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Valid only until June 30th, 23:59 p.m.

All Vinyl, CD & Tape Used Vinyl Merchandise Equipment

Finders Keepers Jazz | Fusion 8 Items

Name: Classroom - Classroom
Brand: Finders Keepers
SKU: 1045557v1
Price: 26.99 EUR
Availability: InStock

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Finders Keepers

Classroom

LP | 2023 | UK | Original (Finders Keepers)

26,99 €*

Incl. VAT plus Shipping Costs

Release: 2023 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The lost Belgian blueprint of Brussels based jazz fusion and how free form Franco-Flemish punk put Zeuhl school in the Classroom via to the conception of COS.

Emerging from behind the same clouds that kept formative Belgian progressive jazz records like Brussels Art Quintet and Kiosk’s Mona Call in tangible obscurity, these impossibly rare early Euro jazz recordings shed a new ray of light on the intricate foundations of the scene that elevated COS, Marc Moulin, Placebo, Marc Hollander and Telex to Zen master status, while also capturing one of Europe’s best female vocal artists in the midst of her wide eyed and uninhibited prime.

Idiosyncratic, intrepid, psychedelic, scholastic? Affirmative. But not once do these recordings resemble pages of a dog-eared sketchbook. Expertly executed and recorded, this semester of progressive proto jazz fusion symposiums capture the group as they unveil the unique strain of experimental ‘Flower Music’ (a title worthy of a lost Don Cherry album?) that would imminently blossom into the trailblazing COS powerhouse. Listen closely and hear the sound of this outernational mutating quintet as they tear up the rule book and still graduate onto the International jazz rock scene with flying psychedelic colours. Fans of COS tracks such as Mein maschine ist schön and L’Idiot Léon will herein identify the foundations of Pascale Son’s early experimental, non-lyrical and onomatopoeic vocalisations which would earn the band favour amongst early Zeuhl aficionados, thus winning the group support slots with Magma and historically leading directly to the Classroom/COS overnight metamorphosis. These recordings capture that precise chink in time and the eureka moment where Daniel Schell’s experiments become a leading life force. Constantly forward-thinking with a don’t look back mantra, these recordings have remained nestled on old acetates and magnetic tape akin to similar lost Low Country albums such as Alain Pierre’s mythical L’enfant grandit synth opus and Placebo’s coveted Three Days In April TV recordings.

Never before released on vinyl, these tracks provide us with a sonic chalkboard of Daniel Schell’s ambitious musical equations, recalculated by precocious polymaths, then conveyed via Pascale Son’s inquisitive child-like vocal explorations. For those keen to learn the Histoire De Melody COS? The classroom door is open – prepare to be schooled!

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COS

Cosmix

2LP | 2021 | UK | Original (Finders Keepers)

20,99 €*

Incl. VAT plus Shipping Costs

Release: 2021 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

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Cos / Daniel Schell & Dick Annegarn

Mein Maschin Ist Schön / The FF Boom

7" | 2021 | UK | Reissue (Finders Keepers)

14,99 €*

Incl. VAT plus Shipping Costs

Release: 2021 / UK – Reissue

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

From the same continental cosmic egg that hatched Marc Moulin, Marc Hollander and Belgian synth fusion combo Placebo comes your favourite new Franco-Flemmish pop discovery. COS, where have you been all my life? Compact in name but wide-eyed in nature, it’s understandable how the 70’s band known simply as COS has remained trapped in the tight cracks between pop stardom and prog indulgence where other like minded names like CAN, Zao, Neu! And Egg have managed to squeeze into gaps of your record collection. In presenting one of the band’s most infectious and potentially crossover legible tracks on this exclusive user-friendly 45, COS mastermind Daniel Schell not only breaks an unlikely new format for this lesser-known femme-fronted, electro/jazz fusion/prog pop opera/would-be disco cinematic six-piece but also sends a sonic telegram to a new generation of futurist pop aficionados ready to explore the deep realms of his band’s dense, expansive and consistently rewarding catalogue. Placing the microscope over the central motif of the band’s onomatopoeic 1978 triptych known as Mein Maschine Ist Schön (My Machine Is Beautiful) this very rare proposed single edit from the group’s third album combines the type of warm, brooding, discoid funk and nymphish Morse code vocals that unite fans of Stereolab, Curved Air, Jan Hammer, Emerald Web and Ursula Dudziak not to mention Schell’s own close friends, the aforementioned, Hollander, Moulin and Placebo. A prog rock 45 might sound like a contradiction in terms but with a band like COS you can only expect them to defy convention. Backed here with another deeply conceptual sliced of deep orchestral symphonic psych from Schell’s short-lived FF Boom project from the previous year this suitably compact introduction to your new favourite COSmonauts provide digestible versions of some of Schell’s finest moments and clears the decks for future explorations of a wider musical universe waiting to be explored. Turn on this beautiful machine and let yourself melt into the COSmix.

