Electronic & Dance 45616 Items

Release: 2022 / EU – Original

Genre: Electronic & Dance

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LP | 2016 | EU | Reissue (Monday)

Tourist

26,99 €* 29,99 € -10%

Release: 2016 / EU – Reissue

Genre: Electronic & Dance

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Becoming Undone Black Vinyl Edition

ADULT.

LP | 2022 | US | Original (Dais)

Nikos Giousef, Irene Tiniakou, George Katsanos

Release: 2022 / US – Original

Genre: Electronic & Dance, Pop

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After a quarter century of nearly nonstop activity, dystopian Detroit synth-punk institution Adult. have perfected a strain of stylistic cohesion in the album format, "but for this we wanted something that's falling apart." Becoming Undone, the 9th official full-length by cofounders Nicola Kuperus and Adam Lee Miller, explicitly succeeds in this aim, simultaneously rejecting and reflecting the planetary discord that inspired it. Begun in the latter half of 2020 against a backdrop of unprecedented flux and seismic isolation, the duo kickstarted their muse by sourcing fresh additions to the rig: a vocal loop pedal for Kuperus and Roland percussion pads for Miller. Reconnecting with legacy influences like the politicized industrial percussion of Test Department and the queasy miscreant synthetics of TG's 20 Jazz Funk Greats sparked a series of fruitfully frenetic sessions, centered on themes of impermanence and dissonance. Miller's rationale is blunt: "We weren't interested in melody or harmony since we didn't see the world having that." From the tense technoid blitz of "Undoing / Undone" to the twitchy EBM of "Fools (We Are_)" and "I Am Nothing," the sides bristle with strident acidic revolt and black leather sequential circuits, unhinged and unforgiving. Elsewhere, slower tempos of purgatorial unraveling ("Normative Sludge," "She's Nice Looking") showcase a breadth of vocal FX, Kuperus sounding alternately indignant and possessed, decrying the crimes, fears, and failings of a deluded world. Throughout, the band's chemistry crackles with revulsion and strobe-lit dissent, equal parts exorcism and denunciation. "Humans have always been pretty terrible," Kuperus explains. "But every year the compromises of culture just accelerate." Becoming Undone is also freighted with a more personal pain, as Kuperus' father passed away during the height of the pandemic, just before the album took root. As his hospice caretakers, she and Miller faced the banality of finality, surrounded by objects drained of meaning, "the joy of having a body, but also the drudgery of having one." The record's bewitching closing track, "Teeth Out Pt. II" - which happens to be the first Adult. song in the group's history without drums - speaks to this sense of doomed corporeal mass and the looming, lightless unknown that binds us all. A seasick haze swells and subsides in slow, low waves, flickering with ring modulation, above which Kuperus sings in a dazed, brooding, transcendent state, as if having finally glimpsed beyond the pale: "Some day / some day I will be silent and free / of this relentless gravity."

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Adagios From The Underground

2LP | 2020 | EU | Original (Underflow)

4 Hands Clear Vinyl Editoin

Release: 2020 / EU – Original

Genre: Organic Grooves, Electronic & Dance, Classical Music

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"In the Understage area of the Alexandra Trianti Hall, the musical saw in the hands of Nikos Giousef, and accompanied by piano, samplers and analog synthesizers, is transformed into a voice. ‘An otherworldly child’s voice’, ‘a Siren’s voice’ or ‘a castrato voice’, as it has been described, it easily climbs to tonic heights that the human voice can only reach with great effort." The pieces chosen for the program reflect this criterion, with works such as the aria “Erbarme Dich, Mein Gott” from the oratorio of J. S. Bach's “St Matthew Passion”, “Ave Maria” from Franz Schubert's “Ellens Gesang Iii”, H. Purcell's “Music for a while” as well as choral works like “Lacrimosa” from W. A. Mozart's Requiem and the First part (Grave) from G. B. Pergolesi's “Stabat Mater”. S. Rachmaninov's “Vocalise” is also a very interesting choice for musical saw, a song without lyrics as it is. The program also includes two works by greek composers, Ioannis Planiteros's “Ina ti”, written in the 17th century and still performed nowadays by local choirs in Zakynthos, and “ The Trawler” from Nikos Skalkotas's popular ballet “The Sea”, as a tribute to the great composer on the occasion of the 70th anniversary of his death. George Katsanos, in three ambient tracks of the album, is really traveling us in the mysterious amazing music world of "Adagios from the Underground". Nikos Giousef soprano and baritone musical saw Irene Tiniakou piano George Katsanos Moog synthesizer, music box, kalimba, effects

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Roedelius Story

LP | 2022 | EU | Original (Erased Tapes)

Release: 2022 / EU – Original

Genre: Electronic & Dance, Classical Music

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LP | 2022 | US | Original (Ghostly International)

Fort Romeau

Beings Of Light

Color Of Time Red Splattered Vinyl Edition

Release: 2022 / US – Original

Genre: Electronic & Dance

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After a run of critically-acclaimed singles and EPs, British producer Michael Greene, aka Fort Romeau, returns to the full-length format with Beings of Light, the long-awaited follow-up to 2015's Insides and his second LP on Ghostly International. While a prolific DJ who orients many of his productions for the dancefloor, Greene still sees the album as the ultimate statement of intent, "a space to stretch out, to speak in full paragraphs rather than stunted sentences." He has explored several stylistic fragments in recent years (including the summer 2018 anthem "Pablo," hailed a Best New Track by Pitchfork), but when faced with the extended pause to the dance community in 2020, Greene felt compelled to focus on a larger body of work. Embracing a back-to-basics mentality, he amassed over a dozen hours of sounds, asking himself throughout the sessions: "Does the music move you? Is it honest?" He came out the other end with Beings of Light, an expressive collection traversing rainy day ambient, moonlit disco, and dream-like techno in pursuit of the power found within our subconscious. Album opener "Untitled IV" ushers in a sprinting tempo in its exploration of the human voice, a recurring device in the Fort Romeau project. Greene uses it as a compositional layer, disembodied with its context often opaque or reduced to a single phrase. Here the voice is scattered in percussive twitches, colliding with a kick drum to induce a near state of hypnosis as horns sound off in the distance. Propulsive standout "Spotlights'' is Greene's ode to the romanticised New York City that lives in our hearts, nocturnal and carefree. A vocal snippet repeats the title with a breezy poise, reminiscent of classic house cuts. "Ramona'' honors the beloved Robert Johnson club in Offenbach, Germany. Hazy, spacious, and sustained, Greene designed the beat with their system in mind, "also with a strong nod to the more modern lineage of exceptional minimal house music from Frankfurt," he says. Two ambient pieces surround the track, "(In The) Rain" sets the scene and "Porta Coeli" (a Latin phrase which loosely translates to "heaven's gate") soundtracks the comedown. The album's closer, the title track, is an arc constructed with atmospheric textures, euphoric swings of percussion, and a well-placed piano refrain, "Beings of Light" is adaptive; one could imagine it reverberating from a club, scoring the emotional apex of a film, or radiating through the realm of dreams.

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Color Of Time

LP | 2021 | EU | Original (Past Inside The Present)

Overflow Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Color of Time is a long distance, ambient and drone project featuring Kevin Sery (From Overseas) and Nick Turner (Tyresta). Created with guitar, synthesizers, Mellotron and effects, their music focuses on themes of impermanence, loss and the impact that humans have on each other and the planet.

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Rival Consoles

LP | 2021 | EU | Original (Erased Tapes)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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LP | 2021 | US | Original (Freaks)

Watkins / Peacock

Acid Escape Volume 3

2LP | 2022 | EU | Original (On The Corner)

Release: 2021 / US – Original

Genre: Electronic & Dance

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Watkins / Peacock are an electronic analog-digital hybrid duo, working in an improvisational frame that births a new possibility of tone, rhythm and light. dub moves in synthed atmospheres with joyful, entrancing melodies. Recorded at Santo Recording, Oakland 2019—2020 by Zachary James Watkins. mixed at Santo Recording by Watkins / Peacock. mastered by James Plotkin.

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Alai K

Kila Mira

LP | 2022 | EU | Original (Fragile)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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The Kenya born, Berlin based percussionist, vocalist, DJ, producerand "musical witchdoctor" Alai K releases his red hot debut album'Kila Mara', via On the Corner Records. Sonically speaking, this vivacious collection of frenetic, polyrhythmic and percussive workouts link the spirit of Jeff Mills, DJ Rush, DJ Bone and K Handwith beats from The Bajuni Islands, Mozambique, Malawi and the maritime Swahili coastline north of Mombasa. On moving to Berlin, Alai went raving regularly and became enamoured with underground dance music culture. "I love techno and believe that African drums influenced the percussion and programming: lt'scoming from the same place; with both you get extended periods with no chorus or verse, just occasional chanted or chopped vocals. In Africa people play drums and dance for hours, which is the same experience as western electronic music", says Alai.

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Wolfgang Tillmans

Moon In Earthight

LP | 2021 | EU | Original (Svart)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Moon in Earthlight describes the phenomenon one can see in the first few days after a New Moon, when the slim crescent of the moon is completed into a full circle by a faint light that is not lit by sunlight but by the light reflected from Earth. It is also the apt title for the first album from an artist whose first love was astronomy. After 6 EPs over the course of 5 years, Wolfgang Tillmans now releases his first album, Moon in Earthlight, a singularly plural 53-minute piece comprised of 19 tracks. Opening with more that connects us than divides us, ‘Celloloop / More That Connects Us’, a looped cello sets out a discursive path for a bright keyed melody to flirt with while the sounds of the organ and synthesizer build their supporting roles, all along a bouncing four-to-the-floor beat punctuated with bright electronic chimes and the rhythmic tempo of a shaker. The invitation is hard to resist as a yearning voice opens up to let us know he’s left his “place in security.” And, “you’re shining … All the way down to this glittering place … you’re shining.” Where voices and laughter are then overheard in the background of another field recording sounding water dripping from a ‘Rain Gutter’ later caught by the soft, warm rhythmic bounce between two synth notes on ‘Fourth Floor’ where chime-like and percussive timbres resonate from the metal tine keys of the kalimba creating a meditative acuity

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Jori Sjöroos

Sjöroots

Release: 2021 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Beatiful Illusions Clear Blue Vinyl Edition

Tor Lundvall

LP | 2021 | US | Original (Dais)

Dub Narcotic Sound System

Release: 2021 / US – Original

Genre: Electronic & Dance

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New York painter and musician exploratory industrialist Tor Lundvall initially envisioned his 14th album, Beautiful Illusions, as an entirely instrumental affair, "inspired by memories of sitting in a church or cathedral watching the shifting sunlight through stained glass." Although he ultimately chose to wreath the majority of the tracks with hushed, poetic vocals, his original muse still resonates. These are certainly songs of shadowplay and vaulted skies, the quiet grandeur of dusk deepening on the horizon. Lundvall characterizes the lyrical subject matter, too, in ways both specific and surreal, exploring "the doubts, the anxieties and even the bleak fantasies the mind spirals into during moments of isolation, separation and distance." Tricks of the eye, mind, and ear, magnified by silence and the looming long winter. Shivering pulses and muted bass lines tread the twilight while icicle synths and wiry guitar map the melody until the voice enters, narrating oblique moods of essence and absence, tenderness and truth. Glimpses of dark humor flicker in the wordplay but the greater sonic landscape is one of falling leaves and failing light, small gestures rendered as revelation, cloaked in reverb and spatial fog. Lundvall's mastery of nuance and negative space continues to heighten, whispered brushstrokes of the invisible and the unsaid, what lies beneath and what lies beyond: "Behind the shields and false fronts is usually a sadness. The heartbreaking reflections of what might have been."

