Electronic & Dance 3481 Items

The Way Purple Vinyl Edition

Release: EU – Original

Genre: Electronic & Dance

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Limited to 400 copies gatefold LP of The Way. Pressed on 180 grams Purple Smoky vinyl with a gatefold glossy jacket. Comes with protective inner anti-static inner sleeves, protective 150 micron outer sleeve and a download card.

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Lovers Entwined

2LP | EU | Original (Hiraeth)

LP | Original (Youngbloods)

Release: EU – Original

Genre: Electronic & Dance

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Reves Sonores

Crepuscule

Release: Original

Genre: Electronic & Dance

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Full Time Woman: The Lost Cotillion Album

Irma Thomas

LP | US (Real Gone Music)

Release: US

Genre: Electronic & Dance

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Med School Graduation

4LP (Hospital)

Genre: Electronic & Dance

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Genre: Electronic & Dance

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Genre: Electronic & Dance

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Jah Love / Taintless / Hustler (Remix) / Gumology

Tag Rag

12" | NL | Original (Blank)

32,79 €* 40,99 € -20%

Come With Us Indie Exclusive Yellow Vinyl Edition

Release: NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Label cover. Writing on label sticker.

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Chemical Brothers

LP | PL | Reissue (Virgin)

Release: PL – Reissue

Genre: Electronic & Dance

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The Jam’s debut album In The City was originally released in May 1977 and reached #20 in the UK album chart. It features the title track, the first of their 18 top 40 singles (UK #40 in April 1977) alongside 9 further originals which captured the mood of the times and in particular the energy and anger of the UK Punk movement. It also boasts two cover versions, ‘Slow Down’ and the theme to the 1960s TV show Batman which make no secret of the inspiration the band took from 60’s American R&B and UK groups like The Beatles and The Who, who also covered the Batman theme. The release comes in 140-gram limited edition white vinyl.

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Origins Of Techno - Ministry Of Sound

2LP (Ministry Of Sound)

35,99 €*

Genre: Electronic & Dance

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Genre: Electronic & Dance

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Genre: Electronic & Dance

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Genre: Electronic & Dance

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Genre: Electronic & Dance

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Genre: Electronic & Dance

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Andrew Bayer - If It Were You,

Andrewbayer

2LP (Anjunabeats)

Genre: Electronic & Dance

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Andrew Bayer - Its Artificial

Andrewbayer

2LP (Anjunabeats)

Genre: Electronic & Dance

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Genre: Electronic & Dance

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Lakou Mizik & Joseph Ray

Leave The Bones

2LP (Anjunadeep)

Genre: Electronic & Dance

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Mitekiss

Bolivian Hotel Bistro

2x12" (Hospital)

Genre: Electronic & Dance

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Soulvent Meets Hospital

2x12" (Hospital)

Genre: Electronic & Dance

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Genre: Electronic & Dance

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Genre: Electronic & Dance

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Genre: Electronic & Dance

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Will Burns & Hannah Peel

Chalk Hill Blue

LP+7" (Rivertones)

Genre: Electronic & Dance

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2LP (Bmg Rights Management (Uk))

Groove Armada

Edge Of The Horizon

Genre: Electronic & Dance

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Feel Good & Whatever Tomorrow

Chet Faker

7" (Bmg Rights Management (Uk))

Genre: Electronic & Dance

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Chromeo

Date Night Chromeo Live!

3LP (Mnrk)

Genre: Electronic & Dance

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Four Variations On Artificial Society

Universal Eyes

2LP (Warp)

Genre: Electronic & Dance

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2LP (Rhino/Atlantic - Catalogue)

William Orbit

The Painter

50,99 €*

Genre: Electronic & Dance

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David Guetta

Just A Little More Love

2LP (Plgflintl)

38,99 €*

Genre: Electronic & Dance

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London Elektricity

Rebuilding Better Worlds

3LP (Hospital)

Genre: Electronic & Dance

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4LP (Bmg Rights Management (Uk))

Groove Armada

Ga25

60,99 €*

Genre: Electronic & Dance

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Genre: Electronic & Dance

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Soundwalk Collective & Patti Smith

Mummer Love

2LP | Original (Bella Union)

