Electronic & Dance 3839 Items

LP | 2024 | UK | Original (Downwards)

Release: 2024 / Original

Genre: Electronic & Dance

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My studio is my shelter, I feel comfortable there, surrounded by wonderful inspiring machines. A small cosy room where ideas emerge, mature, morph, and solidify into their final shape. 'Studio' is the result of spending time in that space. The album's intention is simple: Presenting a beautiful personal musical journey. The creative process in itself matters to me, the interaction with my instruments, the accidental discoveries, the successful execution of a vision and anything in between.
Most of the tracks on this album got revised countless times, and then even more, once I knew in which context and order I wanted to arrange them. I have been living with my music for months now, listening, thinking, changing, diving deeper and deeper into each piece.
I love albums, they are a beautiful long-form format where each part has its place, a journey from the start till the end. Each piece has its own story, its own flavour and history.
Some of them have been with me since a while already. There is material which I created years ago for installations and music derived from previous audiovisual works, all completely ripped apart and rearranged multiple times. During their creation my pieces often turn into something completely different, they repeatedly shift from one state to another until they become solid. What I consider a core element at the beginning might be later discarded completely, and a little detail in the background might become the essence.
Many explorations ended in the trash bin before the results had a chance to be part of 'Studio'. Things did not fall into place, did not feel right.
Other compositions had to fill the void instead, some created quickly in a rush of inspiration, some slowly, shy, questioning their significance. This album did not come into existence in a hurry, it took as long as it needed. I used the time to walk around my creations, to listen to them from the distance, physically, mentally, with friends, in all kinds of different contexts. I tried to understand what I just did. I started to see patterns, hidden motifs, things that were buried in between too many layers of sound. What is essential? What is ornament? I reduced, rearranged, added again.
The closer I got to the final state of 'Studio' the more clarity I found. The inherent doubts and the nagging voices from the inside got more quiet, and a sense of achievement started to manifest itself. More and more details just fell into place. And now it is done. After making electronic music since almost thirty years I don't care anymore about genres, about how to label things. It is music, my own personal music, and that's it. Call it electronica if you wish.
Process Notes
The music on this album has been constructed in Ableton Live. Most of the sounds have been created with my collection of beloved hardware synthesisers and effects, often further processed until something completely different did emerge. Sometimes I spend days in the studio just recording sounds or creating new presets, without already having a composition in mind. A few selected musical instruments contributed significantly to the palette of this album; a New England Digital Synclavier II, which also served as inspiration for the artwork, a Sequential Prophet VS, which is present on all Monolake albums since 1996, a Yamaha SY77, Linn Drum, and the Oberheim Xpander. And then there is Operator in Ableton Live, which I developed in 2004 and still love to use, and a lot of the other effects and instruments in the software. And of course my Granulator III instrument, and the PitchLoop89 audio effect. The final sonic world is often the result of radical processing of these elements, via filtering, pitch shifting, time stretching and other types of processing, both in Live and with my hardware. The good old Alesis Quadraverb deserves an honorary mention here, so does the AMS RMX 16.
Artwork
The cover combines a few complex elements. A composition of various lichen photographs, and a computational noise field that cuts rivers into the structure, where the inner artwork of the album shines through: The inside of the CD package and the gatefold vinyl cover shows a non-existing musical instrument, based on the user interface of the Synclavier II. I've always been fond of its futuristic button matrix with red LEDs, which conjures a sense of nostalgia for early computer systems. But I wanted more than just a photograph of it. Instead, I created a collage that not only consists of its existing controls but also integrated additional features it never possessed, though it might have in a subsequent iteration. In essence, I crafted a vision of a future that never materialized.
Geeky detail: When a Synclavier II is turned on, and the connected mainframe computer did not boot yet, the LEDs in the buttons light up in random patterns. The imaginary version of it does the same.

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The Wolfgang Press

A 2nd Shape

LP | 2024 | UK | Original (Kranky)

Release: 2024 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Formed from the ashes of Rema-Rema and Mass in the early ‘80s, The Wolfgang Press were originally a trio of bassist and vocalist Michael Allen, keyboardist Mark Cox and guitarist Andrew Gray. They were one of 4AD’s longest-running acts, and shifted from pitch-black, industrial-tinged post-punk in their early years to funky, hip-hop-inspired avant-dance as they stepped into the ‘90s. But since ‘94’s ‘Funky Little Demons’ they’ve been relatively quiet. There was a compilation of unreleased career-spanning material mostly penned by Allen and Gray released in 2020, but ‘A 2nd Shape’ is the first all-new gear from the duo in almost 30 years, with Gray’s brother Stephen replacing Cox on keys. It’s a fitting move for Downwards too; not only do The Wolfgang Press neatly straddle the label’s musical poles, but the band’s ‘88 high point ‘Bird Wood Cage’ is an enduring favourite of Karl O’Connor.
‘A 2nd Shape’ reflects The Wolfgang Press’s output up to and including that touchstone - the soulful, sampledelic mood of ‘Queer’ (and it’s popular single ‘A Girl Like You’) is nowhere to be found. Allen’s signature dubbed-out basslines are front and centre on ‘The Garden of Eden’, booming over gnarled synths and a blitzed, slo-mo drum machine - the bleakness of ‘The Burden of Mules’ is latent, but sliced into bits by discordant feedback and dissociated FX. The band have always been hyper aware of contemporary musical developments, and it sounds as if they’re offering a corrective here in a landscape pocked by post-punk pretenders. On ‘21st Century’, Allen snarls knowingly over menacing oscillations: “The 21st century can tell you who you are, can tell you what you’re thinking.” The music’s not a remnant of the past, but a way for The Wolfgang Press to acknowledge their tenure while peering into tomorrow.
‘Take It Backwards’ is the album’s most direct post-punk stomper, it’s got all the hallmarks you’d expect to find - reverberating guitars, resonant bass, ice-cold synths - but sounds as if it’s been infected with modern paranoia. If the trio’s early run was marked by inky depression, their new material sounds just as umbral, but far more self-assured. “The future has been set to one side,” Allen deadpans on ‘Rest Your Mind’, slurring over horizontal drums and fuzzy clouds of electronics. They might have lost their appetite for funk, but The Wolfgang Press’s claws have never sounded so razor sharp - ‘A 2nd Shape’ is the rarest of comeback albums, one that captures the OG magic without a shred of pastiche or a trace of repetition.

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Clinic Stars

Only Hinting

2LP | 2024 | EU | Original (Ofnot)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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The full-length debut by Detroit duo Giovanna Lenski and Christian Molik aka Clinic Stars both refines and redefines their pitch-perfect fusion of downer-pop balladry and featherweight shoegaze: Only Hinting.

Recorded and produced at the band’s home studio, the album was crafted across 2022 and 2023, patiently layering FX and spatial depths to give each song a swirling, subconscious undertow. From the strummed whirlpool of “I Am The Dancer” to the gated reverb of “Remain” to the greyscale guitar reverie of “Isn’t It,” the record aches as much as moves, daydreaming of escape and transcendence.

