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All Items / HHV Records / Vinyl, CD & Tape / Electronic & Dance

Electronic & Dance 46203 Items

Hip Hop 11275 Organic Grooves 27067 Rock & Indie 52184 Electronic & Dance 46203 Drum & Bass | Jungle 2373 Electro 4768 Techno | Minimal | Tech-House 14207 House | Deep House 13544 Nu Disco | Disco Edits | Cosmic 2830 Downbeat | Electronica | Leftfield 9627 Nu-Jazz | Broken Beat 508 Dubstep 642 Grime 78 Garage | 2Step | UK Funky | Bassline 736 Breaks | Breakbeat 638 Bmore | Baile Funk 23 Mash-Ups 39 Trance 1552 Reggae & Dancehall 5753 Pop 12706 Classical Music 1367 Soundtracks 3093 Childrens 157
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No More - Suicide Commando Purple Vinyl Edition
No More
Suicide Commando Purple Vinyl Edition
7" | 1981 | EU | Reissue (El Caballo Semental)
13,99 €*
Incl. VAT plus Shipping Costs
Release: 1981 / EU – Reissue
Genre: Electronic & Dance
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The year is 1981. The Kiel-based PostPunk / Wave underground outfit NO More releases their second ever single „Suicide Commando“ and their world changes forever. Well, not only their world – THE world. What began as an independently published 7“ single became a cult classic, a genre defining – and defying – song, an all-time dancefloor favorite of many, a timeless signature piece that escaped its original realm of PostPunk x Wave x Indie x Alternative to also become engrained in the DNA of modern electronic dancefloor culture most prominently in the beloved late 90s permutation presented by DJ Hell which became a classic in its own right. Now the year is 2021. Four decades have passed and NO More's „Suicide Commando“ is back once again - well... the song actually never left! -, this time harking back to the very beginning, the original vibe and the original format. Remastered and re-released with the original tracklisting and paying homage to the original artwork „Suicide Commando“ will be available in 7“ format for the first time since 1981. And staying true to the underground blueprint this 40th anniversary re-release edition once again is put out on the circuit through a small independent label: the Intrauterin Recordings offspring El Caballo Semental which also released NO More's „123456789 *baze.djunkiii & Herr Brandt Dream A NuDream Remix“ as a limited to 200 copies one-sided, colored whitelabel 7“ edition in 2019. Initial pressing will be limited to 400 copies.
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Carlos Peron - Impersonator
Carlos Peron
Impersonator
2LP | 1981 | EU | Reissue (Mecanica)
29,99 €*
Incl. VAT plus Shipping Costs
Release: 1981 / EU – Reissue
Genre: Electronic & Dance
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40th anniversary edition of the debut album by the multi-talented musician Carlos Perón. “Impersonator” was originally released in 1981 when he was still a member of Yello. This first solo work represents a desire to conduct daring electronic experiments, to achieve stylistic variety and musical intensity while at the same time it is an example of Mr. Perón’s bizarre sense of humour. Since the beginning of his career he pushed experimentation beyond limits with noise atmospheres, loops and complex textures which he has long used since before the introduction of sampling technology. With the arrival of sound sampling, he was among the first to experiment with equipment such as the Fairlight, Emulator and Mirage. During his time with Yello, Carlos may well have been one of the world’s first sampling masters. This new re-issue of “Impersonator” includes all original tracks with some bonus including the whole Frigorex EP from 1984 and six previously unreleased cuts recorded between 1982 and 1983. Limited edition of 500 copies with gatefold sleeve and an exclusive postcard.
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Syuko Sakai / Ryuichi Sakamoto - Computer Obaachan / Photo Musik
Syuko Sakai / Ryuichi Sakamoto
Computer Obaachan / Photo Musik
7" | 1981 | JP | Reissue (Universal Music Llc / Lawson Entertainment Inc.)
48,99 €*
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Release: 1981 / JP – Reissue
Genre: Electronic & Dance
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Announced in 1981, from NHK 'Minna no Uta', arranged, produced and performed by Ryuichi Sakamoto, drums by Yukihiro Takahashi

The 7-inch of the popular Japanese techno pop 'Computer Grandma' by Syuko Sakai (Tokyo Children's Chorus) is the first reissue.

The coupling includes progressive techno 'Photo Musik' by Ryuichi Sakamoto.
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Confusional Quartet - Confusional Quartet
Confusional Quartet
Confusional Quartet
10" | 1981 | EU | Reissue (Italian / Disordine)
26,99 €*
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Release: 1981 / EU – Reissue
Genre: Electronic & Dance
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Colored Music - Heart Beat
Colored Music
Heart Beat
12" | 1981 | EU | Reissue (Rush Hour)
15,99 €*
Incl. VAT plus Shipping Costs
Release: 1981 / EU – Reissue
Genre: Rock & Indie, Electronic & Dance
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12inch release of highly sought after Colored Music edits by Tokyo's, Chee Chimizu (Organic Music). The two cuts originally featured on the the bands seminal self titled album (from 1981) that remained a cult DJ secret weapon, for many years, all over the world. This heavy EP includes an alternative version of 'Heartbeat' that featured on the Japan only "Individual Beauty" LP of 2018 (also compiled by Chimizu)
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Kraftwerk - Computerwelt German Version Translucent Yellow Vinyl Edition
Kraftwerk
Computerwelt German Version Translucent Yellow Vinyl Edition
LP | 1981 | UK | Reissue (Parlophone)
34,99 €*
Incl. VAT plus Shipping Costs
Release: 1981 / UK – Reissue
Genre: Electronic & Dance
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Kraftwerk - Computer World English Version Translucent Yellow Vinyl Edition
Kraftwerk
Computer World English Version Translucent Yellow Vinyl Edition
LP | 1981 | EU | Reissue (Parlophone)
30,99 €*
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Release: 1981 / EU – Reissue
Genre: Electronic & Dance
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Ike Yard - Night After Night
Ike Yard
Night After Night
LP | 1981 | US | Reissue (Superior Viaduct)
18,99 €*
Incl. VAT plus Shipping Costs
Release: 1981 / US – Reissue
Genre: Electronic & Dance
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New York no-wavers Ike Yard are perhaps best known for being the first American band signed to Factory Records, and it isn't difficult to hear why: the group's music has much in common with the existential frigidness of Joy Division and early New Order as well as the mutant noise-funk of Section 25 and A Certain Ratio. That said, the sound of Night After Night, the band's debut EP, is one that could only have emerged from the lawless dystopia of '70s New York City.

Vocalist/percussionist Stuart Argabright, guitarist Michael Diekmann, vocalist/bassist Kenny Compton and synth player Fred Szymanski traffic in a particularly foreboding rhythmic tension, creating in the process an unlikely amalgam of minimal wave, industrial and post-punk.

Recorded shortly after forming in 1980 and originally released on seminal Brussels imprint Les Disques Du Crépuscule, Night After Night suggests an alternate history in which Tobe Hooper and Jah Wobble provided the soundtrack to The Warriors. The atmosphere throughout is thick. Every cymbal is dubbed-out and spacey; every vocal utterance treated, alien and detached.

Fans of Chrome's damaged ice machine-guitar or Suicide's menacing, anything-can-happen m.o. will rejoice in the siren-sounds, metal clanging and metronomic death-pulse of "Sense of Male," while “Infra-ton" evokes the cacophonous rattle of gates being pulled down over bodega storefronts and the screech of subway brakes. Side two kicks off with "Motiv's" mechanical dread, and the squelchy din of "Cherish" recasts The Residents as streetwise, urban punks.

