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Randy Rice - To Anyone Who's Ever Laughed...
Randy Rice
To Anyone Who's Ever Laughed...
2LP | 1974 | Reissue (Wah Wah - Supersonic Sounds)
48,99 €*
Release: 1974 / Reissue
Genre: Electronic & Dance
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I was between the ages of 18 and 20 when I wrote the 22 songs found on To Anyone Who Ever Laughed at Someone Else. They express the thoughts and frustrations, hopes and fears of a young man coming of age in a world that was full of upheaval and transformation. I was a product of that period in America we call the sixties—those years between the assassination of President John F. Kennedy in November 1963 and the resignation of President Richard Nixon in August 1974. In fact, this record was released that same month Nixon resigned. Over the next five years, I toured the country as an acoustic artist performing at clubs, coffeehouses and colleges. During that time, I watched the idealism and social consciousness of the sixties slowly fade away. In its place emerged a cynicism and materialism that still seems to be with us so many years later. More than anything else, I think To Anyone Who Ever Laughed at Someone Else is a time capsule that speaks to us from a past era. A period when, above all other things, we asked questions. We questioned our country, we questioned our faith, we questioned the very purpose of life itself. I am very excited to bring those questions and these songs to a new generation on a new continent. Special thanks to my friends Jordi Segura of Wah Wah Records who took the initiative to release this 50th Anniversary Re-issue of To Anyone Who Ever Laughed at Someone Else and Michel Veenstra Klinkhamer, who introduced us.
Al Green - Take Me To The River
Al Green
Take Me To The River
7" | 1974 | US | Reissue (Motown)
11,99 €*
Release: 1974 / US – Reissue
Genre: Electronic & Dance
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Fred Frith - Guitar Solos / Fifty
Fred Frith
Guitar Solos / Fifty
2LP | 1974 | EU | Reissue (Week-End)
42,99 €*
Release: 1974 / EU – Reissue
Genre: Electronic & Dance
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Guitar Solos is the debut solo album of British guitarist, composer, and improviser Fred Frith. It was recorded while Frith was still a member of the English experimental rock group Henry Cow and was released originally in October 1974. Voted one of the best albums of 1974 by NME critics it also attracted the attention of Brian Eno, resulting in Frith playing guitar on two of Eno‘s albums. Frith‘s never tiring spirit in creating and performing music has made him one of the most notable and creative guitar players and musicians in the scene of improvised and composed music. For the anniversary of this release we have encouraged Frith to arrange a set up similar to what he used 50 years ago to record an album of new compositions which will accompany the original record.
Hiroshi Tanaka & Yoichi Fuwa - Untitled White Album
Hiroshi Tanaka & Yoichi Fuwa
Untitled White Album
2LP | 1974 | US | Reissue (Fire & Last)
38,69 €* 42,99 € -10%
Release: 1974 / US – Reissue
Genre: Electronic & Dance
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Originally self released in only 100 copies in 1974 Includes second LP featuring 16 unreleased songs from the original sessions Stoughton “tip-on” gatefold jacket Vinyl pressed at Third Man Pressing. In 1974, Hiroshi Tanaka and Yoichi Fuwa, the self-proclaimed heirs of the Beatles, crammed into a 75 square foot room and recorded over 50 songs, all without names. 19 of those songs would be self released on a record titled “Untitled White Album”, of which only 100 copies were pressed.

Their music is like a fairy tale. It’s leisurely and relaxed yet bursting at the seams with melodies and youthful ambition. Its whole attitude is gentle but splendid in evoking tears, anger, sentimentality, infatuation, intoxication, and a bit of craziness. Tanaka and Fuwa’s music has the power to bring that emotion to life.

This holy grail of Japanese psychedelic pop has been searched for by collectors the world over. Now, after almost 50 years, First & Last Records is proud to release the official reissue of this masterpiece. In addition to the 19 original songs is a second LP featuring 16 tracks that heretofore were unknown, released for the first time.
William DeVaughn - Be Thankful For What You Got
William DeVaughn
Be Thankful For What You Got
12" | 1974 | UK | Reissue (Demon)
29,99 €*
Release: 1974 / UK – Reissue
Genre: Electronic & Dance
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Swamp Dogg - Have You Heard This Story?
Swamp Dogg
Have You Heard This Story?
LP | 1974 | EU | Reissue (Alive)
33,99 €*
Release: 1974 / EU – Reissue
Genre: Electronic & Dance
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John Cage - John Cage White Vinyl Edition
John Cage
John Cage White Vinyl Edition
LP | 1974 | EU | Reissue (Cramps)
20,99 €*
Release: 1974 / EU – Reissue
Genre: Electronic & Dance, Classical Music
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Elkin & Nelson - Jibaro Red Vinyl Edition
Elkin & Nelson
Jibaro Red Vinyl Edition
12" | 1974 | EU | Reissue (CBS)
17,99 €*
Release: 1974 / EU – Reissue
Genre: Electronic & Dance
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A true Balearic classic. One of a handful of records that can comfortably boast this title, Elkin & Nelson's 1979 classic 'Jibaro' sits in the canon of selections that enlightened the ears of the jet-set and globe trotting music fanatics in the heady and much storied years of the White isle in the 1980's. The Colombian brothers Javier and Leon Marin Velez brought their own rustic brand of folksy-Rock-Psychedelia to the listening public in 1974 with their debut LP 'Angeles Y Demonios' on Columbia records. The brothers had relocated to Spain, snared a major label deal and ran with it. The first of 3 LP's it proved a big hit in later years with adventurous DJ's and selectors. A cult record you might say. Of course, this LP featured 'Jibaro' in all it's forms, but it is this 1986 reissue 12" promo pressing with it's iconic, distinctive jacket that was the coveted slab sonic adventurers were seeking. Fully sanctioned and legitimately remastered from the original sources and packaged in it's original Columbia promo sleeve 'Jibaro' is back on the shelves, still an incredible record that gets pulled by the most discerning selectors across the globe. A true classic, featured here in it's long and short versions as per the '86 release. Absolute top-shelf stuff here, essential, must own and classic.
Soul Searchers - Salt Of The Earth
Soul Searchers
Salt Of The Earth
LP | 1974 | EU | Reissue (Real Gone Music)
33,99 €*
Release: 1974 / EU – Reissue
Genre: Electronic & Dance
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Kyriakos Sfetsas - Smog
Kyriakos Sfetsas
Smog
2LP | 1974 | EU | Reissue (Cat In The Room)
24,49 €* 34,99 € -30%
Release: 1974 / EU – Reissue
Genre: Electronic & Dance
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The newly established label Cat in the Room, created by Goodheart Productions, re-releases for the first time after almost fifty years the legendary work Smog by Kyriakos Sfetsas, one of the most important Greek contemporary composers. At the same time, in collaboration with the composer and The Hubsters, which is responsible for the digital distribution, it presents for the first time the majority of his discography in digital format.

Smog is an electro-acoustic work in five parts of equal duration (18 minutes) divided into several variable sequences. It was composed as the music score for the ballet Smog commissioned by the choreographer Michel Caserta. The work was premiered on October 18, 1974, by the Ensemble chorégraphique de Vitry at the Théâtre Jean-Vilar in Vitry-sur-Seine (Paris).

As a musical work, it has acquired over the years the scope of a legend in the electro-acoustic & avant-garde scene, for its richness and value as a composition, the composer's ingenious use of the means available at the time regarding the production of electric sounds, and their combination with natural sounds, as well as for the four-channel recording and live performance.

A new sound mastering and artwork was developed for this release in collaboration with the composer, whose liner notes are included on the cover.

