Electronic & Dance 47144 Items

Joe Patti's Experimetal Group

Franco / Pinaxa Battiato

LP | 2024 | US | Original (Universal)

39,99 €*

Release: 2024 / US – Original

Genre: Electronic & Dance

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12" | 2021 | EU | Original (Logistic)

Ben Vedren

Chiang Sheng

Release: 2021 / EU – Original

Genre: Electronic & Dance

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12" | 2020 | EU | Original (Logistic /Telegraph)

Ben Nevile

Open Land

Release: 2020 / EU – Original

Genre: Electronic & Dance

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John Thomas, Octave One, Losoul, Dbx, Cabanne

Blackstage Re-Works Pt. 2

12" | 2002 | EU | Reissue (Logistic)

Release: 2002 / EU – Reissue

Genre: Electronic & Dance

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Monobox, Jonas Sella, Leonel Castillo, Tom Ellis

Classics Volume 3 Remastered 160g Vinyl

12" | 2020 | EU | Original (Logistic /Telegraph)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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2LP | 2003 | EU | Reissue (Logistic)

Monobox (Robert Hood)

Molecule

41,99 €*

Release: 2003 / EU – Reissue

Genre: Electronic & Dance

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12" | 2024 | EU | Original (Human Endeavour)

Acoustic Vision

I Am Clockwise

Commencement / Mineral Blend

Release: 2024 / EU – Original

Genre: Electronic & Dance

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What would be our endeavour as humans without music you may ask? Well, we wouldn't know since Acoustic Vision has clearly taken care of that task and carefully curated the material to take form, from his imagination, through a lovely selection.

Uplifting vibes layered on top of a pumping baseline make from the first track, the reason you'll find yourself incapable to resist dancing, almost like in a trance you'll organically drift driven by 'Peyote Country Club'. A sense of urgency will install throughout your body once the needle hits 'Human Endeavour', for what exactly is for your spirit to decide, but carried by the tribal feeling the fact is undeniable.

Following through, the air gets more relaxed with 'Every pleasure, every sin'. Even with such relentless percussion the listener will still get a sensation of calm, mainly induced by the dreamlike pads and optimistic keys. Drift, drift away with A.C. and let yourself get carried away. It's always interesting to witness how new and old meet together, and from this perspective, this record changes the mood through the hands of the Italian craftsman, Ivan Iacobucci.

Almost evoking old times, the (almost) final part of the record emits an eerie energy which completes the story for the listener.

Keep an open mind to achieve omnivision.

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Damos Room

12" | 2024 | EU | Original (Nudibranch)

Magma Moods // Mons Gibel EP

Release: 2024 / EU – Original

Genre: Electronic & Dance

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“Commencement/Mineral Blend” delivers a fusion of rough and ready dub-adjacent bass music compositions from the London based trio Damos Room. Also featured are eclectic remixes from artists Gonjasufi, Lewi Boome, Dome Zero, and Nudibranch residents Polyop.

The bulk of the EP came from a rare in-person collaboration at Elijah Minnelli’s loft. The Horse Militia laid belly to the ground, endlessly feeding an effects chain like a battery hen with noises from multiple contrasting sources. It was particularly hot that day and the windows were wide open, so if you listen closely you can hear the humid Selhurst skyline bleeding into the recordings. This long weekend was punctuated by visits to the local swamp and an outing to see Channel One Soundsystem.

"Commencement," the EP's inaugural offering, unfolds with a hypnotic, droning bass groove, providing the floor for a paranoid stream of consciousness.

"Mineral Blend" takes a lazier dancehall-esque approach. Littered with unloved sounds from previous sessions and repurposing the lyrics ("I want to be a vessel") from Damos Room's DR Viewings #2 release with Polyop, this track weaves in and out of consciousness without ever truly bubbling over.

Remixers Lewi Boome and Dome Zero contribute imaginative 150bpm takes on both "Commencement" and "Mineral Blend” respectively, drawing inspiration from their backgrounds in bass, techno and experimental electronic music.

Polyop's remix of "Mineral Blend" leans further into dub techno stylings, infusing a refreshing and spacious perspective that echoes their acid roots.

The LA-based artist Gonjasufi transforms "Commencement" into a foggy and mysterious rendition, using his unique production techniques to transcend the dancefloor and immerse listeners in a misty sonic landscape.

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Mirko Felicioli

12" | 2024 | EU | Original (Conceptual Moods)

LP | 2024 | EU | Original (Yeyeh)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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CM008 by Mirko Felicioli, Magma Moods a project inspired by a Vulcano. A concept in which we decided to press our first colored record. Mirko decided to title the EP Mons Gibel, one of the many acronyms by which the Etna Volcano has been named over the centuries, but also where Mirko has been living for 30 years. His beloved city of Catania, Sicily. "We all have a visceral connection with this gentle giant; we are all somewhat its children."

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Greetje Bijma & Oceanic

Sykheljende Lûden

19,99 €*

12" | 2024 | EU | Original (Distant Gaze)

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Since yeyeh brought them together in 2019 to record their first collaborative album, Swallow a Party, Oceanic and Greetje Bijma have become firm friends.

When they gathered in Studio Het Rode in Roderwolde for three days of improvised recordings based on existing ideas, Oceanic and Bijma set out to create music, through a mixture of voice and electronics, inspired by the mental sounds and images that appeared when they thought about the Wadden Sea’s celebrated landscapes. Extended improvisations were recorded, before Oceanic edited them down and they collaborated shaped the finished versions with added texture and structure.

Sykheljende Lûden (Frisian for “breathing sounds”), wears its central inspiration lightly, with many of Bijma’s startling and expressive vocalisations and Oceanic musical motifs subtly hinting at tidal flows, bird calls, and the comforting feeling of home that the environment stirs in both artists.

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E-Bony

Shapes And Frequencies

12" | 2024 | UK | Original (Vinyl Only)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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E-bony returns to Distant Gaze with a full 6-track EP, diving deep into the unfiltered world of acid and Detroit, where roots meet modern. This release delivers a range of moods and intensities through analog textures, heavy-hitting kicks, and gritty basslines that have become synonymous with E-bony’s distinct sound. As the EP unfolds, PRZ shifts gears into a futuristic electro soundscape, a glimpse into a sci-fi utopia. Clouzer wraps up the EP with a crushing rendition of ‘Let it Be’—a hard-hitting rave anthem.

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Mar De Novo

Daje EP

How It Feels (To Be Loved) Remixes EP

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Mar De Novo is a mainstay of the Vinyl Only label which is now almost up to release number 20. As always these are magnificent beats that blend great invention with a healthy respect for disco days gone by and they are all made in what must be a studio jam-packed with analogue gear from all across the ages. 'Instant Humidity' has plenty of characterful synth details that are freaky and playful, 'Call Me' pairs stepping disco beats with super sweet vocals and 'Paraggi' is a blissed-out seaside gem. 'Progression' heady back to the club with strobe-lit disco arps, 'Get A Way' pairs plunging basslines with cosmic keys and another great vocal and 'Quiet Down' rounds out with another horizontal downbeat disco gem.

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Erik Rico

12" | 2024 | UK | Original (Cosmocities)

12" | 2024 | UK | Original (Habitat)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Cosmocities returns with a sizzling six-track remix package of 'How It Feels To Be Loved' by American artists Erik Rico & C. Boogie. These jams are all ready for deployment in the club but come with a soulful signature that fans of Rico will quickly recognise. Tracks 'How It Feels...' and 'Love Everlasting' both get reworked by the one and only Josh Milan while Marc Mac, and Rico himself also step up with their own fresh twists. Milan's 'Honeycomb' mix infuses slap bass and acid-leaning grooves, his 'Floor Radio Vocal Mix' adds late-night soulful funk, Rico's 'Trench Coat Tribute Remix' delivers seductive P-funk vibes and Marc Mac's take on 'Love Everlasting' brings Balearic house magic.