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KMRU

Temporary Stored II

2LP | 2024 | Original (London)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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When Kmru accessed the sound archive of the Royal Museum of Central Africa in Tervuren, Belgium, it catalysed an auditory response in the form of the album Temporary Stored. The album listened back to listen forward – to reckon with the collective inheritance of colonial (sound) archives. Temporary Stored II serves as an artistic and curatorial extension of the original album, inviting other artists to lend their critical ear to museum archives holding recordings of African songs, traditions and practices. With Kmru, Aho Ssan, Lamin Fofana, Nyokabi Kariuki and Jessica Ekomane draw upon their listening experiences as global contemporaries navigating a world in flux – ecologically, economically, and politically. Each artist brings a selection of sonic fragments out of dormancy, channelling (in)audible traces into a contemporary cultural and political paradigm. Temporary Stored II sensitively responds to historical archives whose sounds have been restored and made more accessible through digitalisation, despite still being the copyrighted property of European institutions. It develops an emergent language to engage with the vocal, rhythmic and syllabic intelligence rooted in these sonic repertoires, grounded in reimagination of sonic records as seeds for a sounding future. Listening back to these recordings is one way to recover the loss of listening traditions, orality and modes of transmission. In these sonic mediations, Lamin Fofana, Kmru, Jessica Ekomane, Nyokabi Kariuki and Aho Ssan account for the archives with care and criticality. Inscribed in this album are “black waveforms as rebellious enthusiasms”, which in the words of Katherine McKittrick “affirm, through cognitive schemas, modes of being human that refuse antiblackness while restructuring our existing system of knowledge.” The album asks us to listen to colonial pasts and imagine the sound of our epistemological futures. It is a sonic retort; a playback to history and its colonial processes of extraction and accumulation. Temporary Stored II is a reminder that the labour of listening back is a continuous process of reassessing what has been lost, captured and refused. - Bhavisha Panchia

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Utah Saints

45,99 €*

2LP | 2017 | UK | Reissue (Text)

Release: 2024 / Original

Genre: Electronic & Dance

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Preorder shipping from 2024-10-25

" Utah Saints are one of the most important acts since the inception of electronic dance music. Early adopters of sampling, they brought the artform - used chiefly in hip-hop in the 1980s - into new realms.

" Incorporating rock, dance and hip-hop elements into their music, they scored 5 Top 40 UK singles including 'Something Good' and 'What Can You Do For Me' and a Top 10 album in the space of just two years.
" Out of print since its original release over 30 years ago, Utah Saints' eponymous debut album returns on 2LP - remastered & extended with 3 sought after remixes by CJ Bolland, DJ Misjah and Union Jack. Includes special limited edition mirror board packaging, for National Album Day 2024.

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Four Tet

New Energy 2024 Repress

2LP | 1996 | US | Reissue (Kranky)

Release: 2017 / UK – Reissue

Genre: Electronic & Dance

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With his single SW 9 9SL / Planet in August Four Tet gave us a hint he has New Energy for a new album which will be released in October.

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Bowery Electric

Beat

46,99 €*

LP | 2015 | UK | Original (Pluto)

Release: 1996 / US – Reissue

Genre: Electronic & Dance

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Kranky re-release Bowery Electric's second long-player, their 1996 album, Beat. Its horizontal, morphine-drip trip hop and drone-gazing really don't sound like something that could have come from the mid-nineties. But for the very Bristolian title track the tone of the album is actually far more in-keeping with either Spacemen 3-style eighties indie or modern day dream-pop. In addition to soaring effects-laden epics like 'Empty Words' and 'Fear Of Flying' there's some sensitive minimalism afoot on the self-explanatory ambience of 'Looped' and the sixteen-minute 'Postscript', all of which helps make Beat a worthy and seasonable reissue. A secret Downbeat gem from the middle of the 90s.

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Floating Points

Elaenia

Chocolate Milk Colored Vinyl Edition

Release: 2015 / UK – Original

Genre: Electronic & Dance

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LP includes download card!

For the past ten years, all roads Shepherd has followed have been slowly leading to Elaenia - an album with roots deep in his formative years, and one that draws upon everything Shepherd has done so far. An album that provides context to the music that Shepherd has been making to date. Every DJ set he’s performed, every talent he has produced, every composition he has written are thought of as precursors to Elaenia - a dazzling score which puts Shepherd in the spotlight as a composer who has produced an album that bridges the gap between his rapturous dance music and formative classical roots. Drawing inspiration from classical, jazz, electronic music, soul and even Brazilian popular music, Elaenia - named after the bird of the same name - is the epitome of the forward-thinking Floating Points vision in 2015.

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Chocolate Milk

LP | 1976 | EU | Reissue (Music On Vinyl)

Release: 1976 / EU – Reissue

Genre: Electronic & Dance

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LP | 2024 | Original (Other People)

Patrick Higgins

Versus

2LP | 2024 | UK | Original (Spearhead)

Release: 2024 / Original

Genre: Electronic & Dance

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PATRICK HIGGINS is an American composer, guitarist, and producer from New York City, known for his work in experimental and contemporary classical music. Higgins plays guitar and composes in the band Zs, described by The New York Times as "one of the strongest avant-garde bands in New York." Heralded as a "formidable concert music composer" (Boston Globe) and "one of the most gifted guitarists working today" (The Quietus), Higgins has received attention for bridging traditions including baroque chamber music, contemporary noise, electronics and 20th century minimalism. His work has been performed in over 25 countries internationally, and he has composed works for some of the world's leading ensembles, ranging from chamber orchestra works, percussion cycles, and string quartets to smaller ensembles and soloists. He has scored works for television, museum exhibitions, and films both short-form and feature-length. Since 2013, he has operated Future-Past Studios, a recording studio in upstate NY.
He recently had a solo exhibition of artworks and sheet music, as well as two world premiers, at The Clark Museum in MA, USA. In 2019, he was a curator and headliner of the Le Guess Who festival in Holland. Higgins has performed and presented works at many of the world's largest festivals and venues across the past 12 years, including The Broad Museum (LA), The Warhol Museum, SF MOMA, Unsound Festival (Poland), Pioneer Works (NYC), Monom Berlin, Sony Ginza Park (Tokyo), ReWire (Holland), Cleveland MOCA, ICA Boston, Teatro Carignano (Torino IT), Sacrum Profanum (Kracow), Merriweather Post Pavillion, Donau Festival (Austria), Paula Cooper Gallery (NYC), Club Unit (Tokyo), Shakespeare Theater (Gdansk), The Netherlands Philharmonic Orchestra and many more.

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BCee

These Are The Days

Release: 2024 / UK – Original

Genre: Electronic & Dance

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These Are The Days see’s BCee collaborate with 13 different vocalists showcasing some of the finest and freshest the scene has to offer.

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Bryan Gee Presents 30 Years Of V

5LP | 2024 | UK | Original (V)

110,99 €*

Charlotte Adigery & Bolis Popul

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Strictly limited-edition 5x12” vinyl hard case box with spot varnish finish on the front and back and full colour sleeves for each vinyl.

V Recordings marks three decades of groundbreaking Drum & Bass with '30 Years of V', an album featuring 22 fresh tracks that honour the label's rich legacy while paving the way for its future.

Presented as a collectable 5 x12” Vinyl hard case box set, with spot vanish finish, this project links the past of V to it’s future and shows the label is as dynamic and relevant as ever.

A selection of brand new music, from the current V family as well as remixes of some recent big hitters and seminal classics. Over recent years, V Recordings itself has continued in the mold in which it was formed, releasing music from some of modern-day D&B’s most exciting, innovative and committed artists.

This project which label head honcho Bryan Gee has painstakingly compiled over the past few years, sees the likes of L-Side, Alibi, Break, Serum, Dillinja, Voltage, Paul T & Edward Oberon, Command Strange, Need For Mirrors, Chimpo, Sl8r, Think Tonk, Level 2 and more all on board to see their name alongside V’s iconic sun logo and celebrate this milestone.

It is a celebration of V Recordings' contribution to our global scene, underscored by support from industry icons like DJ Marky, Watch The Ride, Break, Fabio, Grooverider, Born On Road, Kasra, S.P.Y, Roni Size, Ed Rush, Caylx, Camo & Krooked and many more.

Since its foundation in 1993 by Bryan Gee and Jumping Jack Frost, V has been a cornerstone of the electronic music world, pushing the boundaries of Jungle and Drum & Bass. The label has been instrumental in the careers of many genre-defining artists, constantly evolving while staying true to the roots of Drum & Bass culture. '30 Years of V' embodies this journey, offering a blend of nostalgia and innovation that appeals to long-time fans and newcomers alike.

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Topical Dance Black Vinyl Edition

2LP | 2022 | EU | Original (Because Music)

Palaces of Pity (Special Edition)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Today sees Belgian-Caribbean provocateur Charlotte Adigéry and her long-term musical partner, Bolis Pupul announce their debut album Topical Dancer, due for release on March 4 2022 via Soulwax’s iconic label DEEWEE.
Cultural appropriation. Misogyny and racism. Social media vanity. Post-colonialism and political correctness. These are not talking points that you’d ordinarily hear on the dancefloor but Charlotte Adigéry and Bolis Pupul are ripping up the rulebook with their debut album Topical Dancer. The Ghent-based duo, who broke out with their 2019 Zandoli EP, are rare storytellers in electronic music: they take the temperature of the time and funnel them into their playful synth concoctions – never didactic and always with a knowing wink.

