Folk Vinyl 836 Items

Crosby, Stills, Nash & Young

Release: 1988 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

US original, Specialty pressing. Vinyl close to VG+

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American Dream

LP | 1988 | US | Original (Atlantic)

16,99 €*

Release: 1988 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

In Search Of Amelia Earhart

Plainsong

LP | 1972 | UK | Original (Elektra)

12,99 €*

Frankie Baum / Michael Goltz

Release: 1972 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Sie 1 is VG+. Gatefold cover.

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Rhythm & Steel Guitars / Rhythm & Soft Guitars

LP | 1977 | IT | Original (Devega Records)

8,54 €* 18,99 € -55%

Release: 1977 / IT – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Ladies Of The Canyon 180g 45RPM SuperVinyl Box Set

Joni Mitchell

2LP | 1970 | US | Reissue (Mobile Fidelity)

161,99 €*

2LP | 1971 | US | Reissue (Mobile Fidelity)

Release: 1970 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-09-27

SOURCED FROM THE ORIGINAL ANALOGUE MASTER TAPES
PRESSED AT RTI ON MOFI SUPERVINYL, AND STRICTLY LIMITED TO 5,000 NUMBERED COPIES
1/4” / 15 IPS / Dolby A analogue master to DSD 256 to analogue console to lathe

Ladies of the Canyon can be viewed as Joni Mitchell's coming-out party. Having recently moved to Lookout Mountain in Los Angeles' Laurel Canyon area — her house is depicted in a watercolour painting she made for the record's cover — the Canadian icon turned to her immediate surroundings for inspiration the while taking the pulse of national affairs, corporate enterprise, celebrity, and her relationship with Graham Nash. The 1970 album finds the singer-songwriter morphing into the groundbreaker who would shed folk music's constructs and wade into pop, jazz, soul, and poetry with a combination of depth, sophistication, self-examination, and acumen no one had ever heard.

Sourced from the original analogue master tapes, pressed on MoFi SuperVinyl at RTI on MoFi SuperVinyl, featuring new liner notes, and strictly limited to 5,000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP box set delivers Ladies of the Canyon with bracing intimacy, detail, balance, and depth. Marking the first time the LP has received audiophile treatment, it's one of six iconic Mitchell records Mobile Fidelity is reissuing on definitive-sounding vinyl and SACD sets.

Playing with organic warmth, superb clarity, and ample spaciousness, this collectible UD1S edition benefits from the inherent properties of SuperVinyl — a virtually non-existent noise floor, reference-calibre groove definition, and ultra-silent surfaces among them. Primarily recorded solo, with spare accompaniment on select tracks, Mitchell practically takes up residence in your listening room. Her voice, piano, and guitar image with spot-on precision and three-dimensionality; the music is focused, emotional, natural. Auxiliary instrumentation — cello, clarinet, baritone saxophone, Milt Holland's deft percussion — is seamless, cohesive, steady. Notes bloom and decay as they do on a live stage; relatedly, the soundstage extends far and wide, with carbon-black backgrounds adding to the uncanny realism.

The deluxe packaging of the Ladies of the Canyon UD1S set complements its distinguished status. Housed in a deluxe slipcase, both LPs come in special foil-stamped jackets with faithful-to-the-original graphics that illuminate the splendour of the recording. This UD1S reissue is made for listeners who prize sound quality and production, and who desire to engage themselves in everything involved with the album, including Michell's illustrative painting that serves as the cover art.

Deemed "powerful and brilliant" upon release by The New York Times, Ladies of the Canyon followed Mitchell's first Grammy-winning effort (Clouds) and marked the first of six consecutive masterworks she made en route to becoming the most celebrated singer-songwriter of both her generation, and, arguably, all time. It's the first record on which the then-26-year-old featured the piano, a creative decision of immeasurable significance; first to attain platinum status, which transformed Mitchell into more than a folk figure; first to see her taking more chances with her singing; and the last on which she comes across upbeat, largely unencumbered by the complex themes and personal ache that would occupy her for the foreseeable future.

Mitchell radiates confidence and courage, producing Ladies of the Canyon herself after realizing she didn't need the services of an outsider when she already knew what she wanted. She just required a competent and collaborative engineer, who she landed in Henry Lewy. Fittingly, on the record's affectionate title track, she celebrates community and a trio of women — all real, all from her Laurel Canyon neighborhood — who, individually, as a visual artist, free-spirited mother, and circus-raised imagineer, respectively, were all reflected in Mitchell herself. Akin to Trina, Annie, and Estrella, Mitchell also had an affinity for wearing beautiful clothes, hosting friends, baking sweets, and weaving "a pattern all her own."

That pattern most famously materializes on the album's closing trio of songs — their unconventional placement on the record likely another sly acknowledgement of Mitchell's disdain for commercialism, or at the very least, catering to its demands — each, then and now, a classic. Within months of releasing Ladies of the Canyon Mitchell would find herself at the centre of the singer-songwriter movement — and preparing songs for another album whose impact is still felt today.

More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior

Mobile Fidelity Sound Lab's UltraDisc One-Step (UD1S) technique bypasses generational losses inherent to the traditional three-step plating process by removing two steps: the production of father and mother plates, which are created to yield numerous stampers from each lacquer that is cut. For UD1S plating, stampers (also called "converts") are made directly from the lacquers. Since each lacquer yields only one stamper, multiple lacquers need to be cut. Mobile Fidelity's UD1S process produces a final LP with the lowest-possible noise floor. The removal of two steps of the plating process also reveals musical details and dynamics that would otherwise be lost due to the standard multi-step process. With UD1S, every aspect of vinyl production is optimized to produce the best-sounding vinyl album available today.

MoFi SuperVinyl

Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analogue lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.

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Joni Mitchell

Blue

161,99 €*

Release: 1971 / US – Reissue

Genre: Rock & Indie

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LP | 1989 | US | Original (MCA)

Strength In Numbers

The Telluride Sessions

72,19 €* 75,99 € -5%

Yufusugebito No Uta (Japanese Edition)

Release: 1989 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

US original.

Record close to near mint, faint surface noise audible in the run-ins of the first track on both sides but just for a few rounds.

Cover close to VG+ with just a small seam split at the lower edge.

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Yukimasa Takebe

LP | 1972 | JP | Reissue (Fuji)

44,99 €*

The Adventure Of Pirate Kid

Release: 1972 / JP – Reissue

Genre: Rock & Indie

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This is the only album left by the legendary singer/songwriter Yukimasa Takebe. One of the best recordings of all time, reminiscent of Neil Young's "Harvest". The beautiful music and lyrical world. A great masterpiece of quality Folk-Rock that sings about the anxieties and hopes of youth. Originally released in 1972. Junji Ariyama: Acoustic / Classic guitar, flute Takashi Nishioka: Acoustic guitar, Conga, Mouth-harp Isato Nakagawa: Acoustic/Electric/Dobro guitar Hiro Yanagida: Cello, Piano, Organ, Strings Hideaki Takebe: Bass Chito Kawachi: Drums Masahiro Takekawa: Violin Yukimasa Takebe: Acoustic-guitar, Vocal

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Sons Of Sun

LP | 1972 | JP | Reissue (Fuji)

44,99 €*

LP | 1974 | EU (Trading Places)

Release: 1972 / JP – Reissue

Genre: Rock & Indie, Pop

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Originally released in 1972, the legendary Soft Rock "Happy End" album is now back on an analog LP!! Written by Hiro Yanagida, Produced by Takashi Matsumoto, Sons OF SUN's first album will be making its return from the label Fuji!! Keyboard Hiro Yanagida Drums Kiyoshi Tanaka E.Guitar Kazuyuki Nagaoka E.Bass Hideaki Takebe Vocal MAO

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Unicorn

Blue Pine Trees

LP | 1972 | EU (Trading Places)

Release: 1974 / EU

Genre: Rock & Indie

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Beginning in the mid-1960s as a covers band, the group that came to be Unicorn soon determined that original material was the way to go, and after being inspired by a Crosby, Stills and Nash album, their particular brand of enlightened folk rock tinged with country shades yielded a contract with Transatlantic for their 1971 debut. Fast forward to 1974 and Blue Pine Trees finds the band at their finest with sweeping harmonies and bluegrass tinges, and with Pink Floyd’s David Gilmour in the producer’s chair, all of their glorious potential is realised on this lost gem of an album that is fully ripe for rediscovery. A truly great work!

