Electronic & Dance 47257 Items

12" | 2013 | RU | Original (Arma)

ARMA 06

Release: 2013 / RU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

2LP | 2021 | US | Original (Orange Milk)

Machine Girl

WLFGRL

69,99 €*

2x12" | 2022 | EU | Original (Dynamic Reflection)

Release: 2021 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Still shrink wrapped but opened.
Cover as new with slightly dented corners.
Records are close to NM.

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Abstract Division

Midnight Ensemble

12" | 2022 | EU | Original (Straight Up Breakbeat)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

White / Black Splatter Vinyl Edition.

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Esc & Mineral

Satellite EP

12" | 2022 | NL | Original (Clone West Coast Series)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Limited Edition.

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Edo 8

Binary System

8,99 €*

Release: 2022 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

12" | 2023 | UK | Original (Gimme A Break)

Beerus

9000 EP

8,99 €*

12" | 2002 | US | Original (Teknotika)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Gab002 sees Gimme A Break Records keep things local with a rowdy EP from Leeds-based DJ and producer Beerus. Over the last six months, Beerus has demonstrated his production power through two bodacious releases on Gunfinger Food’s new sub-label, Booty Frooty Records. Fusing UK styles including hardcore, acid and jungle with US staples such as electro, juke and footwork, Beerus has established a playful sound primed for the dancefloor.

Beerus’s “9000” EP opens with a hardcore weapon which combines rave stabs with Dragon Ball samples and an acid line threatening to spiral out of control at any given moment. “Play This Shit” sees the EP take a sensual turn as Beerus channels the sounds of Chicago with an enticing juke number. “Booty Acid” follows suit, offering up a particularly self-explanatory track title: luscious electro meets 303s. “Love4U” is Beerus’s love letter to the happy hardcore scene as a thumping 4x4 bassline collides with melancholic vocals and piano lunacy. Finally, Beerus rounds off Gab002 in style with the junglist mediation “DO U Want ME”.

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Nepz & Sierra Sam

The Sense EP

Release: 2002 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

12" | 1993 | IT | Original (Inside)

Lisa B

You And Me

Release: 1993 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Label cover with small seam split.
Writing on label.

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12" | 1996 | US | Original (OMW (Oxygen Music Works))

Raw Oxygen Vol. 6: Tokyo

12" | 1990 | US | Original (Strictly Rhythm)

Release: 1996 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Yellowed cover with ring wear and price tag.
Record has some hairlines and a few superficial scratches.
Sticker on label.

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Scram

I Believe

Release: 1990 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

2x12" | 2017 | Original (Underground Quality)

DJ Jus-Ed

Jus-Nomaly 2

9,99 €*

12" | 1989 | US | Original (KMS)

Release: 2017 / Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Records with just a few paper scuffs.

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EMB

Dear John

Release: 1989 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

12" | 2017 | DE | Original (Limousine Dream)

Gene On Earth

Lazybones EP

12" | 2020 | EU | Original (Limousine Dream)

Release: 2017 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Record is close to VG+.

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Gene On Earth

The Juggler

2x12" | 1994 | US | Original (430 West)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Record is close to VG+.
Ships in a generic sleeve with hype sticker.

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Octave One

The "X" Files

Release: 1994 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

12" | 1995 | US | Original (Cajual)

Johnny Fiasco

Conduction

5,99 €*

12" | 2012 | US | Original (Novel Sound)

Release: 1995 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: G+, Cover: Generic

Record has hairlines and superficial scratches.
Ships in a brand new plain sleeve.

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Levon Vincent

Stereo Systems

6,99 €*

12" | 1998 | US | Original (Hardwax)

Release: 2012 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Small light scuff on side B.

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Robert Hood

Satellite

12" | 2017 | EU | Original (Temple Traxx)

Release: 1998 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl has scuffs and light scratches.

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Cube 40

Bad Computa

12" | 1989 | US | Original (Capitol)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: G+, Cover: Generic

Small deeper scratch on side A.

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D'Atra Hicks

Sweet Talk

Release: 1989 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

After The Love Has Gone (Chief Inspector Remix)

Princess

12" | 1985 | DE | Original (Chic)

Release: 1985 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Special Medley Of The Glamorous Life / Sister Fate / A Love Bizarre

Sheila E.

12" | 1985 | EU | Original (Warner)

Release: 1985 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: Generic

2x12" | 1997 | DE | Reissue (Tresor)

Joey Beltram

Places

19,99 €*

12" | 2017 | DE | Original (GOSU)

Release: 1997 / DE – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: G+

Cover with small tear from the opening side.
Record has some hairlines and a few superficial scratches.

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Thomas Rooge

EP 1

Release: 2017 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 1991 | DE | Original (WEA)

Splash

Joy And Pain

Release: 1991 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1989 | DE | Original (London)

Joyce Sims

Looking For A Love

Release: 1989 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1990 | US | Original (Nastymix)

Mario

Whip It Baby!

Release: 1990 / US – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1989 | US | Original (Island)

Miles Jaye

Heaven

Release: 1989 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1985 | US | Original (Ichiban)

Slave

Unchained At Last

Release: 1985 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1982 | NL | Original (Rams Horn)

Skyy

Skyyjammer

Release: 1982 / NL – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1988 | US | Original (Midtown)

Hassan

Pump Up The Party

9,99 €*

Release: 1988 / US – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

LP | 1984 | DE | Original (Metrovynil)

Bronx Trax

12,99 €*

Release: 1984 / DE – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1983 | DE | Original (Sugar Hill)

Melle Mel & Duke Bootee

Message II (Survival)

Release: 1983 / DE – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1979 | DE | Original (MCA)

Debbie Jacobs

Undercover Lover

6,99 €*

Release: 1979 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

2x12" | 2000 | UK | Original (Arista)

Toni Braxton

Spanish Guitar

5,99 €*

Release: 2000 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 1984 | EU | Original (Virgin)

Scritti Politti

Hypnotize

Release: 1984 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1982 | DE | Original (Polydor)

Lime

Lime II

Some Of My Best Jokes Are Friends

Release: 1982 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

Sleeve has stickers.

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George Clinton

LP | 1985 | EU | Original (Capitol)

8,99 €*

Release: 1985 / EU – Original

Genre: Hip Hop, Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1984 | JP | Original (RCA)

Daryl Hall & John Oates

Out Of Touch

LP | 1982 | JP | Original (Virgin)

Release: 1984 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing with OBI!

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Culture Club

Kissing To Be Clever

LP | 1983 | JP | Original (CBS/Sony)

Release: 1982 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing without OBI!