Night After Night remains primal evidence of the dank, uncompromising narcotica of Ike Yard's embryonic period.
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Electric Light Orchestra - Time
Electric Light Orchestra
Time
LP | 1981 | EU | Reissue (Epic)
26,99 €*
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Release: 1981 / EU – Reissue
Genre: Electronic & Dance
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Serge Blenner - Magazin Frivole
Serge Blenner
Magazin Frivole
LP | 1981 | EU | Reissue (Bureau B)
27,99 €*
Incl. VAT plus Shipping Costs
Release: 1981 / EU – Reissue
Genre: Rock & Indie, Electronic & Dance
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Bureau B present a reissue of Serge Blenner's Magazin Frivole, originally released in 1981. Cold, concise analog synthesizer instrumentals -- on his second album Serge Blenner remained true to his style, albeit shifting course slightly towards pop territory. The juxtaposition of dark harmonies and pop structures is what makes this album so appealing. In places, it feels like a blueprint for early Depeche Mode. Having seen his first album La Vogue (BB 324CD/LP) snapped up by the Sky Records and fast-tracked for release in 1980, Blenner delivered his second LP, Magazin Frivole, the following year. Mindful of the success of its predecessor, Blenner added the name of his debut in big letters to the front cover of the new sleeve. Blenner remained faithful to his musical style, albeit adding more of a pop flavor. Magazin Frivole would not look out of place filed alongside Depeche Mode on the record shelf, as a certain resemblance is undeniable. Moreover, Blenner was one of the few proponents of electronic music who preferred to keep his songs concise, in contrast to the meandering odysseys of many of his electronic contemporaries. The far better-known French artist Jean-Michel Jarre adhered to similar principles, yet although Blenner was often compared to his compatriot, he claims only to have heard his music long after La Vogue had appeared. Minor chords dominate his harmonies, the bass performs octave leaps which mirror the zeitgeist. Unexpected key changes abound, adding a restless, almost disquieting quality. Overall, Magazin Frivole is less dark than the preceding album, but a picture of cheerfulness it is not. Nevertheless, a poppy drum computer introduces a lighter note. From the very first track, chord changes pop up at unexpected junctures -- they seem to come in prematurely, before harmonic sequences have run their course. Blenner doesn't have any explanation for this curiosity, other than to note that "most of the music was played by hand, so of course it wasn't all perfect." "I did all I could to avoid being successful -- on a subconscious level, at least. Unpredictable metrics and irregular beats were definitely part of the process," Blenner admits with an enigmatic smile. Juxtaposed with Blenner's more recent works, one can see what he means. His latest album Musique de Chambre (2008) comprises modern classical chamber music, built on digitally sampled real instruments. Besides, Blenner points out, handling all of those analog devices was a convoluted and complex undertaking.
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Fernando Falcao - Memoria Das Aguas
Fernando Falcao
Memoria Das Aguas
LP | 1981 | EU | Reissue (Optimo Music Selva Discos)
24,99 €*
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Release: 1981 / EU – Reissue
Genre: Electronic & Dance
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Selva Discos returns to the LP reissue game with a bang – by giving a new life to the stunning and very sought-after Memória das Águas album by Fernando Falcão. Originally recorded in 1979 in Paris but only released independently in Brazil in 1981, the album comes complete with genre-hopping explorations that swirl around ambient soundscapes, lively jazz, experimental-leanings, Afro-rhythms and a unique blend of Latin grooves and French pop with a Brazilian accent, but it also comes with a story as deeply unique as the music. Remastered from the original master tapes, not only the sound but the artwork of Memória das Águas was completely and faithfully restored. Also, the reissue comes with unprecedented liner notes featuring rare photos of the musician and his sound sculptures plus articles that help to explain who Fernando Falcão was and where Memória das Águas sits among other staples of Brazilian music, including one from DJ and selector John Gómez – who helped to connect Selva Discos' Augusto Olivani with Diana Lion, Fernando Falcão's daughter (since the musician died in 2002), for this project. After Memória das Águas, Selva Discos will also reissue another long lost Fernando Falcão LP album – Barracas Barrocas.
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John Kongos - I'm Dreaming (Any Moment I May Wake Up Scraming)
John Kongos
I'm Dreaming (Any Moment I May Wake Up Scraming)
12" | 1981 | EU | Reissue (Best Record Italy)
18,99 €*
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Release: 1981 / EU – Reissue
Genre: Organic Grooves, Electronic & Dance
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Cosmic disco classic played regularly by Baldelli, Lodola and in the underground scene, produced by John Kongos in 1981and released on 7 inch, containing only the short vocal version. Now remastered and reissued by Best Italy on 12" containing the full vocal original version plus the instrumental version on the flip.
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Kevin Harrison - Inscrutably Obvious
Kevin Harrison
Inscrutably Obvious
LP | 1981 | US | Reissue (Superior Viaduct)
21,99 €*
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Release: 1981 / US – Reissue
Genre: Electronic & Dance
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Hailing from Nuneaton, England, Kevin Harrison recorded both solo and collaboratively throughout the late ’70s and early ’80s. While his early recordings would come out in hyper-limited editions or go unreleased for decades, Inscrutably Obvious remains his sole LP—a lost gem of Britian’s ’80s cassette culture and DIY bedroom aesthetics.

Originally released in 1981, Inscrutably Obvious covers a lot of ground on its seventeen inscrutable tracks—from analog synth workouts to mutated disco and shimmering guitar improvisations. The album maintains a late-night vibe, filtered through a post-punk lens.

Harrison clearly wears his influences on his sleeve—major debts are paid to Brian Eno, Robert Fripp and Manuel Gottsching—yet finds his own unique voice, combining quirky instrumentals and surrealist sensibilities.

This first-time reissue is recommended for fans of Chris & Cosey, Cupol and The Normal. Inscrutably Obvious sounds as fresh today as it must have nearly 40 years ago.
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Normal Brain - Lady Maid
Normal Brain
Lady Maid
LP | 1981 | EU | Reissue (WRWTFWW)
20,89 €* 21,99 € -5%
Incl. VAT plus Shipping Costs
Release: 1981 / EU – Reissue
Genre: Electronic & Dance
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WRWTFWW Records is immensely happy to announce the reissue of impossible-to-find cult album Lady Maid by Japanese outfit Normal Brain.
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Roter Stern Belgrad - Massa EP
Roter Stern Belgrad
Massa EP
12" | 1981 | EU | Reissue (TAL)
13,99 €*
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Release: 1981 / EU – Reissue
Genre: Electronic & Dance
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Mkwaju Ensemble (Midori Takada) - Mkwaju
Mkwaju Ensemble (Midori Takada)
Mkwaju
LP | 1981 | EU | Reissue (WRWTFWW)
22,99 €*
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Release: 1981 / EU – Reissue
Genre: Electronic & Dance
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Beautiful 1 LP Edition Clasic with 350g cardboard sleeve, Sticker - The holy grail album Mkwaju by acclaimed Japanese percussionist Midori Takada’s Mkwaju ensemble WRWTFWW Records is proud to announce the highly anticipated official reissue of holy grail album Mkwaju by acclaimed Japanese percussionist Midori Takada’s Mkwaju ensemble, sourced from the original masters and available in two versions: a vinyl LP cut at Emil Berliner Studios (formerly the in-house recording department of Deutsche Grammophon) and a digipack CD.
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Kraftwerk - Computer World Remastered Black Vinyl Edition
Kraftwerk
Computer World Remastered Black Vinyl Edition
LP | 1981 | EU | Reissue (Parlophone)
49,99 €*
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Release: 1981 / EU – Reissue
Genre: Electronic & Dance
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Computer World (German: Computerwelt) is the eighth studio album by German electronic music band Kraftwerk, originally released on 10 May 1981. The album deals with the themes of the rise of computers within society. In keeping with the album's concept, Kraftwerk showcased their music on an ambitious world tour and issued several different versions of the single "Pocket Calculator" in different languages: namely, German ("Taschenrechner"), French ("Mini Calculateur") and Japanese ("Dentaku", or 電卓). A fifth version, in Italian ("Mini Calcolatore"), was lip-synched to on Italian television in 1981. The compositions are credited to Ralf Hütter, Florian Schneider, and Karl Bartos. As was the case with the two previous albums, Computer World was released in both German- and English-language editions. The title of the final track, "It's More Fun to Compute", is in English in all releases, as it is based on the slogan "It's more fun to compete!", which could be seen on old pinball machines.
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Codek - Tam Tam / Closer
Codek
Tam Tam / Closer
12" | 1981 | US | Reissue (Dark Entries)
15,99 €*
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Release: 1981 / US – Reissue
Genre: Electronic & Dance
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Codek is the brainchild of Jean-Marie Salaun who grew up in Paris influenced by the folklore of the inner city. In 1978 he joined art rock group SpionS alongside Gregory Davidow and recorded two singles. Diving into the Paris post punk scene he met Claude Arto and designed the artwork for Claude’s single on Celluloid “Kwai Systeme / Betty Boop.” Robin Scott (M “Pop Music”) had produced the SpionS first single and wanted to collaborate further. With Claude, Jean-Marie wrote “Me Me Me”, intended for a choir, for M. Then SpionS split and Robin was off to Switzerland to record an album to follow-up his hit single. That left Jean-Marie alone in London, where he began working as Codek, a play on the brand name Kodak The “Me Me Me” single was released by MCA Records in 1980. Back in Paris, now with some studio experience, Celluloid Records hired Jean-Marie to produce records for Artefact and Les Orphelins. Over the next 2 years he began working on ideas for the next Codek single “Closer / “Tam Tam”