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Dando Shaft

Lantaloon

LP | 1971 | EU (Trading Places)

Release: 1972 / EU

Genre: Rock & Indie

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Dando Shaft’s third LP continued their explorations into the progressive and psychedelic strands of folk, now with shifting time signatures evidencing an increasing sophistication, as well as an ongoing commitment to experimentation; more varied in theme than their previous releases, there were shades of blues in places and an array of new instruments in the mix, including harpsichord, accordion, and slide guitar, yet the progressive folk that was always at the core of the group is still intact. With original copies costing in the hundreds, this is another worthy exploration for Dando Shaft fans, and all lovers of progressive folk music.

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Dando Shaft

An Evening With Dando Shaft

Release: 1971 / EU

Genre: Rock & Indie

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Dando Shaft’s self-titled sophomore set continued to build on the reputation established by their excellent debut, and now the arrival of female singer Polly Bolton added another textural dimension, as heard most clearly on the soaring ‘Riverboat,’ the absence of drums throughout allowing us to fully appreciate the players’ excellent musicianship, with Martin Jenkins’ masterful mandolin, flute and fiddle drawing the sound to higher realms. As it was issued on RCA’s prog sub-label Neon, which folded soon after its release, the LP is as rare as it is excellent—another must-have for fans of progressive folk and psychedelic folk rock.

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Dando Shaft

LP | 1970 | EU (Trading Places)

LP | 1984 | EU | Reissue (Infinite Fog)

Release: 1970 / EU

Genre: Rock & Indie

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Formed in the West Midlands manufacturing town of Coventry in 1968, esteemed psychedelic folk group Dando Shaft are revered as key influencers of the progressive strand of the 1960s folk revival, and the interplay of melodies on guitar, mandolin and violin made their sound distinctive, thanks to frontman Martin Jenkins, whose expressive vocals compliment his intricate lines, while Roger Bullen’s melodious bass helps to lubricate the proceedings. Recorded before Polly Bolton’s harmonic presence shifted the emphasis of their output, this masterwork is required listening for all progressive folk devotees.

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Iverson And Walters

First Collection

26,99 €* 29,99 € -10%

The Series Of Music For Young Adults: Iranian Folk Songs Black Vinyl Edition

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Holy grail for Fans of Master Wilburn Burchette, William Ackerman, John Fahey and Robbie Basho. Ultimate collector’s item in Ambient/Folk Music history.

After almost two years of work, we're glad to invite you to a new journey through the fog of time and enjoy the upcoming reissue of the great Ambient/Folk record from 1984. A well-known to collectors but extremely rare record by Jon Iverson a multi-instrumentalist from Palo Alto and his college friend, mandolinist Tom Walters. They shared a love for singer/songwriter fare and gigged around campus playing covers of Neil Young, CSN, and Loggins/Messina in the late '70s.

"First Collection" was recorded during the Spring of 1984 in a small garage that had been converted to a one-room apartment in the seaside community of Los Osos, California.

With an instrumentation of 12-string guitar, piano, mandolin, analog synthesizers, and sampler, the duo has recorded nine bright, weightless, and diverse compositions where electronic experiments mix with ethnic rhythms, sweeping through inspired folk reminiscent of the work of William Ackerman, John Fahey, Master Wilburn Burchette, and Robbie Basho, to homemade pastoral space folk exuding sophisticated, pale, lunar sonic moods that somehow might remind of the work of Roedelius from the early 80s.

Equipment used for tracking included a rented 1/2" 8-track Otari Mx5050 analog tape machine and assorted mics. With only a few thousand albums pressed, First Collection has become a collectable in some circles.

Now, almost forty years later, First Collection has been remixed and remastered from the original 1/2" tapes for this release.

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Pari Zangeneh

LP | 1976 | EU | Reissue (Pharaway Sounds)

25,99 €*

LP | 1987 | UK | Original (Bulldog)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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Travel back in time to the modern pre-Revolution Teheran and dig this wonderful, ear-catching album from 1976 by Iranian female singer Pari Zangeneh. Traditional Persian folk songs with a lovely, sweet psychedelic flavor with the use of beautiful strings, flutes, charming and tasty drumming, some organ and orchestration, percussions… imagine a Persian version of Mellow Candle or Vashti Bunyan and you’re there! Born in 1939 in Kermanshah (Iran), Pari Zangeneh is a Soprano singer that lost her sight after a car accident in 1972. Her work over the years on restoring traditional Persian music and regional folk songs is invaluable. In 1976 she recorded this very unique album commissioned by Kānoon (Institute for the Intellectual Development of Children and Young Adults), a social organization that produced many kinds of materials (books, films, records) for children in Iran. The arrangements were done by Varoujan (famous for his work with Googoosh, Dariush, etc…) *Sourced from the original masters *Hard cardboard sleeve + OBI

* Includes download card

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Freddy Weller

Back On The Street

15,99 €*

Release: 1987 / UK – Original

Genre: Rock & Indie

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Jody Stecher / Krishna Bhatt

Rasa

LP | 1981 | US | Reissue (Don Giovanni)

30,99 €*

Release: 1981 / US – Reissue

Genre: Rock & Indie

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LP | 1974 | EU | Reissue (Wewantsounds)

Farid El Atrache

Nagham Fi Hayati

Cants Dels Trobadors: La Douceur D'un Son Nouvel

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Wewantsounds is delighted to reissue Farid el Atrache"s cult album "Nagham Fi Hayati" released in 1974 on Voice of Lebanon. It is the soundtrack of the eponymous film starring El Atrache. Sampled by the Beatles and nicknamed the "King of Oud", El Atrache is one of the giants of Egyptian music together with Oum Kalthoum and Abdel Halim Hafez. The album which showcases El Atrache"s versatility and includes the monster groove "Hebina Hebina", is one of Brian Eno"s favourite albums. Reissued for the first time since the 70s, "Nagham Fi Hayati" also contains an unedited version of "Takassim Oud" highlighting El Atrache superb oud playing. Remastered for vinyl by Colorsound Studio in Paris it includes new.

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Regrelh

LP | 1979 | EU | Reissue (Dizonord)

30,99 €*

LP | 1986 | US | Reissue (Black Editions)

Release: 1979 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Be ready for a spaced out trip through French medieval times. Ancient instruments, musique concrete, spoken word, old Occitan dialect minstrel songs, drone, from dark ambient and minimal percussive tracks to Middle Ages fuzz delirium. File under : medieval folk / ambient / experimental.

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Hallelujahs

Eat Meat, Swear An Oath

30,74 €* 40,99 € -25%

LP | 1973 | JP | Reissue (Universal Music Japan)

Release: 1986 / US – Reissue

Genre: Rock & Indie

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A dreamlike dispatch from mid-80s Japan, the first and only Hallelujahs album is an entrancing and gentle work of psychedelic pop brilliance. In a series of informal studio sessions between 1985 and 1986, Shinji Shibayama (Nagisa Ni Te) gathered a group of friends, emerging luminaries from the burgeoning Kansai underground rock scene including Naoki Zushi (Hijokaidan, Spiral Stairs / 螺旋階段), Ken Ichi "Idiot" Takayama (Idiot O'Clock), and Chie Mukai (Ché-SHIZU ) to form what would become known as Hallelujahs. The result was a music of deep feeling and wonderment created through simple song craft and imbued with a sort of guileless magic. Their sole album presented a set of unvarnished songs, filled with vulnerable, intimate moments, caught on reel to reel, most often in single takes never to be repeated. The album was self-released in 1986 in a micro-edition of 300 copies. It was the first record by Shibayama's now revered ORG Records which would go on to introduce the world to the likes of Maher Shalal Hash Baz , Reiko Kudo as well as his own group, Nagisa Ni Te. With affinities to the sounds of the Rough Trade and Flying Nun labels, the Paisley Underground and Galaxie 500, the Hallelujahs' Eat Meat, Swear an Oath is an utterly unique masterpiece that remains a touchstone for generations of like spirited artists in Japan and around the world. Black Editions is proud to present this all-time classic in a deluxe vinyl edition, remastered from the original tapes and presented in a heavy tip-on jacket with textured paper, mounted high quality print, foil stamped finishes and spot colors. Pressed to high quality vinyl at RTI.

