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Electronic & Dance 46862 Items

Hip Hop 11669 Organic Grooves 28827 Rock & Indie 55138 Electronic & Dance 46862 Drum & Bass | Jungle 2543 Electro 4808 Techno | Minimal | Tech-House 13995 House | Deep House 13727 Nu Disco | Disco Edits | Cosmic 2891 Downbeat | Electronica | Leftfield 9898 Nu-Jazz | Broken Beat 498 Dubstep 635 Grime 79 Garage | 2Step | UK Funky | Bassline 860 Breaks | Breakbeat 659 Bmore | Baile Funk 21 Mash-Ups 39 Trance 1419 Reggae & Dancehall 7401 Pop 13380 Classical Music 1426 Soundtracks 3200 Childrens 174
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Akio Niitsu - I/O(I･O)
Akio Niitsu
I/O(I･O)
LP | 1978 | EU | Reissue (Tokuma)
36,99 €*
Incl. VAT plus Shipping Costs
Release: 1978 / EU – Reissue
Genre: Organic Grooves, Electronic & Dance
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(Japanese pressing, Official reissue) Brilliant synth prog weirdness from the late 1970s Tokyo. Recorded by the guitarist Akio Niitsu who was compared, not without reason, to Manuel Göttsching. Niitsu has a fairly small discography of only three full-length albums, but his second one - “Pet Step” - was on Tomita’s label and supposedly with the involvement of Haruomi Hosono (this is according to Chee Shimizu who lists it in his “Obscure Music”).

Akio Niitsu's first album, "i/o(i･o)" released in 1978, was produced in a homemade studio that had been converted from a storeroom in his home, and he spent three years doing everything from composition to engineering by himself, using overdubbed guitar recordings. 's first analog re-release has been decided.As a guitar multi-recording album, the idea was realized six years earlier than the album "e2-e4" released in 1984 by Manuel Göttsching, the central figure of "Ash La Tempel", but it was too early. A hidden experimental/ambient gem!The paradoxical sound that makes you feel as if you are lost deep in a labyrinthine forest, combined with Tadanori Yokoo's artwork, is a piece that allows you to enjoy Akio Niitsu's worldview with your ears and eyes.
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Voyage - Voyage
Voyage
Voyage
LP | 1978 | US | Original (Marlin)
9,99 €*
Incl. VAT plus Shipping Costs
Release: 1978 / US – Original
Genre: Organic Grooves, Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: VG
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Sheila & B. Devotion = Sheila & B. Devotion - Singin' In The Rain = 雨に唄えば
Sheila & B. Devotion = Sheila & B. Devotion
Singin' In The Rain = 雨に唄えば
7" | 1978 | JP | Original (Victor)
4,99 €*
Incl. VAT plus Shipping Costs
Release: 1978 / JP – Original
Genre: Organic Grooves, Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: VG+
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V.A. - Ultra Disco Dynamite
V.A.
Ultra Disco Dynamite
LP | 1978 | JP | Original (Philips)
9,99 €*
Incl. VAT plus Shipping Costs
Release: 1978 / JP – Original
Genre: Organic Grooves, Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: VG+
Japanese pressing with Obi.
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Sezen Aksu - Serce
Sezen Aksu
Serce
2LP | 1978 | WW | Reissue (SN Music Publishing)
30,99 €*
Incl. VAT plus Shipping Costs
Release: 1978 / WW – Reissue
Genre: Electronic & Dance
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Las Deblas - You Are No Matador, Señor
Las Deblas
You Are No Matador, Señor
12" | 1978 | DE | Original (Jupiter)
6,99 €*
Incl. VAT plus Shipping Costs
Release: 1978 / DE – Original
Genre: Electronic & Dance, Pop
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Used Vinyl
Medium: VG, Cover: VG
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The Ritchie Family - American Generation
The Ritchie Family
American Generation
7" | 1978 | DE | Original (Metronome)
3,99 €*
Incl. VAT plus Shipping Costs
Release: 1978 / DE – Original
Genre: Organic Grooves, Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG
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Village People - Cruisin'
Village People
Cruisin'
LP | 1978 | UK | Original (Mercury)
8,99 €*
Incl. VAT plus Shipping Costs
Release: 1978 / UK – Original
Genre: Organic Grooves, Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG+
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Ayisha - Space Man
Ayisha
Space Man
7" | 1978 | DE | Original (EMI)
49,99 €*
Incl. VAT plus Shipping Costs
Release: 1978 / DE – Original
Genre: Organic Grooves, Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: VG+
Cover with faint ring wear and small sticker.
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Samantha Sang - Emotion
Samantha Sang
Emotion
LP | 1978 | US | Original (Private Stock)
9,99 €*
Incl. VAT plus Shipping Costs
Release: 1978 / US – Original
Genre: Organic Grooves, Electronic & Dance, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
Terre Haute pressing. Still in shrink but opened. Cover is so close to NM.
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The Spotnicks - Never Trust Robots
The Spotnicks
Never Trust Robots
LP | 1978 | FR | Original (President)
9,99 €*
Incl. VAT plus Shipping Costs
Release: 1978 / FR – Original
Genre: Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG
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Alec R. Costandinos - Trocadero Lemon Blue
Alec R. Costandinos
Trocadero Lemon Blue
LP | 1978 | US | Original (Casablanca)
10,99 €*
Incl. VAT plus Shipping Costs
Release: 1978 / US – Original
Genre: Organic Grooves, Electronic & Dance, Soundtracks
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Used Vinyl
Medium: VG, Cover: VG
Cover with promo stamp on the back. Vinyl close to VG+
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Suicide - Suicide
Suicide
Suicide
LP | 1978 | DE | Original (Red Star)
80,99 €*
Incl. VAT plus Shipping Costs
Release: 1978 / DE – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG+
Vinyl is Close to VG+.
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Richard Schönherz - What A Night
Richard Schönherz
What A Night
LP | 1978 | DE | Original (Warner Bros.)
39,99 €*
Incl. VAT plus Shipping Costs
Release: 1978 / DE – Original
Genre: Organic Grooves, Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: VG+
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Rainbow Generator - Dance Of The Spheres
Rainbow Generator
Dance Of The Spheres
LP | 1978 | AU | Reissue (Left Ear)
28,04 €* 32,99 € -15%
Incl. VAT plus Shipping Costs
Release: 1978 / AU – Reissue
Genre: Rock & Indie, Electronic & Dance
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Limited to 500 units, includes a bifold insert with archival images and detailed liner notes.

Rainbow Generator are Australia’s first true experimental electronic music group. Consisting of David Labuschagne AKA Mojo, and Rob Greaves AKA Ras. Starting in the mid-70’s, the pair took it upon themselves to begin exploring the possibilities of the sonic dimension and with an ‘open mind’ began investigating the interface between psyche and sound.

In 1976 David established the ‘Lectric Loo’ studio in Woolloomooloo, Sydney. Known to the ‘heads’ as simply the “Loo”, the 3-story building was owned by the Department of Main Roads, and slated for demolition. So, it was that the entire block became a haven for squatters, and while Mojo had the main 3-story building to himself, the rest of the buildings were taken by a hotch-potch of people that included Anarchists, a Clown School and a collection of other random squatters. Recording in the ‘Lectric Loo’ provided them the ability to record freely. In 1975 they began to experiment, putting Mojo’s Fender Strat through effects pedals, playing with sounds while manipulating shortwave radio stations and also challenging convention by playing the insides of instruments. By 1976 they had built a kit synthesizer and shortly after purchased a full Roland 100 Synthesiser set-up and were on their way.

In 1978, with little resources, or any form of distribution they released their sole LP ‘Dance of the Spheres’. As Mojo puts it, “we were intent on making music with whatever we could beg, borrow, buy, and liberate. Albeit with scant regard for the rules or conventions or niceties of the game. Ultimately, it was all an act of love, of joy. Not just an adventure; it was a musical odyssey”.

