. Featuring hits like, "Mr Bojangles" and "Gettin' By", Earle & The Dukes honor the late Texan by amplifying the concept and sound of each song with a full-band recording.

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Steve Earle & The Dukes

LP | 2022 | EU | Reissue (Oh Boy)

Release: 2022 / US – Original

Genre: Rock & Indie

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John Prine

German Afternoons

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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Beamorose Purple Vinyl Edition

Penelope Antena

LP | 2022 | US | Original (Youngbloods)

29,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Compagnie 4000)

Asnake Gebreyes

Ethiopia Wedet Neshe

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Guilhem Desq / Sebastien Gisbert

S.T.O.R.M

LP | 2022 | EU | Original (Kiwi Production)

Release: 2022 / EU – Original

Genre: Rock & Indie

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DJ Click & Hamadcha De Fe`S

Art Of Beat

LP | 2022 | EU | Original (No Fridge)

Baby Magic Transparent Red Vinyl Edition

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie

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The Hamadcha of Fez are dervishes belonging to the very old (xvii) Moroccan Sufi brotherhood Hamdouchiyia. Its members are mystics who sing and dance to trance in honor of the holy founder, the miracle worker Sidi Ali Ben Hamdouch.During a performance their amazing spiritual and artistic practices transmit to those who approach them their “baraka”, a divine grace.The audience vibrates and moves to the rhythms of the dervishes songs, tempos, stories and fascinating dances.Dj Click puts down his suitcases in the heart of the old city. He goes in search of atypical sounds coming from the heart of the streets, soaks up the atmospheres, then offering us a sound postcards where tradition alongside modernity.He is the first producer to be accepted into their brotherhood for a such meeting!

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Sofia Mills

LP | 2022 | EU | Original (Sofia Mills)

Die Neue Heiterkeit Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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The debut album from 19-year-old artist Sofia Mills, Baby Magic intimately details the most pivotal moments in her coming-of-age experience: breakups with toxic boyfriends, coming out as queer at age 16, a longtime struggle with mental illness. As shown on her breakthrough single "Coffee Breath" (a self-produced track that's amassed over 100 million streams on Spotify to date), the Massachusetts-born singer/songwriter/multi-instrumentalist imbues her storytelling with both startling clarity and profound sensitivity, an element echoed in her warmly textured brand of indie-pop. Written entirely by Mills and co-produced with John Mark Nelson(Taylor Swift, Allison Ponthier), Baby Magic arrives as a complex and captivating body of work, built on a potent tension between her dreamy romanticism and intense self-awareness.

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Sophia Blenda

LP | 2022 | EU | Original (PIAS Germany)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Die Neue Heiterkeit Colored Vinyl Edition

Sophia Blenda

LP | 2022 | EU | Original (PIAS Germany)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Valentina Cenni & Stefano Bollani

Via Dei Matti N 0

2LP | 2022 | EU | Original (Columbia)

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie

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LP | 2022 | EU | Original (Post Present Medium)

Syko Friend

The Code

2LP | 2022 | UK | Original (By Norse Music)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Syko Friend's third LP, 'The Code,' wanders endless margins and endless centers, reveling in every sound, every feeling, every word. It balances the vastness of choice with the certainty of an individual path. This path belongs to Sophie Weil, the sole member of Syko Friend, who acknowledges this swing of extremes, this movement from the center to the edge: "I do want people to understand what's going on," she affirms, "but I know it's weird."Weil plays guitar like it's a faucet, the warm roundness of bathwater just a half-turn from a furious scalding, another full turn from the whole-body shiver of winter rain. Her foundation is a roaming kind of fingerpicking, the nimble, leave-only-footprints comfort of a regular hike. But Weil knows the switchbacks and undergrowth too, constricting the guitar into a staticky bludgeon, or clearing out all melody for the raw nerve glower of a single minor chord. It's an exemplary kind of American Primitive guitar work, the quiet revelation of intensely personal, timely expression found through century-old folk and blues forms. Weil's vocals-curious, fervent, dynamic and certain-fit perfectly with her playing. It's the voice of an observer, of a listener. Many lifetimes are woven through this singing, slight modulations and lung-full bursts of sound revealing half-conversations, slight revelations, world-obliterating moments of connection.For Fans of Rosa Yemen, Kendra Smith, Cynthia Dall, Nico, Neil Young's Dead Man soundtrack, Heather Leigh.,

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Nebala

Lustuz Lathu Wothuz Alu

44,99 €*

Free The Witch Black Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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The Northman songwriter and actor, and former Heilung singer Jonas Lorentzen releases the debut full-length album of his solo project Nebala: “Lustuz Laþu Wōþuz Alu” on through By Norse Music! After being involved with Heilung for two years, and more recently with the worldwide-acclaimed movie The Northman as songwriter and actor, Jonas Lorentzen decided to focus on his own musical expression, based on a reimagination of Nordic Folk and spiritually driven music. The result is Nebala, spearheaded by Jonas Lorentzen, but assisted and graced by powerful talents such as Sebastian Gainsbourough (Vessel, The Northman, Manchester Collective), Kjell Braaten (Wardruna, Origami Galaktika) as well as non-musician minds assisting in the conceptual development, Doctor Mathias Nordvig (Professor of Pre-Christian Religion at CU Boulder) and Philosopher Naina Gupta (University of Kingston). “Lustuz Laþu Wōþuz Alu” is Nebala’s first full-length studio album and invites the listeners to dive into Old Norse Mythology. Nebala in Proto-Germanic means “the void”; the void through which all life originates. Sexuality is the essence of all life form. Through this album Nebala initiates sexuality into a space of sacredness. Using traditional frame drums, lyre, tagelharpa, Tibetan singing bowls, and throat singing, Jonas Lorentzen has developed a unique Indo-Nordic sound for Nebala that toys with timescapes, soundscapes, and cultural boundaries to bring you back to the primordial experience of music itself. He comments on the album: “When you let yourself be taken by desire and lust, you will be consumed by what the ancient Germanic peoples called Laþu. The ancestor of our modern word “to let,” laþu suggests giving into natural desire and emotion. When Wōdan sought the deepest knowledge of the cosmos he had to brave the dangers of the deep caves in Hnitbjörg and let himself be taken by the desire of Gunlaþu, the forceful goddess of the underworld.”

