Electronic & Dance 31460 Items

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Ereeséon Pink Vinyl Edition

Blameful Isles

LP | 2021 | EU | Original (Urban Waves)

LP | 2021 | EU | Original (We Jazz)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Swedish multi-instrumentalist Blameful Isles returns with his next full length LP, Ereeséon. The album, written during a period of intense transition, marks an abrupt change in Blameful Isle's sound. Where his previous work was rooted in spiritual jazz, Ereeséon takes root in the sound of late 80s and early 90s IDM and the golden age of electronic music. Created fully with hardware sequencers and all analog gear, Blameful worked within the restraints of this minimal setup to push his music as far as he could. By forcing himself into a new and uncertain creative realm, the resulting music is mysterious, minimalistic and intensely emotional in its simplicity, echoing the artist's experience while preparing for fatherhood. Ereeséon explores themes of innocence, nostalgia and exploration; a monumental work sure to please listeners of all varieties.

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Kaukolampi

We Jazz Reworks Volume 1

12" | 2021 | US | Original (Young Heavy Souls)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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We Jazz Records is delighted to share the first edition of our new series of reworks with you . Our aim is to invite some of our favourite artists to take a fresh look at our album releases with the interval of 10 full length album releases. In other words, the invited artist has complete freedom to choose (or not to choose) any sample material from their allocated range of ten We Jazz Records albums, and there are no artistic boundaries of what they should do with the material. Each artist will then create a new musical piece based on the sample material and whatever instrumentation they wish to add to it.

As our first guest, we have the great Finnish producer Timo Kaukolampi who goes by his last name only when creating deep and mobile soundscapes, that never fail to evoke emotions and thoughts in the listener. We have long been fans of his work, released under Kaukolampi, Kaukolampi & Puranen (a duo with Tuomo Puranen), and on the vast discography of kraut-informed space rockers K-X-P.

As this is the first of our new series, Kaukolampi's task at hand is to dive deep into the first 10 We Jazz LPs, ranging from WJLP01 Bowman Trio released in 2016 to the 2018 release WJLP10 Alder Ego "II".

With the initial edition of any series comes the freedom and necessity of defining a new direction. We trusted Kaukolampi would be the right person to show us what the idea will be, and we were right. He premiered this piece at the We Jazz Festival back in 2018 and developed his ideas further during several studio sessions later on. The finished product opens things up with a bang and shows the value in going deep. Kaukolampi manages to distill new music from the source material, twisted and strecthed into dimensions beyond what is usually there. "Ambient Dub"? Perhaps at times. "Drone"? Maybe also. And then some.

To complete the idea, we invited the visionary graphic designer (and K-X-P drummer) Tomi Leppänen to "rework" the graphics of the source albums to construct the base of the design, which you see envelop the LP sleeve.

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Nuntheless

Bankruit

Release: 2021 / US – Original

Genre: Electronic & Dance

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Bankuit, is the ambitious tech house EP from Nuntheless. Cultivated from a deeply-rooted appreciation for the works of Detroit's house and techno all-stars like Patrice Scott, Omar S and Motor City Drum Ensemble, the release is an inspired four-song effort from Erik Washington, the veteran DJ, producer, and multi-instrumentalist and mastermind behind the Nuntheless moniker. Washington, who can often be found producing R&B and Hip-Hop music, credits his proximity to the up-and-coming talent in Detroit for his approach to Bankuit.

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12" | 2021 | EU | Original (Quartier Groove)

Ritmo Del Barrio

The Healing Music Of Rana Volume 3

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Quartier Groove Records releases its first EP “Ritmo del Barrio” that features two club weapons from the Spanish electronic music vaults of the 90s, TYU’s remix of Bravo & Dj’s 1989 one-hit wonder “Difacil Rap”, and Richard Fribert’s rework of the early electronic rumba track “Sueño Almohade” by Sombra y Luz. Both tracks have been licensed and agreed with the original labels and writers, and will be limited to 300 copies. On the a-side, an edgy club revision of a 90s hip-house track that was originally written by a group of DJs compelling us to join them for a wild night out. TYU’s remix, that only makes use of the rad rapapella, makes a perfect match to the daring call and takes us to a 90s rave of today in full style, with its bold drums, slappy snares, trancy synths and road-paving bassline. The flip comes with Richard Fribert’s powerful and fearless hi-NRG rework of the experimental rumba song “Sueño Almohade” by Sombra y Luz, a track that makes a clear flirt with the history of Spain, a country that was once the Muslim ruled area of “Al-Andalus”. Spanish passion meets Arabic mystique in this hard, slamming, acid ride of an update. The result, a DJ weapon to be reckoned with. The two tracks comes together to form Ritmo del Barrio EP, “Quartier Groove” in Spanish, the project by label heads Richard Fribert & Moqst that was designed to encourage listeners to search for more unknown and forgotten music in the most unexpected of corners of the world.

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Randall McClellan

LP | 2021 | EU | Original (Aguirre)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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LP | 2020 | EU | Original (Detriti)

Words And Actions

Senza Veleno

Release: 2020 / EU – Original

Genre: Electronic & Dance

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You Always Taught Me Better

Autumns

LP | 2020 | EU | Original (Detriti)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Mind | Matter / Iron Court

Detriti Split 2

LP | 2020 | EU | Original (Detriti)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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LP | 2021 | EU | Original (Detriti)

Valuemart

Alice Underground

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Music Has The Right To Chill

MHTRTC

LP | 2021 | EU | Original (SB)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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One Night Carnival / Every Time The Morning Comes Record Store Day 2021 Edition

Kishidan

7" | 2021 | JP (Universal Music Japan)

20,99 €* 34,99 € -40%

7" | 2020 | JP | Original (P-Vine)

Release: 2021 / JP

Genre: Electronic & Dance

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Record Store Day Japan 2021 Drop 2 release. The first analog 7-inch version of the major debut single “One Night Carnival” released in 2002.

On the B side, “Every time the morning comes”, which was also recorded in the original single, is coupled.

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Spangle Call Lilli Line

Nagai Ai

Release: 2020 / JP – Original

Genre: Electronic & Dance

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LP | 2021 | EU | Original (Ad 93)

Vivian Koch

Beyond Contact

LP | 2021 | EU | Original (Le Turc Mecanique)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Once you enter the field of unity You will feel the infinite source

Once you enter the field of unity You will serve in presence

Once you enter the field of unity I promise you will meet yourself

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Gerard Jugno 106

Grand Korg Malade

Vers Quelques Attracteurs Étranges

Release: 2021 / EU – Original

Genre: Electronic & Dance

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EBM has seen better days...DAF's wanabee inheritors have continously drained the genre's legacy of its substance in waves of over simplication and risible first degree. As standards are reproduced endlessly the appeal of "ebm" labelled music wears thin. It takes a name like Gérard Jugno 106 to give the sleeping beast a much welcome pinch.

Let's clear something right off the bat. Dall'Aglio is no rookie to the game : founder of the Dada minded and hyperactive Linge Records Imprint, the man from Montpellier's been active under many aliasses releasing a continous stream of confronting, off kilter, bouncy, infectious, and also mostly confidential, jams.

None however matches the sharpness of his latest, the world conquering "Grand Korg Malade". On this one Dall'Aglio's love for the darker end of electronic music meets his absurd playfullness and sense of tease in a radiant result. While the jump would be perillous to many, Dall Aglio's years of dada raves hosting have turned him in a true tumbler, a juggling influcences in impossible positions to a fascinating result.

Through a deluge of sonic collages and beats deliriously hammering in delicious AFX fashion, the tracks read like a matrioshka set of references delivered in ed Bangerlike unbridled strokes. Such a sense of spontaneity and devotion make in turn for a record of rare precision turning the sense of fun into a serious and hallicinating art

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Cévennes

LP | 2021 | EU | Original (Les Disques Solubles)

2LP | 2021 | UK | Original (Invisible, Inc.)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Cévennes is a project by Didier Delrieu, a French musician born in 1967. From the mid-90s, he creates his home-studio and begins to create electronic music. In 2000, he left Paris to set up a bookstore specializing in art in Toulouse. He divides his time between his job as a bookseller and musical creation.

Vers Quelques attracteurs étranges is the first album from Cévennes and the first release from Les Disques Solubles.

Slow electronic music composed mostly on Buchla and various analog synthesizers, this work is interested in sound poetry, exotic and cinematographic atmospheres.

Tracklist

A1. Cévennes - Misérable miracle A2. Cévennes - Soleil bas A3. Cévennes - Les Fins d'après-midi renoncent A4. Cévennes - Le Voyage des fragiles

B1. Cévennes - Hikikomori B2. Cévennes - Eloge de la mousse B3. Cévennes - Avec elle, dérivant B4. Cévennes - La Fin des oiseaux

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Veslemes

Apolithoma

Release: 2021 / UK – Original

Genre: Electronic & Dance

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Veslemes (aka Felizol) makes his debut on Invisible Inc with this astonishing new album that comes hot on the heels of last year's ground-shaking I Know Where You Live Vangelis!. With Apolithoma film director Yannis Veslemes takes us further into the dark crevices of his psyche. The album's themes are inspired by the dystopian sci-fi of JG Ballard's The Drowned World and The Crystal World: both novels eerily prophetic in their dystopian visions of an irradiated Earth over which a bloated, blinding sun makes living as we know it bearable only within a few hours around dawn and dusk. Sea levels have risen and cities that are not wholly flooded are overgrown with emergent new flora adapting to this new and hostile environment. In more remote locations, overgrown jungles and forests are exhibiting signs of a strange crystallisation: entire swathes of jungle petrified, calcified, crystalized, fauna included...and stories of missing explorers rumoured to themselves have crystalized! An allegory for our times, for sure....but more importantly, the album is as adventurous musically as it is conceptually. Where on the surface we have stories themed around an external dystopian world, the music, like the rising floodwater, presents us with a lens through which to look at the internal world: on one hand a distorted prism into what lurks beneath, yet at the same time a perfect reflection - a mirror into the psyche. At times dark, at times playful, unreservedly psychedelic, the album's wildly different musical styles all capture an atmosphere that is as profound and mystical as it is unique. It's clear too that Veslemes' background in film and OST production has a strong influence making the whole album seem like an imaginary soundtrack to a film that never was. Several of the pieces are strongly reminiscent of the early works of Barry Adamson...but where these faux soundtracks were solely dark and brooding (in particular the classic Moss Side Story) Apolithoma adds mystique, profundity and light which balances the music perfectly. Featuring an assortment of guest musicians on saxophone, clarinet, vibraphones, oboe, guitars and other instruments not often heard in partnership with electronic music, the resulting collection of songs is up there with the best of Invisible Inc.