This odyssey continued their exploration of the interface between psyche and sound. Fusing genres and boundaries, Dance of the Spheres incorporates elements of 70’s psych and folk with spoken-word and of course the emerging sounds of the synthesizer and drum machines. Furthermore, the addition of traditional instruments such as the didgeridoo and the classical Indian instrumentation technique of a Raga add a timeless layer, all seamlessly complementing the other elements and launching the album to another dimension.
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Blood, Sweat And Tears - Blue Street
Blood, Sweat And Tears
Blue Street
7" | 1978 | DE | Original (ABC)
3,79 €* 3,99 € -5%
Incl. VAT plus Shipping Costs
Release: 1978 / DE – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG, Cover: G+
Cover with taped edges and small puncture.
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Jona Lewie - On The Other Hand There's A Fist
Jona Lewie
On The Other Hand There's A Fist
LP | 1978 | DE | Reissue (Stiff)
7,59 €* 7,99 € -5%
Incl. VAT plus Shipping Costs
Release: 1978 / DE – Reissue
Genre: Rock & Indie, Electronic & Dance, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
Early repress on green Vinyl!
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Andy Goldner - ∞
Andy Goldner
∞
LP | 1978 | DE | Original (Well Known Records)
16,99 €* 19,99 € -15%
Incl. VAT plus Shipping Costs
Release: 1978 / DE – Original
Genre: Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Small sticker on back cover.
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Edgar Froese - Ages Record Store Day 2023 Grey & White / Green & White Vinyl Edition
Edgar Froese
Ages Record Store Day 2023 Grey & White / Green & White Vinyl Edition
2LP | 1978 | US | Reissue (Culture Factory)
27,99 €*
Incl. VAT plus Shipping Costs
Release: 1978 / US – Reissue
Genre: Electronic & Dance
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Edgar Froese is the Founder of TANGERINE DREAM. This release Ages from 1978 is known as his greatest solo album from his most desirable time period. It has been out of print & unavailable. This double LP set features the rare extended music version, has deluxe packaging that will include an OBI strip, gatefold album jacket with two pockets, printed inner sleeves, original record labels and specialty color vinyl. Lava lamp effect clear White/Light Blue Color Vinyl
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Joel Vandroogenbroeck - Images Of Flute In Nature
Joel Vandroogenbroeck
Images Of Flute In Nature
LP | 1978 | EU | Reissue (Bonfire)
20,99 €*
Incl. VAT plus Shipping Costs
Release: 1978 / EU – Reissue
Genre: Electronic & Dance, Soundtracks
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Brainticket was an obscure Krautrock band born out of a 60's jazz group featuring Belgian born keyboardist Joel Vandroogenbroeck, based in Switzerland. The leader went for a fortunate solo career after the former group disbanded, reaching a cult status especially in Italy with a series of sought after libraries. Released in 1978 on Cenacolo, Images Of Flute In Nature is pure magic translated in music. Conceived by Joel with a little help from vocalist Carole Muriel (an American performer already involved in Brainticket and Drum Circus), the album is literally a deep connection between kosmische music, ambient and ethno-global rhythms.
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Patrice Rushen - Patrice Definitive Reissue
Patrice Rushen
Patrice Definitive Reissue
2LP | 1978 | EU | Reissue (Strut)
31,99 €*
Incl. VAT plus Shipping Costs
Release: 1978 / EU – Reissue
Genre: Electronic & Dance
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Definitive reissue of Patrice Rushen’s debut album for Elektra in 1978 Includes the 12” versions of ‘Hang It Up!’ and ‘Play’ and a previously unreleased extended take of ‘Didn’t You Know’Official release featuring full interview with Patrice Rushen about the making of the album & rare photos from photographer Bobby Holland / Fully remastered from the original ¼” tapes
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Harold Budd - The Pavilion Of Dreams
Harold Budd
The Pavilion Of Dreams
LP | 1978 | EU | Reissue (Superior Viaduct)
29,99 €*
Incl. VAT plus Shipping Costs
Release: 1978 / EU – Reissue
Genre: Electronic & Dance, Classical Music
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For five decades, Harold Budd stood on the forefront of the West Coast avant-garde. Born in Los Angeles, he studied with Schoenberg-pupil Gerald Strang and began teaching at CalArts in 1970. While searching for his own voice, he was influenced as much by abstract expressionist painters as by John Cage and Morton Feldman. In his work, Budd brought delicate, slowing-moving melodies to the foreground – creating a new musical language based on “eternally pretty music” and smooth surfaces. In the early ’70s, Budd started an extended cycle of compositions that would comprise The Pavilion Of Dreams. For Budd, the album was a signpost for a new direction in thinking about music: “The Pavilion Of Dreams erased my past. I consider that to be the birth of myself as a serious artist. It was like my Magna Carta.” Produced by Brian Eno in 1978, The Pavilion Of Dreams stands toe-to-toe with another minimalist masterpiece also released that year, Steve Reich’s Music For 18 Musicians. Budd’s gorgeous pieces reveal a lightness of touch that draws the listener in, while sublime voices float in and out as if in a recurring dream. Featuring saxophonist Marion Brown and multi-instrumentalists Gavin Bryars and Michael Nyman, The Pavilion Of Dreams remains a master class in exquisite timbre and shimmering texture. The Pavilion Of Dreams was both the final release on Eno’s Obscure imprint and a transition point towards his seminal ambient series. This first-time reissue is recommended for fans of Ryuichi Sakamoto, Jon Hassell and Mark Hollis.
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Horacio Vaggione - La Maquina De Cantar
Horacio Vaggione
La Maquina De Cantar
LP | 1978 | EU | Reissue (Dialogo)
25,99 €*
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Release: 1978 / EU – Reissue
Genre: Electronic & Dance
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At long last, after remaining out of print for decades, the Milan based imprint, Dialogo, dives into the legendary catalog of Cramps, bringing forth the first ever vinyl reissue of Horacio Vaggione’s LP, "La Maquina de Cantar", issued as the 18th instalment of the label’s Nova Musicha series in 1978 and among the most important examples of Latin American experimental music from the 1970s. Engrossing and creatively riveting, heard more than 40 years on its rippling electronic tones recast the terms of minimal music and shatter the historic perceptions of these sounds. Horacio Vaggione (born 21 January 1943) is an Argentinian composer of electro-acoustic and instrumental music who specializes in micromontage, granular synthesis, and microsound and whose pieces are often scored for performers and computers (mixed music). His music is regularly played worldwide in major centers and festivals of contemporary music. La Maquina de Cantar is his first solo recorded work; originally released on the Italian Cramps Records label as the 18th volume of the Nova Musicha series dedicated to contemporary avant-garde composers, La Maquina de Cantar is now made available again on Dialogo in a faithful reproduction of the original gatefold cover artwork, including also an inner sleeve with the English translation of the liner notes.
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David Tudor - Microphone
David Tudor
Microphone
LP | 1978 | EU | Reissue (Dialogo/Cramps)
25,99 €*
Incl. VAT plus Shipping Costs
Release: 1978 / EU – Reissue
Genre: Electronic & Dance
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David Eugene Tudor (1926 – 1996) was an American pianist and composer of experimental music. He eventually became one of the leading performers of avant-garde piano music, giving first or early performances of works by Pierre Boulez, Morton Feldman, Karlheinz Stockhausen, Christian Wolff, La Monte Young and many others. Tudor is particularly associated with John Cage, who wrote a number of compositions for him. His solo record “Microphone” was originally released on the Italian Cramps Records label as the 16th volume of the Nova Musicha series dedicated to contemporary avant-garde composers, “Microphone” is now made available again on Dialogo in a faithful reproduction of the original gatefold cover artwork, including also an inner sleeve with the English translation of the liner notes. From the original liner notes of “Microphone”: David Tudor was born in Philadelphia in 1926.He studied organ and theory with H. William Hawke, piano with Irma Wolpe Rademacher, analysis and composition with Stefan Wolpe. He began his concert activity as an organist. He has been known as the most important avant-garde pianist since the day he performed, to great acclaim, the American debut of Pierre Boulez’s Deuxieme Sonate pour Piano (1950), and subsequently introduced the works of Earle Brown, Sylvano Bussotti, John Cage, Morton Feldman, Karlheinz Stockhausen and Christian Wolff to a larger audience. At the beginning of the 1960s, he and Cage switched to live electronic music as opposed to music performed in the studio. As a composer, Tudor relies on technological tools that are both flexible and complex: he uses mostly modular electronic devices, many of which he built himself. His method requires the choice of specific electronic components and transducers, whose interconnections define both composition and performance. The sound materials he employs unfold through broad movements in time and space, with many of his compositions associated with visual sources: light systems, dance, television, theatre, film or 4-colour laser projections. The only source of Microphone’s sound is the modulation of a microphone feedback produced in a distant echo chamber. The incidence and duration of the sounds are produced by the action of extremely close (narrow band) peak/notch filters (used in both modes), inserted into the lead signal. Each of the 9 versions is performed by the composer and simultaneously recorded on four tracks. Then the four tracks are spliced onto two, using a pan-matrix. The final product is a library of 9 stereo tapes, each about 32 min. long, which can be used in any combination, for live performances or for electronic installations. In these performances the tapes are played and stopped at any point, rewound and played again, altered in amplitude and/or equalisation, rotated on any given channel, etc., at will, for any period of time. A live performance of Microphone (for instance without tapes) can be achieved by employing (a minimum of 4) performers using duplication systems, each one with 2 speakers. This 1973 instantiation of Microphone covers a work originally conceived for the Pepsi Pavilion of Expo ‘70, in Osaka, Japan. Conceptually, the original work derives from discoveries made through the composer’s collaboration in the design of the Pavilion’s acoustic system. Sound diffusion was achieved through the use of 37 loudspeakers placed in a rhomboid grid system covering 3/4 of the sphere. The original tapes for Microphone were recorded in May 1973, at the Mills College Centre
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Masaki Ueda - Harder They Come Record Store Day 2021 Edition
Masaki Ueda
Harder They Come Record Store Day 2021 Edition
7" | 1978 | JP | Reissue (Universal Music Japan)
33,99 €*
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Release: 1978 / JP – Reissue
Genre: Electronic & Dance
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Record Store Day Japan 2021 Drop 2 release. Released in 1978, Masaki Ueda sang the reggae lovers’ masterpiece “Harder They Come” in Japanese, a soulful cover single.
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Kraftwerk - Die Mensch-Maschine German Version Translucent Red Vinyl Edition
Kraftwerk
Die Mensch-Maschine German Version Translucent Red Vinyl Edition
LP | 1978 | UK | Reissue (Parlophone)
34,99 €*
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Release: 1978 / UK – Reissue
Genre: Electronic & Dance
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Kraftwerk - The Man-Machine English Version Translucent Red Vinyl Edition
Kraftwerk
The Man-Machine English Version Translucent Red Vinyl Edition
LP | 1978 | EU | Reissue (Parlophone)
32,99 €*
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Release: 1978 / EU – Reissue
Genre: Electronic & Dance
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Laraaji - Lotus-Collage
Laraaji
Lotus-Collage
Tape | 1978 | US | Reissue (Leaving)
14,99 €*
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Release: 1978 / US – Reissue
Genre: Electronic & Dance
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Part 1 of a 3-part release. Lotus Collage was originally released in 1978. The album was recorded with a freestyle open tuned electric zither and harp. “One of my first home electric zither recordings, recorded live in a Park Slope, Brooklyn living room during my street performer/busker years in the late 1970s.” – Laraaji.
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Iasos - Angelic Music
Iasos
Angelic Music
LP | 1978 | US | Reissue (Fact Of Being)
29,99 €*
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Release: 1978 / US – Reissue
Genre: Electronic & Dance
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In 1978 Iasos has returned with a new album consist of 2 long peaceful compositions “The Angels of Comfort “ and “Angel Play”.