“Closer” started its life as an electric baseline played by Jean-Marie. Claude Arto sequenced the floating synthesizers. Laurent Grangier and Frédéric Lapierre of reggae band Immigration Act played the horns. The lyrics “Hard to say. Easy to do. We don’t need to say what we do” were a statement on creation as narration expressed Jean-Marie’s ennui, “I’m tired with it.” “Tam Tam” was inspired by Burundi drummers playing on the plaza in front of Beaubourg where the song was recorded. Jean-Marie enlisted one of the drummers from the circle, Georges Atta Dikalo, to lay down percussion for the song. The female singers were from the French Caribbean and added falsetto tribal chants. JM was part of the the African night scene in Paris, remixing Xalam’s “Kanu” and Touré Kunda’s “Salaly Muhamed.” Claude achieved complex rhythmic patterns using a modular synthesizer and heavy processing. Jean-Marie recorded himself beating his chest for the thump noises. The recording of “Tam Tam” and “Closer” spanned over two years. They started on 16-track in Studio d’Auteuil, where JM blew the woofers, before resuming in Studio Centre Georges Pompidou with an added 8-track recorder. Jean-Marie was producing other bands, and a lot of this was recorded on “borrowed” studio time. The single was released in 1981 on West African Music, a tiny label from the Ivory Coast, and was re-released a year later by Island Records in the UK (where the B-side was re-named “Tim Toum”). Both tracks were staples in the DJ sets of Beppe Loda and Daniele Baldelli, finding a spiritual home in the Cosmic scene of Italy.

Both songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The jacket is an exact replica of the 1981 edition with artwork by Angela Boy, inspired by primitive electronics and African paintings. Each copy includes an doubles-sided insert with photos and liner notes by Jean-Marie Salaun.
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John Bender - Plaster Falling
John Bender
Plaster Falling
LP | 1981 | US | Reissue (Superior Viaduct)
28,99 €*
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Release: 1981 / US – Reissue
Genre: Electronic & Dance
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Plaster Falling was recorded at the same time as John Bender’s first album, I Don’t Remember Now / I Don’t Want To Talk About It. Released in 1981 on the artist’s own Record Sluts label, copies of Plaster Falling’s initial pressing came hermetically sealed in plaster (and later latex). Thus, listeners had to literally break open the record to find what’s hidden inside. Produced in relative isolation, Plaster Falling is a beacon of brilliance in the nascent minimal-wave sphere. Veering towards skeletal urgency, these recordings set bright analogue melodies against half-whispered vocals and expand Bender’s electronic cryptography thru a series of lone signifiers: “Station,” “Plaster,” “Women,” etc. As Bender explains in the liner notes, “I began to distance myself from the present and describe scenes as if in a movie – seeking concrete, terse, juxtaposed imagery.” This first-time standalone reissue is recommended for fans of Gareth Williams & Mary Currie’s Flaming Tunes, Minimal Man and Grouper. Pressed on translucent blue vinyl in a limited / numbered edition of 1,000 copies.
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Jean-Michel Jarre - Magnetic Fields
Jean-Michel Jarre
Magnetic Fields
LP | 1981 | EU | Reissue (Sony)
26,99 €*
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Release: 1981 / EU – Reissue
Genre: Electronic & Dance
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Irmin Schmidt of Can - Toy Planet
Irmin Schmidt of Can
Toy Planet
LP | 1981 | US | Reissue (Celluloid)
19,99 €*
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Release: 1981 / US – Reissue
Genre: Electronic & Dance
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B.C. Gilbert / G. Lewis - Ends With The Sea
B.C. Gilbert / G. Lewis
Ends With The Sea
7" | 1981 | US | Reissue (Superior Viaduct)
13,99 €*
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Release: 1981 / US – Reissue
Genre: Electronic & Dance
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Bruce Gilbert and Graham Lewis have always juggled darkness and light in their various collaborations (Dome, Cupol, etc.); Gilbert’s pointillist melodicism counterbalanced by Lewis’s menacing bass and sardonic lyrics. While the duo explores cinematic soundscapes on their album 3R4, here they return to more song-based territory with icy vocals, detached guitar lines and even a faint industrial vibe. Ends With the Sea provides a vital glimpse into the creative forces that even a band as daring and inventive as Wire could not contain. This first-time vinyl reissue is recommended for fans of SPK, Chris Carter, and Einstürzende Neubauten.
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Yello - Bostich
Yello
Bostich
12" | 1981 | US
15,99 €*
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Release: 1981 / US
Genre: Electronic & Dance
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Roedelius - Wenn Der Südwind Weht
Roedelius
Wenn Der Südwind Weht
LP | 1981 | EU | Reissue (Bureau B)
27,99 €*
Incl. VAT plus Shipping Costs
Release: 1981 / EU – Reissue
Genre: Rock & Indie, Electronic & Dance
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Brian Eno & David Byrne - My Life In The Bush Of Ghosts
Brian Eno & David Byrne
My Life In The Bush Of Ghosts
2LP | 1981 | US | Reissue (Nonesuch)
45,99 €*
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Release: 1981 / US – Reissue
Genre: Rock & Indie, Electronic & Dance
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fully remastered 180 gram vinyl reissue incl. 7 orginally unreleased tracks of this groundbreaking collaboration!
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Eye To Eye - Am I Normal?
Eye To Eye
Am I Normal?
12" | 1980 | UK | Original (Automatic Record Co.)
5,99 €*
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Release: 1980 / UK – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: VG
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Max 'N Specs - Don't Come Stoned And Don't Tell Trude!
Max 'N Specs
Don't Come Stoned And Don't Tell Trude!
12" | 1980 | DE | Original (CNR)
5,99 €*
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Release: 1980 / DE – Original
Genre: Organic Grooves, Electronic & Dance, Pop
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Used Vinyl
Medium: VG, Cover: VG
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The Nolans - Making Waves
The Nolans
Making Waves
LP | 1980 | JP | Original (Epic)
4,99 €*
Incl. VAT plus Shipping Costs
Release: 1980 / JP – Original
Genre: Electronic & Dance, Pop
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Used Vinyl
Medium: VG+, Cover: Near Mint
Japanese pressing, comes with Obi and inserts.
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The Nolans - Making Waves
The Nolans
Making Waves
LP | 1980 | JP | Original (Epic)
6,99 €*
Incl. VAT plus Shipping Costs
Release: 1980 / JP – Original
Genre: Electronic & Dance, Pop
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Used Vinyl
Medium: Mint, Cover: VG+
Japanese pressing, comes with Obi and inserts.
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Electric Light Orchestra / Olivia Newton-John - OST Xanadu
Electric Light Orchestra / Olivia Newton-John
OST Xanadu
LP | 1980 | JP | Original (Jet)
11,99 €*
Incl. VAT plus Shipping Costs
Release: 1980 / JP – Original
Genre: Electronic & Dance, Pop, Soundtracks
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Used Vinyl
Medium: VG, Cover: VG+
Japanese pressing without OBI. Original inner sleeve.
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Passengers - Girls Cost Money
Passengers
Girls Cost Money
LP | 1980 | DE | Original (Ariola)
15,99 €*
Incl. VAT plus Shipping Costs
Release: 1980 / DE – Original
Genre: Organic Grooves, Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: VG
Sticker on cover.
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The Buggles - The Age Of Plastic
The Buggles
The Age Of Plastic
LP | 1980 | DE | Original (Island)
24,99 €*
Incl. VAT plus Shipping Costs
Release: 1980 / DE – Original
Genre: Electronic & Dance, Pop
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Used Vinyl
Medium: Near Mint, Cover: VG+
Small cut-out.
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Rachel Sweet - Protect The Innocent
Rachel Sweet
Protect The Innocent
LP | 1980 | DE | Original (Stiff)
3,99 €*
Incl. VAT plus Shipping Costs
Release: 1980 / DE – Original
Genre: Rock & Indie, Electronic & Dance, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
Vinyl is close to NM !
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V.A. - It's My Discothek
V.A.
It's My Discothek
LP | 1980 | BG | Original (Балкантон)
4,99 €*
Incl. VAT plus Shipping Costs
Release: 1980 / BG – Original
Genre: Organic Grooves, Electronic & Dance, Pop
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Used Vinyl
Medium: VG, Cover: VG
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Delta 5 - Anticipation / You
Delta 5
Anticipation / You
7" | 1980 | UK | Original (Rough Trade)
13,99 €*
Incl. VAT plus Shipping Costs
Release: 1980 / UK – Original
Genre: Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: VG
Sleeve has small tear at opening.
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Hiroshima - Hiroshima
Hiroshima
Hiroshima
LP | 1980 | JP | Original (Arista)
16,99 €*
Incl. VAT plus Shipping Costs
Release: 1980 / JP – Original
Genre: Organic Grooves, Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: VG+
Japanese pressing with Obi.
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Sweet People - Sweet People
Sweet People
Sweet People
LP | 1980 | JP | Original (Polydor)
3,99 €*
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Release: 1980 / JP – Original
Genre: Electronic & Dance, Classical Music
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Used Vinyl
Medium: VG, Cover: VG+
Includes OBI and insert.
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R.N.A. Organism - R.N.A.O Meets P.O.P.O
R.N.A. Organism
R.N.A.O Meets P.O.P.O
LP | 1980 | US | Reissue (Mesh-Key)
34,99 €*
Incl. VAT plus Shipping Costs
Release: 1980 / US – Reissue
Genre: Electronic & Dance
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Much appreciated reissue of R.N.A. Organism’s ‘R.N.A.O Meets P.O.P.O’ (first released by legendary Osaka label Vanity Records in 1980). A key document of the late ’70s experimental music scene in Kansai, Japan, R.N.A.O Meets P.O.P.O is a hallucinatory trip of dubby bass, churning guitars, sputtering rhythm boxes, twisted vocals and unidentifiable sound effects.