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The Home Truths Compilation Volume III

LP | 2021 | UK | Original (Palham Music)

LP | 2012 | US | Original (Post Present Medium)

Release: 2021 / UK – Original

Genre: Electronic & Dance

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The Palham Music truck is back on the release highway with a superb 7 track selection of Workshop Records affiliated artists & friends, delivering a wide range of styles. Surf House by Even Tuell, a cerebral bouncer by Move D & DMan, distortions via ultra.clean, a slice of functional bass by Herron, locomotion speed-ups by Mm/km, a veritable brain raider courtesy of Lowtec & some slow grind by Pressburg. Packaged in a beautiful sleeve with artwork by Paul David Rollmann & Andrew Lyster. No more words.

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S.F.V.

Release: 2012 / US – Original

Genre: Electronic & Dance

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LP | 2021 | EU | Original (Quindi)

Dead Bandit

From The Basement

12" | 2021 | UK | Original (Ipnotica Erotica)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Includes Download Code and Special Insert Drawing ! Quindi Records continues to yield intriguing prospects as we reach the third edition, moving from Woo’s astral ruminations via Cabaret Du Ciel’s sonorous meditations on to the dusty, dusky mantras of Dead Bandit. Maintaining the ambiguous creative practices of the label’s previous releases, From The Basement r eaches to the earth for the malleable grit of post-rock while making the most of the broader sonic outlooks afforded by kosmische and electronic effects processes. Dead Bandit are Chicagoan songwriter Ellis Swan and Canadian multi-instrumentalist James Schimpl. Swan has previously released solo works including the stunning, inward-looking album I’ll Be Around, a lo-fi Southern gothic dragging the husk of country ballads through battered signal chains. In Dead Bandit, Swan and Schimpl’s artistic vision casts its gaze outwards on a vast expanse, where the distortion has space to stretch its legs and the drums pound out into open space.

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Lunatik

Pellicola

LP | 2021 | UK | Original (Temple)

Release: 2021 / UK – Original

Genre: Electronic & Dance

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Pellicola represents five fundamental episodes of the artist’s childhood, expressed through introspective elegant melodies. The compositions lead us to visualize the abstract emotional landscape with nocturnal blue tones through the timbres of the Moog Sub37. This synth being the main instrument that characterizes the timbre of this mini album with a purely electronic sound where bpm moves between 60 and 150. The execution free of quantization allows us to fully absorb the emotion and humanity of these songs that develop over the musician's memories, making those immortal and no longer vulnerable like a burning film.

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Wojciech Bakowski

Voyager

Girlfriends And Boyfriends

Release: 2021 / UK – Original

Genre: Electronic & Dance

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Temple is proud to present a new full-length album from Polish musician and visual artist Wojciech Bakowski. Following up on his more experimental-leaning album Jazz Duo on Dunno Recordings, Voyager is an intimate record in the artist’s signature spoken-word style, loosely touching on stripped-down hip hop, RnB, dub, and pop. All records come with a booklet of the artist’s drawings and song lyrics in Polish and English.

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Fallacy Of Fairness

LP+7" | 2021 | EU | Original (Oraculo)

La Grande Vallee / Micro-Climat

Release: 2021 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Vancouver post-punk quartet third LP shows some tremendous growth in terms of songwriting and delivery. Hooking the listener from the very beginning, it’s danceable, it’s dark and it’s rock. Fallacy OF Fairness Ltd. Edition 12” + 7” Album comes presented in a One-off truly limited edition of 200 copies lacquered pressed on 180 gr. high quality Solid Black vinyl. All tracks have been specially remastered for Long CUT vinyl by Daniel Hallhuber at Young and Cold Studios.

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Lionel Marchetti

LP | 2021 | EU | Original (Recollection GRM)

CD | 2018 | UK | Original (Kitchen Label)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Lionel Marchetti is a major figure of the “third generation” of concrète musicians, a term he values. Listening to these works, imbued with poetry and traversed by micro-narratives, one can indeed retrieve the original concrète spirit, the one that draws from the sonic world, with ears wide open, so as to extract a fertile, rich and multiple substance then shaped and conveyed towards a formal and musical abstraction. Lionel Marchetti has mastered this process, but his real distinctive feature is a truly unique talent for setting climates (as one sets traps) and keeping us on constant alert. The two pieces in this record perfectly illustrate the entrancing dimension of Lionel Marchetti's music, whose charm leads us, through each successive listening, to become voluntary captives so as to better liberate ourselves - François Bonnet, Paris, 2020

"I wonder if my fascination for clouds (without being an obsession) may have risen at the end of the 80s as, whilst composing Micro-climat, I would regularly wander between the Vercors mountains and the high plateaus of the Monts du Forez discovering, through my eyes, body, breath, active observation and walk, that natural forms when constantly changing and yet swollen with a unity of matter (in this instance, water) open one up to a deep, fundamental breath and a clear field for the mind. The sky and its forces: our ally. A model for a natural music which, although fixed, as in musique concrète (a rule of the genre), moreover on a recording tape, will remain charged with such a poetic quality that (isn't it its role or rather its reality?) it will ensure a perpetual renewal for our senses, so as to reach another idea of the world, far more open and richer than what we could have imagined." - Lionel Marchetti, 2011

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Zinovia Arvanitidi

Ivory

Release: 2018 / UK – Original

Genre: Electronic & Dance

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Jac Berrocal, David Fenech, Vincent Epplay

Exterior Lux

LP | 2021 | EU | Original (Akuphone)

LP | 2021 | EU | Original (Mais Um Discos)

Release: 2021 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Jac Berrocal is a 1946-born musician (trumpet player), poet and sometime film actor who came of age in the ‘70s Paris improv scene, where the boundaries between music, art and theatre were porous and begging to be breached. Inspired by bebop, chanson, free jazz, beat poetry, early rock ‘n roll and myriad Eastern influences, and with an iconoclastic, anything-goes approach to instrumentation and technique that would later align him with post-punk sensibilities, Berrocal blazed an eccentric and unstoppable trail across the underground throughout the ‘70s and ‘80s, both solo and as part of the Catalogue group he co-founded. During this time his uproarious performances routinely wound up jazz and rock audiences alike, but earned the admiration of many musicians: Steven Stapleton invited him to perform on two Nurse With Wound albums, and other notable collaborators in his career include Sunny Murray, Lizzy Mercier-Descloux, Lol Coxhill, Yvette Horner and James Chance. In the 90s his protean achievements were celebrated on the Fatal Encounters compilation, but far from slowing down in the autumn of his life, Berrocal has maintained an extraordinary work-rate, keeping studio dates with Pascal Comelade, Telectu and Jaki Liebezeit, among others.

Now Berrocal has found the perfect foil in David Fenech and Vincent Epplay, two fearlessly inventive improvisers, composers and catalysts who create challenging, acutely modernist yet historically aware settings – wrought out of synthesis, guitars, computer processing, field recordings and unorthodox percussions – for Berrocal’s unmistakeable voice and breathtakingly lyrical horn sound to flourish.

Fenech cut his teeth in the mail-art scene of the early ‘90s, leading the Peu Importe collective in Grenoble. His 2000 solo debut was recently reissued by Felix Kubin’s Gagarin label, and he has also worked as a software developer at Ircam, and played with Jad Fair, Tom Cora, Rhys Chatham and James Plotkin; in 2011 he formed a trio with Berrocal and Ghedalia Tazartes for the Superdisque LP.

Epplay is a highly regarded sonic and visual artist with a particular interest in aleatory composition and autonomous pieces, concrète, and the puckish reappropriation of vintage sound and film material, with dozens of published works to his name on labels like Planam/Alga Marghen and PPT/Stembogen. Exterior Lux is the third part in the series of albums and was again mastered by the legendary Noel Summerville.

"It’s like The Bonzo Dog Band meeting Scott Walker, with Codona booked for the interval music" (Brian Morton - The Wire)

"Jazz, Dub, Musique concrete and a Gallic punk spirit, coalesce into a sound so potent it is a wonder it hasn’t been done before" (Rewind Forward)

"An eclectic mix of folk anarchy, West Coast jazz cool, African kalimba, French poetry and studio dub. All the beauty and terror of jazz at its most lawless." (Andrew Male - Mojo)

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Howie Lee

Birdy Island

LP | 2021 | EU | Original (Lost Futures)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Swirling layers of OST-style sound design, dreamy choir vocals and traditional Chinese folk combine across eight dynamic and transportive tracks on "Birdy Island", the latest album by Beijing-based producer/artist, Howie Lee.

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Panstarrs

Ghaby Ghaby Ghaby

12" | 2021 | US | Original (Money Rabbit)

Release: 2021 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Delving into the recent past in order to revisit forward-thinking projects that, owing to the social, musical or outright political climate, struggled to find an audience, Lost Futures returns with a record from Cairo based project, PanSTARRS. An assured and intriguing blend of post-punk and electronics, 'Ghaby Ghaby Ghaby' is the confident and personal work of Youssef Abouzeid, a fixture within Egypt's unique underground music scene.

"At the time, I was actively occupied by arguments on the fusion of culture in creative context, specifically between western and arabic elements." recalls PanSTARRS founder, Youssef Abouzeid. "The goal was to find a point of natural expression within Arabic songwriting that meets electronic guitar music, and put out something seriously inspired by both and easy on my ear."