Their debut studio record – which cements them as a duo under both their names for the first time and is co-written and co-produced by Soulwax – is both a triumph of kaleidoscopic electro-pop and “a snapshot of how we think about pop culture in the 2020s.” It captures Charlotte and Bolis’s essence as musical collaborators and the conversations they’ve had over the past two years on tour, as well as their perspectives as Belgians with an immigrant background, Charlotte with Guadeloupean and French-Martinique ancestry and Bolis being of Chinese descent.

Beyond the album’s thematic heft, Topical Dancer reflects Charlotte and Bolis’s idiosyncratic sound: it’s thoughtful but it bangs. Their take on familiar genres is always off-kilter; songs sound undone or a little wonky; but these are nocturnal heaters to make the club throb. “We like to fuck things up a bit,” laughs Bolis. “We cringe when we feel like we're making something that already exists, so we're always looking for things to combine to make it sound not like a pop song, not like an R&B song, not a techno song. We’re always putting different worlds together. Charlotte and I get bored when things get too predictable.”

Topical Dancer is fizzing with ideas – there’s certainly no filler among its 13 tracks. But above all, perhaps, it has a restlessness, a desire not to be boxed in and to escape others’ narrow perceptions of who they are. It’s summarised by the refrain of their new single, ‘Blenda’: “Don’t sound like what I look like / Don’t look like what I sound like.” “One thing that always comes up,” says Bolis, “is that people perceive me as the producer, and Charlotte as just a singer. Or that being a Black artist means you should be making ‘urban’ music. Those kinds of boxes don’t feel good to us.”

‘Blenda’ in particular references how “I am a product of colonialism,” says Charlotte, “and I feel guilty for taking up space in a white country.” The song was inspired in part by Reni Eddo-Lodge’s book Why I’m Not Longer Talking To White People About Race. “It talks about the colonial past and post-colonial present in the UK,” Charlotte continues, “but that isn’t merely a British or American problem, Belgium is part of that as well.” She says that her home country is likewise “oblivious to a big part of its history” which “results in general ignorance and a lack of understanding and empathy towards Belgian inhabitants of immigrant descent.”

On Topical Dancer, it’s less about finger pointing or being dogmatic about all the things they speak about. It’s about emancipation through humour. “I don’t want to feel this heaviness on me,” says Charlotte. “These aren’t my crosses to bear. Topical Dancer is my way of freeing myself of these issues. And of having fun.”

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Malibu

LP | 2024 | US | Original (UNO NYC)

The Language Of Machines 1985-1991

Release: 2024 / US – Original

Genre: Electronic & Dance

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Opening with hazed vocals layered over submerged Café Del Mar guitar licks, Reese bass and dizzying,
phased strings, Malibu adopts the weightless motion of Chicane or Banco de Gaia if their music was piped
into an empty swimming pool and recorded to an iPhone - like some hazed memory of a hedonism zoomers
were promised but never inherited.
Orbital’s early ‘90s emosh classic ‘Halcyon’ looms large over proceedings; as if Kirsty Hawkshaw’s doe-
eyed lalalalala’s were played at a 10th of their intended speed, draped over that TX81Z “lately” bassline like
velvet. The original was written as a tribute to brothers Phil and Paul Hartnoll’s mother, who was addicted
to benzodiazepine derivative Halcion; and it feels fitting that the narcotic sound it inspired has become a
defining marker of our age. In fact, there’s a melancholy, medicinal subtext throughout the album that’s hard
to ignore; blind panic reduced to an emotional cinder, longing strings, soaring vocals and comedown vibes.
Malibu makes music that tries to articulate a blurred emotion that’s almost impossible to define, and while so
much Ambient numbs by design, here feelings are its defining feature.
With cello provided by Oliver Coates and Madelen Dressler-Vollsaeter, and guitar from Florian Le-Prisé, the
album’s sense of intimacy assumes an almost impossibly grand sense of scale, as temporally liminal and
neon-lit as Burial’s ‘In McDonalds’, made for a world that’s now completely out of reach.

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Techniques Berlin

2LP | 2024 | EU | Original (Mecanica)

LP | 2024 | Original (Peer-Southern Productions)

Release: 2024 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Formed by high school buddies Andreas Gregor and David Rout, Techniques Berlin started in 1984 experimenting with synthesizers, drum machines and guitars. In the early stages, the band was heavily influenced by UK new romantic acts The Human League, Visage, Yazoo, OMD and Depeche Mode, as well as rising Canadian synth-pop bands Rational Youth, Men Without Hats and Trans-X. It took them a few years to master their electronic toys and create a unique blend of addictive electro-pop melodies and beautifully crafted alternative beats. In the late 80s, Techniques Berlin played live on a regular basis and their 3 self-released tapes received frequent local airplay in Canada. Despite their moderate success, the band failed to secure a record deal. Eventually both members had developed a strong interest in the burgeoning electro-industrial scene. Dave and Andreas founded !Bang Elektronika and were working with Digital Poodle as live drummers. Both of these projects were soon picked up by record labels. Techniques Berlin played their last show in November of 1991 at the University of Toronto, debuting the last track they had recorded, fittingly called ‘Time Fades to Nothing’. Or so they thought… The proliferation of Internet radio and streaming music platforms introduced the band to a new generation of fans, enabling Techniques Berlin to stage a remarkable comeback. Within the next years they released the compilation “Suburban Playgrounds and Concrete Beaches” (Fabrika Records), recorded a new album “Breathing” (Nadanna) in 2018 and offered a series of shows in Toronto, Montreal, Mexico City and Leipzig. “The Language of Machines” compiles a selection of original recordings between 1985 and 1991, including some favourite tunes like ‘Dancing to the Fall of the Berlin Wall’, ‘Metropolis’, ‘Watching You’ and a few unreleased tracks/versions. Limited edition of 500 copies on double vinyl with gatefold sleeve.

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Pino D'Angiò

...Balla!

Release: 2024 / Original

Genre: Electronic & Dance

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Global Underground: Afterhours 10

2LP | 2024 | EU | Original (Global Underground)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-10-18

2LP | 2024 | US | Original (Not Not Fun)

Alley Of The Sun

Release: 2024 / US – Original

Genre: Electronic & Dance

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Although many a vibe has shifted since the days of dubbing Nnf001 one at a time on the floor of a Koreatown bachelor apartment in February of 2004, using stolen photocopies and tie-dyeing J-cards with wine, the label’s essential premise has not. Then, as now, the vision was to elevate and enshrine outsiders, foragers, hidden gems, and hybrid sounds on cheap tapes or affordable records, to be savored and shared in the here and now. 399 catalog titles later, the center still holds.

To toast the label’s 20th anniversary and 400th release, we commissioned a gold roll call of alumni and affiliates: Alley Of The Sun. Named in homage to the Malibu mystic music fountainhead, skewed through a smoggy sideways lens, the 16-song, 90-minute, double LP suite spans every shade of NNF’s Pacific palette: rainforest ceremony, skyway motorik, Tascam rapture, silhouette shoegaze, basement vapor, astral ascension, jazz shadows, 5th world tropics, lucid dream drone, desert quests, prophecy electronics, ritual wreckage.

Equal parts snapshot, tapestry, and time capsule, the compilation reflects the breadth of NNF’s two-decade exploration and evolution, from simple soil to a sea of dunes. True undergrounds have no set sound or fixed polarity, only flashes of transient magic and forking paths, to be cherished and championed for as long as the candle lasts.

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Volume 3 Clear Vinyl Edition

2LP | 2022 | UK | Original (PC Music)

2LP | 2023 | UK | Original (Technicolour)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Personal Computer Music for the Third Millennium. A compilation of hits from 2018-2021 alongside upcoming, unreleased and unreleasable music.