Smog will be released on December 9, 2022, on a 180gr. double vinyl edition
Limpe Fuchs / Paul Fuchs / Friedrich Gulda - It's Up To You
Limpe Fuchs / Paul Fuchs / Friedrich Gulda
It's Up To You
2LP | 1974 | EU | Reissue (Play Loud!)
47,99 €*
Release: 1974 / EU – Reissue
Genre: Electronic & Dance
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Limited to 300 double vinyl copies, two inlays with photos and liner notes.
Electric Light Orchestra - Eldorado A Symphony By The Electric Light Orchestra Supervinyl Edition Marcello Giombini - Transvitaexpress
Marcello Giombini
Transvitaexpress
LP | 1974 | EU | Reissue (Soave)
21,99 €*
Release: 1974 / EU – Reissue
Genre: Electronic & Dance
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Transvitaexpress Psycho-phonic tale of the afterlife One of the weirdest italian album ever released 'Transvitaexpress is the sonorous realization of an idea that had been developing in me for some time and to which the encounter with the poet Barbarino gave the decisive push. I used the "tape-sound" technique, that is the organization and integration of sounds, noises, speech, song and rhythm, of which the resulting sound, being the result of electronic manipulation of the sound events themselves, is audible, therefore repeatable, only by means of magnetic tape. The sound material is, in part, reportage, so the work often takes on the character of a “disc-truth”, in part it is a faithful reconstruction of parapsychological events. We have defined this work "Psycho-phonic tale" in fact it is a sound experience, that is, a journey into the world of sounds of an "afterlife", rooted in us due to childhood, ancestral reminiscences, superstitions, legends, anxieties, utopias and above all fear. Fear of the mystery, fear of the unknown. Transvitaexpress is therefore the sound representation of these cultural and existential limits, and is therefore a critical, liberating, provocative work. I certainly do not expect, and perhaps I do not want someone after having listened to tell me that it is "beautiful". Transvitaexpress is the name of a train full of ... that travels in an afterlife so "beyond" that it coincides with the most central point of my ego. Perhaps the most logical "end-continuation" of life, the least imaginative, the least corrupt. The distortions, things that are too, or too little, defined, realistic situations, clichés, monotheisms and captions are embedded in the most traditional dream fabric, the most suitable in my opinion to promote approaches with the mysterious, with the esoteric, with the magical.' M. Giombini
Kraftwerk - Autobahn Translucent Blue Vinyl Edition
Kraftwerk
Autobahn Translucent Blue Vinyl Edition
LP | 1974 | UK | Reissue (Parlophone)
29,99 €*
Release: 1974 / UK – Reissue
Genre: Electronic & Dance
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Kraftwerk - Autobahn 2009 Remastered Black Vinyl Edition
Kraftwerk
Autobahn 2009 Remastered Black Vinyl Edition
LP | 1974 | EU | Reissue (Parlophone)
37,04 €* 38,99 € -5%
Release: 1974 / EU – Reissue
Genre: Electronic & Dance
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Can - Unlimited Edition
Can
Unlimited Edition
2LP | 1974 | UK | Reissue (Spoon)
29,99 €*
Release: 1974 / UK – Reissue
Genre: Rock & Indie, Electronic & Dance
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Remastered from the original tapes, 180g vinyl!
Can - Soon Over Babaluma
Can
Soon Over Babaluma
LP | 1974 | UK | Reissue (Spoon)
27,99 €*
Release: 1974 / UK – Reissue
Genre: Rock & Indie, Electronic & Dance
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Remastered from the original tapes, 180g vinyl!
MFSB - MFSB
MFSB
MFSB
LP | 1973 | US | Original (Philadelphia International)
22,99 €*
Release: 1973 / US – Original
Genre: Organic Grooves, Electronic & Dance
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Used Vinyl
Medium: VG, Cover: G+
Torn spines, stickers on front cover.
Ash Ra Tempel - Seven Up (Remastered By Manuel Göttsching)
Ash Ra Tempel
Seven Up (Remastered By Manuel Göttsching)
CD | 1973 | EU | Reissue (MG.Art)
23,99 €*
Release: 1973 / EU – Reissue
Genre: Electronic & Dance
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“Seven Up” is the third studio album by Ash Ra Tempel and their only album recorded in collaboration with
American Ph.D. in psychology, Dr. Timothy Leary. The Coverart for “Seven Up” was designed by famous
Swiss Artist Walter Wegmüller. Recorded in August 1972 at Sinus Studio in Berne, Switzerland, remixed
September 1972 at Dierks Studios in Stommeln, Germany. First release in spring 1973 by OHR Musik - the
first release on the new sub-label "Kosmische Kuriere", Kat-Nr. KK 58001.
We release “Seven Up” in a Re-Cut carefully overseen by Manuel Göttsching himself, on September 9th
2022, also being Manuel Göttsching´s 70th Birthday. Our Edition features the full original text for the “7 levels
of consciousness” by Timothy Leary in English, i.e. “Instruction Manual for Pleasure Panel” plus a previously
unreleased glimpse view of the original scripts incl. notes and mark ups as well as partly unreleased photos
from the recording session. ->continued on page 2->continued on page 2
As for the music itself we again refer to Julian Cope´s review and remarks from his book “Krautrocksampler”
(published by Head Heritage, 1st ed. 1995):
“When the Leary Mob met the Kaiser Gang, the sparks flew ever Up-wards...
7up is a stone classic in every way. Yes, it is unlikely to find Timothy Leary singing lead vocal in a cosmic
group, but even weirder that he chose to sing a wild yelping freaked out blues !
Manuel Göttsching and Hartmut Enke had begun their careers in The Steeple Chase Blues Band back in the
mid-'60ies, and they quickly felt their way through what Barritt and Leary were aiming for. They reconciled it
all as a kind of West Coast chordless psychedelia, where blues riffs sparkle out of nowhere and the sheer
weight of synthesizers renders everything with an unreal Pere Ubu/early Roxy Music quality.
The greatness of Ash Ra Tempel burned so brightly on 7Up that there is really nothing else like it. Hartmut
Enke and Manuel Gottsching here returned to their riffy roots. It can hardly be called a retro act, though, as
the context of music is everything. And with Dierks at the controls, even the New Kids on the Block would
have sounded psychedelic.
7Up is like a late night radio show glimpsed through a shattered tuner where all but the most truly dangerous
sounds have been allowed to stay, to drift and to dance around the performers.
The result is an extreme gem, a flash of hysterical white lightning, and a pre-punk Technicolour yawn in the
grandest of traditions.
In typical Ash Ra Tempel style, the record is divided into two pieces, “Space” and "Time”. Within this, though,
Timothy Leary’s ideas are allowed to free-flow and the two sides are therefore divided into mini-songs all
segued together. The highlight of Side 1 is “Power Drive”, a West Coast burn-up that transcends any W.
Coast music I ever did hear. Leary and Barritt present the greatest twin-vocal of all time, coming on like
Jagger and Morrison but too caught up in their own maelstrom to be anything less than Heralds of the Punkfuture still five years away.
In chaos it was conceived and in chaos it was recorded. Yet Dieter Dierks, the great Aural Architect of the
Cosmic Couriers, turned 7Up into a personal triumph and a Kosmische dream.”