These pieces are extremely soothing, heavenly, loving, and peaceful, and capture the energies of love - on a galactic scale. It functions as a universal healing comforting presence.



This genre of music could be termed 'classical New Age music'. The philosopher Alan Watts has said, 'Iasos is doing the classical music of the New Age.' This album is a 'vibrational environment' of soothing loving angelic feelings - very nurturing and comforting.



The music can be used for creating a sacred space, for meditating, body-work, visualization, hospice work, emotional healing, and for tuning into angels. It is well suited for relaxing the mind, body and spirit.



When Iasos first released this album, it immediately became an underground classic, due to its universal appeal. It was the one of first albums that created a new music genre now known as ''New Age'' music. In addition, it still is one of the most cherished pieces of music worldwide. The Psychology Department at Plymouth State College had this music receive the highest rating, by quite a margin, for being ''most like the heavenly music'' heard by people who had had a near-death experience.



'Angelic Music' was released on vinyl only once in 1989 on Brazilian label Estúdio Eldorado. This is a first LP reissue and additional CD reissue. Comes with original artwork - Painting ['Star Dancer'] by Gilbert Williams.
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Richard Pinhas - Chronolyse
Richard Pinhas
Chronolyse
LP | 1978 | EU | Reissue (Bureau B)
27,99 €*
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Release: 1978 / EU – Reissue
Genre: Electronic & Dance
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Il Guardiano Del Faro - Oasis
Il Guardiano Del Faro
Oasis
LP | 1978 | EU | Reissue (Time Capsule)
18,99 €*
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Release: 1978 / EU – Reissue
Genre: Electronic & Dance
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Time Capsule is a new reissue label that unites the record collectors and DJs of the brilliant corners and Beauty & The Beat communities in London. For each release, Kay Suzuki works alongside one co-curator to reinstate and repackage the music they hold dear into perfectly restored historic artifacts.
For the first release, brilliant corners regular and Meda Fury signing Ryota OPP curates the reissue of Il Guardiano Del Faro’s 1978 album Oasis.
Born 1940 in Milan, Federico Monti Arduini was a child prodigy who studied piano and was already performing at concerts from the age of eight. He composed pop songs for other artists which sold millions of copies, but his own solo success came after he encountered synthesizers in the early 70s. Viewed as a precursor of New Age sound art, Arduini was one of the first producers in Italy to use the Moog synthesizer and a meeting with Bob Moog in New York only added to this obsession. He was also an early adopter of the tradition among electronic producers to use a moniker to disguise his identity. Il Guardiano Del Faro (translated as “the guardian of lighthouse”) is a nod to the small Italian fishing town Porto Santo Stefano, where Arduini created his studio in the mid-70s.
He produced a number of albums from this seaside idyl of electronic instruments and tape recorders, but Oasis stands out from the pack. Released in 1978, it became a cult classic for its experimental sounds and emotional expressions. Spiritual synth sounds cover the album in a dreamy haze, oscillating between ambient and psychedelic. Sparing deployment of the Roland rhythm box gives dance floor favourites ‘Disco Divina’ and ‘Oasis’ touches of space disco and even teases proto-house elements like the great Sun Palace.
“The passionate and dramatic sound of Il Guardiano Del Faro made me fantasise about so many romantic aspects of Italian culture. Oasis is sonically more interesting than his other albums and these exotic, eccentric rhythms sound quite familiar to the modern music fans.” Ryota
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Can - Can
Can
Can
LP | 1978 | UK | Reissue (Spoon)
23,99 €*
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Release: 1978 / UK – Reissue
Genre: Rock & Indie, Electronic & Dance
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Remastered from the original tapes, 180g vinyl!
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Can - Out Of Reach
Can
Out Of Reach
LP | 1978 | UK | Reissue (Spoon)
23,99 €*
Incl. VAT plus Shipping Costs
Release: 1978 / UK – Reissue
Genre: Rock & Indie, Electronic & Dance
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Remastered from the original tapes, 180g vinyl!
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Ariel Kalma - Osmose
Ariel Kalma
Osmose
LP | 1978 | EU | Reissue (Black Sweat)
26,99 €*
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Release: 1978 / EU – Reissue
Genre: Electronic & Dance
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This single LP reissue of the 1978 double album is a limited edition of 400!
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Santa Esmeralda Starring Leroy Gomez - Don't Let Me Be Misunderstood
Santa Esmeralda Starring Leroy Gomez
Don't Let Me Be Misunderstood
LP | 1977 | DE | Original (Philips)
5,99 €*
Incl. VAT plus Shipping Costs
Release: 1977 / DE – Original
Genre: Organic Grooves, Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG
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Chic - Chic
Chic
Chic
LP | 1977 | DE | Original (Atlantic)
14,99 €*
Incl. VAT plus Shipping Costs
Release: 1977 / DE – Original
Genre: Organic Grooves, Electronic & Dance, Pop
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Used Vinyl
Medium: VG+, Cover: VG
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Cerrone - Cerrone 3 - Supernature
Cerrone
Cerrone 3 - Supernature
LP | 1977 | US | Original (Cotillion)
27,99 €*
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Release: 1977 / US – Original
Genre: Organic Grooves, Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG
Vinyl with scuffs and hairlines. Original inner sleeve with seam splits
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Brian Eno - Before And After Science
Brian Eno
Before And After Science
LP | 1977 | DE | Reissue (Polydor)
33,99 €*
Incl. VAT plus Shipping Costs
Release: 1977 / DE – Reissue
Genre: Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: VG+
Early Repress. Small sticker tear on front cover. Cover and vinyl are close to NM!
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Luciano Cilio - Dialoghi Del Presente
Luciano Cilio
Dialoghi Del Presente
LP | 1977 | EU | Reissue (Vinylmagic)
24,99 €*
Incl. VAT plus Shipping Costs
Release: 1977 / EU – Reissue
Genre: Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG+
Limited Edition. Clear Green Vinyl.
Still shrink wrapped but opened.
Cover as new with slightly dented corners.
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William Ackerman - It Takes A Year
William Ackerman
It Takes A Year
LP | 1977 | US | Reissue (Windham Hill)
9,99 €*
Incl. VAT plus Shipping Costs
Release: 1977 / US – Reissue
Genre: Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: Near Mint, Cover: VG+
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V.A. - Disco Hits Explosion Vol. 3
V.A.
Disco Hits Explosion Vol. 3
LP | 1977 | JP | Original (Overseas)
24,99 €*
Incl. VAT plus Shipping Costs
Release: 1977 / JP – Original
Genre: Organic Grooves, Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: VG
Japanese pressing with OBI and insert. Vinyl close to NM. Faintest foxing on cover and insert otherwise VG+
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V.A. - Le Disco Album
V.A.
Le Disco Album
LP | 1977 | FR | Original (Barclay)
10,99 €*
Incl. VAT plus Shipping Costs
Release: 1977 / FR – Original
Genre: Organic Grooves, Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: VG
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Brian Eno - Before And After Science
Brian Eno
Before And After Science
2x12" | 1977 | EU | Reissue (Virgin EMI)
60,99 €*
Incl. VAT plus Shipping Costs
Release: 1977 / EU – Reissue
Genre: Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: Sealed, Cover: Sealed
Still sealed. With OBI. Limited edition. 2017 reissue.
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Johnny Guitar Watson - A Real Mother For Ya White Vinyl Edition
Johnny Guitar Watson
A Real Mother For Ya White Vinyl Edition
LP | 1977 | EU | Reissue (Music On Vinyl)
28,99 €*
Incl. VAT plus Shipping Costs
Release: 1977 / EU – Reissue
Genre: Electronic & Dance
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180 GRAM AUDIOPHILE VINYL
FEATURES THE INTERNATIONAL ORIGINAL HIT VERSION OF “A REAL MOTHER FOR YA”,
“NOTHING LEFT TO BE DESIRED”, AND “TARZAN” A.O.