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Green Lung

LP | 2022 | EU | Original (Svart)

And Then There Were Three

Release: 2022 / EU – Original

Genre: Rock & Indie

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Black vinyl, insert

Green Lung are “Britain’s finest folk horror -indebted heavy metalers” (The Guardian), and this is where it all started for the band in 2018. The five track demo recording Free The Witch, including the bonus track When The Axe Comes Down, now reissued on standalone vinyl.

Remastered for vinyl by the spectacular John Davis (Lana Del Rey, Led Zeppelin, Royal Blood…) at Metropolis Studios in the UK and adorned by striking covert art by the band’s perennial collaborator Richard Wells.

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Michael Chapman

2LP | 2022 | EU | Original (Lantern Heights)

37,99 €*

LP | 2022 | US | Original (Shrimper)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Fully licensed, ltd to 500 copies double 180 gr. vinyl. Here’s Lantern Heights’ personal tribute to the one and only Michael Chapman, a hero in his own right, a ‘Fully Qualified Survivor’ (just to mention one of his most successful creations). An unreleased live album on vinyl in the form of an astonishing trio.” A live set recorded at Nottingham’s Playhouse Theatre on July 23rd 1977 by Chapman and a power house rhythm section in Lindisfarne bassist Rod Clements and former John Mayall drummer Keef Hartley. Some of his best-loved songs are showcased in “And There Were Three” – a jocular reference to Chapman’s ever-shrinking band, also known as ‘a beast with three heads’.

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Ben Woods

Dispeller

Chris Forsyth / Dave Harrington / Ryan Jewell / Spencer Zahn

Release: 2022 / US – Original

Genre: Rock & Indie

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On Dispeller, Ben Woods’s beguiling new album, his intimate experiments in rock paint a vivid portrait. Here, the New Zealand artist leans comfortably into intuition and abstraction. Expansive arrangements are anchored by heavy-lidded prose, while carrying the air of the portside shack it was made in. Dispeller was recorded throughout a year in Woods’s hometown, Lyttelton, with Ben Edwards (Aldous Harding, Marlon Williams, Julia Jacklin) at the helm of the mixing console and co-producing. Utterings, footsteps, and the rattles of the room linger beneath the album’s dense instrumentation, alluding to the familiar space the songs were captured in. Here, Woods’s songs breathe and flourish into their own worlds. “I found my voice in trying to make atonality croon,” he says. “With Dispeller it was less about harmony—the blend was capturing the songs very honestly in the room, and still making each of them to transport you somewhere different.” Even beside Woods’s acclaimed debut, PUT (2019), which saw him sharing stages with Aldous Harding, No Age, Julia Jacklin and Steve Gunn, Dispeller enchants. The songs here are stronger, the instrumentation stranger. With chopped and screwed vocal contributions from underground hero Alastair Galbraith, “Speaking Belt” snaps and pulses with the sordid clatter of a lost Xpressway single. Charlotte Forrester from Womb (Flying Nun) adds their diaphanous voice to “The Strip And Punishing Type”. On fragile duet “Wearing Divine”, Lucy Hunter (Opposite Sex / Wet Specimen) threatens to steal the limelight, before a full hive of Marlon Williams’s honeyed vibrato comes spluttering out of what sounds like a rusted can. Woods’s melodies bring to mind Scott Walker’s dramatic tunefulness, while his voice holds something of Gordon Gano’s waver, pushed through New Zealand vowel mangling. Dispeller’s arrangements hit at the subtle, reactive instrumentation of late-era Fugazi, the glowing murk of Grouper, the Antipodean-gothic drudge of Tall Dwarfs, and the mechanical outer crust of Sparklehorse. However, while Woods experiments with the disparate and the disharmonious, it is the open heart which elevates Dispeller. His voice holds the physical and spiritual middle; flirting with, but never succumbing to the splendour and turmoil which surround it.

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First Flight

LP | 2022 | UK | Original (Algorithm Free)

LP | 2022 | US | Original (Dear Life)

Release: 2022 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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"First Flight" documents about 40 minutes of jams recorded during the third week of my September residency at Nublu last year, and, for me, this show was just about the most enjoyable hour of music I played all year.

The ideal of the residency was to mix things up with special guests, different band lineups, and varied set lists, keeping things fresh and new week-to-week, and this show was the wild card of the bunch.

That's because although Ryan and I have played together for years, and Dave and Spencer have played together for years, neither half of the band had ever met each other. I was tangentially aware of Dave and his music and was intrigued by what I'd heard, so I thought it was a cool idea when Chris Tart, the residency promoter, suggested a collaboration.

So, about 30 minutes after we'd all heard each others voices for the first time, we got up and played for a little over an hour, uninterrupted. The only thing discussed beforehand was that we shouldn't discuss anything beforehand - not a key or a riff to start with, nothing - so as to preserve maximum spontaneity.

I think this music demonstrates a real connection on stage. In other words, each player was completely present and actively listening on the bandstand. Listening back, there are moments I can hear Ryan saying - musically - "Hey, let's go over here! Check this out!," or Spencer being like "Wouldn't it be cool to go down this path?" And we followed. And it was cool.

In my mind, that listening thing is the number one most important factor in any collaboration or cooperative effort, but especially in improvised music.

And I think it's fair to say that a little more listening, a little more presence, would do the whole world some good right about now, don't you think?