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Weval

Remember

Release: 2023 / UK – Original

Genre: Electronic & Dance

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2LP | 2015 | UK | Reissue (Text)

Four Tet

Pink 2023 Repress

Release: 2015 / UK – Reissue

Genre: Electronic & Dance

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Sixteen Oceans 2024 Repress

Four Tet

2LP | 2020 | UK | Reissue (Text)

4x12" | 2007 | EU | Reissue (Signature)

Release: 2020 / UK – Reissue

Genre: Electronic & Dance

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2023 Repress of Gatefold Double Vinyl….

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Calibre

Shelflife 4 2022 Repress

50,99 €*

3LP | 2017 | UK | Reissue (Twisted)

Release: 2007 / EU – Reissue

Genre: Electronic & Dance

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Signature label boss and Drum & Bass stalwart Calibre is continuing his shelflife series with a new compilation consisting of 11 tracks that as the title would suggest were shelved before. A coherent mix of exotic rollers, atmospheric cuts and euphoric dancefloor anthems is the result. With appearences by DJ Marky and Cleveland Watkiss this addition to the shelflife series proves to be a relevant showcase of Calibre's diversity and of course a celebration of contemporary Drum & Bass.

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Shpongle

Codex VI

45,99 €*

Continua Crystal Clear Vinyl Edition

Release: 2017 / UK – Reissue

Genre: Electronic & Dance

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It's been 20 incredible years of psychedelic sound surfing with Shpongle and now we finally arrive at the magical maestros' 6th studio album, a visionary volume entitled Codex VI Codex VI is a cosmic collection of mystical music from Simon Posford and co pilot Raja Ram in which their elucidation of hallucination reveals once again, a seemingly effortless mastery of inter-dimensional audio. Simon and Raja are known and loved all around the globe for creating the ultimate psychedelic soundtracks to our lives and Codex VI is a fantastic further instalment in the epic audio adventures of the Shpongle story. After decades of virtuoso voyaging, Shpongle have delivered what is undoubtedly their finest masterpiece yet.

We invite you to share the inner secrets of the Codex VI formulae and get a direct download of illuminated inspiration which will leave you seriously Shpongled ! ‘this music should be put in a capsule and fired into space, as a show piece of how creative human beings can be’ iTunes

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Nosaj Thing

LP | 2023 | UK | Original (LuckyMe)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Severant (10th Anniversary Edition)

Kuedo

2LP | 2011 | UK | Reissue (Planet Mu)

The Neurobiology Of Moral Decision Making Clear Vinyl Edition

Release: 2011 / UK – Reissue

Genre: Electronic & Dance

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"We are excited to reissue Kuedo's classic 2011 album 'Severant' on double vinyl for the first time, and with a bonus track 'Work, Live &
Sleep In Collapsing Space'. The cover artwork has been redesigned by Raf Rennie (Who also designed Kuedo's recent album on
Brainfeeder, Infinite Window). In terms of feeling, ‘Severant’ explores the space between the detached world of the imagination and the
real-time world; that feeling of coming out of a daydream, on the edge of the drift from the day-to-day grind. Jamie says of this moment
”As reality shapes imagination and escapism affects your choices in the real world, there is a strange relational loop between the two
and the space in between the two. There’s a bitter sweetness in that gap, it has a certain emotive quality, kind of in between being and
non-being”. Again, musically ‘Severant’ is inspired by related themes. It sounds as if it’s in a sweet spot between the emotive, innately
futurist synth soundtracks of Tangerine Dream and Vangelis, borne from a time when the very idea of futurism was more prevalent, in
combination with musical ideas and inspiration from the emotionally ambivalent, materialist fantasies of ‘coke rap‘ such as The Clipse.
Rhythmically the record is influenced by what Jamie calls ”the two ultra modern musics of modern times”, footwork from Chicago, which
Planet Mu has explored in depth on its recent releases, and again the drum machine grids of coke rap. Jamie says ”I wanted to capture
a really futurist sentiment, kind of melancholy and grand luminescent, so I used the instrument that most evokes that for me - that
sweeping Vangelis brass sound.” And on coke rap he talks about the emotional ‘half being’ of the music, the energetically charged,
detached ambivalence of the MCs, and the admission that the MCs could be ”fantasising without admitting to doing so.”

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Mark Fell & Gabor Lazar

2LP | 2015 | UK | Reissue (The Death Of Rave)

2LP | 2021 | EU | Original (Staalplaat)

Release: 2015 / UK – Reissue

Genre: Electronic & Dance

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Still in a zone of its own, ‘The Neurobiology of Moral Decision Making’ is the result of Mark Fell’s trip to Budapest in 2014, where he and his acolyte, Gábor Lázár practically unravelled the vernacular of contemporary computer and club musics and re-stitched them into brilliantly new & devious designs. Decimating elements familiar to 2-step, footwork, electro, flashcore and f*ck knows, they arrived at a mutual conclusion of sleekly turbulent minimalism in 10 jawdropping permutations that dance in the integers of rave music. In the process they effectively re-programmed limbic and motor systems in-the-moment with a wickedly diffractive sense of rhythmic anticipation and shockingly crisp sound for a pinnacle of modern experimental dance music. With benefit of hindsight, we can now hear this album as a watershed moment for both artists, and this style of production. Since its release, Mark has notably moved away from the sound to work with acoustic instrumentalists, while Gábor has firmly picked up the baton and run with it on the likes of 2018’s ‘Unfold’ album, and more recently ‘Boundary Object’ with Planet Mu. It’s not hard to hear it as a logical peak of Mark’s practice in this mode, solo and with SND, as much as a springboard for Gábor’s future work, while also catalysing a new wave of operators ranging from Rian Treanor to Kindohm, Kirk Barley’s Church Andrews, and Rhyw, who’ve all harnessed these sort of energies to their respective wills. No doubt the tunes still scare the shit out of DJs with their spasmodic flux, but brave cnuts will recognise the genius on show and let instinct kick in, finding proper club shockers in the slippery 2.1 step whorl of ‘Track 2’ and the scudding dancehall accelerationism of ‘Track 6’, while advanced adventurers will get theirs in the greased straightjacket laser-intensity of ‘Track 7’ or the devilish dexterities of its closing 12 minute zinger. It’s all just blindingly strong stuff for insatiable ravers and computer music neeks alike, properly future-proofed by its makers’ unyielding tenacity and visionary ingenuity.

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Muslimgauze

Jackal The Invizible

Small Craft On A Milk Sea

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Listeners of Bryn Jones’ work as Muslimgauze know that he was prolific in both his work and in the way he sent out his work to labels and other interested parties (it’s one of the reasons some of that body of work is still being sorted through and released 20+ years after his passing). This compilation as with most of his work was submitted without comment, so it can be asked, was it intended to be a compilation? Had he at some point decided he preferred these tracks in this arrangement rather than on their other tapes? One thing we don’t have to question is the quality of the tracks here, regardless of familiarity. The new juxtapositions can be quite striking.

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Brian Eno

2LP | 2011 | UK | Reissue (Warp)

Release: 2011 / UK – Reissue

Genre: Electronic & Dance

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4LP | 2017 | US | Original (FXHE)

Norm Talley

Norm-A-Lize

43,99 €*

Global Underground #42: Patrice Bäumel Berlin

Release: 2017 / US – Original

Genre: Electronic & Dance

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Detroit producer Norm Talley shares his debut album, “Norm-A-Lise” on FXHE Records. Having started his career when disco was king, Talley’s real life influences over his 25+ year career have included the originations of house through various iterations. His reference points as one of the original members of the West 6 Mile Detroit crew and his dedication to his Analog only studio position him as one of the more dynamic Detroit artists who’s finally taking the time to release a complete project for his long awaiting fans. The album features 14 original tracks with influences of disco, house, and beyond taking his signature infectious style deeper. On top of all of that, the album includes a track written by FXHE label boss Omar S aka Alex Smith featuring L ‘Renee.