Carefully remastered by Stephan Mathieu from the original tapes, cut by Josh Bonati, pressed by RTI, and housed in a hefty Stoughton tip-on sleeve. This oedition also includes an expanded insert with an illuminating essay by R.N.A. Organism producer Kaoru Sato.
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Laurie Spiegel - The Expanding Universe
Laurie Spiegel
The Expanding Universe
3LP | 1980 | EU | Reissue (Unseen Worlds)
40,99 €*
Incl. VAT plus Shipping Costs
Release: 1980 / EU – Reissue
Genre: Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: Near Mint
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Lori Spee - Behind Those Eyes
Lori Spee
Behind Those Eyes
LP | 1980 | NL | Original (Philips)
3,99 €*
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Release: 1980 / NL – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: VG+
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Raimonds Pauls - Сестра Керри
Raimonds Pauls
Сестра Керри
LP | 1980 | EU | Reissue (Мелодия)
8,99 €*
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Release: 1980 / EU – Reissue
Genre: Organic Grooves, Electronic & Dance, Soundtracks
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Used Vinyl
Medium: VG, Cover: VG
Record is close to VG+.
Cover with faint ring wear.
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Klaus Schulze - Dig It
Klaus Schulze
Dig It
LP | 1980 | DE | Original (Brain)
11,99 €*
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Release: 1980 / DE – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: VG
Original inner sleeve included. Two small tears from sticker removal on cover.
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Pointer Sisters - Special Things
Pointer Sisters
Special Things
LP | 1980 | US | Original (Planet)
6,99 €*
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Release: 1980 / US – Original
Genre: Organic Grooves, Electronic & Dance, Pop
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Used Vinyl
Medium: VG, Cover: VG
Promo stamp on cover.
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KC & The Sunshine Band - Greatest Hits
KC & The Sunshine Band
Greatest Hits
LP | 1980 | US | Original (T.K.)
16,99 €*
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Release: 1980 / US – Original
Genre: Organic Grooves, Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG
Creased corner.
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Oliver Onions - Santa Maria
Oliver Onions
Santa Maria
7" | 1980 | DE | Original (Polydor)
3,99 €*
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Release: 1980 / DE – Original
Genre: Organic Grooves, Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG
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The Ventures - Super Live '80
The Ventures
Super Live '80
2LP | 1980 | JP | Original (Eastworld)
28,99 €*
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Release: 1980 / JP – Original
Genre: Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: Near Mint, Cover: VG+
Without OBI and insert
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Klaus Schulze - ...Live...
Klaus Schulze
...Live...
2LP | 1980 | DE | Original (Brain)
16,99 €*
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Release: 1980 / DE – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG+
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Electric Light Orchestra / Olivia Newton-John - Xanadu (From The Original Motion Picture Soundtrack)
Electric Light Orchestra / Olivia Newton-John
Xanadu (From The Original Motion Picture Soundtrack)
LP | 1980 | JP | Original (Jet)
14,99 €*
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Release: 1980 / JP – Original
Genre: Electronic & Dance, Pop, Soundtracks
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Used Vinyl
Medium: VG+, Cover: VG+
No Obi. Original inner sleeve included. Record is close to NM.
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Rockets - Galaxy
Rockets
Galaxy
LP | 1980 | DE | Original (WEA)
33,99 €*
Incl. VAT plus Shipping Costs
Release: 1980 / DE – Original
Genre: Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG
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Dome - 2
Dome
2
LP | 1980 | EU | Reissue (Editions Mego)
23,99 €*
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Release: 1980 / EU – Reissue
Genre: Electronic & Dance
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With the demise of the group Wire in 1980, founder members Bruce Gilbert and Graham Lewis joined forces to create Dome. With the assistance of engineer Eric Radcliffe and his Blackwing Studio Dome took the ethic of »using the studio as a compositional tool« and recorded and released three Dome albums on their own label in the space of 12 months: »Dome« (July 1980), »Dome 2« (October 1980) and »Dome 3« (October 1981). A final fourth album, »Will You Speak this World: Dome 3« was released on the Norwegian Uniton label in May 1983.

These albums represent some of the most beautifuly stark and above all timeless exercises in studio experimentation from early 1980s alternative music scene.
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Dome - 1
Dome
1
LP | 1980 | EU | Reissue (Editions Mego)
23,99 €*
Incl. VAT plus Shipping Costs
Release: 1980 / EU – Reissue
Genre: Electronic & Dance
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With the demise of the group Wire in 1980, founder members Bruce Gilbert and Graham Lewis joined forces to create Dome. With the assistance of engineer Eric Radcliffe and his Blackwing Studio Dome took the ethic of »using the studio as a compositional tool« and recorded and released three Dome albums on their own label in the space of 12 months: »Dome« (July 1980), »Dome 2« (October 1980) and »Dome 3« (October 1981). A final fourth album, »Will You Speak this World: Dome 3« was released on the Norwegian Uniton label in May 1983.

These albums represent some of the most beautifuly stark and above all timeless exercises in studio experimentation from early 1980s alternative music scene.
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Maurizio Colonna - Colonna
Maurizio Colonna
Colonna
LP | 1980 | DE | Original (Box)
19,99 €*
Incl. VAT plus Shipping Costs
Release: 1980 / DE – Original
Genre: Organic Grooves, Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: VG
Sticker on cover.
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Menage A Trois - Ménage à Trois
Menage A Trois
Ménage à Trois
LP | 1980 | NL | Original (Ariola)
44,99 €*
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Release: 1980 / NL – Original
Genre: Organic Grooves, Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: VG
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V.A. - Gimme, Gimme, Gimme...
V.A.
Gimme, Gimme, Gimme...
LP | 1980 | GDR | Original (AMIGA)
3,99 €*
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Release: 1980 / GDR – Original
Genre: Organic Grooves, Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: Near Mint, Cover: VG
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Metro - Future Imperfect
Metro
Future Imperfect
LP | 1980 | DE | Original (Metronome)
7,99 €*
Incl. VAT plus Shipping Costs
Release: 1980 / DE – Original
Genre: Rock & Indie, Electronic & Dance, Pop
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Used Vinyl
Medium: VG, Cover: VG
Copy is close to VG+!
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Plus Instruments - 79/80
Plus Instruments
79/80
LP | 1980 | EU | Reissue (Dead Mind)
28,99 €*
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Release: 1980 / EU – Reissue
Genre: Organic Grooves, Electronic & Dance
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While she was still a member of Nasmak, one of the leading bands of the Dutch ultra-movement, Truus de Groot started Plus Instruments in 1978 with herself as the sole member. When the project evolved, she found a wide range of rotating collaborators like Michel Waisvisz, Lee Ranaldo and James Sclavunos. Plus Instruments was about freedom and the live performances were largely improvised. The sound minimal but captivating. The music always came from within, but De Groot was also triggered by bands like Red Crayola, Suicide, DAF, Wire, Per Ubu, Devo and the No Wave scene in NY. She was always experimenting with primitive multi-track recording and whatever crappy gadgets she could find. Always looking for a gritty, dirty sound and bizarre overtones.