-Chris Forsyth

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Shane Parish

Liverpool

36,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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After months of developing elaborate acoustic guitar versions of the songs for what he at first intended to be a solo acoustic guitar album, a burst of inspiration hit and he rearranged the music for electric guitar, where he has long been at home with his two decades of work as composer and bandleader for morphing avant-prog outfit Ahleuchatistas. What Parish ended up with are arrangements in his intuitive, intense, and intimate style, more directly aligned with his flagship electric band. While acoustic guitar produces resonance through tactile manipulation, the electric guitar harnesses the flow of electricity, allowing Parish to cut a more urgent and colorful slice through our historical moment with these haunting melodies which were first formed under the most ruthless of working conditions, defiantly affirming the creative human spirit’s ability to burst forth from any circumstances.

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Wewantsounds Presents Pierre Barouh And The Saravah Sound

2LP | 2022 | EU | Original (Wewantsounds)

35,99 €*

Somewhere Between The Secret And The Truth

Release: 2022 / EU – Original

Genre: Rock & Indie

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Wewantsounds is delighted to present the first retrospective on vinyl of Saravah Records, one of the most influential French labels founded in Paris by singer, songwriter and producer Pierre Barouh in 1966. Featuring Brigitte Fontaine, Jacques Higelin, Alfred Panou, and many rare tracks reissued on vinyl for the first time, the set gives a glimpse of the free-form, groovy sound of the label between 1965 and 1976. Supervised by Pierre Barouh's son and Saravah historian, Benjamin Barouh, The 2-lp Gatefold set comes with a 4p insert featuring liner notes (Eng/Fr) by Benjamin plus an exclusive interview of Barouh's partner Fernand Boruso by Jacques Denis telling fascinating anecdotes around the label.

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Wade Bowen

LP | 2022 | EU | Original (Bowen Sounds)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Vade Mecum Translucent Red Vinyl Edition

Glenn Jones

LP | 2022 | US | Original (Thrill Jockey)

Vade Mecum Black Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Exploring the complexity of personal experience, emotions and our shared histories, Vade Mecum finds Jones painting his music in boundaryless colors, captivatingly vivid. Issued on black and limited-edition red vinyl, packaged in a gatefold jacket with image oriented across both sides in a classic 1970's Style. Package includes notes and tunings for each song and download card.

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Glenn Jones

LP | 2022 | US | Original (Thrill Jockey)

Release: 2022 / US – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Oh Boy)

Kelsey Waldon

No Regular Dog

Release: 2022 / EU – Original

Genre: Rock & Indie

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The Beginning Black Vinyl Edition

Tony Joe White

Michael Franti & Spearhead

Release: 2022 / US – Original

Genre: Rock & Indie

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Tony Joe White's, The Beginning was originally released on CD in 2001. Stripped down and recorded without any bells and whistles, this is Tony Joe recording himself playing his classic swamp blues sound. This album is regarded as the first album where Tony Joe controlled all elements of the studio Until 2020, Tony Joe White's 29th album had been long out of print. New West Records released a limited edition color vinyl pressing that was the first and only vinyl pressing of this record. This record was remastered and re-sequenced for that specific pressing. Due to popular demand, New West is bringing this title back on vinyl and CD. The LP is packaged in a standard jacket with a color sleeve.

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Follow Your Heart

LP | 2022 | EU | Original (Boo Boo Wax)

Release: 2022 / EU – Original

Genre: Rock & Indie

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2LP | 2022 | US | Original (Kill Rock Stars)

Horse Feathers

House With No Home

Release: 2022 / US – Original

Genre: Rock & Indie

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LP | 2022 | US | Original (The Bunker New York)

Zemi17

Gamelatron Bidadari

22,99 €*

7" | 2022 | EU | Original (EM)

Release: 2022 / US – Original

Genre: Rock & Indie, Electronic & Dance

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The Gamelatron is many things; one could call it a sculpture, a multimodal installation, an instrument, a robot, a feat of engineering, a vision—and it is all of these things. More importantly, though, it is a concept sustained by Aaron Taylor Kuffner, aka Zemi17, whose Gamelatrons are “sound producing kinetic sculptures” designed to create an immersive, visceral experience for the listener. Not a small feat, and yet the ambitions of Zemi17 are absolutely realized in this long-standing project, culminating now in his third release for The Bunker NY: Gamelatron Bidadari.

The Gamelatron Bidadari is not just a name—it is one of seventy-plus musical sculptures that Zemi17 has conceptualized, designed, and fabricated. Therefore, it would be inaccurate to think of this release as simply a series of arrangements composed in a finite period of time. Rather, it’s a window into a project and a process that is much larger than any single album can encapsulate. Gamelatron Bidardi is the culmination of more than a decade of work, and is central to Zemi17’s evolution, not only as a musician but as an artist.

Having studied gamelan for many years in Indonesian villages and at the Institut Seni Indonesia in Yogyakarta, Kuffner is a musician, an artist, technologist, and craftsman. The gongs in his sculptures are co-created with master Indonesian artisans. Each Gamelatron composition is site-responsive, meaning its sounds are composed for the acoustics and intentions of the space it inhabits, whether it’s an art gallery, a wooded landscape, or the inner temple of Burning Man. The Gamelatron does not stand alone: it is in constant co-creation with its physical environment, and in dialogue with gamelan’s long-standing history.

Originally exhibited at the Smithsonian Renwick as part of a show entitled, No Spectators: The Art of Burning Man, the Gamelatron Bidadari produces sounds that are delicate yet strong, and deeply hypnotic. Textured chiming creates intricate polyrhythmic patterns that are both complex and simple, or in a word, elegant. On Gamelan Bidadari, Zemi17 refrains from adhering to the strict musical structures; his approach to composition is free flowing.