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Jusao Terada

City After Rain

39,99 €*

Release: 1973 / JP – Reissue

Genre: Rock & Indie

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LP | 1973 | DE | Original (Charisma)

Lindisfarne

Lindisfarne Live

4,99 €*

Release: 1973 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1985 | EU | Reissue (Exil)

Dissidenten & Lem Chaheb

Sahara Elektrik

26,99 €*

Release: 1985 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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LP | 1971 | EU | Reissue (Wewantsounds)

Abdel Halimhafez

Mawood

33,99 €*

LP | 1976 | US | Original (Hickory)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Born in Lower Egypt in 1929, Abdel Halim Hafez became, during a relatively short career that ended with his death in 1977 aged 48, one of the giants of Egyptian Music and his legend has never stopped growing since. Alongside Oum Kalthoum, Warda, Farid el Atrache and Mohammed Abdel Wahab, Hafez revolutionised Egyptian music and became a hugely popular star across the whole Arab world. Blessed with stricking good looks, Abdel Halim Hafez started his career in the early 50s and quickly attracted the attention of one of the Egyptian radio's A&Rs who took him under his wing and invited him to perform on the radio. His career went from strength to strength and from 1953, he was associated with the Egyptian revolution led by Nasser. His music mixing tradition and modernity made him one of the most loved singers of the 1950s as he developed a romantic edge that became his signature style (he was dubbed "the dark-skinned nightingale"). In the mid 50s, hot on the heels of his success in music, he launched his acting career in the thriving Egyptian film industry and also became a hugely popular actor. Hafez worked with the greatest composers of their time including Mohammed Abdel Wahab and Baligh Hamdy who composed ‘Mawood’ ("Promised.") Recorded live in 1971 (as it was the norm at the time. Singer would rarely record studio albums), 'Mawood' is one of the singer's most recognisable standards. The song stretches over the two sides of the album and consists of several sections alternating instrumental parts and sung ones. The song, written by Egyptian poet Mohamed Hamza, sees Hafez talking to his heart, apologizing for driving it from failure to failure and concluding that, to find solace, one must keep love at bay. He's backed by his full orchestra featuring traditional instrumentation and those powerful strings that influenced the likes of Jean-Claude Vannier, together with modern instrumentation including organ and electric guitar by Omar Khorshid adding his unmissable twang to the ensemble. 'Mawood' mixes tradition and modernity and develops into a hypnotic epic full of groove with a superb soulful performance by one of the greatest singers of the 20th century. An undisputed Arabic Music classic which Wewantsounds it delighted to reissue on vinyl for the first time since the 1970s.

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Don Everly

Brother Jukebox

3,99 €*

A Rare Batch Of Little White Wonder Volume 2

Release: 1976 / US – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Cover with ring wear and cut-out.

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Bob Dylan

LP | 1974 | IT (Joker)

38,99 €*

Release: 1974 / IT

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1970 | EU | Reissue (True North)

Bruce Cockburn

22,99 €*

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (Life Goes On)

Music Box

Songs Of Sunshine

25,99 €*

LP | 1986 | EU | Reissue (Real Gone)

Release: 1972 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Here we have another magical achievement of the early 70’s counterculture. Officially released in 1972 on the small imprint Westwood Recordings, the album has an intimate, predominantly acoustic flavor. Flutes, chimes and gentle organ sounds all over the place. Tales of faraway lands, sand, sea, castles, kings, queens and even Peter Pan dominates the scene, imposing a sort of ancestral feel. Rob Armstrong, the leader of the group, became a renowned luthier and you can hear the care and love of the acoustic guitar in his music. The short lived british folk trio released just this single before vanishiong. The album consists of nine acoustic folk tracks of their own material and the Bob Dylan's classic Tom Thumb Blues.

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Steve Young

Rock, Salt And Nails

35,99 €*

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Apaslar, Kardaslar, Mogollar Picture Disc Vinyl Edition

Cem Karaca

LP | 1974 | EU | Reissue (Pharaway)

24,69 €* 25,99 € -5%

Rocky Mountain High 50th Anniversary Edition

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Sophisticated & passionate, with flamboyant taste in sunglasses, Cem Karaca once led Istanbul’s music fans through a period of violent political turmoil. Karaca reworked traditional folk lyrics with molten electric bass lines that played up both a poet’s broiling righteousness and also his listeners’ common ground with their elders in Turkey’s history. This is the second album from Karaca, released in 1974, reissued for the first time in Picture Disc with remastered sound. It leads the listener through Karaca’s own musical history, skipping across various collaborations and bands up to his then-current project Dervisan. Can throbbing Anatolian guitars take on the assassins of the Grey Wolves? Imagine a hairy pied piper with R Kelly’s flair for drama, wailing into a microphone over an electric baglama, and you’re ready to enter the bohemian world of Papa Cem.

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John Denver

LP | 1972 | EU | Reissue (Windstar)

Pierrot Lunaire Yellow Vinyl Edtion

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Celebrating the 50th Anniversary of the Rocky Mountain High album and song, John Denver's Windstar Records is reissuing the album on limited edition Transparent Blue Vinyl. Originally released September 15, 1972, Rocky Mountain High was Denver's first Top 10 album, propelled by the self-titled single. In 2007, the title track was made a state song of Colorado. The album has gone on to earn 2x Platinum status and the title track certified Gold. In the early 1970s, Denver was one of the first artists to share an environmental message through his music, and fans responded. John understood that responsibility came with having a public voice. The album's iconic namesake Rocky Mountain High was written while Denver was camping in the Rocky Mountains during the Perseid Meteor Shower, with lyrics expressing the love and wonder John Denver felt for his adopted state of Colorado, and speaking of environmental sustainability. Released while war was raging in Vietnam, the album's second single "Prisoners" tells a story of prisoners of war. The album also features Denver's take on songs by The Beatles and John Prine, and the five-part Season Suite finds reflection through the seasons.

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Pierrot Lunaire

LP | 1974 | EU | Reissue (RCA)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Images Blue Vinyl Edition

Lucio Battisti

LP | 1977 | EU | Reissue (RCA)

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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LP | 1987 | EU | Reissue (RCA)

Francesco De Gregori

Terra Di Nessuno

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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Cuba 35th Anniversary Special Edition

The Silos

2LP | 1987 | EU | Reissue (Hanky Panky)

Yakusoku Wa Dekinai (I Can't Promise)

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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The Silos, the still-kicking band Walter Salas-Humara co-founded in New York’s post-punk ‘80s scene played Alt-Rock, Alt-Country, and Americana before any critics coined those terms. They were named Best New Artist in the Rolling Stone magazine critics' poll in 1987 after the release of Cuba. The album has since been considered a stone-cold classic, being hugely influential in the so-called Americana or alternative country scene that followed in its wake. “Cuba is one of those albums that has become a kind of talisman among true music fans. Because you know that Cuba exists inside everyone, and this extraordinary album can take you there. It's a journey filled with longing and loss, warmth and wonder”. (Anthony DeCurtis) This gatefold double LP 35th anniversary special edition, includes the additional album The Bird Album Live On Kcrw. Recorded on April 18, 1990, shortly after the release of their self-titled third album for RCA Records, The Silos performed about 75 minutes of music for the Snap alternative music radio program. Broadcast on Kcrw in Santa Monica, California, near Los Angeles, it features versions of all but one song from that third album. Both of the singer-songwriter-guitarists from the band's early days, Walter Salas-Humara and Bob Rupe, were in the line-up for this broadcast which also included Graham Maby on bass, Brian Doherty on Drums, and Kenny Margolis on Keyboard. Salas-Humara’s legacy would seem secure; his name is on 24 albums, his Horse Paintings hang in homes and galleries around the world, and his WaltersDogs portraits even appeared in the film “Get Him to the Greek” (Nicholas Stoller, 20210). but he’s hardly ready to call it a day: The Silos have a new album out now called Family and are currently touring the world.

