Folk Vinyl 2719 Items

LP | 2019 | JP | Original (Universal Japan / Dessinee)

Release: 2024 / US – Original

Genre: Rock & Indie

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Active since 2001, Ayyuka was one of the first bands to look back at 70’s Turkish music to find a new voice. Not caught up in the Retromania but reincarnating Turkish Psychedelic within their own style, the band managed to develop an unmistakeable unique sound. Inspirations of Dick Dale, John Frusciante, and local heroes like Erkin Koray, Orhan Gencebay, make their music more guitar oriented but their fascination with film music and improvisation creates unexpected twists within their songs. Right after their eponymous debut in 2007, the band shared stage with Sonic Youth and Jonathan Richman. Heading to a completely instrumental music, their 3rd studio recording “Sömester” had already become a cult album for record collectors. They’ve collaborated with Orlando Julius, Ilhan Ersahin and had guests on almost every album. Their latest full length “Maslak Halayı” was a creative collaboration with Calibro35 genius Tommaso Colliva. The worldwide hype of "Yukadans” will now be followed by their upcoming EP "Zaman Ziyan”, showcasing four brand new instrumental tracks that will transport listeners through a kaleidoscope of musical landscapes, experimenting with techniques of music writing and flirting with genres like afro-beat, funk, dub or arabesque. Save the date for their very first performance of these, live at babylon, as a part of Akbank Jazz Festival.

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B.J. Ward

Vocal Ease

59,99 €*

LP | 2023 | EU | Original (Penny)

Release: 2019 / JP – Original

Genre: Rock & Indie

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Japanese import

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Badawi

The Book Of Jinn

22,99 €*

LP | 2024 | EU | Original (Akuphone)

Release: 2023 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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“Ghost Producer” aka Badawi (aka Raz Mesinai aka Bilal ibn Yakub al-Badawi) is a prolific producer and artist whom has been on the forefront of underground experimental jazz and electronic music scenes around the world for over thirty years, with a massive catalog of genre defying albums on such legendary labels as Roir, Asphodel and Tzadik under various monikers dating back to the late 1980’s. Ghost Producer released his first albums starting in the late 80’s under the monikers “Psy Co.” and “Ruff Riddim Productions”, selling his cassette tapes in NYC, he produced, on average, at least one album per week since 1988 till present day. One of the twenty or so monikers was “Badawi”, later being signed to Roir Records and releasing the seminal experimental dub, punk albums “Bedouin Sound Clash” and later “The Heretic of Ether” on Asphodel. Spending time as a child between Occupied Jerusalem, the West Bank (Balata) and New York City (Rock Steady Park) during the height of the B-Boy era in the 70s and 80s informed Ghost Producer’s singular sound of heavy driving Sufi rhythms, sonic experiments, percussion, piano playing and sound design which has connected him to a wide variety of artists ranging from Maryanne Amacher to John Zorn, to added elements of darkness to music by such artists as Hanz Zimmer (Black Hawk Down) and rappers Danny Brown (Pneumonia) and Skepta and Double D (Don) among many others. At age 14, Ghost Producer was discovered by visionary jazz and rock musician, Juma Sultan (Jimi Hendrix) whom later trusted Ghost Producer with producing the archive of over 2000 hours from recordings from “Studio We” and the Free Jazz Loft Movement in NYC in the 60s and 70s. As a composer, he has worked with Kronos Quartet and has had premiers at Carnegie Hall (Cross Fader, The Echo of Decay) and Lincoln Center (String Quartet For Four Turntables). In addition, Ghost Producer has released several albums on John Zorn’s Tzadik label, where he explored producing to the books of Franz Kafka (Before The Law, Resurrections for Goat Skin, Cyborg Acoustics) As a composer for film, he coined the term “score design” to describe his work in conceiving and producing scores for films with particularly demanding needs, working on such films as A Late Quartet (director Yaron Zilberman composer: Angelo Badalamenti), The Fountain, Black Swan and The Wrestler (Darren Aronofsky/Clint Mansel), Black Hawk Down (Ridley Scott/Hans Zimmer) and many more. In 2014, he was awarded as a fellow in the Sundance Composers Lab. In 2015, Ghost Producer formed the “Underground Producers Alliance”, a unique program for developing producers, performers and composers, with co-founders Scotty Hard (Wu Tang Clan, Medeski Martin and Wood, De La Soul), HPrizm aka High Priest (Anti Pop Consortium), Honeychild Coleman (the 1865, The Slits) and Prince Paul (Jungle Brothers, De La Soul), where Ghost Producer produces entire albums with student participation in his master course on production “The Ghost Program”. This album, The Book of Jinn, is one of many productions done within the course, featuring players/mentors Juma Sultan (percussion), Chandenie (voice) and Shahzad Ismaily (electric bass), with additional student participation from Adam Culbert and Jonah Sollins (aka Goodnight 1500) on synths and percussion as well, then all remixed and rearranged by Badawi into what you hear here, The Book of Jinn.

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Badiaa Bouhriz

Kahrumusiqa

25,99 €*

LP | 2012 | US | Original (Republic)

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie

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KahruMusiqa is a musical retrospective by Tunisian singer and composer Badiâa Bouhrizi AKA Neysatu. She is known as the author behind the protest songs that became the anthems of the Tunisian revolution.

KahruMusiqa means electronic music, but is never used as such in Arabic to name the genre. The record is a collection of sonic experimentations that started when she first got her hands on music production softwares in the 2000s. The tracks are based around poems in classical Arabic language or Tunisian dialect written by Badiâa herself or female poets she admires, such as Palestinian authors Fadwa Tuqan or Salma Al Jayusi, or the Tunisian poet Noureddine Werghi. Most of the vocal work are improvisations recorded with a computer microphone. A take on the classic Turkish folk song Muhabbat is almost a modern harmonic rewriting, using only classical guitar, vocals and delays.

KahruMusiqa’s themes are in line with Badiâa Bouhrizi ideological trajectory. She is a queer woman in the moving sands of Tunesia in the song Transrimel. She also questions the political contract that led to Balfour and the displacement of millions of Palestinians in 1948, describing a journey between London and Nablus, in Fil Madinatil harima (“In The Old City").

This lo-fi bedroom album also displays several songs that have become classics of the Arab underground milieu like Ila Selma, and is the first ever record Badiâa Bouhrizi was willing to release.

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Bahamas

Barchords

35,99 €*

2LP | 2023 | EU | Original (Warner Bros.)

Release: 2012 / US – Original

Genre: Rock & Indie, Pop

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More poppy soulful folk from Afie Jurvanen.

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Bailey Zimmerman

Religiously.The Album.