INCLUDES THE BONUS TRACK “A REAL MOTHER FOR YA (BEN LIEBRAND OLDSKOOL MIX)”,
NOT AVAILABLE ON THE ORIGINAL ALBUM

LIMITED EDITION OF 750 INDIVIDUALLY NUMBERED COPIES ON WHITE COLOURED VINYL
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V.A. - Party Dance
V.A.
Party Dance
LP | 1977 | PL | Original (Polskie Nagrania Muza)
3,99 €*
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Release: 1977 / PL – Original
Genre: Organic Grooves, Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG
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Mandy B. Jones - »1-2-3-4« (We Ain't Got Much Time)
Mandy B. Jones
»1-2-3-4« (We Ain't Got Much Time)
7" | 1977 | DE | Original (CBS)
8,99 €*
Incl. VAT plus Shipping Costs
Release: 1977 / DE – Original
Genre: Organic Grooves, Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG+
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Sezen Aksu - Allahaismarladik
Sezen Aksu
Allahaismarladik
LP | 1977 | WW | Reissue (SN Music Publishing)
23,99 €*
Incl. VAT plus Shipping Costs
Release: 1977 / WW – Reissue
Genre: Electronic & Dance
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V.A. - Noises
V.A.
Noises
LP | 1977 | BE | Reissue (Cortizona)
19,99 €*
Incl. VAT plus Shipping Costs
Release: 1977 / BE – Reissue
Genre: Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: VG+
With inserts. Limited edition 2019 reissue.
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Chuck Senrick - Dreamin'
Chuck Senrick
Dreamin'
LP | 1977 | DE | Reissue (Notes On A Journey)
30,99 €*
Incl. VAT plus Shipping Costs
Release: 1977 / DE – Reissue
Genre: Organic Grooves, Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: Near Mint
2017 reissue. Tiny wear. Vinyl is close to NM. Original inner sleeve
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Universal Energy - Universal Energy
Universal Energy
Universal Energy
LP | 1977 | UK | Original (Harvest)
12,99 €*
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Release: 1977 / UK – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG
Record is close to VG+.
Small sticker on cover.
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Florence Miller - I'm Just A Lonely Girl / The Groove I'm In
Florence Miller
I'm Just A Lonely Girl / The Groove I'm In
12" | 1977 | UK | Reissue (P&P)
15,99 €*
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Release: 1977 / UK – Reissue
Genre: Electronic & Dance
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Two hidden gems from the P&P vaults courtesy of a scarcely known talent from Georgia, Florence Miller get an official reissue 'I'm Just A Lonely Girl' and 'The Groove I'm In'. With only two releases to her name, both of which came on Peter Brown’s P&P Records, ‘The Groove I'm In’ released around 1975 got the attention of the Northern and Modern Soul scenes in the mid ‘90s becoming a real star of the show. Since then, it’s maintained consistent demand on the second-hand market with originals selling for over £200. As with most of Peter Brown's artists, they briefly emerged on the sparsely distributed P&P label, for a brief stab at stardom only to disappear when Peter's attentions moved on to the next releases. Consequently, very little is known about the multi-talented and sadly ignored Florence Miller following her two releases on the Harlem label. Clearly though, the music speaks for itself with the quality of the P&P catalogue and this Florence Miller slice of magic shining through to this day.
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Universal Energy - Universal Energy
Universal Energy
Universal Energy
7" | 1977 | UK | Original (Harvest)
4,99 €*
Incl. VAT plus Shipping Costs
Release: 1977 / UK – Original
Genre: Organic Grooves, Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: Generic
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Hideki Matsutake, Chojuro Imafuji, Masashi Komatsubara - Edo Black Vinyl Edition
Hideki Matsutake, Chojuro Imafuji, Masashi Komatsubara
Edo Black Vinyl Edition
LP | 1977 | EU | Reissue (Soave)
22,79 €* 23,99 € -5%
Incl. VAT plus Shipping Costs
Release: 1977 / EU – Reissue
Genre: Organic Grooves, Electronic & Dance
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Edo” is a cosmic ambient experimental masterpiece conceived in 1977 by Masashi Komatsubara and developed alongside with Hideki Matsutake (a.k.a. Logic System and reductively defined by many as the "fourth member of the Yellow Magic Orchestra"). As a true sound scientist, he pours all his efforts into this record, and aimed at the widest possible use of an electronic instrument that was at the forefront at that time — the Moog IIIc. He extends his research by trying to break down the last wall between modernity and the past: the union and eurythmy between artificial sounds and traditional sounds. All this through a perfect three-way collaboration together with the shamisen musician Konae Imato, and the creation of a unique and extraordinary charming work dedicated to the double soul of the capital of Japan: ancient Edo, now the current day city of Tokyo.
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The Hiltonaires, Orchester Udo Reichel - Explosion Hits №12
The Hiltonaires, Orchester Udo Reichel
Explosion Hits №12
LP | 1977 | DE | Original (Sonic)
5,99 €*
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Release: 1977 / DE – Original
Genre: Electronic & Dance, Pop
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Used Vinyl
Medium: VG, Cover: VG
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V.A. - Disco Hits Explosion Vol. 3
V.A.
Disco Hits Explosion Vol. 3
LP | 1977 | JP | Original (Overseas)
24,99 €*
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Release: 1977 / JP – Original
Genre: Organic Grooves, Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: VG+
Japanese pressing with OBI and insert. Vinyl close to NM
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Silver Convention - New Excellent
Silver Convention
New Excellent
LP | 1977 | JP | Original (Jupiter)
21,99 €*
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Release: 1977 / JP – Original
Genre: Organic Grooves, Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: VG+
Japanese pressing with OBI and insert
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Emmanuelle Parrenin - Maison Rose Expanded Edition
Emmanuelle Parrenin
Maison Rose Expanded Edition
LP+7" | 1977 | UK | Reissue (Souffle Continu)
32,99 €*
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Release: 1977 / UK – Reissue
Genre: Electronic & Dance
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'An album such as this obviously owes a lot to the atmosphere in which it was recorded, which we can imagine was magical. We know it took place in Fromentel, Normandy, in a farm converted into a studio by the producer Jacques Denjean, known for his work with Dionne Warwick or Françoise Hardy as well as having been a member of the Double Six. It was also at Fromentel, that Denjean would record two fantastic albums with Albert Marcoeur. When Emmanuelle Parrenin followed in his footsteps a year later she was in good company: the sound engineer at the studio was her partner and therefore uniquely capable (we imagine) of creating an adequate soundscape for her delicate universe. What is more, five years previously, Bruno Menny, the sound engineer partner, recorded his first and only album, but what an album: in electroacoustic terms we can hear things which make him appear as the spiritual son of his mentor Iannis Xenakis!

What makes Maison Rose unique is exactly this fusion between the two conceptions of Emmanuelle Parrenin and Bruno Menny, creating a perfect marriage of tradition and experimentation. The tradition comes from the songs collected by Emmanuelle Parrenin in rural areas, in a similar vein to the work carried out by Alan Lomax and Shirley Collins. The experimentation is in the sound captured by Bruno Menny, who both arranged and recorded the album. This is not to forget those who came with their guitar (Denis Gasser), or their lyrics (no less a figure than Jean-Claude Vannier). On the one hand we have the humble and non-demonstrative singing, with melodies which remind us of songs we would sing to calm a child's nightmares, and on the other hand a pronounced rhythmic intensity at certain points, such as on "Topaze" where the drums in particular evoke the Motorik of krautrock legends Faust.