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Che-Shizu

LP | 1984 | JP | Reissue (Alchemy)

36,99 €*

LP | 1988 | EU | Reissue (Supraphon)

Release: 1984 / JP – Reissue

Genre: Rock & Indie

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Formed in 1984 by bassist Takuya Nishimura and erhu player and singer Chie Mukai is Che-SHIZU. Their debut on the indie record label Zero records (also known for producing acts such as Shonen Knife, and Luna Park Ensemble) “Yakusoku wa Dekinai” (I Can’t Promise) drew attention for its uncompromising approach to simply making ‘songs’. With Tori Kudo (who’s recent analog release, Tangerine with Reiko Kudo, is making waves across the world) on guitar, ‘Yakusoku wa Dekinai’ is filled with songs that are simultaneously experimental and catchy. P-vine is proud to be reissuing this historic album for the first time ever on vinyl.

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Nerez

Na Vareny Nudli

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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LP | 1971 | EU | Reissue (Supraphon)

Greenhorns (Zelenaci)

Greenhorns '71

22,94 €* 26,99 € -15%

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Nice To Meet Miss Christine Record Store Day 2022 Edition

Chris Harwood

12" | 1970 | EU | Reissue (Bonfire)

32,99 €*

LP | 1985 | EU | Reissue (Naya Beat)

Release: 1970 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Such an elusive British artist, Christine Harwood was sailing the sea of lone folk singers with a sole album of rare beauty. Released in 1970 on small british label Birth, Nice To Meet Miss Christine is still an exercise in pure beauty, a dramatic/magic affair that materialized into thin air and suddenly was gone. Featuring a who’s who of the british prog and psych-folk scene – the late King Crimson alumni Ian McDonald on sax and flute, drummer extraordinaire Pete York, Nucleus and Jody Grind bass player Roger Sutton, Strawbs guitar player Dave Lambert – the album is more than a miraculous rendition of the (acid) folk revival venturing on more audacious territories, as shown in the rare groove of standout track Wooden Ships. Blue eyed soul and yacht rock fanatics take note !

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Pinky Ann Rihal

Tere Liye (Hindi Disco)

26,99 €*

Sakla Samani Gelir Zamani

Release: 1985 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Cult South Asian New Wave! Naya Beat is proud to announce its second release, Tere Liye, the highly sought after and impossible to find New Wave album by the unsung pioneers of the British Asian music scene, Pinky Ann Rihal. Remastered for vinyl by multi Grammy-nominated Frank Merritt at The Carvery and available for the first time since its limited 1985 release, the album is as fresh and relevant today as it was 37 years ago. South Asian New Wave. Four words that you will rarely see together. Pinky Ann Rihal were the brainchild of two London-based Punjabi immigrants and progressive rock musicians – Harry Rihal and Jati Sodhi – at a time in the U.K. when progressive rock musicians were almost exclusively white and Punjabi musicians were almost exclusively making Bhangra. Encouraged by their friend and disco pioneer Biddu (yes, that Biddu!), they cut ‘Tere Liye’ – a one-off Hindi-language New Wave album with producer John Hamilton and vocalists Pinky Rihal (married to Harry) and Anne Barrett (married to John). It is an album that exemplifies the cultural collaboration and musical synthesis of the time. Complementing the rich, cosmic and layered synths and drum programming of Hamilton and the distorted guitars of Rihal and Sodhi are the Hindi lyrics of vocalists Pinky and Anne. The result is an amazing one-of-a-kind South Asian New Wave album. Nothing like it has come out before or since. Stymied on its original release by bungled distribution, poor marketing and plenty of bad luck, this incredible album seemed destined to be lost to history. With Asian electronic music in the U.K. seeing a rebirth and capturing imaginations around the world,‘Tere Liye’ can finally take its rightful place as one of the pioneering albums of the Asian underground. This is Naya Beat’s second release in a series of reissues, reworks and remixes, and compilations dedicated to uncovering electronic and dance music from the overlooked ‘80s and ‘90s South Asian music scene. Their first release Naya Beat Volume 1: South Asian Dance and Electronic Music 1983-1992 was named by the Vinyl Factory as the Number 1 reissue of 2021

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Baris Manco

LP | 1976 | TR | Reissue (Emre Grafson)

LP | 1989 | TR | Reissue (Mega Müzik)

Release: 1976 / TR – Reissue

Genre: Rock & Indie

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2018 Re-mastered, 180g black viny. The single compilation of Barıs Manco from 1972-1975. Originally released in 1976. Psychedelic Sound flavoured by Turkish traditional instruments and anonymous lyrics, Can’t take your ears off the sound that you hear.

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Erkin Koray

Fesuphanallah

21,84 €* 22,99 € -5%

LP | 1982 | TR | Reissue (Dogan Music Company)

Release: 1989 / TR – Reissue

Genre: Rock & Indie

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This is the compilation of singles during the first half of 1970s. Erkin Koray is one of the greatest musician (singer, songwriter and electric guitar master) of Turkish Rock Scene in 1970s. The album has totally psychedelic, acid Rock sound. You will never remain unconcerned when you first hear the killer and groovy guitar sound of him.

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Yeni Türkü

Akdeniz Akdeniz

Tia Blake & Her Folk Group

Release: 1982 / TR – Reissue

Genre: Rock & Indie

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2020 Re-mastered, reissue, 180g black vinyl, in gatefold cover. Originally released in 1982 by the Turkish band Yeni Turku. Their musical style is characterized by a combination of traditional Turkish bağlama, kemenche, oud, guitar and bass. This album guaranties the relaxing, mediterranean mood and will definitely satisfy if you like ethnic music.

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Folksongs & Ballads

LP | 1971 | EU | Reissue (Ici Bientot)

LP | 1982 | UK | Reissue (Shadow World Archive)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Folksongs and Ballads by Tia Blake & Her Folk-Group, is more than just a “lost classic”. As clear and honest as can be, Folksongs and Ballads is a magnetic record, a refuge like only Nick Drake, Nico, and a few others have been able to create. A graceful, delicately minimalist approach to classic Appalachian and British folk songs.The perfect balance between melancholy and daydream. Originally released only in France in 1971, Ici Bientôt is very pleased to present the first ever reissue on vinyl. When she recorded her only album, Tia Blake was nineteen years old and had just arrived in Paris a year and a half beforehand. She spent most of her time at Disco’Thé, a record shop in the Latin Quarter, a free space, peaceful and inspiring, a hub for students as well as the local artistic community. There, Tia would occasionally sing—when she managed to overcome her shyness. Two young guitarists who were passionate fans of folk music and regulars at the shop began to accompany her, forming “Her Folk Group.” One year later, they cut 11 tracks at Pierre Barouh’s Studios Saravah. Folksongs and Ballads is composed of traditional tunes that have been covered many times, but they’re not the best known folk standards. A collection of stories ranging from the Middle Ages to the 1960s, bringing together sublimely doleful ballads, lamentations for a lost lover, and an unexpected, brilliant version of the road anthem “Plastic Jesus.” Tia Blake's haunting, unaffected voice captivates and comforts us, wrapping us in its cool embrace. Meanwhile, the tasteful, stripped-down, mellow acoustic arrangements provided by the guitarists, reminiscent of Bert Jansch and John Renbourn, occasionally supported by a kena flute, have created the space Tia Blake needed to reinvent these traditional songs. Folksongs and Ballads is a timeless record, deep and unique, a longtime companion for repeated listening, in the vein of works by Sibylle Baier, Bridget St. John and Vashti Bunyan.