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Earth, Wind & Fire

Electric Universe

LP | 1984 | JP | Original (Mercury)

Release: 1983 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: G+

Japanese pressing without OBI! Cover with seam split!

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Berlin

Love Life

LP | 1982 | JP | Original (RCA)

Release: 1984 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI!

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Daryl Hall & John Oates

H₂O

Release: 1982 / JP – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI!

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Breakin' - Original Motion Picture Soundtrack

LP | 1984 | JP | Original (Polydor)

Paul Lekakis = Paul Lekakis

Release: 1984 / JP – Original

Genre: Hip Hop, Electronic & Dance, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing without OBI!

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Boom Boom (Let's Go Back To My Room) = ブーム・ブーム

12" | 1987 | JP | Original (Alfa International)

18,99 €*

LP | 1988 | DE | Original (Solar)

Release: 1987 / JP – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI.

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Dynasty

Out Of Control

Release: 1988 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1983 | JP | Original (Planet)

Pointer Sisters

Break Out

19,99 €*

Rumors (Original Version)

Release: 1983 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing without OBI!

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Timex Social Club

12" | 1986 | DE | Original (Mercury)

Release: 1986 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1982 | JP | Original (Motown)

Commodores

All The Great Hits

LP | 1978 | JP | Original (Victor)

Release: 1982 / JP – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI!

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Michele

Magic Love

LP | 1982 | JP | Original (Warner)

Release: 1978 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

No Obi, with insert. Overall close to NM.

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Donna Summer

Release: 1982 / JP – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

No Obi, with insert.

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A-Sides Volume 10 Vinyl Three Of Five

12" | 2021 | UK | Original (Drumcode)

12" | 2021 | EU | Original (Smilax)

Release: 2021 / UK – Original

Genre: Electronic & Dance

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A rare treat for Drumcode faithful: A-Sides Vol.10 is set to drop in early 2021 split across five must-have EP's. Fuelled by the extra time and space to be creative during lockdown, Drumcode’s collective of artists have stepped up. Across 17 contributions, the producers have gone deeper into their sonic repertoire, crafting powerful, yet reflective works that capture the range of the label’s sound.

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Tinlicker X Robert Miles

Children

20,99 €*

Release: 2021 / EU – Original

Genre: Electronic & Dance

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2LP | 2021 | EU | Original (Staalplaat)

Muslimgauze

Jackal The Invizible

31,99 €*

12" | 2023 | EU | Original (Tenax)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Listeners of Bryn Jones’ work as Muslimgauze know that he was prolific in both his work and in the way he sent out his work to labels and other interested parties (it’s one of the reasons some of that body of work is still being sorted through and released 20+ years after his passing). This compilation as with most of his work was submitted without comment, so it can be asked, was it intended to be a compilation? Had he at some point decided he preferred these tracks in this arrangement rather than on their other tapes? One thing we don’t have to question is the quality of the tracks here, regardless of familiarity. The new juxtapositions can be quite striking.

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DJ Cream

Make Tha Move EP

21,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Bandiera Gialla Yellow Vinyl Edtion

Ivan Cattaneo

LP | 1983 | EU | Reissue (The Saifam Group)

41,99 €*

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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LP+CD | 2024 | EU | Original (Anitya)

Paolo Tarsi

Unnatural Self

38,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2018 | EU | Original (Rebel Up)

Babylon Trio

Habibi

20,99 €*

7" | 2024 | UK | Original (Modern Love)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Iraqi band Babylon Trio from Brussels plays an electrified ravey mix of contemporary Iraqi and Arabic music styles, such as choubi choubi, dabke, maqam and electronic hybrids that put the dancefloor on fire.

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Lucy Duncombe

Sunset, She Exclaims

18,99 €*

Tape | 2024 | UK | Original (Downwards)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Highly regarded for a pair of innovative releases with 12th Isle, Lucy Duncombe is an experimental singer and
artist who uses technology to deftly abstract songcraft in ways that uniquely pique the imagination. With
’Sunset, She Exclaims’ Lucy diversifies Modern Love’s 7” series via a trio of works that embody influences
ranging from doo wop to avant garde and pure pop forms, in a style of melismatic sound poetry weft with
Jacquardian intricacy. It’s a truly precious, beguiling and evocative record that will reward repeat plays for
eons to come, much in the manner of contemporary classics such as Kara-Lis Coverdale’s ‘Grafts’, or Laurie
Anderson’s ‘O Superman’.
The star of this short story is no doubt ‘Sunset, She Exclaims’, where Lucy reframes Jeff Alexander and
Anthony Wilson’s haunting ballad, ‘Come Wander With Me’, used as a titular device in The Twilight Zone’s
swansong episode, 1964, and which has since notably featured on Vincent Gallo’s ‘Brown Bunny’(2003). In
Duncombe’s larynx and motherboard, the song is dissected and reworked as a glossolalic froth of hiccuped
melody blooming into crepuscular harmony. Its effect is practically hormonal; affective as indole in, as
she puts it, “reducing the stench of the real”, whilst distilling the saccharine sadness of the original to a
synaesthetic, dream-nudging whiff of nostalgia.
Once you prize yourself away from that A-side, Lucy’s B-side only lures deeper into blurred hyper-pop
fantasy. The precedents of Maria Chavez’s experimental sound poetry and Niecy Blues’ raw soul hover around
‘Ghosting’ and ‘Ghosted’, teasing the parameters of avant-pop into plasmic refrains, foregrounding the usually
unwanted parts of vocal performance - glitching digital artefacts and errant detritus - in a way that makes
the mind’s eye saccade, tracing the half-heard glowworms nestled in its bush of ghosts. Fine-tuned ears will
surely recognise the sort of brilliance on show here, and will no doubt revel in its gauzy glaze, which prizes
oneiric ambiguity, ephemerality, the supernatural, over anything more corporeal.

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NO DETAIL

CLOSED EXIT

Tape | 2024 | UK | Original (Yellow Swans Archive)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Fronted by Ho - a hydrahead techno-punk-industrialist variously regarded as Broken English Club, Slow White
Fall, part of Zov Zov, and many others - and here joined on distorted bass guitar from Jamie Croydon; NO
DETAIL is a serious proposition for those who like their post-punk with less jangle and more concentrated
industrial bite. Their ‘Closed Exit’ tessellates very angularly with Downwards’ prevailing, formative, tastes for
this sound on all seven cuts, which could arguably have been made at any time between the fallout of UK punk
and post NYC no wave, and an everything-at-once present.
Manning drum programming, noise boxes and a mic with time-tested aptitude, Ho’s deadpan vox and
needling prompts alloy Croydon’s detuned bass gnarl with an in-the-pocket discipline. The balance of
melody veiled in venomous noise on ‘Input’ gets them into gear for the revving swagger of ‘You Could have
Been Better’, optimising the barest elements in a formula that carries them to the stop-start jugular lunge
of ‘Private’ and the cold saucy slug of a ‘Utility’ where we half expect John Lydon to enter stage left, and the
bruxist yoke of ‘Dead Lakes’ that bursts at the seams with white hot distortion. Their hot-stepper ‘Grey Poles’
is an ideal showstopper, itching tendons with pointillist drums and guitars upping the ante with a buzzsaw
grind to trigger limbs with too much snakebite, lactic acid and wizz in the blood.

