Electronic & Dance 7150 Items

LP | 2020 | UK | Original (Warp)

Release: 2020 / UK – Original

Genre: Electronic & Dance

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Four years on from the release of her last, critically acclaimed LP, Julianna Barwick returns with “Healing Is A Miracle”, to be released on July 10th on new home, Ninja Tune.

A distinctive meditation on sound, reverb and the voice, “Healing Is A Miracle” is a record built on improvisation and a close affinity to a couple of trusted items of gear, from which she spins engrossing, expansive universes. Additionally, Barwick draws on the input of three collaborators with whom she has nurtured deep friendships with over the years: Jónsi (Sigur Rós), Nosaj Thing and Mary Lattimore; who each gently nudge out at the edges of her organically-evolved sound.

Recorded in the wake of a seismic shift in her life following a move from New York—where she had lived for 16 years—to Los Angeles where she is now based, the title of the record came to her after thinking about how the human body heals itself, of the miraculous processes we pay little attention to: “You cut your hand, it looks pretty bad, and two weeks later it looks like it never happened… That’s kind of amazing, you know?” It’s a sentiment that feels particularly apt for the moment. From there, she conceived of the record’s simple statement title, ran it past a couple of friends, and it was settled. Like with the record itself, and all of her work, it’s about following her gut, and seeing where it takes her.

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Lorenzo Senni

Scacco Matto

LP | 2020 | UK | Original (Holy Mountain)

Release: 2020 / UK – Original

Genre: Electronic & Dance

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Lorenzo Senni has been turning heads for over a decade now. However, his star has risen greatly since the release of the exceptional 2017 single ‘XAllegroX’/‘The Shape Of Trance To Come’, a record which solidified both Senni’s ‘Pointillistic Trance’ style and his status as one of modern electronic music's most vital artists. As such, it is hugely exciting that the Italian has announced the new LP ‘Scacco Matto’, his first full-length album since 2014’s Superimpositions.

Across the eight tracks of Scacco Matto, Senni demonstrates once more that his maximalist style can be deployed to summon both club heft and depth of feeling. Rather than utilising a wide array of instrumentation, Senni selects his sounds carefully in a manner not dissimilar to early Sophie singles like ‘Bipp’. Despite not using drum machines Senni is still able to whip up rhythmic frenzies on cuts like ‘The Power Of Failing’ and ‘XBreakingEdgeX’. The latter is one of several track-titles here which shows off Senni’s humorous side (see also ‘Wasting Time Writing Lorenzo Senni Songs). This playfulness also translates into the music at times, with ‘Move in Silence (Only Speak When It’s Time to Say Checkmate)’ full of the zippy synth runs one finds in Murlo tracks.

The grandiose builds that underpinned ‘XAllegroX’ and ‘The Shape Of Trance To Come’ resurface here too. ‘Dance Tonight Revolution Tomorrow’ Appears particularly indebted to those tracks, its powerful chords swelling across seven-and-a-half minutes to summon up huge emotion in the listener. There is also great punch to Scacco Matto opener ‘Discipline Of Enthusiasm’.

Lorenzo Senni, trance’s premier deconstructionist, debuts on Warp with Scacco Matto, his first LP in six years.

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Memnon Sa

World Serpent

2LP | 2020 | EU | Original (AKO Beatz)

Release: 2020 / UK – Original

Genre: Electronic & Dance

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Deep kosmiche giallo dragged through a black metal and doom filter.

World Serpent is the fourth album from the label's owner, London producer and composer Misha Hering, under the Memnon Sa banner. It is released in partnership with specialist Metal record shop and label Crypt Of The Wizard.

World Serpent is an album in the classic sense of the word, a 40 minute, psychedelic document of deep exploration, high drama and gleaming production. Misha Hering has used the last decade forming Memnon Sa into a psychomagical Black Metal and Prog studio project trawling forgotten lore and legend, using his Holy Mountain HQ to slowly grow his ritualistic membership to form an otherworldly orchestra, which this time features members of experimental art-pop group Virginia Wing, sludge veterans Ghold and Wren.

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Alpha Omega

Return To The 9th Level

Pyramid Clear Vinyl Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Alpha Omega returns with a serious LP of some of his previously unreleased music and we are proud to have this on the label. Alpha Omega fans will remember his album on Reinforced Records The 9th Level, when Alpha Omega returns to the 9th level with a stunning lp that cover most genre in jungle / DnB. Alpha Omega was so ahead of his time and his music still sounds fresh today. The album will have 8 tracks that span across the DNB genres on 2 pieces of black vinyl.

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Jaga Jazzist

LP | 2020 | UK | Original (Brainfeeder)

Heaven To A Tortured Mind Black Vinyl Edition

Release: 2020 / UK – Original

Genre: Electronic & Dance

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Jaga Jazzist have gone back to basics on their new LP Pyramid … well, as back to basics as an eight-piece instrumental prog-jazz ensemble can go. Eschewing the studio tinkering which characterised their previous LP Starfire (2015), Jaga Jazzist wrote and recorded the four lengthy opuses of Pyramid in a fortnight. This approach has helped them to make a more immediate and driven record, one that combines their typical sonic adventurousness with some of the most potent grooves of any Jaga Jazzist LP.

The spontaneous approach to writing is most apparent in the work of Pyramid’s rhythm section. ‘The Shrine’ is named after Fela Kuti’s legendary venue in Lagos, and the track certainly lives up to this association with some limber, Tony Allen-inspired drumming. ‘Apex’ has a cosmic disco flavour which channels Jaga Jazzist’s former remixer Todd Terje, ‘Spiral Era’s nimble lilt combines both half- and double-time, and there is an urgent stomp which underpins the second half of epic opener ‘Tomita’.

Atop these polyrhythms, the other members of Jaga Jazzist show themselves once more to be instrumentalists of the highest order. There is certainly plenty of Kuti’s legendary Africa 70 to the aforementioned ‘The Shrine’, but this track is also played with the panache and thrust of fellow post-jazz crews The Comet Is Coming and The Physics House Band. One also detects the influences of both library music, space rock and Plaid on ‘Spiral Era’ and ‘Tomita’, tracks which also balance technical pizzazz with the deft compositions of bandleader Lars Horntveth.

Norwegians Jaga Jazzist channel post-rock, jazz, prog, disco, Afrobeat and many other styles to paint new sonic landscapes on their latest full-length Pyramid.

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Yves Tumor

LP | 2020 | UK | Original (Warp)

2LP | 2020 | EU | Original (DWA)

Release: 2020 / UK – Original

Genre: Electronic & Dance

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Just over eighteen months on from the visionary success of 2018's Safe In The Hands Of Love, Yves Tumor pushes visceral sonic boundaries with his new full-length studio album Heaven To A Tortured Mind.
In a sense, Heaven To A Tortured Mind occupies the anthemic soundworld of the androgynous underworld that was explored in Safe In The Hands Of Love. Offering up a dozen pieces of vivid avant-pop (the days when he would fill an album with painterly, semi-concrete ambiences, as he did on 2017’s Experiencing The Deposit Of Faith, appear to have passed).

Co-produced by Justin Raisen (Sky Ferreira, Ariel Pink, Charli XCX) this selection also comes off as slicker than its predecessor, less prone to rupture and seemingly more comfortable with its poppier impulses. There are even moments here which present as a kind of variation on the neo-soul sound that has been turned murky and swampy at Tumor’s mephistophelian hand. As such, along with Tumor’s disruptive contemporaries like Dean Blunt.

Heaven To A Tortured Mind finds Yves Tumor growing into his position as an outsider popstar. The result is a beautiful, forthright LP from a supremely unique talent.

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Savage

Love And Rain

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Scis Colored Vinyl Edition

Oval

LP | 2020 | US | Original (Thrill Jockey)

Release: 2020 / US – Original

Genre: Electronic & Dance

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LP | 2019 | EU | Original (Subliminal Sounds)

Mattias Uneback

Voyage Beneath The Sea

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Kaitlyn Aurelia Smith & Suzanne Ciani

Sunergy

LP | 2016 | US | Original (Rvng Intl.)