By far the heaviest release from the PanSTARRS project at the time, 'Ghaby Ghaby Ghaby' immediately establishes a superior sense of rhythm. 'Khally Balak Hatmoot' practises instant hypnosis, Abouzeid's earnest vocals beckoning outsiders forward over a layer of feedback occupied by a ghostly shift, one which breaks to release a crescendo of post-punk guitar. This sense of subtle drama continues on 'Men Gheir Wa7da', demonstrating a skill for songwriting that recalls the uncompromising approach of The Birthday Party or Lydia Lunch.

'Tortit Naml' is driven by skittish, rapid-fire drums and tense guitars, either subverting or confirming it's subtly anthemic status with a dramatic explosion of feedback. 'Sala Ya Khaifa' brings respite, a mellow and earnest slow-burner, the bubbling spoils of the PanSTARRS studio providing a wistful texture drenched in reverb. Finally, '70mar 3ala 7osan' sees Abouzeid give his voice over to those same machines, burying his barbed perspective in contrary analogue bliss.

Half a decade later, Abouzeid's optimism and experimentation are certain to resonate on a scale beyond that of Cairo's defiant underground music scene.

"Working on everything myself, I enjoyed total creative freedom and kept an organic flow of dirt and error, which was key on this record", recalls Abouzeid. "Sometimes vocals were recorded as lyrics came spontaneously, sometimes written on paper and then recorded on first takes, but I always prioritized the moment while keeping the perspective in check."

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Krayon

Joy Ryde / Money Break

Release: 2021 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Heisei No Oto - Japanese Left-Field Pop From The CD Age (1989-1996)

2CD | 2021 | EU | Original (Music From Memory)

LP | 2021 | EU | Original (Myriad)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Music From Memory is excited to announce a special compilation that they’ve been working on for some time now; Mfm053 – VA – Heisei No Oto – Japanese Left-field Pop From The CD Age (1989-1996). Compiled by long-time friends of the label, Eiji Taniguchi and Norio Sato, Heisei No Oto delves into a world of music released almost exclusively on CD and brings together a fascinating selection of discoveries from a little known and overlooked part of Japan’s musical history. The last ten or so years have seen a global wave of interest in Japanese music encompassing ambient, jazz, new wave and pop records from the 1980s, some of which is increasingly considered the most innovative and visionary music of that time. Although some music from this period, in the form of ‘City Pop’ or ‘rare groove’ records, had been coveted by collectors and DJs for a number of years, most Japanese music from the time was little known outside and often even within Japan. Sometime around the mid 2000s, two Osaka record store owners, Eiji Taniguchi of Revelation Time and Norio Sato of Rare Groove, along with a handful of deep Japanese diggers such as Chee Shimizu of Organic Music records in Tokyo, began to explore beyond the typical ‘grooves’ or ‘breaks’. Much like their counterparts in Europe and the US, they began delving into home-grown ambient, jazz, new wave and pop records, discovering visionary music, often driven by synthesizers or drum computers, that broke beyond the typical confines of their genres. Spending tireless hours in local record stores and embarking on digging trips across the country, Eiji Taniguchi and Norio Sato, much like Chee Shimizu, have been at the forefront of unearthing and introducing many of the very Japanese records now loved and sought after around the world. Yet as YouTube algorithms and vinyl reissues would transport such music into the global consciousness and demand and therefore scarcity intensified for such records, so Eiji and Norio have recently begun to turn their attention to CDs. The title of the compilation Heisei No Oto refers to the sound of the Heisei era, which began in 1989 and corresponds to the reign of Emperor Akihito until his abdication in 2019. Marking the culmination of one of the most rapid economic growths in Japanese history, 1989 also coincided with the music industry’s final shift away from vinyl in favour of CDs. And, although compact discs were first introduced seven years earlier it wasn’t until late into the ‘80s that, beyond dance music labels, CDs became the exclusive format for major and independent labels in Japan and throughout the world. This however didn’t signal the end of the innovation in Japan. Many of those same musicians who have become known for their work in the ‘80s would continue to produce outstanding music well into the mid ‘90s, as greater innovation and advances in musical equipment allowed Japanese musicians and producers to refine and explore new sounds. While musicians such as the seminal Haruomi Hosono, whose productions feature on a number of tracks, would continue to push the boundaries of these new technologies, these technological advances also meant less established musicians were able to make use of increasingly affordable but state-of-the-art equipment. Including music by Haruomi Hosono as well as Yasuaki Shimizu, Toshifumi Hinata and Ichiko Hashimoto who have become known and loved around the world in recent years, Hesei No Oto also features Japanese pop star Yosui Inoue, producers Jun Sato and Keisuke Kikuchi in aaddition to less established artists from the contemporary, jazz, new wave, pop and dance music scenes. Bringing together a selection of tracks that seem to define these specific genres and in fact move fluidly between a number of them, the music on the compilation is again underscored by experimentations with synthesizers and drum computers though with something of a gentle Pop sensibility. Reimagined here then under the encompassing term ‘Left-field Pop’, this is an exciting chapter in Japanese musical history that has only just begun to be fully explored. VA - Heisei No Oto - Japanese Left-field Pop From The CD Age (1989-1996) is a 2xLP/2xCD that includes liner notes by Chee Shimizu and artwork by Hagihara Takuya and is released on February 28th.

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Translucid

In Memoriam

LP | 2021 | EU | Original (Northern Spy)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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It feels like it’s time to thank the people who continuously give me energy. No matter in which form. Whether as the music they produce, hugs, compliments, mistakes I’ve learned from, encouragements, critical feedback or just listening. This release goes out to all the people who have supported me on my path of life so far. I am tremendously grateful for the life I am allowed to live. The number 7. It represents my numerology and there are seven chakras in the body.

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Suss

Promise

Release: 2021 / EU – Original

Genre: Electronic & Dance

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LP | 2021 | EU | Original (Präsens Editionen)

Samuel Reinhard

Interior

Africa Oscura Reloved Volume 2

Release: 2021 / EU – Original

Genre: Electronic & Dance

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On Interior, Swiss Composer Samuel Reinhard Excavates Intricate Resonances At The Periphery Of Our Attention. Across Four Movements, Reinhard Follows A Process Whereby He Layers And Loops Fragments Of Piano Improvisations. Yet Interior Complicates Its Own Systematicity By Using Samples That Are Not Only Recognizable As Piano Notes, But As Live Recordings Of A Piano Being Played. Reinhard Composes From Traces Both Analog And Digital: We Can Hear Static Hiss And Clicks, But Also The Soft Trace Of A Finger Pressing A Key Or The Shuffle Of A Body Shifting Position. Interior Asks Us To Think About Where We Are, And How Close We Are Willing To Look, Feel, And Listen. Over The Course Of The Four Movements Sounds Return, Familiar But Transformed. What Sounds Like Repetition Is Something More Like Accumulation, A Thickening Of Space. Whether Regarded At Intimate Range Or From A Distance, These Compositions Reveal More The Longer We Linger In The Presence Of Each.

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Giuliano Sorgini

12" | 2021 | EU | Original (Four Flies)

Africa Oscura Reloved Volume 1

Release: 2021 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Part two of a two part set. Two years after Africa Oscura, considered by many to be the “dark side” of Sorgini’s masterpiece ‘Zoo Folle’ and partly recorded during the same session in 1974, Four Flies has decided to celebrate the album's modernity with a double 12” featuring 7 reworks by six of Italy’s most visionary DJs/producers. The original tracks have been reworked with different approaches, sometimes into full reinterpretations, and with demanding dance ﬂoors in mind. The result is a stunning collection of electronic reworks that preserve the spirit of the original versions while projecting them into the future.

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Giuliano Sorgini

12" | 2021 | EU | Original (Four Flies)

LP | 2020 | EU | Original (Improved Sequence)

Release: 2021 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Part one of a two part set. Two years after Africa Oscura, considered by many to be the “dark side” of Sorgini’s masterpiece ‘Zoo Folle’ and partly recorded during the same session in 1974, Four Flies has decided to celebrate the album's modernity with a double 12” featuring 7 reworks by six of Italy’s most visionary DJs/producers. The original tracks have been reworked with different approaches, sometimes into full reinterpretations, and with demanding dance ﬂoors in mind. The result is a stunning collection of electronic reworks that preserve the spirit of the original versions while projecting them into the future.

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Father Murphy

Origins

The Suncrows Fall And Tree

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Father Murphy's path ended on December 17th 2018. We're proud to present exactly two years later an essential reissue for the first time on vinyl of the band's first two EPs now collected as 'Origins'.

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Stefano Pilia

LP | 2020 | EU | Original (Improved Sequence)

LP | 2021 | EU | Original (Improved Sequence)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Originally released on CD in 2006 on Sedimental 'The Suncrows Fall And Tree' pushed Stefano Pilia to the forefront of the European experimental avant garde scene showcasing his incredible knack for creating beautiful soundscapes, blissful ambience and electroacoustic compositions that speak to the heart.

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Love 666

Armed Resistance

LP | 2021 | EU | Original (Improved Sequence)

Release: 2021 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Never released before "Armed Resistance" is Love 666's final chapter. A 'lost' album that documents the total outsider rock of Love 666, mixing industrial, proto-electronica, rock'n'roll and general sleaze.

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Bob Log III

Bump Or Meow Volume 1

Release: 2021 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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LP | 2021 | EU | Original (Improved Sequence)

Bob Log III

Guitar Party Power

Release: 2021 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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LP | 2021 | EU | Original (Art / Werk)

Vonda7

Let Go

LP | 2020 | EU | Original (Braids)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Vonda7 delivers her ten-track debut album ‘Let Go’ on art | werk this December, uncovering a collection of productions which showcase her diverse and rich sound palette via her own imprint. Presenting a melting pot of influences, inspirations and artistry from across the electronic spectrum, taking in nuances and cues from house and techno through to hip-hop, indie, synth-pop and beyond, Vonda7’s debut album ‘Let Go’ showcases and serves up a well-crafted and notable example of her continued experimentation across styles. With her own vocals at the core of her work, and with her productions connecting a variety of elements and sounds into a genre-fluid and evolving project, the ten-track offering presents the Berlin-based DJ and producer in her most complete musical form to date, highlighting her desire to not fit within conventional boundaries and guidelines, but instead to create her own realm. Combining a collection of tracks already released digitally as singles alongside a host of fresh, unreleased productions, the project unveils a rich body of work whilst telling a story of self-reflection, and exploring subjects such as human relationships and a quest for purpose. Often playful, with fairy tale and dream-like qualities at times, whilst also presenting real and raw questions, messages and thoughts throughout, ‘Let Go’ offers up an in-depth and personal journey into Vonda7 not only as an artist, but as an individual, delivering an impressive debut album from a blossoming talent most certainly on the rise.