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Dyzen (Mano Le Tough)

Try

Release: 2024 / UK – Original

Genre: Electronic & Dance

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12" | 2024 | Original (_nrv)

Miller

Nrv004

Release: 2024 / Original

Genre: Electronic & Dance

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Badman (Incl. Cratebug / Radio Slave Remixes)

Moodena & Charles Levine

12" | 2024 | Original (Rekids)

Release: 2024 / Original

Genre: Electronic & Dance

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Ultravisitor (20th Anniversary)

Squarepusher

3LP | 2024 | UK | Original (Warp)

54,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Tape | 2025 | Original (Young)

FKA Twigs

Eusexua

Release: 2025 / Original

Genre: Electronic & Dance

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12" | 2024 | Original (White Label)

Furney And Locksmith

Unknown EP

Release: 2024 / Original

Genre: Electronic & Dance

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Head Over Heels Ep Green Vinyl Edition

Break Doctor Vs Fibzy

12" | 2024 | Original (Super Dead)

Release: 2024 / Original

Genre: Electronic & Dance

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Stafell Sbar Sain - Curated By Klust

LP | 2024 | EU | Original (Sain)

22,99 €*

Standing / Engraving Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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We are delighted to announce that Sain Records and independent music website Klust are collaborating to release a bespoke compilation album — out 15 November 2024. As part of a new collaborative project, launched by Sain and titled ‘Stafell Sbâr Sain’ (Sain's Spare Room), the ten-track album is carefully curated by Klust and released on Sain Records. The record includes original works by some of Wales' most exciting artists at the moment including Talulah, Wrkhouse, Malan, Siula, and Sywel Nyw — and will be released as part of an exclusive bundle with the latest edition of Klust magazine. All ten tracks were recorded at Studio 1 in Sain, Llandwrog, over a six-month period — with film director and long time Klust collaborator, Aled Victor, creating a series of behind-the-scenes videos to accompany each of the five live sessions. The first instalment of ‘Stafell Sbâr Sain’ is handpicked by Klust, a multimedia platform launched in 2022 to celebrate, support, and promote new music from Wales. Founder, Owain Williams, says: “It’s a comprehensive, bilingual collection of tracks — some brand new, others exclusively re-worked for the compilation — spotlighting some of Wales’ most exciting artists today. The album will also be released alongside Klust's third magazine — a special 60-page celebration of new Welsh music — woven together by twenty new writers from Wales.”

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Jean D.L.

LP | 2024 | UK | Original (Vlek)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Standing / Engraving Clear Vinyl Edition

Jean D.L.

LP | 2024 | UK | Original (Vlek)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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12" | 2024 | EU | Original (The Yellow Zone)

Lenny Mailleau

Drop Me Down

12" | 2024 | EU | Original (Diggers Society)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Lenny Mailleau from Zendid is back on his own label with an eclectic selection of 6 electronics tracks .

Welcome back in The yellow zone ..

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Nnd

Spirano Vice

12" | 2024 | EU | Original (MoonVoid)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The second release of Diggers Society Records is signed by an artist who has distinguished himself both for his compositional skills and as an excellent selector. NND takes us on a journey through his diverse musical worlds, track by track, revealing his deep musical background. The A-side stands out for its dark atmospheres, supported by strong rhythms and deep grooves. The B-side takes us back in time, offering a production inspired by the iconic soundtrack of the cult '80s TV show, followed by a production with a celestial and deep atmosphere.

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Amethyst Moon

Volume 1

17,99 €*

12" | 2024 | EU | Original (Ernest's Way)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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3 unreleased tracks recorded in the early 90's on tape cassette by Benjamin Wetherill under the moniker Amethyst Moon…First Volume appearing on this mysterious label from the UK called MoonVoid Records.

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Featherstone

Pivot

LP | 2024 | Original (We Are Busy Bodies)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Featherstone returns to Ernest's Way with the “Pivot” EP, offering up six tracks that effortlessly blur the lines between various electronic music genres.

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Midi Janitor

Holy To Dogs

33,99 €*

Release: 2024 / Original

Genre: Electronic & Dance

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Using only a scavenged MIDI keyboard and sounds plundered from a wide swath of archaic media (90’s sampler CDs, 80s VHS docs, 70s student films) musician Jonathan Orr creates startlingly accomplished slabs of thick, lo-fi electro that shimmer and pounce like nothing else on the Vancouver scene. As on his previous release (2023's 'Bulk Order') the spiritual template here is the early unreleased tapes of Scotland’s Boards of Canada, particularly the twin holy grails of 'A Few Old Tunes Vol 1 & II', but this time around things feel noticeably weirder and more destabilized, as if that template were cracking apart under the weight of older, less definable influences.

The title of the album is taken from the Gospel According to Thomas: “Give not that which is holy to dogs, in case they throw it onto the dunghill.” Reading the text on the verge of sleep, Orr had mistakenly understood it as pertaining not to ‘holy things,' but instead to things which were specifically ‘holy to dogs.’ What would such things be? Orr pictured a shrine of objects not valued by the world; garbage, refuse, decay, the discarded. Things forgotten or only half-remembered, like the rusted bones of ancient cities or the clips of dead media entombed on his hard drive.

'Holy to Dogs' charts a weaving course through this narcoleptic vision, from the bright epiphany of ‘Petroglyph Park’ to the blackened repetition of ‘Roman Concrete’, the eerie momentum of ‘Split Foot,’ and the rhythmic hypnosis of ‘Far Speak’; each track building on the last in a series of audio snapshots of lost worlds, forgotten rituals, and discarded histories. An absolutely essential release from one of Vancouver’s brightest (and darkest) lights.

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LP | 2024 | UK | Original (Brownswood)

Future Bubbles 8.0

Release: 2024 / UK – Original

Genre: Electronic & Dance

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12" | 2024 | EU | Original (Fever AM)

Rhyw

Melt In Unison

2LP | 2024 | EU | Original (Lagaffe Tales)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Meltface returns in “Melt In Unison,” another high-octane action comedy erotic thriller with four jaw-dropping scenes soundtracked by Rhyw. “Drool” is an underwater mutant-octopus romance that will change how you feel about tentacles forever. "Calippo" is a jungle romp that's part Apocalypse Now!, part Tropic Thunder, part Lethal Weapon 4, all white-knuckle intensity. “Greetings” is actually the intro but, for some reason appears as the third track.... don't worry about that. Main thing is it will rewire your DNA and change every fibre of your being in such a way that you'll actually pity the person you were in all the years you lived before you heard this track. This rollercoaster ride of thrills and chills ends with a bang: a face-off against the final boss, he whose name is said only in terrified whispers when it is said at all, the horrifying, twisted, slime/goo-coated final boss... “Lavalantula."

Some other stuff you should know about this record: this is the first time our guy Rhyw sang on his own music (initially), but then chopped up and pitched syllables from acapellas to match the recordings instead, if that makes sense. His actual voice features on the other three. Also two of the tracks came from his live set in case you care about that.

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Jonbjörn

Gárur

36,99 €*

12" | 2024 | EU | Original (Public Possession)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Jónbjörn's 'Gárur' reflects the ebb and flow of life, and is a sonic exploration of the nether regions of atmospheric electronic music.

Jónbjörn, an Icelandic producer and purveyor of organic textures and soundscapes has just released his debut full-length LP titled ‘Gárur’. Translated to ‘Ripples’ in English, the album is a colourful display of intricately woven electronic grooves and hypnotic atmospheres.

The 10-track LP unfolds like a 1-hour mixtape, each song seamlessly blending from one to the next. ‘Þeytt smjör’ sets the scene with a sequence of generative ambience – lush pads and synthesizers atop a backdrop of found sound textures.

The album pushes forward into many beat-centric tracks across various genres – everything from Downtempo, Deep House, Electronica, and Electro can be found throughout. While each track borrows influences from across the dance music spectrum, the album is held together by Jónbjörn’s melodic and harmonic tendencies that encourage you to lose yourself in.

Jónbjörn's process is heavily sample-based, often jamming carelessly to unearth new sonic possibilities. He records tracks live, triggering loops and effects spontaneously, and separates the creative process from mixing to maintain a sense of naivety. This approach allows him to capture the purity of initial demos, without falling into the temptation to overly polish the final product and lose that initial magic.

Over the past three years, Jónbjörn has released a string of singles and his last full release on the Helsinki label ‘OO Recordings’, which featured six tracks on cassette. He has also been putting out music on his own label, Lagaffe Tales. In March 2020, he released his first full vinyl EP on his own label series, BROT, at a time when the global pandemic had closed almost all clubs worldwide. Additionally, he has released music on reputable labels such as D.KO Records, Neo Violence, Gestalt Records, Móatún 7, Bitterfeld Musik, Yellow Island Records, and FALK.

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Zellmani

Yongheng Forever

Cuddling Monsters_cm Volume 2 Translucent Orange Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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We are back with more songs from Nicolai Zellmani, presenting a selection of 4 previously unreleased tracks from the vaults, retouched and Deejay ready.
Fans of his first EP on Public Possession „Percussion Heaven“ will notice with delight: a similarly tribalistic, warm & spheric approach to Techno on the tracks „Yongheng Forever“ and „Smutt“. Then you have „Nuevo Portamento“ a crazy, harmonius leftfield anthem and „Eternal Loop“ the ultimate song for a late night (early morning) ecstasy experience. Big Tip!