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Patrice Bäumel

3LP | 2023 | EU | Original (Global Underground)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Discotheque Melody Mecca Volume 2

2LP | 2023 | EU | Original (Use Vinyl)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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2LP | 2023 | EU | Original (Use Vinyl)

Soul Fingers 2

Jon Collin & Demdike Stare

Release: 2023 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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A?er the success of the first volume, the second Soul Fingers’s tribute compila&on is released on double vinyl too. Soul Fingers is a wandering black music dancefloor that in 2023 reaches to celebrate 10 years lifelong. Soul Fingers mixes soul, disco and funk, with rap and La&n rhythms. In this brand new compila&on there are some pieces that have really marked great par&es since 2013. This &me featuring soAme carefully selected dancefloor music bombs directly from the hands of Claudio Cavallaro, the leader of the Soul Fingers console.

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Fragments Of Nothing White Vinyl Edition

LP | 2023 | UK | Original (DDS)

All-Time Highs White Vinyl Edition

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Demdike Stare’s immersive set of windswept, strung out blues made in collab with Jon Collin finally makes it to vinyl after a small run of tapes back in 2020 that sold out in a hot minute. We reckon it’s some of Demdike’s most compelling work; a highly evocative suite of low-lit sonic tapestries like some Coil x Ry Cooder collab that never was.

Teasing out vintage, arcane threads of connection between deep-South porchside styles and their native industrial blooz, Demdike sound at their most red-eyed and pensive in this strung out, liminal mode, spinning Jon Collin’s expressive guitar licks into acres of cranky, ghostly space to offer a starker and more blunted perspective on his dusky panoramic scenery.

The duo draw on a deep well of inspiration from the rugged beauty of the Pennine landscape to invoke a steeply immersive style of folk-blues abstraction. Across two sides they rustle a ragged, whiskey soaked and blurred tapestry of ideas, variously recalling darker echoes Loren Mazzacane Connors and even Stephen O’Malley solo sides across the 45 minutes of their spirit-guiding trek.

Pick your poison - mushies, peyote, banana skins, whatever’s to hand - and saddle up.

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Comtron

2LP | 2024 | EU | Original (Magnetron Music)

LP | 1984 | UK | Reissue (Les Disques Du Crepuscule)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Limited collectors gatefold edition on double white vinyl. The best Comtron's songs are now finally available on vinyl. Comtron, the electro-duo of Dutch producers Bas Bron (Fatima Yamaha, De Jeugd Van Tegenwoordig) and Rimer London (Le Le) collected their best work, only released digitally so far. For the real electro heads.

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Anna Domino

East & West + Singles

LP | 2022 | EU | Original (Alga Marghen)

Release: 1984 / UK – Reissue

Genre: Electronic & Dance

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Les Disques du Crepuscule present a new, remastered vinyl edition of East & West, the bittersweet debut album by American singer-songwriter Anna Domino, originally released by the label in 1984.

East & West was recorded in Brussels in 1983 with guest contributions from Virginia Astley, Blaine L. Reininger (of Tuxedomoon) and alt-pop polymath Luc Van Acker. The five tracks on the original mini-album format include her first single Trust, In Love (an NME single of the week), and an exquisite cover of Land Of My Dreams, originally a hit for Aretha Franklin in 1965. Rare b-side track Repeating (from the same sessions) is also now added to the album.

Other bonus tracks include the popular singles Zanna, a 1984 collaboration with Luc Van Acker, and radio hit ‘Rythm’, produced a year later by legendary Telex founder and jazzmeister Marc Moulin. The expanded remaster closes with a previously unreleased demo song called Dream Back, recorded in New York City with her friend Stanton Miranda of Thick Pigeon in 1984.

The album retains the original cover art by Joel Van Audenhaege, and adds new liner notes written by Anna herself.

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Eliane Radigue

In Memoriam-Ostinato

2LP | 2021 | UK | Original (Claremont 56)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Alga Marghen presents the last chapter from the »Feedback Works« documentation series, a brand-new LP including »In Memoriam-Ostinato« and »Danse des Dakinis«, two previous unreleased tracks by Eliane Radigue. Among the works of fixed duration from the feedback period, »In Memoriam-Ostinato« is the link between »Jouet Electronique« and »Opus 17«, and allows you to understand the evolution of her approach. »In Memoriam-Ostinato« is a game of mirroring symbols which glide into a non-measured, bent and elastic, temporality.

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Hear & Now

Milvus

Release: 2021 / UK – Original

Genre: Electronic & Dance

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Since joining the label back in 2018, Hear & Now have quickly become one of Claremont 56’s most prolific and consistent acts. The Italian duo impressed with their debut album Aurora Baleare – a drowsy, mood enhancing masterpiece – and then went one better with 2020’s Alba Sol, a seductive and sun-kissed set that incorporated more nods to Hear & Now members Ricky L and Marcoradi’s 1990s deep house roots.

The pair have once more struck sonic gold with their third album, Milvus, a set whose colouful chords, unfurling melodies, warming instrumentation and sun-soaked vibes were mostly laid down during the various pandemic lockdowns of 2020. If it’s vivid, picturesque and immersive musical escapism you’re after, Milvus delivers and then some.

The album’s clear White Isle-friendly intent can be heard on opening track ‘Bassa Marea’, a yearning chunk of horizontal brilliance in which guest musician Marco Evengelista’s emotive flugelhorn sounds spar with slow-motion, eyes-closed electric guitar solos over billowing ambient chords and a tactile, thickset bassline. The pair’s ability to craft high-class, saucer-eyed Balearic soundscapes is a theme that’s returned to several times across the album, with ‘Abisso’– another near beat-free slab of touchy-feely dreaminess – standing out.

Ricky L and Marcoradi’s love of evocative, pitched-down excursions is another recurring theme. For proof, check out the chugging weariness of ‘Zanziblu’, where a lone whistle drifts across waves of heady chords and metronomic beats, the dub-fired Balearic reggae shuffle of ‘Coccobello’ and the bright aural colours of gentle title track ‘Milvus’, whose cascading piano motifs, echoing harmonica motifs and chunky dub disco grooves are as appealing as they are infectious.

While the prevailing mood is perhaps even more horizontal than their previous albums, Hear & Now have not completely abandoned the dancefloor. Two of the set’s standout moments are those where the pair actively explore their early ‘90s Italian dream house roots.

There’s the rolling haziness of ‘Levante’, where more emotion-rich electric guitar solos and ear-catching whistling softly spar with pulsing pads, club-ready house beats and chiming synthesizer motifs, and the breathlessly brilliant ‘Baiadriatica’, whose stirring, sustained opening chords should always be described as “rush-inducing”.

Rich in jangling piano riffs, fluid keys, squelchy bass and glistening guitars, the track is little less than a glorious 21st century update of the dream house sound first made famous by the likes of Sueno Latino and Key-Tronic Ensemble. Like the rest of Hear & Now’s absorbing and emotive third album, it’s a stunning, sunset-ready delight.

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7LP Box | 2010 | DE | Original (Ostgut Ton)

Fünf

69,99 €*

2LP | 2007 | FR | Original (V2)

Release: 2010 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Box cover has shelf wear but artwork looks great. Includes all original inner sleves. All records are in great condition, with only minimal superficial and inaudible marks.

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TTC

3615 TTC

74,99 €*

Kaitlyn Aurelia Smith & Suzanne Ciani

Release: 2007 / FR – Original

Genre: Hip Hop, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Cover has creases and corner wear.

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Sunergy

LP | 2016 | US | Original (Rvng Intl.)

2LP | 1996 | DE | Original (Ladomat 2000)

Release: 2016 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Copy closer to NM

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Sensorama

Welcome Insel

3LP | 2018 | EU | Original (Timesig)

Release: 1996 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Small price sticker on front cover. Light ring and shelf wear.