Ash Ra Tempel – “Seven Up”
TIMOTHY LEARY - voice
BRIAN BARRITT - voice
MICKY DUWE - voice & flute
LIZ ELLIOTT - voice
BETTINA HOHLS - voice
PORTIA NKOMO - voice
HARTMUT "HAWK" ENKE - bass, guitar & electronics
MANUEL GÖTTSCHING - guitar & electronics
STEVE A. - organ & electronics
DIETMAR BURMEISTER - drums
TOMMY ENGEL - drums
DIETER DIERKS - synthesizer & Radio Downtown
Ash Ra Tempel - Join Inn (Remastered By Manuel Göttsching)
Ash Ra Tempel
Join Inn (Remastered By Manuel Göttsching)
CD | 1973 | EU | Reissue (MG.Art)
23,99 €*
Release: 1973 / EU – Reissue
Genre: Electronic & Dance
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“JOIN INN” is the fourth album by Ash Ra Tempel. It was recorded at Studio Dierks and originally released on LP by Ohr
Musik-Produktion, catalogue number OMM 556032. Each side of the LP comprises one long track.
In 1972 ASH RA TEMPEL teamed up again with Klaus Schulze during the recording of Walter Wegmüller's Tarot album,
and after one of the recording sessions, ASH RA TEMPEL members: Enke, Göttsching and Rosi, together with Klaus
decided to "play it again" in a late night session. This recording led to the birth of the “JOIN INN” album, as well as two
legendary last concerts in February 1973 in Paris and Cologne.
Manuel Göttsching recalls Hartmut Enke on bass and Klaus Schulze on drums being a dream-team rhythm section for
him to play his guitar, especially here to hear on “Freak'n' Roll”, that was ingenious and not to replace ever since.
It was the last recording ever where Klaus Schulze (who sadly passed away this Year) played the Drums and also
Hartmut (the Hawk) Enke soon after quit the Bass and music forever.
Join Inn marks the end of the collaboration with Klaus Schulze.
However, together with Ash Ra Tempel, their eponymous first album, which will be released in 2023 as the final edition of
our Series, it is considered a highlight of the Krautrock movement.
As for the music itself we again refer to Julian Cope´s review from his book “Krautrocksampler” (published by Head
Heritage, 1st ed. 1995):
""Freak’n’roll” fades in like it never started - just was always there from the beginning of time, a dry wah-guitar freerock
riff-out unlike any of the other Ash Ra Tempel LPs, and not much like any other music. Yes, there are bluesy riff but none
of them have a blues context. Manuel Gottsching’s guitar is so confident that he sometimes drops down to a simple
major chord groove, whilst the Hawk pushes that round woody bass into strange overlapping rumbling melody. And ... it’s
the return of Klaus Schulze on drums which propels “Freak’n’roll” to its height. No-one but Klaus has the ability to
transcend rock’n’roll in such an on-the-beat non-groove-y way and still send sparks of light into the cosmos as he does it.
-> continued on page 2“Freak’n’roll” is so egoless that it even works at a quiet volume as meditational music. Themes rise from the high tempo
pulse beat, then are carried along the muscles of the song into the main area where the riff actually becomes real and
expressionist for just long enough before slipping back into the musical fabric of the song.
As usual with Ash Ra Tempel, the other side is an enormous drift piece called “Jenseits (The Next World)”, a beautiful
Klaus Schultze meditation of haunting synthesizer chords over which Rosi Muller tells the story of the Cosmic Couriers’
meeting with Timothy Leary. Gradually, the pulsing guitar becomes increasingly intense and turbulent, but Rosi never
sounds less than freaked out. Essentially, “Jenseits” is a precursor to Klaus Schulze’s later spacey minor-key grooves.
Unfortunately, this was the last Ash Ra Tempel album in its particular ‘series.
(…) After “JOIN INN”, Manuel Gottsching took over the Ash Ra Tempel mantle alone.”
Ash Ra Tempel - Starring Rosi(Remastered By Manuel Göttsching)
Ash Ra Tempel
Starring Rosi(Remastered By Manuel Göttsching)
CD | 1973 | EU | Reissue (MG.Art)
23,99 €*
Release: 1973 / EU – Reissue
Genre: Electronic & Dance
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"Starring Rosi“ is the 5th Album by Ash Ra Tempel. Released 1973 in the same Year as "Join Inn".
The CD Version is remastered by Manuel Göttsching himself.
Conrad Schnitzler - Rot 50th Anniversary Edition
Conrad Schnitzler
Rot 50th Anniversary Edition
LP | 1973 | EU | Reissue (Bureau B)
29,99 €*
Release: 1973 / EU – Reissue
Genre: Electronic & Dance
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Conrad Schnitzler (1937-2011), composer and concept artist, is one of the most important representatives of Germany"s electronic music avant-garde. A student of Beuys, he founded Berlin"s legendary Zodiak Free Arts Lab, a subculture club, in 1967/68, was a member of Tangerine Dream (together with Klaus Schulze and Edgar Froese) and Kluster (with Dieter Moebius and Hans-Joachim Roedelius) and also released countless solo albums. The red album ("Rot") from 1973 was Schnitzler"s first solo LP.
Steve Birchall - Reality Gates Record Store Day 2023 Edition
Steve Birchall
Reality Gates Record Store Day 2023 Edition
LP | 1973 | EU | Reissue (Soave)
28,04 €* 32,99 € -15%
Release: 1973 / EU – Reissue
Genre: Electronic & Dance
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Soave Records dusts off in limited edition the psych/synth album by Doctor Steven T. Birchall recorded in 1973 in Indiana, U.S.A. with the following equipment: Vcs-3 (The Putney) by EMS, Ampex Mm-1000 16 trk, dbx noise reduction, SpectrasSonics Console, Studer A80 Recorder, Eventide Clockworks, Instant Phaser, Cooper Time Cube, EMT Reverb. The absolutely penetrating high tones of the opening track 'Music Of The Spheres' announce us that we are on board, passengers in the hands, or perhaps better to say in the mind, of Birchall who aims to go beyond those "normal" boundaries that we call reality. It is a new world of music that still amazes after half a century. A higher stage of truth projected into the cosmos.
Ash Ra Tempel - Seven Up 50th Anniversary Edition
Ash Ra Tempel
Seven Up 50th Anniversary Edition
LP | 1973 | EU | Reissue (MG.Art)
26,99 €*
Release: 1973 / EU – Reissue
Genre: Rock & Indie, Electronic & Dance
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After the 2021 Re-Release of “Schwingungen” (MG.ART612) we proudly announce “Seven Up” as Part 2 of the authorised 50th Anniversary “A.R.T.” Re-Edition Series. “Seven Up” is the third studio album by Ash Ra Tempel and their only album recorded in collaboration with American Ph.D. in psychology, Dr. Timothy Leary. The Coverart for “Seven Up” was designed by famous Swiss Artist Walter Wegmüller. Recorded in August 1972 at Sinus Studio in Berne, Switzerland, remixed September 1972 at Dierks Studios in Stommeln, Germany.

First release in spring 1973 by OHR Musik - the first release on the new sub-label "Kosmische Kuriere", Kat-Nr. KK 58001. We release “Seven Up” in a Re-Cut carefully overseen by Manuel Göttsching himself, on September 9th 2022, also being Manuel Göttsching´s 70th Birthday. Our Edition features the full original text for the “7 levels of consciousness” by Timothy Leary in English, i.e. “Instruction Manual for Pleasure Panel” plus a previously unreleased glimpse view of the original scripts incl. notes and mark ups as well as partly unreleased photos from the recording session.

As for the music itself we again refer to Julian Cope´s review and remarks from his book “Krautrocksampler” (published by Head Heritage, 1st ed. 1995): “When the Leary Mob met the Kaiser Gang, the sparks flew ever Up-wards. 7up is a stone classic in every way. Yes, it is unlikely to find Timothy Leary singing lead vocal in a cosmic group, but even weirder that he chose to sing a wild yelping freaked out blues ! Manuel Göttsching and Hartmut Enke had begun their careers in The Steeple Chase Blues Band back in the mid-'60ies, and they quickly felt their way through what Barritt and Leary were aiming for. They reconciled it all as a kind of West Coast chordless psychedelia, where blues riffs sparkle out of nowhere and the sheer weight of synthesizers renders everything with an unreal Pere Ubu/early Roxy Music quality. The greatness of Ash Ra Tempel burned so brightly on 7Up that there is really nothing else like it.

Hartmut Enke and Manuel Gottsching here returned to their riffy roots. It can hardly be called a retro act, though, as the context of music is everything. And with Dierks at the controls, even the New Kids on the Block would have sounded psychedelic. 7Up is like a late night radio show glimpsed through a shattered tuner where all but the most truly dangerous sounds have been allowed to stay, to drift and to dance around the performers. The result is an extreme gem, a flash of hysterical white lightning, and a pre-punk Technicolour yawn in the grandest of traditions. In typical Ash Ra Tempel style, the record is divided into two pieces, “Space” and "Time”. Within this, though, Timothy Leary’s ideas are allowed to free-flow and the two sides are therefore divided into mini-songs all segued together. The highlight of Side 1 is “Power Drive”, a West Coast burn-up that transcends any W. Coast music I ever did hear. Leary and Barritt present the greatest twin-vocal of all time, coming on like Jagger and Morrison but too caught up in their own maelstrom to be anything less than Heralds of the Punkfuture still five years away. In chaos it was conceived and in chaos it was recorded. Yet Dieter Dierks, the great Aural Architect of the Cosmic Couriers, turned 7Up into a personal triumph and a Kosmische dream.”

Ash Ra Tempel – “Seven Up”
TIMOTHY LEARY - voice
BRIAN BARRITT - voice
MICKY DUWE - voice & flute
LIZ ELLIOTT - voice
BETTINA HOHLS - voice
PORTIA NKOMO - voice
HARTMUT "HAWK" ENKE - bass, guitar & electronics
MANUEL GÖTTSCHING - guitar & electronics
STEVE A. - organ & electronics
DIETMAR BURMEISTER - drums
TOMMY ENGEL - drums
DIETER DIERKS - synthesizer & Radio Downtown
Ash Ra Tempel - Join Inn 50th Anniversary Edition
Ash Ra Tempel
Join Inn 50th Anniversary Edition
LP | 1973 | EU | Reissue (MG.Art)
26,99 €*
Release: 1973 / EU – Reissue
Genre: Rock & Indie, Electronic & Dance
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After the 2021 Re-Release of “Schwingungen” (MG.ART612) and together with “Seven Up” (MG.ART613) we proudly announce “JOIN INN” as Part3 of the authorised 50th Anniversary “A.R.T.” Re-Edition Series. “JOIN INN” is the fourth album by Ash Ra Tempel. It was recorded at Studio Dierks and originally released on LP by Ohr Musik-Produktion, catalogue number OMM 556032. Each side of the LP comprises one long track.

In 1972 ASH RA TEMPEL teamed up again with Klaus Schulze during the recording of Walter Wegmüller's Tarot album, and after one of the recording sessions, ASH RA TEMPEL members: Enke, Göttsching and Rosi, together with Klaus decided to "play it again" in a late night session. This recording led to the birth of the “JOIN INN” album, as well as two legendary last concerts in February 1973 in Paris and Cologne.

Manuel Göttsching recalls Hartmut Enke on bass and Klaus Schulze on drums being a dream-team rhythm section for him to play his guitar, especially here to hear on “Freak'n' Roll”, that was ingenious and not to replace ever since. It was the last recording ever where Klaus Schulze (who sadly passed away this Year) played the Drums and also Hartmut (the Hawk) Enke soon after quit the Bass and music forever. Join Inn marks the end of the collaboration with Klaus Schulze. However, together with Ash Ra Tempel, their eponymous first album, which will be released in 2023 as the final edition of our Series, it is considered a highlight of the Krautrock movement. As for the music itself we again refer to Julian Cope´s review from his book “Krautrocksampler” (published by Head Heritage, 1st ed. 1995):
""Freak’n’roll” fades in like it never started - just was always there from the beginning of time, a dry wah-guitar freerock riff-out unlike any of the other Ash Ra Tempel LPs, and not much like any other music. Yes, there are bluesy riff but none of them have a blues context. Manuel Gottsching’s guitar is so confident that he sometimes drops down to a simple major chord groove, whilst the Hawk pushes that round woody bass into strange overlapping rumbling melody. And ... it’s the return of Klaus Schulze on drums which propels “Freak’n’roll” to its height. No-one but Klaus has the ability to transcend rock’n’roll in such an on-the-beat non-groove-y way and still send sparks of light into the cosmos as he does it. "Freak’n’roll” is so egoless that it even works at a quiet volume as meditational music. Themes rise from the high tempo pulse beat, then are carried along the muscles of the song into the main area where the riff actually becomes real and expressionist for just long enough before slipping back into the musical fabric of the song. As usual with Ash Ra Tempel, the other side is an enormous drift piece called “Jenseits (The Next World)”, a beautiful Klaus Schultze meditation of haunting synthesizer chords over which Rosi Muller tells the story of the Cosmic Couriers’ meeting with Timothy Leary. Gradually, the pulsing guitar becomes increasingly intense and turbulent, but Rosi never sounds less than freaked out. Essentially, “Jenseits” is a precursor to Klaus Schulze’s later spacey minor-key grooves. Unfortunately, this was the last Ash Ra Tempel album in its particular ‘series. After “JOIN INN”, Manuel Gottsching took over the Ash Ra Tempel mantle alone.”