31,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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From Skopje With Love Yellow Vinyl

Baklava

LP | 2023 | EU | Original (Cpl Music)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (TMK)

Balaphonik Sound System

Blood & Sap

22,39 €* 31,99 € -30%

Release: 2023 / EU – Original

Genre: Rock & Indie

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2LP | 2022 | EU | Original (Strut)

Balka Sound

Son Du Balka

LP | 2016 | US | Original (Digital Monkey)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Strut present the first ever compilation of Balka Sound, bringing together their influential 1980s recordings. Hailing from Congo-Brazzaville and led by revered vocalist and ngonfi player, Nkibi "Lusialala" Albert, Balka Sound created their own unique musical world, re imagining traditional Congolese Balka rhythms with electric guitars, electric bass and drums, alongside the traditional 5-string ngonfi.

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Balkan Beat Box

Shout It Out

Ballaké Sissoko & Derek Gripper

Release: 2016 / US – Original

Genre: Rock & Indie

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Israeli born artists Tamir Muskat, Ori Kaplan, Tomer Yosef met in Brooklyn’s underground in the mid-2000s and ignited the world with the outspoken formidable live act Balkan Beat Box. Combining Eastern European styles with dancehall, reggae, exotic brass, earth shattering bass and experimental electronics. The 5th album Shout It Out, recorded in their second studio Vibromonk East Tel Aviv, is another evolution with new influences from ghettotech, bluegrass, hip hop and pop.

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LP | 2024 | UK | Original (Matsuli)

LP | 2022 | EU | Original (Lusofonia Record Club)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Kora’s most innovative modern exponent bathes in communion with a re-imagined classical guitar, unveiling a new and previously unsuspected musical universe. In a meeting between instruments, not traditions, these maestros emerge from quite different and distant musical worlds. Ballaké Sissoko’s kora tradition and lineage traverse the once powerful West African empire known as Kaabu. South African Derek Gripper’s roots are in European classical guitar but infused with a unique jeli music mastery that takes guitar’s modern history in a captivating new direction.

But we are not hearing these traditions in dialogue: these masters meet on the sonic groundings of the kora, instrument of the griots, resonant vessel of the sacred and profane, sound carrier of history and wisdom. Through two decades of commitment and study, it is to this terrain that Gripper brings his guitar to meet its multi-stringed cousin.

The two men do not share a spoken language, but if it is true that music speaks universally, then they were already involved in profound dialogue long before they met for the series of London concerts which yielded this recording session – a session which matches deep communion with sparkling improvisation, which pushes a living tradition into brand new sonic spaces, and opens a live and direct channel of communication between kora and guitar. In the complex web of theme and variations spun by Sissoko’s twenty-two strings and Gripper’s six, a new African string theory is elaborated.

“Musically we tested each other,” says Sissoko, explaining that the most magical aspect of their encounters are spontaneity. “We have the mastery of our instruments, the technique and a good ear. Derek is very curious, that’s very important.”

“He’s just such a good listener,” says Gripper about Sissoko. “It’s not what he plays, it’s how he plays it. He’s an amazing interpreter, the prime master of timbre.”

Recording by Taylor Pollock at Platoon Studios, London. Mixed, edited and produced by Derek Gripper. Mastered by Murray Anderson at Milestone Studios, Cape Town. Produced for vinyl by Chris Albertyn and Matt Temple at Matsuli Music. Mastered for vinyl and lacquers cut by Frank Merritt at The Carvery, London. Vinyl pressed at Pallas GmbH, Germany. Sleeve notes by Francis Gooding, French translation by Paulo Goncalves. Cover design by Toby Attwell at Twoshoes, Cape Town.

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Banda Monte Cara

Re: Imaginar EP

27,54 €* 28,99 € -5%

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie

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And The Chambers Brothers

Barbara Dane

LP | 2018 | EU | Original (Smithsonian Folkways)

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Diggers Factory / Inasound)

Barbara

Premiers Micros

Release: 2022 / EU – Original

Genre: Rock & Indie

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El Amor No Es Para Los Debiles

Bareto

LP | 2022 | EU | Original (Agogo)

LP | 2023 | EU | Original (Türküola)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Praised as heirs of amazonic psychedelia and chicha traditions, as well as sound innovators, peruvian band Bareto mixes exciting versions of cumbia classics with their own, unique compositions, in concerts that should be promoted as dance parties. Performers at Womex 2016, have toured Europe and North America, including Roskilde Festival 2015 and Montreal Jazz Festival 2017, among others.

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Baris Manco & Cem Karaca

2 Büyükler

28,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Türküola)

Darisi Basiniza

Release: 2021 / EU – Original

Genre: Rock & Indie

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12" | 2024 | WW | Original (Emre)

Egri Egri Dogru Dogru EP

19,99 €*

Release: 2024 / WW – Original

Genre: Rock & Indie

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LP | 2017 | EU | Original (Türküola)

Mega Manco

Release: 2017 / EU – Original

Genre: Rock & Indie

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Mega Manço is Barış Manço’s third album which was recorded without Kurtalan Ekspres. The arrangements are by Garo Mafyan the veteran keyboardist of “Turkish Chicago” called İstanbul Gelişim. The album is first time on vinyl. While some songs reflect the modern synthe pop age of Manço, some songs have strong references from his Anatolian rock group music period. Süleyman reflects his singles period with Moğollar such as İşte Hendek İşte Deve. Diral Dedenin Düdüğü reminds us of 1981-83 era of Manço which reflects an Anatolian Rock attitude with Arabic influences. Hemşerim Memleket Nire has also important references to the legendary 2023 album, as the song is based on the critical bass lines of the electronic music hit, 2023. The album also contains an instrumental track called Rüya which is a composition of Manço in a Yanni style new age based on piano and strings. In the album you can also hear a significant electro pop hit of Manço named Ayı which had a great popularity among children at that time period when Manço was a fabulous figure for children because of his TV shows. Türküola is once again in place to make such an important album available on vinyl for the first time.

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Sakla Samani Gelir Zamani Picture Disc Vinyl Edition

LP | 2018 | EU | Reissue (Guerssen)

25,99 €*

LP | 2022 | EU | Original (Vacancy)

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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In 1976, Baris released his third album which was actually also a compilation of songs previously released in 45s, as happened with his debut. For this LP release, and basically because of contractual reasons, we are presenting you this compilation with a few changes: two of the original songs are not there, and we added four new ones. So, what we get here is a scorchin’ collection of funky psychedelics Turkish way in a cool picture disc that will knock you out.