Release: Original

Genre: Electronic & Dance

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A Call To Arms Grey Vinyl Edition

Visionist

LP | Original (Mute)

Release: Original

Genre: Electronic & Dance

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LP | Original (One Little Independent)

Stubborn Heart

Made Of Static

Release: Original

Genre: Electronic & Dance

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LP | Original (Bella Union)

Sonikku

Joyful Death

Release: Original

Genre: Electronic & Dance

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2LP | Original (Cooperative Music)

The Juan MacLean

The Brighter The Light

Release: Original

Genre: Electronic & Dance

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2LP | Original (Groenland)

Mueller Roedelius

Imagori II

Release: Original

Genre: Electronic & Dance

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Anomaly Pink Vinyl Edition

What So Not

LP | Original (Counter)

Release: Original

Genre: Electronic & Dance

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Soundwalk Collective Feat. Patti Smith

The Peyote Dance

2LP | Original (Bella Union)

Release: Original

Genre: Electronic & Dance

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2LP | Original (Bella Union)

Wrangler

A Situation

31,99 €* 39,99 € -20%

Release: Original

Genre: Electronic & Dance

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Technicolor Paradise: Rhum Rhapsodies & Other

2LP | Original (Numero)

96,99 €*

Release: Original

Genre: Electronic & Dance

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12" | DE | Original (Ide's Dream Plant)

Sub Urban

Le Drum / Get Your Ass

69,99 €*

Technotrance, DJ Obsession

Release: DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Label cover.

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Hardcore Hustlerz

2x12" | EU | Original (Hardcore Hustlerz)

Release: EU – Original

Genre: Electronic & Dance

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2x12" | EU | Original (Little Magic Bastard)

Underground Protectors

Blow The Chaos

Release: EU – Original

Genre: Electronic & Dance

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12" | EU | Original (Enzyme)

Hardez

Futurism

Release: EU – Original

Genre: Electronic & Dance

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Usn 25 : 25 Years Of Hardcore, Terror & Speedcore

12" | EU | Original (United Speedcore Nation)

Release: EU – Original

Genre: Electronic & Dance

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LP | Original (Memphis Industries)

Humanus

Release: Original

Genre: Electronic & Dance

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2LP | US | Reissue (ORG Music)

Head Automatica

Popaganda

70,99 €*

Release: US – Reissue

Genre: Electronic & Dance

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12" | Original (Not On Label)

Anderson

That's The Way Love Is

69,99 €*

Release: Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

LP | EU | Reissue (Island)

Grace Jones

Nightclubbing

LP | DE | Reissue (Brain)

Release: EU – Reissue

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl close to NM

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Neu!

66,99 €*

Release: DE – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Italo By Numbers Green Vinyl Edition

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Record is close to VG+.

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Gazebo

LP | 1962 | EU | Reissue (Softworks)

Release: 1962 / EU – Reissue

Genre: Electronic & Dance

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We're Only In It For The Money

The Mothers

LP | 1968 | UK | Reissue (Zappa)

LP | 1969 | UK | Reissue (Island)

Release: 1968 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Picture disc. Limited edition. 2018 Record Store Day reissue.