Daniel Lopatin (Oneohtrix Point Never)

Release: 2016 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Copy closer to NM

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OST Uncut Gems

2LP | 2019 | UK | Original (Warp)

Cycle And Reveal Black Vinyl Edition

Release: 2019 / UK – Original

Genre: Electronic & Dance

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Daniel Lopatin has worked on a Safdie Brothers film before - indeed, his music for 2017’s Good Time was widely heralded as one of that year’s best movie scores. As such, it makes sense that Lopatin (better-known as Oneohtrix Point Never) was brought on board by the pair once again to create the soundtrack to their new flick Uncut Gems. Now Warp have issued a standalone edition of the Uncut Gems OST.

Lopatin’s music for Uncut Gems invokes the same balance of electronic prettiness and harsh, abrasive noise that he did for Good Time. At their lushest, some of these tracks read like an updated version of the classic scoring work of Vangelis, Wendy Carlos and Angelo Badalamenti. There is an inviting dreaminess to much of Uncut Gems that comes off like a more maximalist rendering of Badalamenti’s Lynchian aesthetic - although a track such as ‘Back To Roslyn’, with its nocturnal keyboards and ethereal saxophone, is more naked with this influence.

When the noisy tracks come in here they enter with a sense of dread at their core. ‘The Fountain’, for instance, whistles and screeches in a manner that sounds like a harsh take on a Johnny Jewel composition. Elsewhere ‘School Play’ brings the noise more slyly, its breathless bleep-bloop motif tripping over itself to eventually create an unsettling soundscape.

Uncut Gems is another impressive sojourn into the world of film scoring from Daniel Lopatin (Oneohtrix Point Never).

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Mario Diaz De Leon

LP | 2019 | EU | Original (Denovali)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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3x12" | 2019 | EU | Original (Mord)

Rotterdam

True Lies Blue Vinyl Edition

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Rrose, Thanos Hana, Nene H, Nadia Struiwigh, Bas Mooy, Kaltès, Charlton, Ghost in the Machine, SØS Gunver Ryberg, Ben Buitendijk, Orphx, Albert Van Abbe, Kamikaze Space Programme, Antenes.

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Dive

2LP | 2019 | EU | Original (Mecanica)

LP | 2019 | US | Original (100% Electronica)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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“True Lies” was originally released in 1999 on Daft Records and showed Dirk Ivens (The Klinik, Absolute Body Control) once again changing the game to create another refreshing and groundbreaking album. Suggestive industrial with distorted vocals, metallic rhythms and noises perfectly balanced with up tempo dance beats and technoid rhythms. Production on this work is shared with the talent of Ivan Iusco (Minus Habens Records, Nightmare Lodge) and Eric Van Wonterghem (Insekt, Monolith). “True Lies” is available for the first time on vinyl record with all original songs plus extra tracks from the singles “Two Faced Man” and “Broken Meat”, some old compilations and a bunch of cover versions to classics by Suicide, The Normal and The Klinik. Limited edition of 550 copies on double blue Color Vinyl with gatefold sleeve, printed inner sleeves and numbered card.

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Negative Gemini

Bad Baby

Release: 2019 / US – Original

Genre: Electronic & Dance

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LP | 2017 | US | Reissue (Thrill Jockey)

Golden Retriever

Rotations

Release: 2017 / US – Reissue

Genre: Electronic & Dance

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Ruinism Colored Vinyl Edition

Lapalux

2LP | 2017 | UK | Original (Brainfeeder)

2LP | 2017 | UK | Original (Warp)

Release: 2017 / UK – Original

Genre: Electronic & Dance

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2LP 180g heavyweight solid blue vinyl in printed inner sleeves housed in a 5mm spined sleeve with emboss and spot gloss detailing. Artwork by Marielle Tepper. MP3 download code included.

Lapalux releases his third album, “Ruinism”, on Flying Lotus’ Brainfeeder imprint. His previous LP, “Lustmore” was partially inspired by the concept of hypnagogia, a suspension of consciousness occurring between wakefulness and sleep. Throughout “Ruinism” the British producer takes this exploration further, journeying onward to the more ominous limbo space between life and death. In this liminal space where the finite and infinite intermingle, Lapalux sounds more at home than ever.

Limited edition on blue vinyl.

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Clark

Death Peak

LP | 2016 | US | Original (100% Electronica)

Release: 2017 / UK – Original

Genre: Electronic & Dance

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Death Peak cements Clark as one of the most innovative and singular artists to ever release a record on Warp, much like those that lay the foundations before; Aphex, Plaid, Autechre & Nightmares On Wax through to the subsequent new wave of ahead of their time and all those around artists, Lorenzo Senni, Hudson Mohawke, Kelela & Evian Christ. Death Peak finds Clark in the middle, one foot in the label's historic glories and one foot in the rave. A true pioneer the hypnotic groove, and constantly yet carefully constructing sounds that will lay down the blueprint for the future.

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Negative Gemini

Body Work

2LP+7" | 2017 | EU | Original (Fundamental)

Release: 2016 / US – Original

Genre: Electronic & Dance

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Black vinyl. Artwork by Mikey Joyce. Limited to 300 copies.

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Cygnus

Cosmos

LP | 2016 | US | Original (Thrill Jockey)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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This release is limited to 100 copies.

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Emptyset

Borders

Release: 2016 / US – Original

Genre: Electronic & Dance

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2LP+CD | 2016 | EU | Original (Aus Music)

Cassy

Donna

Release: 2016 / EU – Original

Genre: Electronic & Dance

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New Me Same Us Transparent Blue Vinyl Edition

Little Dragon

LP | 2020 | UK | Reissue (Ninja Tune)

Release: 2020 / UK – Reissue

Genre: Electronic & Dance

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12" | 2019 | EU | Original (Piano Forest)

Userunknwn & Soyro

Love Songs For Dragons

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

2LP | 2019 | EU | Original (LuckyMe)

Jacques Greene

Dawn Chorus

2LP | 2019 | IT | Reissue (Computer Students)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Still in shrink but opened with hype sticker. Original inner sleeves. Few paper scuffs.

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Drose

Boy Man Machine+

LP | 2017 | EU | Reissue (One Little Indian)

Release: 2019 / IT – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Outer sleeve not included.
Still shrink wrapped but opened.

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Billy MacKenzie

Beyond The Sun

Release: 2017 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

3LP | 2016 | EU | Original (!K7)

Moodymann

DJ-Kicks

Release: 2016 / EU – Original

Genre: Hip Hop, Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: VG+

Cover with bumped corners.
Still sealed.

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Stream State Selected & Mixed By Inland

4LP | 2020 | EU | Original (Counterchange)

31,49 €* 34,99 € -10%

2LP | 2017 | IT | Reissue (Affordable Inner Space)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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British DJ and producer Inland (Ed Davenport) has compiled and mixed ‘Stream State’, his biggest project to date, bringing together over 20 artists in a DJ-ready compilation of colourful, diverse modern techno on his label Counterchange. Complete with an addional 90 minute continuous mix by Inland himself (On Download Card), the project celebrates over 15 years behind the decks and cements Davenport’s reputation not only as a tireless force in the studio, but as a trusted selector and curator of content.

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Franco Nanni

Elicoide

31,44 €* 36,99 € -15%

2LP | 2019 | EU | Original (Silver Bear)

Release: 2017 / IT – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover is close to NM!

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O'Flynn

Aletheia

31,34 €* 32,99 € -5%

2LP | 2019 | EU | Reissue (Panache)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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London based producer and DJ O’Flynn has announced his debut album ‘Aletheia’, to be released 6th September 2019 on Silver Bear Recordings, and shared the second single ‘Painted Wolf’, out 21st June 2019.

His latest release follows a series of acclaimed productions which explored his wide-ranging style: from squelchy acid on Ninja Tune to loose and luscious jazz on Blip Discs, as well as the high-octane 12” released on his own Hundred Flowers imprint earlier this year.