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Yellow Swans

Out Of Practice 2

12,99 €*

LP | 2023 | UK | Original (Shelter Press)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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After marking their return following 15 years on ice, Out of Practice Volume 2 is an unflinching exposition of the duo’s omnivorous tastes and mettle for white hot psychedelia. In a typical style they assume versions of their early selves, circa roles in Portland’s burgeoning noise scene, around the turn of the millennium, when they would collapse myriad influences - noise, industrial, drone, hardcore, dub, free improv and modern composition - into a blistering maelstrom, and record an almost innumerable slew of releases until disbanding in 2008. Since their cheerio, Pete Swanson has issued occasional solo works and helped Jed Bindeman build the Freedom to Spend label into a notable showcase of their sprawling tastes, whilst Gabe has carved a solid path of drone works under his own name for the likes of Shelter Press and Miasmah. Reunited, they now remind us to the thrill of USA’s noise nexus in the ‘00s, when everyone from Wolf Eyes to Bill Kouligas and 0PN would emerge with wildly differing styles that could still be placed on the same page, and which felt like a big fuck off to preceding eras. That formative buzz fuels the YS cuts here, which both started out with playback samples of their respective influences, mutated and masticated by their overdriven onslaught. In ‘Oblivion Access 6-16-23’, recorded live in Austin on their first show in 15 years, they chew the hell out of 13th Floor Elevators - the psychedelic rock analog to their psych noise - murking a tape loop for nearly 10 minutes of pounding bass and wall-of-noise distortion, before the original sample is revealed in the vinegar strokes. Better yet, the B-side sees them rinse out Suicide into coruscating clouds of greyscale noise bliss that short circuits distinctions of late stage The Caretaker and Alberich, and almost feels like it could have come out via V/Vm Test Records’ in its heyday.

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Ben Vida

The Beat My Head Hit

26,99 €*

LP | 2023 | UK | Original (Ideal)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Where Ben Vida’s music has previously explored the sound of text at the outer register of electronic composition, here, in collaboration with the Yarn/Wire quartet and the vocalist Nina Dante, the voice and the words it works to inhabit are placed back at the time-scale of a song. There is a familiarity to this music’s combination of restrained melody and heightened atmosphere. It feels, softly, like it’s made by a band: piano, percussion, voice. A composition kept aloft and even by its four stewards through a simultaneity of effort. The pace, across five pieces, hurries and relaxes but never outruns or distends language. You could find a story in the words being sung, if that’s what you need. But there are unfamiliar dimensions too. So many threads, so many timelines. A story or a thousand, or a litany of scraps: language complete but raw, language that can or cannot be translated. Singers fused at the breath. Oppositions or dualities—a question and an answer, two sides of a conflict, the sense of being here or over there—are drawn together into a single sentiment, plural with feeling. Voices negotiating in unison how to articulate a stance. Musical cues doling out tension as needed. The five pieces that make up The Beat My Head Hit were developed with Yarn/Wire over the last four years, with roots in Vida’s 2018 performance for four voices and electronics “And So Now” at BAM in Brooklyn. The Yarn/Wire ensemble, founded in 2005, has been collaborating with a broad range of experimental composers and sound artists since its inception: most recently, they have performed work by the likes of Sarah Hennies, Annea Lockwood, Catherine Lamb, and Alvin Lucier. Vida, meanwhile, has maintained a practice as both a musician and a visual artist, which has included drone-leaning solo work for electronics as well as improvisatory collaborations with musicians including Martina Rosenfeld and Lea Bertucci. Working with Yarn/Wire, for Vida, was something like joining a band. Following a few early live performances, the material was worked through in the studio across many permutations, a process during which Vida, Dante, Russell Greenberg, Laura Barger created what Vida calls “a meta-voice out of the blending of our four voices.” Sustained presence—language bringing a group to the place of breathing in unison— becomes the backbone of the piece. That presence is an engine, but it’s still full of negative spaces and exhales. It’s thrilling, for example, to find oneself disarmed by the subtle harmonies introduced by the inevitable but infinitesimal distance between Vida and Dante’s voices. Or the introduction of subterranean bass on “Drawn Evening”: breath trapped? When ambient stillness steps in out of nowhere to replace fast talk on the title track, the evacuation of language is some other form of breath, too. The beat my head hit finds not just truth or reality in what happens at the periphery, but a kind of peace.

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Carla Boregas

Pena Ao Mar

The Neurobiology Of Moral Decision Making Clear Vinyl Edition

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Carla Boregas is best known from her tenure in São Paulo’s genre-bending experimental post-punk scene, playing in long-running outfit Rakta as well as other related offshoots. Her solo material has been knottier to unpick, here developing ideas from a collection of unfinished fragments and notebook scribbles exploring the possibility of finding a wind instrument that could be played collectively by several musicians. Coinciding with the pandemic, however, she soon realised the inherent risks involved with sharing breath and so the concept took a different direction, with added resonance. Boregas developed a synthetic alternative, layering vocals and environmental recordings to suggest wind instrumentation without attempting to mimic it. The sounds here are airy, but rarely diegetic - on the title track, Boregas uses analog arpeggios and plucked, sustained tones to approximate the kosmische world of Ash Ra Tempel or more recently Emeralds, as if trapped in a wind tunnel, moved forward by an unseen force. There’s a whisper of the ancient past that harmonises with Wojciech Rusin’s speculative medieval gasps, and Bloedneus & de Snuitkever’s severely underheard ‘Milli Mille’, an examination of the ancient Greek aulos. On ’Grafia Do Invisível’ the sound is completely different again, but the concept remains, using precise analog drones and minuscule timbral shifts to imitate the character of a wind instrument and simultaneously harmonise with the deep listening meditations of Éliane Radigue and Kali Malone. A voice enters the frame on ‘Sopro’, chopped into deviated gulps and syllables, creating a language that’s unfamiliar and percussive. The use of breath is subtle, and vocalisations criss-cross between synths and faint whistles, forming an expression that’s different from its predecessors but intrinsically interlinked. This is where ‘Pena Ao Mar’ excels, by viewing breath and its application in electronic music from multiple angles simultaneously.