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Lining Time

Strike

22,39 €* 31,99 € -30%

LP | 1987 | EU (Trading Places)

Release: 1982 / UK – Reissue

Genre: Organic Grooves, Rock & Indie

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Here I AM is the first thing. A powerful incantation sung in full choral style at Dartington College of Arts in 1982 and captured on tape, now in 1s and 0s for all eternity. It’s a bold phrase, this assertion of existence, this permanent claiming of space in time; these three words we were made to sing in church, that we used to recite one after another at the beginning of class. Doing so might seem mundane, or easy, but it’s not. What’s easy is not. Not declaring one’s presence, not showing up at all. Claire Bushe, Cathy Frost, Lisa Halse, Cathy Josefowitz, and Mara de Wit showed up, took a side. They called themselves Lining Time. They were here. ANY Woman CAN SAY I’M A Witch, they said. Strike is the album Lining Time made. It plays out like a freedom spell, like liberatory healing magic. Reveling in the power of the voice, Lining Time sing. Not at us, but for us. As if by putting voice to the traumas inflicted by the patriarchy and capital, they could be made right. As if the whole world might join in and sing along, might join in and take action - might join in and strike.There’s nothing exclusive about the music Lining Time made. Like many of the best and weirdest records of the post-punk era, Strike wears its amateurism as a badge of honour, flies it like a flag to rally around. It is inclusive to the extreme. Which isn’t to say anyone could’ve made Strike. That’s the thing. The music preserved here is too weirdly spare and idiosyncratic - and wildly overconfident in the way that only the young and young at heart can be. Sometimes it’s almost protest folk, acappella or accompanied by a single acoustic guitar, as on ‘It’s Possible’. Sometimes schoolroom auxiliary percussion clunks out a cyclical, ritual rhythm, as on the title track. At no point does it feel less than singular. Still, this is music about and for universal sisterhood. It invites solidarity. Take up an instrument for the cause and sing your own song. Time Passes Time Passes Time Passes Time Recorded music often functions like a time capsule. It’s not rare that an album is “lost”. Rather, it’s rare that a work is heard widely at the time it was made. Often, it’s barely heard at all. It just exists somewhere, a cave painting or an ancient piece of graffiti, waiting to be stumbled upon for whatever reason. The reason, in Strike’s case, is a wonderful posthumous exhibition of Cathy Josefowitz’s artwork, The Thinking Body, a cooperative effort between Kunsthaus Langenthal, Centre Culturel Suisse, Paris, Macro Roma, Les Amis de Cathy Josefowitz, and Elise Lammer. It’s possible that some might be tempted to think of Lining Time as a sideshow curiosity to the main event, but that’d be foolish. Strike, nearly forty years old, is as alive and relevant as it was when it was recorded in the wake of the Reclaim the Night march. If anything, it’s shocking how potent and necessary its message remains today.

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J.P. Sunshine

Dumi-Maichi-Na Chi Maraire & Nyunganyunga Mbira

Release: 1987 / EU

Genre: Rock & Indie

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In 1967, the English poet George Duffell, alias Jorgy Porgy, decided to set his verses to music, birthing J.P. Sunshine with guitarist/vocalist Rod Goodway of pop act the Pack (later with the Crazy World of Arthur Brown), the line-up expanding with a bassist and bongo player, Duffell’s girlfriend on percussion, and former Pack guitarist Andy Rickell on electric lead. These resultant recordings, cut on basic gear in Duffell’s flat, evidence an individual psychedelic sound, marked by the incestuous claustrophobia of the group’s romantic rivalries, the meandering lyrics and disjointed melodies pointing to the pervasive drug use that ultimately squashed the project. This is psych with a difference: rare, rough, and freaky!

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Tichazomuona

LP | 1986 | EU | Reissue (Nyami Nyami)

22,99 €*

LP | 1977 | IC | Original (Fálkinn)

Release: 1986 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Nyami Nyami Records presents a reissue of a rare gem from the Gramma Records catalog , the historic Zimbabweean label. Dumisani Maraire, the leading creator of modern mbira, settled in the USA in the late 60s where he popularized the traditional music of the Shona people. Tichazomuona is the first album he recorded in liberated Zimbabwe, in 1986, with his wife Maichi and daughter Chiwoniso. You can hear the very young singer on lead vocals on the title track, long before she went on to perform solo on the international stage. We launched Nyami Nyami with her last recording Zvichapera and are happy to also release now her very first.

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Bergþóra Árnadóttir

Eintak

26,95 €*

Release: 1977 / IC – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1989 | EU | Reissue (Everland Psych)

Kola Beldy

White Island

Royal York Crescent Record Store Day 2022 Vinyl Edition

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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I have never heard before of the Jurchen culture from the Chinese and later East Russian Northlands and as well not of the Nanai People who have risen from the scattered remains of the Jurchen culture wiped out by furiously attacking Mongolian steppe armies some 850 years back. The Great Khans did not leave much variety after sweeping through the taiga towards Western Europe in the 12th and 13th centuries. So the Nanai people came to exist and had their songs and instruments. Some of them were used by composer Alexander Lavrov and singer Kola Beldy who is of Nanian descent in their music on this, Kola Beldy’s fourth album. Just as all his records from the 1980s, this is extremely rare and originals in good shape can cost a small fortune. Just in case they ever turn up somewhere outside the vast Russian country. Now for the very outstanding music that as mentiond above is based on centuries old folk tunes of the Nanai and Jurchen cultures which get slightly updated in the sense of 1989 state oft he art pop and rock and that even in a slightly progressive way. Kola Beldy, already 60 years of age by then, was a long time active folk and pop singer in the Soviet Union who unfortunately passed away only 64 years old in 1993. He owns a full, warm mid ranged voice and chants the ancient melodies in a mystifying way. The instrumentation behind him shows a good variety of old and modern instruments. While the opening track is based mostly on percussion and drum patterns with an eerie grinding sound and later on a jew’s harp added upon which Beldy lays down a melody with a typical far eastern approach in what seems to be Russian language, further tracks contain synthesizer lines and even an electric guitar. Still the overall atmosphere is mostly mystical, solemn and spiritual. I definitely have not heard anything alike before. The more rock oriented tunes could bring back memories of Italian movie soundtracks by Goblin, based on progressive rock and jazz to the mind of the listener, just with these awesome vocals. Italian 90s progressive rockers Presence also had a similar approach. The keyboards, organ, very modern singing bass guitar head towards a very progressive direction here. Art pop, if you want to call it that. Based on ancient Nanian tunes but made timeless and even in 2021 fresh sounding by a very talented band. So, Kola Beldy’s fourth album may not be a mainstream favorite, fans of progressive pop like that of early 80s Goblin, Presence from the early 90s and good ol‘ Peter Gabriel, not for the voice itself but for the songs, will find pleasure in this nifty obscurity which gets reissued now for the first time on vinyl in 32 years.

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Ian A. Anderson

LP | 1970 | EU | Reissue (Bonfire)

The Man Who Hated Mornings

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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When we talk about british folk revival we should not forget a key figure as Ian A. Anderson, a songwriter on its own and a truly prime mover in the local scene. Currently editor of the ‘world music magazine’ fRoots, Ian A. Anderson first performed in his home town of Weston-super-Mare as a member of the Backwater Jook Band and came to prominence as a member of the Bristol based country blues scene of the mid to late 1960s, performing live and on record, both solo, with Al Jones and Elliott Jackson as the trio Anderson Jones Jackson, and as a duo with ‘globetrotter’ and long time friend Mike Cooper. After two EPs, he recorded his first album, Stereo Death Breakdown, as Ian Anderson’s Country Blues Band, which was released by Liberty/United Artists in 1969. In December 1969, with John Turner, he conceived the record label The Village Thing, for which he was also a producer. The label released two dozen albums by mostly between 1970 and 1974 including influential albums by Wizz Jones, Sun Also Rises, Pigsty Hill Light Orchestra, Steve Tilston, Dave Evans, Lackey & Sweeney, Chris Thompson, Dave Peabody and more, as well as three by Anderson himself. ‘Royal York Crescent’ is proper solo debut was licensed the 13th of Novemebr 1970 and is still considered as a forerunner of the acid folk movement . His lightly fingerpicking was backed by bongos – Ian Turner – and bass/piano – John Turner – providing a dynamic effort for his spectacular lyricism. This long lost classic is finally backing in print for your necessary uplifting entertainment.

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Michael Chapman

LP | 1977 | EU | Reissue (Mooncrest)

Bella Donna Deluxe Record Store Day 2022 Vinyl Edition

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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The Classic 1977 Folk album .and follow up to Savage Amusement. Feat: Mick Ronson, Andy Latimer & Keef Hartley. Recorded at Sawmills Studios, Cornwall, Tapestry Studios, London and Fairview Studios, Hull. Incl. Extensive Sleeve Notes from Andru Chapman & Marc Higgins With bonus track: Steel Bonnets (Instrumental) Limited Edition on 180 gram vinyl

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Stevie Nicks

2LP | 1981 | EU | Reissue (Rhino Atlantic)

56,99 €*

LP | 1985 | EU | Reissue (Morning Trip)

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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Limited to 15000 copies.