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Boot Party Deep Red Vinyl Edition

LP | 1996 | EU | Reissue (Glass Modern)

Please Take Care Of Me Picture Disc Edition

Release: 1996 / EU – Reissue

Genre: Electronic & Dance, Reggae & Dancehall

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The classic debut LP by Dub Narcotic Sound System, originally released on K Records and unavailable on vinyl for 25 years. The oddball indie-funk collective Dub Narcotic Sound System was spearheaded by vocalist Calvin Johnson, the former frontman of the legendary Beat Happening as well as the founder of the famed K Records label. Named in honor of Johnson's own Olympia, WA-based basement studio Dub Narcotic, the project was begun in 1994 with a rapid-fire series of funk-, rap-, and reggae-influenced singles including "Bite," "Fuck Shit Up," "Booty Run," and "Shake-a-Puddin'"; from the outset Johnson was the group's sole constant member, although over the course of subsequent releases, including the EPs Industrial Breakdown, Ridin' Shotgun, and Ship to Shore, the revolving lineup grew to include Olympia scenesters like Lois Maffeo as well as Larry Butler, Todd Ranslow, and Brian Weber, all three members of the hip-hop unit Dead Presidents. The first Dub Narcotic Sound System full-length, Rhythm Record, Vol. One: Echoes From the Scene Control Room, appeared in 1995; later efforts included 1996's Boot Party and 1998's Out of Your Mind. Sideways Soul, a collaboration with Jon Spencer Blues Explosion, followed in 1999. Trouser Press wrote that "when not delving deep into the usual sorts of ambient studio trickery, the songs hit a '60s R&B stride, bathing in the stoned soul picnic ambience with uplifting spirit."

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Velum Break

LP | 2021 | EU | Original (Touched Revolutions)

LP | 2021 | EU | Original (Because Music)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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One per customer only!

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Alex Beaupain

Love On The Beat

Parole E Azioni & Ces Cadaveres

Release: 2021 / EU – Original

Genre: Electronic & Dance, Pop

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Built around the successes of his soundtracks and songs for the movies of Christophe Honoré, Alex Beaupain’s profile in the ‘chanson française’ landscape is quite unique. Beaupain alternates between soundtracks, songs he writes for others (mainly great French actresses) and his own solo albums. In march 2021, Beaupain paid tribute to the late Serge Gainsbourg for the 30th anniversary of his passing during a special live on air event where he covered in full, with the Radio France Philharmonic Orchestra, Gainsbourg’s penultimate shocking album from 1984 : Love On The Beat. This experience led him directly in the studio with Saint DX as producer, the French American duet Faux Real singing backing vocals and a full string section to re-record this cult album with a 2021 twist. He had also dreamed of covering that particular album that had so much impact on him, musically and lyrically, when he first discovered it. The 80s funky sound of the record, produced by Billy Rush, was a new start for Gainsbourg and at the time, the lyrics schocked everyone but achieved to avoid any censorship.

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Detriti Split 4

LP | 2021 | EU | Original (Detriti)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Collected Pieces: 2015-2020 Black Vinyl Edition

Mary Lattimore

2LP | 2022 | US | Original (Ghostly International)

2LP | 2015 | EU | Original (Warner Music France)

Release: 2022 / US – Original

Genre: Electronic & Dance

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In the afterglow of her acclaimed 2020 album Silver Ladders, Los Angeles-based harpist Mary Lattimore returns with a culminating counterpart release, Collected Pieces: 2015- 2020. The limited-edition LP features new and previously unreleased material, Bandcamp-only singles, and other obscurities alongside standouts from her 2017 tape Collected Pieces. Beyond the vinyl compendium, an expanded tracklist on the cassette/digital version brings more of Lattimore's archives together for the first time. Lattimore has described the process of arranging these releases as akin to "opening a box filled with memories," and here that box continues to populate, accessible for both the artist and fans. Evocative material separated by years, framed as a portrait of an instrumental storyteller who rarely pauses, recording and often sharing music as soon as it strikes her. Seemingly in constant forward motion for the last five years since her Ghostly debut, Lattimore glances back for a breath, inviting new chances to live in these fleeting moments and emotions; all the beauty, sorrow, sunshine, and darkness housed within. A trove of pieces are collected here, most recorded in the moment, just Lattimore and her Lyon and Healy Concert Grand Harp, contact mics, and pedals. Like her most affecting work, these songs showcase Lattimore's gifts as an observer, able to shape her craft around emotional frequencies and scenes. Her power as a musician is rooted in how she sees the world: in vivid detail, profoundly empathic, with deep gratitude for nature and nuance.

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St Germain

12" | 2016 | EU | Reissue (Mofunk)

Release: 2015 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl close to NM. Still in shrink, but opened

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Shiro Schwarz

Electrify / Breeze

Holy Wrath Purple Vinyl Edition

Release: 2016 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Described as "an audiovisual production and performance duo," Shiro Schwarz is truly a complete multimedia experience. The bright, 64-bit aesthetics of their visual style are a perfect compliment to their synth-heavy tunes, which blend elements of boogie funk, synth-pop, and new wave, while wrapping it all in an air of digital mystery, which lends deeply to the allure of their sound. This 12" maxi single includes "Electrify," originally released in 2015 on their "Street Beat" album, and "Breeze" from 2013's "Exoplanet Love." Originally pressed to wax in 2016, it sold out quickly and has become a scarce ﬁnd in the aftermarket. This 2021 reissue includes a full picture cover with art designed by Pammela Rojas of Shiro Schwarz.

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Dav Dralleon

LP | 2021 | EU | Original (Electronic Purification)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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2LP | 2018 | UK | Original (Wolf Music)

Moomin

Yesterday's Tomorrows

LP | 2021 | EU | Original (Epic)

Release: 2018 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Sealed copy!

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LOWLOW

In Prima Persona

Release: 2021 / EU – Original

Genre: Electronic & Dance

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LP | 2021 | EU | Original (Freedom To Spend)

Uman

Chaleur Humaine

12" | 2021 | EU | Original (4ncy)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Uman Is The Project Of French Musicians And Sibling Duo Danielle And Didier Jean. "Chaleur Humaine" Is Their Debut Album, Resurfacing For The First Time On Vinyl And Remastered Cd Since Its Original Release In 1992. Uman Experienced Varying Degrees Of Recognition With Chaleur Humaine At The Time Of Its Release, Specifically Around Tracks Plucked For Various New Age / Chillout Compilations, But Ultimately The Album Defies Genre In Its Exploration Of Voice And Sampling / Synthesizer Technology And Places It Alongside The Futurist Works Of Ryuichi Sakamoto, Nuno Canvarro, And Even Enya.Uman Resembles Human' In Many Romance Languages But Signals A Spirit From A Deeper Earth Force That The Duo Channel Throughout Chaleur Humaine, Manifesting In A Mantra Found Throughout The Album Reimagined In Various Languages Across Different Tracks: "It's This Force, Almost Animal, Warm, Like A Kiss, Fresh Like The Morning Dew, That We Call Human Warmth.Ü"Chaleur Humaine Has Become A Leftfield Classic Since Its Initial Release, And Long Sought After On Vinyl (The Album Was Only Available On Cd Until Now).Riyl: Nuno Canavarro's Plux Quba, Piero Milesi And Daniel Bacalov's La Camera Astratta, Cocteau Twins And Enya

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Pav4n

All On Black

Release: 2021 / EU – Original

Genre: Electronic & Dance

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The New Normal Transparent Vinyl Edition

Mark Hawkins

2LP | 2021 | EU | Original (Houndstooth)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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LP | 2021 | US | Original (Black Studies)

Lamin Fofana

Darkwater

Dave Sharp Worlds With Ndio Sasa

Release: 2021 / US – Original

Genre: Electronic & Dance

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Release Text:

High in the tower, where I sit above the loud complaining of the human sea, I know many souls that toss and whirl and pass, but none there are that intrigue me more than the Souls of White Folk.

Of them I am singularly clairvoyant. I see in and through them. I view them from unusual points of vantage. Not as a foreigner do I come, for I am native, not foreign, bone of their thought and flesh of their language. Mine is not the knowledge of the traveler or the colonial composite of dear memories, words and wonder. Nor yet is my knowledge that which servants have of masters, or mass of class, or capitalist of artisan. Rather I see these souls undressed and from the back and side. I see the working of their entrails. I know their thoughts and they know that I know. This knowledge makes them now embarrassed, now furious. They deny my right to live and be and call me misbirth! My word is to them mere bitterness and my soul, pessimism. And yet as they preach and strut and shout and threaten, crouching as they clutch at rags of facts and fancies to hide their nakedness, they go twisting, flying by my tired eyes and I see them ever stripped,—ugly, human.

The discovery of personal whiteness among the world's peoples is a very modern thing,—a nineteenth and twentieth century matter, indeed. The ancient world would have laughed at such a distinction. The Middle Age regarded skin color with mild curiosity; and even up into the eighteenth century we were hammering our national manikins into one, great, Universal Man, with fine frenzy which ignored color and race even more than birth. Today we have changed all that, and the world in a sudden, emotional conversion has discovered that it is white and by that token, wonderful!

This assumption that of all the hues of God whiteness alone is inherently and obviously better than brownness or tan leads to curious acts; even the sweeter souls of the dominant world as they discourse with me on weather, weal, and woe are continually playing above their actual words an obligato of tune and tone, saying:

"My poor, un-white thing! Weep not nor rage. I know, too well, that the curse of God lies heavy on you. Why? That is not for me to say, but be brave! Do your work in your lowly sphere, praying the good Lord that into heaven above, where all is love, you may, one day, be born—white!"

I do not laugh. I am quite straight-faced as I ask soberly:

"But what on earth is whiteness that one should so desire it?" Then always, somehow, some way, silently but clearly, I am given to understand that whiteness is the ownership of the earth forever and ever, Amen!