Ashra Tempel – Join Inn
HARTMUT ENKE - Gibson bass
MANUEL GÖTTSCHING -guitar
KLAUS SCHULZE-drums, synthesizers & electronics
ROSI MÜLLER-voice
Eddie Hazel - Game, Dames And Guitar Thangs
Eddie Hazel
Game, Dames And Guitar Thangs
LP | 1973 | US | Reissue (Real Gone Music)
32,99 €*
Release: 1973 / US – Reissue
Genre: Electronic & Dance
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Mike Oldfield - Tubular Bells
Mike Oldfield
Tubular Bells
LP | 1973 | EU | Reissue (Mercury)
28,99 €*
Release: 1973 / EU – Reissue
Genre: Electronic & Dance
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Remastered and pressed on 180g virgin vinyl!
Deuter - OST Princess Of Dawn
Deuter
OST Princess Of Dawn
LP | 1973 | EU | Reissue (Black Sweat)
18,99 €*
Release: 1973 / EU – Reissue
Genre: Electronic & Dance
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New Lp-edition of an obscure un-released library of the early ‘70s.
Together with Florian Fricke, Peter Michael Hamel and Stephan Micus, Deuter is certainly the main responsible of a fruitful encounter between European sensibility and Eastern aesthetics in the German music of the 1970s. Soundtrack was originally produced by Kuckuck in 1973 not for an official and public release, but as a “library” to be used for films, TV and radio. As a library it respects the canonical and typological structure of the genre with 26 short sonic fragments, sequences imagined and conceived like fulminating illuminations. There's still a solid electronic vocation that, however, has put aside the most disruptive effluvia of D (1971) of pure “kraut” ancestry. In fact, the album is more like an ideal passing bridge between some ritual instances of the previous Aum (1972) and the following successful phase of Deuter during the period when he stays in the Bhagwan Shree Rajneesh's ashram in Poona realizing, in parallel to a renewed inner life, masterpieces like Celebration, Haleakala, Ecstasy and Silence is the Answer. Musically speaking, Soundtrack presents itself as a heterogeneous work with nocturnal, cinematic, galactic and atmospheric-environmental implications. Electronics remains the predominant factor but can vary from mantra drones of more ceremonial and meditative “space-relax” tones of some tracks (Triad, Deep Sea, Gothic Velvet or Evening) to the most amused formulations of pulsating analog synths that in the hands of Deuter become “toy-equipement” to modulate and explore (Desert Rock, Synth Effect, Flea Dance or Laser). There is no lack of acoustic moments more ethnically inspired with Arabian and Indian (Reed, Arabia) or devotionally solar themes (Tom Bombaddils Dance), so evoking an air of diffuse peace then completely conquered in the beloved India.
Can - Future Days
Can
Future Days
LP | 1973 | UK | Reissue (Spoon)
27,99 €*
Release: 1973 / UK – Reissue
Genre: Rock & Indie, Electronic & Dance
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Remastered from the original tapes, 180g vinyl!
Fripp & Eno - No Pussyfooting
Fripp & Eno
No Pussyfooting
LP | 1973 | UK | Reissue (Panegyric)
25,99 €*
Release: 1973 / UK – Reissue
Genre: Electronic & Dance
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Short Cross - Arising Black Vinyl Edition
Short Cross
Arising Black Vinyl Edition
LP | 1972 | EU | Reissue (Out-Sider Music)
26,99 €*
Release: 1972 / EU – Reissue
Genre: Electronic & Dance
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Brainticket - Psychonaut
Brainticket
Psychonaut
LP | 1972 | DE | Original (Bellaphon)
36,99 €*
Release: 1972 / DE – Original
Genre: Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: VG, Cover: G+
Tear in front cover, besides that VG. Hype sticker on front.
Third Ear Band - Music From Macbeth
Third Ear Band
Music From Macbeth
LP | 1972 | ES | Reissue (Munster)
23,99 €*
Release: 1972 / ES – Reissue
Genre: Rock & Indie, Electronic & Dance, Soundtracks
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Used Vinyl
Medium: VG+, Cover: Near Mint
Vinyl is close to NM. Tiny wear. With insert. 2020 reissue.
Ash Ra Tempel - Schwingungen (Remastered By Manuel Göttsching)
Ash Ra Tempel
Schwingungen (Remastered By Manuel Göttsching)
CD | 1972 | EU | Reissue (MG.Art)
23,99 €*
Release: 1972 / EU – Reissue
Genre: Electronic & Dance
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We proudly announce the CD REmaster Editionof the 1972 Original release , one of the most important German
Krautrock albums - Remastered by Manuel Göttsching himself.
As for the info we refer to Julian Cope´s review in his “Krautrocksampler” Book,
Publisher : Head Heritage (1 Oct. 1995) :
“Beware of Schwingungen!” That should be the large sticker on the front of all copies of this record. For it is dangerous to be casually
introduced to something that is life-changing, as I found out to my cost when first listening to this record.
It all starts fairly simply and without any cause for alarm - “Look at Your Sun” begins with a Doorsy lone groover guitar begins a pedestrian
blues, beautiful. Then the most crushed voice, a cross between Johnny Rotten and Tiny Tim, preaches its way into the proceeds. God, it
is beautiful - John L. repeats over and over, “We are all one, we are all one”, until a howling fuzztone solo guitar blows the whole onechord “Signed D.C.” ringing-cymbals torture to an end. And then the most far out track of all begins. This is called “Flower Must Die” and
it is a free-rock giant that transcends everything else in its field (there are no contenders.) As I've written before, PIL sounds like this. John
L. was John Lydon in a previous incarnation. After a slow weird build, a frantic streamlined one-chord mantra kicks in and it’s like the
Stooges’ Funhouse period but in a Righteous Vision Zone that fucks them right off. Phasing tears at the whole tracks as this Holy Racket
crosses into Hyper-space and everything gets all hyphenated just-for-the-sake-of-it. “Flowers Must Die”, man, it’s fucked up. Over on Side
2, the title-track (“Vibrations”) begins poetically enough with Wolfgang Muller’s epic and hugely reverbed vibraphone. Organ fades in and
FX guitars, and time passes by. Finally, tom-toms roll and the developing pace is built upon until that great eternal chord sequence finally
materialises — this is the one that Göttsching and Enke believed was the sound of heaven.
They may have been right. And Schwingungen was a gift from the Gods.“
Veit Marvos - Nice To See You
Veit Marvos
Nice To See You
LP | 1972 | DE | Original (Ariola)
39,99 €*
Release: 1972 / DE – Original
Genre: Organic Grooves, Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG
Yes - Close To The Edge Atlantic 75 Series Sacd
Yes
Close To The Edge Atlantic 75 Series Sacd
CD | 1972 | US | Reissue (Analogue Productions Atlantic 75 Series)
50,99 €*
Release: 1972 / US – Reissue
Genre: Electronic & Dance
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Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

Yes' 1972 Atlantic Records masterpiece!

Hybrid Stereo SACD

Yes's 1972 3-track recording masterpiece, Close to the Edge, presents a snapshot of an adventurous rock band at the peak of its powers, daring to push itself musically, both as individuals and as a unit.

The first half of the 1970s was an especially fertile period for British progressive rock, laying claim to classics such as Tarkus, Selling England by the Pound, Larks' Tongues in Aspic, The Dark Side of the Moon, and Thick as a Brick. Collectively these and other works represent the best British progressive rock had to offer. Yet, many reviewers cite Close to the Edge as the ultimate prog rock album.

Author and music journalist Will Romano writes: "Yes had previously penned epic tracks for The Yes Album and Fragile, but nothing on the magnitude of the musical gems appearing on Close to the Edge. It's something of a small miracle — perhaps even magic — that the virtuoso quintet crafted such a cohesive and compelling album during an often-hectic recording process that very nearly relegated this monumental work to the dustbin of history."

The album's centrepiece is the 18-minute title track, with themes and lyrics inspired by the Herman Hesse novel Siddhartha. Side two contains two non-conceptual tracks, the folk-inspired "And You and I" and the comparatively straightforward rocker "Siberian Khatru." Original drummer Bill Bruford found the album particularly laborious to make, which culminated in his decision to quit the band after it was recorded, to join King Crimson.