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Barrie-James

Strange Desire

31,99 €*

LP | 2022 | AR | Original (Shika Shika)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Limited to 1800 copies with obi strip & sleeve notes. Rare Soul-Jazz-Funk album from 1985. First ever vinyl reissue. Jazz guitarist Calvin Keys is a legend among soul-jazz-funk fans for both his work as a session & touring musician and for the catalog of classic releases under his own name. Key’s playing style is lean & muscular and his unique phrasing balances sophisticated jazz harmonics with funky R&B & soul grooves. Since the 1960s Calvin Keys has performed/recorded with renowned artists such as Ahmad Jamal, Ray Charles, Pharoah Sanders and Joe Henderson. He is also a mentor to young talent, offers private lessons, and is a frequent teacher at the yearly happening ‘Jazz Camp West’.

Calvin Keys was born in 1943 in Omaha, Nebraska. His first musical influence was his father Otis, a well-known drummer in the city's music scene…he passed the music bug on to Calvin, who picked up the guitar early. Keys landed his first notable gig as a member of Eddie 'Cleanhead' Vinson's band when he was 17 and then went on to play with Preston Love (of the Count Basie Orchestra). Later on, he would also join The Jimmy Smith Trio and then worked through the rest of the 1960’s with legends such as Jimmy McGriff, Richard 'Groove' Holmes and Brother Jack McDuff.

After moving to Los Angeles in the 1970’s, he signed to Gene Russell's now-legendary Black Jazz label where he cut his first two albums: Shawn-Neeq (1971) & Proceed with Caution (1974). Next to his own output on Black Jazz Records, Calvin Keys also did session work for the label and played on several of its hit records. At this point in time Keys also auditioned for the Ray Charles Orchestra…his unique phrasing and his ability to balance sophisticated jazz harmonics with tough R&B and soul grooves were showcased nightly in Charles’ band. Before relocating to San Francisco in 1975, he also played on Billy Brooks' jazz-funk classic ‘Windows of the Mind’ (1974) and focused on more live and session work. Keys then joined Ahmad Jamal's group and spent close to a decade with the pianist, touring the globe and recording six albums with him.

The 1980’s and 1990’s also proved similarly fruitful for Calvin Keys…he was a ‘first-call’ studio & live sideman and amassed massive credits for touring with all-stars from the likes of Tony Bennett, Pharoah Sanders and Sonny Stitt. He released two more fantastic solo albums: Full Court Press (1985) & Maria’s First (1985), this time on Olive Branch Records. In 1991 he was featured on the recordings for the original score of the film ‘Dying Young’ composed by James Newton Howard. Next to all of this, his session and live work with his own trio continued at a relentless pace. He settled down in the Bay area and played a multitude of gigs throughout the 1990’s.

After being sidelined in 1997 by heart surgery, Calvin Keys entered the new millennium with a bang! He released five widely acclaimed Jazz-charting albums & worked with major players from the likes of Taj Mahal (Santana, Miles Davis), Chester Thompson (Tower Of Power), Big John Patton (Blue Note), Phil Ranelin (Tribe), Sonny Fortune (Roy Ayers, Strata East), Buell Neidlinger (Lionel Richie, Quincy Jones), Peter Erskine (Joni Mitchell, Weather Report) and Lonnie Smith. There’s no such thing as ‘slowing down’ for Mr. Keys!

On the album we are proudly presenting you today (Full Court Press) you’ll find seven sublime tracks recorded in 1984 and released in 1985 on the Olive Branch label. This was Calvin Key’s first solo album since his recordings for Black Jazz Records back in the 1970’s. Full Court Press features an impressive arsenal of working road dogs that Keys had shared the stage with over the years. Included are: Maxayn Lewis (The Ikettes, Morris Day), Mike Thompson (Freddie Hubbard), James Gadson (Marvin Gaye, Herbie Hancock), Donny Beck (Buddy Miles, Bobby Lyle)…and many others.

Full Court Press is THE dictionary definition of smooth (yet funky) soul-jazz, with washes of warm, laid back grooves pinned under Keys’ endless dancing up and down the fretboard. The playing is ‘deep in the pocket’ and comes off elegant and effortless. Fluid rhythmic fingerpicking that makes you forget all about time and space. This essential release deserves a prominent place in your record collection!

Tidal Waves Music now proudly presents the First ever vinyl reissue of “Full Court Press” (originally released on Olive Branch Records in 1985). This rare record (vintage copies are not easy to come by) now comes as a deluxe 180g vinyl edition, strictly limited to 1800 copies worldwide with obi strip and features the original artwork by John Heard (Azar Lawrence, Count Basie) & sleeve notes by Sherman Ferguson (Pharoah Sanders Quartet). Released exclusively for Record Store Day 2022 and available in participating stores on April 23, 2022.

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Barrio Lindo

Espuma De Mar

17,99 €*

LP | 2010 | US | Original (Skybucket)

Release: 2022 / AR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

White vinyl. Original inner sleeve

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Barton Carroll

Together You And I

7,99 €*

Release: 2010 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2018 | Original (Go Danish Folk Music)

Basco

Interesting Times

25,99 €*

Release: 2018 / Original

Genre: Rock & Indie

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2LP | 2022 | EU | Original (Secret City)

Basia Bulat

The Garden

31,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Wah Wah)

Bazali Bam

Action

Kapou Allou (Somewhere Elsewhere)

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Extremely rare, under the radar afro-psychedelic LP from South Africa. This mysterious band was produced by African funk master, composer, guitarist and producer Almon Sandisa Memela, who was active since the mid 1950s, first as a musician and guitar teacher and then also as a producer. He is famous for his 1970s Afro funk works Funky Africa and the very sought after Broken Shoes.

Action features a cool mixture of incipient afro-funk and garage pop/psych, with one of its songs having been compiled on the famous Next Stop... Soweto compilation series that helped ignite the current fever for African music.

Riyl: Ofege, Blo, Aktion, The Apostles, Sjob Movement, Soweto and the likes.

First ever vinyl reissue, reproducing the original sleeve artwork and with remastered sound. 500 copies only.

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Bazooka

LP | 2022 | EU | Original (Inner Ear)

LP | 2023 | EU | Original (On The Corner)

Release: 2022 / EU – Original

Genre: Rock & Indie

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The world is falling apart but Bazooka are here with their fourth album. They take us by the hand on a journey to a world above the earth, a world somewhere else.

With 10 songs and their stories captured via the album artwork designed by Australian artist Montero, they transport us to the dreams and nightmares of modern life.

”Kapou Allou (Somewhere Elsewhere)” is clearly the band’s most entertaining and versatile album, their own truth. Bazooka’s craziness and instinctive energy of Bazooka are still there, but accompanied by a great appetite for experimentation and situations that lead the band to an absolute letting go without any restrictions. The final result is the closest that a studio album can get to the band’s live performing sound and that’s what makes this arguably their best album to date.

Recorded and mixed at Arkadikon Studios by Theodoros and Aggelos Bournas.