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Cuddling Monsters

12" | 2024 | EU | Original (Mask)

12" | 2024 | UK | Original (Hell Yeah)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Arriving on a limited 200-copy translucent orange vinyl, 'Dark REM' on Cuddling Monsters’ second release on Mask Records is a hunched-over and direct dub techno cut with forceful drums and deft percussion, adding texture next to warm, sustained pads.
There's a real sense of urgency in this most frictionless groove, which means it cannot fail to cast a spell on the dance floor. The fantastic 'Event Horizon' is then infused with the aura of deep space - sustained chords with a cosmic edge add vast scale to the well-programmed deep techno drums. 'Monster Talk' is a mid-tempo dub track with underlapping drums and rattling, rusted chords that disappear to infinity. It's cavernous and evocative, with myriad little details occupying the mind. 'Temporal Aura' is another standout sound that blends deep techno, dub, and minimal into a serene soundtrack that encourages inward reflection while driving onwards through the cosmos.
Mask Records founder ZentaSkai and his creative partner Laura Merino Allue are Berlin mainstays helping shape the underground. Cuddling Monsters is a new project that debuted on the label in March. It is all about crafting music with analogue instruments, which they believe "offer distinctive sonic qualities, creative constraints, and genuine sound reproduction”. They explore Detroit-infused house, dub techno and minimal soundscapes with raw edges and a great sense of atmosphere. Cuddling Monsters' 'Cuddling Monsters_CM Vol. 02' releases via Mask Records on 6th December 2024.

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Quiroga

French Kiss

12" | 2024 | EU | Original (Akta)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Italian magic man Walter Del Vecchio aka Quiroga is back on Hell Yeah. After the success of his Acid Dropout EP here last year, this time he offers up a varied package of tasteful and timeless house music with a deep and Balearic twist.

Naples artist Del Vecchio is a Hell Yeah mainstay who has also released a fantastic LP here, Passages, and always takes inspiration from the Mediterranean energy of his hometown whether making late-night jams or house anthems.

The heartfelt 'French Kiss' opens this one with super smooth and classic deep house drums topped with a sweet female vocal and jazzy chord work. It oozes romance while the Baia Club Ambient Version is a blissed-out post-club comedown with soft acid lines, ambient pads, flutes and chords straight from a '90s afterparty.

'Ask Coppede' is another breezy and soulful house jam with live-sounding drums and percussion and golden chords that keep the good vibes flowing. Balearic bass gem 'Cala Ventosa' shuts down with gentle cosmic leads and glowing pads drifting through the night sky over supple electro rhythms.

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Etro Hahn

Drummer EP

12" | 2024 | EU | Original (Malör)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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It is around the Chilean artist Etro Hahn that returns this 8th release exclusively vinyl: Drummer EP adds to the collection of the label Akta records these 3 new original tracks. He shares this new release for the remix with our faithful Slovak artist Hendriks Toth

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AgainstMe

Further Analysis

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Joseph Malik, Digital Liquid, X-Press 2

Only Fans Ep X-Press 2 Remixes

12" | 2024 | EU | Original (F*CLR)

22,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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"Only Fans" ft. Digital Liquid aus Joseph Maliks 2023er Album "Proxima Ebony" wird von Londons legendärem Produktionsduo X-Press 2 erstklassig geremixt. Joseph liefert eindrucksvoll-deepe Vocals (ein Schwärmen über seine Kindheitserinnerungen, in der Gesellschaft von Sexarbeiterinnen gross geworden zu sein), untermalt von Digital Liquids Acid-Worm-Lead, während X-Press 2 einen erhabenen Dancefloor-Killer voller eingängiger Hooks, abgefahrenen Beats und dynamischer Produktion entfesseln. Das Duo katapultiert den Song in eine andere Stratosphäre und erschafft dazu das stampfende Lo-Fi-Ungetüm "Back Room", bewaffnet mit Zeitlupen-Breakbeats und einem knallharten Dubby-Bass-Groove, der in einem hypnotischen Groover gipfelt, auf den Andrew Weatherall sehr stolz wäre. Klassisches Packaging im schwarzen Discobag.

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Tales Of The Forgotten Melodies

Wax Tailor

3LP | 2006 | EU | Reissue (Lab'Oratoire)

52,99 €*

Release: 2006 / EU – Reissue

Genre: Electronic & Dance

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Macabre Myths From The Gimlit Gravehills

Pumpkin Witch

Tape | 2024 | US | Original

Release: 2024 / US – Original

Genre: Electronic & Dance

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Deer's Breathe In Every Color

Lake Mary & Daniel Wyche

LP | 2024 | EU | Original (Laaps)

26,99 €*

LP | 2024 | EU | Original (Beacon Sound)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Lake Mary is the moniker of Chaz Prymek, a guitarist, composer, free improvisor and painter currently based in the US. Through spacious personal hymns exploring the wilderness of deep emotional narrative, Prymek’s long-form compositions and improvisations are boundless meditations on the landscapes, river ways, and wildlife, both external and personal. Perhaps most widely known as a founding member of the group Fuubutsushi, Prymek's work as Lake Mary leans sometimes more slow, open and pastoral, sometimes more visceral with prepared guitar and synthesizers, but can always be characterized by patience. A board member of Dismal Niche Arts, and founder of Yardwork Presents, Prymek's focus on curation and community for exploratory and expansive music and arts spills over into all his sonic works.

Daniel Wyche is a Chicago-based guitarist, composer, and improviser. Working with a wide range of physical preparations, extended techniques, and pedal instruments, his solo recordings and live performances are characterized by long-form structured improvisations and multichannel guitar. He has been a curator with the Elastic Arts Foundation in Chicago since 2013, where is work has been described as “crucial” by Dusted and “vital” by the Chicago Reader. In March of 2020, Daniel co-founded The Quarantine Concerts in collaboration with Chicago’s Experimental Sound Studio. The series has been widely praised as a model for online/streaming live music. Along with his solo guitar work, Daniel is involved in several ongoing collaborations, most notably the trio of Wyche, Mark Shippy (US Maple), and Ben Baker Billington, as well as new work with longtime collaborators like Patrick Shiroishi, Lake Mary, and many others.

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Soft As Snow

Metal.wet

28,99 €*

LP | 2024 | EU | Original (Hallow Ground)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Unbound by place or genre, mercurial, experimental pop duo Soft as Snow find freedom to intuitively reflect the disarray of human connection with their intricate, shape-shifting pop production. With each successive release, the duo evolves, unfurling into their own poetic sound, now fully realized on their intimate, third full-length, Metal.wet.

The oft-present trappings of male-female duos are eschewed here as the Berlin-based Oda Starheim and Øystein Monsen contribute equally across a canvas of analogue synthesizers, samplers, live drums, and processed guitars. At once a part of and yet apart from the zeitgeist, their forward-thinking modernity stretches the limits of expectations across Metal.wet's ten insouciant tracks. Fans of Tirzah, Hype Williams, and even Angelo Badalamenti will find much to love in this haunting work peppered with Asmr moments and rough sampling wrapped in high production –– twinkling glasses and sirens in the distance, rhythms and voices up front. The result is synth-driven, noisy, and dripping with laidback, confident sensuality.

Although Starheim's voice begins the album in a whisper, it quickly becomes apparent that the group has jettisoned their previous tendency to bury and distort her vocals. Nested in a bed of thorny electronics and broken rhythms, her multifaceted vocals might bring to mind Kazu Makino of Blonde Redhead or Hope Sandoval fronting Massive Attack. London MC Brother May (Mica Levi, Curl) makes an appearance on the driving and ethereal “Whip,” while Øystein’s own voice appears for the first time in a state of languid background haze.

Soft as Snow create and record across Europe. Defiantly averse to genre, the pair become vessels for their “electronic music pushed to the brink of collapse” (The Wire), previously released by Infinite Machine and Houndstooth. Informed by backgrounds in film and performance art, “there’s a surrealism that comes with watching Soft as Snow in the flesh,” (Vice) as seen at L.E.V. and Lunchmeat Festivals. Collaborations with visual artist Guynoid, designer AGF Hydra, and sculptor Camilla Steinum add depth to the corporeality of their “strange, mesmerising and utterly unforgettable” electronic experimentations. (DJ Mag).

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Samuel Reinhard

Movement

29,99 €*

12" | 2024 | EU | Original (Gestalt)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Following a run of chamber recordings, Samuel Reinhard returns with a suite of electroacoustic collages.