He says, “I want to evoke what the music tells me it has to offer. It is like following water to its conclusion (or non-conclusion).” The arrangements on this album, written by Zemi17 and performed by the robotic arms of the Gamelatron, leaves the listener feeling enchanted, nourished and enriched.

A sense of the mystical comes through in the tonal quality of the instrument, and is conceptually felt in the sculpture’s name: the Bidadari, which loosely translates to “forest nymph.” The music conjures up natural wonder, and the four sculptures that make up the Gamelatron Bidadari, in fact, resemble trees. They are four independent yet connected entities, each with a large gong situated at their structural base—the sonic “roots” of the sculpture—while smaller gongs branch off of a golden, trunk-like spine. The Gamelatron Bidadari is as physically stunning as it is mesmerizing to the ear. A kind of divinity is invoked through its sound, or a sacred cohesion between past and present, tradition and new form. Meant to be viscerally experienced, the sounds of the Gamelatron call for sublime togetherness. Gamelatron Bidadari is not just an album but the crystallization of Kuffner’s work; it is a condensed yet spacious glimpse into the sonic power of Zemi17’s Gamelatrons, which have already been heard and experienced live by over a million people.

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Henry Kawahara

Minami-Kaze A Wave

16,99 €*

2LP | 2022 | EU | Original (Wiggy Thump)

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Special! Limited** One-sided 7-inch. Cover art is printed on specialty paper with aluminum vapor deposition.

"Minami-kaze α Wave (Southerly wind alpha wave)“ is a very rare ‘vocal piece’ that Henry Kawahara has produced, and released under the name HMD (H Music Deperception) in 1993. The song is a vocal version of the cyber-occult exotic instrumental piece "Nanpu“ included in the compilation “Cybernetic Defiance and Orgasm: The Essential Henry Kawahara” [em1197tcd/dlp]. This track is a rare example that proves he had also a genius for producing ‘pops’ in the general sense of the word, and which seems to have challenged head-on the pop songs produced by Haruomi Hosono or Tetsuya Komuro in the 80s-90s.

The Henry Kawahara project on EM Records was developed only with the enthusiasm of proving Kawahara's existence if he is to be erased as nothing in the current art context, and we have confirmed that there are a lot of supporters all over the world for our opinion when we released "Cybernetic Defiance and Orgasm" (several articles and interviews have been given). This single is a 'prescription' for the sequel, tentatively titled "Cybernetic Defiance and Orgasm 2: Other Sides of Henry Kawahara," which is currently in the process of being prepared.

This 7” is a limited one-off release, not included in the full compilation released in 2021

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Whiskey Myers

Tornillo

Release: 2022 / EU – Original

Genre: Rock & Indie

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Magnificent Sounds Records

A Chant About The Beauty Of The Moon At Night: Hawaiian Steel Guitar Masters 1913-1921

LP | 2022 | US | Original (Magnificent Sounds)

Love The Stranger Black Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-08-09

A collection of rare original recordings, unheard for over a century, of captivating Hawaiian steel guitar music that influenced the first generation of Delta blues and country artists, changing the sound of music forever. Ghostly transmissions from paradise, beamed across time from a lost century, carefully remastered and restored with extensive historical notes & rare photos.

Predating the craze for kitschy Westernized “hot” Hawaiian music, the raw recordings here represent the original sounds of the Hawaiian islands that took America by storm in the early years of the 20th century. In 1893 the native Hawaiian monarchy was overthrown by US-backed business interests. Fleeing a repressive regime that even banned the Hawaiian language itself, hundreds of native Hawaiian musicians emigrated to the United States. In a few short years they had conquered America, as audiences flocked by the millions to hear native Hawaiian musicians perform anti-colonial protest songs of Hawaiian independence while playing a unique new Hawaiian invention: the steel guitar.

By 1916 Hawaiian music was the bestselling genre of recorded music in United States. From the biggest cities to the most isolated rural towns, millions of Americans flocked to see touring Hawaiian steel guitarists perform using never-before-seen sliding techniques that produced strange new sounds which audiences found electrifying. It was in some of these isolated Southern towns that pioneering black musicians like Leadbelly, Son House, and Tampa Red first heard Hawaiian guitarists playing steel guitar and began to imitate their slide techniques, bringing a new style of guitar playing to bear on blues music and changing the sound of America forever.

While to Western ears these songs sound jovial and romantic, they also carry other layers of meaning. By celebrating the Hawaiian language, landscape, and people, the music gave voice to a resistance against the white colonial interests that had seized the Hawaiian government. Other songs openly critical of the regime and called for the restoration of native rule, and many were even written by the deposed royal family. Just beneath the surface of these beautiful melodies that spoke of soft waves, warm breezes, and moonlight were political messages about colonialism and white supremacy that resonated deeply with Hawaiian listeners.

Too often, indigenous stories are written out of American history, particularly when it comes to music. This release seeks to bring new attention to the groundbreaking contributions of pioneering Hawaiian artists to the sound of American popular music, as well as transport listeners back to a now-forgotten period of American history when millions of Americans, of every color and walk of life, were obsessed with the innovative, stridently-political, deeply-evocative sounds of native Hawaiian steel guitar music.

All of these tracks have been lovingly restored from original 78rpm releases. Most of them have been unissued in any format since their original release over 100 years ago.