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BCUC

Millions Of Us

LP | 2023 | EU | Original (On The Corner)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

A stone"s throw from the church where Desmond Tutu organised the escape of the most wanted anti-Apartheid activists of Soweto, Bcuc rehearses in a shipping container-turned-community restaurant, where their indomitable outspokenness echoes in a whole new way. Like its elders, Bantu Continua Uhuru Consciousness sees its music as a hedonistic trance, but also as a weapon of political and spiritual liberation. "Millions Of Us" is their first full-length album and most ambitious work to date - distilling their magic on record, summoning mainstage festival-energy and stewing down, casting spells for the intimate audience.

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BCUC

Millions Of Us

The Invisible World Of Beautify Junkyards

Release: 2023 / EU – Original

Genre: Rock & Indie

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Beautify Junkyards

LP | 2018 | UK | Original (Ghost Box)

18,99 €*

LP | 2019 | US | Original (Spacebomb)

Release: 2018 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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The Invisible World Of Beautify Junkyards is Lisbon band Beautify Junkyards’s third album and effortlessly blend their love of English Acid Folk and Brazilian Tropicalia. In a collection of songs that conjure up a warm and verdant faerie world, delicate acoustic guitars evoke an autumnal England suffused with Iberian heat by other- worldly voices; the ethereal lilt of João Branco Kyron and the warm languor of Rita Vian (a voice redolent of Gal Costa or Os Mutantes’ Rita Lee.)

The production is tempered with a haunted electronic palette that anchors the band squarely in the world of Ghost Box. But more than this, Beautify Junkyards’ sheer song writing talent, production skill and performance virtuosity grant them a place amongst the great outside-of-time bands like Broadcast or The High Llamas.

In 2012, the band’s eponymous first album set out their stall, with a collection of cover versions; mainly of classics of the British Acid-Folk period, but also taking in Tropicalia and German Kosmiche. The album was a hit in Portugal and picked up for airplay in the UK on BBC Radio 2 & 6 Music. Their version of Kraftwerk’s Radioactivity was included on DJ Food’s Krafwerk Kover Kollection.

Their second album in 2015, The Beast Shouted Love, carried their influences forward with original songs and cemented a style that is at once traditional, experimental and exotic. In 2016 the band debuted on Ghost Box with a single as part of the label's Other Voices Series.

Packaging: The lavish packaging on all formats is designed by Julian House with artwork that attempts to capture the band’s love of the Czech New-Wave and the twilight worlds of WB Yeats. The heavyweight vinyl LP includes a free download card.

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Bedouine

Bird Songs Of A Killjoy

14,99 €*

2LP | 2021 | EU | Original (Unisono)

Release: 2019 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Includes original inner sleeve.

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Belina

Music For Peace

Release: 2021 / EU – Original

Genre: Rock & Indie, Pop

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LP | 2023 | Original (Rounder)

Bella White

Among Other Things

Release: 2023 / Original

Genre: Rock & Indie

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LP | 2021 | UK | Original (Hudson)

Bellowhead

Reassembled

LP | 2023 | Original (Jullian)

Release: 2021 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: VG+

begining seam split. Still sealed.

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Ben De La Cour

Sweet Anhedonia

Release: 2023 / Original

Genre: Rock & Indie

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LP | 2012 | EU | Original (Universal)

Ben Howard

The Burgh Island EP

Release: 2012 / EU – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Cree)

Ben Molatzi

No Way To Go

16,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Cree)

Ben Molatzi

No Way To Go

12,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2010 | US | Original (Bloodshot)

Ben Weaver

Mirepoix And Smoke

36,99 €*

LP | 2022 | US | Original (Shrimper)

Release: 2010 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Limited edition.

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Ben Woods

Dispeller

28,99 €*

Impossible Love Songs From Sixties Quito

Release: 2022 / US – Original

Genre: Rock & Indie

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On Dispeller, Ben Woods’s beguiling new album, his intimate experiments in rock paint a vivid portrait. Here, the New Zealand artist leans comfortably into intuition and abstraction. Expansive arrangements are anchored by heavy-lidded prose, while carrying the air of the portside shack it was made in. Dispeller was recorded throughout a year in Woods’s hometown, Lyttelton, with Ben Edwards (Aldous Harding, Marlon Williams, Julia Jacklin) at the helm of the mixing console and co-producing. Utterings, footsteps, and the rattles of the room linger beneath the album’s dense instrumentation, alluding to the familiar space the songs were captured in. Here, Woods’s songs breathe and flourish into their own worlds. “I found my voice in trying to make atonality croon,” he says. “With Dispeller it was less about harmony—the blend was capturing the songs very honestly in the room, and still making each of them to transport you somewhere different.” Even beside Woods’s acclaimed debut, PUT (2019), which saw him sharing stages with Aldous Harding, No Age, Julia Jacklin and Steve Gunn, Dispeller enchants. The songs here are stronger, the instrumentation stranger. With chopped and screwed vocal contributions from underground hero Alastair Galbraith, “Speaking Belt” snaps and pulses with the sordid clatter of a lost Xpressway single. Charlotte Forrester from Womb (Flying Nun) adds their diaphanous voice to “The Strip And Punishing Type”. On fragile duet “Wearing Divine”, Lucy Hunter (Opposite Sex / Wet Specimen) threatens to steal the limelight, before a full hive of Marlon Williams’s honeyed vibrato comes spluttering out of what sounds like a rusted can. Woods’s melodies bring to mind Scott Walker’s dramatic tunefulness, while his voice holds something of Gordon Gano’s waver, pushed through New Zealand vowel mangling. Dispeller’s arrangements hit at the subtle, reactive instrumentation of late-era Fugazi, the glowing murk of Grouper, the Antipodean-gothic drudge of Tall Dwarfs, and the mechanical outer crust of Sparklehorse. However, while Woods experiments with the disparate and the disharmonious, it is the open heart which elevates Dispeller. His voice holds the physical and spiritual middle; flirting with, but never succumbing to the splendour and turmoil which surround it.

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Benítez & Valencia

2LP | 2022 | UK | Original (Honest Jon's)

LP | 2018 | UK | Original (Aurora)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Gonzalo Benitez and Luis Alberto Valencia were kingpins of the musica nacional movement in Ecuador. Check them out on the cover, on a rooftop in Quito’s Old Town, surveying their dominion. In 1970, when Valencia collapsed onstage during a performance of the yaravi Desesperacion — ‘My heart is already in ashes’ — and died four days later, aged 52, his coffin was carried through those city streets on the shoulders of his fans.

They began singing as a duo in their mid-teens. During twenty-eight years together they recorded more than six hundred songs, for Discos Ecuador, Nacional, Granja, Ortiz, Rondador, Onix, Fuente, Real, Tropical, Fadisa, RCA Victor — and of course Caife.