"Movement", the New York–based composer’s latest offering, is built from notes softly held. In his ongoing investigation of musical duration, perception, and attention, Reinhard deemphasizes progress through an embrace of repetition and negative space, inviting listeners to linger in time. Instrumental recordings are arranged according to a predetermined system, iterating fragments of sound in overlapping intervals of various sizes. Delicately layered snippets of decaying piano are joined by cello (Leila Bordreuil), bass flute (John Also Bennett), double bass (Vincent Yuen Ruiz), baritone sax (Michael Biel), and harp (Shelley Burgon). This breadth of instrumentation, arriving as individual notes stretched and overlapped, is treated not as an opportunity for immersive coalescence, but rather a gentle augmentation of texture, free-floating counterpoint. Notes are accompanied by the traces of the bodies and actions that produce them: a hand pressing a key or an arm keeping a bow aloft; breath filling an instrument’s body or glancing off its surface; a string vibrating and then softening to stillness. In sum, we hear resonance in the process of being sustained, as well as in the release that follows.

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Framboisier

Buffout Trax

12,99 €*

12" | 2024 | EU | Original (Duality Trax)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Bridging the gap between past and present, Framboisier
lands on Gestalt Records with a jacking 4-tracker where tech
and hardgroove lay the foundation for a new type of club
sound.

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Voodoos & Taboos

Time Out EP

12,99 €*

Faraway Ghost & Sunken Cages

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Underground stalwarts Voodoos & Taboos make their Duality Trax debut alongside a remix from rising talent Bertie, set to drop on November 8th. Now on its seventh release, Holly Lester’s vinyl imprint blends seasoned pioneers with the next generation of producers.

A serendipitous moment at London’s E1 in 2023 was the genesis for the labels latest release, when DT label head Holly Lester unknowingly dropped a Voodoos & Taboos track only for the duo to walk in mid-way. Already known for their standout releases on iconic labels like Phonica, Bordello a Parigi, and Palms Trax's CWPT, this chance encounter sparked a creative connection between Holly and the pair.

‘Time Out’ kicks things off with swirling synths and the duo's signature alien electronics, set to a playful breaks infused rhythm and morphing bassline, as command and control rings out overhead. ‘Endless Game’ comes with the usual V&T trimmings; an infectious bassline and with a scattering of curious sounds and samples, with a healthy dose of italo-inspired groove - the type of track reserved for bringing a dash of joy to the dancefloor amidst a heads down body-moving groove.

On the B-side, Australian newcomer Bertie steps up with her remix of ‘Time Out’, following her breakout EP and high-profile remix by Ciel. In a short space of time, Bertie has already developed a signature sound injecting her productions with nostalgic 90s house and contemporary subtext; glued together by crunchy drums and a penchant for wide-eyed rhythms. Sticking to her guns, Bertie’s flip of ‘Time Out’ packs a serious punch, showing why she’s an artist on the rise.

The EP closes out with the psychedelic ‘All Action’ with its vocoder vocal samples, bubbling acid and teleporting top-lines. One of the most notable features of the duo's music is their ability to let things evolve over time, their music often accompanied by strong storytelling, an art that has been almost lost in today’s era of instant gratification; their instrumentation often taking on a life form of their own and dosed with surprises.

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Ashk Haye Moghavemat

LP | 2024 | EU | Original (Akuphone)

LP | 2024 | EU | Original (Backwards)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Iranian multi-instrumentalist Kamyar Arsani (Faraway Ghost) and Indian-born drummer/electronic music producer Ravish Momin (Sunken Cages) create their own brand of digital folk music that draws on Sufi mysticism, traditional Persian Music, street rhythms from Mumbai and contemporary electronic music at once. Momin accompanies Arsani’s vocals and daf (frame-drum) with a masterful blend of electronic and acoustic percussion, including live-looping via his unique drum-loop performance system.

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Luca Giovanardi

Storia Notturna

Release: 2024 / EU – Original

Genre: Electronic & Dance

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"Storia Notturna" is a collection of music written, produced and recorded mainly in September 2021, but its origins go back in time. As far back as my University studies in the early 90s. For one of the many extra-departmental courses that my study plan in Philosophy allowed, I chose Social History and found myself studying the seminal study by Carlo Ginzburg "I Benandanti: Stregoneria e culti agrari tra Cinquecento e Seicento" (Einaudi, 1966). It was a revelation. Ginzburg started from the analysis of a curious and widely documented Friulian fertility cult to show, on the one hand, how the Catholic inquisition overturned the perspective of the suspects, turning them from enemies of the witches for the defense of the crops into worshippers of the devil and, on the on the other hand, how some of the distinctive aspects of this cult had very ancient origins and, above all, traits common to traditions traceable in an enormous variety of times and places all over the world. In the following years, for pure personal pleasure, I continued to deepen my studies on these topics, and a couple of years ago my bookseller friend (and author of a beautiful book published by Utet) Giovanni Spadaccini got me a copy of the first edition of "Storia Notturna", an essay from 1989 in which Carlo Ginzburg deepened and expanded the investigation on the themes already treated in I Benandanti. By the end of the book, something clicked in my head. Suddenly some of the many musical tracks that I continuously produce in my studio began to suggest a path that I hadn't guessed before. I felt the urgency to immediately write and record other songs that would complete the picture that had by now outlined. In a few weeks I had an album, “a tale of Italian psychomagic in music”, as a friend defined it. I’d like to thank Giovanni Spadaccini not only for providing the book, but also for having been the very first listener and critic of my music, immediately followed by my bandmate and lifelong musical companion Nicola Caleffi. Their encouragement convinced me to overcome my chronic indecision, my well-founded self-criticism and to decide to publish this material. Pasquale Lomolino was equally encouraging and happy to release the album through his Backwards label. I’ve played, recorded and produced this music myself, with the help of some contributions from friends and family, often unaware of the use I would make of their voices. I thank them and I hope they’ll forgive me. I know they will.

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12" | 2024 | Original (Crass)

Hit Parade

Plastic Culture

Release: 2024 / Original

Genre: Electronic & Dance

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12" | 2024 | EU | Original (Lonely Planets)

Caim

The Medusa Hunter

Felipe Valenzuela & Dorian Paic

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Lonely Planets Rec. is thrilled to announce label co-pilot Caim with his luring new EP Medusa Hunter. A deep dive into a sonic realm where ancient myth intertwines with futuristic soundscapes, Medusa Hunter invites listeners on a seductive journey through hypnotising layers of hissing rhythm and smouldering, Goa-inspired techno. This EP pulses with energy, as Caim masterfully blends trance-inducing melodies with venemous driving bass-lines, creating an atmosphere of ancient mystery and suspense. Each track coils and twists like the mythic Gorgo, luring us deeper into her sonic gaze where time dissolves and consciousness drifts. Rhythm and warmth and whisper seamlessly through the mesmeric soundscapes, igniting a primal sense of movement where sound and myth collide.

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A Way To Make It Work EP

12" | 2024 | EU | Original (Oven Sound)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Oven Sound returns with its second release after the success of its debut. This time the well-known Valencian club features Felipe Valenzuela and Dorian Paic, both part of the Oven Club family and key figures in the underground scene.

This EP is composed of 4 tracks made in different periods of their lives, they bring together all that experience that they have captured in this unique release.

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12" | 2024 | EU | Original (Fiktiv)

Phantasmagoria

12" | 2024 | EU | Original (Seekers)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Transylvania/Budapest based label, FIKTIV returns with their second release, bringing together a diverse group of boundary-pushing artists.

X side kicks off with Charlou’s ‘Hidefaces’, a pulsating journey into the depths of acid and EBM, blending mysterious atmospheres and eerie vocals with a relentless groove.

mar.c’s ‘Wentron’ is a captivating mixture of groove-driven rhythms, atmospheric textures, raw and edgy synth layers, while the echoing vocals drift in and out.

On the Y axis, Lanzieri’s ‘Vogue’ is a gritty and dark track with a driving, acid-infused bassline, enigmatic synth lines and robotic vocal layers.

Kvrk’s ‘Haunted Illusions’ closes the EP with trippy sequences and hypnotic stabs blended with a throbbing groove, while the alien vocals add a dystopian layer to the mix.