At a young age she travelled to New York and began to immerse herself in the nightlife of the city that never sleeps. Here she found true creativity, passion and expression. The club scene was alive but highly competitive, so this fearless Dutch girl would just knock on promoter’s doors to get gigs booked at places like CBGB’s, Peppermint Lounge, Underground and the Pyramid. De Groot eventually settled in the United States and never stopped experimenting with sound. In recent years she reinvented Plus Instruments and led the group into new territory.

The recordings for this LP were made by De Groot at home and the music is experimental, minimal, industrial but also playful, sounding nothing like most of the later material. 14 tracks in total of which 7 are taken from the elusive and impossible to find self-released debut cassette as ‘Truss Plus Instruments’ which was sparingly distributed by Nigel Jacklin and his legendary Alien Brains fanzine in 1980. The remaining 7 tracks are from the same period (1979-1980) and were carefully selected from the vast archive of De Groot. We are glad to present this anthology that serves as a long overdue testimony to the formative phase of a unique female pioneer of electronic music.

200 copies on black vinyl with insert.
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Xynn - Dreams About Reality
Xynn
Dreams About Reality
LP | 1980 | DE | Original (Vertigo)
7,99 €*
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Release: 1980 / DE – Original
Genre: Electronic & Dance, Pop
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Used Vinyl
Medium: VG, Cover: VG
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The Cure - Seventeen Seconds
The Cure
Seventeen Seconds
CD+CD | 1980 | EU | Reissue (Fiction)
14,99 €*
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Release: 1980 / EU – Reissue
Genre: Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: Near Mint, Cover: VG+
2CD in jewel case with booklet.
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V.A. - Darker Skratcher
V.A.
Darker Skratcher
LP | 1980 | NL | Original (Frizz Bee)
19,99 €*
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Release: 1980 / NL – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG, Cover: F
Record has scuffs and hairlines.
Front cover is badly torn.
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Trance - Here And Now
Trance
Here And Now
LP | 1980 | DE | Original (Trance)
29,99 €*
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Release: 1980 / DE – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: Near Mint, Cover: VG+
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Two Tons O' Fun - Two Tons O' Fun
Two Tons O' Fun
Two Tons O' Fun
LP | 1980 | UK | Reissue (Southbound)
18,99 €* 19,99 € -5%
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Release: 1980 / UK – Reissue
Genre: Electronic & Dance
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V.A. - Slow (Motion And Movement)
V.A.
Slow (Motion And Movement)
LP | 1980 | Reissue (Be With)
27,99 €*
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Release: 1980 / Reissue
Genre: Electronic & Dance
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Welcome to library breaks *chopped 'n screwed*! Slow (Motion And Movement), originally released on Sonoton in 1980, is super-sought-after and full of crazy dubby, super SLLLLLOOOOWWWWW and super HEAVVVVVY library breaks. It's also home to blinding new age/synthy tracks that are equally great. It's really varied throughout, but all absolutely fantastic.

Slow features KPM/Bruton/Sonoton-legend John Fiddy, the mighty Sonoton founder and composer, arranger and conductor Gerhard Narholz in 2 of his best-loved guises - Sammy Burdson and Norman Candler (get it?) - as well as a couple of fine offerings from Antonio Campo.

Heavy opener "Slow Business 1" is veeeerrrrrrryyyyyy slooooooooow with the phased drums so beloved of Narholz but this time delivered by Campo, with a proud, deliberate piano melody and great bassline adorning the creeping rhythm. "Slow Business 2" is equally as slooooooow but without any melodic decoration. Just pure phased drums, folks! Get sampling. "Moody You" is Narholz's first track on the record and what a beauty it is. A languorous, insouciant, slo-mo guitar soul track with warm synths, electric piano and heavy drums. It sounds a wee bit like an erotic film score, and all the better for it. "Slow Groovement" is Campo's final contribution and it's definitely his best. It's an ace, moody-yet-melodic crime/blaxploitation track with gorgeous percussive elements, mellifluous Rhodes and twinkling piano over a fantastic bassline and drums with some great electric guitar soloing halfway through.

"Slow Reactor 1" is Narholz again, under his Burdson pseudonym, and it's him all the way, now, joined by John Fiddy for half the tracks. This one is a tense, phased, slo-mo thriller with mysterious percussive elements and ominous strings. "Threat To Research" contains mysterious, dramatic sounds and heaps of string-assisted tension whilst "Ion Exchanger" is replete with repetitive, strange accents and sounds; all half-tumbling drums and dead tense, again. Truly, a taut experience and ideal for adventurous sample-based beat-heads. "Wave Motions" is a real highlight and the first to feature John Fiddy. It's a beatless ambient banger with slowly changing sound waves. It sounds like Angelo Badalamenti would if he were crafting strung-out teutonic library madness in 1980. The A-Side closes with "Slow Motion Link" which is over waaaay too soon but just simply needs looping. Trust us. Phenomenally dope!

Flip over for "Scenic Vision 1" for here, ladies and gentlemen, we go sublime. It's an absolutely stunning ambient wonder, with slowly changing textures and colours that create a peaceful, gliding, tranquil atmosphere of sheer bliss. You will not want it to end. Whilst "Scenic Vision 2" adds a bass melody, "Scenic Vision 3" uses the same melody but renders it isolated and lonely in the background. Haunting, hypnotic and hyper-beautiful. "Study In Brown" is s a lengthier number, with room to stretch out, and features Fiddy back in the game. Again, a slow, isolated melody gradually segues - by way of Fiddy's mournful electric guitar solo - into a slow heavy rhythm with rumbling, groovy bass and stratospheric drums.

"Deja Vu 1" weaves swirling, disorientating magic. It's described on the original sleeve simply as "indefinite arpeggios inexplicable vision" and we can't put it any better ourselves. "Deja Vu 2" sounds like you've heard it before, it's "as above with melodic line" and really is fun. "Glistening Surface" sounds exactly as you'd expect, all frisson-inducing movements, slow waves and generally peaceful scenic sounds. This remarkable library record closes with "Laser Fight", blasting "utopian percussive sounds" that totally get under your skin like fireworks through your veins. A neat trick!

Established in Munich in 1965 by Gerard and Rotheide Narholz, Sonoton introduced library music to Germany. Initially intended to cater to the country's new TV market, the library also provided an avenue for Gerhard Narholz's astonishing musical prolificacy, and soon became a haven for a wide range of European composers and musicians. In 1969, Sonoton struck a deal with the British label Berry Music for international publishing rights, exposing its catalog to a worldwide audience; when Berry was bought out by EMI in 1973, Sonoton transitioned into a full-fledged international label, with successes in the library and commercial fields and many innovations to its credit. Now a worldwide operation with hundreds of producers and composers under its employ, Sonoton nonetheless remains an independently run business still helmed by its founders - a remarkable achievement in an era when nearly every other major library has been absorbed by a multinational conglomerate.