With standout 12” debuts ‘Tyrion’ and ‘Desmond’s Empire’ in 2015, O’Flynn quickly established his reputation as “one of dance music’s most prosperous newcomers”, as put by Boiler Room.

Having gained support from Four Tet, Gilles Peterson, Bonobo, Denis Sulta, James Blake and Hessle Audio and his debut album forthcoming, he continues his musical evolution to become a resonant force within dance music.

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Peter Cat Recording Co.

Bismillah

LP | 2019 | EU | Original (Kompakt)

Release: 2019 / EU – Reissue

Genre: Electronic & Dance

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New Delhi-based Peter Cat Recording Co. will release their debut album, ‘Bismillah’ on June 14, 2019 via French independent label Panache Records. Debut UK live shows are soon also to be announced by the band.

Peter Cat Recording Co. could almost have a question mark on the end of its name. Not least as founder & frontman Suryakant Sawhney refuses to explain where that name really comes from or what it means (perhaps a reference to the Tokyo jazz club owned by Haruki Murakami), but also since the very existence of the band itself raises a raft of questions. When was the last time we fell for an indie rock band for the right reasons? Not because the band in question nostalgically imitate a perceived ‘golden age’ but because they innately embody the fundamentals of such music: fantasy, sincerity and the freedom to make music without rules or career aspi- rations. And when was the last time this kind of band sounded like Sinatra, Barry White, the sweetest doo-wop, humid fanfares and a psychedelic wedding band, all at once? And all of this coming from India? In truth, the story of Peter Cat Recording Co. was written within the triangle of San Francisco, Delhi and Paris. In the first of these cities, Sawhney (a native of Delhi) pitched up to study film-making. More distracted by the city’s peaking live scene of the early noughties, this is where he started to make music and to sketch out an idea for the band.“ The people I lived with supported my idea of writing music, they introduced me to great mu- sic. There used to be a great garage scene in San Francisco, like The Oh Sees [also Ty Seagall, Mikal Conin], all those bands. This is a world I had never seen in my entire life. A big inspiration from San Francisco was that you could record yourself. You don’t need to be in a studio and spend a lot of money to make an album. You can do it”.

At the end of the 2000s, Suryakant returned home to New Delhi, and started his band for real, more or less the same band that plays today. “I wasn’t so concerned about will we be performing, will we be the greatest band, will we be trendy. I just wanted to make something that was consequential and important for us, I think. Something which would last, something people could listen to and be like « this is life changing ». It was for the sake of beauty”.

For the first few years and in India alone, this is exactly what Peter Cat Recording Co. did, in total indifference to the rest of the world. This was until young Parisian label Panache stumbled across the band online via Vice’s Thump subsidiary, stupefied by the band’s cosmic video for seven-minutes-and-counting track, ‘Love De- mons’. And so in spring of 2018, ‘Portrait Of A Time: 2010-2016’ was released on Panache - making the first international release from Peter Cat Recording Co., bizarrely enough, an anthology of re-mastered, hidden gems from the band’s ramshackle back catalogue, previously recorded in Suryakant’s own living room. With Peter Cat’s off-kilter charm hitherto unheard of beyond the fringes of India, the release provided a gateway op- Whilst the title track found its way onto Tracks Of The Year lists at the Guardian & NME, it was tricky for new Pcrc enthusiasts to get a firm grip on the startling push/pull between the immediate, uncanny music this release gathered, and the cultural backdrop of New Delhi at which it was so startlingly at odds.

Opportunity for a wider fanbase to fall in love with their cloud-like, drunken songs for the first time. If discovering your favourite new band via a ‘Best Of’ feels a curious premise, then ‘Bismillah’ does more than hint towards the promise of Peter Cat Recording Co’s future. Blending gypsy jazz, psychedelic cabaret, space disco, bossa supernova, Bollywood and uneasy listening with kaleidoscopic ease, in many senses, the band’s knack hasn’t altered. Always different, paradoxical, unpredictable yet somehow familiar. The new album opens to the strains of bird chatter, the whisper of a city’s soundscape and the first few notes from an instrument which seem to be calling us to the departure lounge, a fore-shadow of the flight ‘Bismillah’ launches its listener on. Suryakant sings with the detached, rueful elegance of Sinatra marooned on a desert island, whilst his band create small space-time capsules which navigate their way through genres and eras – including the future – and between nostalgia and eccentricity.

Peter Cat recently trailed ‘Bismillah’ with the release of ‘Floated By’, an appositely titled musing on failure & missed opportunities, punctuated by the fulsome brass section which weaves through so much of the album.

The languid, blue quality to the track is offset by the attendant music video, created with footage shot, implau- sibly enough, at Suryakant’s own marriage ceremony (needless to say, the wedding band hired for the day was of course, Peter Cat Recording Co.) Sawhney dryly notes; “Hopefully it’s not a many-a-times-in-a-lifetime event. You can’t fake that set, those people actually having a good time, being really emotional and intense.” ‘Bismillah’’s colour-drenched album cover also captures Suryakant’s father-in-law making his wedding toast on that same day - a nod back towards the cover of ‘Portrait Of A Time’, itself a black & white image taken at the wedding ceremony of Suryakant’s own father.

A stumbling but gracious collection of songs rooted in a kind of drunken soul music, the melancholy nature of some of the songs on ‘Bismillah’ renders them almost liquid, before they develop into more dance-like shapes. Suryakant’s rangy voice swoops from the falsetto glide of ‘I’m This’ to the beat-up baritone blown along by the warm breeze of ‘Soulless Friends’. The elliptical structure of album opener ‘Where The Money Flows’ also al- lows for the use of brief bursts of autotune effect on his vocal without feeling incongruous, whilst the desultory lyrics of ‘Heera’ (a Hindi word for diamond) - sharing something with the Morricone school of grand storytelling - have an emotional weight that would impress even coming from a native English speaker. Perhaps the most gleefully unpredictable moment on ‘Bismillah’ comes with the illusory, vocal loops on the intro to ‘Memory Box’, errupting into 8 exhilarating minutes worth of unbridled, string-backed disco joy. A cat might have nine lives, but on ‘Bismillah’ and beyond, Peter Cat Recording Co. are hinting towards an un- knowable multitude of dimensions. Throw them all together, and it equates less to a listening experience and more to an out-of-body experience.

Peter Cat Recording Co. are: Suryakant Sawhney (vocals/guitar/organ), Dhruv Bhola (bass), Kartik S Pillai (organ/guitar/electronics), Rohit Gupta (horns), Karan Singh (drums)

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Weval

The Weight

Juan Atkins & Moritz Von Oswald present Borderland

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Straight in the wake of their eponymous debut LP released on the label back in 2016, Weval return to Kompakt this year with their sophomore album, 'The Weight', breaking their pop-mellow, nostalgia-friendly facet further out in the open as they arrive "at this place again were everything felt spontaneous, new and exciting, like we had in the beginning". Orbiting around that ever luminous yet wistful melodic halo that surrounds their music, this second full-length effort sweeps an extra-wide and languidly woven palette of emotions and moods, making for a uniquely ambitious and generously coloured mosaic of sound.

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Transport

2LP | 2016 | DE | Original (Tresor)

Outer Edges Semi-Clear White Vinyl Edition

Release: 2016 / DE – Original

Genre: Electronic & Dance

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2021 repress.

Juan Atkins and Moritz von Oswald – the two indispensable protagonists of the Electric Garden – plug back into the wilderness.