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Seekers

The Man And A Sample EP

12" | 2024 | UK | Original (Incident)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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3 jams, recorded on tape in 2023 in Barcelona
Artwork by @mona_bit_

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Mathematics / Aquasky

One Day / Brazil 66

Release: 2024 / UK – Original

Genre: Electronic & Dance

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LP | 2024 | EU | Original (Forbidden Colours)

Zabala

No Club

20,99 €*

12" | 2024 | EU | Original (Enemy Dance)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Nestled against the Bay Of Biscay in Northern Spain, surrounded by towering green mountains lies Bilbao, an industrial port city known for its incredible cuisine and rich cultural heritage. It is here, from within his ‘El Tigre’ studio that composer / producer Zabala (aka Jon Aguirrezabalaga) weaves his auditory tapestries, crafting spacious and enchanting compositions, opening portals to otherworldly realms of consciousness. Following a spate of mind-bending single releases - complete with breath taking visuals (which have gained support from the likes of Nowness Asia), Jon now prepares to release his forthcoming album ‘No Club’ via Basque label Forbidden Colours (also home to Divorce From New York). An expansive and absorbing record, ‘No Club’ sets sail for shores unknown - melding tactile and organic sounds, with sprawling soundscapes and potent electronic sensibilities. Meditating on themes such as the lack of intimacy in today’s often-cold and unforgiving modern world, and our overexposure to external stimuli, ‘No Club’ is a record of ebb and flow, and light and dark. On the release, Jon explains: ‘Music can generate a brand new space, not real, not unreal, with its own rules, laws and dimensions. That is the place I'm looking for’. Moments of intensity give way to peaceful moments of elevational serenity throughout - as dreamlike synth patterns dance across a celestial backdrop, joined by hypnotic rhythms and ethereal textures. With a celebrated cast of Spanish collaborators on board (including Rrucculla, Sara Zazoya, Verde Prato & more) this is a listening experience unlike any other. A truly accomplished and imaginative album from of the country’s most interesting talents.

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Camion Bazar

Sangue

Rythmetic: The Compositions of Norman McLaren

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The first vinyl release of Enemy Dance comes from CB, an Italian-French duo with many eclectic releases. In this EP, (Sangue means blood : it’s a nod to Italian horror cinema from the ’70s) they navigate between genres such as electro, rave house, progressive trance and techno to bring you a solid 4 track EP, like a journey through the darkness to the light.

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Norman McLaren

LP | 2024 | US | Original (We Are Busy Bodies)

LP | 2024 | EU | Original (Holuzam)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Pioneering Scottish-Canadian animator Norman McLaren (1914-1987) - creator of seminal short films Dots, Neighbours, Synchromy and many more - is remembered in first ever release of soundtrack works, self-composed from the 1940’s to 1970’s and forecasting the following half-century of electronic music.

Norman McLaren was once described by composer, music theorist, and mathematician Milton Babbitt as “the first electronic musician.” In addition to his pioneering work in animation, the electronic soundtracks McLaren created for his own films employ astonishing foresight and a characteristically precise methodology. They also crystallise boundless creativity, wit and whimsy, and illuminative brilliance into a unique insight to his remarkable mind, with or without visual accompaniment.

Rythmetic: The Compositions of Norman McLaren marks the first time his soundtracks have been released on record, carefully curated from his most important film works, hours of archival tapes, and multiple versions of the same key compositions. It represents an essential overview of McLaren as a composer, in neat dovetail with McLaren the filmmaker. Both are crucial figures in the respective developments of their fields, opening doors to a future that might not have existed without McLaren.

As an animator, McLaren was renowned for utilising or inventing techniques at their very vanguard and shaping to his needs the rudimentary technology of the era. Many of these techniques and technological adaptations, developed at the National Film Board of Canada over the 1940’s and 50’s, would eventually become adopted into standard practice for animation. He also blazed new trails for soundtrack composition: having heard the glue of spliced film reel produce sound as it passed through his equipment, he began meticulously applying his own cuts and notches to the tape and measuring the frequency values of the tones these striations would emit. Over years of refinement, he created a series of cards to correspond to eight octaves of musical notes, frequency by frequency, and to recruit these cards to compose his soundtracks. It was a way to maintain total creative control and freedom over his own work - every single frame would be processed “the McLaren way”.

“He could have used a synthesiser,” writes long-term assistant, friend, and filmmaker of McLaren documentaries Don McWilliams, also at the National Film Board, “but he had his own method and he stuck with it.” John Cage was an ardent fan, inviting McLaren to his infamous downtown NYC socials and once even writing to McLaren to beg a recommendation for his recruitment at the National Film Board.

Unsurprisingly, McLaren was musically capable and aware throughout his career. He was an inquisitive listener, often drawn to rhythmic expression found outside western music, and he collected records for both reference and enjoyment. West African and Chinese music were particular pleasures, as well as the gypsy jigs that in his youth had informed his own practice as a violin player.

The opening piece to this compilation, “Now Is The Time”, is crafted from trilling, birdsong arpeggiations of dulcet high frequency tones that chatter and warble in scattered dialogue. Accompanying the clouds, multiple suns, and dancing figures of the film, the soundtrack is alive with joy and wonderment. Next, “Rythmetic”, soundtracking McLaren’s famed numeric sequence visualisation, pitters and patters with the types of glitching rhythms so coveted by contemporary electronic music almost a century later. Even from these first pieces alone, it is readily apparent that McLaren could not have achieved the effect he desired with scored instrumentation. The “McLaren way”, so crucial to his process, is as much foundational to his soundtracks as it is to the films themselves.

Despite his acclaim and recognition within the world of film and animation - he won an Oscar, a Palme d’Or, is a favourite of George Lucas’, and is recorded in UNESCO’s cultural heritage archives (none of which interested him) - Norman McLaren is not a Walt Disney, Tex Avery, Chuck Jones, or an Ub Iwerks. His work is unflinchingly outré. Seeking out experimental, innovative, and unconventional modes of storytelling, his creative expression went even deeper than pioneering methodology and a prolific output, becoming part of the man himself as his working hours in the studio became longer and longer as his career blossomed. Even his straightest films are decidedly odd at their core, revealing not only a playful and joyously childlike sense of humour, but also the perpetual pursuit of perfection that fuelled his filmmaking throughout his life.

A gay man, McLaren also resisted the normative social structures of the day in his personal life, acutely aware of the legal implications of his relationship with lifelong partner and fellow NFB director Guy Glover. He also remains revered as the most generous and trusting of teachers, bringing under his wing young or inexperienced filmmakers in whom he saw passion and promise. His second protegee George Dunning, who went on to produce Yellow Submarine for the Beatles, had only recently graduated when McLaren brought him to work in the NFB studios.

Towards the end of McLaren’s career, McWilliams asked him how he perceived his own legacy; how Norman McLaren would be remembered in a hundred years’ time. “A filmmaker who made some interesting films,” was his reply. Modest, funny, wise, and yet knowingly sly. An answer most McLaren.

William Norman McLaren was born 11th April 1914 in Stirling, Scotland. He died January 27th 1987 in Hudson, Canada.

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Clothilde

Cross Sections

LP | 2024 | EU | Original (Holuzam)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Clothilde’s new album sounds like a constant departure from almost everything. Up until now, her music pieces seemed uncontrolled, a total commitment to the machines. She was, somehow, in between us - listener, audience - and the idea of a machine producing sounds she doesn’t seem to control. Of course, none of this was entirely true, she was mostly in control, but the fantasy, the orchestration of it was beautiful. It was sci-fi-ish, Metropolis-magnificent.

In “Cross Sections” everything is purposely under control. We feel, without being told, that Clothilde is directing the narrative, inviting us to partake of this raw and austere electronic sound, forcing us to learn to enjoy it. This is new. Whereas before she would expect you to stay put and listen, eventually you would understand and give in. Or your body would. Now she is telling you to be there, she doesn’t want to be alone, she wants us to feel this subterranean urgency at all costs.

The real eureka moment comes with “Medullary Rays”, when we start cohabiting with the sounds, when they feel familiar. The darkness becomes real; it is palpable how she is stretching each sound and making them come to life at every moment. It is violent, brutal. Like every track, it's a relief when it ends, it's like coming out of a car crash alive. Much of the A side of is Clothilde pushing the boundaries of her sound. She is not testing but finding new ground and sharing it with us. She is exorcising, demolishing and building over and over again, she is crying and screaming, dozing off with the demential levels of bass, making us constantly listen to alarm bells. She is scaring the shit out of us.

The B side keeps the levels of anxiety high up, especially on the 13-minute “Ring”. Surrealistic drones come and go, every second sounds like the end of something, the accumulation of tension is torrential and it never, never stops. We hope there is a conclusion to this. But there is not. “Cross Sections” builds and feeds on this darkness but, in a way, it is self-contained. Never explodes, never releases itself from itself. It is a continuous process of catharsis that it is never over. It never aims to be. Like, you know, life itself.

We've all been there. It feels familiar. Now it has a sound, or sounds. It can be heard and it is outer dimensional. “Cross Sections” is a tremendous effort from an artist trying to survive something. You never know what is. You don’t need to know what it is. It is just there. Cliché but it has to be said: highest possible volume on this one.