Close to the Edge became the band's greatest commercial success at the time of release. It peaked at No. 4 on the U.K. Albums Chart and No. 3 on the Billboard 200 in the United States, the highest position Yes has reached on the latter chart.

In 2020, Close to the Edge was ranked at No. 445 on Rolling Stone's list of the 500 Greatest Albums of All Time.
Tangerine Dream - Zeit
Tangerine Dream
Zeit
2LP | 1972 | EU | Reissue (Culture Factory)
41,99 €*
Release: 1972 / EU – Reissue
Genre: Electronic & Dance
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Don Bradshaw-Leather - Distance Between Us
Don Bradshaw-Leather
Distance Between Us
2LP | 1972 | EU | Reissue (Distance)
30,39 €* 37,99 € -20%
Release: 1972 / EU – Reissue
Genre: Electronic & Dance
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Reissue of this cult 1972 album which featured on the infamous Nurse With Wound List.

During the long, dark hangover of the Summer of Love, the classically-trained Essex prodigy approached CBS Records with demo recordings. A forward-thinking A&R executive must have seen a potential revenue stream in Don Bradshaw-Leather's avant-classical noise. The artist was given an advance to record an album. He used the funds to create a large studio in Sussex with many instruments including an actual church organ. Here, on his own, without the use of any electronic sequencing, he recorded "Distance Between Us" using simply multitrack tape, layering each part of the composition. Upon hearing the product of their financial investment - four side-long tracks of blurry organ drones, frantic piano tinkling, and ritualistic percussion - CBS got cold feet.

The album was self-released on Bradshaw-Leather's own Distance imprint; a vanity label established for the sole purpose of releasing the album. The sleeve art is full of mysteries, from the misspelling of "Bradshaw" ("Bradsham"), to the coal-blackened visage of the bohemian madman on the cover (dbl himself?), to the rear photo collage depicting the same madman accosting a nude woman. The music isn't any less mysterious; shapeless symphonies of smeared-out Mellotron, tribal drums, and wordless vocals. Don Bradshaw-Leather passed away in the 90's.
Anthony Moore - Reed Whistle & Sticks
Anthony Moore
Reed Whistle & Sticks
LP | 1972 | JP | Reissue (P-Vine)
39,99 €*
Release: 1972 / JP – Reissue
Genre: Electronic & Dance
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Reed Whistle & Sticks was released in 1972 in a decade of transition for experimental composer Anthony Moore. Two years after the the album, his bands Henry Cow and Slapp Happy would merge briefly for a run of cult-favourite avant-garde records and swiftly detangle. A year after that, in 1976, he released his fourth solo record Out - its pop sensibilities, albeit avant-inclined, a chasm apart from the raw experimentation of Reed Whistle & Sticks. P-vine is proud to be reissuing Moore’s experiment in texture and looping for the first time on vinyl format, and bring new accessibility to an album that has been almost impossible to source on vinyl for 50 years.
Neu! - Neu!
Neu!
Neu!
Tape | 1972 | EU | Reissue (Grönland)
19,99 €*
Release: 1972 / EU – Reissue
Genre: Rock & Indie, Electronic & Dance
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Neu! - Neu! Picture Disc Edition
Neu!
Neu! Picture Disc Edition
LP | 1972 | EU | Reissue (Grönland)
33,99 €*
Release: 1972 / EU – Reissue
Genre: Electronic & Dance
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Phil Ranelin & Wendell Harrison - Message From The Tribe
Phil Ranelin & Wendell Harrison
Message From The Tribe
LP | 1972 | US | Reissue (Now-Again)
31,99 €*
Release: 1972 / US – Reissue
Genre: Electronic & Dance
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The Tribe founders’ collaborative debut, remixed from the original mutli-track master tapes under the direction of its creators and lacquered by Bernie Grundman. Phil Ranelin’s side has been pitch-corrected and restored to a suite, as was originally intended. Wendell Harrison’s side contains extended, full versions of two songs. The definitive reissue of this Spiritual Jazz masterpiece. The Tribe label, one of the brightest lights of America’s 1970s jazz underground, receives the Now-Again reissue treatment. This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Century Black American experience, one that expanded outwards towards the cosmos. In the words of the collective themselves, “Music is the healing force of the universe.” Included in an extensive, oversized booklet, Larry Gabriel and Jeff “Chairman” Mao take us through the history of the Tribe, in a compelling story that delves not just into the history of the label and its principals, but into the story of Black American empowerment in the latter half of the 20th Century. The booklet features never-before-seen archival photos and rare ephemera from Tribe’s mid-1970s heyday.
Glass House - Thanks I Needed That
Glass House
Thanks I Needed That
LP | 1972 | US | Reissue (Demon)
25,99 €*
Release: 1972 / US – Reissue
Genre: Electronic & Dance
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Giuliano Sorgini - Elettroformule
Giuliano Sorgini
Elettroformule
LP | 1972 | EU | Reissue (Vinyl Magic)
28,99 €*
Release: 1972 / EU – Reissue
Genre: Electronic & Dance
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At the end of the '60s in Italy - but also abroad, especially in France and England - a very particular trend began to spread, that one known as 'Library music' or 'sonorization': as suggested by its name, those were real music libraries intended for the accompaniment of audiovisual productions such as television programs, advertisements, documentaries and films. Since they were created in total artistic freedom condition, they are often difficult if not impossible to catalog, as they're not anchored to a specific musical genre; this freedom also allowed the authors to compose, sometimes in the most complete anonymity, experimental and avant-garde music, capable of anticipating the sounds that only many years later would have been widespread on a larger scale.

Giuliano Sorgini is one of the most mysterious composers of the sonorization and soundtrack genres: almost nothing is known about his life, despite his name being linked to dozens of albums and compositions. "Elettroformule" is probably one of his most 'extreme' experiments: a collection of thirteen short improvisations generated with the sole aid of electronic instruments: abstract compositions, balanced between ambient and noise music, perfect for a hypothetical science fiction from the '60/70s.

"Elettroformule" is part of a reissues series, made in collaboration with Edizioni Leonardi (Milan, Italy), of extremely rare library music LP's published between late '60s and early '70s, most of which have never been released again until today, and that are finally made available again for collectors and sonorization music lovers.

Edition in black vinyl 180gr.
The Taj-Mahal Travelers - July 15, 1972
The Taj-Mahal Travelers
July 15, 1972
LP | 1972 | US | Reissue (Etats-Unis)
37,99 €*
Release: 1972 / US – Reissue
Genre: Electronic & Dance
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For over half a century, Takehisa Kosugi was one of the most unique and enduring figures in the Japanese underground. With a penchant for long psychedelic jams (some lasting 12 hours or more) The Taj-Mahal Travelers lived up to their name. Touring in a Volkswagen van across Europe and Asia in the early '70s, they eventually reached the actual Taj Mahal in India. Upon their return to Japan, they held a concert to raise more touring funds and released their very first recordings. Their debut album, July 15, 1972, would extend the band's matter-of-fact titling: all the tracks were named precisely for the times they began and ended.
Nik Pascal - The Sixth Ear
Nik Pascal
The Sixth Ear
LP | 1972 | EU | Reissue (Wah Wah)
20,99 €*
Release: 1972 / EU – Reissue
Genre: Electronic & Dance
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1972 saw the release of The Sixth Ear (Narco NR666), this time credited to Nik Pascal. A more complex work than Beyond The End..., it adds consistent rhythmic patterns to the mix with the addition of bongoes and also explores some interesting chord progressions.

Besides his musical explorations, Nik was also an interesting painter. His paintings are auctioned from time to time, and are consciousness expanding works influenced by abstract cubism and surrealism, some kind of Salvador Dalí on drugs exploring the outter and inner space. All the artwork on the sleeves of his LPs is done by himself. Spacey landscapes and psychedelic colours that fit perfectly to the music they contain.

Never reissued before on vinyl format, the Wah Wah reissue features original sleeve artwork made of paintings and drawings by Nik himself and reproduction of the famous ironic "Do not listen if you are stoned" sticker. Limited edition, 500 copies only.
Can - Ege Bamyasi
Can
Ege Bamyasi
LP | 1972 | EU | Reissue (Spoon)
27,99 €*
Release: 1972 / EU – Reissue
Genre: Rock & Indie, Electronic & Dance
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Remastered from the original tapes, 180g vinyl!
Ash Ra Tempel - Ash Ra Tempel Remastered By Manuel Göttsching
Ash Ra Tempel
Ash Ra Tempel Remastered By Manuel Göttsching
CD | 1971 | EU | Reissue (MG.Art)
22,79 €* 23,99 € -5%
Release: 1971 / EU – Reissue
Genre: Electronic & Dance
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Ash Ra Tempel is the eponymous debut studio album by the Krautrock band Ash Ra Tempel.
It features guitarist Manuel Göttsching with drummer Klaus Schulze and bassist Hartmut Enke.
Engineered by Conny Plank it was recorded in March 1971 and released in June 1971 on Ohr Records.