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White Noise

An Electric Storm

Ash Ra Tempel Black Vinyl Edition

Release: 1969 / UK – Reissue

Genre: Electronic & Dance, Pop

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An Electric Storm is justly renowned among techno boffins as one of the first albums to fuse pop and electronic music before the advent of the Moog synthesizer. But you don't have to be versed in the language of sine waves and oscillators to enjoy this mostly delightful and hugely inventive album. For although the White Noise were almost exclusively composed of virtuoso knob twiddlers and tape splicers moonlighting from the BBC Radiophonic Workshop, luckily they were no slouches when it came to penning a decent tune. There's also anarchic humor at play on the manic "Here Come the Fleas," which contains more edits in its two minutes than the whole of Sgt. Pepper's.Yet it's the retro-futurist textures that still grab the ear most. These are sounds that will be familiar to anyone who knows the soundtrack of Forbidden Planet or the early series of Doctor Who, but they had never before been deployed in the service of pop music, nor have they since. And whereas the Moog would supplant all of these primitive, time-consuming techniques of sound generation and manipulation within the year, it also destroyed much of electronic music's spirit of adventure in the process. How could you boldly go where no man had gone before when your sound universe was suddenly overlaid by tram lines and route maps? So although most of the songs that make up the first half of An Electric Storm are pretty much your standard-issue polite British psychedelia (the somewhat embarrassing United States of America-style orgy of "My Game of Loving" aside), the way they're dressed up still sounds innovative decades later. Sometimes songs dissolve into bleeps, whooshes, and gurgles that hurtle between your speakers, but compared to the extended guitar and organ solos that were common currency at the time, they are the very essence of restraint. That said, restraint was put to the sword on the final two tracks, the 12-minute "The Visitations" and the seven-minute "The Black Mass: An Electric Storm in Hell." The former is a decidedly spooky "Leader of the Pack"-style drama with a supernatural twist. The biker, having departed this life, attempts to make one last attempt to cross over and console his grieving beloved, only to fall agonizingly short. If you can suspend your disbelief -- and persuade yourself that the biker's departing spirit doesn't sound like a cappuccino machine -- it's spine-tingling stuff that you won't dare listen to with the lights off. Which is more than can be said for the concluding track, a would-be satanic jam session botched together in a hurry to meet Island's suddenly imposed deadline.

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Ash Ra Tempel

LP | 1971 | Reissue (MG.Art)

LP | 1972 | US | Reissue (Etats-Unis)

Release: 1971 / Reissue

Genre: Electronic & Dance

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Black Vinyl, Sticker, 50th Anniversary RE-Edition, first-ever official reissue on vinyl since 1975,
Re-Cut carefully overseen by Manuel Göttsching.

TRACKLIST:

A. "Amboss" 19:40
B. "Traummaschine" 25:24

Ash Ra Tempel is the eponymous debut studio album by the Krautrock band Ash Ra Tempel.
It features guitarist Manuel Göttsching with drummer Klaus Schulze and bassist Hartmut Enke.
Engineered by Conny Plank it was recorded in March 1971 and released in June 1971 on Ohr Records.
This 50Th Anniversary Album will be Released in Memoriam of all the Musical Contributors to this Release and on Manuel Göttsching´s MG.ART label.
It´s the fourth and headlining edition in this series and was finalised, carefully overseen by Manuel Göttsching himself in the late Autumn of 2022.

Much has been written about the record and band.

Having finished a first musical chapter with their Steeple Chase Bluesband and still at very young age of only 17 and 18 years old Manuel Göttsching and Hartmut Enke met Klaus Schulze. Together they started to write and and compose what, to many,
became one the holy grails of Psychedelic Rock and early Electronic Music -
the German variant which was later also named "Krautrock":

Ash Ra Tempel´s self-titled first album "Ash Ra Tempel".

"The trio of Klaus Schulze, Manuel Göttsching and Hartmut Enke decided to abandon conventional composition and song writing, in favour of free-form improvising and developing a new musical language. As such, they became notorious for jams that could exceed 30 minutes." Says Discogs. "Some of these recordings can be found on Manuel Göttsching´s "The Private Tapes" releases", which will be re-released on MG.ART as well, following this edition.

"Krautrocksampler" author Julian Cope mentioned it to be "… one of the greatest rock 'n' roll LPs ever made." (Julian Cope Presents Head Heritage | Unsung | Reviews | Ash Ra Tempel - Ash Ra Tempel". 15 March 2000.)

AllMusic called the album "both astonishingly prescient and just flat out good, a logical extension of the space-jam-freakout ethos into rarified realms."

Here we would like the Band to be heard, for what can easily be said as the first time in 50+ years, with the exception of some early Journalists for whom the young Manuel Göttsching wrote a statement of intent (the original text can be found inside this edition) as following:

"Our musical concept is based on a combination of blues rock and delicate collages of electronic sound. These two elements should remain inseparable. And in their complex unity, the different musical philosophies of each musician find a common sweet spot. Our music is a permanently impulsive experience left to develop as it will, starting from a common fixed point of departure. This is where the difficulty of the music begins: No standardized formulation of our music can and should be possible. Only the constant reaction within the band can determine the musical result. And this requires constant listening with full concentration on the part of the creators. The idea of a particular musician will be - if flexible enough - absorbed by the others, transposed to their own instrument, and reflected back into the music as an individual contribution. This reciprocity within the band is then transferred over to the audience. And this process means that their reaction is not only a contribution to the end result; it actually makes them jointly responsible for the creation of the final musical product.
…
On our album, the track "Amboss" represents the first layer. Conventional instruments communicate familiar music which is in part expanded through electronic means. In the second track of the album - "Traummaschine" - the actual basic sound approach is dissolved into an electronic Nirvana which no longer allows the concrete identification of actual instruments. Innocent, virgin listening, free from any and every association, can finally begin - and the music can be absorbed and processed free from the limitations of categorization. That is the purpose of our music: To convey freedom without any predetermined criteria or traditions.

Thank you for your attention."
(Taken from the original A-R-T Bio 1970)

Hartmut Enke, Manuel Göttsching and Klaus Schulze aka. Ash Ra Tempel travelled to Hamburg in March 1971 to record their debut, with assistance of another Icon, legendary engineer Conny Plank.
The rest is history.

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The Taj-Mahal Travelers

July 15, 1972

37,99 €*

Phil Ranelin & Wendell Harrison

Release: 1972 / US – Reissue

Genre: Electronic & Dance

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For over half a century, Takehisa Kosugi was one of the most unique and enduring figures in the Japanese underground. With a penchant for long psychedelic jams (some lasting 12 hours or more) The Taj-Mahal Travelers lived up to their name. Touring in a Volkswagen van across Europe and Asia in the early '70s, they eventually reached the actual Taj Mahal in India. Upon their return to Japan, they held a concert to raise more touring funds and released their very first recordings. Their debut album, July 15, 1972, would extend the band's matter-of-fact titling: all the tracks were named precisely for the times they began and ended.

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Message From The Tribe

LP | 1972 | US | Reissue (Now-Again)

Neu! Picture Disc Edition

Release: 1972 / US – Reissue

Genre: Electronic & Dance

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The Tribe founders’ collaborative debut, remixed from the original mutli-track master tapes under the direction of its creators and lacquered by Bernie Grundman. Phil Ranelin’s side has been pitch-corrected and restored to a suite, as was originally intended. Wendell Harrison’s side contains extended, full versions of two songs. The definitive reissue of this Spiritual Jazz masterpiece. The Tribe label, one of the brightest lights of America’s 1970s jazz underground, receives the Now-Again reissue treatment. This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Century Black American experience, one that expanded outwards towards the cosmos. In the words of the collective themselves, “Music is the healing force of the universe.” Included in an extensive, oversized booklet, Larry Gabriel and Jeff “Chairman” Mao take us through the history of the Tribe, in a compelling story that delves not just into the history of the label and its principals, but into the story of Black American empowerment in the latter half of the 20th Century. The booklet features never-before-seen archival photos and rare ephemera from Tribe’s mid-1970s heyday.

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Neu!

LP | 1972 | EU | Reissue (Grönland)

Release: 1972 / EU – Reissue

Genre: Electronic & Dance

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LP | 1972 | JP | Reissue (P-Vine)

Anthony Moore

Reed Whistle & Sticks

39,99 €*

2LP | 1972 | EU | Reissue (Culture Factory)

Release: 1972 / JP – Reissue

Genre: Electronic & Dance

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Reed Whistle & Sticks was released in 1972 in a decade of transition for experimental composer Anthony Moore. Two years after the the album, his bands Henry Cow and Slapp Happy would merge briefly for a run of cult-favourite avant-garde records and swiftly detangle. A year after that, in 1976, he released his fourth solo record Out - its pop sensibilities, albeit avant-inclined, a chasm apart from the raw experimentation of Reed Whistle & Sticks. P-vine is proud to be reissuing Moore’s experiment in texture and looping for the first time on vinyl format, and bring new accessibility to an album that has been almost impossible to source on vinyl for 50 years.

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Tangerine Dream

Zeit

41,99 €*

Release: 1972 / EU – Reissue

Genre: Electronic & Dance

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Close To The Edge Atlantic 75 Series Sacd

Yes

CD | 1972 | US | Reissue (Analogue Productions Atlantic 75 Series)

50,99 €*

LP | 1972 | DE | Original (Ariola)

Release: 1972 / US – Reissue

Genre: Electronic & Dance

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Preorder shipping from 2024-07-26

Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

Yes' 1972 Atlantic Records masterpiece!