The audio for Slow (Motion And Movement) has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.
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2 plus 1 - Easy Come, Easy Go
2 plus 1
Easy Come, Easy Go
LP | 1980 | DE | Original (Autobahn)
4,99 €*
Incl. VAT plus Shipping Costs
Release: 1980 / DE – Original
Genre: Organic Grooves, Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: VG
Writing on cover
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Patrick Juvet - Laura Les Ombres De L'Ete
Patrick Juvet
Laura Les Ombres De L'Ete
LP | 1980 | JP | Original (Barclay)
33,99 €*
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Release: 1980 / JP – Original
Genre: Organic Grooves, Electronic & Dance, Pop, Soundtracks
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Used Vinyl
Medium: VG+, Cover: VG+
Japanese pressing with Obi.
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Melodic Energy Commission - Migration Of The Snails
Melodic Energy Commission
Migration Of The Snails
LP | 1980 | CA | Reissue (Telephone Explosion)
16,99 €*
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Release: 1980 / CA – Reissue
Genre: Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: VG+
2018 reissue. Original inner sleeve. Cover and vinyl are close to NM.
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Lipps, Inc. - Pucker Up
Lipps, Inc.
Pucker Up
Album | 1980 | JP | Original (Casablanca)
27,99 €*
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Release: 1980 / JP – Original
Genre: Organic Grooves, Electronic & Dance
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Used Vinyl
Medium: Near Mint, Cover: VG+
Japanese pressing with obi.
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Olivia Newton-John / Electric Light Orchestra - Xanadu Special
Olivia Newton-John / Electric Light Orchestra
Xanadu Special
12" | 1980 | JP | Original (Jet)
199,99 €*
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Release: 1980 / JP – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: Near Mint, Cover: VG
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Debbie Neon - American Nightmare
Debbie Neon
American Nightmare
12" | 1980 | DE | Original (CBS)
3,99 €*
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Release: 1980 / DE – Original
Genre: Rock & Indie, Electronic & Dance, Pop
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Used Vinyl
Medium: VG, Cover: VG+
Price tag.
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The Turn Ups - Turn Up
The Turn Ups
Turn Up
LP | 1980 | US | Original (Cracked)
22,39 €* 31,99 € -30%
Incl. VAT plus Shipping Costs
Release: 1980 / US – Original
Genre: Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: VG
close to NM
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James Brown - Soul Syndrom (Henry Stone Records)
James Brown
Soul Syndrom (Henry Stone Records)
LP | 1980 | EU | Reissue (Wagram)
18,99 €*
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Release: 1980 / EU – Reissue
Genre: Electronic & Dance
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By 1980 James Brown did one album for Henry Stone's T.K. While this doesn't have Brown bubbling over with innovation, he still provided a more substantial alternative to disco. On this album, we have a sublime sped-up version of "The Payback," which rocks like nobody's business. Or on the remake of "Mashed Potatoes", Brown is reuniting with Bobby Byrd. Shortly afterward they both go through a travelogue of cities and states like it's "Night Train" all over again. Soul Syndrome has Brown still full of ideas. The inane "Funky Men" has a killer reggae/funk guitar riff and a fantastic Latin horn arrangement...In the end, it makes it a nice album that counts in the rich carrer of the master of Funk !
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Magic Sound - I Like That / Time
Magic Sound
I Like That / Time
7" | 1980 | EU | Reissue (Edition Hawara)
16,99 €*
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Release: 1980 / EU – Reissue
Genre: Organic Grooves, Electronic & Dance
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Edition Hawara’s fifth release is a raw funk gem by a little-known Austrian pop band called Magic Sound. Edition Hawara’s second 7“release features one of the more obscure Austrian bands from the 1980s. Little is known about Magic Sound. The cover suggests that their label wanted them to be Austria’s Village People, though their sound is much rawer and funkier. One thing we know for sure is that the group included Andy Töfferl, who was also a member of the famous Austrian pop ensemble EAV (Erste Allgemeine Verunsicherung). And we know that they went to the studio to record a whole album after touring Sweden in 1980. Only these two songs survived, and they are worth listening to over and over again. Enjoy in fancy dress, or dressed down. With or without a moustache.
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Guy Maxwell - Outside My Window
Guy Maxwell
Outside My Window
LP | 1980 | EU | Reissue (Growing Bin)
23,99 €*
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Release: 1980 / EU – Reissue
Genre: Electronic & Dance, Pop
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Basking in the golden glow of an Indian Summer, Basso brings us a much needed reissue of one of his most treasured musical discoveries, Guy Maxwell’s ‘Outside My Window’. A long time favourite in the Growing Bin, this mellow masterpiece originally crept out in 1980 with no backing from its label, the soon to burst Bubble. Now resequenced and redressed to the exacting standards of Mssr. Maxwell, ‘Outside My Window’ is ready to warm the hearts and cheer the ears of a whole new audience. Born in Bordeaux under a wandering star, Guy spent the 70s on the road, freewheelin’ from Paris to Rome, guitar in tow, before settling in Switzerland at the end of the decade.
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Cosmo With Chuy - Need It Tom Noble & Fredfades Remix
Cosmo With Chuy
Need It Tom Noble & Fredfades Remix
12" | 1980 | EU | Reissue (Fantasy Love)
14,99 €*
Incl. VAT plus Shipping Costs
Release: 1980 / EU – Reissue
Genre: Organic Grooves, Electronic & Dance
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This obscure 80s left field disco joint was brought to the table by David Haffner, the tapes were transferred by John Morales & forwarded to friends of the label, Tom Noble & Fredfades, to re-envision the works of 'Cosmo with Chuy', as showcased on this limited 12" release

A few words from Tommy aka 'Cosmo'..

"Cosmo was my nickname. I used to play John Coltrane style on slow ballads etc. Chuy was the singers nickname. Jesus Gomez was his real name I think. I was playing Las Vegas at the time, early 80's, with an Elvis impersonator, Morris Bates, for nearly 4 years. Since Elvis passed in the late 70's the impersonation show was a big success. I played Sax, Flute and sang back up harmonies. We played the Silver Slipper casino, then the Landmark Hotel and casino, 14 shows a week. We toured South Africa and played Morris' home town in Vancouver Canada a lot. The late nite band of Chuy's played at a smaller venue on the strip in Vegas from 12pm to 5am. I sat in and jammed one night, and said I'd like to record a couple tunes with his band. So I coughed up some money and we recorded a few songs"
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Confusional Quartet - Confusional Quartet Colored Vinyl Edition
Confusional Quartet
Confusional Quartet Colored Vinyl Edition
LP | 1980 | EU | Reissue (Italian / Disordine)
26,99 €*
Incl. VAT plus Shipping Costs
Release: 1980 / EU – Reissue
Genre: Rock & Indie, Electronic & Dance
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Out of any classification of musical genre, “Confusional Quartet” is a distillation of the creativity and freedom of expression that in 1977 put Bologna at the center of the international cultural scene. This record places the Confusional Quartet in the history of Italian alternative music.
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Alvin Curran - The Works
Alvin Curran
The Works
LP | 1980 | EU | Reissue (Our Swimmer)
29,99 €*
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Release: 1980 / EU – Reissue
Genre: Electronic & Dance
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The Works - one of the most famous pieces by brilliant American composer Alvin Curran - was not created by will and direct purpose but, as the composer himself states, as a “providential accident” which is to say quite organically. Combining piano and voice with found sound and a custom-built Serge modular synthesizer, “The Works” is a slowly developing piece where space and ambient tape are eventually overtaken by raga-esque chanting and frenetic piano playing, where synthesizer washes become full-on workouts all leading to a coda where the listener is “finally carried off on the wheels of the Berlin U-Bahn.” Curran - whose initial training and musical education was as a pianist - had been living in Roma, Italy, in the mid-‘70s returning to his roots and performing regularly in cocktail lounges on Via Veneto. It was this return to piano and vocals that became the genesis for The Works. In relearning the piano, a five-note “motive” took hold. Added to this was “a recording I had made of our 14 year old dachshund Caspar just before he died. It was, in fact, a love song which he persisted in singing all day after meeting a lovely bitch in heat in Piazza Navona. This I knew would be the beginning of the piece.” As the piece expands further the listener will hear “cows munching grass, the Rome-Florence express train, a horse-fly caught against a window pane, my footsteps approaching a Roman fountain and later going up the steps of my old studio, cicadas, an Amsterdam calliope, a tin can being kicked, and a series of sounds from La Serra di Lerici.” Though “The Works” has been performed in many incarnations over the years, it’s this performance - captured on February 24, 1980, and originally released that same year by the short-lived Italian avant-garde label Fore - that is the definitive version, and one of the finest recordings ever made by the celebrated composer.
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Stu Cisco - Amanita
Stu Cisco
Amanita
LP | 1980 | EU | Reissue (Glossy Mistakes)
26,99 €*
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Release: 1980 / EU – Reissue
Genre: Organic Grooves, Electronic & Dance
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Originally released in 1980, ‘Amanita’ is an early approach of Canadian artist Sherine Cisco, formerly known as Stu Cisco, to the limitless world of synthesizers in music, through ambient, progressive rock and drone noise. A unique combination of ambient, progressive rock and even drone noises and space-age that converged in ‘Amanita’, her first full album and a piece of music history. This LP marks a milestone in the investigation, experimentation and evolution of musical instruments, where the Mini Moog demonstrated its versatility and creative potential, opening Sherine a path of limitless possibilities.
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Bernard Szajner - Some Deaths Take Forever
Bernard Szajner
Some Deaths Take Forever
2LP | 1980 | EU | Reissue (Cortizona)
23,99 €*
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Release: 1980 / EU – Reissue
Genre: Electronic & Dance
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First time vinyl reissue since the original 1980 version. Original remastered album plus second LP with unreleased extra tracks from 'Some Deaths Take Forever' recording sessions.
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Cultural Noise - Aphorisms Insane
Cultural Noise
Aphorisms Insane
LP | 1980 | EU | Reissue (Wah Wah)
20,99 €*
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Release: 1980 / EU – Reissue
Genre: Electronic & Dance
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The only album by Austrian trio Cultural Noise is a an electronic marvel. Band members were Gerhard Lisy, Walter Heinisch and Karl Kronfeld, and instruments used included an ARP Sequencer, an ARP 2600, a VCS 3, an EMS Digital Sequencer, a Mellotron M400, a Micro Moog, a Roland Studiosystem 700, a Roland Analogue Sequenzer and an electric guitar. With these weapons and a strong influence from the Berlin school Cultural Noise created a rich electronic tapestry which expanded through the two pieces of this record, one per side, being compared by reviewers to works by Zanov or Anna Själv Tredge. Mentions of Tangerine Dream are also present on reviews, although Cultural Noise have a pretty unique personality on their own and besides sharing the use of Mellotron, sequencers and analog synths we have a totally personal concept here which sets them aside from all TD impersonators of the era.