Vinyl version of Remastered Original Album + LP of Studio masters, B-sides and demos (many for the first time on vinyl) from the 2016 Bella Donna Deluxe Edition.

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Carl Erdman

Bizzarrophytes

18,99 €* 19,99 € -5%

| 1987 | DE | Original (Bear Family)

Release: 1985 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Carl Erdmann’s Bizzarrophytes was recorded in Roswell, New Mexico, during the final years of the 70’s. A desert-fried haze of buzzing sitar raga, shimmering guitar soli, and lonesome instrumental psych. Erdmann had been galvanized several years prior by witnessing an intimate performance by Ravi Shankar at Austin’s University of Texas. Erdmann spent the next several years with a sitar in the back of his pickup truck - teaching himself the instrument between stints working on an oil field as a geologist.

After settling in Roswell, Erdmann procured a Tascam 4-track reel to reel tape machine and began to experiment with recording. He played most of the instruments himself, and followed a fresh muse each day. One day his recordings would mine the same instrumental guitar territory as Leo Kottke and John Renbourn, like on Bizzarrophytes’ opening track, Majesty. The next day Erdmann might multi-track some bass and drums and end up landing in the same hazy psych-folk territory as Relatively Clean Rivers, as evidenced on album standouts Turritella Flats, and Portugal. And then, perhaps his Ravi Shankar influence would shine through, and he’d deliver a stirring sitar raga like Dhun. Erdmann explored all of these sounds without ever considering releasing them into the world. He was simply experimenting with his equipment and his instruments, and flexing his muscles with whatever kind of inspiration happened to strike. It wasn’t until 1980 that a friend convinced Carl to assemble some of these recordings into an album and self-release it.

Bizarrophytes was released in a miniscule private press run, financed and distributed by Erdmann himself. Most copies didn’t make it out of the southwest. And it has remained woefully hard to find until now. The disparate sounds of Erdmann’s experimentation hang together as a beautifully cohesive tapestry of home-brewed psychedelic folk. A menagerie of eclectic instrumental experimentation, baked in the desert sun, and captured to tape. Morning Trip Records is proud to present Bizzarrophytes.

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Jerry Lee Lewis

The Killer 1973-1977

129,99 €*

LP | 1979 | EU | Reissue (Universal)

Release: 1987 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with a couple of light scuffs, close to VG+. Box with damaged corner and edges with tape.

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Stradaperta

Maida Vale

34,84 €* 40,99 € -15%

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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Suite Nihonkai Black Vinyl Edition

Chisato Yamada

LP | 1981 | EU | Reissue (Cinedelic)

Release: 1981 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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LP | 1971 | UK | Original (Chrysalis)

Tir Na Nog

42,99 €*

LP | 1974 | US | Original (ABC Dot)

Release: 1971 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Gatefold cover has slight wear, close to VG+
Vinyl is close to NM!

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Sue Richards

A Girl Named Sue

3,95 €*

LP | 1973 | EU | Reissue (Out-Sider)

Release: 1974 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

seamsplit

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Brigg

LP | 1970 | US | Original (Roulette)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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First ever legit vinyl reissue, sanctioned by the band members, of this collectable psych/folk/hard-rock album from 1973. Brigg were a rural Pennsylvania folk-tinged psychedelic band formed by three high school friends: Rob Morse, Jeff Willoughby and Rusty Foulke. In 1973, they borrowed the money to record their first album together. They called it Brigg after one member saw the name in a dream. It was recorded at a grocery store converted into a 4-track studio. The photos for the cover were taken in a purportedly haunted house in Danville. The band members pressed 1000 copies and sold some to their friends but never played a live show together. They divided the remaining copies between them and went their separate ways. Several decades later, the Brigg album became a collector’s item and was bootlegged all over the world.

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Don Crawford

Roots & Branches

6,99 €*

Maia Zubiria & Pascal Gaigne

Release: 1970 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: G+, Cover: G+

US original.

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Egun Argi Hartan

LP | 1985 | EU | Reissue (Elkar)

LP | 1976 | US | Original (Sudarshan Disc)

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Amaia Zubiria, the incredible female vocal part of Basque folk-prog legends Haizea, has an extensive discography worth checking. Here’s the first ever vinyl reissue of her 1985 folk album joined by guitarist Pascal Gaigne.

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Golden Avatar

A Change Of Heart

7,99 €*

LP | 1975 | EU | Reissue (Gotta Groove)

Release: 1976 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Still in shrink but opened with hype sticker. Original inner sleeve

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Tom Wachunas

Spare Changes

32,99 €*

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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LP | 1974 | Reissue (Wewantsounds)

Omar Khorshid

Giant + Guitar

LP | 1977 | UK | Original (Fantasy)

Release: 1974 / Reissue

Genre: Rock & Indie

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Cult Classic LP BY Legendary Egyptian Guitarist Omar Khorshid, First Released ON THE Label 'voice OF Lebanon' IN 1974 AND Reissued Here ON Vinyl FOR THE First Time With Original Artwork AND Remastered Audio Plus NEW Liner Notes BY DJ Ernesto Chahoud.

Wewantsounds is delighted to announce the reissue of Omar Khorshid's highly sought after instrumental album 'Giant + Guitar' originally released in 1974 in Lebanon and recorded at Polysound Studio by famed Lebanese engineer Nabil Moumtaz. The album features Khorshid's unique electric guitar sound mixed with arabic melodies over superb psych arrangements. The album has been newly remastered and comes with the original 'Voice of Lebanon' artwork and a 2 page insert featuring liner notes by DJ Ernesto Chahoud. Wewantsounds' series of Arabic music reissues are curated by Mario Choueiry from Institut du Monde Arabe in Paris. Omar Khorshid's life, if short (he died age 36 in a road accident), was extraordinary. Blessed with a great talent for music, the Egyptian musician and actor became one of the best guitarists of the Arab World accompanying the greatest stars of the 60s and 70s, including Oum Kalthoum, Abdel Halim Hafez and Farid El Atrache. To avoid the political troubles of the time in Egypt, and to fulfil his artistic ambitions, Khorshid moved to Beirut in Lebanon in 1973 and started recording a string of superb albums experimenting with Oriental music. ?He recorded for several labels including Voice of Lebanon, one of the key Lebanese labels of the time. He released his first album 'Giant + Guitar' for the label in 1974 and it was an instantly popular in the Arab world. The album, which has a great ample sound, was recorded at the Polysound studios overseen by engineer Nabil Moumtaz. The front cover sees Khorshid on his motorcycle in the busy street of Hamra, one of the most vibrant Beirut neighbourhoods where he was playing most nights in residence. (The album was also released internationally as 'Rhythms from the Orient' with a different artwork focusing on belly dance) The sound of the album is both bold and accessible displaying Khorshid's unique guitar sound, accompanied by a small band mixing traditional and modern fuzzed up arrangements. The mesmerizing opening track, 'Rakset El Fadaa', composed by Lebanese musician Nour Al Mallah, is a perfect example of Khorshid's artistry. Starting with a long, hypnotic guitar intro, it then speeds up with the backing of a groovy organ, Oriental percussion and the psych sound of an early synthesizer to great effect. The album continues on the same mode blending traditional Oriental music with inventive arrangements as showcased by the Mohamed Abdel Wahab standard 'Leilet Hob' popularised by Oum Kalthoum, which sees Khorshid and his musicians shifting pace several times over eight minutes. One of the peaks of the album in terms of sonic experiments is undoubtedly Korshid's own composition, 'Taqassim Sanat Alfein', with Khorshid's superb guitar in full bloom accompanied by a few touches of synth. A truly innovative album which pushed the boundaries of Oriental music at the time, 'Giant + Guitar' has gained in stature over the years and has become highly sought after by many DJs and collectors. A hugely important album which Wewantsounds is happy to reintroduce to the international audience for the first time since the 70s

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Country Joe McDonald

Goodbye Blues

5,99 €*

Release: 1977 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Silence Is The Answer / Buddham Sharnam Gachchami

Deuter

2LP | 1984 | DE | Reissue (Kuckuck)

12,99 €*

Release: 1984 / DE – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Buck Owens & His Buckaroos

Bridge Over Troubled Water Black Friday Record Store Day 2021 Edition

LP | 1971 | US | Reissue (Sundazed)

Illusion Of The Maintenance Man

Release: 1971 / US – Reissue

Genre: Rock & Indie

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In celebration of the 50th anniversary of the the- controversial album of Buck Owens, Don Rich and the rest of the Buckaroos doing countrified covers of Simon & Garfunkel, Donovon, and Dylan along with some originals. We shipped the original reels to Kevin Gray to do an all analog thing of sonic beauty. This is known as Buck's big thumbs-up to the folk-rock sound and it's time we celebrate it. All analog and on clear vinyl.