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Noisia

2x12" | 2017 | EU | Reissue (Vision)

Karma & Desire Clear Vinyl Edition

Release: 2017 / EU – Reissue

Genre: Electronic & Dance

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Dutch electronic music trio, Noisia, have announced the release of their long awaited new album, 'Outer Edges' on their own label, Vision. The 18 track album is their first in six years, and the band's second in total. With a peerless reputation and countless awards under their belts, Noisia have transcended their genre and grown into a phenomenon in their own right. Drum & Bass is at the core of Noisia's sound, but Nik, Martijn, and Thijs's visceral brand has always ventured further. "It's called Outer Edges because it's us exploring the outer edges of what Noisia, the three of us together, is. It's about the idea that all the songs are little islands that we take to their individual edge... They're all like expeditions to far sides. That doesn't mean that it's everything; it's just that every song, if it goes in a certain direction, we've taken it all the way there. There's no real concessions, we haven't been super DJ- or radio-friendly at all and we've done no collaborations or hardly any vocals on the album." Noisia

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Actress

2LP | 2020 | UK | Original (Ninja Tune)

2LP | 2020 | US | Original (Three Lobed)

Release: 2020 / UK – Original

Genre: Electronic & Dance

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Ever since Actress hinted at a new album back in May 2019, we have been waiting with open ears and arms, for Karma & Desire to arrive. With a single 49-minute track '88' uploaded on Bandcamp earlier this year, it was a palette cleanser for what is to come. For this new record, we see Darren Cunningham returning in true Actress form, alongside the now revealed list of mystery collaborators - Mercury Prize winner Sampha, singer and songwriter Zsela, Aura T-09, pianist and conductor Vanessa Benelli Mosell and vocalist Rebekah Christel.

Several of the tracks on Karma & Desire find Darren Cunningham leaning into the sort of hazy, slightly hypnagogic synthscapes which have cropped up repeatedly throughout his output as Actress. Cuts such as ‘Gliding Squares’ have a quality about them which is pitched between dreamy reverie and something more unsettling. It is a sound which means that Karma & Desire can count both Dean Blunt and David Lynch as points of reference. When house and techno beats enter the fray they almost emerge out of these synthetic fogs - even the more lively joints still crackle and hiss with an alluring softness. In this manner, Karma & Desire harks back to previous Actress LPs such as AZD, though there is often a wintry quality to the more beat-driven tracks here which mark them out as unique to this LP.

There are several moments on Karma & Desire where Actress follows his nose to end up in electronic terrain that is difficult to name. The rhythms on ‘Loose’, for instance, draw from juke and ‘Pulse X’-era Eskibeat, but the way in which strange clouds of sound are created from keyboards and Rebekah Cristel’s faraway vocals means that the track is only really comparable to the experiments of Inga Copeland. Furthermore, the points where the piano is played, frequently deliver some of the most beautiful moments here, be they the sparse ‘Public Life (feat. Vanessa Benelli Mosell)’ or the soulful lilt of ‘Walking Flames (feat. Sampha)’.

Karma & Desire brings a surreal beauty to Actress’ typically innovative brand of electronic composition.

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Gunn-Truscinski Duo

Soundkeeper

LP | 2017 | EU | Original (XL)

Release: 2020 / US – Original

Genre: Rock & Indie, Electronic & Dance

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Steve Gunn and John Truscinski's collaborations are point where experimental instrumental rock and cosmic jazz meet. This is their fourth album overall and first in three years. Gunn-Truscinski Duo fans are intense in their love of these records - they naturally spin off from Steve's solo work but also go in their own directions as well. This track - and album - will be rapturously received by the fans of this project as being cut from a similar cloth that they already know and enjoy but covering some different and previously unworn ground. The first release in the Three Lobed Recordings 20th anniversary series, this should be a title with multiple sales points (Gunn, Three Lobed, other participants in the 20th series).

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Arca

Release: 2017 / EU – Original

Genre: Electronic & Dance

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SsSsSsSsSsSsSsSsSsSsSsSsSsSsSs

SHXCXCHCXSH

2LP | 2016 | EU | Original (Avian)

3LP | 2016 | EU | Original (Late Night Tales)

Release: 2016 / EU – Original

Genre: Electronic & Dance

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An unbound, rolling matrix of white noise & wrought iron percussion, replete with disembodied choirs that pan uncomfortably in and out of the sonic hinterland.

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Sasha

Scene Delete

Suicide Disco 2024 Repress Edition

Release: 2016 / EU – Original

Genre: Electronic & Dance

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Another sure shot from the Late Night Tales camp.

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Years Of Denial

2LP | 2019 | EU | Reissue (Veyl)

Stream Of Youth White Vinyl Edition

Release: 2019 / EU – Reissue

Genre: Electronic & Dance

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Preorder shipping from 2024-12-13

Written and produced in a country house surrounded only by vast, empty landscapes and an endless sky, ‘Suicide Disco’ is the fruit of a 3-year long collaboration and Years of Denial’s debut LP for Veyl.
Urged to escape from crowded cities and information overload, the duo sharpened their sound and working process through isolation and introspection, crafting 11 songs filled to brim with enormous hooks, New Wave nostalgia and razor-sharp production details.
Barkosina’s voice echoes and oscillates against Jerome’s snares, profound and wounded at once. Her expressionist narrative take us to unknown yet familiar places, amplified by dub delays and otherworldly reverbs. Each track tells a story based on the intensity of relationships, a touching and distorted invitation into intimacy and complicity.

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Wray

LP | 2020 | EU | Original (Earth Libraries)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Edge Splattered Vinyl Edition

Street Cleaner

LP | 2020 | EU | Reissue (Electronic Purification)

Release: 2020 / EU – Reissue

Genre: Electronic & Dance

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Limbs White Vinyl Edition

Keeley Forsyth

LP | 2020 | UK | Reissue (Leaf)

Release: 2020 / UK – Reissue

Genre: Electronic & Dance

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Keeley Forsyth's 2020 debut album found an elemental voice ringing out from beneath the rubble.

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Join The Future - UK Bleep & Bass 1988-91 Yellow Vinyl Edition

2x12" | 2020 | EU | Reissue (Cease & Desist)

2x12" | 2016 | NL | Reissue (Vision)

Release: 2020 / EU – Reissue

Genre: Electronic & Dance

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The first release on Optimo Music founder JD Twitch’s new compilation-focused label Cease & Desist will be a collection of pioneering turn-of-the-90s British “Bleep & Bass” techno tracks curated by author and music journalist Matt Anniss. Join The Future: UK Bleep & Bass 1988-91 is a partner product to Anniss’s critically acclaimed book on the foundations of British dance music’s ongoing love affair with sub-bass, Join The Future: Bleep Techno and the Birth of British Bass Music. The book, which was published by Velocity Press in December and features a foreword by JD Twitch, documents in vivid detail the previously untold story of the Yorkshire-pioneered style and the impact it had on the development of UK dance music. The compilation is the first to focus on Bleep & Bass since the sound’s heyday in the late 1980s and early ’90s. It features a mix of historic cuts, period classics, overlooked gems and unreleased material. It was mastered for release by Warp Records co-founder and Forgemasters member Rob Gordon, a producer, remixer and studio engineer who arguably did more than anyone else to define the sub-heavy sound of the style.

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Noisia & The Upbeats

Dead Limit

75 Dollar Bill Little Big Band

Release: 2016 / NL – Reissue

Genre: Electronic & Dance

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They hit the limit. The limit hit back!