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Visitor

Technofossil

2x7"+CD | 2021 | EU | Original (Prspct)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Visitor, founded in 2017 is a two piece Canadian act comprised of Veronica Stefanuik and Philip Traikovski that seamlessly combines the best elements of old school EBM with new beat. The result is something out of time yet uniquely modern. Dark frantic beats and bass lines, Visitor will take over your body. Vocals, programming, mixing by Philip Traikovski Synth, programming by Veronica Stefanuik Mastering by Alain Paul Graphic Design by Jean Lorenzo Distributed by Ready Made Distribution Braid Records 2020

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Hallucinator

Rejects

Danse Musique Rhone-Alpes

Release: 2021 / EU – Original

Genre: Electronic & Dance

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A download code is included.

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Shit Forest

LP | 2020 | EU | Original (Kythibong)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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2x12" | 2021 | EU | Original (D:fferent Place)

D:fferent Place

D:Fferent Place 004

LP | 2020 | EU | Original (Holuzam)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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D:fferent Place hits back once again but this time with more substance than ever, a 2×12″ LP chock-full of authentic vibes.

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Sabaturin

Kenemgley

LP | 2020 | EU | Original (Music From Memory)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Bourbonese Qualk legend Simon Crab meets Charles Beullac (Galerie Statique) in a volley of brooding, dubbed-out industrial/illbient misfits for Lisbon’s Holuzam, the young affiliate label of the renowned Principe. Simon Crab is nothing less than a true pioneer of British post-industrial music, with a catalogue of prototypical dark ambient, groove-driven industrial, and hardcore techno practically unparalleled in his field. In collaboration with Canadian artist Charles Beullac, ‘Kenemglev’ speaks to the range and nuance of Crab’s output while introducing Beullac’s likeminded industrial audness to new ears; yielding nine tracks of sleepwalking industro-dub rhythms and tormented electronica blessed with a nocturnal allure that places their work in fine company amid Holuzam’s roster of off-road esoteric groovers.

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Garrett

Private Life III

Mark De Clive-Lowe / Andrea Lombardini / Tommaso Cappellato

Release: 2020 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Garrett III is more of a swan project. A final installment, if you will. Garrett is now retreating more deeply, as evident by the album cover by @GangCulture into obscurity. The time has come for a landing via this 3rd installment of his ‘private life’. After surviving a lockdown x worldwide pandemic in 1 piece, without going insane, he has finally decided 2 conclude this phase of his tightrope walk between lush Ambient touched Modern-Funk & the choice of no vocals / strictly instrumental aural experiences, for listeners of all hues, backgrounds & taste. The hope is that it’s enjoyed in whatever way feasible for all human (& alien) kind.

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Dreamweavers

LP | 2020 | EU | Original (Mother Tounge)

Release: 2020 / EU – Original

Genre: Hip Hop, Organic Grooves, Electronic & Dance

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Musical maverick Mark de Clive-Lowe returns to his roots with a new electro-acoustic record ‘Dreamweavers’, displaying his talent as a pianist and composer in partnership with creative collaborators bass player Andrea Lombardini and drummer Tommaso Cappellato. The two Italians have been a consistent presence on Mark de Clive-Lowe’s European tours for several years now, and it was during a road trip from Italy to Switzerland that Lombardini and Cappellato envisioned producing an MdCL album themselves. ‘Dreamweavers’ reflects on and celebrates the sounds that de Clive-Lowe grew up loving and finding inspiration in – from Sakamoto’s meditative melancholy and Ahmad Jamal’s soulful playfulness, to the rhythms of broken beat, boom bap and global rhythms. With the Italian rhythm section in empathetic support from start to finish both in their playing and producing, de Clive-Lowe embraces new found freedoms on ‘Dreamweavers’.

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Outro Tempo Ii Electronic And Contemporary Music From Brazil 1984-1996

2CD | 2020 | EU | Original (Music From Memory)

Fiona Fasco & Melodiesinfonie

Release: 2020 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Outro Tempo II: Electronic and Contemporary Music from Brazil, 1984-1996 is the second installment of Music From Memory’s Brazilian series. This volume picks up where the first Outro Tempo left off, shedding light on a new wave of experimentalism that emerged in Brazil in the late 1980s and 1990s. The twenty tracks collected uncover another area of Brazilian music that looked to the future for inspiration. This time it drifts beyond the rainforest and into the pulsating heart of Brazil’s great cities, where it meets a generation of young artists eager to radically change the face of contemporary Brazilian music. In Outro Tempo II the avant garde and pop worlds meld in a haze of percussion and electronics. It presents another uncompromising and magnetic reinterpretation of the limits of Brazilian music. Outro Tempo II is compiled again by John Gómez and features original artwork by Alice Quaresma. The CD version also includes the 2 tracks 'Bruhahá' & 'Eyes' which were released as a separate single on vinyl and were not included in the 2xLP version.

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Forever Faking Memoirs

LP | 2020 | EU | Original (Radicalis)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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LP | 2020 | EU | Original (Osàre! Editions)

Free Range

Camry Horses

LP | 2020 | EU | Original (Bigamo)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Free Range are back with their second outing for Osàre editions. ‘Camry Horses’ is a mesmerising dive into the brutal pop-tinged electronics of the duo, taking the mutant surrealism of their first release on the label a step further. Deliciously droning, Matt Weiner and Ernestas Sadau warp melancholic synth over a stomping-techno pulse in ‘Jet Lag is Calling.’ ‘Thunder God’ predicts transmogrifying weather patterns, while ‘Liquid Latex’ casts a touch of dominatrix energy, all powered by hypnotic dancefloor occultism.

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Al Pagoda

Lucky Veil

LP | 2020 | EU | Original (Raster)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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From his longtime association with Osunlade’s Yoruba Records imprint, Melbourne DJ/producer Mike Steva now delivers a quintessential cut of his own organic rhythms for Innervisions with The Sound Of The Sun EP. Draped in timeless sounds throughout, the EP opens with the unmistakable birdsong of the early hours atop a deep, chugging rhythm. The hypnotic minimalism of “Dawn Of A New Day” is sustained with floating key chords, before an unexpected turn at the halfway point blooms into thrumming synths, handclaps and murmurs. “The Sound Of The Sun” captures and keeps rich golden beams, guiding them to refract and resonate against glassy percussion and an urgent tech-infused beat. Distorted acoustic notes are stretched and warped, adding noirish desert tones in contrast to rising fever-pitch cymbals. “Time Of Light” then charges into view, raising the heat with peaktime energy as insect sounds are looped and transformed into a pulsing accompaniment. Bringing things to a steamy conclusion, “Baba Himalaya” borrows from tribal traditions to pay tribute to cross-cultural sounds, pulled forward by sweeping vocal solos and harmonic choruses.

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Franck Vigroux

Ballades Sur Lac Gele

LP | 2020 | EU | Original (Black Truffle)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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We met Franck Vigroux for the first time years ago at Berlin’s Berghain during a soundcheck. At that time he performed with Mika Vainio, with whom Vigroux often worked together. The first track on “Ballades sur lac gelé” dates back to that time. It was created under the impression of this collaboration and friendship with Mika Vainio. This album is dedicated to him. Vainio’s oeuvre is also significant in connection with the history of raster, so it was only logical and our wish to release this album by Franck Vigroux. With the beginning of the corona pandemic, Franck Vigroux took up this early material again, he continued to formulate it and completed the present album “Ballades sur lac gelé”. The title already defines the theme of the ballad, a “song/poem with very minimal structures” (quote Vigroux). “Ballade” is also a play on words with the French word “balade”, in this sense a ramble, a ramble over a frozen lake. The reduced, cool structures reflect this. But at the same time, under the surface, the often distorted sound carpets steadily increase to immense power. Like ice that grows and tectonic forces that have to erupt, glacier-like. Vigroux is very skilled at creating music in this minimalist setting. The intertwining of very few musical elements creates a kind of soundtrack that is multi-layered and at the same time universally intelligible. The official worldwide release date for the CD and vinyl of “Ballades sur lac gelé” will be the 30th of October 2020.

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Rafael Toral

Aeriola Frequency

LP | 2020 | EU | Original (Kompakt)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Black Truffle is proud to announce the first vinyl reissue of Rafael Toral’s Aeriola Frequency, originally released by Perdition Plastics in 1998. Toral made his name in the world of mid-90’s experimental electronics with two releases, Sound Mind Sound Body (1994) and Wave Field (1995), both now recognised as classics and reissued on vinyl by Drag City, which saw him exploring the potential of electric guitar and pedals to immerse the listener in seemingly endless waves of sustained tones. On Wave Field, inspired by the striking resonance effects he experienced during a Buzzcocks gig with bad acoustics, he achieved a synthesis—often imitated but never bettered—of rock guitar, Ambient, and the acoustic exploration of Alvin Lucier, a kind of "liquid, abstract flux of rock sound".

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Lake Turner

Videosphere

2LP | 2020 | EU | Original (Dial)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Videosphere, the debut album by Kompakt’s latest signing, the London-based artist Lake Turner (aka Andrew Halford), swoons into focus with “The Sunbird”, a teasing drift of lilting, ambient tones, riding out a submerged piston-pulse rhythm. Across its brief 109 seconds, it manages to traverse evocative terrain – something mythopoetic, something both humble and grandiose, a glimpse of the other behind the sky’s curtain. “I wanted to conjure up something resembling an ancient ceremony or death procession,” Turner nods. “Like a hymn to the surroundings of a faraway hill.” It’s both sky-bound and earthen, a ritual incantation to call in the music of the spheres.