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Friendship

LP | 2022 | US | Original (Merge)

Neon Blue Black Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Friendship's Merge debut, Love the Stranger, moves like a country record skipping in just the right spot, leaving its fellow travelers longing for a place they've only visited in their dreams. Guitarist Peter Gill, drummer Michael Cormier-O'Leary, bassist Jon Samuels, and hawkeyed balladeer Dan Wriggins map out the group's particular, breathtaking landscape and invite the listener to share in its glory. Between instrumental pit stops at "Kum & Go" and "Quickchek," local references in Love the Stranger create a catalog of human perception, presented as roadside attractions. From grape jelly residue ("Ramekin") to the site of a demolished cathedral ("St. Bonaventure") to King of the Hill quotations ("Smooth Pursuit"), the record's images craft a symbolic language of high and low Americana, both evocative and consistently accessible. Spending time with Love the Stranger creates a community _ one in which the window between the listener and the musicmaker shatters in full, until all that remains are the fragments you decide to pick up together. Like its sprawling lyrical references, Love the Stranger's production is both familiar and capacious enough for pedal steel, synth strings, airy folk guitar field recordings, and Midi pad exploration to work in vital harmony. Influenced by Friendship's punk and indie peers as much as road-star forebears like Lucinda Williams and Lambchop, Wriggins says of the recording sessions: "I wanted the album to sound like Emmylou Harris and the Hot Band in the '70s. Pete wanted it to sound like a semi full of spent fuel rods, barreling towards a runaway truck ramp. Jon kept reminding us that the studio is an instrument, and Michael wanted it to sound like the breakdown two-and-a-half minutes into Shuggie Otis' `Strawberry Letter 23.'" Friendship is probably already your favorite band's favorite band, a long-revered Iykyk of DIY with a devoted cult following from Wawa to In-N-Out. With Love the Stranger, the Friendship universe only continues to expand and grow more open-hearted, more inviting, with every passing note. It's a record that locates the listener exactly where the listener is, and wherever that may be, makes a friend out of them, too.

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Joshua Hedley

Bbc Paris Theatre London 1972

Release: 2022 / US – Original

Genre: Rock & Indie

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Joshua Hedley is 'a singing professor of country & western,' he declares on his raucous and witty new album, Neon Blue. It might sound like a punchline, but it's not. An ace fiddle player, a sharp guitarist, and a singer with a granite twang, he's devoted his entire life to the study of this genre. His previous records have showcased his deep knowledge of country musics history, in particular the beery ballads of the 1950s and '60s. Neon Blue, on the other hand, examines a very different, often forsaken era: the early 1990s. Neon Blue asks, What if that fork had never happened? What if country kept on sounding like country?' Hedley finds something exciting in that old hat-act sound, and Neon Blue plays up the excitement of bigger-than-life choruses, the relatable emotions of those sad-eyed ballads, and the inventiveness of the lively production.

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Judee Sill

LP | 2022 | EU (Chush)

19,99 €*

2LP | 2022 | EU | Original (Wiggy Thump)

Release: 2022 / EU

Genre: Rock & Indie

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A singer-songwriter who wrote for the Turtles, Sill - in her early 1970s heyday - was compared to Asylum label contemporaries like Joni Mitchell, though her music had stronger spiritual overtones. This nearly forgotten performance reveals a true talent that deserved so much more during her short lifetime. Judee Sill grew up in a very troubled home and came through it with some truly great music to tell so many stories that many of the more sentient listeners will appreciate.

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Whiskey Myers

Tornillo

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Diggers Factory / Inasound)

Barbara

Premiers Micros

30,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | UK | Original (Kitchen Label)

Aspidistrafly

A Little Fable

23,99 €* 29,99 € -20%

LP | 2022 | EU | Original (Curb)

Release: 2022 / UK – Original

Genre: Rock & Indie

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“I went mourning without the sun; I am a companion to owls.”

In the autumn/winter of 2010, Singapore-based April Lee and Ricks Ang of Aspidistrafly (also founders of Kitchen. Label) embarked on the recording of their second album A Little Fable in Japan in collaboration with several artists. Fascinated by the patina of time and themes of folklore, A Little Fable narrates a surrealist procession of tales, twelve compositions simmering one into the other lyrically and picturesquely. This album sees the duo returning to a warm, organic palette of closely-whispered vocals, fingerpicked guitar, string arrangements and their trademark texture-focused arrangements. Featuring guest collaborators Kyo Ichinose, Seigen Tokuzawa, haruka nakamura, Junya Yanagidaira (ironomi), honagayoko, Akira Kosemura, Janis Crunch and more.

A dusty bottom drawer of forgotten memoirs is unlocked, and the album opens with a mourning, solitary cello while a harmonium drone forebodes an oscillating motif of glockenspiel tones, or sprinkled stars if you will. In Landscape With A Fairy, a tale of loss and longing during the earliest dawn mist – the world in its daily transition – is daubed in the hues of intensified sunlight, foliage or shadows, only to be diffused and faded by time, not unlike Andrei Tarkovsky’s polaroids of the Russian countryside. April Lee’s intimate vocals and acoustic guitar gently break the silence of a cold morning, backed by graceful string flourishes arranged by Kyo Ichinose. Kitchen. Label’s very own haruka nakamura and Junya Yanagidaira (ironomi) add harmonizing colors of the guitar and piano respectively.

Tracing the mysterious migration routes of nocturnal animals, Homeward Waltz skips home along a breadcrumbed-path with ephemeral glimpses of forest sights, ornamented by violins and other curious sounds before fulminating into a amorphous guitar drone, as Seigen Tokuzawa’s improvised cello strokes drift and wander with split-second apparitions in the night sky. Sounds of wooden creaks and early morning spoon-in-coffee stirrings permeate the spontaneous atmosphere of Cocina. honagayoko’s quaint and chopped piano phrases waltz with spliced vocals and flute.

Emerging from the darkened foliage into a vast, cryptic hemisphere, the second half of the album teeters on the frailty and transitoriness of the world. A Little Fable’s voyage reaches a turning point by SEA OF Glass. Ricks Ang constructs a prolonged arpeggio of sonorous looping guitar motifs that float in and out of focus, reverberating almost like a narcotic percussion across tumultuous oceans. Now distanced and gauzy, sounds of surging waves open Countless White Moons in a misty indefiniteness, yet held together charmingly by Akira Kosemura’s luminous piano. The elusive narration in Language OF Flowers tells of a deliberate escape from the passage of time with a folkloric enchantress who wordlessly casts her spells. In Gensei, April Lee relates an unspoken anguish in her tender, wavering vibrato while Janis Crunch’s somber piano and chorus vocals loom like a harbinger of death. The last chapter Twinkling Fall, the second track to feature haruka nakamura, now shuts the drawer of secrets, dissipated monochrome colours restored once again to full bloom.