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Mark Fell & Gabor Lazar

2LP | 2015 | UK | Reissue (The Death Of Rave)

30,99 €*

LP | 2022 | EU | Original (MAL)

Release: 2015 / UK – Reissue

Genre: Electronic & Dance

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Still in a zone of its own, ‘The Neurobiology of Moral Decision Making’ is the result of Mark Fell’s trip to Budapest in 2014, where he and his acolyte, Gábor Lázár practically unravelled the vernacular of contemporary computer and club musics and re-stitched them into brilliantly new & devious designs. Decimating elements familiar to 2-step, footwork, electro, flashcore and f*ck knows, they arrived at a mutual conclusion of sleekly turbulent minimalism in 10 jawdropping permutations that dance in the integers of rave music. In the process they effectively re-programmed limbic and motor systems in-the-moment with a wickedly diffractive sense of rhythmic anticipation and shockingly crisp sound for a pinnacle of modern experimental dance music. With benefit of hindsight, we can now hear this album as a watershed moment for both artists, and this style of production. Since its release, Mark has notably moved away from the sound to work with acoustic instrumentalists, while Gábor has firmly picked up the baton and run with it on the likes of 2018’s ‘Unfold’ album, and more recently ‘Boundary Object’ with Planet Mu. It’s not hard to hear it as a logical peak of Mark’s practice in this mode, solo and with SND, as much as a springboard for Gábor’s future work, while also catalysing a new wave of operators ranging from Rian Treanor to Kindohm, Kirk Barley’s Church Andrews, and Rhyw, who’ve all harnessed these sort of energies to their respective wills. No doubt the tunes still scare the shit out of DJs with their spasmodic flux, but brave cnuts will recognise the genius on show and let instinct kick in, finding proper club shockers in the slippery 2.1 step whorl of ‘Track 2’ and the scudding dancehall accelerationism of ‘Track 6’, while advanced adventurers will get theirs in the greased straightjacket laser-intensity of ‘Track 7’ or the devilish dexterities of its closing 12 minute zinger. It’s all just blindingly strong stuff for insatiable ravers and computer music neeks alike, properly future-proofed by its makers’ unyielding tenacity and visionary ingenuity.

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Gav & Jord (Equiknoxx)

Writings Ov Tomato

Nadah El Shazly & Elvin Brandhi

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Jon K & Elle Andrews MAL imprint returns with its second release - a long rumoured excursion from Equiknoxx skippers Gavin “Gavsborg” Blair and Jordan “Time Cow” Chung operating under the Gav & Jord masthead for the first time. It’s their most probing x tight set of productions thus far - showcasing that naturally wild rhythmic mutability that’s earned them followers in every corner of the experimental paradigm over the last few years. ‘Writings Ov Tomato’ ties off a certain loop between Equiknoxx and their early supporter Jon K, who was pivotal in bringing their productions to the attention of Sean Canty at DDS, who went on to release their by-now seminal ‘Bird Sound Power’ album a good half-decade ago. This new set of tracks came about after MAL suggested to the duo that they explore any under-excavated musical territory they’d been thinking about since they began to tour the world, and the result is this incredible, purely instrumental LP that romps between Autechrian mutations, avant R&B swangers, Jersey-style sluggers and proper, wig-flipping club missiles. Who else would boot off a new LP with a track titled ‘Childish House Mafia’? The fact it sounds like Actress formulating an industrial noise tape using ritual chants just makes it all the more screwy. The title track returns the duo to more familiar ground, with prickly “Bird Sound Power” drums notched up a few BPM and spliced with whirring trap hats and disorienting synths. ‘A Yow Jon K’ is a Kingston-fried take on sun-bleached Miami electro, with a rolling beat filled out by Gav & Jord’s hard boiled soundboard x foley crunches, before ‘Pig Pilot’, the record’s most substantial cut, loops JBC Radiophonic Workshop convulsions around a booming 4/4 that wouldn’t sound completely out of place at Berghain’s Klubnacht. Saturating the hook and allowing ferric hats to fill in the gaps, the pair manage to fabricate a sound closer to 1970s library music than Villalobos, and we’d wager you ain’t ever heard owt like it. Combine all this with lower-key slithering industrial-ambient moments like the plughole-wonked outro ‘Brent Bird’ (named after Gav’s producer brother), the tuned tinkle of ‘No Sweat in my Sweatpants’ and the airborne elegance of ‘Appinness’, and you’ve got another Equiknoxx joint that draws from the syncretic mosaic of Afro-Latin-Sino-US influences and re-contextualises them into remarkably odd and effective structures that dance in the integers of a myriad styles.

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Pollution Opera Neon Green Vinyl Edition

LP | 2024 | UK | Original (Danse Noire)

CD | 2024 | EU | Original (Ideal)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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The buckshot marriage of UK avant shapeshifter Elvin Brandhi (Yeah You) and Cairean Nadah El Shazly - regarded, among many other things, for incendiary solo sides and jams with Sir Richard Bishop - was some four years in the making and forms an uncompromising purview on the dystopian state of it all. Seeded in a 2020 motorbike ride thru Cairo’s humid soot, then cultivated at Nyege Nyege’s Kampala studio, the 9-part album convulses a convincing “world-spew” take on their shared experiences that’s as ruggedly vital as it is riddled by moments of poignant pathos and idiosyncrasy. It recalls the wildest dreams of their Danse Noire label founder Aïsha Devi as it does the fractal discombobulations of 1127 and his smashed-prism take on Egyptian classical, achieving a psychedelically-charged, heightened state of worldly proprioception that plunges listeners deep into their shared imaginary space. Consider them psychopomps for the eschaton, as they draw on a plethora of disciplines to limn in oblique but certain terms a palpable terror, unsettled by romance and love, between their clash of classical harmony and internal catastrophe on ‘Pollute Bold’, and the gnawing strings of Rian Treanor collaborator Ocen James pulled into a polyrhythmic prayer on ‘Crisp Heart’. They use the sounds of a motorbike - endemic to both Cairo and Kampala - as a metaphor for a kinetic stage, connecting their journey from atonal avant-classical gore that recalls Diamanda Galas on ‘Attention!’, to a standout example of El Shazly channelling her Egyptian classical training in the polymetric tumult of ‘crî Me a River’. In sequence with the Arca-esque microtonal synth plumes of ‘Bite’, and dense, unrelenting evocation of terror to ‘Danse le Flou’, they convey a wild ride in the relatively safety and sanctuary of our own listening space, but in context of a thrilling postmodern opera. Heavy energies on this one, but not without some levity too. A bit of a contemporary classic in the making in this arena; a strong example of how the deconstructed club/experimental era has coagulated from its fully dissolved phase.