A real haven of peace, Maison Rose is enchanting with its aura of mystery and spirituality, with soft, gentle songs which seem both ancestral and futurist. Originally published by Ballon Noir in 1977, this album follows on from other folk marvels such as Le Galant Noyé from the pre-Mélusine period. On the subject of Maison Rose, if we had to risk a few comparisons we would mention Vashti Bunyan, Linda Perhacs, Joanna Newsom, Collie Ryan, Shirley Collins, Trees Community, Sourdeline and Véronique Chalot as those which spring spontaneously to mind. But this is too reductive for the timeless singularity of Emmanuelle Parrenin: because Maison Rose was recorded in 1977, in the midst of the punk revolution.'

Exclusive artwork by Charles Berberian. Additional 7’’ contains 2 unreleased tracks. Pressed on 180g ultra clear vinyl. Licensed from Emmanuelle Parrenin.
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Franco Battiato - Battiato Red Vinyl Edition
Franco Battiato
Battiato Red Vinyl Edition
LP | 1977 | EU | Reissue (RCA)
34,99 €*
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Release: 1977 / EU – Reissue
Genre: Electronic & Dance, Classical Music
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Prima Materia - La Coda Della Tigre
Prima Materia
La Coda Della Tigre
LP | 1977 | US | Reissue (Superior Viaduct)
24,99 €*
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Release: 1977 / US – Reissue
Genre: Electronic & Dance
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Prima Materia was a vocal improvisation ensemble, founded by Roberto Laneri in 1973. Composed entirely of vocalists with no academic training, the group developed various techniques—revolving mostly around the use of overtones—that would embody their unique sound. No instruments nor electronic manipulations were ever employed within the group’s physiognomy, which was realized purely through the human voice. La Coda Della Tigre, the group’s sole album, was recorded in 1977 by Alvin Curran and released on Ananda, an artist-run label founded by Laneri, Curran and Giacinto Scelsi. As the original liner notes state, “The music of Prima Materia may sound radically new, yet at the same time it is likely to ring some distant bell and evoke ancient emotions. This is not due to chance: indeed, the very name of the group points to a specific path, namely, the unfolding of the potential implicit in the alchemical symbol as embodying a process of transmutation of consciousness.” Prima Materia’s four members (Laneri, Claudio Ricciardi, Gianni Nebbiosi and Susanne Hendricks) combine voices to create a singular, beautiful drone that is (as the group’s name suggests) both impossible to define and fundamentally simple. This first-time standalone reissue is recommended for fans of La Monte Young, Terry Riley and Disques Ocora.
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Rare Pleasure - Superfine Feeling
Rare Pleasure
Superfine Feeling
12" | 1977 | UK | Reissue (A's And Bees)
13,99 €*
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Release: 1977 / UK – Reissue
Genre: Organic Grooves, Electronic & Dance
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Proudly presenting the inaugural release on A’s and Bees, a new label of heavyweight 12 inch pressings highlighting double sided delights, with 50% of the profits from each release being donated towards the British Beekeepers Association. First up, Rare Pleasure’s ‘Superfine Feeling’. Only ever pressed as an almost unattainable acetate that’s rarely traded hands and when it does we’re talking £400 upwards. A 1977, modern-soul-tinged disco number from the New York troupe with soaring vocal harmonies, jamming guitars and big band section galore. Who better to take on the Bee side than Ashley Beedle himself, offering up a signature NSW rejig - retweaking, dubbing and straight buzzin this cut out across those summer thermals for maximum dancefloor bedlam. Buzz for life!
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Kraftwerk - Trans-Europe Express English Version Clear Vinyl Edition
Kraftwerk
Trans-Europe Express English Version Clear Vinyl Edition
LP | 1977 | EU | Reissue (Parlophone)
30,99 €*
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Release: 1977 / EU – Reissue
Genre: Electronic & Dance
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Kraftwerk - Trans-Europa Express German Version Clear Vinyl Edition
Kraftwerk
Trans-Europa Express German Version Clear Vinyl Edition
LP | 1977 | UK | Reissue (Parlophone)
25,99 €*
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Release: 1977 / UK – Reissue
Genre: Electronic & Dance
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Electric Light Orchestra - Out Of The Blue Picture Disc
Electric Light Orchestra
Out Of The Blue Picture Disc
2LP | 1977 | EU | Reissue (Sony)
29,99 €*
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Release: 1977 / EU – Reissue
Genre: Electronic & Dance
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Didier Bocquet - Eclipse Splatter Vinyl Edition
Didier Bocquet
Eclipse Splatter Vinyl Edition
LP | 1977 | EU | Reissue (Cameleon)
27,99 €*
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Release: 1977 / EU – Reissue
Genre: Electronic & Dance
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Reissue of extremely rare kosmische/electronic/experimental/ambient album by Didier Bocquet, originally released in 1977 on the Kiosque D'Orphe label. Limited to 300 copies on splatter vinyl.
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Kamel Oil Company Band - Mustapha / Petroleo En Bruto
Kamel Oil Company Band
Mustapha / Petroleo En Bruto
7" | 1977 | EU | Reissue (RCA / Victor)
11,99 €*
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Release: 1977 / EU – Reissue
Genre: Electronic & Dance
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From the darkest corners of the RCA vaults we bring you this super rare and wonderful, tripped out cosmic-psych rarity on 45! From 1977 this double-header is an Eastern themed, moog driven oddity from the mysteriously monikered Kamel Oil Company. Written by the legendary Bob Azzam, Eddie Barclay (founder of Barclay Records) & Greek record company owner Antoine Flamaritis, 'Mustapha' is an exotica soaked orchestral monster with choir vocals and string arrangements that only the big boys could call in. This is a serious left-field nugget from the vaults of one of the biggest majors, one ends up thinking - 'how did this come about?!'. On the flip-side we have 'Petrolo En Bruto', which is the real gem here, undoubtedly this one will appeal to fans of the far flung reaches of world music and psych, even those of you who dig the various flavours of Funk from around the globe. A truly special and unique record here, often sought after by the deepest of the crate diggers and obscure sound searchers on a promo 45, this rare EP now sees a fully legit reissue. Made in conjunction with Above Board distribution and RCA this reissue is sourced from their vaults using original materials and remastered and repressed to the highest standard for 2018 and featuring all original 1977 RCA label artwork.
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Joe Jones - In Performance
Joe Jones
In Performance
LP | 1977 | US | Reissue (Etats-Unis)
36,99 €*
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Release: 1977 / US – Reissue
Genre: Electronic & Dance
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After studying with composers John Cage and Earle Brown, Joe Jones became a prominent figure in Fluxus, contributing to the movement’s first “yearbox” alongside La Monte Young, György Ligeti and Nam June Paik. Beginning in late 1961, Jones began constructing his own music machines – drawing inspiration from the calliopes, automata and orchestrions of the 19th and early 20th century to create self-playing ensembles of stringed instruments, percussion and woodwinds – “played” through an elaborate (yet decidedly lo-tech) system of rubber bands, balls and tin foil.

Christened the Tone Deaf Music Company, this battery of automated musical instruments generates the sounds on In Performance (originally released in 1977 on the Harlequin Art imprint). With exacting conceptual precision and varied subtleties of natural motion – not unlike Harry Bertoia’s sounding sculptures – Jones’ machines produce richly-textured strata of sound and serve as engines of paradox. While bringing the figure of the artist-composer to the foreground, the machines ultimately dispense with the need for the performer entirely – a cunning subversion of the fetish for virtuosity and individual genius.

Limited edition of 500 numbered copies on clear vinyl.
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Kraftwerk - Trans Europa Express Remastered Black Vinyl Edition
Kraftwerk
Trans Europa Express Remastered Black Vinyl Edition
LP | 1977 | EU | Reissue (Parlophone)
38,99 €*
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Release: 1977 / EU – Reissue
Genre: Electronic & Dance, Pop
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Franco Leprino - Integrati … Disintegrati
Franco Leprino
Integrati … Disintegrati
LP | 1977 | EU | Reissue (Wah Wah)
21,99 €*
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Release: 1977 / EU – Reissue
Genre: Electronic & Dance
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It was 1977, the year when punk rock exploded in the face of disco-music, but some thinking heads in Italy managed to escape the set trends of the year and walk a totally different path. Pioneers like Franco Battiato had already been experimenting with a crash of rock and electroacoustic music since the beginning of the decade, and others like Roberto Cacciapaglia or Riccardo Zappa would explore farther in those lands, mixing acoustic instruments with the bourgeoning synth technology. Among all these artists, an obscure little gem missed the attention it deserved: Integrati… Disintegrati, by Francesco Leprino, is undoubtedly one of the best albums of the genre. More freely unchained from the prog rock links that albums like Battiato's celebrated Fetus and Pollution LPs or Zappa's Celestion still retain, Leprino merges a very pure classical instrumentation of Spanish guitar, piano and flute with more modern electric guitar sounds, 12 string guitar and -of course- a V.C.S. 3 and Moog synths background that creates highly avantgarde atmospheres. Binson tape echoes, Hammond and Thomas organs, oboes, vibraphone and other additional instruments add texture richness to the final mix.