A Little Fable is available on CD and the digital format on 15th December 2011. The physical CD copy comes in a 48-page artbook edition (21 x 15cm) featuring photographs and collages by April Lee and Miu Nozaka, with styling by Rika M. Orrery, who have, from their expeditions during the making of this album, directed a dream sequence around the encompassing atmosphere of a secluded hilltop cottage, a forest hued in the splendor of autumn and distant, rocky shores.

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Judds

Love Can Build A Bridge

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Curb)

Ruthie Collins

Cold Comfort

Release: 2022 / EU – Original

Genre: Rock & Indie

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O Som Do Labirinto Clear Vinyl Edition

Clube Tormenta

LP | 2022 | UG | Original (Nyege Nyege Tapes)

Release: 2022 / UG – Original

Genre: Rock & Indie

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Love The Stranger Blue & White Vinyl Edition

Friendship

LP | 2022 | US | Original (Merge)

Shine Baby Blue Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Sean Nicholas Savage

LP | 2022 | US | Original (Arbutus)

LP | 2022 | US | Original (Dear Life)

Release: 2022 / US – Original

Genre: Rock & Indie

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Canadian cult songwriter Sean Nicholas Savage is renowned for his bitter sweet ballads, and beautifully raw live performances, his singing delicate and brave, full of energy and space. Each new record is an adventure in sensitivity and nuance.Shine is a record about recapturing the will to live after a period of sadness and stagnancy, and the return to positivity and hope wrapped up in music that adds a sense of rhythmic guitar-based folk intimacy to Savage's hallmark ebullient avant-pop. Savage says he was leaning into his "Tatsuro Yamashita and Elliott Smith fandom" for Shine, a mix that immediately comes through vividly on opener "Feel Like A Child," which was the first song he wrote for the record. The pandemic had taken both an emotional and artistic toll on Savage, sapping his ability to be creative. It was after a long stay spent alone on the island Crete, sitting and staring at the sea that he felt a spark coming back to him. He sang "a long joyful memo" into his phone as he fell asleep one night, transcribing the words upon return to his home in Berlin and putting them to music.This reaffirmation of love and healing is at the heart of all the songs that make up Shine, not only thematically but sonically as well. Shine was recorded in Los Angeles with Savage's longtime friend Mac DeMarco, who produced the record. "With [2020's] Life is Crazy, I was delving into the overwhelming emotional experience of life and with Shine, I just wanted to dive in and be more healing," he says. The difference is apparent in Savage's vocals, which have a raw and intuitive feel to them. Instrumentally, Shine differentiates itself from Savage's past records through the use of the guitar as the primary instrument. While these are not straight-ahead folk songs, they do borrow from that genre's sense of closeness. On the title track, Savage sings of a place at the end of the world where one can find the seed of an entirely new universe within the gleaming eye of a seagull, and how that can expand one's sense of existence within something greater - "Every night we're still alive/ The moon sighs over you and I," he sings.

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Anne Malin

Summer Angel

Florist Deep Purple Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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In poet and songwriter Anne Malin’s “Summer Angel,” tales of love and violence intersect in dreamlike soundscapes. Conceived in response to the poem “Summer Angel” by Alfred Starr Hamilton and Marianne Faithfull’s rendition of Morrissey’s “Dear God Please Help Me,” Anne Malin sings with childlike wonder and a sense of harrowing indictment, playing with the lyric as a multilayered tool for self-expression and self-protection alike.

“Summer Angel" wields prisms in the face of sexual abuse and its nonlinear aftermath, asking: what is healing, what is self-harm, and what might freedom look like? These songs, brought into full form with collaborators Will Ringwalt-Johnson, Trevor Nikrant, Jake Smith, DJ Young, and JayVe Montgomery, reveal Anne Malin’s fluid vocal range: capable of operatic force and cutting delivery, and confident in navigating the grey areas in between.

Echoing Henry Mancini and Songs: Ohia in equal measure, “Summer Angel” is Anne Malin’s most ambitious project yet. Produced by Andrija Tokic (Josephine Foster, Alabama Shakes) at the Bomb Shelter in Nashville, TN, Anne Malin and her collaborators worked with ease and humor, benefiting from Tokic’s vibrant conceptions of the songs. Tokic embraced an inappropriateness in production, collaging sounds—from saxophone, pedal steel, and orchestral percussion, to name a few—with agile nonchalance.

The band, chosen for their breadth of experience with song-form genres as well as fully improvised music, dynamically constructed sonic environments around the initial live tracking. Anne Malin, committed to one-take vocal delivery during the band’s live tracking, similarly embraced the possibilities of improvisation and the many shapes a song can take.

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Florist

LP | 2022 | US | Original (Double Double Whammy)

Entering Heaven Alive Detroit Denim Colored Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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"Florist" is the self-titled fourth full length record from upstate NY based indie folk band, Florist. "Florist" is the follow up to 2019's critically acclaimed "Emily Alone", and is the strongest album of the band's decade-long career; an immersive work that conveys the magic of the earth and of family, and the whole of the band's heart. For all of June of 2019, amid a hot and rainy summer, Emily Sprague (guitar, synth, vocals), Jonnie Baker (guitar, synth, sampling, bass, saxophone, vocals), Rick Spataro (bass, piano, synth, vocals) and Felix Walworth (percussion, synth, guitar, vocals) convened in a rented house in the Hudson Valley, to live and work together. It was the first time the quartet recorded that way, and for that long. "In the past we'd meet up for a couple of days, or one day here and there," Sprague recalls. "Living together for a month is a really big part of why the arrangements are the way they are, and also why the instrumentals are such a huge part of the record." The result is 19 tracks that feel like the culmination of a decade-long journey, their fourth full-length album, but the first deserving of a self-titled designation. "We called it Florist because this is not just my songs with a backing band," Sprague explains. "It's a practice. It's a collaboration. It's our one life. These are my best friends and the music is the way that it is because of that."