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James K

Elektra

Jon Collin & Demdike Stare

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Elektra (Scream Through the Eyes of a Statue), is a multimedia performance broadly conceptualizing the female voice as an “X-ray to the bones of sound.” It was commissioned by Issue Project Room and performed April 26th, 2018 in Brooklyn, New York. Taking poet, essayist, and Classics professor Anne Carson’s translation of Sophocles’ tragic play Elektra as a point of departure, James K monstrously externalizes the inner sonic world of female vocalization through a scored collaborative framework interpreting each of Elektra’s “screams” in the Greek tragedy.

The piece develops unique methods of screaming through musical and non-musical objects -- performed through manipulated text, videos, and live contributions from James K (voice, electronics, violin, video) Brooklyn-based musician Eve Essex (alto saxophone, various winds and electronics), electronic producer and performer Dylan Shir (electronics), composer and cellist Leila Bordreuil (cello), and poet/artist Eli V Manuscript (textual alchemy, projections).

Within this collaborative framework, James K scores “the scream” to express the various relations between hysteria and the “gender of sound” -- a blurred and overlapping feminine sound defined by its fragmentation and resistance to scripted narrative. Elektra’s presence is emblematic of a radical alienation that occurs as a standing discrepancy to tragic convention. Amongst society, she is the anti-dialogue, a symbol of protest.

‘my cries are wings, they pierce the cage’

Elektra’s vocalizations pierce through language, revealing a shattered interior of multifaceted reflections constructed against habitual linguistic or vocal expression. In tragic convention, such habitual vocalization takes the shape of the often terse, patriarchal voice of the Greek philosopher -- a didactic, conceptual container in opposition to the expressive “becoming” of Elektra’s cries that riot against fixity. As a tragic character, Elektra is radical and alien for Sophocles and his audience -- an ever-present conviction that demonstrates how female shame has constructed a life-size funeral urn around her.

Through translating a text within layers of translations, a fragmentation of the firsthand into traces, James K mirrors Elektra’s deconstruction of reality into siren shards, offering an experiencing of female sign language as a means of sabotage to the world of normal utterances. By sliding on the edge of convention to sharply abandoning rational speech and sonic construction, K’s piece aims to embody Elektra’s strained and stretching screams, as cuts against the glass; her sabotage bound within the blanket loop. In response to rigid vocalization and fixed sonic understandings, Elektra (Scream Through the Eyes of a Statue) takes the scream as an unruly, emotive sonic experience projecting outwards into objects and audience: to the very bones of sound.

This is a live recording of its single performance. Recorded by Bob Bellerue at Issue Project Room in Brooklyn, NY. Mixed by James K. Mastered by Jack Callahan. Performed by James K, Eve Essex, Via App, and Leila Bordreuil. Conceived and scored by James K for four players, and written in collaborative improvisation with the performers. Textual alchemy by Eli V Manuscript. Design and layout by Nicola Tirabasso and James K. Label management by Joachim Nordwall.

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Fragments Of Nothing White Vinyl Edition

LP | 2023 | UK | Original (DDS)

30,99 €*

Las Camelias, Tres Esquinas White Vinyl Edition

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Demdike Stare’s immersive set of windswept, strung out blues made in collab with Jon Collin finally makes it to vinyl after a small run of tapes back in 2020 that sold out in a hot minute. We reckon it’s some of Demdike’s most compelling work; a highly evocative suite of low-lit sonic tapestries like some Coil x Ry Cooder collab that never was.

Teasing out vintage, arcane threads of connection between deep-South porchside styles and their native industrial blooz, Demdike sound at their most red-eyed and pensive in this strung out, liminal mode, spinning Jon Collin’s expressive guitar licks into acres of cranky, ghostly space to offer a starker and more blunted perspective on his dusky panoramic scenery.

The duo draw on a deep well of inspiration from the rugged beauty of the Pennine landscape to invoke a steeply immersive style of folk-blues abstraction. Across two sides they rustle a ragged, whiskey soaked and blurred tapestry of ideas, variously recalling darker echoes Loren Mazzacane Connors and even Stephen O’Malley solo sides across the 45 minutes of their spirit-guiding trek.

Pick your poison - mushies, peyote, banana skins, whatever’s to hand - and saddle up.

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Johanna Orellana

LP | 2023 | UK | Original (Smalltown Supersound)

26,99 €*

Puxxximaxxx Black Vinyl Edition

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Flautist Johanna Orellana teams up with Carmen Villain for a collection of horizontal, pastoral field recordings and close mic-ed flute sounds that zero in on the instrument’s unstable resonance and levitational magic. There’s no cringe virtuoso business or fourth world firewalking here - just sonic purity, sublime minimalism and the precise capture of time, place and poetry. You might have come across Johanna Orellana before if you’ve listened to Carmen Villain’s music (or seen her perform live), and Villain appears here in a producer’s role, using her engineering expertise to impart a level of restraint and sonic fidelity that’s quite startling. There are only really two central elements to the album: environmental recordings and flute. There’s no psychedelic delay, no cavernous reverb; no audible treatments at all - Orellana and Villain instead force us to consider the flute and its musical lineage. ‘El Jardín I’ introduces the instrument as a physical conduit; Orellana allows her breath to distort the sound - the padded pat pat of the keys forms a kind of rhythm, closely recorded so it’s amplified and jarring, linking to primal wind instruments like conch shells, bamboo flutes and wooden whistles. Recalling the way in which Debit interfaced with the ancient world using AI- assisted tech on last year’s ‘The Long Count’, Orellana uses a comparatively modern contemporary transverse flute, an instrument with roots that stretch back through the baroque era, into Medieval Europe, back to the Byzantine era and into Asia. The component that connects the instruments and eras is breath, and its amplification and modification through differently shaped pipes and vessels. Orellana lets the environment sing: insects, rushing water and zephyr-like winds form a stage that presents her mortal energy, suggesting a harmony between our use of breath and its environmental ubiquitousness. Her technique is steeped in folk history and decouples itself from expectation by rooting itself in nature. It allows her to bridge the gap between equal temperament and less ordered (less commercially-focused) microtonality without overstating the concept. Other sounds waft in from the sidelines; what might be an Indian bansuri, stray notes, a gust of air. There’s a link to the foundational new age recordings that Joanna Brouk made with Maggi Payne back in 1980, but Orelanna also absorbs the outdoor folk magic of Fonal or Stroom, and the improvisational grist of Bendik Giske or legendary US horn duo Nmperign