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Richard Devine

Sort\Lave

2LP | 2009 | EU | Reissue (Capitol)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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After a break of 6 years, Atlanta based electronic musician, producer and sound
designer Richard Devine returns with a new album. Recorded between 2016 and
2017 using Richard's custom built Eurorack modular system and two Nord G2
Modular units, Sort\Lave features 12 tracks of intricate electronica that ranges from
abrasive percussive experiments such as `Revsic` to `Astra's dazzling juxtaposition of
sounds and onto the radiant ambience of the album's closer `Takara`. Talking about
the album's genesis Devine explains "I've been using modular synthesizers since I was
17, but have never written complete tracks using these newer systems. This was my
first experiment to see if it would be possible and I probably spent about 5 years
building up the systems that I used on this album." "The aim here was to create
something that felt very organic, detailed, spacious, big and warm and just as
importantly, a record that you could put on and play all the way through that flowed
in a seamless way. So the tracks are more like captured snapshot performances
where I could play around with the idea of probability-based sequencing for every
patch, string multiple sequencers together that would feed other sequencers to
come up with interesting rhythms and melodies. It was really fun coming up with
new sounds this way too, I felt like I created several I haven't heard before with this
album. Some of the tracks on the album were complete accidents and evolved from
something that happened spontaneously." Making his debut in 1995, Devine's
releases for labels including Schematic, Warp Records and Detroit Underground
have established him as one of the leading figures within the electronica community

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Beastie Boys

Hello Nasty

12" | 2015 | DE | Original (Fuck Reality)

Release: 2009 / EU – Reissue

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Remastered 180g Reissue from 2009.
Vinyl closer to NM

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Westbam & Nena

Fuck Reality 01

LP | 2011 | US | Original (Sub Pop)

Release: 2015 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Dogeared cover with small storage abrasions on the front.
Record with just a few paper scuffs.

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Shabazz Palaces

Black Up

2LP | 2008 | DK | Original (Jenka Music)

Release: 2011 / US – Original

Genre: Hip Hop, Electronic & Dance, Reggae & Dancehall

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs. Original inner sleeve

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Analogik

Klunserbeats Live

LP | 2004 | DE | Original (Burial Mix)

Release: 2008 / DK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Corner wear, otherwise NM cover. Records are in great condition.

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Rhythm & Sound

w/ The Artists

50,99 €*

Release: 2004 / DE – Original

Genre: Electronic & Dance, Reggae & Dancehall

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1996 | CA | Original (High Test Records)

DJ Perilous

Infrasonic

2x12" | 2003 | US | Original (Trax)

Release: 1996 / CA – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Very close to VG+.

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Bryant Stewart

Release: 2003 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Naughty Ride / Politix Of Analog

Datcyde / Influx

12" | 1997 | US | Original (Village)

12" | 1995 | DE | Original (CHUD Music)

Release: 1997 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Vinyl with a couple of light scuffs

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Silver Planet

44,99 €*

12" | 1993 | UK | Original (Cancan)

Release: 1995 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl with scuffs and hairlines. Writing on white labels

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Knowone

Never

(The Effects Can Last Forever) How & Why? Edits

Release: 1993 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl with scuffs and hairlines

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Major Problems

12" | 2008 | US | Original (Tu Rong)

54,99 €*

Williams Blood (The Remixes)

Release: 2008 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Fine copy, close to NM.

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Grace Jones

12" | 2008 | UK (Not On Label (Grace Jones))

49,99 €*

Release: 2008 / UK

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 2017 | DE | Original (Equation)

Equation #3

3x12"+CD | 2016 | US | Original (M-Plant)

Release: 2017 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

White vinyl. Slightly bump bottom left corner. Record and sleeve close to NM.

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Floorplan

Victorious

54,99 €*

Release: 2016 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Slightly bent corners and very light ring wear. CD not included. Original inner sleeves included. Cover is close to VG+.

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Kitsuné Maison Compilation 4

2LP | 2007 | FR | Original (Kitsuné Music)

Release: 2007 / FR – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Aufschwung Ost - Heile Welt - Die Kompilation

2LP | 1997 | DE | Original (Hörspielmusik)

12" | 2019 | DE | Reissue (Odd Even)

Release: 1997 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Small ripoff on front cover. Light edge and corner wear.

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Boston 168

Phenomena Part 2

Dub Tapes From Outer Space

Release: 2019 / DE – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Blue vinyl. 2019 repress.

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LDS

12" | 2018 | NL | Original (Transatlantic)

45,99 €*

Release: 2018 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 2021 | FR | Original (Knotweed)

Rove Ranger

Rolling Dices E.P.

Release: 2021 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

2x12" | 2023 | DE | Original (Dial)

Ben Kaczor

Petrovo Uho

Bolero (Hold Me In Your Arms Again) = ボレロ

Release: 2023 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Still in shrink, but opened, with hype sticker

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Fancy = Fancy

12" | 1986 | JP | Original (Alfa International)

Bandiera Gialla Yellow Vinyl Edtion

Release: 1986 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI!

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Coming Soon

Ivan Cattaneo

LP | 1983 | EU | Reissue (The Saifam Group)

41,99 €*

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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LP+CD | 2024 | EU | Original (Anitya)

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Coming Soon

Paolo Tarsi

Unnatural Self

38,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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2LP | 2021 | US | Original (Orange Milk)

Machine Girl

WLFGRL

69,99 €*

Pure Science / Mashupheadz

Release: 2021 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Still shrink wrapped but opened.
Cover as new with slightly dented corners.
Records are close to NM.

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Tech House Phenomena 2

12" | 1999 | UK | Original (Eukahouse)

Release: 1999 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Neveroddoreven Redux Splatter Vinyl Edition

I Monster

2LP | 2024 | Original (Dharma)

44,99 €*

Release: 2024 / Original

Genre: Electronic & Dance

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12" | 2003 | DE | Original (Mute Tonträger)

Fad Gadget

Collapsing New People

De Aeris In Sublunaria Influxu

Release: 2003 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

Promo copy.

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Troum & Raison De'etre

2LP | 2023 | EU | Original (Cyclic Law)

Endtroducing (25th Anniversary Abbey Road Half Speed Mastering Edition)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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First time on Vinyl, presented in Gatefold Sleeve on Double LP. Originally released in 2015 and carefully forged between 2011 and 2014, "De Aeris In Sublunaria Influxu" showcases a magically crafted alchemical wedding between these two titans of drone ambient. The 2LP features an exclusive bonus track. Troum navigates through cavernous, subterranean spaces where cyclical sounds reverberate towards impressive crescendos of icy noise, luminous drones and dramatic, guitar-driven ghostly melodies. Their truly unique soundscapes shine in a perfect symbiotic movement with the Swedish dark ambient maestro Peter Andersson. Engulfed in a hauntingly beautiful kaleidoscope of grey-ish melancholia, raison d’être comfortably walks deeply into Troum’s vast territory, delivering his very own trademark of eerie tones, ominous sacral ambience and crystal clear constructions. Airy lush enigmatic atmospheres live together with dark breathing, reverberant transformative drones. Rich and gorgeously layered. All sounds assembled and recorded by raison d'être (Peter Andersson) and Troum (Stefan Knappe, Martin Gitschel) between 2011-2014. All sounds processed, manipulated and structured by Peter Andersson 2011-2014. K-14 level mastering by Peter Andersson 2014. Artwork by Ritxi Ostáriz.

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DJ Shadow

2LP | 1996 | UK | Reissue (Pias)

Release: 1996 / UK – Reissue

Genre: Hip Hop, Electronic & Dance

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As the first-ever album composed entirely of sampled material, "Endtroducing....." is a landmark in the history of electronic music. Its influence reverberates through the years, inspiring countless artists and solidifying DJ Shadow's place as a visionary in the realm of sample-based production.

Each track tells a unique story, from the hypnotic groove of "Building Steam With a Grain of Salt" to the cinematic atmosphere of "Midnight in a Perfect World." Shadow's meticulous craftsmanship shines through, showcasing his unparalleled skill in constructing beats that resonate with both intensity and emotion.