An outstanding opus split through both sides of an LP in two 20 minutes long pieces that has become a much sought after album among collectors. It will appeal those interested in the development of synth music, beautiful athmosferic landscapes and electronic-acoustic orchestrated sounds.

Reissued under license from Francesco Leprino in a 500 copies limited edition that respects the original artwork, comes with remastered sound and includes an insert with liner notes and photos.
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Chocolate Milk - Chocolate Milk Colored Vinyl Edition
Chocolate Milk
Chocolate Milk Colored Vinyl Edition
LP | 1976 | EU | Reissue (Music On Vinyl)
31,99 €*
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Release: 1976 / EU – Reissue
Genre: Electronic & Dance
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Preorder shipping from 2024-10-04
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Tangerine Dream - Stratosfear
Tangerine Dream
Stratosfear
LP | 1976 | US | Original (Virgin)
24,99 €*
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Release: 1976 / US – Original
Genre: Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG+
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The Rubettes - The Best Of
The Rubettes
The Best Of
LP | 1976 | JP | Original (State)
31,99 €*
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Release: 1976 / JP – Original
Genre: Organic Grooves, Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: VG+
OBI is missing. With insert. Cover is close to NM.
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Michel Gonet - Phasing News Volume 1
Michel Gonet
Phasing News Volume 1
LP | 1976 | Reissue (Be With)
27,99 €*
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Release: 1976 / Reissue
Genre: Electronic & Dance
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European funk fusion of the highest order, Michel Gonet's Phasing News Volume 1 is the essential companion piece to the venerated Volume 2. It's truly a library treasure that every home must own. As Tele Music themselves said, it contains "tense and mysterious underscores in a range of styles"; whilst we don't disagree, we'd add swaggering, orchestral drama-funk-jazz-breaks. Vital.

Opener "Moon To Light (Number II) - A" is a total wonder. It's incredible, and what a way to begin a record. The percussion is electrifying, complimenting the dark, heavy piano, eerie organ work, electric guitar soling and rhythm section brilliance. Part B is virtually identical but without the electric guitar. The slow "Soul Cathedral (Number II) - A" is an ambient spacey synth gem which is both beatless and drenched in phased organ. Pretty captivating. Part B plays it rather straighter, a church organ continuing the same melody and tempo but with less of the swirling synthy effects.

"Light In The Rains (Number II) - A" sounds like something Diamond D would've sampled in the mid-to-late 90s, conjuring as it does that peculiar, creeping Axelrod-funk, all eerie electric guitar and organ, bass and spacey effects. Part B loses the electric guitar and adds brass.

The swirling, dramatic "Mondial Scoop (Number II)" has that urgent News At Ten feel with its prominent timpani drums whilst "Mecanic Bird Song" is a frenetic, abstract track with disorientating keyboard interplay.

*Total highlight* "Mephisto Jet (Number II) - A" rides a slick, proto-hip-hop beat with melodic, warm Rhodes yet, thrillingly, casually ups the drama with strings and timpanis. It then returns to its more mellow state. Ace. Part B adds acidy, phased percussion to create a more hypnotic, tripped out feel to proceedings. Part C is half as long but, pared back to just drums and Rhodes, it's arguably twice-as-nice.

To close, the shuffling, bell-laced urgent jazz of "Phasing News - A" is another highlight, riding a great bassline and augmented by ace drums, organ and electric guitar. Part B is also great, removing the guitar and doubling down on the head-nod funk.