Vision Recordings presents 'Dead Limit' starring Noisia & The Upbeats
'Jones' depth of character is mouth-watering 9/10 RuPaul LeSnack, Variety
'Great stunt sequences hampered by a terrible soundtrack' 2/10 Mario van Peebles 2015 Shark Documentary Festival Awards Honorary Mention
'Depicts gravely the ongoing struggle between man and wild insects' 7/10 National Geographic

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Live At Tubby's

2LP | 2020 | US | Original (Grapefruit)

2LP | 2020 | US | Original (Kranky)

Release: 2020 / US – Original

Genre: Rock & Indie, Electronic & Dance

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NYC’s 75 Dollar Bill began its prolific career in 2012, after percussionist Rick Brown—a veteran of the indie underground (Fish & Roses, Run On, V-Effect)—and noise scene guitarist and multi-instrumentalist Che Chen—connected via MySpace. Since that initial jam session, when Brown began experimenting with his signature plywood crate drum rhythms, they have released three LPs and a clutch of self-released cassette and digital releases. Last year’s double album I Was Real received serious critical acclaim—The Wire calling it 2019’s Album of the Year. On their first live album, Live At Tubby’s, 75 Dollar Bill assembled a unique “little big band” [Sue Garner on bass, Cheryl Kingan on sax, Steve Maing on guitar, Jim Pugliese on percussion and Karen Waltuch on viola] for the small Kingston, NY club show. Recorded on the last day of their spring tour, the record puts a new perspective on themes from their body of work: a little more intimacy, a little more freedom, a little more controlled chaos. Brown’s idiosyncratic rhythms are all the more hypnotizing in Tubby’s cozy setting, and Chen’s furious guitar work cuts and hums with sounds seemingly only attainable on stage. It’s an album both challenging and immediate. The expanded 75 Dollar Bill’s affinity for improvisation and the avant-garde even leads to a rousing take on the Ornette Coleman classic, “Friends And Neighbors” that feels right at home in their own repertoire. The listener can’t help but feel present and part of the communal joy and catharsis being shared here in this room. This performance at Tubby’s turned out not only to be the last show of their tour, but the last show possible as the pandemic hit. Originally offered as a digital-only release on 75 Dollar Bill’s Bandcamp, Live At Tubby’s now documents a highlight and closure of sorts; this kind of musical improvisation and community interaction being on hold for the foreseeable future. This double album on Grapefruit will have to tide everyone over until it can all happen again.

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Loscil

Coast / Range / Arc//

LP | 2020 | EU | Original (Post.)

Release: 2020 / US – Original

Genre: Electronic & Dance

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Named after the geographic formations of the seismically volatile Cascadian coastal mountains, loscil’s coast/range/arc// reissue features new artwork and an additional track. Remastered by James Plotkin and available on vinyl for the first time.

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The American Dollar

Lofi Dimensions 2

3x12" | 2020 | EU | Original (Secret Operations)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Traditionally the liner notes of an album take on a kind of third-party address, where a writer is delivering their thoughts about how an album makes them feel without breaching that space where they are representing themselves or the moment in time directly to the reader. The goal is typically a kind of timelessness, but as we live in unprecedented times, unconventional methods take on new life, and hopefully importance. In the spirit of that idea... man, is this the kind of album we all need right now. So many of us feel like we're constantly walking a tightrope, are feeling like we can't unwind, are in genuine need of a few moments of respite. Every so often an album emerges from an artist that most likely did not realize when they were composing how timely the results would be, and Lofi Dimensions is exactly that kind of record. It doesn't really matter why it's coming when it is, what's important is that it's here, offering peace to the perturbed and inspiration for the downcast. The American Dollar have long been one of those artists operating in a kind of middle ground, a band with a long history of creating moving instrumental rock that has somehow avoided ever becoming synonymous with modern American post-rock acts. They retain a sort of autonomy in a valued position just outside the boundaries of classification. Blending electronic textures with moving guitar and keyboard melodies, their music has always traveled somewhere in the spaces between trip-hop, electronic, post-rock and ambient, and this inability to be defined is ultimately what sets them apart from the trappings of genre, allowing them to be whatever they want The American Dollar to be in a given moment, always on their terms.

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Seba

Identity

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Slip Into The Vortex Orange & Violet Vinyl Edition

Øresund Space Collective

2LP | 2019 | EU | Original (Space Rock Productions)

Release: 2019 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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2x12" | 2020 | EU | Original (PRSPCT)

Limewax

Settime

LP | 2019 | EU | Original (Freedom To Spend)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Insane times like these call for insane measures to counter all that's going to shit in music these days. Great music in all its glorious forms should be timeless with no expiration date. Here at Prspct this has always been our mission and especially now this should count for every record any of the labels releases.

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Ernest Hood

Neighborhoods

Of All The Things Deluxe Edition

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Ernest Hood's Neighborhoods was released some two decades after the Portland, Oregon born and raised musician's first forays into field recordings. These very recordings, and those captured over intervening years, define the universal sound and aural images of childhood, a theme memorialized by Hood's privately-pressed opus of 1975.

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Jazzanova

3LP | 2019 | EU | Original (Sonar Kollektiv)

No Home Of The Mind Transparent Vinyl Edition

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Very few albums manage to unveil their roots so honestly and at the same time succeed in creating something utterly distinct. ‚Of All The Things‘ from Jazzanova is one of these albums. Originally released in 2008 on Universal, it now gets a luxurious reissue on Sonar Kollektiv as a 3LP with pop-up gatefold cover including previously unreleased instrumentals. This format corresponds perfectly with the elegant opulence of the music that shines even brighter eleven years after its initial release. At no time is it unclear that this album is a deep bow to soul from the 1960s and 70s as well as genres like jazz, brazil and pop music in the vein of the early Beatles. Along these lines, ‚Of All The Things‘ is meant to be perceived as a tribute to the music that Jazzanova has been honoring affectionately in their DJ sets and which has always had a decisive influence on their own productions. At the same time, the Jazzanova guys have been successful in casually creating elaborate musical pieces which convey a deeply contemporary vibe – not least because of the multifarious references to electronic productions.
The path to this sophomore long player, which features the contribution of over 50 studio musicians, had been laid out beginning with Jazzanova‘s first album ‚In Between‘ from 2002.

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Bing & Ruth

2LP | 2017 | UK | Original (4AD)

2LP | 2016 | UK | Original (XL)

Release: 2017 / UK – Original

Genre: Electronic & Dance

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Established in 2006, Bing & Ruth is an ever-evolving collective steered by composer David Moore. A pianist from Kansas and graduate of New York’s school of Jazz and Contemporary Music at the New School, Moore’s work follows in the great tradition of fellow alumni John Cage and Steve Reich, albeit looking past the more studied repetition of the style’s forerunners toward a meditative form built on feeling.
With Moore at its nucleus, Bing & Ruth’s line-up has transmuted from the eleven-strong line-up that created debut album City Lake (“A stunning, humble record built on traditions we all understand, yet, somehow feels dizzyingly new.” – The Quietus) to a cast of seven for 2014’s Tomorrow Was The Golden Age (“One of the finest leftfield releases of the year.” – Pitchfork). With No Home of the Mind, the ensemble has been streamlined to a five-person unit, exploring the piano’s percussive qualities alongside running woodwinds, warbling tape delays and splattered upright bass lines that stare out with a wide-eyed transcendence, taking so-called “classical” music to new limits.

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The Avalanches

Wildflower

2LP | 2016 | UK | Original (Rough Trade)

Release: 2016 / UK – Original

Genre: Hip Hop, Electronic & Dance, Pop

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Probably the most anticipated follow up album in music's history featuring Danny Brown, MF DOOM, Father John Misty, Toro Y Moi, Jennifer Herremaof Roayl Trux, Biz Markie and so much more.

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Pantha Du Prince

The Triad

Release: 2016 / UK – Original

Genre: Electronic & Dance

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2LP | 2016 | EU | Original (130701 / Fat Cat)

Hauschka

Room To Expand

Transmissions from Revarsavr

Release: 2016 / EU – Original

Genre: Electronic & Dance

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Limited edition for Record Store Day 2016!