The album was originally released in 1980 on CBS and later repressed in 1981 which came in a B&W version of the sleeve that some sources list as a self release private pressing done by the band themselves - this has been denied by members of Cultural Noise.

We are proud to offer a 500 copies only reissue, housed in its original full colour version artwork.
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Magazzini Criminali - Crollo Nervoso
Magazzini Criminali
Crollo Nervoso
LP+CD | 1980 | EU | Reissue (Spittle)
12,99 €*
Incl. VAT plus Shipping Costs
Release: 1980 / EU – Reissue
Genre: Electronic & Dance
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Magazzini Criminali can be considered one of the most important experiences in Italian Post-Avant-garde theatre of the '70s and the '80s. Back in 1980 the group gave birth to one their widely acclaimed and most representative works. Crollo Nervoso was a real Post Modern Opera, a complex and multi layered work based on the transfer between different Art languages and aesthetics. A deep mixture of Avant Rock, Burroughs's Cut Up, science fiction, body art, glamour and a hint of porno. On stage actors move obsessively and creating some highly repetitive sequences that show a clear "Rock" approach. Musically we are in front of a great hybrid where electronics, tribal funk, ambient and Blues interact with actors excited voices and "stolen" fragments from the musical works of Eno, Fripp, Jon Hassell, Miles Davis and others. More than a Pre-Plunderphonics kind of work, Crollo Nervoso is a definitive re-invention of the soundtrack concept in relation with text and drama. Originally released in 1980 (on black or white vinyl) by Italian Records, Crollo Nervoso stands as a unique sound-art object that finally sees the light again in all its multi-sensory eclecticism.
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Richard Pinhas - East West
Richard Pinhas
East West
LP | 1980 | EU | Reissue (Bureau B)
27,99 €*
Incl. VAT plus Shipping Costs
Release: 1980 / EU – Reissue
Genre: Electronic & Dance
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Lubomyr Melnyk - The Lund - St. Petri Symphony
Lubomyr Melnyk
The Lund - St. Petri Symphony
2LP | 1980 | EU | Reissue (Sounds Of Subterrania)
52,99 €*
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Release: 1980 / EU – Reissue
Genre: Electronic & Dance
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Silk-Screen cover. In 1978 I arrived for my first time to Sweden, to the town of Lund .. and there I met a remarkable man named Jean Sellem who ran a tiny gallery in the middle of the town, "The Galleri St.Petri: Dedicated To Modern Art and Thought "... and he was one of the few and first people who saw the greatness and beauty of Continuous Music .. and since I was a complete "unknown" at that time, I really needed his moral support ! --- and he created with me, the idea of a huge work for multiple pianos ... three pianos .. in stages ... and it became as he had envisioned ! and was first performed on a small upright piano in 1978 in his gallery, and the piece was called THE LUND.St.PETRI SYPMPHONY .. because it was so symphonic in grandeur (once the three pianos came together ...) The Lund - St. Petri Symphony, from 1979, is the second album from Lubomyr Melnyk and the first composition for double piano which he released. In this work, the early minimalist tendencies which played such a major part in the emergence of Continuous music, are very significant and clearly evident. This Double LP set sold out within 1 year of production, Only 1000 copies were made. Original Release: 1980 Limited All Analog Remastering Recording
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Sympathy Nervous - Sympathy Nervous Colored Vinyl Edition
Sympathy Nervous
Sympathy Nervous Colored Vinyl Edition
LP | 1980 | US | Reissue (Minimal Wave)
36,99 €*
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Release: 1980 / US – Reissue
Genre: Electronic & Dance
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Minimal Wave presents a reissue of Sympathy Nervous’ pioneering debut album originally released in 1980 on Vanity Records out of Japan. Sympathy Nervous was Yosihumi Niinuma’s lifelong project which he started in his Tokyo living room in 1979. Through Sympathy Nervous, Niinuma was able to channel his energy into what he loved – building his own synthesizers and speakers from scratch.
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Sympathy Nervous - Sympathy Nervous Black Vinyl Edition
Sympathy Nervous
Sympathy Nervous Black Vinyl Edition
LP | 1980 | US | Reissue (Minimal Wave)
25,99 €*
Incl. VAT plus Shipping Costs
Release: 1980 / US – Reissue
Genre: Electronic & Dance
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Minimal Wave presents a reissue of Sympathy Nervous’ pioneering debut album originally released in 1980 on Vanity Records out of Japan. Sympathy Nervous was Yosihumi Niinuma’s lifelong project which he started in his Tokyo living room in 1979. Through Sympathy Nervous, Niinuma was able to channel his energy into what he loved – building his own synthesizers and speakers from scratch.
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Madfilth - Madfilth
Madfilth
Madfilth
LP | 1980 | UK | Reissue (Cache Cache)
18,99 €*
Incl. VAT plus Shipping Costs
Release: 1980 / UK – Reissue
Genre: Organic Grooves, Electronic & Dance
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From the pumping heart of The Magnetic System comes the “dirtiest” Da-Da-dancefloor
anti-jams with this lost 1979 blueprint of Italian conceptual cosmic disco played by the
cream of the Goblin studio band. Ultra rare and unscrubbed, Finders Keepers finally snip the
trip from the cash machine to the trash machine. Pay dirt just got dirtier.
Carving its own grubby niche as an early prototype of cosmic disco cum Italo space funk
whilst simultaneously harbouring Dada hat stand satire with a junkshop glam aesthetic this
ecological illogical poplitical crab cabaret clearly broke the mould before way before the jelly
had set.
Fans of “other” obtuse outernational agit-camp might find a fantasy fusion between France’s
J. P. Massiera and Sweden’s enviroMENTAL marvel Kaptain Zoom while trying to unravel the
Madfilth tangle - but rest assured there were method men behind this madness and a portal
to Italian funk royalty still festers at the bottom of the psych rap scrapheap.
Originally drip fed out of Cesare Andrea Bixio’s Cinevox stable as one of a tight grip of nonsoundtrack
LPs, made to test the label’s commercial potential, Madfilth would follow the
band Goblin (and their non-cinematic Roller) as well as the hens’ teeth eponymous long
player by the group The Motowns in what was perhaps the last-ditch attempt at custom
built popsploitation - combining the skills of overqualified composers with undercooked
conceptual mind farts! Naturally, after almost 40 years in the barrel, this micro-brewed
oddity finally quenches the acquired taste of a new breed of shambolic psychotropic guzzlers
proving that 1979 was obviously good year for fool’s gold. The Madfilth medicine has finally
come to cure your psychic ills so open wide and don’t bite the spoon.
As both doctors and diggers will agree, always read the label. It is beneath the flamboyant
rhythm rants and vari-speed osric slop of alt-comedic sarcy-satirist Alberto Macaro (a genetic
beneficiary of a vaudevillian comic bloodline) that we find The Magnetic System maestros
Franco Bixio and Vince Tempera as the sonic driving force behind this unmarked treasure
trove of B-musical diamanté discoids. It will also come as little surprise that Cinevox/Dario
Argento favourites Goblin were not too distant from the whiff of this curates egg with the
men who many consider to be the group’s greatest assets in bass player Fabio Pignatelli
alongside sports rock drummer Agostino Marangolo. It was this unison that remained
consistent throughout Goblin’s career, weathering the temporary departure of Claudio
Simonetti and maintaining the stylistic heartbeat of the group. Madfilth’s inclusion of Goblin
synth Maverick Maurizio Guarini and the band’s mid-period guitarist Carlo Penessi (founder
of the band Etna) pinpoints the jobbing Goblin session group during the time they recorded
the soundtracks for the films Buio Amiga and Squadra Antigagsters. This lesser celebrated
late 70’s era also witnessed the mutating Goblin rhythm section providing discoid backbeats
for records such as Giorgio Farinas Discocross LP, Simonetti’s own Capricorn alter-ego and
the homoerotic nightclub spin-off Easy Going - all of which, alongside Madfilth, provide a
strong mutual stylistic support system for their claim to cosmic discos deep red bloodline.
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Klaus Schulze - Dig It (2017 Remaster)
Klaus Schulze
Dig It (2017 Remaster)
LP | 1980 | EU | Reissue (Brain)
21,99 €*
Incl. VAT plus Shipping Costs
Release: 1980 / EU – Reissue
Genre: Electronic & Dance
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K. Leimer - Closed System Potentials
K. Leimer
Closed System Potentials
LP | 1980 | US | Reissue (Palace Of Lights)
19,99 €*
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Release: 1980 / US – Reissue
Genre: Electronic & Dance
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Following the RVNG reissues of A Period of Review (ranked the No. 7 reissue of 2014 by WIRE) and Artificial Dance (ranked the No. 2 reissue of 2015 by WIRE) Closed System Potentials, recorded in 1979 and originally released in 1980, finds its way back to vinyl in a completely remastered + expanded edition. The LP includes two previously unreleased tracks plus the included digital version includes an additional two unreleased tracks, all taken from the original CSP sessions. Also included is a four-page insert featuring an essay by Paul Dickow. Remastered by Taylor Deupree at 12K.