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Molero

Destellos Del Éxtasis

12" | 2024 | EU | Original (Boomstraat 1818)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The world was a different place in June 2020. Most of us were coming out of a first lockdown and accepting limitations, new fears, and changes in our lives. There was some hope things were going to be better, optimism in the summer, a new beginning. For some, like Molero, it was. He released his first album in June 2020, one he had been working on over the previous years. “Ficciones Del Trópico” felt like a discovery, the synths approached a new world, raw, full of wonder, fresh. It was the sound we needed, the horizon we were longing for.

Four years have passed. Molero spent most of that time thinking about and creating the music for “Destellos Del Éxtasis”. If “Ficciones Del Trópico” lived in the depths of the Amazon jungle, “Destellos Del Éxtasis” releases itself from a physical location/idea and creates upon symbolism and the abstract. The more we listen to it, the more we get lost in how he created music that is shapeless, no angles, constantly morphing, transforming into something else.

Like magic, alchemy, but also like visions, hallucinatory visions, or dreams if dreams could step out into reality. And the more we get lost, the more we are convinced the music from “Destellos Del Éxtasis” is part of us, of our body, present as a permanently passing cloud. It gets into dark places, moving constantly into new ground, testing feelings, emotions and how they gravitate with sound. There’s something different in each track. Like magic. Not magical music (but there’s an argument for that). We prefer music for magic. Ritualistic, celebratory, transformative and increasingly visual. Close your eyes, it will open your perception. Follow the ecstasy, let yourself go. The reward is here.

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Stroef

Starangel At Quad

12" | 2024 | UK | Original (Tina)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Boomstraat 1818 releases BS1818-001.5 - Stroef - StarAngel At Quad on vinyl. On this ep he revisits his adolescence: playing fps games and going to raves in the late 90s. The album contains 8 dj friendly tools inspired by early Downwards and Purpose Maker releases.

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Roberto Musci

Cargo Cult

22,99 €*

LP | 2024 | UK | Original (Kit)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Tina Records presents Cargo Cult, six tracks from the Musci archives created using an extensive collection of ethnic instruments combined with synthesisers and electronics, with remixes provided by Cut Hands and Nokuit.
Italian ethnomusicologist Roberto Musci, active since the mid 80s, has experienced a resurgence in interest since the 2016 Music From Memory compilation 'Tower of Silence', receiving endorsements from disparate influential figures. His music featured in a playlist Ryuichi Sakamoto curated for his favourite Japanese restaurant in New York, as well as in a 2019 Yung Lean playlist for The Opioid Crisis Lookbook.
Cut Hands is the alias of William Bennett, most well known as the originator of the Power Electronics genre with his project Whitehouse. Inspired by Haitian Vodou, under the Cut Hands moniker, Bennett has been exploring rhythm and percussive instrumentation since 2007 with releases on Blackest Ever Black and Downwards.
A film composer by day, Nokuit has developed a distinctive cosmology over a mutating series of releases on underground labels such as wannamarchi.club and NKT. He has performed internationally, including at Cafe OTO as part of a lineup curated by Flora Yin-Wong.

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Devonanon

Richard & John

LP | 2024 | UK | Original (Blackford Hill)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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10 years after their debut, City Of All Times, audio-visual enquirers John B McKenna and Richard Greenan re-appear as Devonanon, to share the findings of a decade-long sonic experiment.
Like its predecessor, Richard & John is a living, breathing collection of field recordings and compositions, gathered gradually from remote corners of the pair's lives. Familiar waypoints - interwoven microtonal synths, regurgitated live performances, polite whispering, and the gurgling hum of vehicles (land and sea) - all fold into the perpetual stew.
Where City read like a crumpled postcard account of fraternal reportage, Richard & John is a tone poem on something more amorphous, and out of time - a garbled history of human closeness, upheaval and mark-making, that seems to buckle and creak like a tapestry with no beginning or end.
No two spoonfuls are the same, as our story reels through kosmische library stylings ('Wilderness Engine'), to cortex-quieting free association ('Generate Countryside'), and baroque instrumentation ('Blood Laughing', which features beautiful turns from Masayoshi Fujita on vibraphone, and Rosa Juritz on bassoon).
Recommended if you like CS + Kreme, Pierre Mariétan, Kirk Barley. Richard & John was created in conversation with the visual artist David Huang.

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Sam Annand

Cupar Grain Silo

Release: 2024 / UK – Original

Genre: Electronic & Dance

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'Cupar Grain Silo' is Sam Annand's first release on the Blackford Hill label. Its nine tracks blur the lines between ambient electronica and sonic history, as synthesised melodies and rhythms reverberate through the extreme acoustics of the disused Cupar Grain Silo in Scotland. Built in 1964 as a sugar store, the silo towers 60 metres above the surrounding Fife countryside. Its industrial life was short: in 1971 it was closed, and barring a short period as a grain store, remained empty for decades.
In 2014, Sam Annand was given access to the silo as part of the Resono project, set up to study a series of highly reverberant locations across Scotland. The ambitious industrial architecture of the Cupar Grain Silo has given the space a reverberation time of 36.5 seconds. This measurement describes the time a sound takes to decay or 'fade away' in a closed space. To put this in perspective, the Cupar Grain Silo reverb time is around three times longer than that in cathedrals like York Minster and St Paul's.
"The acoustics are immediately noticeable when climbing the ladder into the main chamber", Sam says. "The sound of your voice begins to circle around and above you, inviting you to shout, clap and bang objects to excite the space into revealing its intimidating architectural voice."
Sam began to experiment with musical compositions which responded to the unique acoustics of the silo space. He used impulse responses – a short, sharp sound like a gunshot – to record these acoustics, allowing him to experiment with the silo's reverb in his production. Sam's compositions were performed using a modular synth system, a Roland Juno-6 polyphonic synthesizer and a bowed ride cymbal.
"Chords can be constructed in time by hanging successive single notes in the air," Sam describes, "The flutter echoes from the immediate cylindrical walls can be used to create bursts of scattering spatial imagery and harmonic blooms, following short percussive moments."
Originally recorded on 21st May 2016, 'Cupar Grain Silo' is now released on 12" vinyl with an accompanying booklet of imagery and essays. The compositions are at once true to the unique architectural acoustics of the silo whilst also being playful and experimental with the creative possibilities it offered. Arpeggiated melodies ebb and fall across extended call-and-response shapes formed by the silo's reverb; modular drum patterns crackle like dying machinery; whilst bowed drones waver and wash over.
"We all love reverberation," reflects Prof. Peter Stollery, Professor of Composition and Electroacoustic Music at the University of Aberdeen, on the project. "As kids, we play in it – yelling in forests and caves, surreptitiously dropping objects in huge churches – mouths wide open at the lingering smears of sound which come back to us."
In 'Cupar Grain Silo', Sam Annand has harnessed the extraordinary acoustics of the disused silo to tap into this sense of joy and amazement that reverberation can bring.

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12" | 2024 | UK | Original (Xistence)

Arbilla

Parallel Universe EP

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Dublin’s most dedicated Detroit district has just assembled a fresh set of space shuttles ready to take off. Xistence Records is known best from its true to the cause, hypnotic rhythms forged to the ethos of the classic Motown techno. The label owner Phil Robertson brings three variations for galloping grooves on whirling synth fields, with pulsating percussion here, chimey chords there, and even French Kiss-esque stabs appear somewhere. Last but not least, John Beltran joins the show with a beautiful Transmatic acidic bliss as his reimagination of ‘Lonely Moments’. Mesmerising.

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LP | 2024 | UK | Original (Accidental Meetings)

B. Rupp

Pop Music

12" | 2024 | EU | Original (Plur)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Limited 200 copies pressed. Debut album by B. Rupp, titled ‘Pop Music’. B. Rupp’s take on pop music culminates in a debut album that’s deep, emotive, tough & full of noise. A few years in the making and all orchestrated by himself, trademark crunchy vocals and moody swamped out bass lines - it’s B. Rupp in his element. Mastered by Rupert Clervaux, Photography by Tia Cousins & Alt Design by Ciaran Birch.

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Ryan James Ford

Fuzz Gathering

12" | 2025 | UK | Original (Pilot)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Ryan James Ford's Fuzz Gathering is a five-tracker that delves into the artist's personal exploration of sound and texture. Centered around the concept of "fuzz gathering," Ford collects, analyses, and manipulates various sonic elements using innovative techniques and processes. Each track offers a fresh perspective of his sound, blending intricacies with experiments to create a unique auditory experience. Complementing the music is Ford's own artwork, which visually mirrors the EP's theme of exploring and deconstructing textures, adding another dimension to this creative expression.