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Nairobi Music

LP | 2020 | KE | Original (Dagoretti)

2LP | 2021 | EU | Original (World Of Paint)

Release: 2020 / KE – Original

Genre: Electronic & Dance

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"DAVE SHARP called the Dagoretti Records office one day in September, 2016 asking if he could do a recording session in Nairobi. We naturally told him 'Yes!' not believing he might actually come. Through some twist of fate, Dave came into a handful of money and appeared unannounced in May of 2017. NDIO SASA were available without question. An SMS message was sent out to BOAZ JAGINGO (of KENGE KENGE ORUFU SYSTEM). A positive reply came immediately, time was booked at ADA and we were practicing the next day armed with nothing more than a few riffs and ideas. Dave is a well known professional bass player from Michigan with a heavy, distinctive sound with jazz, Indian, funk and metal influences. Boaz is among the best active musicians in Kenya, playing the orutu, a one stringed, violin like instrument from Western Kenya and singing in a traditional Luo style. KABOGE is an accomplished African percussionist who melds numerous percussion styles from East and West Africa. Alongside him is TOMO TSUKAHARA, percussionist from Japan who has lived in East Africa for nearly a decade. PETE LARSON plays the nyatiti, an eight stringed lyre like instrument from the Lake Victoria region of Kenya and the shamisen from Japan. Rounding out the sound is COLIN CROWLEY, a long time resident of Kenya who plays the American banjo in a Malian clawhammer style typical of the ngoni. This was a truly unique mix of people create a truly unique sound. The sessions for the album were nothing short of magical. Dave has brought in a few simple ideas and made almost no demands on what people played or didn't play. The songs you hear on this record arose organically from the unique combination of people who happened to be in the room on that particular day and would have been possible with no other group of musicians.

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Palmbomen II

Make A Film

Track Of Time Maw Remixes

Release: 2021 / EU – Original

Genre: Electronic & Dance

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This new album 'Make a Film' by Palmbomen II can be viewed as a (faux) crash course in filmmaking plus the soundtrack to score your first movie. A beautiful double vinyl album with a step-by-step course on writing, directing and shooting your first film. To make it easy, Palmbomen included 24 tracks that set the right mood for different scenes. From Medium Melancholy to Slightly Dark.

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Busy P

2LP | 2021 | EU | Original (Ed Banger / Because Music)

Windflowers Clear Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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2 x 140 G black vinyl, 12’’ sized, 45rpm , printed sleeve with 5 mm spine, 2 x standard dust paper inner sleeve, marketing front sticker Short Information/ Short Bio: Busy P - aka Pedro Winter- the boss of Ed Banger Records is back with his brand new EP “Track Of Time” ! Collector Double Black Vinyl edition . Features Haich Ber Na & Shay Lia + 3 exclusive remixes by the legendary Masters AT Work.

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Efterklang

LP | 2021 | EU | Original (City Slang)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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LP | 2021 | US | Original (Tompkins Square)

Elsa Hewitt

Lupa

2LP | 2021 | EU | Original (Pariter)

Release: 2021 / US – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Elsa Hewitt is a London-based music producer and writer hailing from Sussex, via Yorkshire. Beginning as a young singer-songwriter producing demos on a four-track, she progressed through fronting post-punk bands and solo electronic songwriting, all the while developing a passion for album-making which would ultimately lead her to electronic production, establishing her name producing avant-garde, experimental & ambient, leftfield dance, and lo-fi, psychedelia. Since her 2017 official debut ‘Cameras From Mars’, stepping onto the scene as a Future Bubbler and Lynsey de Paul Prize winner, Hewitt has amassed a series of distinct yet interlinked philosophical worlds; each one holding its own tones of joyful beauty and abstract darkness. With a boundless approach to merging elements of dance & ambient, Hewitt’s adventurous approach remains pinned by her earthy voice, idiosyncratic songwriting style and sharply poetic lyricism.

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Kosmogonik

Polyverse

2LP | 2021 | EU | Original (Fait Maison - Grand Musique Management)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Polyverse is the new debut album of the very exciting and fresh sounding Kosmogonik. Nine driving and atmospheric tracks that vibrate all the way from heavyweight techno to cosmic ambient.

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Jabberwocky

Feeling Dancing Tempo

LP | 2021 | EU | Original (Balmat)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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A download code is included. French electronic trio Jabberwocky are back with bangers. After 2 albums released on Polydor/Universal Music, 4 years of touring, and millions of views on streaming platforms and Youtube, the group of long time friends independently released a series of EPs with italodisco and 80’s clubs high energy influences. The producers are now imposing their italo-disco shift by announcing a new album to come in June 2021. “Feeling Dancing Tempo” is saturated with powerful beats and analog sounds inspired by space music and guaranteed to make you dance. Vital Sales Points: Named after a Lewis Carroll poem and consisting of three friends in Camille Camara (piano conservatoire), Emmanuel Bretou (self-taught guitar and bass), and Simon Pasquer (sampling and Mao), there’s a wonderfully organic sense of chemistry between each member. Best known for their hit single “Photomaton", Jabberwocky are now looking to evolve past their previous sounds into wholly new territory. Equally inspired by sci-fi films, Italodisco, and Salvador Dali, there’s multidimensional layers to Jabberwocky’s music that reveals new details with every listen. They’ve also been influenced by the energy accrued from years of touring alongside a recent move to Paris that’s engulfed them in the city’s long-standing culture.

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Luke Sanger

Languid Gongue

Honest Labour Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Balmat is a new label with a cloudy outline. Jointly shepherded by Philip Sherburne and Albert Salinas, two friends living in Cardedeu, Catalonia, and on the Balearic island of Menorca, Balmat grew out of Lapsus Radio, a weekly show on Spain’s Radio 3. Balmat’s mission is simple: to foster new ideas, expand upon personal obsessions, and put enveloping sounds out into the world. “Balmat” means “empty” or “void” in Catalan. But quite apart from any negative connotations, we prefer to think of it in terms of possibility: a space waiting to be filled. Balmat’s first release comes from Luke Sanger, a Norwich, UK-based artist whose two decades of electronic music making have encompassed a range of tools and techniques, from MaxMSP to modular synthesis. Along the way he has built an extensive catalog encompassing ambient atmospheres, abstract soundscaping, and more. With Languid Gongue, he puts multiple approaches into play. Experiments in microtonal composition balance out pieces in standard tunings, while esoteric electronic machines merge with familiar acoustic treatments and microphone techniques. The result is a constellation of his signature sounds: freeform new-age fantasia; spring-loaded toytronic arpeggios; quartz-driven braindance clockworks. Drifting between consonant, almost lyrical compositions and shape-shifting textural sketches, the album drifts with the nonchalance of a sky-high cirrus cloud, and it glows as if illuminated from within. When we heard the material, we knew that it was the perfect choice to launch the label. To us, it sounds like a roadmap for points unknown.

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Space Afrika

LP | 2021 | US | Original (Dais)

The Long And Short Of It Forest Green Vinyl Edition

Release: 2021 / US – Original

Genre: Electronic & Dance, Pop

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Manchester UK's Space Afrika make music of what they term "overlapping moments" - oblique mosaics of dialogue, rhythm, texture, and shadow, half-heard through a bus window on a rainy night. Honest Labour, the group's first full-length since 2020's landmark hybtwibt? (have you been through what i've been through?) mixtape, expands the project's palette with classical strings, shimmering guitar, and visionary vocal cameos, leaning further into their enigmatic fusion of ambient unrest and cosmic downtempo. It's a sound both fogged and fragmented, at the axis of song craft and sound design, born from and for the yearning solitudes of life under lockdown. The album title is tiered, alluding to a legendary patriarch from co-founder Joshua Inyang's Nigerian family tree (who was lovingly called "Honest Labour" for his loyalty and resilience) as well as the nature of self-designated work, such as Space Afrika's music - a "labor of love" in its truest sense. With fellow co-founder Joshua Reid recently relocated to Berlin, the pair began sharing files last fall, piecing together poetic vignettes of looping haze and found sound, inspired by the notion of "records that leave an impression, and help the listener deal with their life." As the isolation of Covid compounded with the worsening winter, the songs skewed increasingly introspective and emotive, reflecting a mood of dissipating futures and the infinite nocturnal unknown. The artists cite two core motivations for Honest Labour: to transcend the sum of their influences, and "to show what we're capable of." Both ambitions are entirely realized. The collection's 19 tracks flow with a synergy and sophistication as rare as they are radical, untethered to the dusty dub-techno templates of Space Afrika's early years. These are interstitial anthems, expressionistic and open-ended, delirious but deliberate, attuned to the drift and dreamstate of the present moment: "Ultimately this is an homage to U.K. energy, and an album about love and loss."

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Quickly, Quickly

LP | 2021 | US | Original (Ghostly International)

LP | 2021 | EU | Original (n5MD)

Release: 2021 / US – Original

Genre: Electronic & Dance

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Debut full length from Portland-based DIY multi-instrumentalist; for Fans of King Krule, Unknown Mortal Orchestra, Thundercat, Shigeto, Mild High Club, Crumb. Portland, Oregon-based musician Graham Jonson started early: playing piano as a toddler, finding the music of J Dilla in fifth grade, and self-releasing singles by age 16. First appearing under the name quickly, quickly in 2017, his project's profile has since grown fervently with fans in the beats-oriented corners of SoundCloud, YouTube, and Reddit. Some of his early tracks tally north of 10 million plays on Spotify. The figure isn't meant to flex as much as it is to point out that Jonson's work has resonated without the traditional industry levers; he is a wunderkind DIY internet success story, but, by his own assessment at the present age of 20, he's only now getting serious. With The Long and Short of It, his Ghostly International debut, Jonson reinvents his project as a full-fledged songwriter, vocalist, and arranger, playing nearly everything from drums to keys and guitar. The resulting sound straddles jazz, hip hop, R&B, and psych-pop while suggesting a wholly genre-less path forward. Recorded during and after a short-lived move to Los Angeles, songs find Jonson cool and comfortable, navigating the planes between anxiety and apathy, distance and desire with lyrical vulnerability and introspection. A student of the Stones Throw catalog (his favorite is Madlib's Quasimoto), Jonson remains rhythm-driven at heart, trusting his instincts in this new palette of organic instrumentation and verse-chorus structure. Tracks glide and bump with tasteful care to tempo as his scene-building and storytelling knack comes into focus. Jonson's past material often suited passive listenership, the kind of bedroom-produced beat music that offers secondary utility and function as a companion to primary activities. The Long and Short of It showcases an evolutionary step into a style that uses chops cultivated in that niche that demand a more active listenership. That attention is rewarded with earworms, dazzling production flare, and earnest, genre-spanning songwriting. Opener "Phases" launches on the radical wisdom of the album's sole vocal feature, courtesy of renowned poet and activist, Sharrif Simmons, who contributes a psychedelic poem spanning cosmic existentialism _ something he wrote off the cuff during a session. As the fiery spoken word unfolds, a frenzy of drum grooves from Micah Hummel and strings from Elliot Cleverdon rise higher into the mix, all setting the stage for Jonson's debut at the mic and keys. The back half of "Phases" shifts into a hypnotic instrumental, the drums interlocking on guitar lines, pausing for a spacious break before reassembling twice as potent, riding into a blissful, cathartic saxophone solo by Haily Naiswanger. "Shee" was written on his girlfriend's guitar and every line glows with uncomplicated adoration. He is captivated in this daydream, which drifts off into a haze of strums and hums. We wake to the looping drums of "Leave It." Above the pattern, layering piano and guitar, Jonson pokes holes in himself _ his "cognitive dissonance," being "too jaded" to see what's right in front of him - the notions blurring back into that haze on an outro of sublime ambient psych-jazz. Jonson returns to the piano for "I Am Close To The River," the place he goes to break a creative rut, as he was the morning this bittersweet melody entered his mind. He says the song is loosely based on a psychonautic experience he had along the Willamette River. Once home, he put the song to paper, over time arranging a bucolic mix of shimmering chimes, saturated percussion, and orchestral strings from Elliot Cleverdon. A highlight on the record's b-side, "Everything is Different (To Me)" features all the traits of the new quickly, quickly in one ambitious suite: a catchy guitar loop, a classic hip-hop drum break, a swell of strings, and sly chord progression changes, all in clever contrast to Jonson's lyrics detailing bouts with lethargy. The album ends on a series of questions in the poignant "Wy," a delightful resignation. Jonson, lonely in LA, spins the hypochondriac wheel and checks off concerns that seem to plague internet dwellers; his neck hurts, his hands are shaky, his stomach feels off. He dismisses his need to self-diagnose and opts to lean into the moment through music. A billowing outro builds on airy synths, his contemplative guitar strums, and a soothing water droplet sound. The comedown is "Otto's Dance," a brief instrumental reverie nodding to one of his favorite Brazilian albums, Milton Nascimento and Lô Borges' Clube Da Esquina. That's The Long and Short of It, a summary of transition, self-validation, and a great leap forward in a young artist's life.