Hybrid Stereo SACD

Yes's 1972 3-track recording masterpiece, Close to the Edge, presents a snapshot of an adventurous rock band at the peak of its powers, daring to push itself musically, both as individuals and as a unit.

The first half of the 1970s was an especially fertile period for British progressive rock, laying claim to classics such as Tarkus, Selling England by the Pound, Larks' Tongues in Aspic, The Dark Side of the Moon, and Thick as a Brick. Collectively these and other works represent the best British progressive rock had to offer. Yet, many reviewers cite Close to the Edge as the ultimate prog rock album.

Author and music journalist Will Romano writes: "Yes had previously penned epic tracks for The Yes Album and Fragile, but nothing on the magnitude of the musical gems appearing on Close to the Edge. It's something of a small miracle — perhaps even magic — that the virtuoso quintet crafted such a cohesive and compelling album during an often-hectic recording process that very nearly relegated this monumental work to the dustbin of history."

The album's centrepiece is the 18-minute title track, with themes and lyrics inspired by the Herman Hesse novel Siddhartha. Side two contains two non-conceptual tracks, the folk-inspired "And You and I" and the comparatively straightforward rocker "Siberian Khatru." Original drummer Bill Bruford found the album particularly laborious to make, which culminated in his decision to quit the band after it was recorded, to join King Crimson.

Close to the Edge became the band's greatest commercial success at the time of release. It peaked at No. 4 on the U.K. Albums Chart and No. 3 on the Billboard 200 in the United States, the highest position Yes has reached on the latter chart.

In 2020, Close to the Edge was ranked at No. 445 on Rolling Stone's list of the 500 Greatest Albums of All Time.

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Veit Marvos

Nice To See You

39,99 €*

Release: 1972 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1972 | DE | Original (Bellaphon)

Brainticket

Psychonaut

Game, Dames And Guitar Thangs

Release: 1972 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: G+

Tear in front cover, besides that VG. Hype sticker on front.

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Eddie Hazel

LP | 1973 | US | Reissue (Real Gone Music)

Release: 1973 / US – Reissue

Genre: Electronic & Dance

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Autobahn 2009 Remastered Black Vinyl Edition

LP | 1974 | EU | Reissue (Parlophone)

35,09 €* 38,99 € -10%

Release: 1974 / EU – Reissue

Genre: Electronic & Dance

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Eldorado A Symphony By The Electric Light Orchestra Supervinyl Edition

Electric Light Orchestra

LP | 1974 | US | Reissue (Mobile Fidelity Sound Lab)

89,99 €*

Release: 1974 / US – Reissue

Genre: Electronic & Dance

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Limpe Fuchs / Paul Fuchs / Friedrich Gulda

It's Up To You

2LP | 1974 | EU | Reissue (Play Loud!)

47,99 €*

LP | 1974 | EU | Reissue (Real Gone Music)

Release: 1974 / EU – Reissue

Genre: Electronic & Dance

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Limited to 300 double vinyl copies, two inlays with photos and liner notes.

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Soul Searchers

Salt Of The Earth

Release: 1974 / EU – Reissue

Genre: Electronic & Dance

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Have You Heard This Story? Blue Vinyl Edition

Swamp Dogg

LP | 1974 | EU | Reissue (Alive)

Release: 1974 / EU – Reissue

Genre: Electronic & Dance

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Hiroshi Tanaka & Yoichi Fuwa

Untitled White Album

2LP | 1974 | US | Reissue (Fire & Last)

36,54 €* 42,99 € -15%

2LP | 1974 | EU | Reissue (Week-End)

Release: 1974 / US – Reissue

Genre: Electronic & Dance

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Originally self released in only 100 copies in 1974 Includes second LP featuring 16 unreleased songs from the original sessions Stoughton “tip-on” gatefold jacket Vinyl pressed at Third Man Pressing. In 1974, Hiroshi Tanaka and Yoichi Fuwa, the self-proclaimed heirs of the Beatles, crammed into a 75 square foot room and recorded over 50 songs, all without names. 19 of those songs would be self released on a record titled “Untitled White Album”, of which only 100 copies were pressed.