Much has been written about the record and band.

Having finished a first musical chapter with their Steeple Chase Bluesband and still at very young age of only 17 and 18 years old Manuel Göttsching and Hartmut Enke met Klaus Schulze. Together they started to write and and compose what, to many,
became one the holy grails of Psychedelic Rock and early Electronic Music -
the German variant which was later also named "Krautrock":

Ash Ra Tempel´s self-titled first album "Ash Ra Tempel".

"The trio of Klaus Schulze, Manuel Göttsching and Hartmut Enke decided to abandon conventional composition and song writing, in favour of free-form improvising and developing a new musical language. As such, they became notorious for jams that could exceed 30 minutes." Says Discogs. "Some of these recordings can be found on Manuel Göttsching´s "The Private Tapes" releases", which will be re-released on MG.ART as well, following this edition.

"Krautrocksampler" author Julian Cope mentioned it to be "… one of the greatest rock 'n' roll LPs ever made." (Julian Cope Presents Head Heritage | Unsung | Reviews | Ash Ra Tempel - Ash Ra Tempel". 15 March 2000.)

AllMusic called the album "both astonishingly prescient and just flat out good, a logical extension of the space-jam-freakout ethos into rarified realms."

Here we would like the Band to be heard, for what can easily be said as the first time in 50+ years, with the exception of some early Journalists for whom the young Manuel Göttsching wrote a statement of intent (the original text can be found inside this edition) as following:

"Our musical concept is based on a combination of blues rock and delicate collages of electronic sound. These two elements should remain inseparable. And in their complex unity, the different musical philosophies of each musician find a common sweet spot. Our music is a permanently impulsive experience left to develop as it will, starting from a common fixed point of departure. This is where the difficulty of the music begins: No standardized formulation of our music can and should be possible. Only the constant reaction within the band can determine the musical result. And this requires constant listening with full concentration on the part of the creators. The idea of a particular musician will be - if flexible enough - absorbed by the others, transposed to their own instrument, and reflected back into the music as an individual contribution. This reciprocity within the band is then transferred over to the audience. And this process means that their reaction is not only a contribution to the end result; it actually makes them jointly responsible for the creation of the final musical product.

On our album, the track "Amboss" represents the first layer. Conventional instruments communicate familiar music which is in part expanded through electronic means. In the second track of the album - "Traummaschine" - the actual basic sound approach is dissolved into an electronic Nirvana which no longer allows the concrete identification of actual instruments. Innocent, virgin listening, free from any and every association, can finally begin - and the music can be absorbed and processed free from the limitations of categorization. That is the purpose of our music: To convey freedom without any predetermined criteria or traditions.

Thank you for your attention."
(Taken from the original A-R-T Bio 1970)

Hartmut Enke, Manuel Göttsching and Klaus Schulze aka. Ash Ra Tempel travelled to Hamburg in March 1971 to record their debut, with assistance of another Icon, legendary engineer Conny Plank.
The rest is history.
Ash Ra Tempel - Ash Ra Tempel Black Vinyl Edition
Ash Ra Tempel
Ash Ra Tempel Black Vinyl Edition
LP | 1971 | Reissue (MG.Art)
33,99 €*
Release: 1971 / Reissue
Genre: Electronic & Dance
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Black Vinyl, Sticker, 50th Anniversary RE-Edition, first-ever official reissue on vinyl since 1975,
Re-Cut carefully overseen by Manuel Göttsching.

TRACKLIST:

A. "Amboss" 19:40
B. "Traummaschine" 25:24

Ash Ra Tempel is the eponymous debut studio album by the Krautrock band Ash Ra Tempel.
It features guitarist Manuel Göttsching with drummer Klaus Schulze and bassist Hartmut Enke.
Engineered by Conny Plank it was recorded in March 1971 and released in June 1971 on Ohr Records.
This 50Th Anniversary Album will be Released in Memoriam of all the Musical Contributors to this Release and on Manuel Göttsching´s MG.ART label.
It´s the fourth and headlining edition in this series and was finalised, carefully overseen by Manuel Göttsching himself in the late Autumn of 2022.

Much has been written about the record and band.

Having finished a first musical chapter with their Steeple Chase Bluesband and still at very young age of only 17 and 18 years old Manuel Göttsching and Hartmut Enke met Klaus Schulze. Together they started to write and and compose what, to many,
became one the holy grails of Psychedelic Rock and early Electronic Music -
the German variant which was later also named "Krautrock":

Ash Ra Tempel´s self-titled first album "Ash Ra Tempel".

"The trio of Klaus Schulze, Manuel Göttsching and Hartmut Enke decided to abandon conventional composition and song writing, in favour of free-form improvising and developing a new musical language. As such, they became notorious for jams that could exceed 30 minutes." Says Discogs. "Some of these recordings can be found on Manuel Göttsching´s "The Private Tapes" releases", which will be re-released on MG.ART as well, following this edition.

"Krautrocksampler" author Julian Cope mentioned it to be "… one of the greatest rock 'n' roll LPs ever made." (Julian Cope Presents Head Heritage | Unsung | Reviews | Ash Ra Tempel - Ash Ra Tempel". 15 March 2000.)

AllMusic called the album "both astonishingly prescient and just flat out good, a logical extension of the space-jam-freakout ethos into rarified realms."

Here we would like the Band to be heard, for what can easily be said as the first time in 50+ years, with the exception of some early Journalists for whom the young Manuel Göttsching wrote a statement of intent (the original text can be found inside this edition) as following:

"Our musical concept is based on a combination of blues rock and delicate collages of electronic sound. These two elements should remain inseparable. And in their complex unity, the different musical philosophies of each musician find a common sweet spot. Our music is a permanently impulsive experience left to develop as it will, starting from a common fixed point of departure. This is where the difficulty of the music begins: No standardized formulation of our music can and should be possible. Only the constant reaction within the band can determine the musical result. And this requires constant listening with full concentration on the part of the creators. The idea of a particular musician will be - if flexible enough - absorbed by the others, transposed to their own instrument, and reflected back into the music as an individual contribution. This reciprocity within the band is then transferred over to the audience. And this process means that their reaction is not only a contribution to the end result; it actually makes them jointly responsible for the creation of the final musical product.

On our album, the track "Amboss" represents the first layer. Conventional instruments communicate familiar music which is in part expanded through electronic means. In the second track of the album - "Traummaschine" - the actual basic sound approach is dissolved into an electronic Nirvana which no longer allows the concrete identification of actual instruments. Innocent, virgin listening, free from any and every association, can finally begin - and the music can be absorbed and processed free from the limitations of categorization. That is the purpose of our music: To convey freedom without any predetermined criteria or traditions.

Thank you for your attention."
(Taken from the original A-R-T Bio 1970)

Hartmut Enke, Manuel Göttsching and Klaus Schulze aka. Ash Ra Tempel travelled to Hamburg in March 1971 to record their debut, with assistance of another Icon, legendary engineer Conny Plank.
The rest is history.
Nik Raicevil - Beyond The End, Eternity
Nik Raicevil
Beyond The End, Eternity
LP | 1971 | EU | Reissue (Wah Wah)
20,99 €*
Release: 1971 / EU – Reissue
Genre: Electronic & Dance
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If you check the credits of The Rolling Stones' Goats Head Soup LP from 1973 you'll find a certain "Pascal" listed on the percussion section. That is none other than Los Angeles based artist Nicolas Pascal Raicevik (1933-1994), aka 107-34-8933, aka Head, aka Nik Pascal, aka Nik Raicevic. Besides his hitting the bongoes on the Stones album, Nik was a great artist on his own, both as a painter and as a musician. As a musician, he was a pioneer in the use of synthesizers, preceeding the Berlin school by some years when his Head LP was released on on Buddah in 1970. Buddah probably saw in Head the opportunity to cash in some money from the remains of the psychedelic scene - the three tracks on the LP are named after drugs used in the late sixties. The sounds, however, are accomplished works that show Raicevic as one of the most interesting pioneers in the use of synths. The album probably didn't do too well, since Buddah didn't renew the contract with Raicevic, who instead took his own way releasing his works on his very own Narco Records and Tapes label. Between 1968 and 1975 Narco would issue 4 LPs credited either to Nik Raicevic (Beyond The End... Eternity) or Nik Pascal (The Sixth Ear, Magnetic Web and Zero Gravity) plus one credited to 107-34-8933 (Numbers, which is in fact the same LP as Buddah's Head, albeit with different cover art). Copies of these LPs came with an ironic sticker over the shrinkwrap that read "Do not listen to this LP if you are stoned".
Gil Mele - Andromeda Strain - Original Electronic Soundtrack
Gil Mele
Andromeda Strain - Original Electronic Soundtrack
LP | 1971 | US | Reissue (Kapp)
19,99 €*
Release: 1971 / US – Reissue
Genre: Electronic & Dance
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Kluster - Eruption
Kluster
Eruption
LP | 1971 | EU | Reissue (Bureau B)
27,99 €*
Release: 1971 / EU – Reissue
Genre: Electronic & Dance
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Kluster - Zwei Osterei
Kluster
Zwei Osterei
LP | 1971 | EU | Reissue (Bureau B)
27,99 €*
Release: 1971 / EU – Reissue
Genre: Electronic & Dance
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The Glass Prism - On Joy And Sorrow
The Glass Prism
On Joy And Sorrow
LP | 1970 | EU | Reissue (Guerssen)
26,99 €*
Release: 1970 / EU – Reissue
Genre: Electronic & Dance
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Unknown Artist - Exotic Sounds
Unknown Artist
Exotic Sounds
LP | 1970 | DE | Original (Fa, Henkel-Khasana Düsseldorf)
28,99 €*
Release: 1970 / DE – Original
Genre: Organic Grooves, Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG+
Vinyl is Close to VG+.
107-34-8933 - Numbers
107-34-8933
Numbers
LP | 1970 | EU | Reissue (Wah Wah)
20,99 €*
Release: 1970 / EU – Reissue
Genre: Electronic & Dance
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If you check the credits of The Rolling Stones' Goats Head Soup LP from 1973 you'll find a certain "Pascal" listed on the percussion section. That is none other than Los Angeles based artist Nicolas Pascal Raicevik (1933-1994), aka 107-34-8933, aka Head, aka Nik Pascal, aka Nik Raicevic. Besides his hitting the bongoes on the Stones album, Nik was a great artist on his own, both as a painter and as a musician. As a musician, he was a pioneer in the use of synthesizers, preceeding the Berlin school by some years when his Head LP was released on on Buddah in 1970. Buddah probably saw in Head the opportunity to cash in some money from the remains of the psychedelic scene - the three tracks on the LP are named after drugs used in the late sixties. The sounds, however, are accomplished works that show Raicevic as one of the most interesting pioneers in the use of synths. The album probably didn't do too well, since Buddah didn't renew the contract with Raicevic, who instead took his own way releasing his works on his very own Narco Records and Tapes label. Between 1968 and 1975 Narco would issue 4 LPs credited either to Nik Raicevic (Beyond The End... Eternity) or Nik Pascal (The Sixth Ear, Magnetic Web and Zero Gravity) plus one credited to 107-34-8933 (Numbers, which is in fact the same LP as Buddah's Head, albeit with different cover art). Copies of these LPs came with an ironic sticker over the shrinkwrap that read "Do not listen to this LP if you are stoned".