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Jason Van Wyk

Threads

Lost Shapes Orange Splatter Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Threads is the 4th solo full length from Cape Town, South Africa based composer Jason van Wyk and his debut album for n5MD. Previously known for his progressive trance works, van Wyk has spent a lot of his time as of late composing for the film industry. In 2013, his solo output switched to more pastoral forms of neo-classical leaning ambient with his first full-length Days You Remember, before moving into more piano-based composition for Attachment (2016) and Opacity (2017).

Threads does reflect some of his previous ambient works; however, the album shows van Wyk composing music for (and of) current times. There is a much-welcomed underlying beauty to Threads, but there are also threads of anxious- ness and unwavering intensity throughout its forty-minute run-time. It's an engaging listen full of texture where each piece takes you on an engrossingly escapist journey.

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Waveshaper

LP | 2021 | EU | Original (Electronic Purification)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Lost Shapes Green Vinyl Edition

Waveshaper

LP | 2021 | EU | Original (Electronic Purification)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Constant Green Dark Green Vinyl Edition

Matt Christensen

LP | 2021 | EU | Original (Miasmah)

2LP | 2021 | EU | Original (Organic Analogue)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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A download code is included. Zelienople frontman Matt Christensen returns to Miasmah with Constant Green - a record of reverberant country inspired songs that puts the weight somewhere between Johnny Cash and Slowdive. Matt pours out his soul through flashes of life - small and large. His voice roaming over the guitars in a way which feels like a floating poetic deluge.

Appearing fresh from last years Zelienople album Hold You Up, Matt has made a very personal record that arrives as perfectly as it could be. It is full of beautiful sparse moments that capture the feeling of time standing still while simultaneously flashing in front of your eyes. As a child of the 70ies, growing up with country influenced AM rock on the radio, riding around in cars without seatbelts, Matt creates this nostalgic feeling of free riding through the city streets at dusk : a dream world where one can see green as a symbol for humanity and optimism. Not to say the album doesn't have it's share of darkness. Christensen always lingers deep in melancholy, driving his fears and anxieties out through music.

Visions of being able to move anywhere, picking his mother up from jail, family matters, change, the small things in life - all outtakes from what he sings about. Although it's hard to pick up on unless you really listen, as his ramblings can at one moment be fully clear while in the next drowned or muffled - becoming a mere meditative element to the music. Steady collaborators Brian Harding and Eric Eleazer from Zelienople accompanies on pedal steel and keys to further fill the sound into a warm dream, following in the footsteps of Matt's previous Miasmah album Honeymoons (2016). That said, while Honeymoons used drum machines and vast open spaces, Constant Green is another step closer towards the classic singer-songwriter folklore. Timeless gold from an artist that never stops creating.

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Jean Louis Huhta

Wormhole Of Time

Spectre: Machines Of Loving Grace

Release: 2021 / EU – Original

Genre: Electronic & Dance

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This archival release on Organic Analogue digs back into the prolific ‘90s period of Swedish techno maverick Jean-Louis Huhta, aka Dungeon Acid. These days he releases on iDEAL, Fit Sound, Börft and Klasse Wrecks, but he cut his techno teeth on labels like Hybrid, Svek and H. Productions. Clad in artwork details by Swedish graffiti legend Nug, Wormhole Of Time comprises unreleased cuts and long out-of-print jams spanning many of Huhta’s aliases. The release also comes with a zine featuring photographs and an interview reflecting on Huhta’s multifarious life in music.

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Para One

2LP | 2021 | EU | Original (WRWTFWW)

Guitar Mural 1 Feat. The Machines Clear Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance, Soundtracks

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Machines of Loving Grace, available in half speed mastered 180g double lp housed in a heavy sleeve with UV spot varnish. Machines of Loving Grace, the new album by Para One, whose real name is Jean-Baptiste de Laubier could be called fiction. It is an object freed from constraints, formats, genres, territories: the gospel of a new world. Six years after Club, eight years after Passion, his previous LP, this lover of electronic music, who has also been putting his sensitivity to the service of movies (soundtracks for Céline Sciamma in particular) opens with this record a new dimension in his artistic career. “I needed to break away from patterns and systematisms of formats, and take unexpected turns. To do so, I had first to allow myself to do so”. Allow oneself and maybe above all confront oneself – with one’s childhood, with one’s childhood’s ghosts, and what fantasies, ideals, memories, and grey areas they harbor. He had to go back – without giving up on his position as an adult, as a full-fledged artist – to the sources of his imagination, to the moment when music was holding almost mystical power. And then revisit it to make something new out of it. Just like Sanity, Madness & the Family (the feature film directed by Para One that he just finished and of which it is a consubstantial part), Machines of Loving Grace has an investigation around a family secret and the father figure as its starting point. “When you go down the path – of a work, of a person, of the past – you never really find out what was.

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Remko Scha

2LP | 2021 | EU | Original (Black Truffle)

LP | 2021 | UK | Original (Pan)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Black Truffle is pleased to announce the first-ever vinyl reissue of Remko Scha’s Guitar Mural 1 featuring The Machines, originally published as a rare cassette edition by Taal Beeld Geluid in 1982. A computational linguist by profession, Scha played an important role in the development of sound, installation, and digital art in the Netherlands from the late 1970s onward, co-founding the performance and exhibition space Het Appolohuis in Eindhoven in 1980. Alongside Paul Panhuysen and Jan Van Riet, Scha was a founding member of the radical improvisation group The Maciunas Ensemble, though he is best known for his work with mechanised electric guitars, documented on the legendary 1982 LP Machine Guitars.

Guitar Mural 1 documents an installation of Scha’s mechanical guitar ensemble The Machines held at a Groningen gallery space in 1982. Five electric guitars hang from the wall, their strings sounded by rotating rubber strings and a sabre saw controlled by a mechanical apparatus, as well as four ropes criss-crossing the five instruments on the wall. Once the mechanism was set up, Scha’s only intervention was to vary the speed at which it operated. Where Machine Guitars presents short excerpts clearly distinguished by rhythmic and timbral variation, here we are confronted with four enormous side-long slabs of percussive string attack and the resulting clouds of harmonics. Variation is minimal across the duration of each side, making for a sculptural listening experience, as if we are patiently examining each facet of a static object. But significant variety exists between the four sides, each of which shows off a different facet of what The Machines were capable of. The first two excerpts feature open strings sounded at rapid tempos, dissolving the percussive attack into a continuous stream of sound reminiscent of Charlemagne Palestine’s ‘strumming’ technique. On the third side, the strings are partly muted and the tempo slightly lowered, resulting in layers of relentlessly chugging rhythm somewhere between an ensemble of hand drums and an early Velvet Underground bootleg. On the fourth side, havoc breaks loose in percussive waves of asynchronous repetition that bring Scha’s sound world close to that of another pioneer experiment in musical mechanisation, the Solar Music of Joe Jones.

Presented as a limited edition 2LP set in a deluxe gatefold sleeve accompanied by stunning visual documentation of the original installation, remastered audio and new liner notes from Alan Licht and Van Lagestein, Guitar Mural 1 is an exhilarating document occupying a unique space between kinetic sculpture, hardcore minimalism and rock & roll.

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Pan Daijing

Jade White Vinyl Edition

Preacher's Sigh & Potion: Lost Album Yellow & Black Marbled Vinyl Edition

Release: 2021 / UK – Original

Genre: Electronic & Dance

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What if a song was not a culmination but a singe, an imprint, or a crater left in the wake of creative process? On her new record "Jade", Pan Daijing composes at a different scale than that we've come to know. Since the release of her groundbreaking LP "Lack" in 2017, Daijing has expanded her operatic vision into a series of major commissioned exhibition-performances at institutions including the Tate Modern, Martin Gropius Bau, and the Haus der Kulturen der Welt. Developed for full casts of opera singers and dancers, and reaching for an all-encompassing durational experience of intensity for both performer and audience, the development of these works was for Daijing as emotionally disarming as it was thrilling. In order to continue accessing her own limits, Daijing had to develop a place of sanctuary within her own practice. Its nine tracks written and recorded over the last three years, "Jade" is the sound of solitary release and refuge, of creative self-sustenance. Written without the imperatives of direct address to performers or audience, "Jade" speaks inward, while inviting a kind of rhetorical listening. The artist draws on materials familiar from her previous work: namely, ascetic electronic textures that rumble and pierce, and voice bent in irreverent directions. In place of catharsis, however, her arrangements here linger in tension, extending curiosity towards the delicate void that nourishes extremes. They toy with the minor capacities of song: repetition, chant, observations that conclude without resolving. "Jade" comes from a vulnerable place, tender as in an undressed wound caught in the midst of healing over. Vocals, mostly Daijing's own, arrive as wordless sequences of notes soaring alongside a drone, or plain laughter, or in a few places spoken word. What is said or sung provides fragments of experience and reflection. In the process of piecing together these fragments, the listener is confronted with the tender parts of her own. "Solitude is like an immense lake you're swimming through," says Daijing of these songs. "Sometimes you dip your head in and sometimes you lift it above. On album centerpiece "Let," she speaks to us over the sound of rippling water, returning between anxious scenes to a refrain: "I take my bath in the ocean." We are not just consuming Daijing's story; we are being invited to join her in the water. The album is mixed and mastered by Rashad Becker, featuring artwork by Pan Daijing, cinematography by Dzhovani Gospodinov & design by NMR.