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Jack White

LP | 2022 | US | Original (Third Man)

Kelmti Horra 10th Anniversary Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Entering Heaven Alive is the fifth studio album from Jack White, founding member of The White Stripes, The Raconteurs, and The Dead Weather. True to his DIY roots, this record was recorded at White's Third Man Studio throughout 2021, mastered by Third Man Mastering, pressed to vinyl at Third Man Pressing, and released by Third Man Records.

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Emel

2LP | 2022 | EU | Original (World Village)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Lady For Sale Black Vinyl Edition

Lola Kirke

LP | 2022 | US | Original (Third Man)

Release: 2022 / US – Original

Genre: Rock & Indie

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Entering Heaven Alive Black Vinyl Edition

Jack White

LP | 2022 | US | Original (Third Man)

LP | 2022 | EU | Original (Oh Boy)

Release: 2022 / US – Original

Genre: Rock & Indie

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Arlo Mckinley

This Mess We're In

Release: 2022 / EU – Original

Genre: Rock & Indie

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Future Nuggets Volume 4 Black Vinyl Edition

2LP | 2022 | EU | Original (Fun In The Church)

Release: 2022 / EU – Original

Genre: Rock & Indie

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12" | 2022 | EU | Original (AM)

Salar Salman

21,99 €*

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Salar Salman (1959), an exceptional musician and composer, was born in Kirkuk, a city in Kurdistan — the North of Iraq. As a young boy he was famed in his village for his rich and warm voice. When he develloped his talent as a guitar player he was seen as one of the best guitar players from North Iraq. As his fingers found a way to accompany his moving voice, he was able to share his songs with a broader audience. Salar Salman's songs about love, tenderness and soreness affected many people and delivered him the nickname 'Santana of Kurdistan'. Unanswered love, hidden love, lost love, failing love — his lyrics resonated with his peers in their integrity and honesty. But it was not only his new way of storytelling that moved many; the way he composed music was something new. Moving away from the more traditional, folkloric, often monotonous sound, his melodies moved freely. Inspired by Afro-Western sounds from the 70’s and 80’s, like jazz, psychedelic rock or flamenco, he was able to give a new meaning to his own musical heritage and to create an alternative sound that is still influencing younger generations of Iraqi Kurdish musicians today.

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Clinton Fearon

Breaking News

LP | 2022 | EU (Baco)

Release: 2022 / EU

Genre: Rock & Indie, Reggae & Dancehall

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Raf Vilar

Cliche

LP | 2022 | EU (Ajabu!)

22,49 €* 24,99 € -10%

Release: 2022 / EU

Genre: Rock & Indie

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LP | 2022 | EU | Original (BMG Rights Management)

Holland Andrews

Wordless / Forgettings

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | UK | Original (Voices Of Wonder)

Minor Majority

Kiss Off

29,99 €*

LP | 2022 | EU | Original (Aguirre)

Release: 2022 / UK – Original

Genre: Rock & Indie

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NEW Album From Minor Majority!!

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Blod

Knutna Nävar

LP | 2022 | EU | Original (Aguirre)

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Edition of 500 includes insert & large poster.

Swedish progg is not to be confused with "prog" as in progressive rock music. When we are talking about progg, we are refering to the Swedish music movement influenced by the political climate of the late 60's, to some extent the hippie movement and in many cases also Swedish folk music. Music highly driven by an political agenda. Blod's Knutna Nävar, originally released in an edition of 150 copies on Förlag För Fri Musik in 2018 and later a small cassette run, is pretty much a lost progg classic from the 70's. This is not a case of copying a certain sound though, far from it, neither are ideas really rehashed nor does the album feel nostalgic in that sense. Rather it feels like if someone has read about the progg movement and all the records but never actually heard it, yet decided to do an album and somehow managed to succeed big time.

Further developing the sound palette and ambience initiated with parts of the Leendet Från Helvetet recording, the music feels slightly louder and more in your face. It's like it's more of everything. The melodies are immediate and it's quite impossible to resist the brash catchiness of it all. Albeit mentioning progg music and it's importance for this recording, the actual musical side of Knutna Nävar has in reality more in common with soundtrack/library music and Swedish composers like the late Björn Isfält when you attempt to break it down. The crude DIY approach and anything-goes mentality just adds an extra dimension to it all and ultimately places the music somewhere else. There's a rather blunt use of samples throughout the record (sources probably best to leave out, though you don't have to be a Einstein to figure these out), but then again this is made by the same guy that gave the world the Abba album. Those samples have managed to become an integral part of the music through the few years that has passed and though well familiar with the records those snippets are now to me genuinely Blod and nothing else.

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Blod

Leendet Fran Helvetet

Like A Plane Colored Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Edition of 500. Includes insert.

It's been a true pleasure but also a rather chaotic experience to follow the progress of Blod from a close distance since the beginning. I have fond memories of receiving the odd cassettes from the early days, like the severely fucked up Unga Röster (later issued as an LP on Förlag För Fri Musik) and the awfully mesmerising Prat Om Depression recording. Returning to Leendet Från Helvetet for the first time for long a while, it's quite evident that the album marked a new phase in the troubled Blod universe. There's few traces left of the found tapes/audial voyeurism and brutish stop/rec editing that made up the first few releases, instead we are served with what is pretty much a proper album in a, sort of, traditional sense.