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Positiva Sampler Volume 1 Blue Vinyl Edition

LP | 2024 | UK | Original (Positiva)

2LP | 1990 | EU | Reissue (Mecanica)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Positiva Records celebrates its 30th anniversary with the launch its brand-new sampler series! The series will span all sonics of the latest dance music heat with the first edition featuring: Sammy Virji ‘If U Need It’, Gorgon City ‘Voodoo’, Max Dean’s rework of Azari & III ‘Reckless’ and Alan Fitzpatrick X Ronnie Spiteri ‘On My Mind’

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Dive

Dive Red Vinyl Edtion

Release: 1990 / EU – Reissue

Genre: Electronic & Dance, Pop

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Debut album by the harsh-industrial project of Dirk Ivens originally released in 1990 by Body Records (Antler-Subway). Just after leaving The Klinik, Dirk focused to develop his own ideas with Dive creating a perfect melting between early industrial and noise with minimal electronics and Belgian Electronic Body Music. This first work is considered as groundbreaking and highly influential for the EBM and electro-industrial scene. Limited edition of 555 copies on red vinyl with gatefold sleeve, printed inner sleeves and numbered card. Includes all tracks from the original edition plus some bonus from the CD edition (1992), “Final Report” EP (1991) and “Images” EP (1993).

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DJ Andy Smith Presents Reach Up - Disco Wonderland

3LP | 2024 | EU | Original (BBE Music)

43,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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2LP | 2023 | EU | Original (Field)

Monolake

Hongkong

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Field Records proudly presents the first complete vinyl edition of Monolake’s seminal excursion into experimental dub techno, Hongkong. Originally released on the now-classic Chain Reaction label in 1997, this collection of early singles by Robert Henke and Gerhard Behles has gone on to become a vital listening experience in its own right - a genre classic alongside the other groundbreaking works from the likes of Porter Ricks and Vladislav Delay.

The tracks which make up Hongkong were made while Henke and Behles studied computer science and immersed themselves in Berlin’s techno scene. Their early forays into computer-based music production were enabled by the use of the Max/MSP programming environment, forming a backdrop to the landmark work they would undertake in developing the Ableton Live DAW. Henke and Behles travelled to Hong Kong in 1996 to attend the annual International Computer Music Conference, and while there recorded extensive field recordings. These recordings became the glue that pieced together their collaborative tracks into a fluid listening experience for a CD-compilation at Chain Reaction’s request.

While absolutely rooted in the embryonic sound of European dub techno, Monolake’s early work possesses a back room, headphone-ready demeanour which lends itself to the album listening experience. In the cascade of rhythms created by precision engineered delays and subliminal, expansive spatial world building occurring throughout Hongkong, the stage is set for a full and thorough immersion. Before the Monolake sound progressed into a more pointillist form of computer music as Henke’s solo project, Hongkong presented a gritty, grainy sonic still tied in some way to the traditional methods of techno production, even as the artists’ ideas were sending the sequencing and arranging in exciting new directions.

Remastered and presented for the first time as a complete double 12” package, this is the definitive edition of an essential work in the evolution of experimental techno. As Henke himself explains, “twenty-five years later, this record still holds immense value to me in many ways.”

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2LP | 2024 | EU | Original (Music On Vinyl)

Dance Classics...Vol. 1

Release: 2024 / EU – Original

Genre: Electronic & Dance

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You're Only Young Once But You Can Be Stupid Forever

Bogdan Raczynski

LP | 2024 | EU | Original (Disciples)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Autumn Bells: 10 Year Anniversary Edition

Gidge

3LP | 2024 | US | Original (Universal)

75,99 €*

Release: 2024 / US – Original

Genre: Electronic & Dance

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LP | 2018 | EU | Reissue (Erased Tapes)

Nils Frahm

All Melody

Release: 2018 / EU – Reissue

Genre: Electronic & Dance

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Athos: Echoes From The Holy Mountain

2LP+Book | 2024 | EU | Original (FLEE)

63,99 €*

2LP | 2024 | EU | Original (Dekmantel)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Mount Athos, known as the «Holy Mountain,» is a monastic peninsula in northeastern Greece, central to Eastern Orthodox monasticism for over a millennium. Its twenty monasteries house around 2,000 monks dedicated to prayer and worship, which songs have echoed across the Aegean Sea for centuries, heard only by visiting pilgrims, isolated from conventional time and global events.

After several years of research, and several visits to the retired community, we are happy to present our new project «Athos : Echoes from the Holy Mountain» dedicated to this liturgic music and repertoire that seems to be evolving outside the usual boundaries of time and space. Rooted in Byzantine chant, this a cappella tradition essential to monastic life featuring intricate yet serene melodies designed to facilitate prayer and contemplation, using a system of modes and scales to create a meditative atmosphere.

Trans-disciplinary, this effort of documentation also comprehends an artistic re-interpretation aspect inviting contemporary Greek and foreign artists to reflect on the subject.

A musical compilation which captures original field recordings from the 1960s and from today capturing the essence of liturgical music on Mount Athos, but also new compositions inspired by them by artists such as Holy Tongue (UK), Jay Glass Dubs (GR), Prins Emanuel & Inre Kresten Grupp (SWE), Jimi Tenor (FI), Gilb’r (FR), Daniel Paleodimos (GR), Esma & Murat Ertel (TUR) and Organza Ray (GR/US).

A trilingual book in English, Greek and French, featuring essays, articles, photographs and artistic comissions reflecting around the theme giving a voice to contributors such as , Stratos Kalafatis, Theodore Psychoyos, Tefra90, Father Damaskinos Ulkinuora, Prof. Thomas Apostolopoulos, Makar Tereshin, Phaedra Douzina-Bakalaki, Michelangelo Paganopoulos and Alberto Cameroni.

The release of the book and the record will be followed by a cycle of exhibitions and conferences, deploying FLEE’s year-long research on Mount Athos, as well as its numerous commissioned artworks.

Tracklist

A1 Volta Semantron (Inre Kretsen Grupp & Prins Emanuel)
A2 Athos Dub (Holy Tongue)
A3 Garden of Kibele (Esma & Murat Ertel)
A4 Doxology (Daniel Paleodimos)

B1 Idän Kuoromiehet (Jimi Tenor)
B2 Synaptic Riddles (Jay Glass Dubs)
B3 L'île Météore (Gilb'r)
B4 I Swim In Your Dreams (Organza Ray)

C1 Vatopedi Semantron Vespers (Gregoriou Monastery)
C2 Axion Estin, Mode Plagal B (Daniilaioi Brotherhood Choir)
C3 Christos Anesti, Mode Plagal A ((Daniilaioi Brotherhood Choir)
C4 Theoteke Parthene, Mode Plagal A (Daniilaioi Brotherhood Choir)
C5 Doxologia Chourmouzioy, Mode Varys (Daniilaioi Brotherhood Choir)
C6 Osoi Eis Christon, Mode Plagal A (Daniilaioi Brotherhood Choir)
C7 Tas Esprinas Manouel Chrysafis, Mode Plagal A (Daniilaioi Brotherhood Choir)

D1 Doxastikon idiomelon, Mode Plagal A (Father Lazaros of Gregoriou Monastery)
D2 Anoixantos Sou; Koukouzelis, Mode Plagal D (Father Germanos of Vatopedi Monastery)
D3 Cherouvical Hymn, Third Mode (Iviron Monastery Choir)
D4 Axion Estin, Seventh Mode (Father Antipas)
D5 Koinonikon, Mode Plagal A (Simonopetra Monastery Choir)

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L.B. Dub Corp

Saturn To Home

2LP | 1995 | EU | Reissue (Sound Migration)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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After a five year hiatus Luke Slater reanimates his L.B. Dub Corp alias for a dynamic, vocal-led ode to the club featuring Robert Owens, Paul St. Hilaire, Miss Kittin and more.

Slater is responsible for some of the most enduring electronic music of the past 30 years, including his grandiose ambient techno project The 7th Plain and the trailblazing machine funk of Planetary Assault Systems. He debuted the L.B. Dub Corp alias in 2006 as an outlet for a broader, looser kind of club music. His third LP the name, ‘Saturn To Home’ also marks his first appearance on Dekmantel.

The result of more than a year’s exacting work, here we find Slater reflecting on his formative influences and funnelling them into eight incisive tracks that range from the feverish passion of ‘Your Love’s infectious chord stabs to the star-scraping breakbeat techno of ‘Only The Good Times’ via the smoky soundsystem tendrils of ‘Golden Star’ and the elastic drums and mutant synth funk of ‘Krank’. As well as celebrating the intersectionality of club culture and the vibrant vocals of his invited guests, it’s also the first time Slater has committed his life-long love of playing drums onto a record — just listen to the sizzling rhythmic tension of ‘Cloak And Dagger’ and you’ll instantly understand where he’s coming from.

