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Emotional Rescue Electro 3 Items

Organic Grooves 17 Rock & Indie 12 Electronic & Dance 17 Electro 3 House | Deep House 3 Nu Disco | Disco Edits | Cosmic 11 Downbeat | Electronica | Leftfield 3 Reggae & Dancehall 14 Pop 1
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2020
1986
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Emotional Rescue
Silver Leaf - Hey!
Silver Leaf
Hey!
7" | 1986 | EU | Reissue (Emotional Rescue)
11,99 €*
Release: 1986 / EU – Reissue
Genre: Electronic & Dance
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Sometimes a record comes along that is a wonderful anomaly that really is all about the music. Silver Leaf recently appeared on the radar via obscuro diggers on both sides of the Atlantic and landed with a Hey!
What is known about Silver Leaf, beyond that it was a short-lived mid-80s project out of Cincinnati, Ohio, is that it features ex-Zephyr keyboardist John Faris, working alongside the mysterious vocalist Silvia Leaf.
The difference between the blues and occasional psychedelic rock of early 70s Boulder, Colorado's Zephyr and the lo-fi recordings of Silver Leaf are striking, but in Hey! and Can We Rebuild Our City?, the power of the ballad and strong playing of John, is wrapped in mid-80s, mid-States lo fi heaven.
Whether a non-de-plume, Ms Leaf's searing, innocent vocals fly above John's keys and programming. Hey!'s repetitive exhalations act like a mantra to a party, while tom's chime in accompaniment. Here it comes!
Can We Rebuild Our City? starts with Faris' forlorn intro before crashing percussion heads to some kind of wonderful, as Leaf questions a calls to hearts.
Releasing just 3 singles, Silver Leaf's music is unique and essential, an experience and a delight to present.
King Sporty / The Extra Funk Factory - Fantasy Jonny Rock Discomix
King Sporty / The Extra Funk Factory
Fantasy Jonny Rock Discomix
12" | 1984 | UK | Reissue (Emotional Rescue)
17,99 €*
Release: 1984 / UK – Reissue
Genre: Electronic & Dance
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
The last of the Konduko series from Emotional Rescue arrives now and quite possibly it is the best of the lot from Noel Williams. His 'Fantasy' saw him work with Larry Dermer aka Der Mer on what is an effective and catchy electro jam that operates at the higher end of the tempo chart with some classic vocoder vocal action to really make it pop. Despite being released originally in 1984 this one still bangs with its emulated Tr-808 beats and nagging melodies. The instrumental heightens that and then the Jonny Rock Discomix shuts down with long-form rework that shows why the DJ, editor and all-round amiable bloke is so well regarded.
Dislocation Dance - Midnight Shift Demos
Dislocation Dance
Midnight Shift Demos
7" | 2020 | EU | Original (Emotional Rescue)
15,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie, Electronic & Dance
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Continuing the label's special 7"s releases that capture the nascent 80s post punk, dub, funk and pop - as examined on releases by The Jellies, Woo, Phantom Band, 4AM and more - here a discovery of unheard demos from Dislocation Dance's Midnight Shift album. As part of the eighties Manchester scene, the band's pop and jazz sensibilities have continued to garner attention, offering a rightful place in the city's rich music history. With the closure of Richard Boon's New Hormones label in 1982, they came to the attention of Geoff Travis' Rough Trade. Creating a home studio in the basement of an old rambling farmhouse in Withington, Ian Runacres guitar, vocals), with lyricist Paul EmmersonERC 111 bass), set to work creating demos to garner a deal. Inspired by the funk-disco of Dr Buzzards Original Savannah Band debut album, Here Comes Love was written using Roland Tr-606 drum machine, guitars, bass and cheap) keyboard, its magical and lo-fi charmed quality melts hearts. On Mr Zak, the fun Runacres had is evident. Written as an "indie" song, but with Aztec Camera and Burt Bacharrach on his mind, with Andy Diagram trumpet) and Kathryn Way vocals), hides a structure matching the album version, but which in its rudimentary instrumentation and production is unique and outshines the later version, to encase a specific period and innocence, of time.
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