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XDB

Inspiron

Slum Vatic Red Vinyl Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

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The 20th anniversary year of Dial Records couldn’t have been more exciting for us so far! After the extraordinary well-received release of Soela’s debut-album Genuine Silk and steady excitement around our ongoing series of digital anniversary compilations, we are more than thrilled to announce the second album release of this our very special year: XDB - Inspiron. As a longtime companion and true inspiration throughout the label’s twenty-year history, Kosta Athanassiadis aka XDB enriched our lives with his brilliant productions in the form of countless 12”s and legendary remixes. His long-overdue full-length debut album Inspiron in hand, we find ourselves unpacking the most beautiful jubilee present we could have ever imagined.

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Halv Drom

LP | 2020 | EU | Original (Fleisch)

LP | 2020 | EU | Original (Black Truffle)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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In his debut LP on the imprint, Fleisch collective co-founder and resident Halv Drøm crafts esoteric body music inspired by loss, nostalgia and ego-dissolution. With groove, finesse and nothing to prove, he processes his past and future through an arcane haze of post-punk guitars and industrial field recordings. All tracks mixed & produced by Saxon Jörgensen Mastered by Alain Paul Photography by Saxon Jörgensen Artwork by Kongregant

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Kassel Jaeger

Meith

LP | 2020 | EU | Original (Soundway)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Black Truffle is pleased to present Meith, a new composition in two parts from prolific composer/theorist François Bonnet. Usually operating under his Kassel Jaeger moniker, Bonnet is a major figure in contemporary electronics and electro-acoustic music, collaborating with artists such as Lucy Railton, Jim O’Rourke, and Stephen O’Malley, and releasing his work on labels including Editions Mego, Senufo, and Shelter Press. Always meticulously detailed yet immediately affecting, Bonnet’s work situates itself at a very personal intersection between the traditions of academic electronic and electroacoustic music, and a more shadowy, underground group of approaches to experimental sound: kosmische Musik, the tape murk of the 1980s underground, the haunted ambience of Christoph Heemann & Co. Meith immediately welcomes us into its densely layered sound world of electronic tones, positive organ, and unidentifiable field-recorded textures. Almost static yet constantly in flux, it deliberately opens itself up to repeated and varied listening: from a distance, its many voices cohere into a monolithic plane of sound, while closer inspection reveals myriad details and momentary events. Like a drop of ink spreading through water, harmonic material present in one voice gradually fans out into the whole arrangement, creating fleeting moments of unity amid the constantly shifting waves of tone and texture. Far from the austerity of some contemporary electro-acoustic music, Meith affects the listener as overwhelming organic; its individual layers are unstable and at times near-chaotic, imbued with life. Though it can appear almost formless, the piece undergoes major shifts throughout its duration, from the austere dissonance of the opening moments to the surging harmonies that appear midway through the second side before the piece gradually dissolves into a spectral glimmer. Francis Plagne.

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Felbm

Tape 3 / Tape 4

12" | 2020 | UK | Original (Lugar Alto)

Release: 2020 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Following on from his previous debut album Tape 1/Tape 2 on Soundway, Felbm delivers Tape 3/Tape 4 : an intimate, emotional, lilting and melodic solo project. These 14 lo-fi, instrumental, jazz-infused sketches were written on guitar, with cascading keyboards, vibraphone and drum machine. Possessing a restorative and soothing quality, it goes some way to balancing out a chaotic year for the world at large. With echoes of the dreamier end of 1980s English indie-pop, minimal ambient music and Brazilian bossa-nova, Topper’s musical storybook includes touches of The Durutti Column, hints of Antônio Carlos Jobim and Baden Powell, whilst all set firmly in the summer fields of Germany and the Netherlands. The recording method used for the creation and recording of Tape 3 and Tape 4 follows the same as his previous release: all sketches were initially recorded onto cassette on a 4-track tape machine. Most notably a vibraphone finds its way onto almost every track fitting Topper’s sound-palette perfectly: warm yet distinctive, a percussive as well as sustaining sound that evokes some melancholy and a certain timeless nostalgia. Features that most certainly also apply to the other ‘new’ instrument on the tapes: mellotron flutes. Tape 3/Tape 4 navigates the space between quiet, open, meditative tunes and more solid instrumental works, reflecting his constant search for an optimal balance between stillness and movement.

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Mumia

KTL (Stephen O'Malley & Peter Rehberg)

Release: 2020 / UK – Original

Genre: Electronic & Dance

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"Lugar Alto's newest project is the idiosyncratic album Mumia (portuguese for Mummy). Never released before, it is a work that was originally recorded on cassette and combines elements of post-punk, industrial and ambient music.

Kodiak Bachine and Celso Alves formed the ephemeral and eponymous duo in 1988. The partnership resulted in a single recording derived from improvised sessions using minimal amounts of electronic equipment at Celso's country house, located in the interior of São Paulo.

Bachine was an important figure in the São Paulo underground. His most renowned project was the band Agentss from 1981, which also consisted of Miguel Barella, Eduardo Amarante, Elias Glik and Lyses Pupo (later replaced by Thomas Susemihl). In its brief duration, the band released only two seven inches that were considered seminal artifacts in the Brazilian post-punk scene: “Agentes / Angra” from 1982 and “Professor Digital / Cidade Industrial” from 1983. These two rare records are highly sought after by collectors and DJs from around the world for their inventiveness and originality.

Similar to Agentss, Mumia brings with it extreme authenticity, managing to extrapolate the barriers of more traditional Brazilian music and interact with unorthodox elements. The lyrics are a mixture of Portuguese and English and it is still possible to identify picturesque fragments of Spanish, French and German. In addition, sonically, the record portrays aesthetics from the eighties and dialogues with themes relating to LSD. Another notable feature is the fixation on Egyptian post-mortem themes, providing a cinematic and lysergic experience of the desert landscapes from the African country.

It is a recording with comic passages which provokes an unpretentious reaction from the listener. However, it still has more ethereal and atmospheric moments, such as the opening song “Ave do Deserto”. In the final two tracks, it is possible to enjoy a darker Mumia, which with “Massacre da Serra Elétrica I” and “Massacre da Serra Elétrica II”, provide a sound experience capable of accompanying intense scenes from the macabre productions by Tobe Hooper and George Romero.

The striking new artwork was created by the Sometimes Always studio, a partner of Lugar Alto and responsible for diverse graphic collaborations with artists, venues and parties in Brazil. The album, mastered by the prolific Arthur Joly, also has a booklet containing Kodiak’s texts in Portuguese and English, in addition to the lyrics, which serve as a logical exercise for further understanding of the album.

Mumia was unearthed by the renowned Brazilian DJ Millos Kaiser, who in addition to kindly curating this album, put together the compilation “Onda de Amor: Synthesized Brazilian Hits That Never Were (1984-94)”, released by Soundway Records.

Now, after 32 years in its tomb, the Mumia has risen and thanks to Lugar Alto it can finally be celebrated and appreciated."

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VII

LP | 2020 | EU | Original (Editions Mego)

12" | 2020 | EU | Original (Patience)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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A new timley studio album from the duo of Peter Rehberg and Stephen O’Malley. Recorded and mixed during an unexpected extended stay in Berlin when the borders of the world suddenly closed. The claustrophobic urgency of this scenario is seared into the colossal vibrations set into this vinyl release. Unlike many of their releases this is a studio record made unto itself as opposed to the many soundtracks they have made for theatre works and the like. It also stands as one of their most fully realised releases to date.

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Promoter

Cogitate

Diggin In The Crates Volume 1

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Cogitate is the first release from NYC local Promoter and an invitation to gaze inward and sit with sound. Borne of hours lost in loops, Promoter calls forth deep, dubby bass rumble, off-kilter rhythms and murky atmospherics, relishing in repetition and evolving subliminally but surely. Disorienting, engaging and engulfing, Cogitate is the 4th release on NYC-based Patience, catching you off guard then inviting you in. Cogitate offers two cuts from the same cloth - one locked into the grid, the other drifting far above it. Both begin with shards of static cascading over submerged synth stabs - on Cogitate 1.1 a bassline bubbles up from below before a kick drum sneaks in and drops anchor, driving forward a slice of sparse zero gravity dub techno for a zonked out dancefloor in a dream. Cogitate 2.0 offers a pared back version of 1.1, slowed down and stripped of the rhythm section. A gentle brain scrub or a cascade of mind tricks depending on your headspace. Is the sequence evolving or is your perspective on it shifting? Does this sound like something I know or nothing at all? Has this been going for 3 minutes or 3 hours? Is this climax sublime or simply creepy? Whatever it is, Promoter presents an opportunity to let the mind wander, and offers proof that repetition invites participation. Both cuts simmer in ambiguous emotion, never spelling out what to feel but allowing the listener to be their own trip commander. Promoter is a new project from a life-long NYC resident, most recently releasing a couple of 12”s under the Image Man moniker, who for the most part would prefer that the music is received on it’s own terms, with a mind wide open. Cogitate 1.1 was mixed by Mood Hut mixologist CZ Wang. Both tracks were mastered by M. Geddes Gengras. Following this release will be an extremely limited cassette of material recorded in the same time and (head)space. Keep an ear to the ground for that one. Patience is an outlet for exploring further beyond the break than usual. Inspired by the music perpetually on rotation at HQ – with E2-e4 representing the format’s high tide mark – each release will be one artist’s deep dive down one inspirational wormhole spread across two sides of vinyl, or two side-long sojourns making full use of a round 12” piece of plastic. Set and forget, zone out to tune in.

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Ray Hurley Presents

12" | 2020 | EU | Original (Fresh Milk)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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2LP | 2020 | EU | Original (L.I.E.S.)