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Matthew Dear

LP | 2021 | US | Original (Ghostly International)

2x12" | 2010 | UK | Original (Honest Jon's)

Release: 2021 / US – Original

Genre: Electronic & Dance

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This unearthed Matthew Dear album was originally recorded after his acclaimed album Asa Breed (2007). Riyl: Beck, Bill Callahan/Smog, Bibio. Twenty-plus years into his career, producer/vocalist/songwriter/DJ Matthew Dear remains artistically unpredictable in pursuit of his prescient strain of electronically-formed, organically-delivered indie pop. His work traverses myriad musical worlds, belonging to none. But these fluid moves have not been without a few forks in the road, decisive turns, and what-ifs. Most notable is the pivot-point following Dear's acclaimed 2007 avant-pop LP, Asa Breed, in which he broke away from the 4/4 grid of his techno/house debut Leave Luck To Heaven and into something much more wild and idiosyncratic. Traveling between his adopted Detroit and his home state of Texas throughout 2008 and 2009, Dear amassed a set of personal, playful, looping guitar-centric recordings he'd consider for his next album. Given the new momentum of the hybrid electronic pop of Asa Breed which led to an opening slot for Hot Chip and remixes for `00 heroes like Spoon and Postal Service, Dear decided to shelf the material. He moved ahead to work on his watershed 2010 album, Black City, a steely noir set which earned him a Best New Music on Pitchfork and a worldwide tour with a besuited band. This "lost album" had a sound, a spirited country romp in the techno barn, and it had a rough title, a scribble on one of the CD-Rs passed to Ghostly label founder Sam Valenti IV, Preacher's Sigh & Potion. He never fully walked away from it, and merely kept moving down the road, waiting for the audience to catch up. Over a decade later, that time is now. Preacher's Sigh & Potion finds Dear unknowingly at an intersection in his young run, a burgeoning songwriter at his most freewheeling and unaffected. In hindsight, there were hints of Preacher's sound on Asa Breed, but the set still registers endearingly out of step with his eventual direction. This was the first time Dear tapped so directly into his late father's influence as a fingerpicking guitar player in the 1960s and `70s and a gateway to the music of John Prine, Townes Van Zandt, and Emmylou Harris. From the twang and tambourine stomp of album opener "Muscle Beach," to the metronome-like pulse of "Hikers Y" complete with an unmistakable Matthew Dear dryly dismissive mantra, to the gloomy carnival-leaving- town pomp of "Gutters and Beyond," Preacher's Sigh & Potion is filled with the reckless notions of an artist dashing the history of pop and rock, the twang of country, the build and release of techno. Dear is an auteur, and in retrospect, so many of his signatures crop up in these relics from his former self.

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Actress

Splazsh

Release: 2010 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

2x12" | 2021 | US | Original (Cityboy Music)

Eddie Fowlkes

1-2-3

Dimensions Parallel Edition

Release: 2021 / US – Original

Genre: Electronic & Dance

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Eddie 'Flashin' Fowlkes, the godfather of techno-soul is back on his own Cityboy label.

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Steve O'Sullivan

2LP | 2021 | UK | Original (Sushitech)

2LP | 2021 | UK | Original (Sushitech)

Release: 2021 / UK – Original

Genre: Electronic & Dance

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Part Three of Steve O'Sullivan's 'Dimensions' album series featuring collaborations with Ricardo Villalobos, Dana Ruh , Thomas Melchior and Soela.

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Steve O'Sullivan

Dimensions II

LP | 2021 | UK | Original (Pan)

Release: 2021 / UK – Original

Genre: Electronic & Dance

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Part Two of Steve O'Sullivan's 'Dimensions' album series featuring collaborations with Steve Rachmad, Mark Broom, Markus Suckut, Vince Watson, Exos, Soela, Derek Carr, Conforce and Prince Morella.

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Ziur

Antifate

LP | 2021 | EU | Original (Music From Memory)

Release: 2021 / UK – Original

Genre: Electronic & Dance

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Ziúr's music has always been difficult to classify. A longtime fixture in Berlin's nightlife, the musician, producer and DJ has cut through decades of threads to arrive on a sound that accurately represents her journey. She's sung, played guitar and drums and reduced club music to a burning cinder; with "Antifate", her third album under the Ziúr moniker, she approaches electronic music without any preciousness or reverence to genre. 2019's acclaimed "ato" re-introduced songs to her canon, contorting her vocals over an undulating electronic backdrop. On "Antifate", she takes this idea further, pushing abstracted pop forms into mists of digital euphoria and extracting unexpected instrumental flourishes from collapsing clouds of distorted rhythm. Electronic instrumentation is melted into acoustic sounds and vice-versa, creating a breathing organic universe that's entirely Ziúr's. "Antifate" is an abstract reference to the mythical land of Cockaigne, a utopia where wine flows freely and houses are made of cake, that provided escapist fantasy for medieval peasants. As the space between our private worlds widens, this fantasy becomes alluring once more - a place where we feel free, with the people who allow us that freedom. With this in mind, Ziúr crafts a soundtrack that's fantastical and magical, hinged on the idea of closeness and connection at a time when distance is mandatory. Ghostly voices echo wordlessly over clattering beats and dubwise bass on opener `Alive, Unless?', while the album's title track sings a more epic fanfare, with a chorus of voices echoing into glittering synthesizer pearls and volcanic kicks. "Antifate" is almost even theatrical at times, something never more evident than on the Talk Talk-esque `Fringe Casual' with its dreamy piano and plucked bass and on closing track `The Carry', where flute is introduced into Ziúr's rapidly expanding narrative. It's tempting to say that this is the album Ziúr has been destined to make, but "Antifate" rejects this concept. Rather, this is the album that Ziúr needed to make now, surrounded by the people that have been able to offer her the place to do it. In mapping out her mythical paradise, Ziúr has produced an album that is deeply tender and inescapably human. It's an album about freedom, and she has never sounded so free. The album is mixed by James Ginzburg & mastered by Rashad Becker, featuring artwork by Stefan Fähler.

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The Zenmenn

Enter The Zenmenn

Confusional Quartet Colored Vinyl Edition

Release: 2021 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Returning with another debut album for 2021, Music From Memory are delighted to introduce a new band, The Zenmenn, with their first ever release ‘Enter The Zenmenn’. Whilst little about the band is made known, their work is described by writer Winton Rousseauas an “experiment in harmonic convergence emerging from a deep respect for cosmic symmetry and a resistance to the prevailing Zeitgeist.” ‘Enter The Zenmenn’ sounds as old as it sounds new, as organic as it is electric, as harmonic as it is rhythmic, and the album’s fusion of different palettes, colours, tempos, instruments and sources offer a harmonious balance and unity that already feels like the perfect soundtrack to a better world. In a time of what they see as spiritual neglect, it offers a “human kind of stillness” through the “dualistic fusions of complexity and simplicity, mystery and clarity and East and West”. Mfm054 will be released in LP and digital format, comes with artwork by Bráulio Amado, and is expected to be out on April 12th 2021.

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Confusional Quartet

LP | 1980 | EU | Reissue (Italian / Disordine)

LP | 2021 | EU | Original (Rush Hour)

Release: 1980 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Out of any classification of musical genre, “Confusional Quartet” is a distillation of the creativity and freedom of expression that in 1977 put Bologna at the center of the international cultural scene. This record places the Confusional Quartet in the history of Italian alternative music.

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Terrence Dixon

Reporting From Detroit

LP | 2021 | US | Original (Jagjaguwar)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Seven years after the classic ‘Theater of a Confused Mind’ (as Population One), Detroit techno phenomenon Terrence Dixon is back on Rush Hour with a new album, this time under his own name. ‘Reporting from Detroit’ is another prime example of the distinctly unique sound language Dixon has developed over the last three decades - defiant, forward-thinking afrofuturist techno that could only have been made in the Motor City. The first pressing is limited and holds an extra record with 2 extra tracks called "Electronic Travellers" & "Growth And Development".

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Ross Gay

Dilate Your Heart

Release: 2021 / US – Original

Genre: Electronic & Dance

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· First release of the Jagjaguwar 25th anniversary celebration happening in 2021. · Features production and composition accompaniment from Bon Iver, Mary Lattimore, Angel Bat Dawid, Gia Margaret, and Sam Gendel. · Limited edition Opaque Green vinyl. Over the last 12 years, Ross Gay's poems have given us indelible images and phrases of radical empathy and unabated gratitude; about community, collaboration, connectedness and hard work. They have crept into our hearts and made a home of all of us. And so we are launching our 25th Anniversary celebration with `Dilate Your Heart', our first spoken word album since titan Robert Creeley's self-titled release twenty years ago. "Catalog of Unabashed Gratitude" is given a gorgeous, slowly creeping bed of vines by Bon Iver, as Gay's unadorned voices speaks a lifetimes of Thank You's. On "Burial," harpist and composer Mary Lattimore's lunar landscape follows Gay's voice into space, telling of our endless energy exchange with nature. Chicago's Angel Bat Dawid dances with the frenetic, joyous scene Gay leads us through on "To the Fig Tree on 9th and Christian," in which a group of Philadelphia strangers scramble together to harvest the fruit of the titular urban fig tree. Songwriter Gia Margaret provides a mystical, amniotic environment for Gay's "Poem To My Child If Ever You Shall Be," a love letter to an imagined future child, treating Gay's voice like a message in a bottle to a far off idea made only of love and potential. Sam Gendel, a secret weapon collaborator, affects Gay's voice on "Sorrow Is Not My Name" to something glassy and almost singsongy. Throughout, Gay recites his poems with bright aliveness, his voice as warm and easy when he speaks about death as when he speaks about mercy, or love.

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3LP | 2021 | UK | Original (Lonewolf)

The Wolfpack

LP | 1980 | EU | Reissue (Glossy Mistakes)

Release: 2021 / UK – Original

Genre: Electronic & Dance

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EYA's sister label Lonewolf celebrates 2 years of activity with a 3x 12"!The VA explores a wide range of electronic music styles...from ambient to techno,breaks,electro,acid and more! 'The Wolfpack'will be a must in every record bag and vinyl collection!Music by Innershades,Es-Q,Matthew Dexter,Dom,Zolaa,Intareality,Tadan,Paradise City Breakers,NND,Cool and Frank,Patient Better Drivers.

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Stu Cisco

Amanita

DJ Kicks Black Vinyl Edition

Release: 1980 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Originally released in 1980, ‘Amanita’ is an early approach of Canadian artist Sherine Cisco, formerly known as Stu Cisco, to the limitless world of synthesizers in music, through ambient, progressive rock and drone noise. A unique combination of ambient, progressive rock and even drone noises and space-age that converged in ‘Amanita’, her first full album and a piece of music history. This LP marks a milestone in the investigation, experimentation and evolution of musical instruments, where the Mini Moog demonstrated its versatility and creative potential, opening Sherine a path of limitless possibilities.

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Special Request

2LP | 2021 | EU | Original (!K7)

LP | 2021 | EU | Original (Nashazphone)

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Special Request continues his impeccable run of form with a typically fervent entry into the DJ-Kicks mix series. His adventurous 25 track mix takes in personal favourites, new school classics and of course a selection of his own brand new and exclusive edits, dubs and reworks next to some overlooked gems. Leeds based Paul Woolford dares to go where few others do. He can do face-melting underground bangers, peak time piano anthems, ambient cinematics or chart climbing crossover hits. What unites his work as Special Request across labels like Houndstooth and R&S, though, is precision engineering, but never at the expense of real, raw emotion and visceral impact. He is an artist who very much pours his heart into everything he does, and has been on such a prolific run in recent years that it has been impossible to keep abreast of all his many projects. Even in this mix, he hints at yet more new sides and sounds. As always with Special Request, this is an emotional, full spirited ride through the musical mind of one of the most accomplished artists of the day.