Their exquisitely romantic harmonising is a sublime blend of collected forbearance and abject self-annihilation, underpinned and elaborated by the heart-piercing, improvisatory guitar-playing of Bolivar Ortiz. Effectively the third member of the group. ‘El Pollo’ sets the tone and intensity for everything that follows: listen to his soloing at the start of our opener, Lamparilla.

Musically a pasillo — a cross between a Viennese waltz and the indigenous yaravi rhythm — Lamparilla draws its verses from a poem by Luz Martinez from Riobamba, written in 1918 when she was 15, under the influence of Baudelaire and Mallarme. Another pasillo here, Sombras is one of the best-loved songs in the musica nacional canon, setting lines about undercover sex and loss by the Mexican poet Maria Pren, which were considered pornographic on publication in 1911.

And Benitez & Valencia looked back still further, to the indigenous roots of Ecuadorian music, as the key to its future. Carnaval de Guaranda is their take on a song dating back to the era of the Mitimaes, a broad group of Bolivian tribes conquered by the Incas and displaced to Ecuador. ‘Impossible love of mine / I love you for being impossible / Who loves what is impossible / Is the truest lover.’

Lovingly presented in a gatefold sleeve with spot-gloss, and printed inners, with stunning photos and expert notes. Excellent sound, drawn from original tapes, by way of Abbey Road, D&M and Pallas.

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Bennett Wilson Poole

I Saw A Star Behind Your Eyes, Don't Let It Die Away

Release: 2018 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

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Bennett Wilson Poole

LP | 2023 | UK | Original (Bwp)

19,99 €*

LP | 2022 | EU (La Munai)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Nearly five years on from their acclaimed debut, Bennett Wilson Poole reveal the follow up. It's been a long time coming, but... That eponymous first album was only ever intended as a one-off collaborative project — a serendipitous series of events which began with a late evening session where the trio wrote ‘Hate Won't Win’. A response to the murder of MP Jo Cox, it was something of a fresh take on Crosby Stills Nash and Young’s classic protest song ‘Ohio’. The release saw Bennett Wilson Poole embraced by the Americana community, playing live on the Andrew Marr show and crowned as ‘UK Artist of the Year’ at the 2019 UK Americana Awards, in front of a watching crowd including Graham Nash himself. The new album came together in similar fashion; Robin (Bennett) and Danny (Wilson) started writing new songs late into the night whilst on tour to promote the first record — a tour which unfolded from a three-night residency in a London pub into a year-long odyssey culminating in a headline show in Hall One at King’s Place — and before they knew it, there were enough songs to begin recording an unplanned second album. Where the first record drank deep from 70s US west coast folk-rock, the second has been heavily spiked with 1960s British psychedelia, even featuring a cover by legendary counterculture artist John Hurford (whose credits include 60s artwork for Oz Magazine and International Times).* Tony Poole’s meticulous and inspired production has spun Robin and Danny’s fresh batch of songs into a delicate web of musical delight. Fans of the ‘spot the reference’ game Tony started on the first record won’t be disappointed this time either, as there are plenty more to be found here. As with the first album, the lyrics don’t shy away from current affairs – by the end of that year of touring, the band were already playing “I Wanna Love You (But I Can’t Right Now)”, reflecting on the state of US politics, yet optimistic that the problems are only temporary. Many of the tracks on the new album feature live rhythm section Fin Kenny (drums) and Joe Bennett

(bass) for the first time on a BWP record.

The title of the album comes from the lyrics of ‘Help Me See My Way’, the first single, a prayer for strength in difficult times, the trippy animated video for which was originally issued during lockdown. The dreamy positivity of the line "I saw a star behind your eyes" is tempered with the plea "don't let it die away", a message which feels as important as ever two years on.

All three collaborators have had critical acclaim in their own right. Danny Wilson’s credentials go back to his days in Grand Drive with brother Julian, and his consistent high calibre output with his Champions of the World led them to sweeping the board at the first UK Americana Awards with Album, Artist and Song of the year awards richly deserved; Tony Poole’s Starry Eyed and Laughing were hailed as “the English Byrds” on the back of their two CBS-released albums in the mid-seventies and he has since built an enviable reputation as producer and engineer; Robin Bennett has been relentlessly turning out timeless songs from his Oxfordshire base in bands from Goldrush to The Dreaming Spires

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Benyamin S.

Funky Kromong Volume 1

Friture Havasi - Le Cocek D'Anderlecht

Release: 2022 / EU

Genre: Rock & Indie, Pop

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Funky Kromong is a compilation from the multitalented Legendary Betawi artist Benyamin Suaeb. Consisting of 10 tracks from the 70s, this compilation is rich with Benyamin Suaeb’s eccentric vocals with tongue-in-cheek lyrics and walled with funk and psychedelic and traditional sounds. He made is own humorous style of psychedelic music that everyone could relate. We really hope you enjoy this record with beautiful nostalgia in mind. Don’t miss it.

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Bernard Orchestar

7" | 2021 | EU | Original (Zephyrus)

10,99 €*

4LP | 2022 | US | Original (Earth)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Active for a decade now and soon knocking at the gates of the Walhalla, the sportsmen of Bernard Orchestar present a new repertoire that is both juicy and greasy, just like samurai sauce.

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Bert Jansch

At The BBC

93,99 €*

LP | 2016 | US | Original (Earth)

Release: 2022 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: VG+

Still sealed. Tear in cardboard covers back spine. Limited edition.

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Bert Jansch

Avocet Art Print Edition

36,99 €*

4xLP | 2022 | US | Original (Earth)

Release: 2016 / US – Original

Genre: Rock & Indie

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The vinyl edition comes with 6 high-quality lithograph art prints (by UK illustrator Hannah Alice) representing each of the birds on the album, held in a heavy board die-cut gatefold sleeve. This unique packaging is fully interactive - the cover image is interchangeable with any of the prints. Remastered by Brian Pyle from original tapes. Bert Jansch was often quoted as saying "I'm not playing for anyone, just myself" and this feels no more apparent than on 1979's 'Avocet', his beautifully meditative paean to British birds. For fans of Jansch this is often the album that is singled out as his best work. The freedoms...