The record opens with a sole beat from a hand drum soon accompanied by a beautiful and very Blod-ish subtle melody from a glockenspiel but it only takes a few minutes before Gustaf's past as a free jazz aficionado is noticeable with the rather rough saxophone burst of 'Natten'. It's not until the title track that things kicks off for real though, most likely the first example of the sound and, maybe more so, very special feeling that I would say most people associate Blod with nowadays. To me, it's the sound of growing up in Sweden in the 80's; having two channels on the TV, eating brown food, rainy summers, taping commercial stuff on the radio, playing D&D in a purple tent in the garden. Memories of that certain bright light that can occur during the Scandinavian summers, those warm days when the skies are foggy. Long windswept grass and a very peculiar feeling of utter boredom. Arguably, Blod has never sounded more Blod than on this track, this is the very essence of the man's work right here. The progamm continues on side B with the solemn piano piece 'Lust', another saxophone rager and then the flipside's centrepiece 'Tro, Hopp & Kärlek' which pretty much mirrors the title track in it's larger-than-life scope and pure beauty.

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Markus Acher

10" | 2022 | US | Original (Moone)

32,99 €*

Release: 2022 / US – Original

Genre: Organic Grooves, Rock & Indie

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Markus Acher (best known as singer of The Notwist) typically produces his own music under the name Rayon – this time, however, is a different story. Using his real name, he sends a signal re: the circumstances he recorded the music in - at home in his old apartment in Munich, in a private setting, in a time when there was hardly anything else available. Accordingly, and rather fittingly, the four songs represent a bridge to the outside world: Acher tore the doors to his balcony wide open, inviting the outside in , capturing its sound on tape: rain falling, engine noise of passing cars. And at the same time the songs pushed outward, into that sphere that remained off-limits to us for some time (“Like a plane they can go everywhere”).

The four tracks - arranged for harmonium, acoustic guitar, banjo, glockenspiel, percussion, a children's harp and vocals - were released digitally in 2021 via the Japanese independent platform Minna Kikeru, run by Saya (member of the duo Tenniscoats and Markus Acher's bandmate in Spirit Fest), among others. For two songs of «Like A Plane», Saya contributed vocal tracks as well.

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Future Nuggets Volume 4 Colored Vinyl Edition

2LP | 2022 | EU | Original (Fun In The Church)

19,49 €* 25,99 € -25%

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | UK | Original (Bella Union)

Warmduscher

At The Hotspot

19,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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A Very Lonely Solstice Clear Vinyl Edition

Fleet Foxes

LP | 2022 | EU | Original (Anti)

This Time I See It Record Store Day 2022 Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Robin Pecknold brings light to the bleakest of winters with Fleet Foxes’ A Very Lonely Solstice, a 13-track career spanning collection recorded in December 2020, at Brooklyn, NY’s St. Ann & the Holy Trinity Church.
A Very Lonely Solstice captures a poignant moment in time. The recording was originally broadcasted as a live-stream event on the winter solstice of 2020, just days after New York declared a state of emergency tightening restrictions again in response to increasing COVID-19 cases. Pecknold describes the set as “me by myself on the longest night of the year… honoring the loneliness of 2020 with a nylon string and some songs new and old.” Fans worldwide tuned in while quarantined at home, finding solace and a sense of community in a period of extreme isolation.

Much of A Very Lonely Solstice showcases a solo focus on Pecknold who offers up acoustic arrangements of fan-favorite songs spanning Fleet Foxes’ catalog. Selections cover all four of the band’s studio albums, including their 2008 self-titled debut album (“Tiger Mountain Peasant Song”) to 2011’s Helplessness Blues (“Blue Spotted Tail”) and 2017’s Crack-Up (“If You Need To, Keep Time On Me”), all the way to their latest GRAMMY nominated release, Shore. Resistance Revival Chorus joins Pecknold on Shore tracks “Wading In Waist-High Water” and “Can I Believe You.” Also featured: a cover of Nina Simone’s “In The Morning” and a rearrangement of the traditional “Silver Dagger.”

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The Franklin Electric

LP | 2022 | CA | Original (Return To Analog)

Remmy Onagala & Orchestre Super Matimila

Release: 2022 / CA – Original

Genre: Rock & Indie

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Highly anticipated vinyl release for the 4th album from Montreal indie favorites The Franklin Electric. Exclusive RSD color variant with insert.

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Songs For The Poor Man

LP | 2022 | EU | Original (Decca)

22,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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King Wasiu Ayinde Marshal I

Talazo Fuji Music Party!

LP | 2022 | EU | Original (Decca)

20,69 €* 22,99 € -10%

LP | 2022 | US | Original (Double Double Whammy)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Back in Nigeria in 1995 everybody knew King Wasiu Ayinde Marshal I. Just
about every house party and club floor, every shop front and car window,
pulsed to such megahits as ‘Talazo’ and ‘Consolidation’; to the percussion-rich
polyrhythms and Yoruba chants typical of Fuji music, a genre this one-time
roadie (for Fuji music icon Ayinde Barrister) had customised by adding more
percussion – congas, the sakara frame drum – and an attitude straight off the
street.
Wasiu Ayinde had nearly twenty years’ worth of national fame under his floor
length robes (and occasional zebra-striped jumpsuits) when he played his first
ever WOMAD Festival that same year. Booked in for a session at Real World
Recording Week shortly afterwards, the artist and his 16-piece band were
inadvertently delayed and pulled in to Real World Studios in Box, Wiltshire eight
hours late. The recording went ahead regardless. Against the clock. On-thefly. With a small live audience in party mode and microphones placed about
the floor, Wasiu Ayinde and his crew rode the adrenalin, summoning a set that
moved from trance-like call-and-response and vibrant Afropop ballads to those
aforementioned megahits, all of it soaked in groove and feeling. A kingly feat,
that seems even more majestic now.

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Katie Bejsiuk

The Woman In The Moon