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Robin Graham

Like This

12" | 2025 | UK | Original (Only Music Matters)

Release: 2025 / UK – Original

Genre: Electronic & Dance

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Burnski's Pilot label fires up the back burners once again here for some cruising tech house that oozes cool. Robin Graham is the man on the machines and his 'Like This" (Italo Summer mix) kicks off with some subtle prog vibes, a throwback bassline and bubbly synths that percolate through the mix to soothing effect. 'Set Me Free' has glistening and silvery hi-hats and a choppy groove with some big stabs and 'Enter 1' is the sort of cut you want to hear at the afters with its trippy melodic details and deft synth sequences dancing about the mix. 'Subject A' is a driving tech house number with plenty of astral synth sounds and fresh future feels.

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The Unknown Artist

Omm 009

Mirror People & Oito//Oito

Release: 2025 / UK – Original

Genre: Electronic & Dance

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Only Music Matters keep it real once more with another superb EP from an unknown artist featuring loads of untitled tracks. And those tracks all operate in the world of minimal and tech house with fresh ideas and forward-thinking sound designs. 'aaa001a' is a dark one with paranoid vocals looped over churning beats and steely metallic hits. 'bbb001b' is more smooth and free-flowing with a dubby undercurrent and bumpy pads over a deft rhythm. 'bbb002b' adds a third and final different look - a more warped and elastic rhythm with some brighter melodic touches that will help shift the floor up a gear.

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Mp88

12" | 2024 | EU | Original (Oito//Oito Discos)

LP | 2024 | US | Original (Punkerton)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Long time friends and Lisbon-based Mirror People & Oito//oito for the last 20 years have been lighting up dancefloors all over their native Portugal and beyond, with their passion for eclectic sounds as the main fuel for their sonic mission. ‘mp88’ marks their first EP together. ‘Howard’ opens with rugged 4/4 rhythms, acid squelches and meandering arps to set the tone, ‘New Ears’, takes things on saturated drums & fills, vintage stab sequences and enigmatic strings. Last but not least, is the dropped tempo acidic feel ‘Alive & Kicking’. Another flawless EP in Oito//oito Discos, limited to 300 copies, this time in Yellow vinyl.

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Tony & Gravel

Not Dead Yet

29,99 €*

Release: 2024 / US – Original

Genre: Electronic & Dance

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Hugo / Russo / Michelangelo Race

100 Years

LP | 2024 | AU | Original (Helixed)

58,99 €*

Release: 2024 / AU – Original

Genre: Electronic & Dance

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Maybe Tomorrow La Bush Team Remix

2 Flying Stones

12" | 2024 | Original (2 Flying Stones)

26,99 €*

D-Numbers - Datasal Plays The Embassy

Release: 2024 / Original

Genre: Electronic & Dance

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Another banger from the golden era of 2 FLYING STONES.
"MAYBE TOMORROW", is 2 FLYING STONES’ signature track. It was remixed by NICO PARISI earlier this year and now has been remodelled by one of the biggest names from the North-of-France-Scene from the same era: LA BUSH TEAM.
Original vinyls from LA BUSH TEAM are for sale on 2nd hand-sites for over 200€, and they are rare, that combined with the hype surrounding 2 FLYING STONES, makes this release a no-brainer….

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Datasal

LP | 2024 | EU | Original (Dream On)

12" | 2024 | EU | Original (Neurotrope)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Gothenburg’s music scene made waves in 2023 with Totem Och Tabu by Datasal and E-Numbers by The Embassy. Now, Datasal returns with D-Numbers, a bold new album that serves as a complete reinterpretation of E-Numbers, transforming it into an entirely original artistic work. This project merges the legacies of the renowned Höga Nord and Service labels, delivering a groundbreaking fusion of sounds. D-Numbers is a sonic journey that will captivate fans of Kraftwerk, New Order, IDM electronica, and the vibrant Gothenburg music scene. A must-hear for those seeking innovation in electronic music.

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Verdure

Neurotrope 61

12" | 2024 | EU | Original (Squeeze The Lemon)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Newcomer on the very famous Neurotrope label, Verdure signs here his first vinyl. Powerful, melodic and atmospheric sound at the same time. Acid, industrial, rave and freetekno influences. Dancefloor killer. Limited edition.

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Mamosato

Volume 3

12" | 2024 | Original (Léman)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The italian trio Mamosato composed of Paolo Macri, Cristian Sarde and Emanuele Montalto, come back to squeeze a new lemon.

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Sweet Abraham

Bright Lights

LP | 2025 | Original (Neue Meister)

Release: 2024 / Original

Genre: Electronic & Dance

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Legendary producer Sweet Abraham, head of Diaspora Recordings, is making his long-awaited
return to vinyl with a release on the swiss label imprint Léman Records. For the first time in a

while, he feels the same sense of responsibility and excitement as in his early days with
Defender and deep4life. While remaining true to his signature sound, Abraham ventures into
a more relaxed, slower house tempo, creating a deep, atmospheric, and dub-infused vibe. The
tracks "Givin U" and "Walk of Melech," though distinct from one another, offer a fresh take on
his style, while maintaining the richness and depth his fans have come to expect!

3rd release on Léman Records with a special collaboration with the diaspora recordings boss Jeffrey Peacock aka Sweet Abraham.

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Josefine Opsahl

Cytropia

Release: 2025 / Original

Genre: Electronic & Dance

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Xtended Edits Volume 1 Colored Vinyl Edition

Alvaro

12" | 2024 | US | Original (Xtended Edits)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Nice 4 track EP from Alvaro who's worked with NYC 1990's label Maxi Records and collaborated with Strictly Rhythm and Nervous records legend Wayne Gardiner aka Logic and Classic MAN. Limited pressing featuring various disco styles, Latin, jazz & funk. Heavy Colored vinyl.

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12" | 2024 | EU | Original (Kätte)

Against Control

Release: 2024 / EU – Original

Genre: Electronic & Dance

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12" | 2024 | EU | Original (Sex Tapes From Mars)

Nizar Sarakbi

Naked Groove

Still So Far Away / Your Imagination

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Bristol-based Sex Tapes From Mars continues its vinyl-only odyssey with the latest transmission from Ukrainian, half-Syrian, Nizar, whose Naked Groove EP fuses minimalist techno with a surreal twist, backed with vintage hardware and delivered with robotic precision. An exercise in controlled chaos, the EP embodies the label’s ethos of pushing boundaries through unconventional sound design, where abstract and wiggy, skipping grooves drive forward.

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David Gtronic & Brizman

12" | 2024 | EU | Original (Evasive)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Evasive Records Announces Dynamic New Vinyl Release Featuring David Gtronic and Brizman. Building on the success of our ongoing vinyl repress series, Evasive Records is thrilled to announce a fresh infusion of music that heralds our return to vinyl in style. We are proud to introduce two exhilarating new collaborative tracks by David Gtronic and Brizman.

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LP | 2024 | UK | Original (Diagonal)

13 (Lp1)

28,99 €*

12" | 2024 | EU | Original (Full Range Motion)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Diagonal celebrates 13 years in business via a 4 x 12" run featuring label stalwarts and influential collaborators. LP1 includes a new Autechre mix of Russell Haswell's 'Heavy Handed Sunset'. Ae have developed their earlier remix (released in 2016) into a tense, brooding chugger! Turner Prize winner Wolfgang Tillmans teams up with label boss Powell to deliver peculiar pop music. To complete the set, NHK and Viviankrist both turn in moments of beauty whilst Russell Haswell channels Cybotron. This 12" is what Diagonal is all about!

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393ad

Doctrine EP

It's An Acid Thing Ep Splattered Vinyl Edtion

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Introspective, surrealist techno on 'Doctrine EP' by 393ad for the maiden release of Full Range Motion! Three playful, layered cuts that draw inspiration from minimal visual arts, DIY culture, and the repetitive grind of everyday life. Based on long hardware jams followed by extended in-the-box production methods, Amsterdam-based artist and co-owner of Full Range Motion 393ad creatively crafts slowly-evolving, locked-in-place techno. While all tracks vary in intensity, the concept for 'Doctrine EP' is a clear one: explorative dancefloor music with a hint of mystery and curiosity to keep you moving. Mastering by Temudo. Distribution by Clone.

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Egebamyasi

12" | 2024 | UK | Original (Foxbam Inc)

Of Nature & Electricity Cenote Green Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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EBY is an acid house artist who has more than made his mark over the years. 40 years, to be exact, and to mark that rather notable occasion he is back with a special release on Foxbam Inc called Acid Thing and it comes in various different formats. This is a grey vinyl version that celebrates the classic acid sound while infusing it with a modern twist and plenty of big basslines, squelchy synths, and potent rhythms. The standout 'Acidanus' includes MC Soph who made her debut on Acid Indigestion Pt4 at just eight years old and now returns at 25. The EP also features a remix of 'Eggtrip' by renowned Belgian producer Outlander who you will likely remember from his iconic cut 'Vamp.'