Their music is like a fairy tale. It’s leisurely and relaxed yet bursting at the seams with melodies and youthful ambition. Its whole attitude is gentle but splendid in evoking tears, anger, sentimentality, infatuation, intoxication, and a bit of craziness. Tanaka and Fuwa’s music has the power to bring that emotion to life.

This holy grail of Japanese psychedelic pop has been searched for by collectors the world over. Now, after almost 50 years, First & Last Records is proud to release the official reissue of this masterpiece. In addition to the 19 original songs is a second LP featuring 16 tracks that heretofore were unknown, released for the first time.

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Fred Frith

Guitar Solos / Fifty

42,99 €*

To Anyone Who's Ever Laughed...

Release: 1974 / EU – Reissue

Genre: Electronic & Dance

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Guitar Solos is the debut solo album of British guitarist, composer, and improviser Fred Frith. It was recorded while Frith was still a member of the English experimental rock group Henry Cow and was released originally in October 1974. Voted one of the best albums of 1974 by NME critics it also attracted the attention of Brian Eno, resulting in Frith playing guitar on two of Eno‘s albums. Frith‘s never tiring spirit in creating and performing music has made him one of the most notable and creative guitar players and musicians in the scene of improvised and composed music. For the anniversary of this release we have encouraged Frith to arrange a set up similar to what he used 50 years ago to record an album of new compositions which will accompany the original record.

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Randy Rice

2LP | 1974 | Reissue (Wah Wah - Supersonic Sounds)

48,99 €*

LP | 1974 | US | Reissue (Fat Possum)

Release: 1974 / Reissue

Genre: Electronic & Dance

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I was between the ages of 18 and 20 when I wrote the 22 songs found on To Anyone Who Ever Laughed at Someone Else. They express the thoughts and frustrations, hopes and fears of a young man coming of age in a world that was full of upheaval and transformation. I was a product of that period in America we call the sixties—those years between the assassination of President John F. Kennedy in November 1963 and the resignation of President Richard Nixon in August 1974. In fact, this record was released that same month Nixon resigned. Over the next five years, I toured the country as an acoustic artist performing at clubs, coffeehouses and colleges. During that time, I watched the idealism and social consciousness of the sixties slowly fade away. In its place emerged a cynicism and materialism that still seems to be with us so many years later. More than anything else, I think To Anyone Who Ever Laughed at Someone Else is a time capsule that speaks to us from a past era. A period when, above all other things, we asked questions. We questioned our country, we questioned our faith, we questioned the very purpose of life itself. I am very excited to bring those questions and these songs to a new generation on a new continent. Special thanks to my friends Jordi Segura of Wah Wah Records who took the initiative to release this 50th Anniversary Re-issue of To Anyone Who Ever Laughed at Someone Else and Michel Veenstra Klinkhamer, who introduced us.

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Ann Peebles

I Can't Stand The Rain

Release: 1974 / US – Reissue

Genre: Electronic & Dance

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Radio-Activity Remastered Black Vinyl Edition

LP | 1975 | EU | Reissue (Parlophone)

49,99 €*

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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Third (It's Always Rock'n'Roll)

Heldon

2LP | 1975 | EU | Reissue (Bureau B)

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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LP | 1975 | US | Reissue (Speakers Corner)

Vangelis

Heaven And Hell

Release: 1975 / US – Reissue

Genre: Electronic & Dance

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Technical innovations in musical instruments and the development of tonal language have been continual subjects for deliberation from the 19th century onwards at the latest. Additional brain power is necessary to conciliate the two elements with the endless possibilities of electronic sound. In the end, the two factions cannot resolve on a conclusive opinion and the question remains as to whether art always results from skill.
Evángelos Odysséas Papathanassíou, or Vangelis for short, always worked with the newest synthesizer equipment and pushed his cascades of sound to the very edge, right up to the point of electronic overkill. In contrast to many other electronics experimentalists of his time, Vangelis likes to »create important melodies and to develop them further, without going under in the technical equipment« (Stereo Review). Distant human voices, siren-like lost calls lead into oriental dance. A song – far removed from its era – somewhere between Gregorian music and antiphony – a will-o‘-the-wisp, shimmering sound. Polyphonic playing on the Bösendorfer reminds one that every form of musical expression from over the sands of time is welcome. Each listener must discover for himself what sounds heavenly or hellish. But let it be said: musically speaking, the one cannot be imagined without the other.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: September 1975 at Nemo Studios, London, by Alan Lucas
Production: Vangelis