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Bert Jansch

Bert At The Bbc

116,99 €*

LP | 2012 | US | Original (Tiny Engines)

Release: 2022 / US – Original

Genre: Rock & Indie

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Bert At the BBC is a comprehensive collection of Jansch's appearances at the BBC, featuring over eight hours (CD box set & vinyl bonus download) of rare and unreleased recordings, including live-on-air spots, studio sessions and full concerts straight from the BBC vaults, delving further into this legendary performer's canon. Bert Jansch was the very essence of folk music, providing inspiration for everyone from Paul Simon and Neil Young to Led Zeppelin and countless folk revivalists. This unparalleled limited-edition compendium is available as a 4xLP and 8xCD set, housed in a coffee-table book set with a lavish 40-page book tracing the recordings from Bert's earliest moments at the BBC. It includes interviews and insights from Lauren Laverne, Jools Holland, Johnny Marr, Jacqui McShee, Bob Harris, Bernard Butler, Mark Radcliffe and many more. Twenty broadcasters, producers and collaborators contribute at length to the booklet, with great affection for this gentle, maverick genius. Bert's BBC legacy remains the most significant and exciting untapped reservoir of his music. The undeniable advantage of recordings made for broadcast is that they were, by their nature, created for public consumption and, barring live-on-air appearances - which might go well or go badly, but were going out either way - were explicitly signed-off by the artist as representations of his art that were good enough to be heard. The set is compiled by Colin Harper, author of Dazzling Stranger: Bert Jansch and the British folk and blues revival (Bloomsbury, 2000), who contributes detailed liner notes to the package. The release is mastered by IFTA award-winning engineer Cormac O'Kane. The vinyl release features 48 tracks on LP and is accompanied by a download card with over six hours of extras spanning 1966-2009, including BBC4's St Luke's concert (2003), and a complete Queen's Hall, Edinburgh concert (2004) for BBC Radio Scotland. It is also available as a special 8xCD set containing all 147 tracks and encased within a coffee-tab...

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Best Practices

EP LP

13,99 €* 19,99 € -30%

LP | 2019 | US | Original (Lemp Electric)

Release: 2012 / US – Original

Genre: Rock & Indie

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Featuring current/former members of Light The Fuse And Run, Wow, Owls!, Weak Teeth and Jesuscentric, Best Practices is a return to the fundamentals of punk rock. On the band's Tiny Engines debut, The EP LP, the quartet lets loose a whirlwind of (garage power pop) punk fury. Recorded with Will Killingsworth (Orchid, Ampere) at Dead Air Studios, Best Practices pummel their way through 9 songs in 12 glorious minutes. The band comes close to careening off the edge at points but never seem to overtake themselves. Chock full of razor sharp hooks Best Practices lays down a furious gauntlet that is as catchy as it is exhausting. All your left with as The EP LP fires towards the finish line is the feeling that you just want to do it all over again.

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Beth Bombara

Evergreen

18,19 €* 25,99 € -30%

Release: 2019 / US – Original

Genre: Rock & Indie

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Better Oblivion Community Center

LP | 2019 | US | Original (Dead Oceans)

60,99 €*

Where The Good Times Are (the lost 1967 album)

Release: 2019 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Orange vinyl. Still in shrink but opened with hype sticker. Tiny wear. Limited edition.

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Beverley Martyn

LP | 2018 | US | Original (Fly)

LP | 2018 | CA | Reissue (Return To Analog)

Release: 2018 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Limited edition for Record Store Day 2018 on clear vinyl!

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Beverly Glenn-Copeland

Beverly Copeland

48,99 €*

LP | 2018 | EU | Original (Pharaway Sounds)

Release: 2018 / CA – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Limited edition numbered reissue from 2018. Tiny wear.

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Beyaz Kelebekler

Köln Session 1976

Release: 2018 / EU – Original

Genre: Rock & Indie

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Famous for their matching, colourful suits and always-happy smiles, Beyaz Kelebekler (White Butterflies) were a mixed-gender Turkish band very popular during the ‘70s. They released one album plus numerous 45s in Turkey and other countries like Holland and Italy. In 1976 during the last day of their European Tour, just after one gig in Cologne, Beyaz Kelebekler visited a studio of a friend which was still in construction. They decided to record a few songs, just for fun and for testing the new studio equipment. It was a very basic, one take recording, using an 8-channel mixer, a few mics and a reel-to reel tape machine.
The result was an amazing example of Anatolian psych-funk, featuring wah-fuzz guitar, flute, heavy drums, joyous male / female vocals…
Unreleased until now, we present the first ever release of these surprising recordings, rescued from the only surviving cassette tape.
Colour insert with photos.

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Cowboy Carter Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie, Pop

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Cowboy Carter Black Vinyl Edition w/ Seamsplit

23,74 €* 24,99 € -5%

Release: 2024 / EU – Original

Genre: Rock & Indie, Pop

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Cowboy Carter Blue Vinyl Cowboy Hat Edition

36,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie, Pop

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Cowboy Carter White Vinyl Snake Face Edition

35,14 €* 36,99 € -5%

Release: 2024 / EU – Original

Genre: Rock & Indie, Pop

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LP | 2019 | US | Original (Boocoo Music)

Bhi Bhiman

Peace Of Mind

16,79 €* 23,99 € -30%

Release: 2019 / US – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Warp)

Bibio

BIB10

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Mint, Cover: Sealed

LP | 2022 | JP | Original (Warp)

Bibio

BIB10

Release: 2022 / JP – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Mint, Cover: Sealed

LP | 2023 | UK | Original (Warp)

Bibio

Sunbursting EP

30,39 €* 31,99 € -5%

Release: 2023 / UK – Original

Genre: Organic Grooves, Rock & Indie

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LP | 2016 | UK | Original (Home Assembly)

Big Eyes Family Players

Oh!

14,99 €*

Release: 2016 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2017 | EU | Original (Saddle Creek)

Big Thief

Capacity

Dragon New Warm Mountain I Believe In You

Release: 2017 / EU – Original

Genre: Rock & Indie

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The trails that Brooklyn's Big Thief take us down on Capacity, the band's highly anticipated second record, are overgrown with the wilderness of pumping souls.

After last year's stunning Masterpiece, Capacity was recorded in a snowy winter nest in upstate New York at Outlier Studio with producer Andrew Sarlo.

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Big Thief

2LP | 2023 | Reissue (4AD)

LP | 2019 | EU | Reissue (4AD)

Release: 2023 / Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: VG+

Cover with slightly bumped corner

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Big Thief

Two Hands

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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Medium: Sealed, Cover: Sealed

Still sealed with hype sticker. 2022 reissue.