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Valerie Smith

We're Depressed

You're My Latest, My Greatest Inspiration Yellow Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Brutally anxious and sensitive noise techno tribute to underground comic artist Mark Beyer, shredding noise harmonics and ragged-out techno pulses for fans of Merzbow, Russell Haswell, Eva Justka, Astral Social Club. Savage noise tekno psychosis from Valerie Smith, a hairy man from Paris who also makes music as Z.B. Aids, here paying dues to the bleak underground ‘80s comics of Mark Beyer for a fierce debut with vital Algerian/Egyptian label, Nashazphone. ‘We’re Depressed’ acknowledges a severely modern sense of anxiety in torrents of bilgy rhythmic noise that pumps in a vein of esoteric activity linking Pat Murano’s Decimus to Ewa Justka, to Masami Akita and Sun Ra. Burned out dance pulses rev into murky warehouse space, delivered with a hands-on style that feels as uncannily descriptive as Mark Beyer’s often wordless comic strips’ approach to a world of emotional bleakness and naive beauty.

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Jasper St Co.

2x12" | 2021 | EU | Original (Nervous)

LP | 2021 | UK | Original (Flau)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Jasper Street Co. is one of the House Music community’s signature artist endeavors. Produced by Baltimore’s legendary production team The Basement Boys, and consisting of a collection of singers who can emote on the highest level of gospel, soulful and peak hour house, this collective has been riding high for years and is now going next level with the recent release of the “Rejoicing” album on Nervous Records. Prior releases from the album have skyrocketed to the top of DJ sales and club charts, with “Praying For You” being nominated for a Grammy for the Louie Vega remix in the Best Remixed Recording (non-classical) category.

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Crystal

Reflection Overdrive

2LP | 2021 | EU | Original (Mule Musiq)

Release: 2021 / UK – Original

Genre: Electronic & Dance, Pop

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Crystal are experts at their own brand of retro-futuristic synth. Discovered online by Gaspard Auge (justice) and Surkin, the world has steadily been taking note of the duo. Headed up by Ryota Miyake (aka flau roster artist Sparrows), the duo's sound may have taken different trajectories, but their experimental, energetic new wave meets techno with added video game music continues to turn heads. With Sunao Maruyama alongside Miyake, Crystal have collaborated with big names throughout their career. Their GET IT EP (2013) appeared on French label Sound Pellegrino, complete with a feature spot from label head Teki Latex. On their 2015 album Crystal Station 64 the duo collaborated with Ikonika, and in 2016 Crystal even jammed with the Thundercat at Rbma Montreal. The duo (Ryota Miyake and Sunao Maruyama), seamlessly mix techno, video game music, new wave and electropop for their modern, eclectic take on vintage synth music. Crystal's Reflection Overdrive is their second album in five years, arriving hot on the trail of 2020's Ecco Funk EP. While the album is a sure showcase for the duo's unique blend of '80s synth and video game soundscapes, Reflection Overdrive also marks a return to a bolder, more experimental side to Crystal, making for an exciting, multi-faceted journey through time and space. The album featuring the guest like Matias Aguayo, and more.

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Koss

Ancient Rain

Release: 2021 / EU – Original

Genre: Electronic & Dance

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LP | 2021 | EU | Original (Music From Memory)

Yu Su

Yellow River Blue

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Music From Memory are excited to present the debut LP of Kaifeng born, Vancouver based artist Yu Su in collaboration with Chinese label bié Records. Titled 'Yellow River Blue' it is our first release of 2021 and the second collaboration between label and artist, following up on the strongly received EP 'Roll With The Punches' from 2019 on Second Circle. Named after the world’s most heavily silted river, 'Yellow River Blue' is Yu Su's personal musical autobiography, constructed around stories of chasing something inconceivable. Written and recorded in different continents in between August 2019 and March 2020, all songs seek to musically translate years of moving and touring, temporarily settling, and the feelings of both being turned away and accepted. In her own words, “The world is my home and it isn’t, but as long as there is generosity of water and mud...” It is an homage to her home beside the Yellow River. Yu Su's debut album consists of eight songs that are versatile in both writing and aesthetics. Versatile individually, consistent as a whole. Yu Su is in a class of her own, dodging the obvious while combining sounds and inspirations of various origins into a new destination that sounds like her home in the here and now. It's a release that is constantly in motion and moves fluently between contemporary pop, ethereal sound compositions and dance-floor experiments. 'Yellow River Blue' comes as part of a collaboration with Yu Su's co-founded new label bié Records and will be released as Mfm052 in vinyl format by Music From Memory on January 25th 2021, after seeing a full digital album release via bié on January 22nd in the new Year of the Ox, according to the Chinese zodiac. Both formats come in different exclusively designed artworks.

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Welcome To Paradise Vol. III: Italian Dream House 90-94

2LP | 2018 | NL | Original (Safe Trip)

Release: 2018 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

New Beat Trax & Old School Beats

A Compilation Of Number Nine Black Vinyl Edition

2LP | 2021 | EU | Original (Finex Fire)

Sithabo Clear Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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180g Double LP (45 rpm) black vinyl pressing, gatefold cover (incl. download code). With 11 tracks spanning from the origins in 1990 to the rebirth since 2005, N9's most wanted releases are here, remastered by French sonic wizard André Dalcan, ready to get turntables at the right 33+8 mood, and get the white glove raised again!

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One Of Them

LP | 2020 | EU | Original (Artificial Owl)

LP | 2020 | EU | Original (Caldeira)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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After releasing on record labels like Brooklyn-based Wolf and Lamb (Crew Love), Moodgadget (Ghostly International Sub Label) Digweed’s Bedrock and Satoshi Tomiie's Saw, and having already played at numerous venues in New York City (Output, Coco66, Filter 14), Music Festivals like Okeechobee Music Festival and Aurora Festival in Mendoza, Argentina, Niko Dalagelis, aka One Of Them, is releasing his first Ambient Album "sithabo" on his record label Artificial Owl Recordings. The release will be available on December 2st, 2020 as a limited 300 Clear Vinyl Edition.Niko has been creating music for over 20 years and has numerous Electronic and Ambient EP releases on various record labels. Sithabo will be his first Ambient LP and will be released on his own Artificial Owl Recordings which will be focused on experimental and electronica music. Each track on the album represents a moment inspired by Niko's past 3 years of touring and traveling in places like Tokyo, Berlin, Okinawa, Fiji and more. All 12 tracks in Sithabo (Greek for Dusk) were written, produced and mastered by Niko in New York City using the Yamaha CS, the Roland Tr-8s, Zoia Empress and numerous fx plugins used on live recording taken from nature and indoor recordings (Niko's shitty refrigerator in NY and night birds in Okinawa Japan).

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Louis Crelier

Rester Partir

LP | 2021 | EU | Original (Nahal)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Fresh imprint Caldeira open their account with the first vinyl retrospective of Swiss composer Louis Crelier, whose FM sorcery and LinnDrum drama takes the listener away to an imaginary Africa. Standing proud amid the sound waves, Caldeira emerges with a singular mission; to bring us music with hidden depth. Whether it’s a reissue or retrospective, archival or original, each release reflects the Michelin-grade tastebuds of label founder Camille Bertin AKA Plastic Bamboo.

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Foudre!

Future Sabbath

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Continuing its exploration of improvised music as a haunting ritual at the confines of the Martian territories of noise, drone and ambient, Foudre!, the supergroup composed of Frédéric D. Oberland (Oiseaux-Tempête, Le Réveil des Tropiques, FareWell Poetry), Romain Barbot (Saåad), Paul Régimbeau (Mondkopf, Extreme Precautions, Autrenoir) and Grégory Buffier (Autrenoir, Mätisse) invites us to take part in its Future Sabbath. Fifth album of the group, this project stems from a desire to probe the invisible forces that live within us, through a ceremony that brings together occult sciences, forgotten landscapes and the fever of the unconscious. Created around the recording of one of their live shows at Instants Chavirés (Montreuil, France), overdubbed by the band then produced by their dedicated sound engineer Camille Jamain, it is also an invitation to a dance, a secret dance, embodied by a powerful breath of life, an electronic discharge against the temptation of a toxic cynicism.

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2x12" | 2018 | DE | Original (SEELEN.)

SEELEN.002

2LP | 2021 | EU | Original (City Slang)

Release: 2018 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover with ligth edge and corner wear

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Grandbrothers

All The Unknown

LP | 2020 | Original (Hallow Ground)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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On the leafy cover for their third album, All The Unknown, Grandbrothers invite the spectator to peer through the thick foliage of a hawthorn bush, seemingly powered by a similar sense of curiosity that informed their exploratory new record. Ditching the restrictions of their former setup, with their new record the Turkish-German / Swiss duo took a leap into the dense unknown—and landed on their feet.

The album maps out a wide-open soundworld of compositional possibilities for pianist Erol Sarp and producer / electronic engineer Lukas Vogel, who have been putting their modern and unique electronic spin on prepared piano since first forming in 2012. Forgoing the need to play every single note live, this new album sees the pair juxtapose the old and new once again, venturing further into the electronic cosmos armed with a grand piano, self-built computer-controlled mechanics, and a new sense of latitude.

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Mats Erlandson

Minnesmärke

LP | 2020 | Original (Fire)

Release: 2020 / Original

Genre: Electronic & Dance

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Mats Erlandsson Makes His Debut On The Swiss Label Hallow Ground With "Minnesmärke," At Once A Nuanced Sonic Exploration Of The Industrial And Political History Of His Native Sweden And A Deeply Personal Album. One Of The Key Figures Of The Stockholm Drone Scene, The Prolific Composer Worked With The Kilimanjaro Darkjazz Ensemble's Hillary Jeffery, Violinist And Long-Time Friend Gaianeh Pilossian As Well As Sound Artist And Frequent Collaborator Yair Elazar Glotman For A Two-Part Composition Built Around Tuned Sustained Tones Performed By Electronic And Acoustic Instruments That Were Combined With Field Recordings In Order To Evoke A Psychedelic State Of Reflection, A Dream-Like Elegy For The Acoustic Properties Of The Former Iron Ore Mine Ställbergs Gruva Where The Music Has Been Conceived And Recorded. Following Up On Releases On Labels Such As Hallow Ground Label Mates Kali Malone And Maria W Horn's Xkatedral Imprint, 'Minnesmärke' Is Erlandsson's Most Accomplished Work Yet. Originally A Commissioned Work By The Non Existent Center For A Month-Long Artist Residency In Ställbergs Gruva Last Summer, 'Minnesmärke' Conceptually Picks Up On The Socio-Political And Economic History Of The Bergslagen Region Where The Mine Is Situated. After Mining Operations Had Been On-Going For Decades Prior, In The Industrial Age Iron Became One Of The Country's Largest Exports, Making The Mining Industry An Integral Part Of The Country's Progression Towards A Socialdemocratic Welfare State In The Years After World War Ii. With The Rise Of Neoliberalism And The Simultaneous Erosion Of The Welfare State However, The Mines Around The Region Started Closing, Which Resulted In The Surrounding Community Losing Its Relative Prosperity. Erlandsson's Interest In This Story Though Does Not Exclusively Stem From The Historical Significance Of The Mine, That Has Been Re-Opened In 2012 As A Centre For Cultural Activities And Critical Thought. In Fact, His Grandfather Was Born And Raised In The Vicinity Of It And Thus His Life - An...