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Gabber Modus Operandi

LP | 2021 | EU | Original (Danse Noire)

27,99 €*

Pure Science / Mashupheadz

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Aisha Devi’s Danse Noire label reissues Gabber Modus Operandi’s mindboggling combo of microtonal Balinese gamelan and screaming carnival gabber. Absolutely galaxy brain post-colonial hardfuzion free expression from one of the globe’s most fascinating duos. Originally released in 2018, Indonesian duo Gabber Modus Operandi’s debut album “puxxximaxxx” showed the world the artistic and political power of radical fusion. By bolting together trash culture, European hard dance hedonism, heavy metal/punk theatrics and Indonesian gamelan elements, Ican Harem and DJ Kasimyn came up with a “chaotic pastiche” that has by now surpassed its influences without losing its cutting sense of humor. If you heard 2019’s “hoxxxya” then you should have an idea of where GMO’s interests lie - “puxxximaxxx” is maybe more raw, more unhinged and even more flamingly carnivalesque. From the very beginning the duo make their intentions clear, wielding a wavering trumpet loop before adding 400bpm kicks that roll like a tidal wave over traditional Indonesian percussion like it’s nothing at all. There’s no hesitance in Kasimyn and Harem’s resolve, they take risks that should make most producers embarrassed. Think the Danes are putting a fresh spin on hard trance? Well listen to ‘Pariah’, that takes the “festival somewhere in the distance” supersaw sound and slathers it over rolling gabber kicks before disintegrating into wobbly, ambient ritual magick. ‘Jathilan Titan’ might be even better, wrapping those same trance leads in beating Indonesian percussion without losing the 7am-on-a-mystery-drug-cocktail essence of the ‘ardkore experience. By the time we get to ‘Goroxxx’ with its swung rhythm and dense, chattering vocal mangles, there can be no denying that “puxxximaxxx” is a unique proposition. While half of Europe is trying to recapture the sounds of a lost rave they never attended, GMO use the discarded shells of dance subgenres to cobble together a completely unique vanguard rave sound that doubles as a middle finger to the dull, aggy purists.

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Tech House Phenomena 2

12" | 1999 | UK | Original (Eukahouse)

30,99 €*

Release: 1999 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Tronic Jazz The Berlin Sessions Volume 4

A Guy Called Gerald

12" | 2010 | DE | Original (Laboratory Instinct)

Release: 2010 / DE – Original

Genre: Electronic & Dance

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You Broke My Heart In 17 Places

Tracey Ullman

LP | 1983 | AU | Original (Stiff)

5,99 €*

Release: 1983 / AU – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

House Classics - The Sound Of The 90's Volume 1

2LP | 2023 | EU | Original (Irma)

33,99 €*

12" | 2011 | UK | Reissue (Jungle Cakes)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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In the world of Dance, the 90s were characterized by the worldwide explosiion of House Music. Among the protagonists many were artists and producers of Italian origin and this sub-genre was called Italo House. This double vinyl collection contains 12 classic songs from that magical period, all in the original 'full version', by: Don Carlos, Soft House Company, Double Dee, Tameka Starr, Key Tronics Ensemble, Omniverse, Jestofunk, Riviera Traxx, Kipper, Aritmya, Be Noir e Bossa Nostra.

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Ed Solo & Deekline

Sensi / Ghost Town

Release: 2011 / UK – Reissue

Genre: Electronic & Dance

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LP | 2024 | EU | Original (Casa Del Arbol)

Natalia Doco

La Sagrada

2 Times Yellow Vinyl Edtion

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Living in Paris since 2012, Natalia Doco released her first album Mucho Chino in 2014 with Belleville Music and embarked on a tour of more than 80 concerts through France, Belgium, Germany, Sweden and Switzerland.In search of total creative freedom, she decided to create her own record label la Casa del Arbol. She contacts Axel Krygier, the Argentinian producer, to make her second album El Buen Gualicho. Inspired by her South American roots, the bewitching mermaid plunges her bare feet into the land of her ancestors, summons the moon and the spirits, and embodies the ancient feminine power of her multiple voices.Co-director alongside Thierry Decara for his album La Sagrada", she promises us the integration of all the feminine attributes invoked in her previous works, with an inspiring freedom and the exaltation of the sacred feminine, in all its most savage aspects, those who will always be impossible to tame."

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Ann Lee

12" | 1998 | EU | Reissue (Dance On The Beat)

Release: 1998 / EU – Reissue

Genre: Electronic & Dance

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LP | 2024 | EU | Original (Four Flies)

Battaglia

Season Two

21,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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A sonic portal to a parallel universe where neon-soaked dreamscapes transform the stark realities of a post-pandemic world. Music for a forgotten future, where echoes of the 80s cast long, enigmatic shadows through a rich tapestry of emotion that charts a journey from isolation and fear towards healing and hope. This is the journey of Season One and Season Two, the debut companion albums for the solo project of Italian composer Battaglia, both out this fall on Four Flies Records.

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LP | 2024 | EU | Original (Roche Musique)

House Of Groove

35,99 €*

12" | 1986 | EU | Reissue (Groovin)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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To celebrate its 10th anniversary, Roche Musique is unveiling its 3rd compilation "house OF Groove". 9 tracks featuring the label's long-standing artists FKJ, Darius, Kartell, Zimmer... and international guests from the emerging scene Enchantée Julia, Lossapardo, Flaurese, Barney Bones...

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Linda Di Franco

Tv Scene / My Boss

LP | 2024 | EU | Original (Four Flies)

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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Linda Di Franco only released an album in 1986, "Rise Of The Heart" and it is still considered a Balearic classic. The main tunes are "T.V. Scene" and "My Boss" which extended versions are featured in this official repress remastered from the original tapes. Not to miss!

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Battaglia

Season One

21,99 €*

Dimensional Holofonic Sound

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The House Of God

12" | 1991 | EU | Reissue (Groovin)

Do It / Underground House Rythm

Release: 1991 / EU – Reissue

Genre: Electronic & Dance

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Groovin recordings is back with another club anthem 12" vinyl repress. This is the time of the house-techno classic from the early 90's "The House Of God". Dimensional Holofonic Sound blazed a trail with the release of the EP, House of God back in 1990. The title track became a techno anthem and global hit, and has been featured in DJ sets by Aphex Twin, Ken Ishi and Joey Beltram.