K. Leimer founded Palace of Lights in 1979. In addition to his own work, PoL has released albums by Ang Mo Faux, Marc Barreca, Roy Finch, Michael William Gilbert, Steve Peters, Savant and Gregory Taylor. Leimer’s early work has recently been reissued by Autumn and RVNG, and his early cassette work is in the critically acclaimed VOD box set American Cassette Culture. Leimer has been actively producing music since the mid 1970s – his current catalog includes 16 still in print albums plus 2 collaborative albums with Marc Barreca.


Leimer’s work is included in the collection of The British Library.
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Harald Grosskopf - Synthesist
Harald Grosskopf
Synthesist
LP | 1980 | EU | Reissue (Bureau B)
27,99 €*
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Release: 1980 / EU – Reissue
Genre: Electronic & Dance
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Futuro Antico - Dai Primitivi All' Elettronica
Futuro Antico
Dai Primitivi All' Elettronica
LP | 1980 | EU | Reissue (Black Sweat)
21,99 €*
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Release: 1980 / EU – Reissue
Genre: Organic Grooves, Electronic & Dance
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An outstanding raga-like drone lp with a distinctive cosmic vibe,
Futuro Antico was a short living collaboration between the two italian Walter Maioli (Aktuala), Riccardo Sinigaglia and Gabin Dabiré (from Burkina Faso).
The synthesis between ancient, ethnic and analog electronic music is just perfect, the minimalist repetition with slight changes gives associations of a slow growth; cyclic repetition gives the listener an opportunity to discover the sounds, to meditate, to go into the music, join the same journey trough ancient, primitive cultures and modern electronic soundscapes.
Originally released in 1980, the sound is completly analog and warm, this 300 copies reissue maintain the first tape artwork + info and photos.
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Debbie Jacobs - High On Your Love / Hot Hot (Give It All You Got)
Debbie Jacobs
High On Your Love / Hot Hot (Give It All You Got)
12" | 1979 | NL | Original (MCA)
23,99 €*
Incl. VAT plus Shipping Costs
Release: 1979 / NL – Original
Genre: Organic Grooves, Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG
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Hammer - Black Sheep
Hammer
Black Sheep
LP | 1979 | US | Original (Asylum)
3,99 €*
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Release: 1979 / US – Original
Genre: Organic Grooves, Electronic & Dance
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Used Vinyl
Medium: G+, Cover: VG
Cover with saw cut. Vinyl with heat mark on the first track of each side.
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Brian Eno - Ambient 1 (Music For Airports)
Brian Eno
Ambient 1 (Music For Airports)
2x12" | 1979 | EU | Reissue (Virgin EMI)
56,99 €*
Incl. VAT plus Shipping Costs
Release: 1979 / EU – Reissue
Genre: Electronic & Dance
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Used Vinyl
Medium: Sealed, Cover: Sealed
Still sealed. 2018 reissue Limited edition.
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Patrice Rushen - Pizzazz Definitive Reissue
Patrice Rushen
Pizzazz Definitive Reissue
2LP | 1979 | EU | Reissue (Strut)
29,99 €*
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Release: 1979 / EU – Reissue
Genre: Electronic & Dance
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
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Albert Alan Owen - Keyboards & Strings
Albert Alan Owen
Keyboards & Strings
LP | 1979 | EU | Reissue (Libreville)
28,99 €*
Incl. VAT plus Shipping Costs
Release: 1979 / EU – Reissue
Genre: Electronic & Dance, Classical Music
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Albert Alan Owen was born in Wales in 1948 to parents of Welsh and Latvian heritage. His family later moved to Zimbabwe, where his father took up a teaching position. There, Owen was deeply influenced by local music and culture, while also exploring American RnB and jazz. It was during this period that he became acutely aware of the harsh inequalities under British colonial rule, which instilled in him a lifelong aversion to discrimination and racism.

In 1967, Owen returned to Europe to pursue his studies and enrolled at the Royal Academy of Music in London. He went on to spend time in Paris, studying composition with the eminent Nadia Boulanger and piano under Jacques Février, a favorite pianist of Ravel’s and Poulenc’s. Owen's focus shifted almost entirely to composition, and the acquisition of a Fender Rhodes electric piano marked the beginning of a divorce from his classical Western training. This transition allowed him to merge his passion for African and African-American music with the impressionistic styles of Ravel and Debussy while exploring the innovative realm of electroacoustic composition. These formative experiences framed Owen’s career as a composer and educator at the Royal Academy of Music and London’s Working Men’s College. He eventually returned to Wales, where he continues to reside. In 1979, 29-year-old Albert Alan Owen released “Keyboards & Strings”, a light magical chamber music masterpiece. Transcending the formal conventions of its era, “Keyboard & Strings” is an acoustic and electric piano piece, where the violin is met by synths and electronics.

As is often the case in Albert Alan Owen’s most intimate works, there is a sense of ethereal beauty that emerges from the music, akin to the emotional state one might experience while contemplating a Félix Vallotton landscape or the unfathomable mystery of dawn’s first light. Quiet, profound, and immersive, “Keyboard & Strings” stands out as an electronic-age tone poem, a rare gem that transcends time and place.
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The Boomtown Rats - The Fine Art Of Surfacing
The Boomtown Rats
The Fine Art Of Surfacing
LP | 1979 | DE | Original (Mercury)
6,99 €*
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Release: 1979 / DE – Original
Genre: Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG+
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Wardell Piper - Captain Boogie
Wardell Piper
Captain Boogie
12" | 1979 | DE | Original (Polydor)
5,99 €*
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Release: 1979 / DE – Original
Genre: Organic Grooves, Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: VG
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Supersempfft - Roboterwerke
Supersempfft
Roboterwerke
LP | 1979 | DE | Original (CBS)
49,99 €*
Incl. VAT plus Shipping Costs
Release: 1979 / DE – Original
Genre: Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: Near Mint, Cover: VG
Small price tag on cover. Original inner sleeve included.
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