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Lumisokea

LP | 2016 | UK | Original (Opal Tapes)

12" | 2019 | DE | Reissue (Odd Even)

Release: 2016 / UK – Original

Genre: Electronic & Dance

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On the "Transmissions from Revarsavr" LP, Lumisokea continue their exploration of rhythm technology and electro-acoustic experiments while paying tribute to the pioneering spirit of the visionary inventors and composers from the early 20th century from the former Soviet Union. Linking the polyrhythmic ferocity of “Apophenia” (Opal Tapes 2014) to the otherworldly acoustic biotope of “Mnemosyne” (Alter 2015), “Transmission from Revarsavr” presents a meticulously balanced aural web of spiralling polyrhythmic constructions, clashing and chiming copper plates, sub-zero bass shudders and glowing synths. Combining their fondness of electro-acoustic experimentalism with traditional rhythm science from southern India and Korea, Lumisokea create a music in which the pulsating rhythms wind and coil unto themselves like a snake biting its own tail while metallic clangs and howling drones float in and out of focus. The point of departure for “Transmissions from Revarsavr” was a recording Lumisokea made in early 2014 of Vladimir Popov’s “Noise Instruments” - remarkable mechanical contraptions designed in the 1920’s to imitate the sounds of the coming industrial era. Like the “Noise Instruments”, many of these initially outlandish and far-fetched sounds have imperceptibly become self-evident to present-day music, while pioneers such as Arseny Avraamov (aka Revarsavr) and Vladimir Popov have been largely forgotten. With these “Noise Instruments” as a basis, Lumisokea craft the spiraling rhythm trips of “Generation Z” and “Nanissaanah”, the eerie procession of “Buk”, the rapid-fire blasts of “Hyman Otor”, the spectral shimmering dub of “Engrams” and the corroded percussion-mayhem of “Uroboros”. The album has been mastered and cut by Rashad Becker at D&M, features artwork by Darren Brian Adcock and will be released on LP and digital formats by Opal Tapes on January 22nd 2016. The "Noise Machines" used in the recording are courtesy of The Music Laboratory (Moscow) and were recorded at the ReNoise exhibition in Berlin by Lumisokea. Lumisokea would like to give special thanks to Konstantin Dudakov-Kashuro, Peter Aido and Evgenia Vorobyeva for the permission to use and record the reproductions of Vladimir Popov’s “Noise Instruments”.

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Boston 168

Phenomena Part 2

LP | 2017 | EU | Original (Rarenoise)

Release: 2019 / DE – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Blue vinyl. 2019 repress.

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Gaudi

Magnetic

2LP | 2019 | FR | Original (QLF Records)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Vinyl LP pressing. Magnetic is the exciting 2017 album by London based music producer/musician GaudI, which features a choice selection of sounds from the catalogue of internationally respected experimental label RareNoiseRecords, as well as direct contributions by several top caliber musicians from the worlds of rock, jazz and electronica. The making of Magnetic truly was a creational challenge, even for a man who has been working to dissolve musical boundaries for over 35 years. The initial idea of the project was to compose an album of entirely new music using sounds from the RareNoise catalog as his 'orchestra of musicians'; over the course of it's development it grew into a full spectrum artistic interaction with a further array of international music giants, some of which Gaudi has worked in past with. Best loved and noted to date for his genre blending and high quality dub-centric productions, in Magnetic, Gaudi has shown us another aspect of his musical self, other ranges in his musical landscape and he has done it with an all-star cast of supporting musicians.

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PNL

Dans La Légende

2LP | 2020 | UK | Original (Smalltown Supersound)

Release: 2019 / FR – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed.

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Kelly Lee Owens

Inner Song

The Punishment Of Luxury Blue Vinyl Edition

Release: 2020 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

White vinyl Limited edition. With insert

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OMD

LP | 2017 | EU | Reissue (Music On Vinyl)

Release: 2017 / EU – Reissue

Genre: Electronic & Dance

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12" | 2017 | DE | Original (Mindcolormusic)

Fah , omni causa

aux447

2x12" | 2016 | US | Original (Auxiliary)

Release: 2017 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

hand stamped and numbered copy Limited edition

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ASC

The Farthest Reaches

2LP | 2020 | US | Original (Unseen Worlds)

Release: 2016 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Green and blue vinyl seems unplayed. Tiny wear.

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Silvia Tarozzi

Mi Specchio E Rifletto

LP | 2017 | US | Original (Jagjaguwar)

Release: 2020 / US – Original

Genre: Electronic & Dance, Classical Music

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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Moses Sumney

Aromanticism

Release: 2017 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Cover and vinyl are close to NM.

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Reiten Presents Enso 2020

2LP | 2020 | UK | Original (Reiten)

Release: 2020 / UK – Original

Genre: Electronic & Dance

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Barclay Crenshaw Splatter Vinyl Edition

Barclay Crenshaw

2LP | 2017 | US | Original (Stx&Brx)

30,39 €* 31,99 € -5%

Assume Form Black Vinyl Edition

Release: 2017 / US – Original

Genre: Electronic & Dance

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Channeling a love affair with classic '90s hip-hop, an affinity for otherworldly themes and an ear for raw funk, Barclay Crenshaw uses his given birth name to bare his soul and deliver a slowed-down, emotive collection of collaborations and instrumentals. This self-titled debut album is a left-field departure from his better-known alias, Claude VonStroke, but the quality is undeniably the same. The themes of ancient alien abductions and exploration of time and space are discovered and brought to life over ten tracks that sound like a mixture of gold rope chains and new age enlightenment. Modern organic beats mixed with gorgeous melodic moments and underlying grittiness create an experience that is eclectic, expressive and expansive. Coded art furthers the sense of mystery and the unknown, harking back to the past while gazing into the future.

Guests include a wide array of artists, from bass maestro Mr. Carmack to the U.K.’s inspired Lady Chann, Flatbush emcees The Underachievers, and even a Cool Kids reunion from Chuck Inglish & Sir Michael Rocks.

Back in print for the first time since release, and pressed on White In Tan Color In Color Vinyl with White Splatter

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James Blake

2LP | 2019 | EU | Original (Polydor)

Release: 2019 / EU – Original

Genre: Electronic & Dance, Pop

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Elsewhere LVI 2022 Repress

2LP | 2019 | EU | Reissue (Emotional Response)

Release: 2019 / EU – Reissue

Genre: Electronic & Dance

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Emotional Response is delighted to present elsewhere LVI. The 4th of soFa's compilation series, this double LP takes us to the darker side of the elsewhere ouvre, via another 12 artist / 12 track travelogue. With certain future-retro feelings, this is club music for the open minded. An album that roams from dreamy ambient territories to rhythmic patterns - internationalism for the adventurous DJ. Rusty slow-mo bangers and post-industrial synth-wave kidnap the listener to a dystopic and shady wasteland. Elements of ethnic folk, vintage vocoders and Gamelan samples all united on one homogeneous selection. With artists now known to welcoming new brethren, this is an audio trip to leave reality behind. Exotic, hypnotic, tactile, trance-inducing meditations, washed down with a spoonful of magick.

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Ilan Pdahtzur presents Night City Life

2LP | 2019 | EU | Original (Spacetalk)

2LP | 2020 | US | Reissue (Temporary Residence)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Should you find yourself taking a Thames-side stroll in the shadow of the City of London, keep an eye out for the headphone-clad figure of Ilan Pdahtzur. While be-suited bankers and frustrated office workers scurry home to their families, Ilan can frequently be found casting admiring glances towards the blinking lights of towering skyscrapers while filling his ears with the synthesizer-driven sounds of lesser-known 1980s dance music. Ilan, an avid but little-known record collector best known for sharing the artwork of obscure and under-appreciated early-to-mid ’80s club cuts on his popular Instagram feed, has been digging for vibrant, kaleidoscopic records since his teens. Now, thanks to Spacetalk, he’s been given a chance to offer a glimpse into his neon-lit nocturnal musical world. The result is Night City Life, a killer collection of 1980s synthesizer songs inspired by Ilan’s admiration for the glow of London’s late night skyline. Over the course of 13 essential tunes, Ilan escorts us on a vibrant sprint through rare Italo-disco, steamy South African synth-boogie, fizzing American freestyle, oddball Austrian electrofunk and so much more.
There are naturally a fair few sought-after cuts present, but also a fine selection of under-appreciated gems that for one reason or other have been all but ignored since they were released three and a half decades ago. In fact, some selections are so obscure that barely any information exists about them online. Check for example Preludio’s “Mysterious Nights”, an evocative fusion of slow electronic grooves, dreamy chords and twinkling piano motifs previously buried on a lesser-known album of unremarkable German synth-pop, or the dollar-bin brilliance of Fragile’s sweet synth-pop gem “We’ve Got Tonight, Boy”, a cut that Ilan says is capable of “wrapping itself like tendrils around your soul”. He’s not wrong.
At the other end of the scale you’ll find the ultra-rare Italo-disco breeziness of Friend of Mine’s incredible “Just Your Pride” and Mac & Monica’s soulful 1986 South African synth-boogie cut “You’re So Good To Me”, copies of which regularly change hands for hundreds of pounds online. Ilan originally reached out to the men behind the record last year to tell them how one of their other forgotten gems had been played on a Boiler Room session; naturally, they were thrilled. There’s plenty to admire elsewhere on the compilation, too, from the waves of analogue synths, bubbly melodies and bobbing beats of the instrumental dub version of Brian Tatcher’s “Hot Love” – a cold-war era cut inspired by the idea of love blossoming in the midst of a nuclear meltdown – to the Bobby Orlando-esque freestyle bustle of Janelle’s “Don’t Be Shy (Dub)” and the sparkling post-boogie brilliance of Jarmaz’s “Night City Life (Disco Remix)”, a track Ilan has listened to countless times while admiring the midnight skyline of his home city.