Numbers was the first reference in the Narco catalogue (NR101), each of the three tracks it contains is named after a drug: Cannabis Sativa, Methedrine and Lysergic Acid Diethylamide. The album was credited to 107-34-8933, there is no date of release on the disc, some sources take it as back as 1968 - in any case, this is the same record that was issued on Buddah in 1970 credited to Head and eponymously-titled. The Wah Wah reissue features the original cover artwork from the Narco edition.
Can - Soundtracks
Can
Soundtracks
LP | 1970 | EU | Reissue (Spoon)
27,99 €*
Release: 1970 / EU – Reissue
Genre: Rock & Indie, Electronic & Dance
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Remastered from the original tapes, 180g vinyl!
Kluster - Klopfzeichen
Kluster
Klopfzeichen
LP | 1970 | EU | Reissue (Bureau B)
27,99 €*
Release: 1970 / EU – Reissue
Genre: Electronic & Dance
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The Glass Prism - Poe Through The Glass Prism
The Glass Prism
Poe Through The Glass Prism
LP | 1969 | EU | Reissue (Guerssen)
26,99 €*
Release: 1969 / EU – Reissue
Genre: Electronic & Dance
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David Cain - The Seasons
David Cain
The Seasons
LP | 1969 | UK | Reissue (Trunk)
18,99 €*
Release: 1969 / UK – Reissue
Genre: Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: Near Mint, Cover: VG+
clear vinyl. 2012 reissue. With insert
Technical Space Composer's Crew - Canaxis 5
Technical Space Composer's Crew
Canaxis 5
LP | 1969 | DE | Reissue (Grönland)
16,99 €*
Release: 1969 / DE – Reissue
Genre: Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: VG+
Cover and vinyl are close to NM. 2018 reissue.
La Monte Young / Marian Zazeela - 31 Vii 69 10:26 - 10:49 Pm / 23 Viii 64 2:50:45 - 3:11 Am The Volga Delta
La Monte Young / Marian Zazeela
31 Vii 69 10:26 - 10:49 Pm / 23 Viii 64 2:50:45 - 3:11 Am The Volga Delta
LP | 1969 | US | Reissue (Superior Viaduct)
23,99 €*
Release: 1969 / US – Reissue
Genre: Electronic & Dance, Classical Music
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La Monte Young was born in Bern, Idaho in 1935. He began his music studies in Los Angeles and later Berkeley, California before relocating to New York City in 1960, where he became a primary influence on Minimalism, the Fluxus movement and performance art through his legendary compositions of extended time durations and the development of just intonation and rational number based tuning systems. With wife and collaborator, artist Marian Zazeela, they would formulate the composite sound environments of the Dream House, which continues to this day. Seeing reissue for the first time since its initial 1969 release, Young and Zazeela's first full-length album is often referred to as "The Black Record" due to Zazeela's stunning cover design, complete with the composer's liner notes in elegant hand-lettered script. Side one was recorded in 1969 (on the date and time indicated by the title) at the gallery of Heiner Friedrich in Munich, where Young and Zazeela premiered their Dream House sound and light installation. Featuring Young and Zazeela's voices against a sine wave drone, the recording is a section of the longer composition Map of 49's Dream the Two Systems of Eleven Sets of Galactic Intervals Ornamental Lightyears Tracery (begun in 1966 as a sub-section of the even larger work The Tortoise, His Dreams and Journeys, which was begun in 1964 with Young group The Theatre of Eternal Music). According to Young, the raga-like melodic phrases of his voice were heavily influenced by his future teacher, the Hindustani singer Pandit Pran Nath. Side two, recorded in Young and Zazeela's NYC studio in 1964, is a section of the longer composition Studies in the Bowed Disc. This composition is an extended, highly abstract noise piece for bowed gong (gifted by sculptor Robert Morris). The liner notes explain that the live performance can be heard at 33 and 1/3 RPM, but may also be played at any slower speed down to 8 and 1/3 RPM for turntables with this capacity.
Tangerine Dream - Electronic Meditation
Tangerine Dream
Electronic Meditation
Tape | 1969 | EU (Radiation Reissues)
12,99 €*
Release: 1969 / EU
Genre: Electronic & Dance
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First major release and first studio album by German electronic music group Tangerine Dream. Recorded in a rented factory in Berlin in October 1969, using just a two-track recorder. As described back then by Sound magazine "free electronic rock", it features conventional instruments such as guitar, organ, drums, custom-made and found sound such as such broken glass, burning parchment, and dried peas being shaken in a sieve. An all-time milestone in music history.
Martin Denny - Exotic Moog Black Vinyl Edition
Martin Denny
Exotic Moog Black Vinyl Edition
LP | 1969 | US | Reissue (Jackpot)
27,99 €*
Release: 1969 / US – Reissue
Genre: Electronic & Dance
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The Inventor of Exotica/Cocktail Music goes Electronic/Moog. First time ever reissued. Originally released in 1969. ‚ Exotic Moog‚ starts off our reissue campaign of Martin Denny classics coming out in 2020. Audiophile pressing at RTI.
White Noise - An Electric Storm
White Noise
An Electric Storm
LP | 1969 | UK | Reissue (Island)
30,99 €*
Release: 1969 / UK – Reissue
Genre: Electronic & Dance, Pop
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An Electric Storm is justly renowned among techno boffins as one of the first albums to fuse pop and electronic music before the advent of the Moog synthesizer. But you don't have to be versed in the language of sine waves and oscillators to enjoy this mostly delightful and hugely inventive album. For although the White Noise were almost exclusively composed of virtuoso knob twiddlers and tape splicers moonlighting from the BBC Radiophonic Workshop, luckily they were no slouches when it came to penning a decent tune. There's also anarchic humor at play on the manic "Here Come the Fleas," which contains more edits in its two minutes than the whole of Sgt. Pepper's.Yet it's the retro-futurist textures that still grab the ear most. These are sounds that will be familiar to anyone who knows the soundtrack of Forbidden Planet or the early series of Doctor Who, but they had never before been deployed in the service of pop music, nor have they since. And whereas the Moog would supplant all of these primitive, time-consuming techniques of sound generation and manipulation within the year, it also destroyed much of electronic music's spirit of adventure in the process. How could you boldly go where no man had gone before when your sound universe was suddenly overlaid by tram lines and route maps? So although most of the songs that make up the first half of An Electric Storm are pretty much your standard-issue polite British psychedelia (the somewhat embarrassing United States of America-style orgy of "My Game of Loving" aside), the way they're dressed up still sounds innovative decades later. Sometimes songs dissolve into bleeps, whooshes, and gurgles that hurtle between your speakers, but compared to the extended guitar and organ solos that were common currency at the time, they are the very essence of restraint. That said, restraint was put to the sword on the final two tracks, the 12-minute "The Visitations" and the seven-minute "The Black Mass: An Electric Storm in Hell." The former is a decidedly spooky "Leader of the Pack"-style drama with a supernatural twist. The biker, having departed this life, attempts to make one last attempt to cross over and console his grieving beloved, only to fall agonizingly short. If you can suspend your disbelief -- and persuade yourself that the biker's departing spirit doesn't sound like a cappuccino machine -- it's spine-tingling stuff that you won't dare listen to with the lights off. Which is more than can be said for the concluding track, a would-be satanic jam session botched together in a hurry to meet Island's suddenly imposed deadline.
Can - Monster Movie
Can
Monster Movie
LP | 1969 | EU | Reissue (Spoon)
27,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie, Electronic & Dance
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Remastered from the original tapes, 180g vinyl!
The Mothers - We're Only In It For The Money
The Mothers
We're Only In It For The Money
LP | 1968 | UK | Reissue (Zappa)
36,99 €*
Release: 1968 / UK – Reissue
Genre: Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: Near Mint, Cover: VG+
Picture disc. Limited edition. 2018 Record Store Day reissue.
Silver Apples - Silver Apples Smoke Colored Vinyl Edition
Silver Apples
Silver Apples Smoke Colored Vinyl Edition
LP | 1968 | US | Reissue (Jackpot)
29,99 €*
Release: 1968 / US – Reissue
Genre: Rock & Indie, Electronic & Dance
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New 24 bit /96 kHz transfer taken from the original master tapes. Limited Smoke Colored Vinyl w/ Deluxe Silver Foil Jacket.