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LP | 2011 | US | Original (Drag City)

Apocalypse

Bill Callahan & Bonnie Prince Billy

Release: 2011 / US – Original

Genre: Rock & Indie

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Medium: VG+, Cover: Near Mint

Still in shrink, but opened, with hype sticker. Vinyl with a couple of light scuffs

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Blind Date Party

2LP | 2021 | US | Original (Drag City)

42,99 €*

Release: 2021 / US – Original

Genre: Rock & Indie

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The Blind Date Party hosted by Bill Callahan and Bonnie ‘Prince’ Billy and featuring Azita, Matt Sweeney, Alasdair Roberts, Matt Kinsey, Sean O’Hagan, Bill MacKay, George Xylouris, Dead Rider, David Pajo, Mick Turner, Meg Baird, Ty Segall, Emmett Kelly, Cory Hanson, Six Organs of Admittance, David Grubbs, Cassie Berman, Cooper Crain and Sir Richard Bishop happened online in the fall and winter of ’20–’21 — but the party planning dated back to the spring of 2020. Stuck at home, with no gigs in the foreseeable future, Bill, Bonnie and Drag City needed an outreach program to keep themselves busy, not to mention sane. In the absence of any company or anything on the calendar, playing songs they loved was an idea; playing with people they loved, the desire. And making it fun — so pairing someone with someone else having no say in the matter, the essence of the blind date, was the plan. Favorite songs were chose; players from around the Drag City galaxy were messaged. Pretty soon, songs were flying back and forth — music in the air! And thus, they were entertained throughout the summer of 2020, when so much else in the world seemed so completely wrong. By the fall, the songs started to appear online: Bill and Bonnie singing a song by someone they loved and admired; each song cut by another another artist they loved and admired, then sent to Bill and Bonny to provide the finishing touches. The spotlight pointed in every direction each week: toward the singers and writers who’d originally played the songs (Yusuf Islam, Hank Williams Jr., Dave Rich, The Other Years, Billie Eilish, Steely Dan, Lou Reed, Bill Callahan, Jerry Jeff Walker, Robert Wyatt, Lowell George, Johnnie Frierson, Air Supply, Will Oldham, Leonard Cohen, David Berman, Iggy Pop and John Prine), toward their featured collaborators, the artists whose artwork adorned each digital single and videos made by still more collaborators. And you, the listener. Like the best parties, it turned out to be everything and more than they’d even hoped for. So many more people were involved in the process that we can get on the page here. Suffice to say, making records over the years has required a broad sense of community and an always-surprising mix of independence and unity, inspiration and utility. Some of our best memories are those where as many of our folks as possible were together in one place at one time. In those moments, it was just a great thing just to be there. And with others looking in . . . this was a joy one could only be infinitely lucky to feel and to take for granted, as well. The Blind Date Party was one of these, maybe the most improbable one yet. It’s for everyone who’s here and it’s in the name of everyone who’s gone but will never go and will always live with us here. This album will too. And thus, we are entertained.

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LP | 2013 | US | Original (Drag City)

Dream River

Release: 2013 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Cover has tiny wear. Original inner sleeve.

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LP | 2013 | US | Original (Drag City)

Dream River

23,99 €*

Release: 2013 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: Near Mint

Vinyl with scuffs and hairlines

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2LP | 2024 | US | Original (Drag City)

Resuscitate!

42,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-07-26

This is a live album that was taken from the tour for Ytilaer. Songs tend to mutate after they"ve been recorded. These songs were mutating faster than usual. Like whatever happened to Bruce Banner in the lab - I knew these songs were about to get superpowers. As far as I was concerned, this change needed to be documented. The best thing about documenting something is that it gives the creator permission to move on should they wish to move on. I usually prefer to move on. These songs were recorded in Chicago, America"s heart. And at one of the best clubs in the country - I try to only work with venues that are not entangled with LiveNation/Ticketmaster. Thalia Hall, baby. Stay free. The date was mid-point in the tour, so I knew we"d be as hot as we were going to get. Not too green, not too brown. There was the thought, "let"s take this op to make it something special." So we took advantage of Chicago"s easily accessible players - we got Nick Mazzarella to add alto sax to one song, and from the opening band, Pascal Kerong"A to sing on a song, and Nathaniel Ballinger on piano on one song - and I couldn"t pass up the opportunity to invite Joshua Abrams and Lisa Alvarado to play on "Natural Information." The hardest part of making the record was cutting songs out - it could have been a triple album. But I don"t know, maybe the show should have been this short?" - Bill Callahan

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Bill Fay / Julia Jacklin

Just To Be A Part

11,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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Bill Fay / Kevin Morby

I Hear You Calling

16,99 €*

Bill Fay / Mary Lattimore

Release: 2022 / US – Original

Genre: Rock & Indie

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Dead Oceans has announced the re-issue of Bill Fay's Still Some Light, a double compilation album made up of 70s album demos and 2009 home recordings. Released in two parts, pressed on vinyl and out digitally for the first time, `Still Some Light Part 1' is released 14th Jan, 2022. Alongside, Dead Oceans has announced plans of a special series of four 7" singles, consisting of different musicians' interpretations of Bill Fay classics. The first two (one a cover of `Dust Filled Room' by Steve Gunn and the second, Kevin Morby's version of `I Hear You Calling') will also be released 14th Jan, 2022.

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Love Is The Tune

11,99 €*

Bill Fay / Mary Lattimore

Release: 2022 / US – Original

Genre: Rock & Indie

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Dead Oceans has announced the re-issue of Bill Fay's Still Some Light, a double compilation album made up of 70s album demos and 2009 home recordings. Released in two parts, pressed on vinyl and out digitally for the first time, `Still Some Light Part 2' is released 6th May, 2022. Alongside, Dead Oceans has announced plans of a special series of four 7" singles, consisting of different musicians' interpretations of Bill Fay classics. Number three ( a cover of `Just To Be A Part' by Julia Jacklin) and the fourth, Mary Lattimore's version of `Love Is The Tune') will also be released 6th May, 2022.

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Love Is The Tune

8,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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Bill Fay / Steve Gunn

Dust Filled Room

16,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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"Bill Fay's music was a revelation to me when I first discovered it: the commanding power of his words; the modest, universal language of his sorrow. And listening to his music still makes me feel as if an old friend had been lingering in the shadows, emerging at just the right time. It was a real honor to record one of my favorites of his, "Dust Filled Room". - Steve Gunn, Brooklyn, NY Dead Oceans has announced the re-issue of Bill Fay's Still Some Light, a double compilation album made up of 70s album demos and 2009 home recordings. Released in two parts, pressed on vinyl and out digitally for the first time, `Still Some Light Part 1' is released 14th Jan, 2022. Alongside, Dead Oceans has announced plans of a special series of four 7" singles, consisting of different musicians' interpretations of Bill Fay classics. The first two (one a cover of `Dust Filled Room' by Steve Gunn and the second, Kevin Morby's version of `I Hear You Calling') will also be released 14th Jan, 2022.