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William Basinski

Lamentations

2x12" | 2016 | EU | Reissue (Soul:r)

Release: 2020 / US – Reissue

Genre: Electronic & Dance

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William Basinski's reputation as the foremost producerof profound meditations on death and decay has longbeen established, but on his new album, Lamentations,he transforms operatic tragedy into abyssal beauty. Morethan any other work since The Disintegration Loops,there is an ominous grief throughout the album, and thatsense of loss lingers like an emotional vapor.Captured and constructed from tape loops and studiesfrom Basinski's archives - dating back to 1979 -Lamentations is over forty years of mournful sighsmeticulously crafted into songs. They are shaped by theinevitable passage of time and the indisputablecollapsing of space - and their collective resonance isinfinite and eternal.

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LSB

Content

LP | 2020 | EU | Original (Pan)

Release: 2016 / EU – Reissue

Genre: Electronic & Dance

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Repress in full artwork sleeve

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Amnesia Scanner

Tearless

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Amnesia Scanner announces Tearless, the Berlin-based duo's second LP. As Amnesia Scanner founders, Ville Haimala and Martti Kalliala watch their icy home country of Finland thaw, the staggering scale of political recalibration and the worldwide climate crisis to come blows open old norms. This album reflects what it feels to experience Earth at a time when collapse is emerging as the prevailing narrative.The musical scope of the record is expansive, with guest vocalists - the Peruvian artist Lalita and the Brazillian DJ/producer LYZZA - descending into a vast uncanny valley of sound. Tearless follows the 2014 `AS Live [ ] [ ] [ ] [ ] [ ]' mixtape, 2015 audio play Angels Rig Hook, two EP's for Young Turks, and their 2018 debut album, Another Life (PAN)."There's a looming sense of radical change," they note, connecting the present to a fin de siecle horror and curiosity regarding what new world is being ushered in. Someone called Tearless a "breakup album with the planet." To which Amnesia Scanner responds, on the LP's closing track: "You will be fine, if we can help you lose your mind."With the crossfader on Tearless sitting closer to pop than abstraction, so too does the audience for this record widen in scope. Listening through: Opener "AS Enter" sets a sombre tone until the fucking riffs of the second track (the titular, Lalita-helmed "Tearless") make clear there's plenty of roaring to come. A feature from metalcore band Code Orange on "AS Flat" follows, along with "AS Trouble" (feat. Oracle, the third, machinic ghost-member of Amnesia Scanner) and together they hit as blackmetal-gaze dirges. At the album's midpoint, Lalita returns for the beautiful, operatic breakdown of "AS Ac" (released as a single in 2019), before "Center of the Labyrinth" guides listeners through three club ready tracks - the grain-processed dembow of "AS Too Late" and "AS Going" with LYZZA, and then the ambient headbanger "AS Labyrinth." Closing 'Tearless' is the sadboy grunge of "AS U Will Be Fine" with a clear statement o...

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LP | 2020 | EU | Original (Light Sounds Dark)

Lsd029

Release: 2020 / EU – Original

Genre: Electronic & Dance

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2LP+7" | 2019 | EU | Original (Pampa)

Robag Wruhme

Venq Tolep

Release: 2019 / EU – Original

Genre: Electronic & Dance

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2LP | 2019 | US | Original (Hw&W Recordings)

Tek.Lun

Allow It!

3LP | 2017 | EU | Original (BPitch)

Release: 2019 / US – Original

Genre: Electronic & Dance

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Born and raised in Baltimore, 24 year old beat-maker TEK.LUN is a silent killer. Considered by many to be HW&W's most prolific producer, his early beat tapes and extensive instrumental catalogue helped build a cult following worldwide. In addition to touring internationally as a DJ and headlining festivals in Europe and Asia, his production credits include names like Lupe Fiasco, GoldLink and Aminé

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Ellen Allien

Nost

LP | 2016 | US | Original (International Anthem)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Berlin’s infamous Ellen Allien proudly delivers her 7th solo LP, the superlative ‘Nost’. Across nine seminal tracks, Ellen Allien demonstrates why she is widely regarded as one of the pioneers of Berlin’s techno scene. A visionary who has cultivated a sound which continues to evolve and mutate into new areas, moving smoothly between the classic analogue squelches of acid to anarchic splendour and mesmerising, celestial soundscapes. ‘Nost’ is the work of an artist who has found herself, yet still pushes herself to go beyond her comfort zone, still creating, still learning and still yearning for more. This is Ellen Allien, this is Berlin and this is ‘Nost’.

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Jeff Parker

The New Breed

3LP | 2016 | EU | Original (Pampa)

Release: 2016 / US – Original

Genre: Electronic & Dance

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Incomparably prolific multi-instrumentalist, member of Tortoise, & piller of the Chicago expierimental & jazz music scenes offers new recordings conducted to capture composed passages as well as free playing that used PARKER's beats & sample suites as improvisational criterion

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DJ Koze presents

Pampa Volume 1

Release: 2016 / EU – Original

Genre: Electronic & Dance

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2LP | 2019 | EU | Reissue (Borrowed Scenery)

Yosi Horikawa

Spaces

Release: 2019 / EU – Reissue

Genre: Electronic & Dance

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Good Luck And Do Your Best Light Green Vinyl Edition

Gold Panda

LP | 2016 | EU | Reissue (City Slang)

Khan Younis Picture Disc Edition

Release: 2016 / EU – Reissue

Genre: Electronic & Dance

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Light green Vinyl Edition des 2016 erschienenen Albums. Gold Pandas drittes Album wurde durch seine Besuche in Japan beeinflusst.

- “So pretty, so welcoming, so ridiculously clever.“ - The Skinny
- “It sounds quite unlike any of the electronic music being made in 2016, and is refreshingly unfashionable in that way.“ - Pitchfork
- “Bound to give you that warm, fuzzy feeling.“ - The Guardian

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Muslimgauze

LP | 2020 | EU | Reissue (Kontakt Audio)

The Art Of Mary Mazzacane

Release: 2020 / EU – Reissue

Genre: Electronic & Dance

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Brilliantly remastered picture LP / LP / CD with new stunning artwork!