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Radio-Activity English Version Translucent Yellow Vinyl Edition

LP | 1975 | EU | Reissue (Parlophone)

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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Radio-Aktivität German Version Translucent Yellow Vinyl Edition

LP | 1975 | UK | Reissue (Parlophone)

Release: 1975 / UK – Reissue

Genre: Electronic & Dance

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LP | 1975 | EU | Reissue (WRWTFWW)

Hako Yamasaki

Tobimasu

Ypsilon In Malaysian Pale

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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WRWTFWW Records is proud to present the first official worldwide reissue of the debut album from fabled Japanese folk singer-songwriter/actress/writer Hako Yamasaki, Tobimasu. The limited edition 180g vinyl LP comes in a heavy sleeve with the original artwork, and the digipack CD has one bonus track. Tobimasu is also available in digital formats.

Originally released in 1975 on legendary independent label Elec Records, Tobimasu is a masterpiece of melancholy carried by one of the most beautiful, moving, melodic, and haunting voices in the history of Japanese music. An extraordinary singer and guitar player, Hako Yamasaki wrote the album at only 18 years old, showing incredible emotional maturity and music making skills, and creating, out of nowhere, a downright classic of folk music, brilliantly arranged and sequenced.

Hako Yamasaki’s folk is bluesy, psychedelic, soft, and poetic, perfectly fitting the themes of nostalgia, love, and nature she covers with heartbreaking intensity. Her songs capture sorrow ravishingly, offering glimpses of empowering hope and uplifting wisdom. A unique voice, a unique approach, and nothing less than magnificent music.

Hako Yamasaki, a pioneer in both the creative boom and the rise of feminism in 1970s Japan, went on to release over thirty albums, building an impressive discography and a fascinating career filled with ups and downs. Her work, inimitable and timeless, deserves the utmost recognition and should be celebrated. Again and again and again.

Tobimasu is released in conjunction with Hako Yamasaki’s beautiful follow-up Tsunawatari, also available on WRWTFWW Records.

Points of interests

- For fans of folk, alternative, ballads, psychedelic, poetic music, the joy of love, the sorrow of love, nostalgia, nature, life, just life life life.

- Official reissue of Hako Yamasaki’s debut album in pristine 180g vinyl.

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Edgar Froese

LP | 1975 | DE | Reissue (Brain)

38,99 €*

2x12" | 1975 | EU | Reissue (Virgin EMI)

Release: 1975 / DE – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

1977 reissue. Slight corner wear.

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Brian Eno

Discreet Music

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed. 2018 reissue. Limited edition.

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LP | 1976 | US | Reissue (Etats-Unis)

I.D. Art #2 L

35,99 €*

Le Forte Four / Doo-Dooettes

Release: 1976 / US – Reissue

Genre: Organic Grooves, Electronic & Dance

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Los Angeles Free Music Society (lafms) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, Lafms incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah Record Shop in old Pasadena. Inspired by The Residents, Lafms self-released records and periodicals, organized performances and connected with fellow outsiders via post in the years before punk. Their uninhibited, egalitarian ideal of music-making and DIY distribution would influence generations of underground musicians. Lafms primarily reached outside Los Angeles via word-of-mouth and the United States Postal Service, foreshadowing the self-publishing and cassette trading networks of post-punk and industrial subcultures. In 1976, Joe Potts solicited recordings from Lafms affiliates and admirers to edit and compile I.D. Art #2, utilizing correspondence art's technique of "assemblings." (The first installment in this series was a magazine, and the third was a coloring book.) Potts received dozens of pieces by members of Le Forte Four, Doo-Dooettes, Smegma and Ace & Duce as well as painters, filmmakers and non-artists with few recording credits to their name, creating a delirious, winking sound-art collage of field recordings, voicemails and improvisations. Participants purchased time on the record and received one copy each of the finished LP, realizing the philosophy contained in Lafms' motto: "The music is free, but you have to pay for the plastic, paper, ink, glue and stamps." This first-time vinyl reissue is limited to 500 numbered copies. Comes with insert.