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Bill Fay / Steve Gunn

Dust Filled Room

12,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2LP | 2022 | US | Original (Dead Oceans)

Still Some Light Part 1

32,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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Bill Fay has always sung about attempting to understand the most universal questions: those of nature, spirituality, humanity. His songs are "calming hymns for another chaotic time", he says. His influence can be traced through many artist's work, and so it only seemed right to celebrate this with a collection of newer voices interpreting his timeless tracks. Originally released in 2010 by David Tibet (Current 93), Still Some Light was released as a double CD, made up of 70's album demos (Disc One) and 2009 home recordings (Disc Two). This year, for the first time, this collection of recordings will be pressed to vinyl and released digitally, presented alongside contemporary reimaginings of the tracks by Kevin Morby, Steve Gunn, Julia Jacklin and Mary Lattimore. Bill Fay's words and melodies remain unaffected by the passing of time and changing trends; and here alongside the original recordings, these reinvented versions still calmly guide us through another moment of chaos. Bill Fay's Still Some Light was originally released on compact disc as a two CD collection in 2010. Reimagined with new artwork and available for the first time ever on vinyl, Dead Oceans is pleased to present Still Some Light Pt. 1, collecting Fay's archival recordings from 1970 and 1971. Many of the songs are intimate sketches which were eventually re-recorded for Fay's self-titled debut and for his landmark album, Time of the Last Persecution. This double LP set includes heart wrenching versions of some of his timeless works, such as "I Hear You Calling" and "Pictures of Adolf Again", and features equally powerful songs like "Arnold is a Simple Man" and "Love is the Tune," which only appear in this collection.

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2LP | 2022 | US | Original (Dead Oceans)

Still Some Light Part 1

Release: 2022 / US – Original

Genre: Rock & Indie

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LP | 2022 | US | Original (Dead Oceans)

Still Some Light: Part 2

32,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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LP | 2022 | US | Original (Dead Oceans)

Still Some Light: Part 2

Release: 2022 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2019 | EU | Reissue (Sub Rosa)

Bill Laswell

City Of Light

Bill Mackay And Nathan Bowles

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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City Of Light is the sixth solo album by American composer Bill Laswell, released on July 29, 1997. While it may appear an anachronism in his catalog, fans of Bill Laswell will find City Of Light an extension of ideas he has explored throughout his career. His strong interest in Eastern music and religion resulted in this 1997 collaboration with Janet Rienstra. Part sacred, spoken word, part meditative soundscape, City Of Light takes as its inspiration the holy region of Banaras, India. Said to belong to Shiva, Banaras also contains the Ganges river: a place sought by Hindus for their cremation. Surrounding the texts is some of the most compelling music this genre has produced featuring Trilok Gurtu on tablas, Coil (Peter Christopherson & John Balance) on electronics, sound collages by Tetsu Inoue and vocals provided by Lori Carson.

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Keys

LP | 2021 | US | Original (Drag City)

25,59 €* 31,99 € -20%

Release: 2021 / US – Original

Genre: Rock & Indie

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LP | 2023 | US | Original (Palilalia)

Bill Orcutt

Jump On It

28,99 €*

LP | 2022 | US | Original (Palilalia)

Release: 2023 / US – Original

Genre: Rock & Indie

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"It's been ten years since Bill Orcutt released A History of Every One, a compendium of hacksaw renditions of American standards on acoustic guitar—and since ten years is a blink of an eye, you are forgiven for not immediately realizing that we've gone an entire decade waiting for Jump On It, the next Orcutt solo acoustic record. As those of us of 'a certain age' will tell you (ad nauseam), a decade is a blink of an eye containing an infinity of experiential moments, and if this record is any gauge, the weight of those experiences have squashed Orcutt's rough edges, feathered his stop-motion timing into a languid lyrical flow, and snapped the shackles tethering his instant compositional skills to the imperative to deconstruct guitar history. In short, Jump On It is a collection of canonical, mature acoustic guitar soli to contrast against the fractured downtown conceits of previous acoustic releases. For those paying attention to the arc of Orcutt's electric records, which chart a course from Quine's choppiness to Thompson-ian/ Verlaine-ian flow, it should be no surprise that the ten-year gap between acoustic records should expose a similar underlying journey. But what's maybe more surprising is that Jump On It , with its living-room aesthetics and big reverb, packs a disarming intimacy absent from the formal starkness of Orcutt's earlier acoustic outings. Although you might sense the looming human in the audible breath whispering intermittently between chords (a physical flourish reminiscent of the late Jack Rose), such documentarian signposts are the exception rather than the rule. Not quite refuting (yet not quite embracing) the polish of revered watershed records by Bert Jansch, John Renbourn, or Bola Sete, Jump On It treads a path between the raw and the refined, exemplified in tracks such as 'The Life of Jesus' and 'In a Column of Air' that alternate swaying chords with Orcutt's trademark angular quicksilver runs (cut brickwall short). While you won't mistake Jump On It for incidental music, at least not if taken at full strength, stray passages radiate a conversational beauty that would please the most dissonance-adverse listener. Strangely, some of the melted lockstep grooves found in Jump On It evoke nothing other than Music for Four Guitars. While many of the linear runs are clearly improvised, and the phrasing distinctly slurred, intuitive and non-mechanical, the strummed chords hint at a cellular construction similar to Jump On It 's electric predecessor. (Orcutt states that he prefers to keep his strategies obscure—but that implies there is in fact a strategy). Whatever the case, I also hear Satie in Music for Four Guitars, and I hear him here too, hidden within Jump On It 's lilting repetition, which I easily imagine stretching to an infinitely-distant horizon. Like each of Satie's three Gymnopedies, each facet of Jump On It is a tiny miniature bound in a slim volume, an earworm you might savor again and again upon awakening or before drifting off. Each track is a key to a memory, a building block in a shining anamnesis leading to the recollection that hey, we're all humans in a shared cosmos, and music is one way we might make that universe go down easy. And who wouldn't jump on that?"—Tom Carter. Recorded Spring/Summer 2022 at the Living Room, San Francisco. Mixed and mastered by Chuck Johnson.

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Bill Orcutt

Music For Four Guitars

35,99 €*

LP | 2019 | US | Reissue (Palilalia)

Release: 2022 / US – Original

Genre: Rock & Indie

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In a trajectory full of about-faces, Music for Four Guitars splices the formal innovations of Bill Orcutt's software-based music into the lobe-frying, blown-out Fender hyperdrive of his most frenetic workouts with Corsano or Hoyos. And while the guitar tone here is resolutely treble-kicked—or, as Orcutt puts it, 'a bridge pickup rather than a neck pickup record'—it still wades the same melodic streams as his previous LPs (yet, as Heraclitus taught us, that stream is utterly different the second time around). Although it's a true left-field listen, Music for Four Guitars is bizarrely meditative, a Bill Orcutt Buddha Machine, a glimpse of the world of icy beauty haunting the latitudes high above the Delta (down where the climate suits your clothes)..."—Tom Carter

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Bill Orcutt

Odds Aginst Tomorrow