The audio for Phasing News Volume 1 has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic Tele Music house sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.
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David Cunningham - Grey Scale
David Cunningham
Grey Scale
LP | 1976 | US | Reissue (Superior Viaduct)
23,99 €*
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Release: 1976 / US – Reissue
Genre: Electronic & Dance
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David Cunningham was born in Ireland in 1954. His work ranges from pop music to gallery installations including several collaborations with visual artists. His first significant commercial success came with The Flying Lizards' single "Money," an international hit in 1979. Originally released in 1976, Cunningham's first solo album Grey Scale has become a landmark statement of DIY minimalist composition – continuing in the vein of the wild explosion of arthouse experimentation from the early '70s. Cunningham, then a student at the Maidstone College of Art in Kent, drafted fellow student non-musicians and (using whatever instruments available) crafted an endlessly shifting sonic palette with an improvisor's keen sensitivity to space, texture and tone. As Cunningham states in the liner notes, his approach was to "pursue something (which may appear trivial or meaningless) so rigorously or relentlessly to the point that it reveals something new." Cunningham was influenced by live performances he was attending at the time by English composers Cornelius Cardew, Gavin Bryars and Michael Nyman as well as free improvisors Evan Parker, Derek Bailey, David Toop and Paul Burwell. The inaugural release on Cunningham's own Piano label, Grey Scale was indeed "something new" in 1976. The artist quickly integrated his experimental sensibilities to produce art-rock pioneers This Heat, whose debut appeared on Piano in 1979. His popular success performing as The Flying Lizards (with two electro-punk albums on Virgin during the New Wave era) was presaged by this seminal work of fascinating sound collage and tonal freedom. First-time reissue.
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Stratos Demetrio - Metrodora Red Vinyl Edition
Stratos Demetrio
Metrodora Red Vinyl Edition
LP | 1976 | EU | Reissue (Cramps)
34,99 €*
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Release: 1976 / EU – Reissue
Genre: Electronic & Dance, Classical Music
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Le Forte Four / Doo-Dooettes - Lafms Live At The Brand
Le Forte Four / Doo-Dooettes
Lafms Live At The Brand
2LP | 1976 | US | Reissue (Etats-Unis)
40,99 €*
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Release: 1976 / US – Reissue
Genre: Rock & Indie, Electronic & Dance
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Los Angeles Free Music Society (lafms) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, Lafms incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah Record Shop in old Pasadena. Inspired by The Residents, Lafms self-released records and periodicals, organized performances and connected with fellow outsiders via post in the years before punk. Their uninhibited, egalitarian ideal of music-making and DIY distribution would influence generations of underground musicians. Live At The Brand documents the second performance of newly formed Lafms core groups Le Forte Four and Doo-Dooettes on July 8, 1976 at the recital hall of the Brand Library in Glendale. Le Forte Four (now joined by Tom Potts) did not actually perform live, but rather created 44 pyramid-shaped headphone helmets with internal quadraphonic speakers and countless wires in order to share their latest tape assemblages with showgoers deprived of sight. The recordings delivered in this Fluxus-inspired manner feature the Buchla synthesizer at nearby CalArts, radio interpolations, group improvisations, addled outbursts and splices from source material lost to time. Doo-Dooettes – Tom Recchion, Harold Schroeder, Juan Gomez, Dennis Duck and Fredrik Nilsen – performed a series of alternately droning and chaotic duets with guitar, percussion, piano, tape loops and synthesizer, all improvised around loosely structured compositions and culminating in a spontaneous group composition at the end of the program. Originally released in 1976, the double LP would be Lafms' third release. This first-time vinyl reissue is limited to 500 numbered copies. Comes with inserts.
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V.A. - I.D. Art #2 L
V.A.
I.D. Art #2 L
LP | 1976 | US | Reissue (Etats-Unis)
35,99 €*
Incl. VAT plus Shipping Costs
Release: 1976 / US – Reissue
Genre: Organic Grooves, Electronic & Dance
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Los Angeles Free Music Society (lafms) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, Lafms incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah Record Shop in old Pasadena. Inspired by The Residents, Lafms self-released records and periodicals, organized performances and connected with fellow outsiders via post in the years before punk. Their uninhibited, egalitarian ideal of music-making and DIY distribution would influence generations of underground musicians. Lafms primarily reached outside Los Angeles via word-of-mouth and the United States Postal Service, foreshadowing the self-publishing and cassette trading networks of post-punk and industrial subcultures. In 1976, Joe Potts solicited recordings from Lafms affiliates and admirers to edit and compile I.D. Art #2, utilizing correspondence art's technique of "assemblings." (The first installment in this series was a magazine, and the third was a coloring book.) Potts received dozens of pieces by members of Le Forte Four, Doo-Dooettes, Smegma and Ace & Duce as well as painters, filmmakers and non-artists with few recording credits to their name, creating a delirious, winking sound-art collage of field recordings, voicemails and improvisations. Participants purchased time on the record and received one copy each of the finished LP, realizing the philosophy contained in Lafms' motto: "The music is free, but you have to pay for the plastic, paper, ink, glue and stamps." This first-time vinyl reissue is limited to 500 numbered copies. Comes with insert.
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Mort Garson - Mother Earth's Plantasia Green Vinyl Edition
Mort Garson
Mother Earth's Plantasia Green Vinyl Edition
LP | 1976 | US | Reissue (Sacred Bones)
26,99 €*
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Release: 1976 / US – Reissue
Genre: Electronic & Dance
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If you purchased a snake plant, asparagus fern, peace lily, or what have you from Mother Earth on Melrose Avenue in Los Angeles (or bought a Simmons mattress from Sears), you also took home Plantasia, an album recorded especially for plants. Subtitled “warm earth music for plants…and the people that love them,” it was full of bucolic, charming, stoner-friendly, decidedly unscientific tunes enacted on the new-fangled device called the Moog. Plants date back to the dawn of time, but apparently, they loved the Moog, never mind that the synthesizer had been on the market for just a few years. Most of all, the plants loved the ditties made by composer Mort Garson.
Few characters in early electronic music can be both fearless pioneers and cheesy trend-chasers, but Garson embraced both extremes, and has been unheralded as a result. When one writer rhetorically asked: “How was Garson’s music so ubiquitous while the man remained so under the radar?” the answer was simple. Well before Brian Eno did it, Garson was making discreet music, both the man and his music as inconspicuous as a Chlorophytum comosum. Julliard-educated and active as a session player in the post-war era, Garson wrote lounge hits, scored plush arrangements for Doris Day, and garlanded weeping countrypolitan strings around Glen Campbell’s “By the Time I Get to Phoenix.” He could render the Beatles and Simon & Garfunkel alike into easy listening and also dreamed up his own ditties. “An idear” as Garson himself would drawl it out. “I live with it, I walk it, I sing it.”
But as his daughter Day Darmet recalls: “When my dad found the synthesizer, he realized he didn’t want to do pop music anymore.” Garson encountered Robert Moog and his new device at the Audio Engineering Society’s West Coast convention in 1967 and immediately began tinkering with the device. With the Moog, those idears could be transformed.
“My mom had a lot of plants,” Darmet says. “She didn’t believe in organized religion, she believed the earth was the best thing in the whole world. Whatever created us was incredible.” And she also knew when her husband had a good song, shouting from another room when she heard him humming a good idear. Novel as it might seem, Plantasia is simply full of good tunes.
Hearing Plantasia in the 21st century, it seems less an ode to our photosynthesizing friends by Garson and more an homage to his wife, the one with the green thumb that made everything flower around him. “My dad would be totally pleased to know that people are really interested in this music that had no popularity at the time,” Darmet says of Plantasia's new renaissance. “He would be fascinated by the fact that people are finally understanding and appreciating this part of his musical career that he got no admiration for back then.” Garson seems to be everywhere again, even if he’s not really noticed, just like a houseplant.
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Coke Escovedo - Comin' At Ya!
Coke Escovedo
Comin' At Ya!
LP | 1976 | EU | Reissue (Music On Vinyl)
24,29 €* 26,99 € -10%
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Release: 1976 / EU – Reissue
Genre: Electronic & Dance
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180 gram audiophile black vinyl. Joseph Thomas Escovedo, better known as Coke Escovedo, was an American percussionist who played in several genres, including jazz fusion, R&B, and soul. In 1976 he released his second solo studio album Comin' At Ya!, which counts 11 Latin rooted tracks and was produced by the synthesizer pioneer Patrick Gleeson.
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Alvin Lucier - Bird And Person Dyning
Alvin Lucier
Bird And Person Dyning
LP | 1976 | EU | Reissue (Dialogo)
25,99 €*
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Release: 1976 / EU – Reissue
Genre: Electronic & Dance
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Alvin Lucier (born May 14, 1931) is an American composer of experimental music and sound installations that explore acoustic phenomena and auditory perception. Much of his work is influenced by science and explores the physical properties of sound itself: resonance of spaces, phase interference between closely tuned pitches, and the transmission of sound through physical media. Bird and Person Dyning is his first solo recorded work; originally released on the Italian Cramps Records label as the 11th volume of the Nova Musicha series dedicated to contemporary avant-garde composers, Bird and Person Dyning is now made available again on Dialogo in a faithful reproduction of the original gatefold cover artwork, including also an inner sleeve with the English translation of the liner notes. From the original liner notes of “Bird and Person Dyning”: The Duke of York (1972) “A long time ago I wanted to build a grotesque jukebox. I thought of merging three or four old jukeboxes and then recording sounds on 45s, so that you could mix the sounds together. [...] The original idea of this work was about the power of singers and vedettes in our society and the hypothesis that their vocal personalities are present in our memory at different levels and, in addition, that all of us, living or dead, might somehow be part of a huge composite identity that is constantly changing with the birth and arrival of new people. The Duke of York is an attempt to elaborate these ideas. A single performer chooses and determines the order of an indefinite number of whole songs, speeches, arias, selected excerpts from books, letters, poems, films, plays, TV series or any other vocal sounds, including non-human ones. The actual duration of these sounds is altered by one or more people using synthesisers or other electronic tools, basing their choices on memories or similar experiences. Once altered, for example through a filter, the example can no longer be undone, and other changes must be made to the previous examples. The effect is that of a vocal identity made of layers of separate and partial iden tities. [...] The Duke of York was composed in 1971 and was performed in its current version on 19 February 1972 at the Metropolitan Museum of Modern Art in New York. Bird and Person Dyning (1975) for performers with microphones, amplifiers, speakers and a sound object. One day I got an electronic bird in the mail. It was a silver ball with an electrical cord that, when connected, made a sound similar to that of a chirping bird [...]. A few months later I read an article in «Scientific American» about how certain birds that fly at night, particularly the bunting, cross long distances by partly orienting themselves looking at the position of the stars in relation to the rotation of Earth [...]. I owned a Sennheiser binaural microphone consisting of two mini microphones which, when introduced into the ears of a dummy or a person, faithfully reproduced the sounds as heard when they were bouncing inside the head and in the ear canals. I began experimenting by moving the sounds of the bird between two speakers, listening to them through the two mini microphones inserted in my ears, as I walked slowly through the space between the two speakers. The amplified chirps moved left and right according to my movements, creating small time delays and phase-shifts in relation to the position of the motionless bird. Sometimes the microphones would resonate with the loudspeakers, thus generating a Larsen feedback, and I could control the timbre and volume with small head movements [...]. A performance of Bird and Person Dyning is a live exploration of these phenomena. The title is meant as an exact description of the activity.
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Kennlisch - Kennlisch
Kennlisch
Kennlisch
LP | 1976 | EU | Reissue (Wah Wah)
20,99 €*
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Release: 1976 / EU – Reissue
Genre: Rock & Indie, Electronic & Dance
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Kënnlisch, one of the rarest haunting psychedelic acid folk LPs from France, was the work of brothers Philippe and Jean-François Macherey.

Originally released in 1976 on the mega collectable label Le Kiosque d'Orphée, it contains some of the most beautiful sounds to come out of the 1970s alternative music scene.

An instrumental album, it opens with a burst of sunshine vibes and takes them into the experimental scene of French alternative folk avantgarde with a strong Cosmische influence. Beauty is the word, grown over acoustic guitar parts harmonised with the most elegant Moog Satellite lines you'll ever hear to create atmospheres of sound that make this is the perfect record for your mind to float away on a peaceful Sunday morning under a clear blue sky - it does have that therapeutic quality that we miss so much in modern music.

Wah Wah presents the very first official reissue of this mega rare LP, housed in it's original minimalist hand made artwork with the little upgrade twist of silk-screen printing and including a 4-page colour booklet with photos and text provided by the Macherey brothers themselves.