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Virgin Insanity

LP | 1972 | EU | Reissue (P-Vine)

38,99 €*

LP | 1975 | EU | Reissue (Ossi Müzi)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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In an active internet age that has collectively dug up a wealth of lost and hidden classics in recent times, it's easy to become cynical about the possibility of valuable discoveries still to be made. Illusions Of The Maintenance Man by Virgin Insanity, however, is a stunning record of 70s acid folk and assures us that there will always be a wealth of lost great records as long as there artists who veer off the beaten path. Bob Long formed the band in the 70s in the backdrop of Texas, and there is an eerie, timeless quality to the acoustics of these tracks that spread out and breath life as much today as they did when this album was originally released in 1972. On an earlier version of the album, the late great writer of psychedelic culture Patrick Lundborg wrote glowing liner notes for the album which were sadly never used, but exist in various forms online for those wishing to read more about the album's background. This is the first release for the band since P-vine released a CD containing Long's previously unreleased 2nd and 3rd album in 2006. Modern-day fans of Mount Eerie and Cat Power will surely find something to love in the dream-like rooms and space of Virgin Insanity's world. All tracks are remastered by frontman Bob Long himself and the jacket will be reproduced from specifications of the original version which is now trading at more than $1,800!

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Erkut Tackin

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Storyteller Black Vinyl Edition

Storyteller

LP | 1970 | EU | Reissue (Svart)

26,99 €*

LP | 1987 | DE | Reissue (Immediate)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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A Svart Mondo release. Black vinyl, gatefold jacket.

First released by Britain’s then foremost folk label, Transatlantic Records in 1970, Storyteller’s first album is a forgotten gem of Psychedelic Folk Prog Rock. Warm and silky production courtesy of Andrew Bown and Peter Frampton, fabulous dual vocals and a wistful arrangement of top-drawer UK Folk Prog, make Storyteller a diamond worth digging into.

Around 1969, after being a part of the band The Other Two on Decca Records, working with people like Chuck Berry, Duane Eddy and Jerry Lee Lewis, and touring with Chuck Berry and The Animals, Caroline Attard joined a new band that was being formed; Storyteller. A quintet who followed their own inclination, ignoring current fashions and just doing what seemed to come naturally, Storyteller is a crate-digger’s delight. Up there with Fairport Convention, Jefferson Airplane and Steeleye Span, Storyteller were steeped in folklore tales such as on ‘Ballad Of The Three Laps’, bringing the true spirit of folk alive in their own unique way. With songs written primarily by Roger Moon, and Terry Durham as muse of inspiration with his paintings and wonderful Yorkshire stories, Storyteller’s debut has the authentic and honest vibe of the real McCoy.

No longer confined to being coveted by collectors and those in the know, this lush remastered reissue via Svart Records comes on gatefold vinyl with updated liner notes and interview. If you treasure Folk, Prog and Psychedelic Rock, make sure this is a tale you don’t miss out on!

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Duncan Browne

Give Me Take You

60,99 €*

LP | 1971 | EU | Reissue (Bonfire)

Release: 1987 / DE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG

White vinyl. German reissue from 1987. Tear in opening.

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Extradition

Hush

28,99 €*

LP | 1976 | EU | Reissue (Wah Wah)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Little we know about this long lost gem coming from the outskirts of the Commonwealth. But as far as we know, beautiness lies inside. That is the case of the sole album of mysterious australian band Extradition. Released in a small run on local independent label Sweet Peach in 1971, the self titled album stands as one of the most accurate acid folk rendition outside the UK realm. Formerly a three piece Extradition struggle on their personal behavior forging a rural set up that pursue the ‘think green’ revolution. It could be the English folk revival or the West Coast flower power, but the album introduce a different state of mind, far away from the chaotic suburbs of the counter culture. Lost on the isle, the acoustic set up of the band brings joy and happiness, a new age that reflects the multiple essence of the four elements. While the opener ‘ A Water Song’ brings to mind the course of a small river ‘A Love Song’ sets the mood for a long lost medieval folk tale. Acoustic guitar, small percussion, natural found sound and the celestial voice of Shayna Carlin (also member of cult band Tully, a weirdo surf-psychedelic affair) all of the elements above literally conjure for an ambient album before the definition was fully embraced by a massive audience.

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Kennlisch

LP | 1985 | EU | Reissue (The Gramophone Company Of India)

Release: 1976 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Kënnlisch, one of the rarest haunting psychedelic acid folk LPs from France, was the work of brothers Philippe and Jean-François Macherey.

Originally released in 1976 on the mega collectable label Le Kiosque d'Orphée, it contains some of the most beautiful sounds to come out of the 1970s alternative music scene.

An instrumental album, it opens with a burst of sunshine vibes and takes them into the experimental scene of French alternative folk avantgarde with a strong Cosmische influence. Beauty is the word, grown over acoustic guitar parts harmonised with the most elegant Moog Satellite lines you'll ever hear to create atmospheres of sound that make this is the perfect record for your mind to float away on a peaceful Sunday morning under a clear blue sky - it does have that therapeutic quality that we miss so much in modern music.

Wah Wah presents the very first official reissue of this mega rare LP, housed in it's original minimalist hand made artwork with the little upgrade twist of silk-screen printing and including a 4-page colour booklet with photos and text provided by the Macherey brothers themselves.

500 copies only!

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Brij Bushan Kabra

Lure Of The Desert

21,99 €*

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Scaling New Horizons With Guitar

Brij Bhushan Kabra

LP | 1976 | EU | Reissue (His Master's Voice)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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LP | 1976 | EU | Reissue (Wewantsounds)

Warda

Khalik Hena

Ethiopian Modern Instrumentals Hits

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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Cult Classic BY Often-sampled Arabic Diva Warda Recorded IN 1973 With Full Egyptian Orchestra ON THE Label Soutelphan. Reissued ON Vinyl FOR THE First Time, With Remastered Audio, Original Artwork AND TWO Page Insert With NEW Introduction

Wewantsounds is delighted to reissue 'Khalik Hena' recorded 1973 by legendary Arabic Diva Warda who has been sampled by Jay Z and J Dilla. The album recorded in public mixes traditional Arabic music with a tinge of 70s grooves. Here Warda delivers a hypnotic performance backed by her full-size orchestra featuring those unparalleled Arabic strings that made recordings by Oum Khalthoum, Farid El Atrache and Abdel Halim Hafez so famous. 'Khalik Hena' is one of her all-time classics, written by legendary composer Baligh Hamdi and the audio has been newly remastered. This release features the LP original artwork with a 2 page insert featuring a new introduction by Mario Choueiry from Institut du Monde Arabe who curates Wewantsounds' Arabic series of reissues.

Warda is one of the undisputed divas of the Arab world. Born in the Paris suburb from an Algerian Father and a Lebanese mother, she was discovered at 11 by Ahmed Hachlaf, Pathe Marconi's heads of A&R specialising in Arabic music. having honed her singing skills at her father's cabaret in the Latin Quarter, the Tam-Tam (for Tunisia - Algeria - Morocco) she quickly found recognition in the Arabic music circles.

The family relocated to Beirut in the late 50s after the police found arms in her father's cabaret destined to the political group fighting for Algeria's independence and was swiftly discovered there by an Egyptian film producer who brought her to Cairo to record and play in his films. From there, her career took a meteoric rise and she became a star working with Egyptian such stars as Abdel Halim Hafez and composer Mohammed Abdel Wahab.

However, in the early 60s a traditional marriage in Algeria stopped her career for a decade to be a housewife until Algerian President Boumediene asked her to perform for the 10th anniversary of the Nation's independence in 1972. This was an epiphany and after a divorce she was back to Egypt for a triumphant comeback.