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Greg Gauthier

12" | 2021 | EU | Original (The DJoon Experience / Groovin)

2LP | 2014 | EU | Original (Clone Classic Cuts)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Within the first few seconds of this record, it seems obvious Greg Gauthier has been missing clubs as much as we all have. The french soulful stalwart takes a little detour from the soulful & vocal nuyorican feel he's known and renowned for, and takes us deep into Chicago basement banger territory with "Do It.". As for the B-side, "Underground House Rythm" ? To be honest, the title tells you everything you need to know, really.

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Jovonn

Goldtones 2023 Repress

12" | 2017 | EU | Original (Digwah)

Release: 2014 / EU – Original

Genre: Electronic & Dance

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New York, early 90's, the haydays of the New York and Jersey clubhouse! With labels such as NuGroove, Nervous, Freeze, Strictly Rhythm, Henry Street Music taking all the spot light, there is Jovonn working on a small but sensational catalogue of music that somehow gets overshadowed by the popular releases on the mentioned labels. The honest productions, jazzy melodies and playful vocals (rooted in gospel) were taking things into a more musical, more spiritual way, lacking gimmicks or dispensable samples. For the real diggers, the true lovers of House music Jovonn always was a name to watch, a producer of some of their favorite NY house tracks, tracks that have a raw edge combined with a sincere human touch and pure underground house vibes. People such as Rex resident Dj Deep was a huge fan, and also collaborated on couple later productions with Jovonn. Slowly he started getting recognition from europe which resulted in a handfull of records on European labels such as Distance, Coco Soul and Estereo. Now after almost 25 years since his first release the man's small discography on his own Goldtone label and Emotive records stand out with his unique musical personality. More then 20 years after their original release dates these tunes are still very relevant and stand for many things we love about house music! We are happy to offer this selection of his hard to find early works remastered by Alden Tyrell and pressed on fresh clean high quality vinyl.

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The Unknown Artist

Ijzeren Rots

Release: 2017 / EU – Original

Genre: Electronic & Dance

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The DIGWAH imprint returns with another dance floor dub, kicking up a storm.

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12" | 2024 | UK | Original (Sweat It Out)

Honey Boy

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Not one to rest on his laurels, the Grammy-winning nu-disco hitmaker is at it again. Purple Disco Machine collaborates with a wealth of talent on his latest single "Honey Boy". The star cast includes Swedish hitmaker Benjamin Ingrosso, Jamaican rising star Shenseea, and disco legend Nile Rodgers, creating a funked up fusion track that merges modern pop energy with decades of disco knowledge and excellence - not forgetting them signature Rodgers guitar licks!

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Toolroom Sampler Volume 11

12" | 2024 | UK | Original (Toolroom)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Kicking things off on our next 4-track vinyl sampler series is Toolroom's very own Martin Ikin who returns to the label with ‘Make U Sweat’! He was the Best-selling Tech House artist on Beatport in 2020 and 2021 and has over 1m monthly listeners across streaming platforms. Recent studio collabs have included Noizu and Joshwa and tours have seen him travel far and wide to the US, Brazil, Bali, Ibiza, Italy, Croatia and of course, his hometown of London. This new record is the follow up to 'Oscill8' that dropped in March 2023 and sits in a similar lane, in that it's pure, unadulterated club weaponry! Next up is Italian house legend Flashmob with the frenetic, high-energy club vibe of new cut ‘My Body’. Flashmob's sound, production and go-for-broke DJ sets have changed with the game, embracing the vitality of new house music rather than hankering after sentimental sunsets. His ethic and aesthetic move relentlessly forward, using the old and new to craft unique sonic alchemy from big festivals like Tomorrowland to the intimacy of small clubs on the international circuit. ‘My Body’ is typical of Flashmob's current sound, combining solid drums and some insane synths and fx, alongside an earworm vocal sample that results in yet another memorable club cut from an established master. Canadian Tech House maestro Nathan Barato debuts on Toolroom kicking off the B-side to the vinyl alongside studio partner, Matheo Velez with 'Weapon'. A record that has already caught the attention of the underground elite with Michael Bibi premiering the track at his first appearance back at Dc-10 in Ibiza last Summer. Both artists are enjoying great success across key labels such as Viva, Circus, Snatch and RAWthentic. This is an addictive, bumpy club track

that packs a huge punch on the dance floor and actually features Nathan's very own 'Move me… Rock me' vocals! Rounding things off is UK DJ/producer duo, Jenn Getz & Alfie who are residents at Dubai's #1 nightlife destination, Soho Garden, where they warm up for legends such as Sonny Fodera, MK, Claptone, Solardo & Fisher on a weekly basis. In their relatively short 3 year career they have already released on Solotoko, Abode and Toolroom Trax and now debut on Toolroom with 'Vibration'. Both girls are incredibly passionate about house music and are also big advocates for a life centered around well-being and meditation, and the idea of this record was to combine their 2 passions in life, so they proceeded to co-write these original lyrics to accompany the track, which in itself is very inspiring! This is a super cool club record that will excite fans and DJ's alike, welcome to the Toolroom Family, Jenn Getz & Alfie!

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A-Sides Volume 12 - Part 2

12" | 2024 | UK | Original (Drumcode)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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The twelfth volume of Drumcode’s flagship A-Sides series featuring future-facing cuts spanning the breadth of the techno spectrum, The annual compilation serves to showcase some of Adam Beyer’s favourite demo’s throughout the year, as the label boss enjoys the opportunity to introduce new artists to the label, while showcasing cuts from Drumcode’s mainstays. Kicking off Part 2 is none-other-than Carl Cox whio makes his Drumcode debut with his remix of Label Boss Beyer's massive Take Me There feat DJ Rush.

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A-Sides Volume 12 - Part 1

12" | 2024 | UK | Original (Drumcode)

Dark Clouds / Footmachine

Release: 2024 / UK – Original

Genre: Electronic & Dance

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The twelfth volume of Drumcode’s flagship A-Sides series is set to land, featuring 20 future-facing cuts spanning the breadth of the techno spectrum, while none-other-than Carl Cox makes his Drumcode debut. The annual compilation serves to showcase some of Adam Beyer’s favourite demo’s throughout the year, as the label boss enjoys the opportunity to introduce new artists to the label, while showcasing cuts from Drumcode’s mainstays

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Teenage Mutants / Umek

12" | 2023 | UK | Original (Drumcode)

In The Dark Feat. Sophie And The Giants - The Remixes

Release: 2023 / UK – Original

Genre: Electronic & Dance

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A memorable Drumcode debut lands from Teenage Mutants, in collaboration with Heehorst and Peter Pahn, as 'Dark Clouds' lights up the sky. Collectively, the artists bring a strong pedigree to the table, having released on Terminal M, Filth on Acid and 1605 Music Therapy. An anthem in every sense, 'Dark Clouds' already has the makings of one of Drumcode's biggest tracks of the year having highlighted events including Printworks, Awakenings at the Gashouder during ADE week and Resistance Abu Dhabi thanks to its thrilling dramaturgy that combines a stirring vocal line, thundering underbelly of acid and laser-focused b-line.