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COS

Cosmix

2LP | 2021 | UK | Original (Finders Keepers)

24,99 €*

Incl. VAT plus Shipping Costs

Release: 2021 / UK – Original

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

COS might not be the first genre defying progressive music group you’ve heard who share both wordless onomatopoeic vocals and a snappy three letter title (complete with philosophical leanings and alchemic penchants) but on listening to this first ever custom Cos compendium you might have just discovered a new favourite! Perhaps it’s no coincidence that COS share close spiritual, stylistic or social connections to the aforementioned bands, as one of the few long-withstanding single-syllable ensembles to remain utterly idiosyncratic and incomparable within their hyper-focussed and impenetrable creative bubble. But as a 1970s group that effortlessly MIX head-nod prog, synth-driven jazz, cinematic sound-designs, dislocated disco, arkestral operatics and high-brow conceptual anti-pop grooves, it’s easier to remember the name COS than thumb the vast amount of genre-dividers in your local record shop which COS Could occupy. With the crème de la crème of Belgian jazz/prog/psych/funk within their ranks, their combined idea-to-ability ratio litters the Cos-ography with concepts that aficionados, future fans, collaborators and critics still haven’t began to unravel. With their earliest roots in the compact jazz group Brussels Art Quintet the group spent their sapling years creating art-school prog under the name Classroom, this flourishing collective, cultivated by multi-instrumentalist mainstay Daniel Schell, would soon shed its leaves, dropping band-members and typographics reducing its moniker to simply COS (a multi-purpose, globally recognised word, with links to Alchemy and philosophy, with a hard phonetic delivery to suit the groups heavier rhythmic approach). In it’s new skin COS also shed all forms of orthodox language to find its true exclusive voice. Fronted, in the conventional sense, by the daughter of author and part-time jazz player Jean De Trazegnies, the bands wordless singer changed her name to Pascale SON, to accentuate the French word for “sound”. Drawing comparisons with sound poets like Polish jazz legend Urszula Dudziak or Hungarian Katalin Ladik, but retaining the crystalline femininity (and funk) of Flora Purim, while effectively sharing an imaginary lyric book of non-words with Damo Suzuki, Magma or a future Liz Fr

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V.A.

Strain, Crack & Break: Music From The Nurse With Wound List Volume 1 (France)

2LP | 2019 | UK | Original (Finders Keepers)

18,99 €*

Incl. VAT plus Shipping Costs

Release: 2019 / UK – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Cover and vinyl are close to NM.

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Bixio, Frizzi, Tempera

Magnetic Systems

LP | 2016 | UK | Original (Finders Keepers)

19,99 €*

Incl. VAT plus Shipping Costs

Release: 2016 / UK – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

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Pierre Raph

Requiem Pour Un Vampire

10" | 2012 | UK | Original (Finders Keepers)

23,99 €*

Incl. VAT plus Shipping Costs

Release: 2012 / UK – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: VG+, Cover: Near Mint

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Les Esclaves

Popera Cosmic

LP | 1969 | UK | Reissue (Finders Keepers)

18,99 €*

Incl. VAT plus Shipping Costs

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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For the few people lucky enough to have heard the entire album in the five
decades since its release, the mythical POPERA COSMIC LP is now considered
to be France’s first dedicated psychedelic album and the shrouded blueprint for
the hugely influential Gallic concept album phenomenon that followed – including
SERGE GAINSBOURG’s HISTOIRE DE MELODY NELSON and GÉRARD
MANSET’s LA MORT D’ORION.
Spearheaded by FRANÇOIS WERTHEIMER (songwriter for VANGELIS, BARBARA
and BYG RECORDS), composed with future JODOROWSKY soundtracker
and genius all-rounder GUY SKORNIK, and based on an embryonic concept
co-conspired by a teenage JEAN-MICHEL JARRE, this instantly deleted 1969
recording is a true essential for any outernationalradicalised record collection.
With credentials that mark the birth of the cosmic funk (later disco) that helped
shape the influential sound of France today, this LP also includes the first pressed
instrumentals by members of SPACE ART, some of the best orch rock arrangements
by WILLIAM SHELLER (Lux Aeterna, Eriotissimo) and orchestrator PAUL PIOT
(Jean Rollin), as well as sitar psych benchmarks courtesy of uber legend SERGE
FRANKLIN – all pinned down by the rhythm section that would later be known to
prog aficionados as ALICE.
Subtitled LES ESCLAVES (The Slaves), this street theatre/rock opera (influenced
by the work of Julien Beck’s Living Theatre) now celebrates its 50th birth-day
standing firmly as a sonic tome to the birth of the no-no era (that rebuked
France’syé-yé” hamster wheel) leading directly to the thematic progressive
network of WAKHÉVITCH, MANSET and MAGMA while comprising an inter-Gallic
intergalactic super group from the early annals of France’s pop psych revolution.
Imagine a rock opera where the cast of MISTER FREEDOM perform CLASH OF
THE TITANS at the foot of THE HOLY MOUNTAIN – then pinch yourself...

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Finders Keepers Jazz | Fusion

Finders Keepers Records is a London-based record label, specializing in re-issues and rarities. It is run by Andy Votel, Dominic Thomas and Doug Shipton. Their first release in 2005 called people’s attention already. L’Enfant Assassin Des Mouches by Claude Vannier from 1972 was a widely known and praised record but still rare until they re-released it. Since then Finders Keepers Records kept looking for musical jewels beyond genres and subjects. Welsh Folk, French jazz, British psychedelic are on their roster as well as Czech film music, Pakistani pop and Persian funk. Besides they keep re-publishing books like the novel Ritual by David Pinner from 1973.