500 copies only!
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Mesias Maiguashca - Oeldorf 8
Mesias Maiguashca
Oeldorf 8
LP | 1976 | EU | Reissue (Karl)
18,99 €*
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Release: 1976 / EU – Reissue
Genre: Electronic & Dance, Classical Music
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A download code is included. First-ever official re-issue of the Ecuadorian composer’s stunning electroacoustic composition “Oeldorf 8” on vinyl and CD. Remastered by Kassian Troyer at D&M, Berlin. Mesías Maiguashca (b. December 24th, 1938 in Quito / Ecuador) is a composer of Neue Musik, especially electroacoustic music, who studied at the Conservatorio Nacional de Quito, at the Eastman School of Music in Rochester, NY (1958–65), with Alberto Ginastera at the Instituto di Tella in Buenos Aires, at the Hochschule für Musik in Cologne and, after a short return to Ecuador, attended the Internationale Ferienkurse für Neue Musik in Darmstadt and the Fourth Cologne Courses for New Music in 1966–67 where he studied with Karlheinz Stockhausen. From 1968 to 1972, Maiguashca worked closely with Stockhausen in the Electronic Music Studio of the Westdeutscher Rundfunk in Cologne and joined Stockhausen's ensemble for performances at the German Pavilion at the Expo '70 in Osaka. In 1971 he became a founding member of the Oeldorf Group of composers and performers, and began work at the Centre Européen pour la Recherche Musicale in Metz, at Ircam in Paris, and at the ZKM in Karlsruhe. From 1990 – 2004 Maiguashca was Professor of Electronic Music at the Musikhochschule of Freiburg im Breisgau where he still lives today.
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Thomas Hamilton - Pieces For Kohn
Thomas Hamilton
Pieces For Kohn
LP | 1976 | EU | Reissue (Mental Experience)
21,99 €*
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Release: 1976 / EU – Reissue
Genre: Electronic & Dance
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Spaced out bleeps & bloops and wild ARP synth freakouts from 1976!
“Pieces For Kohn”, as the title suggests, included four electronic pieces composed by Tom Hamilton as musical responses to 3-D geometric paintings by artist Bill Kohn.
A renowned audio producer and electronic composer, among other many things, you’ve probably have seen Tom Hamilton’s name in the credits of many albums by Robert Ashley and on releases from labels like Lovely Music, Pogus Productions, New World Records, etc.
Tom was first introduced to electronic music in 1965, while he was an undergraduate in Milwaukee, thanks to a lecture by Vladimir Ussachevsky illustrated with examples of electronic composers of the day: Bülent Arel, Karlheinz Stockhausen, Pierre Henry, Milton Babbitt…Encouraged by his teacher, Thom David Mason, Tom started to build audio circuits and battery-operated boxes that produced or modified sounds.
In 1969, Tom moved to St. Louis. After graduating at Washington University, he was offered a job to design, purchase, and build an electronic music and recording studio there. He now had continuing access to commercially built synthesizers and by the mid 1970s Tom found that working with electronic music was more satisfying to him than other musical endeavors.
The idea for the “Pieces for Kohn” album came from a studio visit with St. Louis artist Bill Kohn. Tom was an admirer of his work, which combined vibrant color combinations to fulfill 3-D geometric and architectural compositions in paintings, prints, and watercolors.
Bill proposed that Tom composed music for his art exhibition opening at a famous St. Louis gallery and Tom decided to simultaneously release that work on LP. Tom picked four of the paintings that he liked the most and titled his four pieces correspondingly. The recording took place at the Washington University Electronic Music / Recording Studio – the studio that Tom designed and first built in 1971 and then moved and rebuilt in 1974 (where it resides to date).
The original tapes were performed at the opening of Bill Kohn's exhibit at the Terry Moore Gallery in St. Louis, in January, 1976 and then Tom did a limited pressing of the album on his own label, Somnath Records.
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Heldon - IV (Agneta Nilsson)
Heldon
IV (Agneta Nilsson)
LP | 1976 | EU | Reissue (Bureau B)
27,99 €*
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Release: 1976 / EU – Reissue
Genre: Electronic & Dance
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Doc Severinsen - I Wanna Be With You DJ Harvey Edit
Doc Severinsen
I Wanna Be With You DJ Harvey Edit
12" | 1976 | EU | Reissue (Epic)
11,99 €*
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Release: 1976 / EU – Reissue
Genre: Electronic & Dance
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Monstrous mid-tempo Disco groovings on this one, giving the Avergae White Band a run for their money. Doc Severinsen, the renowned Jazz hornsman dropping some tight ass Funk on this rare as hens teeth Epic white label promo. This is a fully legit reissue borne out of an Above Board / Sony music collaboration, repressed from the official sources. The original 1976 promo 12" had the same track on both sides as promos often did back then so we've decided to include a special version on the flip, a lovingly tweaked re-edit from the cult leader himself - DJ Harvey. Harv's edit has been around for a minute, but this version backing the OG 76 Disco mix makes this 12" a bonafide 'must grab' for all Disco enthusiasts
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Jean-Michel Jarre - Equinoxe
Jean-Michel Jarre
Equinoxe
LP | 1976 | EU | Reissue (Sony)
26,99 €*
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Release: 1976 / EU – Reissue
Genre: Electronic & Dance
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Roberto Cacciapaglia - Sonanze
Roberto Cacciapaglia
Sonanze
LP | 1975 | US | Reissue (Superior Viaduct)
25,99 €*
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Release: 1975 / US – Reissue
Genre: Electronic & Dance
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Roberto Cacciapaglia is an Italian composer and pianist who started out in the fertile Milan avant-garde scene of the 1970s, which included Franco Battiato, Giusto Pio, Lino Capra Vaccina, Francesco Messina, among others. After studying at the conservatory, he worked at RAI's Studio of Musical Phonology – an electronic music laboratory similar to Ndr/wdr in Germany, Grm/ircam in France or BBC Radiophonic Workshop.

Sonanze (Sonatas) is Cacciapaglia's debut album, a monumental work that was recorded over a two-year period and released in 1975 via seminal German label Die Kosmischen Kuriere (Ohr). While a "sonata" is traditionally performed by easily distinguishable instrumentalists (often soloist and accompaniment) and with repeated structural themes, Cacciapaglia flips this hierarchical form on its head – blending harpsichord, strings, brass and analog synths to create ambient mini-soundtracks.

As the composer writes in the original sleeve notes, "I am aware, unfortunately, that I am a few millennia late in how I would like music to be understood, which today I find diluted in its primary powers, in an era that is destructive of essential values. Precisely for this reason, I want to search for it in depth and not on the surface, perhaps alternating the knob of a synthesizer with a marranzano (mouth harp)."

Mixed in quadrophonic surround-sound under the auspices of Rolf-Ulrich Kaiser (celebrated producer of Tangerine Dream and Ash Ra Tempel), Sonanze remains on the fringe of Kosmische realms. Each movement explores hypnotic rhythms, intuitive arrangements, musique concrète techniques and a pure psychedelic awakening.
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Ananda Shankar
Ananda Shankar And His Music
LP | 1975 | Reissue (Mr Bongo)
23,99 €*
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Release: 1975 / Reissue
Genre: Electronic & Dance
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V.A. - Vom Kopf - Zum Hörer
V.A.
Vom Kopf - Zum Hörer
LP | 1975 | DE | Original (Deutsches Rundfunk-Museum)
3,99 €*
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Release: 1975 / DE – Original
Genre: Organic Grooves, Rock & Indie, Electronic & Dance, Soundtracks
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Used Vinyl
Medium: VG, Cover: VG
Lamination is coming loose. Slightly warped vinyl, but still enjoyable
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Klaus Schulze - Picture Music
Klaus Schulze
Picture Music
LP | 1975 | DE | Reissue (Brain)
18,99 €*
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Release: 1975 / DE – Reissue
Genre: Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: VG+
German reissue. Slight seam wear.
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Modulations - It's Rough Out Here
Modulations
It's Rough Out Here
LP | 1975 | EU | Reissue (Music On Vinyl)
30,99 €*
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Release: 1975 / EU – Reissue
Genre: Electronic & Dance
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Jan Hammer - The First Seven Days
Jan Hammer
The First Seven Days
LP | 1975 | US | Original (Nemperor)
8,99 €*
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Release: 1975 / US – Original
Genre: Organic Grooves, Electronic & Dance
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Used Vinyl
Medium: VG, Cover: G+
Writing on labels.
Writing on cover.
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Chocolate Milk - Action Speaks Louder Than Words
Chocolate Milk
Action Speaks Louder Than Words
LP | 1975 | EU | Reissue (Music On Vinyl)
47,99 €*
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Release: 1975 / EU – Reissue
Genre: Electronic & Dance
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Füsun Önal - Çatla Patla / İnsanciklar
Füsun Önal
Çatla Patla / İnsanciklar
7" | 1975 | TR | Original (CBS)
19,99 €*
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Release: 1975 / TR – Original
Genre: Organic Grooves, Electronic & Dance, Pop
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Used Vinyl
Medium: VG, Cover: Generic
Cover is missing.
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Ariel Kalma - Le Temps Des Moissons
Ariel Kalma
Le Temps Des Moissons
LP | 1975 | EU | Reissue (Wah Wah)
29,99 €*
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Release: 1975 / EU – Reissue
Genre: Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: VG
Record shows scuffs and slight scratches! Cove with some wear and a bent corner!
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Tangerine Dream - Rubycon
Tangerine Dream
Rubycon
LP | 1975 | EU | Original (Universal)
20,99 €*
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Release: 1975 / EU – Original
Genre: Electronic & Dance
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Brian Eno - Discreet Music
Brian Eno
Discreet Music
2x12" | 1975 | EU | Reissue (Virgin EMI)
40,99 €*
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Release: 1975 / EU – Reissue
Genre: Electronic & Dance
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Used Vinyl
Medium: Sealed, Cover: Sealed
Still sealed. 2018 reissue. Limited edition.
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