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Faten Kanaan

A Mythology Of Circles

Palm Trees & Thirty Degrees

Release: 2020 / Original

Genre: Electronic & Dance

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'A Mythology Of Circles' Is The New Album From Brooklyn-Based Composer And Musical Artist Faten Kanaan, Her First To Be Released On Fire Records. Cyclical Patterns And 'Variation Through Repetition' Are Central To Faten's Music. Harmony And Counterpoint Are Composed Intuitively And Treated As Narrative Tools- With Sound, Silence, And The Resulting Mystical Relationship Between Notes Used As Gestures To Tell A Wordless Story. The Album Is Separated Into A 'Dusk To Evening' Side, And An 'Underworld/Dream-State' Side; Highlighting The Myths Of Ishtar, Inanna, Orpheus, Persephone, And Others.Inspired By Cinematic Forms And Mythological Story Structures: From Sweeping Landscapes And Quiet Romances, To Patterned Tensions And Dream Sequences; Faten Brings An Earthy, Visceral Touch To Electronic Music. In Symbiosis With Technology Is An Appreciation For The Vulnerability Of Human Limitations And Nuances.All The Sections Are Played In Real Time, Neither Looped Nor Sequenced- Allowing For Subtle Changes To Unfold. The Use Of Vst Sampled Choral Voices In This Album Embodies The Forlorn State Of Technological Acceleration, And The Desire To Return To A Vulnerable Human Sound. The Album Art Also Explores A Complicated Relationship With Technology: The Statue Comes From A Series Of Digital Replicas, Returning In Its Last Stage To A More Intimate And Handmade Feel.Composed, Produced And Mixed By Faten Kanaan, The Album Was Mastered By Heba Kadry (Bjork, Ryuichi Sakamoto, Julianna Barwick)."Strangely Haunting Yet Beautiful Bouquet Of Nocturnal, Electronic Blooms Ranging From Poignant Ambient Vignettes To Chamber-Like Pop, From Brooklyn's Faten Kanaan- A Gifted Musical Story-Teller" Boomkat

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Trinidad

2LP | 2020 | EU | Original (Trinidad)

LP | 2020 | EU | Original (Hallow Ground)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Following the release of a number of EPs on Swiss, German, British and Australian labels, Trinidad will release their debut album ‘Palm Trees & Thirty Degrees’ on October 16th 2020. The album draws on the Swiss-based trio’s experience of sustaining the energy of festival and club shows, while also providing the perfect background to a relaxed summer evening with friends.

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Miki Yui

Aperio!

LP | 2008 | DE | Original (Melting Pot Music)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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The title of Miki Yui’s seventh solo album Aperio! is derived from the latin origin of April, "aperire" meaning “to open” or “to reveal”. Hinting at the way her music unveils another reality which is hidden beneath the surface. The title also reflects the aperiodic character of the music, its irregularity. Like a magic word to reveal the mysterious cosmos, each song opens up another intimate world of wonders.

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Fleur Earth

Skurreal

Release: 2008 / DE – Original

Genre: Hip Hop, Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

No Moon At All, What A Night

Shcaa

LP | 2020 | Original (Apollo)

Release: 2020 / Original

Genre: Electronic & Dance

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Marie Davidson & L'Oeil Nu

Renegade Breakdown Black Vinyl Edition

2LP | 2020 | UK | Original (Ninja Tune)

2LP+CD | 2020 | US | Original (Planet E)

Release: 2020 / UK – Original

Genre: Electronic & Dance, Pop

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Sonically, Marie Davidson & L’Œil Nu’s Renegade Breakdown LP is noticeably different to previous Davidson releases. This is a record which largely eschews the wave music, house and techno influences that drove albums like Working Class Woman. Instead, Davidson and her bandmates Pierre Guerineau (Essaie Pas) and Asaël R. Robitaille (Bataille Solaire) draw heavily from styles like dream-pop, 60s chansons, jazz-tinged balladry and the stately rock style of David Bowie’s The Next Day to create an alluring set of leftfield pop for the twilight hours.

Even on the tracks where Renegade Breakdown comes close to Working Class Woman territory - the steady electro-disco stomp of the opening title-track, for instance, or Gary Numan-esque ‘C’est parce que j’m’en fous’ - the sound here is more slow-burning than its frenetic predecessor. On these cuts the group soften up the chunky Big Beat stomp of an act like Daft Punk with reflexive keys and vocals that reach more for !!! territory.

The connecting thread between Renegade Breakdown and Davidson’s other work is her arch lyricism and appetite for subversion. Few other artists would break the fourth wall with a line like “Oh by the way, there are no money makers on this record”, something Davidson does on the title-track. Throughout the album Davidson & L’Œil Nu never allow the listener to get too comfortable, meaning that, while Renegade Breakdown may sound luxurious, there is a playfulness about it which always keeps you on your toes.

Together they have produced an album of sleek, lush pop tracks which are elevated by Davidson’s trademark wit and wry lyrical content.

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Mirko Loko

Detroit Love Volume 4

12" | 2014 | DE | Original (Figure)

Release: 2020 / US – Original

Genre: Electronic & Dance

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Following contributions from Carl Craig, Stacey Pullen and Wajeed, Swiss DJ and producer Mirko Loko steps forward to mix the fourth volume of Planet E's mix series, Detroit Love. Active since the late nineties when he first began DJing in the clubs of Lausanne, Switzerland, Mirko Loko has always felt a deep connection to the music of Detroit. Having been personally invited by Carl Craig to play at the Detroit Electronic Music Festival in 2001, that connection has stayed consistent and electric ever since. Mirko Lokois also known as a Cadenza mainstay and a curator of Verbier's Polaris Festival, but the music of the Motor City has been the guiding force of his creative career.

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Markus Suckut

Abandoned

26,99 €* 29,99 € -10%

Release: 2014 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Tom Rogerson with Brian Eno

Finding Shore

LP | 2017 | US | Original (Dead Oceans)

LP | 2020 | US | Original (Dais)

Release: 2017 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Blue Opaque Vinyl!

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Drew McDowall

Agalma

Agüita Yellow Vinyl Edition

Release: 2020 / US – Original

Genre: Electronic & Dance

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Veteran NYC based Scottish electronic musician Drew McDowall's latest work is his loftiest, most liturgical, and least industrial outing to date - and potentially the apex of his recent discography. Named after an ancient Greek word for votive offering, Agalma exudes a hooded, devotional aura, creaking and keeling under vast rafters of stone, stained glass, and shredded wires. It's a music of majesty and mystery but also modernity, McDowall's refined modular system shape-shifting strings, piano, pipe organ, and choral masses into disorienting synthetic mirages of the sacred. He cites the intersection of "joy, terror, and the elegiac" as a centering inspiration - or, phrased more bluntly, "that 'what the fuck is going on' feeling."As a career collaborator himself, with stints in Coil, Psychic TV, and countless other shorter-lived partnerships, it's telling that McDowall chose this project to gather such an impressive spectrum of peers. Italian synthesist Caterina Barbieri, American drone organist Kali Malone, prolific multi-instrumentalist Robert Aiki Aubrey Lowe, operatic Humanbeast vocalist Maralie Armstrong-Rial, Saudi producer Msylma, and warped futurist beat-makers Bashar Suleiman and Elvin Brandhi cameo across the album's 42 minutes, contouring McDowall's nuanced negative spaces with shudders, shadows, and shivering flickers of serenity. Each of them shines in their spotlight, elevating these elusive alchemical states into surreal revelations of texture and transcendence.McDowall's original working title for the record is revealing: Ritual Music. He speaks of his creative practice in ceremonial terms, negating binaries by seeking the middle path to a numinous equilibrium that erases the distinction between the inner and outer worlds. These compositions feel similarly processional and intuitive, at the crossroads of holiness and hallucination, the sacred vertigo of yawning naves rising into untouchable night skies. It's a vision of industrial music as enigma and invocation, cryptic hymnals of shrou...

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Gabriel Garzón-Montano

LP | 2020 | UK | Original (Jagjaguwar)

Club 707 Splattered Edition

Release: 2020 / UK – Original

Genre: Electronic & Dance

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This will come as no surprise to those who've followed GGM since 2014's Bishouné: Alma Del Huila, the critically-lauded, self-produced EP that put him on the map, and served as sample fodder for a handful of popular music's most iconic artists. His follow-up LP, 2017's Jardin, melded classical and folkloric instruments with rnb, hip-hop, and cumbia, proving once again that Gabriel is totally comfortable making transformative, funky, cathartic records all by himself. Agüita, his first release for Jagjaguwar, is a sequence of impossibly diverse offerings ranging from trap anthems to string-drenched art pop ballads - a prismatic self-portrait, personal and universal all at once. The artist is present, and he is in final form. The magic of Agüita lives in Gabriel's ability to consolidate a range of truths into a focused, crystallized idea. "Bloom," "Blue Dot," and "Fields" compare the growth and loss inherent in human life with the changing of the seasons and the life cycles of the universe; on "Fields," Garzón-Montano evokes the despondent whimper of Thom Yorke. There are mirrors of the same themes in compositions like "With a Smile," "Tombs," "Someone," and "Moonless," a quartet of songs that explore the births and deaths of the relationships we have with the people we love; on "Moonless," Gabriel explores for the first time his struggle with the grief of his mother's passing: "Mama died / and I was moonless in a Stygian tide...trying to hide the ripening tumor / breathing fire, love but a rumour / There's a woman in my sky / 17 when I learned to cry_" It is to his immense credit as a songwriter that we are left with an understanding of the depth of his loss, despite having never experienced it. Equally impactful are the trap and reggaeton cuts - the album's energetic high points. On "Agüita," "Mira My Look," and "Muñeca," GGM delves into club-banger territory, performing in Spanish for the first time on record. Whether you're here for the medium, or for the message, for the man himself, or one of his characters, Agüita stands as the strongest installment thus far in a series of alarmingly sincere, sensationally profound works, from an artist who has sought not only to challenge established preconceptions and categories, but to expose their ultimate unworthiness. From composition to execution, the product distills the essence of Gabriel Garzón-Montano's genius, an uninterrupted creative process rare in this age of fattened album credits.

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Robert Parker

LP | 2020 | EU | Original (Electronic Purification)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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LP | 2020 | EU | Original (Mutual Intentions)

Fredfades & Jawn Rice

Luv Neva Fades

LP | 2020 | EU | Original (Electronic Purification)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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High quality laqcuer cut LP with custom pantone printed innersleeve, pantone printed outer sleeve, shrink wrap and hype sticker! Features the deep house pioneers Byron The Aquarius & Javonntte.