A1 taken from VA – 110 Below – No Sleeve Notes Required (110 Below, 1995) A2 taken from VA – Assemblage Volume Two (Extreme, 1996) A3 taken from Nonplace Urban Field – Golden Star (Incoming!, 1996) B1 taken from VA – Le Sacre Du Printemps (Gonzo Circus, 1994) B2 taken from VA – X-X Section (Extreme, 1991) B3 taken from VA – Directions 2 (Direction Music, 1989)

An Other Voices Records / Kontakt Audio Co-operation Release

Compiled by Terry Bennett and Oleg Galay Re-mastered by Višeslav Laboš Artwork by Oleg Galay

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Mary Mazzacane

LP | 2017 | EU | Reissue (Recital)

2LP | 2019 | UK | Reissue (Caroline)

Release: 2017 / EU – Reissue

Genre: Electronic & Dance

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A new expanded reissue of the sold out & extremely limited LP from 2017. Concert recordings spanning the 1950s to the 1980s from opera singer Mary Mazzacane, the mother of guitarist Loren Connors. “These recordings, no matter how rough the sound quality, capture the essence of the art of bel canto soprano Mary Mazzacane. Born in an Italian American neighborhood (Fairhaven) near Yale, she was one of the first women to graduate from the Yale School of Music. Ms. Mazzacane, who was active on the opera stage from 1947 through the 1970’s, playing leading roles in Madame Butterfly, Tosca, Amahl and the Night Visitors and other works, left no commercial recordings. All we have is a shoebox full of muddy practice sessions and live performance recordings on barely playable cassette tapes, along with a few radio broadcast acetates… Throughout these pieces, her voice has a unique inner warmth and a beautifully clear tone, the closest I know to the pure clarity of bells.” - Loren Connors

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Björk

Medúlla

LP | 2017 | EU | Reissue (Infine)

Release: 2019 / UK – Reissue

Genre: Electronic & Dance

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Repress 2020

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Rone

Mirapolis

LP | 2020 | US | Original (Bonbonbon)

Release: 2017 / EU – Reissue

Genre: Electronic & Dance

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Stepping into Rone’s music is like sleepwalking through a vividly colorful dream, eventually stumbling across a strange, scintillating Megapolis of saturated light and colors: Mirapolis. It’s twelve tracks/districts, each with their own specific planning, pulsate as though animated by their musical mastermind. We snorkel through Mirapolis’ musical depths. A city that generates constant wonderment, a desire for emancipation, a gathering of citizens connected to the collective’s vital energy. The project was an opportunity for Rone to get reacquainted with long-time stage and studio partners John Stanier, Gaspar Claus and the Vacarme band, and Bryce Dessner (guitarist for The National,) while bringing in new collaborators (and thus, new interpretation of Rone’s dreams). We find American slam-poet Saul Williams, who happened to be in Paris for a moment and contributes a searing anti-Trump screed; Baxter Dury, who brings an irresistible East London touch to Switches, a kind of fan fic that reimagines the Beatles’ Sgt Pepper lounging pensive in a club chair; Israeli electronic music muse Noga Erez, who inspired Waves, which, despite being recorded remotely, betrays a euphoric partnership; and finally, Kazu Makino, Blonde Redhead’s bewitching singer and multi-instrumentalist, who contributes to the album’s closer, the gauzy Down for the Cause.

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Totalement Sublime

Release: 2020 / US – Original

Genre: Electronic & Dance

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2LP | 2020 | EU | Original (FireScope)

Steven Rutter

Riddle Me Sane

Still Fucking Resident Advisor

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Steven Rutter aka B12 is one of techno’s most influential artists, famed for many releases on the iconic Warp Records including "Electro-Soma" that defined what is now the deep techno genre. B12 was originally a duo before Steven Rutter took over the alias as a solo artist, but after a string of new releases on labels like Soma and Delsin, he decided to start producing under his own name. Deciding it was time to look to the future with a new lease on life, Steven Rutter kept his sound the same, but shed the skin of B12 to mark a new point in his musical career. Battling with personal demons, the B12 sound had become dark and introverted, and the Steven Rutter style keeps that same moody atmosphere, while adding upbeat rhythms and more jovial chord progressions without losing focus of the core sound that’s made his music so influential. In addition to a numerous EP, “Riddle Me Sane” is the third album Steven Rutter has done under his own name, and it's in the timeless B12 style that's adored by his fans in all four corners of the world. Cosmic melodies and sci-fi influenced textures with dystopian sound design, the thought provoking album paints pictures of alien landscapes, while its down tempo grooves also have the key elements needed for the dance floor. Comfortingly familiar for those who love the classic B12 style, it also marks a distinct turning point in the sound that Steven Rutter has been looking to focus on. Tracks like “Techno Prisoner” perfectly embody the style this release is aimed to purvey, but this masterpiece has been expertly programmed to play as a continuous piece of music rather than a selection of solo cuts.

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Omar S

12" | 2020 | US | Original (FXHE)

Groovez Magenta Vinyl Edition

Release: 2020 / US – Original

Genre: Electronic & Dance

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12" featuring the tracks that are only available on the CD.

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Ducat

LP | 2020 | CA | Original (Tiger Blood Tapes)

Karma & Desire HHV Exclusive Clear Vinyl Art Print Edition

Release: 2020 / CA – Original

Genre: Electronic & Dance

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Tiger Blood Tapes proudly presents the 1st Hi-Res audio cassette release. Ducat’s debut album. Full of infectious grooves soaked in French House and Future Funk with a Vaporwave touch. Heavy features from Maitro, Lè Real, Wavelord & more! Includes 2 exclusive bonus tracks.

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Actress

2LP | 2020 | UK | Original (Ninja Tune)

Exotic Percussion / Death TV - Recordings 79-81

Release: 2020 / UK – Original

Genre: Electronic & Dance

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This edition includes an art print only available at HHV. One copy per customer.

Ever since Actress hinted at a new album back in May 2019, we have been waiting with open ears and arms, for Karma & Desire to arrive. With a single 49-minute track '88' uploaded on Bandcamp earlier this year, it was a palette cleanser for what is to come. For this new record, we see Darren Cunningham returning in true Actress form, alongside the now revealed list of mystery collaborators - Mercury Prize winner Sampha, singer and songwriter Zsela, Aura T-09, pianist and conductor Vanessa Benelli Mosell and vocalist Rebekah Christel.

Several of the tracks on Karma & Desire find Darren Cunningham leaning into the sort of hazy, slightly hypnagogic synthscapes which have cropped up repeatedly throughout his output as Actress. Cuts such as ‘Gliding Squares’ have a quality about them which is pitched between dreamy reverie and something more unsettling. It is a sound which means that Karma & Desire can count both Dean Blunt and David Lynch as points of reference. When house and techno beats enter the fray they almost emerge out of these synthetic fogs - even the more lively joints still crackle and hiss with an alluring softness. In this manner, Karma & Desire harks back to previous Actress LPs such as AZD, though there is often a wintry quality to the more beat-driven tracks here which mark them out as unique to this LP.

There are several moments on Karma & Desire where Actress follows his nose to end up in electronic terrain that is difficult to name. The rhythms on ‘Loose’, for instance, draw from juke and ‘Pulse X’-era Eskibeat, but the way in which strange clouds of sound are created from keyboards and Rebekah Cristel’s faraway vocals means that the track is only really comparable to the experiments of Inga Copeland. Furthermore, the points where the piano is played, frequently deliver some of the most beautiful moments here, be they the sparse ‘Public Life (feat. Vanessa Benelli Mosell)’ or the soulful lilt of ‘Walking Flames (feat. Sampha)’.

Karma & Desire brings a surreal beauty to Actress’ typically innovative brand of electronic composition.

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Mein Glasfabrik

2LP | 2020 | EU | Original (Vinyl On Demand)

Idjah Hadidjah & Jugala Jaipongan

Release: 2020 / EU – Original

Genre: Electronic & Dance

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In the heart of Sheffield's electronic / industrial music scene of 1979, Peter Bargh and Mark Holmes created the experimental project Mein Glas Fabrik. This VOD release is a combination of their two cassette albums, recorded on simple equipment using tape loops, home made synths, samples, random radio frequencies and a legendary Shergold guitar. Death TV was favourably reviewed in local fanzine "Tigers on the Moor", Exotic Percussion followed soon after. While influenced by a wide spectrum of musical genres, Mein Glas Fabrik created a fusion of sounds, not adhering to any specific genre...expect the unexpected!

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Jaipongan Music Of West Java

2LP | 2020 | EU | Original (Hive Mind)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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2LP | 2020 | US | Original (R2)

Alton Miller

Souls Like Mine