'Khalik Hena' recorded in public in 1973 dates back to these glory days. Teaming up with her new husband, legendary composer Baligh Hamdi, she recorded a string of classic albums - hypnotic tour-de-forces stretching over two sides in an almost trance-like mode, enhancing Warda's powerful vocal and ability to mesmerise audiences. Blending traditional and modern instrumentations (electric guitar, organ), the music is both complex and groovy, 'Khalik Hena' is one of her best LPs, sought after by Arabic diggers and collectors alike. An undisputed classic of Arabic Music, which Wewantsounds is glad to reissue on vinyl for the first time since the 70s.

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V.A.

LP | 1972 | JP | Reissue (Groove Diggers)

36,99 €*

Beverly Copeland Clear Vinyl Edition

Release: 1972 / JP – Reissue

Genre: Rock & Indie

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Seminal compilation of instrumental tracks, originally released in Ethiopia in 1972. Features tracks from Tèsfa-Maryam Kidané, Bahta Gèbrè-Heywèt and Mulatu Astatké including the hit “Yégélé Tezeta”

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Beverly Copeland

LP | 1970 | US | Reissue (Return To Analog)

21,99 €*

Release: 1970 / US – Reissue

Genre: Rock & Indie

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Makoto Kubota & The Sunset Gang

Champroo

LP | 1975 | EU | Reissue (Wewantsounds)

Makoto Kubota & The Sunset Gang

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Wewantsounds is delighted to announce an ambitious Makoto Kubota reissue program with his three albums recorded with The Sunset Gang between 1973 and 1977. The albums feature Haruomi Hosono (who also co-produced ‘Hawaii Champroo’ and ‘Dixie Fever’) and also include Minako Yoshida, Taeko Ohnuki and Tatsuo Hayachi to name a few. Makoto Kubota has been one of Japan’s true musical innovators and following his involvement with Les Rallizes Dénudés in the early 70s, he developed a unique sound bringing American, Hawaiian and Okinawan music influences to his own Japanese folk music mix. Starting with the reissue of 'Hawaii Champroo' recorded in Honolulu in 1975 and co-produced by Haruomi Hosono, Wewantsounds will then release 'Sunset Gang' from 1973 followed by Dixie Fever from 1977. All albums have been newly remastered by Makoto Kubota and they each come with original artwork, OBI and the original japanese inserts. This is the first time the albums are released outside of Japan.

Recorded in 1975 at the famed Sounds of Hawaii studio in Honolulu, Hawaii Champroo was co-produced by Haruomi Hosono and marks the start of Kubota's keen interest in Hawaiian and Okinawan music (Champroo is derived from Chanpuru, the traditional Okinawan stir-fry dish). A companion album to Hosono's own 'Tropical Dandy' and 'Bon Voyage Co.' albums(on which Kubota plays), the album was at the forefront of a tropical musical movement started in Japan in the mid-70s. The core Sunset Gang consists of Kubota on Guitar, Takashi Onzo on bass, Yosuke Fujita on guitars and mandolin, Keni Inoue on lead guitar and Hiroki Komazawa on pedal steel guitar. They are joined on the album by Hosono on drums and Teriyuki Kokubu on piano. Having travelled to the United States in the early 70s, Makoto Kubota had fallen in love with American music and had brought back many influences from his sojourn on the East and West coast. these are evident from the tracks covered by the band on 'Hawaii Champroo', including Jesse Fuller's 'San Francisco Blues', The Rooftop Singers' 'Walk Right In' (an old Gus Cannon ragtime) or The Texas Playboys' classic 'Steel Guitar Rag.' 'Hawaii Champroo' also features originals such as the funky 'Shanghai Gaeri' and a nod to the Hula Hawaiian dance 'Moonlight Hula'. One of the highlights of the album is the classic 'Haisai Ozisan', the Okinawan 1972 cult classic by Shoukichi Kina which has become a standard in Japan. All in all, 'Hawaii Champroo' is a timeless classic and one of the key Japanese albums from the 70s which Wewantsounds is happy to introduce outside of Japan for the first time.

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Dixie Fever

LP | 1977 | EU | Reissue (Wewantsounds)

33,99 €*

Makoto Kubota & The Sunset Gang

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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Wewantsounds is closing its Makoto Kubota reissue series with the release of "Dixie Fever" recorded in Hawaii in 1976 and co-produced by Haruomi Hosono. Like its predecessors, 'Sunset Gang' and 'Hawaii Champroo', 'Dixie Fever' continues to explore American and Island music through a Japanese prism with a skilful mix of blues, swamp funk and America adding an exotic edge to the whole. It is the first time the album is released outside of Japan and the LP features original artwork with OBI and insert plus remastered audio by Makoto Kubota himself.

A year after the release of their highly-acclaimed album 'Hawaii Champroo' in 1975, Makoto Kubota and The Sunset Gang reunited at Sounds of Hawaii studios with co-producer Haruomi Hosono to record a new album, 'Dixie Fever'. They used pretty much the same ingredients that had made the success of Champroo - an effortless mix of Japanese folk and american roots music with some tropical influences. The same mix that Haruomi Hosono was applying to his own albums, especially ''Tropical Dandy which was experimenting with the same ideas - In fact the front cover of both 'Tropical Dandy' and 'Dixie Fever' are illustrated by Yasuo Yagi. ?As per 'Hawaii Champroo' and 'Sunset Gang', 'Dixie Fever' includes a mix of original compositions and covers. On the album, you spot The Lovin' Spoonful's 'Wild About My Lovin' and a funked up version of UK singer songwriter Ralph McTell's song 'When i Was a Cowboy'. They feature the Gang's usual musicians (Keni Inoue on guitar, Yosuke Fujita on slide guitar and Takashi Onzo on bass and keyboards) complemented by a handful of guests including Tin Pan Alley drummer Tatsuo Hayashi, Motoya Hamaguchi on percussion and New Orleans pianist and Dr. John friend, Ronnie Barron. Together they play a superb brew made of blues, soul, Hawaiian music and southern swamp rhythms. One of the highlights of the album is undoubtedly 'Hoshikuzu' (Stardust) which has become a cult classic over the years on the international City Pop scene and whose sunshine mid-tempo vibe is the perfect reflection of the group's musicianship. The track perfectly adds to the album's charm which Wewantsounds is happy to release for the first time internationally.

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Sunset Gang

LP | 1973 | EU | Reissue (Wewantsounds)

Like An Old Fashioned Waltz

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Sandy Denny

LP | 1974 | UK | Original (Island)

Orchestra Spettacolo Raoul Casadei

Release: 1974 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

UK original. Vinyl with a couple of light scuffs, close to VG+. Cover with edge wear.

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La Banda Degli Angeli

LP | 1984 | EU | Reissue (Ariston)

18,99 €*

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Orchestra Spettacolo Raoul Casadei

Ja Ja Allegria

LP | 1977 | EU | Reissue (WEA)

18,99 €*

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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LP | 1976 | EU | Reissue (Mapache)

Naomi Lewis

Seagulls & Sunflowers

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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LP | 1976 | US | Original (ABC)

Delbert McClinton

Genuine Cowhide

10,99 €*

Crazy 'Bout An Automobile (Every Woman I Know)

Release: 1976 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Includes original inner sleeve.

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Ry Cooder

12" | 1981 | UK | Original (Warner Bros.)

4,99 €*

LP | 1973 | EU | Reissue (Sundazed)

Release: 1981 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Limited Edition.

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Annette Peacock

X-Dreams

27,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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LP | 1979 | EU | Reissue (Sundazed)

Annette Peacock

Perfect Release

27,99 €*

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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LP | 1979 | DE | Original (Ariola)

Rosanne Cash

8,99 €*

The Social World" Of Rodger Wilhoit" Green Vinyl Edition

Release: 1979 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Club Edition.

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Rodger Wilhoit

LP | 1974 | US | Reissue (Sweet Mental Revenge)

35,99 €*

Release: 1974 / US – Reissue

Genre: Rock & Indie

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The Art Of The Acoustic String Guitar 6 & 12

Robbie Basho

LP | 1979 | US | Reissue (Gnome Life)