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Actrazer

Classics

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Pergamon (Live At The »Palast Der Republik« GDR)

Tangerine Dream

LP | 1986 | EU | Reissue (Virgin)

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

The Mosaic Of Transformation Clear Vinyl Edition

Kaitlyn Aurelia Smith

LP | 2020 | US | Original (Ghostly International)

Release: 2020 / US – Original

Genre: Electronic & Dance

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12" | 2011 | UK | Original (Hype_LTD)

Maya Jane Coles

Humming Bird

12" | 2015 | DE | Original (Figure)

Release: 2011 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Label cover. close to NM

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Cleric

The Key Of Night

26,99 €* 29,99 € -10%

Release: 2015 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Small sticker on back cover.

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Electroconvulsive Therapy Vol Two: Fuzz Dance

LP | 2014 | US | Original (Medical Records LLC)

Perception Is / As / Of Deception Green Vinyl Edition

Release: 2014 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Multi colored vinyl.

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ADULT.

LP | 2020 | US | Original (Dais)

Endless Empress Blue Vinyl Edition

Release: 2020 / US – Original

Genre: Electronic & Dance, Pop

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ADULT. make a triumphant return after their 2018 album "This Behavior", dubbed "_one of the best records of their career_" by Ryan Lathan of Pop Matters. This chilling continuation takes the form of "Perception is/as/of Deception", an anxiety fueled cyclone of pandemonium that only ADULT. would know how to harness. While "This Behavior" was recorded in the isolated snowcovered woods of northern Michigan, "Perception is/as/of Deception" was given life in a temporary space the duo created by painting their windowless basement entirely black, with the sole intention to deprive their senses, question their perceptions, and witness the resulting ramifications. With over 23 years and a sprawling discography left in their wake, Adam Lee Miller and Nicola Kuperus have spent their entire career as ADULT. obscuring any defined genre or style. With a history as uncanny as ADULT., the pieces that making up "Perception is/as/of Deception" might be perceived as their most punk-infused and introspective work to date. The elements of frustration and apprehension that have consistently woven throughout their material are at full mast, although augmented by a strident and more "head-on" approach. Tracks like "Have I Started at the End" successfully maintain the duo's classic EBM signatures and synthesized aggression, cradled by a suspicious mantra that questions_.what's the point? "Why Always Why" offers a disorienting mutation of the heralded sounds of classic dance music, like a remix that escaped prison and is on the run. The dystopian anthem, "Total Total Damage", comes in full force with an frantic energy which jolts any bystanders to attention, with only the defiant chants of Kuperus' vocals outlining the ever-degenerating state of societal affairs. The dramatically glam synth parts scattered throughout the album, while at times ominous in nature, seem to also act as a merciful reminder that through the journey of "Perception is/as/of Deception", one can still enjoy the chaos. With the rampant sense of emptiness on the minds of many these days, there continues to be few attempts at scoring these common, unfortunate human qualities with pure sincerity. Thankfully, ADULT. has a long-standing reputation for creating the soundtrack for our insecurities, and "Perception is/as/of Deception" further solidifies their apprehensive position.

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Magic Sword

LP | 2020 | US | Original (Joyful Noise)

OST Kingsway Blue Vinyl Edition

Release: 2020 / US – Original

Genre: Electronic & Dance

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Recommended If You Like: Nightfist, DragonForce, S U R V I V E, Tangerine Dream, John Carpenter, Daft Punk & The vast world of Marvel. Magic Sword is an ageless tale of good and evil, told through an ever-expanding graphic novel story and accompanying synth-heavy soundtrack albums. With the two mediums intertwined from it's conception, together they are an epic experience for those bold enough to bear witness and come away with a deeper understanding of the ultimate hero's journey. Armed with a musical and visual aesthetic that has it's roots unabashedly buried deep in the golden era of 70s and 80s fantasy and sci-fi, its followers are called to another plane of existence where the struggle between light and shadow become all too real. Endless is the third and final chapter in the tale of the search for the Chosen One. This prophesied being contains the ability to wield the power of the Magic Sword and seal the prison that holds the Dark One for all eternity. Only then will The Keeper, The Seer, and The Weaver be able to rest. Until the Chosen One reveals themself, the search continues in this realm and in many others. In what form will the Magic Sword manifest? A tale of high adventure as old as time itself. The Immortals give a direct account of their vision: "Ages ago, the immortal Dark One was freed from his cell. Since that time, the forces of good have been searching for the Light, the Chosen One, to force him back into his eternal prison. The key to unlock this cell is the Magic Sword. When wielded by the Chosen One, it has the power to return balance to the Universe." The Keeper of the Magic Sword is an ancient soul who searches endlessly for the Chosen One. With the help of other immortals, The Seer and The Weaver, they are ever trying to stem the tide of the Great Shadow from engulfing all life. When the need is great, they appear with the Magic Sword and a high stakes proposition for those who are pure of heart, perpetually hoping that their search is finally over.

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Landon Podbielski

LP | 2020 | US | Original (Ship To Shore)

Marsicoditrapani (Maurizio Marsico & Stefano Di Trapani)

Release: 2020 / US – Original

Genre: Electronic & Dance, Soundtracks

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Ship to Shore PhonoCo. is proud to present the o cial OST to Adult Swim Games’ KINGSWAY by Landon
Podbielski. A loving tribute to Windows 95, KINGSWAY is an RPG quest like no other with a soundtrack
crafted to sound just like the MIDI melodies of the past.
300 units pressed. Available on blue vinyl.

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Greatest Nots

LP | 2020 | EU | Original (Plastica Marella)

2LP | 2020 | EU | Original (Analogical Force)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Sooner or later it was bound to happen. They are those unforeseen occurrences that suddenly and unexpectedly appear inside your auricle that make the history of Italian music. “History” with an incorruptibly lowercase “h”; because it’s the fact that it’s lowercase that changes our cultural existence. That unanticipated oversight that comes bursting through, that unwanted error that rises up with absolute certainty. The minimum common divisor that becomes huge in the mainstream imagination. Inside or outside. With or without. It is or it isn’t. The philosophical garbage heap for the underclass perpetually suffering from symptoms of withdrawal from everywhere and anyway.
Maurizio Marsico, the magnificent mistake of Italian music. An absolute master at running decades of contemporary music through the spin cycle in the pressure cooker of post-modern madness. Inadvertently. Since the end of the seventies, he has been silently leading the way for Italian cultural processes, giddily masturbating them and tossing them to people who are hungry but have no digestive apparatus, aimlessly displaced in the outskirts of nothingness. From Milan to New York. Almost always with no return.
Then there’s Stefano Di Trapani, the absolute presence of the “other cultures” that have traversed the first twenty years of the 2000s. Without Di Trapani (often masquerading under the pseudonym “Demented Burrocacao”), Rome would have failed to dictate forms and methods within the architecture of international sound. He is an absolute manipulator of compliant thought and a declared destroyer of the planetary rules of sound. He is also a member of the cultural underclass in the wretched realm of absolute certainties. Together they created The Greatest Nots, an encyclopaedic crib sheet of what was, is and will be missing from Italian music. A Hahnemann-esque project where forty years of splinters of Italian music have been diluted and dynamised. A homeopathic process carried out by two alchemists who are totally unaware of the processes that led to the creation of the homunculus, settling for just his hearing apparatus and his hypothalamus. Like modern butchers, they offer us the rotten meat of Italian music, blood and fat to feed the proletariat crushed by contemporary simultaneity. Everything is so that everything returns, in distorted yet fascinating and obsessive forms. Things that make the “newness” we’re drowning in look like the sludge extracted from the sewers of a modern psychiatric facility. Nothing will be as it was before because what there was before never existed.
All this is contained within an eye-catching extendable cover illustrated by Enrico Infidel D’Elia and Simone Tso. Inside you can find a record telling you about everything you’ve missed over these years of pointless sound existence. Amen.

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RTR

Planetx

Release: 2020 / EU – Original

Genre: Electronic & Dance

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BRAINDANCE ALERT! Do you know what RTR means? Just RTR.

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4x12" | 2016 | US | Original (Infrastructure New York)

Infrastructure Facticity

LP | 2018 | EU | Original (Warp)

Release: 2016 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Cover and vinyl are close to NM. With insert. Limited edition

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Oneohtrix Point Never

Age Of

Release: 2018 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2LP | 2019 | UK | Original (Metalheadz)

Scar

High Fives & Devil Eyes

LP | 2019 | EU (Sugarcane / Deperson Society)

Release: 2019 / UK – Original

Genre: Electronic & Dance

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‘High Fives & Devil Eyes’ is the brand-new LP forthcoming from SCAR, a duo who’ve spent years dominating the waters of dance music with their formulae of underground, yet accessible drum & bass. Individually and as part of their SCAR project, both Script and Survival have been involved in shaping the genre for decades, helping to sculpt its formative years alongside a range of imprints that have ensured it longevity. For their forthcoming album they’ve once again been welcomed into the fold of Metalheadz, where SCAR have now been exclusively signed after appearing in their catalogue as one of its main staples. Since their first piece of music together, ‘When’, debuted on Metalheadz via the label’s esteemed ‘Platinum Breakz’ series, through to their first SCAR artist LP ‘The Orkyd Project’ in 2016, the pair’s journey has followed the label’s growth and they’ve continued to be supported by its founder Goldie. On first listen to ‘High Fives & Devil Eyes’ it’s instantly clear why they were made such an essential part of such a revered platform, bringing together the historic elements as well as the modern production levels which have enabled them to remain trend setters over the years.

From the sounds of ‘Circle of Trust’, right through to the finely-tuned vocals of Eleanor Higgins on ‘Eternal’, the tastes catered to throughout ‘High Fives & Devil Eyes’ demonstrates why SCAR have been welcomed into the roster of Metalheadz and it’s not just down to their heritage with the imprint. Tracks like ‘State of Delusion’, ‘Stolen Memories’, ‘Can’t Do Anything With It’ and ‘Nothing Lasts Forever’ show how SCAR still bridge the gap between contemporary standards and an understanding of their roots, as well as how this has influenced their current direction. Coming up next, ‘Funk Control’ injects much needed soul into the drum & bass sphere whilst tracks like ‘First Sound’, ‘The Seeker’, ‘Thinking out Loud’ and ‘Pauline’ continue the journey of breaks and immersive soundscapes. The album’s title-record ‘High Fives and Devil Eyes’ encompasses the album’s rawness whilst cuts like ‘Deep South’ and ‘Torn Apart’ pedestals the diversity demonstrated throughout. Even the LP’s interlude ‘Nomad’ travels the listener through an elaborate composition, and you’re left understanding that ‘High Fives & Devil Eyes’ is a listening album too, despite how well it’ll translate within any club setting.

‘High Fives & Devil Eyes’ doesn’t just signpost another huge step forward for SCAR musically, but also for Metalheadz. They’ve added two more members to their pivotal roster and it’s another album to highlight the label’s consistency, something which has pushed forward from their beginnings in 1994.

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Fragile Self

Release: 2019 / EU

Genre: Electronic & Dance

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2 Minutes Till Midnight Instrumentals

XL Middleton

LP | 2019 | EU | Original (Mofunk)