Teste

Graphic Depictions

20,99 €* 29,99 € -30%

LP | 2020 | EU | Original (Editions Mego)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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The cult techno outfit "Teste" digs up and re-transmits sonic archives forming a new 2xlp for L.I.E.S. Full story below.....Artwork licensed from legendary NYC street photographer Richard Sandler in appropriate fashion....lp comes with a giant newsprint poster as well. Teste was still-born by the mid-90’s and with the ensuing Ptsd I had become a Shut IN working on the Amiga Computer for Audio and Video and completely immersed in grisly, depraved art-house cinema. This release pays homage to that time in NYC when I frequented Mondo Kims daily to rent the trashiest films I could find. Things like Richard Kern’s “Fingered”, Nick Zedds’s “They Eat Scum”, Makavejev “Sweet Movie”, Merhige “Begotten” all the classicks! The 42nd Street Mind forever! In retrospect I can’t believe they gave me a membership card! Wish I still had it! Micro Budget, Discontinued Formats. All of the tracks on this release are sourced from decaying tapes (vhs, 4-track, DAT, MD) some of which were encoded to early digital formats to add another layer of artefacts and grit. I can emphatically proclaim these ideas have taken three decades to come to fruition at my present Partner in Teste (Goner) Berlin Facility. One chapter closes and another unfolds! One day it’s 1992 playing absurd Teste gigs in a Sports Bar (Tailgate Charlie’s!) in scenic Hammer Onterrible opening up for Lil’ Ed and the Blues Imperials! You could just feel the love in that room! Referred to as the “Toilet Incident” by unsuspecting attendees. From that debacle another unfolded in an infamous “final” appearance at the Pure Party in Glasgow Barrowlands 1994 -which proved an unceremonious demise to the first incarnation of Teste… Details like most things from that era are foggy… No insta stories or tweets! Just instant cameras that didn’t always make it out of the rave! After the Teste fallout then embarking on another Techno adventure for an extended stint in NYC from ’95-97. This proved a pivotal time to say the least. Huren becoming a solo entity and the lasting shockwaves with Zhark which was a New York label in those days. Also in retrospect I can say I experienced the end of the NYC of old right when the “NO Dancing” by-laws were coming in. R.I.P Strange?, Sonic Groove (Manhattan),Liquid Sky/Temple, Save The Robots, Soundlab, Tunnel, Twilo, Limelight and others that slip the memory banks… All I knew of NYC when I got off that Greyhound the first time in Port Authority in 95 after an 11 hour drive was from movies. I thought the city was like what I had seen in Abel Ferrara films “Driller Killer”, “King of New York’ “Bad Lieutenant” or the Schoolly D, or Wu-Tang Clan videos! Turns out I wasn’t too far off in a way as this was the era of the Club Kids depravity. Upon reflection my formative clubbing years had an element of Crime in them as I’ve been in the proximity of two very well known serial killers. First in the 80’s when I attended a club Paul Bernardo used to Frequent in Ontario and later on the Limelight NYC with Michael Alig. Definitely casts a sinister tinge to some of the memories. Curious coincidence the party I performed at in NYC was called Killer… And I myself was almost murdered in 2012 but that’s another story…

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Cucina Povera & ELS

The Oystercatcher

Berlin Pankow Move D Remix

Release: 2020 / EU – Original

Genre: Electronic & Dance

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The Oystercatcher is the first collaborative LP from Cucina Povera (Maria Rossi) and ELS (Edward Simpson) Recorded in London over two days, hours’ worth of improvisations have been edited down to form these six tracks. A fragile interplay is at work between Maria’s drifting vocals and the ominous churn of Edward’s modular synth. Each sonic element takes a turn at leading the way.

The opening track ‘Mantle’ is formed from sparse, monolithic electronics, woven gently with a thread of vocals. In the closing track ‘Eon’ Maria’s voice shepherds spontaneous bursts of sounds, almost Rave-like if order were imposed, through 15 minutes of turmoil and resplendent until the end. Maria’s vocals make their own trails amongst the noise, bringing to mind the the exploratory language from Ursula K. Le Guin’s album ‘Music and Poetry from the Kesh’, recalling the same understated mystery.

The overall effect of this collaboration is a completely unique creation albeit within a recognisable lineage of predecessors. The artwork reflects the vision of these two artists, collaged together. Both images are from a trip to Helsinki. Edward’s photograph of Tulips caught after dark are reviled by a flash. Maria’s seemingly abstract drawing is a graphite rubbing taken from a granite slab of a pavement somewhere in Kallio. Together the two images represent two different methods for capturing a city’s haptic landscape.

The album moves with a feeling of transience, which is no surprise given that the idea to collaborate was formed in Helsinki, realised in London and edited together in Rotterdam. The Oystercatcher tells a fragile tale, one that spins out into the unknown. A cold union of voice and machine, still tentative and probing, learning to co-exist. A kind of fundamental shift whereby shared moments have been turned to sound. The Oystercatcher is a bird that can freely travel between the earth, sea and sky. The motif is taken from a Tove Jansson short story. A dead bird washes ashore, two different versions of events are presented to how the bird came to die. The album feels like two different stories being presented on top of one another but ultimately coming to the same tragic conclusion.

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Rawell

2x12" | 2020 | EU | Original (Red Ember)

LP | 2020 | EU | Original (Life And Death)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Back in 1999, label boss Ewan Jansen took receipt of demo tapes by Kai Kroker (AKA Rawell) who subsequently appeared on Red Ember’s very first compilation record ‘Deepsounds One’.
These forgotten demos (lost even to Rawell himself) plus further works from 1995-2002, span a 2LP release of deeply emotive minimal house, techno & leftfield; an earnest synthesis of minimalism and romance from Berlin in the 90s. Included also is an ambient/downbeat 6-track digital EP (including the original version of ‘Tailwind’).
Move D’s gloriously moody and life-affirming ‘90s galore mix’ of ‘Tailwind’ is a very special reunion between close friends; the pair’s last collaboration dates back to 2005 under the ‘Faked.Info’ moniker and both recorded together along with Jamie Hodge under the collective ‘Studio Pankow’.

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Autarkic

Terms And Conditions

Acquiesce Black Vinyl Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

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This Spring, Life And Death hits a half century of releases with a suitably standout album from leftfield innovator Autarkic. Terms and Conditions is a 10 track window into the Tel Aviv artist’s rich, wildly-infused electronica.

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TALsounds

LP | 2020 | US | Original (NNA Tapes)

Release: 2020 / US – Original

Genre: Electronic & Dance

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LP | 2020 | EU | Original (Mecanica)

Group A

Circulation

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Japanese industrial-experimental-synth outfit offers a unique mixture of dark minimal synth and avant-noise with striking visuals and stage performances. group A carries on the very breath of early pioneers such as Throbbing Gristle, Cabaret Voltaire and the Japanese underground scene from the early 80’s. This mini album was written and recorded through the winter of 2017 and 2018 based on the recordings of some improvisation sessions at home band's studio since they moved to Berlin in early 2016.

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L'Embrasse (Amsterdam Arcane Tape Recordings 1987)

LP | 2020 | EU | Original (Domestica)

2LP | 2020 | EU | Original (TMPLT)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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L’Embrasse is a compilation originally released in 1987, less than 50 copies were distributed at the time through local shops and it is a portrayal of a unique and very little known scene, generated in the deep underground milieu of Amsterdam. None of the tracks presented on this album has ever been re-released after the ultra-limited original edition on cassette format appeared. At the time, a dozen different acts were featured: Menko (S.M. Nurse founder), Robbie Horsfall, Peter Van Garderen (Nine Circles founder), Der Rudi, Antonia (Tonny Timmermans), No Honey From These, Incredible Coöp (S.M. Nurse members), Tranquil Eyes, Beatnik Love Affair, Cheiron, Spin & Kokkie and The Male Ego. Die-cut 300-gr cardboard jacket. All the elements on the cover have been hand stamped. Includes download code and numbered insert. Mastered by Ruud Lekx from the original tape. 200 copies.

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TMPLT

The Verge

LP | 2020 | EU | Original (Editions Mego)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Berlin-based Artist TMPLT starts his own Label TMPLT Records with a double Longplayer-Album named -The Verge- TMPLT001. Inspired by UK bass, TMPLT creates 12 unique tracks with dark and massive bassline -impacts. -The Verge- is a musical journey through various genres such as drum n bass, breakbeat, dub techno away from the typical 4-to-the-floor rhythm.

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C. Lavender

Myth Of Equilibrium

Population One (Terrence Dixon)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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C. Lavender is a New York based sound artist and sound healing practitioner whose third full-length album explores meditative physical rituals of sound with binaural recordings from inside a geodesic dome in the Catskill Mountains of New York.

“The future is a choice between utopia and oblivion,” noted architect, futurist and geodesic dome theorist Buckminster Fuller. Myth of Equilibrium delves into these divergent paths by featuring equal parts of pastoral raw acoustic percussion combined with C. Lavender’s signature “devastating caustic drones” (Ad Hoc) via her custom bass guitar and synthesizers.

An assistant to the late pioneering electronic composer and Deep Listening founder Pauline Oliveros, C. Lavender’s astute editing and the binaural recording process places the listener within the heady fluctuating underworld she has created on this album. The recording environment of the geodesic dome allowed for sounds to transfer out beyond the confines of the walls as well as allowing outside sounds from the surrounding wilderness to permeate in like that of a mutating cell. The album suggests “headphone listening” for the full hypnotic experience Myth of Equilibrium presents to the listener.

C. Lavender is a 2020 Pioneer Works (New York) Music Artist-in-Residence.

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Hcs994x

2x12" | 2020 | EU | Original (Harbour City Sorrow)

LP | 2020 | US | Original (Star Creature)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Population One 313 power pack.. Beware!

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Pepin

LP | 1980 | EU | Reissue (Wah Wah)

Release: 2020 / US – Original

Genre: Electronic & Dance

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Debut full length LP from Japan's favorite underground native son. A fixture in the Japanese beat scene & known by those in-the-know for years now, PEPIN lands his spaceship in Chicago courtesy of STAR CREATURE for his debut, modern funk meets space boogie anchored by Japanese King, SAUCE81.