Formed in 1967 as a psychedelic electronic duo featuring Dan Taylor on drums and Simeon on a homemade synthesizer consisting of 12 oscillators (and an assortment of sound filters, telegraph keys, radio parts, lab gear and a variety of second hand electronic junk), SILVER APPLES quickly gained a reputation as New York’s leading underground musical expression. Their pulsating rhythmic beats with the use of electronics laid the groundwork for what would become“Krautrock” Silver Apples was released in 1968 and still remains an innovative and revolutionary album. Their highly influential sound has influenced countless bands from Stereolab, Beastie Boys, Blur and more. Edition of 500 copies.
Jackie Wilson - Manufacturers Of Soul
Jackie Wilson
Manufacturers Of Soul
LP | 1968 | US | Reissue (Demon)
16,99 €*
Release: 1968 / US – Reissue
Genre: Electronic & Dance
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Jackie Wilson - Whispers
Jackie Wilson
Whispers
LP | 1966 | Reissue (Demon)
16,99 €*
Release: 1966 / Reissue
Genre: Electronic & Dance
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David Blue - David Blue
David Blue
David Blue
LP | 1966 | Reissue (Mapache)
29,99 €*
Release: 1966 / Reissue
Genre: Electronic & Dance
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John Cage - Variations IV Volume II
John Cage
Variations IV Volume II
LP | 1965 | US | Reissue (Modern Harmonic)
29,99 €*
Release: 1965 / US – Reissue
Genre: Electronic & Dance
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A 1965 journey into found sound, courtesy of John Cage, assisted by David Tudor. Another seminal volume of indeterminate music from an icon of experimental sounds gets reissued for the first time, thematically on gorgeous clear vinyl!
Gazebo - Italo By Numbers Green Vinyl Edition
Gazebo
Italo By Numbers Green Vinyl Edition
LP | 1962 | EU | Reissue (Softworks)
33,99 €*
Release: 1962 / EU – Reissue
Genre: Electronic & Dance
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Miss Nelson / Bruce Haack - Dance Sing And Listen Again!
Miss Nelson / Bruce Haack
Dance Sing And Listen Again!
LP | 1962 | EU | Reissue (Honeypie)
13,99 €*
Release: 1962 / EU – Reissue
Genre: Organic Grooves, Electronic & Dance
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Canadian composer Bruce Haack one of the true pioneers in the field of electronic and children's music. Originally released in 1962 "Dance, Sing & Listen" was Haack's debut album. Following instructions from children dance teacher Esther Nelson the album comes as a hyper-eclectic work based on a great variety of sound material. A hybrid soup of medieval, country, classical, and pop styles including tons of electronic effects, guitars, banjos and other acoustic string instruments and bongos!!! This is open minded music for children at its best.
FKA Twigs - EP2
FKA Twigs
EP2
12" | UK | Reissue (Young Turks)
9,99 €*
Release: UK – Reissue
Genre: Electronic & Dance, Pop
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Used Vinyl
Medium: VG+, Cover: Near Mint
V.A. - Superstition Allstars Vol. 1
V.A.
Superstition Allstars Vol. 1
12" | DE | Original (Superstition)
7,99 €*
Release: DE – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: Generic
Seal / Various - Sealed With A Mix / Discoclassix
Seal / Various
Sealed With A Mix / Discoclassix
12" | UK (Black Wax)
4,99 €*
Release: UK
Genre: Organic Grooves, Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG
Liquorice Allsorts - V.I.P. Disco Party
Liquorice Allsorts
V.I.P. Disco Party
12" | DE | Original (KBC)
5,99 €*
Release: DE – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG
V.A. - Open Your Heart To The Virgin / Battle Raps / Here Comes The Rain
V.A.
Open Your Heart To The Virgin / Battle Raps / Here Comes The Rain
12" | NL (Special Sound)
6,99 €*
Release: NL
Genre: Hip Hop, Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG
Obsessive - The Locator Rmx
Obsessive
The Locator Rmx
12" | DE | Original (Bazookah Records)
4,99 €*
Release: DE – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG
The Adam & Eve Project - Auah - I Want Extra Ecstasy
The Adam & Eve Project
Auah - I Want Extra Ecstasy
12" | DE | Original (Hansa)
5,99 €*
Release: DE – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: VG+
Yellow Magic Orchestra / Weeks & Co. - Computer Games (Theme From The Invaders) / Knock, Knock
Yellow Magic Orchestra / Weeks & Co.
Computer Games (Theme From The Invaders) / Knock, Knock
12" | UK (K. M. A.)
3,99 €*
Release: UK
Genre: Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG
Congo Natty - Binghi Man
Congo Natty
Binghi Man
12" | Original (Not On Label)
17,99 €*
Release: Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG, Cover: Generic
White labels, with writing
Serious Intent / Certain Criteria - Straight Talk / D.E.F.
Serious Intent / Certain Criteria
Straight Talk / D.E.F.
12" | UK | Original (Formula Music)
3,99 €*
Release: UK – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG, Cover: Generic
Promo copy with white labels
Rawhill Cru - Helpless
Rawhill Cru
Helpless
12" | Original (U3R Music)
4,99 €*
Release: Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG, Cover: Generic
Promo copy with white labels
New Order - Low-life
New Order
Low-life
LP | IT | Original (Base)
27,99 €*
Release: IT – Original
Genre: Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG
Copy close to VG+
Andreas Vollenweider - ... Behind The Gardens - Behind The Wall - Under The Tree ...
Andreas Vollenweider
... Behind The Gardens - Behind The Wall - Under The Tree ...
LP | US | Reissue (CBS)
6,99 €*
Release: US – Reissue
Genre: Electronic & Dance
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Used Vinyl
Medium: Near Mint, Cover: VG+
Jovonn - Stump It
Jovonn
Stump It
2x12" | IT | Original (Nite Stuff)
12,99 €*
Release: IT – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: Generic
Vinyl 2 ONLY (Side C/D). Writing on labels.
Einstürzende Neubauten - Grundstueck
Einstürzende Neubauten
Grundstueck
LP | EU (Werkzwei)
24,99 €*
Release: EU
Genre: Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: VG+
Clear Vinyl.
V.A. - Leash Called Love
V.A.
Leash Called Love
12" | US (Not On Label)
6,99 €*
Release: US
Genre: Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: Generic
V.A. - Live At The Knitting Factory · Volume Two
V.A.
Live At The Knitting Factory · Volume Two
CD | DE | Original (Enemy)
6,99 €*
Release: DE – Original
Genre: Organic Grooves, Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: Near Mint, Cover: VG+
Peven Everett - Kicking Up Dust
Peven Everett
Kicking Up Dust
12" (Not On Label)
36,99 €*
Genre: Organic Grooves, Electronic & Dance
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Used Vinyl
Medium: VG, Cover: Generic
Record is close to VG+.
Pimpie Jackson - Homecoming Queen
Pimpie Jackson
Homecoming Queen
12" | DE | Original (Decktronics)
3,99 €*
Release: DE – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG+
Andreas Krämer - Totgesagte Leben Länger
Andreas Krämer
Totgesagte Leben Länger
12" | DE | Original (Construct Rhythm)
3,99 €*
Release: DE – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG, Cover: Generic
Promo.
Record has some hairlines and a few superficial scratches.
Sticker on label.
Kwass - Osaka Sequels Part 3
Kwass
Osaka Sequels Part 3
12" | DE | Original (Modular Music Channel)
3,99 €*
Release: DE – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG, Cover: Generic
V.A. - Night School 3
V.A.
Night School 3
12" | FR | Original (Night School)
7,99 €*
Release: FR – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG
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