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Teleplasmist

LP | 2024 | UK | Original (The state51 Conspiracy)

34,99 €*

12" | 2024 | EU | Original (Time Is Now)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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“Every time you do acid it’s different from the last, but it’s still got a unique signature to it,” says Michael J York. It’s roughly analogous to the way in which the music of Teleplasmiste – his duo with Mark O Pilkington – can be experienced. Their music is lush and layered like a rainforest floor, a complex lattice of sound that moves in several directions at once. Some of those movements are under the surface, buried purposefully low in the mix “so they can surprise you when you’re under different conditions,” as Pilkington puts it. “Like psychedelics, we like to think that people can return to the music in different moods and different frames of mind, and that different things will appear in their hearing.” It fits the cosmic experimentation that the duo have explored on previous albums such as To Kiss The Earth Goodbye and Frequency is The New Ecstasy, and acts as an adjunct to York’s previous work as part of Coil, and currently alongside Steve Davis and Kavus Torabi in The Utopia Strong.

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Efan

Jacob's Ladder EP

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Scattersun Teal In Blue Vinyl Edition

Fax Gang And Parannoul

LP | 2024 | US | Original (Topshelf)

28,99 €*

Release: 2024 / US – Original

Genre: Electronic & Dance

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Universal Synthesizer Interface Vol III

Kristen Roos

LP | 2024 | US | Original (We Are Busy Bodies)

Release: 2024 / US – Original

Genre: Electronic & Dance

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LP | 2024 | US | Original (Artificial Owl Recs)

One Of Them

Sithabo

Release: 2024 / US – Original

Genre: Electronic & Dance

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Kaitlyn Aurelia Smith & Joe Goddard

Neptunes EP

12" | 2024 | UK | Original (Smugglers Way)

31,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance

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No Sound In Space Red Vinyl Edition

Blake Lee

LP | 2024 | EU | Original (Ofnot)

30,99 €*

12" | 2025 | US | Original (Psychic Hotline)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Blake Lee has always been fascinated by the unknown, and space, in its isolating, mysterious vastness, embodies this theme immaculately. The open void, captured so memorably by Stanley Kubrick in '2001: A Space Odyssey', is Blake's far-reaching canvas on 'No Sound In Space', a cinematic meditation on the cosmos that's painted in nuanced, emotionally sincere colors. The Los Angeles-based composer has been contemplating his full-length debut since 2021, using his guitar as a sonic paintbrush rather than find himself snared in its traditional aesthetic constraints. Transforming its characteristics with effects and subtle processes, he layers sustained tones and intimate improvisations, creating richly visual polychromatic utopias teeming with unknown life.

Since 2011, Blake has been most known for being the guitarist and a music director for Lana Del Rey, notching up three songwriting credits on her acclaimed ‘Ultraviolence’ full length. He sees his solo work is a form of escapism, a place where he can experiment and find comfort and catharsis outside of expectations and formal structure. The album was written instinctively, and Blake made sure he didn't force anything, letting go and getting out of his own way, listening intently as sounds and textures materialized organically. "I didn't want to ruin it by being a perfectionist," he laughs. And his collaboration with Kenyan sound artist Kmru, who runs the Ofnot label and contributes to two of the tracks on the album, occurred similarly organically.

Blake was moved to reach out to Kmru when he caught a performance of 'Natur' at Los Angeles' Zebulon in 2022, leading to a prolonged back-and-forth. They didn't meet in person until earlier this year, by which time they'd become firm friends, continuously sharing music and conversation. Kmru had lent a valuable ear to Blake, who sent early playlists of 'nsis' that, over the months, slowly evolved into the finished album. It's the first release on Ofnot that's not by Kmru himself; the label emerged last year with the release of Kmru's own 'Dissolution Grip', and Blake's debut immediately expands its sonic universe. Alongside the playlists, Blake also provided Kmru with the tracks' raw stems, which Kmru began to edit and expand in his Berlin studio. 'Miura' and 'Waiting' are the result of this process, two sublime abstractions that augment Blake's dreamlike, euphoric tones with Kmru's pebbly distortions and booming low-end rumbles. And this same playful sense of freeness seeps into Blake's other compositions.

On the misty 'In A Cloud', he surrounds cascading string tones with soft-focus pads that swell until they're like crashing waves, and on the two 'Echoplexx' pieces, he uses delay and reverb to smudge his sounds until they're viscous residue, the harmonies obscured by whooshes of white noise and distant chimes. The mood is quieted somewhat on 'Moving Air', as Blake's swirling tones form half-heard lullabies, coalescing into a dense, melancholy crescendo, and he fills out the sound with reverberant airport recordings on 'Pan Am', letting pitchy My Bloody Valentine-esque drones warble beneath the transitory chatter. Each track melts into the next, forming a billowing, cryptic narrative that leaves more questions than answers. Blake is constantly searching, and fills his unoccupied space with warmth, perception and sensitivity.

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Grrl & Made Of Oak

Hardcore

LP | 2020 | WW | Original (Tav Records / Intriguant)

Release: 2025 / US – Original

Genre: Electronic & Dance

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On Hardcore, James Mapley-Brittle (GRRL) andNick Sanborn (Made of Oak), meld their love oflate-night club music to make mind-bendinghigh-energy dance music. GRRL is one of thebrightest emerging stars in the underground artsspace and a regular collaborator with PC Music,NTS, and more; Sanborn is better known as onehalf of the Grammy-nominated electronic popduo Sylvan Esso.First sparked during DJ sets in North Carolinabasements, the duo's unique creative chemistryhas grown exponentially since the 2022 releaseof their debut EP, Inertia. GRRL x Made of Oak'sglitched-out sounds have been featured on AdultSwim, Fortnite, and with their own sample packon Splice. Finding new fans in the likes of Björk,Arca, AG Cook, Porter Robinson, Barker and DJsacross the world, GRRL x Made of Oak is anexhilarating experience that will shake thespeakers and get any after-hours dance floormoving.

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Intriguant

Spirits

17,99 €*

12" | 2024 | EU | Original (Continental Drift)

Release: 2020 / WW – Original

Genre: Electronic & Dance

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Electronic producer Intriguant with his 3rd album Spirits on vinyl as a limited release under record label from Singapore, TAV Records. When it comes to the relationship between electronic music and its interaction with Singapore, we always find the theme of longing connectivity through its panorama even within the many concrete walls and high-rises we have grown accustomed to living in. With Spirits, Intriguant takes the role of an observer and explores the landscapes of many different cultures and sounds that have taken habitat past and present. Driven by hauntingly futuristic break-beats of the 90s, shaped 808s, imagined club sounds of dancing folks, bass-heavy textures reminiscent of Burial, Spirits is both for the late-night vanguards and personal home listening rooms. Intriguant's third album encompasses his experiences as an artist most vividly, highlighting his ability to use the flexibility of electronic music to link floating ideas to the physical world. The Analog Vault is honoured to be working with Intriguant for our third release as TAV Records.

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Conoley Ospovat

Transcontinental Trip

12" | 2024 | EU | Original (Opik)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Conoley Ospovat, with appearances on Otake, Kimochi Sound, Blankhaus, and Cervidae, continues to build his long-running home imprint: Continental Drift.

Opening with a jazzy, atmospheric strut, Transcontinental Trip's title track sets the tone for this record as a more driving, bassline-focused affair than some of his recent downtempo excursions. The taut restraint & open air vibe of loose drumming & field recordings for Hold On feel like a nonchalant response to Ricardo's Sei Es Drum. Then, Ospovat's attention to melody & clever programming comes to the fore again on Sunbreaks. The tune is a moody dancefloor builder full of twists & turns before the EP closes out with the carbonated haze of Pacific Coast Rain.

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Opik

Hear My Mind

LP | 2024 | EU | Original (Le Caabanon)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Opik delve further into the DAT archives and come up with another two unreleased tracks in ‘Hear My Mind' and ‘Kaulsoum (Ambient Mix)’ which derive from the same recording sessions as their self-titled debut LP from 1994. Two dazzling downtempo tracks in limited edition vinyl with no repress.

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Melcor

Ill!Es

Release: 2024 / EU – Original

Genre: Electronic & Dance

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2LP | 2024 | EU | Original (Music On Vinyl)

Beat Masters

Anywayawanna The Best Of

37,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2024 | UK | Original (Breakfast)

Langkamer