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Lafms Live At The Brand

2LP | 1976 | US | Reissue (Etats-Unis)

LP | 1976 | DE | Reissue (Brain)

Release: 1976 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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Los Angeles Free Music Society (lafms) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, Lafms incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah Record Shop in old Pasadena. Inspired by The Residents, Lafms self-released records and periodicals, organized performances and connected with fellow outsiders via post in the years before punk. Their uninhibited, egalitarian ideal of music-making and DIY distribution would influence generations of underground musicians. Live At The Brand documents the second performance of newly formed Lafms core groups Le Forte Four and Doo-Dooettes on July 8, 1976 at the recital hall of the Brand Library in Glendale. Le Forte Four (now joined by Tom Potts) did not actually perform live, but rather created 44 pyramid-shaped headphone helmets with internal quadraphonic speakers and countless wires in order to share their latest tape assemblages with showgoers deprived of sight. The recordings delivered in this Fluxus-inspired manner feature the Buchla synthesizer at nearby CalArts, radio interpolations, group improvisations, addled outbursts and splices from source material lost to time. Doo-Dooettes – Tom Recchion, Harold Schroeder, Juan Gomez, Dennis Duck and Fredrik Nilsen – performed a series of alternately droning and chaotic duets with guitar, percussion, piano, tape loops and synthesizer, all improvised around loosely structured compositions and culminating in a spontaneous group composition at the end of the program. Originally released in 1976, the double LP would be Lafms' third release. This first-time vinyl reissue is limited to 500 numbered copies. Comes with inserts.

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Günter Schickert

Samtvogel

89,99 €*

LP | 1976 | JP | Original (State)

Release: 1976 / DE – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Sleeve has edge wear and light creases.

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The Rubettes

The Best Of

Release: 1976 / JP – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

OBI is missing. With insert. Cover is close to NM.

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Trans Europa Express Remastered Black Vinyl Edition

LP | 1977 | EU | Reissue (Parlophone)

38,99 €*

Release: 1977 / EU – Reissue

Genre: Electronic & Dance, Pop

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LP | 1977 | US | Reissue (Etats-Unis)

Joe Jones

In Performance

Release: 1977 / US – Reissue

Genre: Electronic & Dance

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After studying with composers John Cage and Earle Brown, Joe Jones became a prominent figure in Fluxus, contributing to the movement’s first “yearbox” alongside La Monte Young, György Ligeti and Nam June Paik. Beginning in late 1961, Jones began constructing his own music machines – drawing inspiration from the calliopes, automata and orchestrions of the 19th and early 20th century to create self-playing ensembles of stringed instruments, percussion and woodwinds – “played” through an elaborate (yet decidedly lo-tech) system of rubber bands, balls and tin foil.

Christened the Tone Deaf Music Company, this battery of automated musical instruments generates the sounds on In Performance (originally released in 1977 on the Harlequin Art imprint). With exacting conceptual precision and varied subtleties of natural motion – not unlike Harry Bertoia’s sounding sculptures – Jones’ machines produce richly-textured strata of sound and serve as engines of paradox. While bringing the figure of the artist-composer to the foreground, the machines ultimately dispense with the need for the performer entirely – a cunning subversion of the fetish for virtuosity and individual genius.

Limited edition of 500 numbered copies on clear vinyl.

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Trans Europe Express Remastered Black Vinyl Edition

LP | 1977 | UK | Reissue (Parlophone)

Release: 1977 / UK – Reissue

Genre: Electronic & Dance

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Trans-Europa Express German Version Clear Vinyl Edition

LP | 1977 | UK | Reissue (Parlophone)

Release: 1977 / UK – Reissue

Genre: Electronic & Dance

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Trans-Europe Express English Version Clear Vinyl Edition

LP | 1977 | EU | Reissue (Parlophone)

Release: 1977 / EU – Reissue

Genre: Electronic & Dance

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Maison Rose Expanded Edition

Emmanuelle Parrenin

LP+7" | 1977 | UK | Reissue (Souffle Continu)