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Cultural Noise

Aphorisms Insane

LP | 2020 | EU | Original (Favorite)

Release: 1980 / EU – Reissue

Genre: Electronic & Dance

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The only album by Austrian trio Cultural Noise is a an electronic marvel. Band members were Gerhard Lisy, Walter Heinisch and Karl Kronfeld, and instruments used included an ARP Sequencer, an ARP 2600, a VCS 3, an EMS Digital Sequencer, a Mellotron M400, a Micro Moog, a Roland Studiosystem 700, a Roland Analogue Sequenzer and an electric guitar. With these weapons and a strong influence from the Berlin school Cultural Noise created a rich electronic tapestry which expanded through the two pieces of this record, one per side, being compared by reviewers to works by Zanov or Anna Själv Tredge. Mentions of Tangerine Dream are also present on reviews, although Cultural Noise have a pretty unique personality on their own and besides sharing the use of Mellotron, sequencers and analog synths we have a totally personal concept here which sets them aside from all TD impersonators of the era.

The album was originally released in 1980 on CBS and later repressed in 1981 which came in a B&W version of the sleeve that some sources list as a self release private pressing done by the band themselves - this has been denied by members of Cultural Noise.

We are proud to offer a 500 copies only reissue, housed in its original full colour version artwork.

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Camarao Orkestra

Nação África

LP | 2020 | EU | Original

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Gentle waves lap the soft white sand. The limitless ocean fills the view as the sun slowly sinks below the horizon. As the day ends in blue and orange tones, the heat begins to subside, a sure sign that the slow evening migration from the beach will soon begin.
A pleasant, yet formidable music comes from the radio tuned into a frequency transmitted from Paris. Maybe it was written and recorded in the 70s, or maybe it has simply soaked in that aesthetic all the way down to the pauses. It doesn't really matter.
Delving deep to explore the roots of Brazil’s musical tradition, the Camarão Orkestra has tapped into Candomblé and its rhythms. Born on the drums of enslaved Africans in a ritual that invokes numerous deities, they lay the foundation for this new album, Nação África.
The eleven musicians, guided by Amanda Roldan’s silky voice and guest appearance by Anthony Joseph (“Canto De Bahia”), explore and embrace the murmuring polyrhythm of Brazilian percussion instruments, vibrating berimbau and squeaking cuícas, pouring their tightly-wound funk bass into the groove and letting their jazz fly free, together and solo.
The seven nonchalant tracks get your hips swaying, whether you’re in a comfortable armchair or surrounded by other dancers. They take your mind far away, on a journey paved by analog synths with Fender Rhodes crystals to the horizon where the sun’s last glimmer has finally faded away. The brass section’s shiny bells, valves and keys reflect the images and ambiance of the soft Brazilian night air.

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Insanity Check

Unrecoverable Reality

Alchemy Gold Vinyl Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Recorded in Helsinki 2014-2018

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Tara Nome Doyle

LP | 2020 | EU | Original (Martin Hossbach)

LP | 2020 | EU | Original (Alter)

Release: 2020 / EU – Original

Genre: Electronic & Dance, Pop

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The first press is limited to 500 copies. The complete lyrics are included exclusivly on the vinyl edition. Alchemy is the debut album from 22-year old singer-songwriter Tara Nome Doyle, following the singles Heathens, Neon Woods and Mercury. Doyle’s 2018 EP Dandelion, featuring her breakthrough-hit Down with You, has so far amassed nearly two million streams. Recently, two of her songs featured in Sophie Kluge’s feature film Golden Twenties. Doyle is a member of Kat Frankie’s choir on whose a capella EP she features. The concept album was recorded in large parts with David Specht (bass player and producer of Isolation Berlin) and Doyle's newly founded band in Berlin. Specht remains reserved, keeping the band in check. It’s the interiors that we should hear – acoustically, but also thematically. The drums sound more like a knock on the window pane than the city noise outside the door, the guitar controls the harmony and not the power supply. The first instrument remains Doyle’s voice, which is always working and is looking for a way. Inward, outward. All songs were written by Doyle, for the arrangement for »Neon Woods« she worked with Max Rieger (Die Nerven, producer for e.g. Drangsal and Ilgen-Nur).

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Container

Scramblers

Nothing Good Happens Before Midnight

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Container is the project of American noise veteran Ren Schofield, originally from Providence, Rhode Island, and now based in London. Container first appeared at the turn of the decade with a slew of freakish tapes for various small labels. In wake of thesereleases, Editions Mego offshoot Spectrum Spools –run by old friend John Elliott of the band Emeralds –took the punt to release his debut LP, a collection of mutated Techno tracks simply titled ‘LP’. The record gained attention quickly in the Electronicmusic scene largely thanks to Schofield’s unique production style that separates him from forms of conventional dance music. Whilst the music of Container sits perfectly fine within the genre and is functional enough to blow apart the walls of any club, years on the US noise circuit have given Schofield’s brand of techno a rawness and direct intensity that stands out in the club and crosses over into other sub-sections of the underground. His modest set up of Roland MC-909, a four-track porta studio and anarray of pedals allowed him to hone his scuzzy and bewildering beat music over the years, leading to three more well received, and literally titled, LP’s. Over this time period Container also released some EPs on Morphine, Liberation Technologies and Diagonal, did a variety of remixes for acts likeFour Tet, The Body, Panda Bear and Fucked Up plus maintained a healthy touring schedule that reached over every continent. His exhilarating live show has hit pretty much every major electronic music festival andclub in Europe, as well as tours and gigs with a diverse range of acts such as Wolf Eyes, Zola Jesus, Daughters, Pharmakon and Ryley Walker.Almost a decade since his debut, Container arrives on ALTER with his first non-”LP” titled album called ‘Scramblers’. The title taken from both a Baltimore street drug and a Rhode Island Diner he used to eat at with his father. Schofield elaborates: “The juxtaposition between these two Scramblers is a great one. I wanted to pay homage to a nice name that lends itself to both depraved and wholesome contexts and do my part to carry on the tradition.” The eight tracks have their origins in live performance and a more high-octane delivery is noticeable when compared with previous Container albums. ‘Mottle’ sits in a mysterious zone between the productions of EVOL and early Ruff Sqwad. Fierce electro cuts like ‘Trench’ and ‘Nozzle’ work alongside the nauseous slink of ‘Duster’, which in typical Container fashion morphs into a frenzy in no time. A frenzy which may be linkedcosmically to the fact that ‘Scramblers’ was recorded, mixed and mastered in one day, reinforcing further his unorthodox and fun approach to club music.

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Simoncino

2LP | 2020 | EU | Original (Rawax)

CP/BW (Corporate Park & Beau Wanzer)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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RAWAX presents Simoncino's new album called "Nothing Good Happens Before Midnight"! A massive work by Nick who teamed up here on 2 tracks with Luke Hess! The Album will be out first week of April.
Worth to check!

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Untitled LP

LP | 2020 | US | Original (B.W.)

LP | 2020 | EU | Original (Hiraeth)

Release: 2020 / US – Original

Genre: Electronic & Dance

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THE GOOPY GOONS ARE BACK with another collection of twisted American electronics. For those not familiar, CP/BW is a collaboration between Corporate Park (aka Shane English/Jonah Lange) and Beau Wanzer. This second LP collects tracks from various recording sessions done in Texas over the past 5 years. Humid ditties, bumpkin beats, toothless treats, and only for the freaks.

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Passive Refraction

27th Floor

LP | 2020 | US | Original (Birdwatcher)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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“27th Floor” is the debut album by musical duo Passive Refraction. Let it take you on a journey through the city in search for your loved one…

Passive Refraction created an album for those who love to fade away into ambient and cyberpunk backdrops – neon lit buildings and heavy rain falling straight into your take-out food… waiting for the next Hover Tram into City Central.

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Ross Goldstein

Timoka

LP | 2019 | US | Original (Leaving)

Release: 2020 / US – Original

Genre: Electronic & Dance

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'Timoka' is an all instrumental album from Ross Goldstein featuring 11 compositions created using a Mellotron exclusively. It is a companion piece (volume 2) to 'The 8th House' and like that album it is inspired by cinema and film soundtracks

While plenty of homage has been paid to the anxiety-heavy synthy soundtracks of 70's b-movie horror flicks or the acid rock freak outs that soundtracked movies from the early days hippie subculture, The Eighth House goes in a very different direction. More than those popular entry points, the music here is subdued and slow-moving, curiously inspecting ideas as the album moves through various fantastical passages. Even when cartoonish sound effects meet with tense swells of strings or dramatic orchestral flourishes (early Chamberlin models recorded their sounds using players of the Lawrence Welk Orchestra, no less!), the result is never garish but always patient and communicative. Bells ring in the distance, memories and possibilities are implied but left open to interpretation and strange but friendly sounds linger for just a moment before melting into something else. The result is a muted and wintery paradise that envisions Smile-era Brian Wilson scoring the softer moments of a Jodorowsky film.

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Yuk

Paraiso

12" | 2019 | US | Original (Viva)

Release: 2019 / US – Original

Genre: Electronic & Dance

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o-founder & head chef of the buzzing fine dining restaurant, LASA, LA's Chad Valencia aka yuk. returns to LEAVING Records leading the ambient lo-fi revolution within LA's beat-scene - heralded historically within the production culture of LEAVING's community.

Speaking sonically & conceptually to the nuanced heritage of yuk.'s Filipino upbringing - the Paraiso EP marks the first of two installments in contemporary works of sound art forthcoming from the experimental beatmaker.

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Omotani

With The Jazz

LP | 2019 | EU | Original (Don't Be Afraid)

Release: 2019 / US – Original

Genre: Electronic & Dance

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VIVA RECORDINGS drops their first vinyl release in over ten years. OMOTANI has been doing VIVA art for covers on and off for years, and has recently remixed JAY TRIPWIRE on the label. Remixes on this deep and jazzy groover come from BERTHA (DIZ) and TIM K (HOME AND GARDEN). Limited edition, 300 copies, hand numbered. Full color front and back jackets. Labels will be hand stamped, may vary from image slightly. Soulful and stylish house.