In the age of viral sensations and fast rising superstars, Umek shines, a testament to hard graft, talent and playing the long game. We’re thrilled to have him on the label for his Drumcode debut.

The track is a rhythmic peak-time beast, highlighting Time Warp and Exchange in LA in recent times. It also saw the artist experiment with AI to create the heady vocal line. “There’s still a lot of work in the post-production process, but it’s certainly an interesting time when you can make use of these tools,” he shares.

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Purple Disco Machine

12" | 2022 | UK | Original (Sweat It Out)

12" | 2018 | UK | Original (Razor-N-Tape Reserve)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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The gift that keeps on giving, Purple Disco Machines’ ‘Exotica’ is being treated to some epic remixes of your favourite songs now available on vinyl. This vinyl includes a double dose of Ron Basejam remixes, as he offers up signature extended and dub versions alongside remixes from Dutch maestro Oliver Helden and Belgian high-flyer Aeroplane.

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Jungle Fire

Firewalker EP

12" | 2016 | EU | Original (326)

Release: 2018 / UK – Original

Genre: Electronic & Dance

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Razor-N-Tape bring out the big guns for their remix package of the Los Angeles Afro-Latino funk band Jungle Fire.

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Jamie 3:26

Basement Edits Volume 1

10,99 €*

12" | 2012 | UK | Original (Razor N Tape)

Release: 2016 / EU – Original

Genre: Electronic & Dance

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Chicago DJ & Editor Jamie 3:26 presents the first release on his own 326 Records. Kicking off with his edit of the Pyramid Records classic - Sun, Sun, Sun by JAKKI from 1976. On the flip we have a rework of Purple Music by the one and only Prince. .

Release wise Jamie 3:26 is one of those guys that doesn't have many releases but when he does put something out it's pure gold! His less is more approach seems to be working with several of his releases now going for decent money on Discogs.

Don't sleep on this great double header which perfectly captures the original house sound of the Windy City.

DJ Support by Rahaan, Theo Parrish, Zernell, Marcellus Pittman, Moodymann, Detroit Swindle and many others!

Repressed on black vinyl.

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Late Nite Tuff Guy

Edits

12" | 2024 | UK | Original (Slush)

Release: 2012 / UK – Original

Genre: Electronic & Dance

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The scandalous alter-ego of genuine techno legend HMC (known to his momma as Cam Bianchetti), Late Nite Tuff Guy (LNTG) puts the acrimony in acronym, the oh in disco, the amp in camp and the dang in dangerous.

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Sedona

Pulsation

12" | 2024 | UK | Original (Drumcode)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Slush Records are back for their second outing, remastering and rereleasing Sedona’s highly sought-after 1995 track, ‘Pulsation’. A portal to the underground of the ‘90s, Sedona’s original mixes and the remix from Robert Vaughan, fuse progressive house, trance and breakbeat, each oscillating to their own unique frequency. Not stopping there, Slush Records enlist the expertise of Seoul-born, Amsterdam-based Naone for a mesmerising new remix that harnesses all of that early ‘90s energy, with a fresh dynamism.

The story of Sedona begins with Dale Charles and Benny Blanco. As a touring DJ and buyer at Boston Beat Records in the mid ‘90s, Dale Charles was in diggers paradise. Freestyle was big business at the time and as a progressive house and breaks DJ, Dale couldn’t help but notice how good the drum programming was on some of the tracks. He spent endless hours trawling through the shops near 10,000 freestyle records, hoping to find that elusive secret weapon.

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Mha Iri

Bombay

7" | 2023 | UK | Original (Groove Culture Seven)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Drumcode hits 300 releases as the brilliant Mha Iri returns to the label for her second EP, 'Bombay'. Since debuting on Drumcode just a year ago with 'Never Go Back To Sleep', (her contribution to the debut Elevate compilation series and one of the best-selling techno tracks of 2023), the Scottish producer has rapidly established herself as one of Drumcode's most exciting new artists. A stellar debut EP followed in September with 'The Unexpected', before 'Bell' her cut on A-Sides Vol.12 charted #1 in Beatport's techno Top 100. Due to its success Drumcode chose it for the Change The Beat remix competition, and the remix from Yozé is a highlight on the latest 'Elevate Vol.II'. Amidst an impressive touring schedule which will include Awakenings main stage, Junction 2, Tomorrowland and Drumcode's Mysteryland main stage takeover this summer, Mha Iri has been active at Drumcode showcases, playing Watergate in Berlin and more recently the massive Drumsheds show in London. It was there her spit-fire new EP 'Bombay' shined in the huge halls of techno. A hypnotiser of the highest order, the title track is a fully-loaded barrage of tribal techno, crushing drums and vocals that unite for arguably Mha Iri's strongest track on DC to date. We can't wait to see this one launch. Pairing beautifully is 'Existence', a galloping slice of peak-time fare elevated by a rousing vocal.

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Serge Funk

Move On Up / Runaway

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Taken from his standout album 'All Around The World', Serge Funk is back on vinyl with two delectable cuts: 'Move On Up' and 'Runaway'. Both tracks get that extra magic touch from Groove Culture label bosses Micky More & Andy Tee for this release as they serve up a double header of specially made seven inch edits. Glamorously groovy, club heaters that blend all the best elements from disco, house, funk and boogie. 100% party starters right here.

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Drumcode Presents: Elevate Part 1

12" | 2023 | UK | Original (Drumcode)

12" | 2022 | UK | Original (Beard Man)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Drumcode is set to release ‘Elevate’ a 10-track compilation showcasing cuts from a fresh array of label family and friends, including BEC, Juliet Fox and rising talent Chelina Manuhutu, Tini Gessler and DJ Dee. The project is also testament to techno’s global appeal with artists coming from Japan, China and Australia, as well as across the UK and Europe. Always with an eye on the future, ‘Elevate’ sees a total of seven artists make their Drumcode debut split across three vinyl EPs. Part One sees Miss Monique, Chelina Manuhutu, Anna Reusch and DJ Dee with a wide spectrum of techno stompers.

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Kingpin Cartel

Ghetto

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Auntie Flo & Sarathy Korwar

Shruti Dances

LP | 2022 | UK | Original (Make Music)

17,99 €*