From every syncopated groove to the spine-tingling rush of the melodic hooks, Slater tells the story of his life in music, which means his life overall, without ever being stuck in the past.

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Syt

Cubic Space

2LP | 2024 | EU | Original (Subject To Restrictions Discs)

Release: 1995 / EU – Reissue

Genre: Electronic & Dance

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A highly sought after album from UK's mid 90's underground trance/rave scene, originally released on the Magick Eye Records (label co-founded by Swordfish from Astralasia). "Cubic Space" is the only album released by SYT (Shave Yer Tongue) and it came in a double LP format, featuring 8 tracks in a wide range of paces, with extended length excursions ranging from downtempo atmospheric dub to faster trancey electronic psychedelia.

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Konstant

Unbändige Kinder

Light Places Transparent Light Blue Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Their debut album "Unbändige Kinder" by Angelo Repetto and Nicolas Balmer, alias Konstant, blossoms from the burdens of days gone by and describes their world in a phase of change and new beginnings.

Constantly looking ahead, driven by New Wave, Kraut and Post Punk, they define their own musical form. Both have been active in the Zurich scene for a long time and have come together to create their own language. The album is characterised by rawness, bluntness and the syllables from the heart. Honest and direct.

Recorded and produced by Domi Chansorn at Studio G5, the recording describes the rawness of our time. Perhaps the feeling of a generation – maybe just a breath of the wind.

For the release of "Unbändige Kinder", Subject To Restrictions Discs and Default Mode Records are joining forces and releasing the music into a world that needs it.

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LP Giobbi

LP | 2023 | UK | Original (Counter)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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A Story Of Anger Stronger Colored Vinyl Edition

Sierra

2LP | 2024 | Original (Vmg)

38,99 €*

Release: 2024 / Original

Genre: Electronic & Dance

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What I Breathe White Vinyl Edition

Mall Grab

2LP | 2022 | EU | Original (Virgin)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Double 180gm vinyl LP pressing. What I Breathe is the debut album from Mall Grab (AKA Jordon Alexander). The Australia-born, London-based powerhouse reaches within to create the most comprehensive demonstration of his style to date - loudly defining the raw energy that has become synonymous with the moniker. Even with a stack of very well-received projects already under his belt, What I Breathe can be seen as the first deep breath in and a fierce and deeply personal declaration of what's to come for Mall Grab.

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LP | 2024 | EU | Original (Roche Musique)

House Of Groove

Kish Kash Red & White Colored Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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To celebrate its 10th anniversary, Roche Musique is unveiling its 3rd compilation "house OF Groove". 9 tracks featuring the label's long-standing artists FKJ, Darius, Kartell, Zimmer... and international guests from the emerging scene Enchantée Julia, Lossapardo, Flaurese, Barney Bones...

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Basement Jaxx

2LP | 2023 | EU | Original (XL)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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2LP | 2024 | EU | Original (Spotlight)

Hannah Holland

OST The Visitor

41,99 €*

2LP | 2024 | UK | Original (Counter)

Release: 2024 / EU – Original

Genre: Electronic & Dance, Soundtracks

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Spotlight Records is proud to announce the release of the original soundtrack for Bruce LaBruce’s new film, The Visitor. Composed by the acclaimed UK-based DJ and producer Hannah Holland, the soundtrack presents an eclectic mix of cerebral soundscapes and pulsating dance floor anthems, a defiantly bold score for a truly provocative narrative. The deluxe limited edition double vinyl package comes with a guerilla sticker sheet.

The Visitor sees the legendary filmmaker and photographer continue his decades-long creative journey with a transgressive reimagining of Pier Paolo Pasolini’s 1968 classic Teorema, set against the dystopian backdrop of a paranoid, xenophobic post-Brexit London. Washed ashore from the sea in a suitcase, a mysterious refugee disrupts the lives of a privileged white family, leading them through a series of explicit and transformative encounters. The film, which features performance artist Bishop Black amid a series of explicit, hardcore sex scenes, premiered at the 2024 Berlinale Film Festival.

With reverence and reference to Ennio Morricone’s iconic score for Teorema, Hannah Holland has crafted a soundtrack that both honors the original and brings a contemporary twist. The album features collaborations with a stellar lineup of artists from both the queer and electronic music underground, including Ghost Culture, Jonjo Jury, Josh Caffé, Joy Joseph, ROY INC, and Ziah Ziah.

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LP Giobbi

Dotr White Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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LP | 2022 | EU | Original (Street Pulse)

Ultraflex

Infinite Wellness

2LP | 1987 | EU | Reissue (Mecanica)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Ultraflex’s new album ‘Infinite Wellness’ is naughty. Are you really allowed to combine a horny saxophone solo with a relentless eurodance beat, steel drums and shameless moaning? No, that is not ok. Neither is putting a melodramatic Spanish guitar solo in an excessively erotic power ballad, nor ending a whole album on a loud gong. Which is precisely why they’ve done it. Ultraflex aren’t interested in being good girls, but rather to explore what they can get away with - relying on faux innocence and devious charm. And they do get away with it all thanks to the immaculately pristine production that drapes the whole thing in glossy sophistication.

‘Infinite Wellness’ is a mashup of disco, R&B, 80’s synth pop, Italian 70’s film music and eurodance, with some references to jazz and classical music. Sources of inspiration include Estonian synth-funk producer Uku Kuut, International Music System, Master C & J and Alice Deejay on the dashing singles ‘Baby’, ‘Mi Vuoi’ and ‘Under The Spell’; Enrique Iglesias, Spice Girls and author Carmen Maria Machado on their power ballad ‘Melting Away’; while also drawing inspiration from Alessandro Alessandroni and Snoop Dog on the sensual ‘Ultrasex’.

The high note of the album is the evident friendship behind the music – you can vividly imagine the pair grinning in the studio while whispering a sensual Norwegian quote or adding secretly recorded party conversations. Their exhilarating playfulness welcomes you into their intimacy and lets you in on their secrets while inviting you to dance!

Artwork: Gréta Þorkels

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Front Line Assembly

The Initial Command

The Golden Age Of Apocalypse Black Friday Record Store Day 2021 Edition

Release: 1987 / EU – Reissue

Genre: Electronic & Dance

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“The Initial Command” is the debut landmark album by Canadian EBM-industrialists Front Line Assembly, originally released in 1987 through Belgian label KK Records. Bill leeb shows us already a unique style, setting a benchmark for all that would follow. Fiercely original, not least for ‘it’s time’, from the glittering synths and harsh metallic percussion of the unarguably cinematic “Casualties” and the abrasive white noise on “Ausgang Zum Himmel”, to the punchy breaks and dramatic strings of “No Control”. Deluxe re-release including all original tracks and both bonus tracks taken from a re-release in 1997: “Complexity” and “Core”. Limited pressing of 500 copies with double vinyl record, deluxe gatefold sleeve and new vintage artwork. D-side features a silkscreen of the classic fist logo.

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Thundercat

LP | 2011 | UK | Reissue (Brainfeeder)

2LP | 2024 | EU | Original (Self:Timer)

Release: 2011 / UK – Reissue

Genre: Electronic & Dance

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Limited edition for Black Friday Record Store Day 2021!

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Pleasure Planet

LP | 1995 | EU | Reissue (Samp)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Pleasure Planet's kaleidoscopic debut album has been a long time coming, but good things come to those who wait. Developed over years of late-night studio improvisations, 'Pleasure Planet' is an affectionate and colorful patchwork of the New York City-based trio's knotted influences that's suspended between the rave and the chill-out room, weaving glistening pads and chunky basslines into vocal earworms and warm, saturated rhythmic cycles. Bandmates Andrew Potter, Kim Ann Foxman and Brian Hersey enter into a lysergic dialog with their discrete personal musical histories, drawing inspiration from vintage EBM, ambient music and heady early '90s West Coast rave sounds and launching these classic elements into a transcendent new sonic universe.

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Trompies

Sigiya Ngengoma