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rRoxymore

Face To Phase

2x12" | 2019 | EU | Original (31)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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rRoxymore's long-anticipated debut album, Face To Phase, was born of her annual creative hibernation practice. Whereas her previous appearances for Don't Be Afraid - Thoughts Of An Introvert, Parts 1 & 2 - revealed inner worlds of saturated colour and natural expressiveness, she retreated into her studio at the turn of winter 2018 occupied with the idea of dismantling the dancefloor-centric pressure paradigm.
The resulting album, Face to Phase, finds rRoxymore methodically and mindfully stripping back to fundamentals: rumbling minimalist dub, sparse polymetric drums, boldy unpredictable melodic narratives and subtleties which hover out-of-reach or disappear into vapour. Forged by the spirit of club music cultures, Face To Phase favours deep listening; resisting the temptation to reflect on the past or project towards the future, it's an album that is firmly rooted in the contemporary.
Sparked by her own archive of field recordings, and produced primarily but not exclusively in the box, Face To Phase adds several facets to rRoxymore's already wide repertoire. The pensive and beatless opener "Home Is Where The Music Is" was inspired by her longtime friend Planningtorock, while "Forward Flamingo" is a spiraling dream-state of house music dissociation; elsewhere "Energy Points" remains anchored to the ocean floor, radiating heavy dub waves, "Passages" is a ghoulish skeleton of UK break beats, "What's The Plan" closes the album in a blissfully blunted fashion, while twisting, shape-shifting rhythms push and pulse "PPS21" into series of ever-evolving shapes and forms.
Through and in between the eight songs of Face To Phase, rRoxymore fortifies her status as a seasoned artist, grounded by over a decade of live performance and touring, collaboration, composition and experimentation. With a new live performance collaboration with a percussionist set to debut the LP at Atonal on 1st September, rRoxymore is primed to expand her reputation even further as one of the most vital and distinctive artists on the fringes of contemporary club culture.

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Bungle

Mutant EP

Release: 2019 / EU – Original

Genre: Electronic & Dance

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LP | 2019 | EU | Original (Bigamo)

Keope

Triangulo

12" | 2019 | UK | Original (Warp)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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There is this phenomenon that I call the „Keope moment“. I saw it again at this year's Sacred Ground Festival. Two guys start playing music on a guitar and a table full of unknown objects. Nobody knows them and nobody knows what to expect. 20 minutes later everybody’s dancing because some strings just pulled you close to them and made you dance. I sincerely hope that when you listen to their second LP - which I’m very proud to be able to present you - you can’t help yourself but dance! Frank Wiedemann

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Plaid

Peel Session 2

Release: 2019 / UK – Original

Genre: Electronic & Dance

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Presents Infinity "Infinitum" - Maida Vale Session

Flying Lotus

12" | 2019 | UK | Original (Warp)

Release: 2019 / UK – Original

Genre: Electronic & Dance

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Particle/Matter - Wave/Energy

Marcus Schmickler

LP | 2019 | EU | Original (Kompakt)

2LP | 2019 | EU | Original (Astro Chicken)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Kompakt welcomes veteran contemporary experimental producer Marcus Schmickler with the release of his spectacular noise/techno fused medallion entitled “Particle/Matter-Wave/Energy”. Marcus Schmickler’s fifty plus release discography is one of the most fascinating in his field. From his studies under Cologne based Stockhausen collaborator Johannes Fritsch to his releases through legendary imprints a-Musik, editionsMego and Mille Plateaux, over the years Schmickler has been behind innumerable collaborations and sonic explorations. Be it through his ground-breaking indie/electronic band Pluramon or through his releases that have included collaborations with musicians such as John Tilbury, Thomas Lehn, Julee Cruise or MIMEO he has even had his works being performed by ensemble recherche, musikFabrik or Paragon Ensemble. Beyond continuing to perform on the world stages, he authors theatre and film and currently teaches at Institut für Musik und Medien in Dusseldorf. This brings us to the release of "Particle/Matter-Wave/Energy" - a 37 minute long piece (split into 2 parts on the LP version) that explores the borders of a scientific universality of sonification towards something that becomes a singular experience – sound. The pieces’ foundational aim was to create an acoustic rendering of what it sounds like when two galaxies collide by gravitational forces. To avoid this one sheet getting lost in theory, the audible result of “Particle/Matter-Wave/Energy” is an incredibly, immersive work that is required listening from start to end. Contemporary experimental music and modern techno collide as waves of synths caress the listener through intense waves of frequency variables. The orchestral enormity of the piece is both discomforting yet embracing as the listener feels engulfed with it’s robotic caress.

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Hyboid

Strange Signals

Eleven Pieces For Synthesizer

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Hyboid of Astro Chicken Records returns with another full-length LP fresh from his Berlin-based studio: 14 tunes filled to the brim with vintage-synth-laden space synth-pop goodness. “Strange Signals” is the tale of an interstellar romance gone wrong. Follow our hero through the mists of time and space and watch him return with a fistful of far-out oscillations!

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Carl Oesterhelt

LP | 2019 | EU | Original (Umor-Rex)

2LP | 2019 | EU | Original (FHUO)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Umor Rex presents Eleven Pieces for Synthesizer, a collection of synth instrumentals by German composer Carl Oesterhelt. Oesterhelt has been recording a mixture of straddling kosmische and classical traditions for years on his own reel tape machine, overdubbing stacks of analogue gear to create a compelling body of work that brings fresh emotional depth and rhythmic experimentation to the syntax of the modern synthesizer.

Born in Munich in 1968, Carl Oesterhelt has worked in a variety of fields throughout a long and impressive career. His discography includes tenures with Neue Deutsche Welle legends FSK, intellectual disco outfit Merricks, and German legends The Notwist. His solo work has travelled even further and wider, taking in contemporary classical and chamber music, music for exhibitions and radio plays, not to mention notable collaborations with saxophonist Johannes Enders and legendary founding member of Faust, Hans Joachim Irmler.

Oesterhelt augments his own analogue arsenal with synthesizers borrowed from musician friends, resulting in almost fifteen different synthesizers –some in fruitful states of disrepair– which feature on the album. Opener “La chapelle de Francis Lai” pays tribute to the French film composer with a synthesized church organ procession, disintegrating kraut-funk-noir which emerges on “Poro Secret Society”. Then, eerie sound effects mash with minimal techno rhythms on “Makonde Pattern”, and –most surprisingly– Oesterhelt turns his keys into a sub-Saharan drum ceremony on “Trinidad Pattern”. The sheer range of Eleven Pieces for Synthesizer is an impressive achievement unto itself. Yet it is Oesterhelt’s instincts as a composer which make these (largely improvised) recordings so compelling. Tensions build and emotions stir throughout each piece with a proficiency perfected through his work for the stage.

Musically associates, and directly connected to a heritage of German electronics, Eleven Pieces for Synthesizer touches upon similar ground to the likes of Musik von Harmonia in its pulsations, Klaus Schulze’s sonically adventurous Cyborg, and Tangerine Dream at their earliest and most primitive. The hypnotic ritualism of early African field recordings, or the spiritual regality of European organ music also convey key reference points in the formulation of this collection. Oesterhelt’s compositions here have taken the musically primitive and the emotionally raw, and woven them into a rich synthetic soundworld all of his own.

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Marc Bianco

Speak Like A Hurricane

2LP | 2006 | EU | Original (Shitkatapult)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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FHUO Records has been pushing the limits of its own diversity by releasing an ambient soundtrack album, hip-hop beats, neo soul and electronic music during the last months. But here it comes back after a short hiatus with something powerful and very special, the first solo album of one of the all time finest french jazz pianist on the scene, Marc Bianco. Known for his house productions and his project Kimosabe with Folamour, Marc Bianco decided to go back to the roots for his first long format under his real name. Coming from improvisation, live jazz and the connection between composing and sharing energy, he decided to mix all these ideas into a beautiful experience going through cinematic universes from one track to the other. Different worlds while we're still on the same trip. One for the books!

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Das Bierbeben

Alles Fällt

LP | 2019 | EU | Original (Young Heavy Souls)

Release: 2006 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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11 tracks

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Lord Raja

Amadeus

LP | 2019 | EU | Original (Backwards)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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One of the fortes of Carlton's "1634 Lexington Ave." LP is that it flows along as an entity but also revels in the strengths of its individual parts. This fourth single brings out another stylistic strain from Carlton and Cold Diamond & Mink's repertoire. After the tight intro and the vibraphone licks have set the scene there are twists and turns plus some classy action from Jukka Eskola on trumpet, did we mention the instrumental on the flip side?

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Mike Cooper

Distant Songs Of Madmen

2x12" | 2019 | EU | Original (Emerald)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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A new MIKE COOPER release is always a great event, and we are proud to do it! Distant Songs of Madmen was recorded live in Palermo and was my solo set in a concert organised by Lelio Gianetti and Curva Minore which included my trio Truth In The Abstract Blues and Eugene Chadbourne. My set was free improvisation; some cover versions of folk and pop songs and some of my own songs. The title of the record and some of the improvised pieces were taken from Sam Shepard's writing. Sam, one of my favourite writers, has sadly died since I recorded this record and I dedicate it to his memory. Mike Cooper Available in a beautiful designed cover with an exclusive amazing artwork made by Italian artist Carla Indipendente. Comes with one insert. Mastered for vinyl by Brian Pyle (Ensemble Economique).

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Remco Beekwilder

Culture Vulture

LP | 1990 | EU (Discos Transgenero)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Remco Beekwilder debuts his first album "Culture Vulture" on Emerald. With 14 tracks carried out over wax he's taking it back to where it all started. Being influenced by everything between AM and PM, he touches the distinction between Friday evening and Monday morning. Not necessarily worse, just different.

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Marnie Weber

Songs Hurt Me

LP | 2019 | EU | Original (Black Truffle)

Release: 1990 / EU

Genre: Electronic & Dance

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Limited edition of 400 copies including Marnie Weber sticker. Hidden gem from the L.A. performative art rock scene. Discos Transgénero is proud to announce the re-issue of the Marnie Weber classic first solo LP, “Songs Hurt Me” originally from 1990. This seminal record was an important part of the Los Angeles post-punk performative art rock scene. Brooding synthesizers, heavy bass, strange melodies, and poetic lyrics lead you through an industrial journey. These songs were born from Weber’s earliest performance art characters: a deer, an old woman, a manic courtesan, and a butterfly. Songs Hurt Me was originally co-produced by Phillip Drucker AKA Jackson Del Ray of Savage Republic and 17 Pygmies fame.

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James Rushford

The Body's Night