Electronic & Dance 46607 Items

Release: 1981 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1981 | JP | Original (EMI)

Olivia Newton-John

Physical

9,99 €*

LP | 1981 | DE | Original (Wunderwerke)

Release: 1981 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi.

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Supersempfft

Metaluna

69,99 €*

Release: 1981 / DE – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1981 | EU | Reissue (Music On Vinyl)

Yellow Magic Orchestra

BGM

60,99 €*

LP | 1981 | DE | Original (Palais Schaumburg)

Release: 1981 / EU – Reissue

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2016 reissue on clear vinyl. with booklet. PVC sleeve. tiny wear. Numbered Limited edition.

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Palais Schaumburg

20,99 €*

7" | 1981 | JP | Original (Overseas)

Release: 1981 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Cover with creasing pn edges

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Doris D And The Pins

Dance On

6,99 €*

Tic... Tac... Tic... Tac... (My Heart's Beating Wild)

Release: 1981 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing.

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Gibson Brothers

7" | 1981 | JP | Original (Philips)

Release: 1981 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

The Marvellous Marionettes

Doris D And The Pins

7" | 1981 | JP | Original (Overseas)

Release: 1981 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

7" | 1981 | DE | Original (Hansa)

Aneka

Little Lady

Release: 1981 / DE – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

... Behind The Gardens - Behind The Wall - Under The Tree ...

Andreas Vollenweider

LP | 1981 | US | Original (CBS)

Release: 1981 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

See Jungle! See Jungle! Go Join Your Gang Yeah! City All Over, Go Ape Crazy

Bow Wow Wow

LP | 1981 | US | Original (RCA Victor)

17,99 €*

LP | 1981 | WW | Reissue (SN Music Publishing)

Release: 1981 / US – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Record is close to NM!

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Sezen Aksu

Aglamak Guzeldir

23,99 €*

Release: 1981 / WW – Reissue

Genre: Electronic & Dance

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LP | 1981 | EU | Reissue (Holidays)

Henry Krutzen

Silances

18,89 €* 20,99 € -10%

7" | 1981 | JP | Original (Casablanca)

Release: 1981 / EU – Reissue

Genre: Electronic & Dance, Classical Music

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Edition of 500 copies, screen printed cover. Includes two inserts: a replica of the original insert and the english translation.

Henry Krutzen is a relatively shadowy figure in the history of experimental sound. Between the early 80s and the 2010s, there are only a handful of albums that bear his name, and very little information about them. A multi-instrumentalist and composer who studied percussion, saxophone, and harmony in various schools and jazz clinics across Belgium, over the years he played in a diverse range of musical projects across the idioms of jazz, new wave, heavy metal, experimental, chanson française, world music and progressive rock, before relocating to Brazil during the early 2000s.

“Silances”, originally released by Igloo Records - the Belgian imprint founded in 1978 by Daniel Sotiaux - sitting alongside astounding and remarkably unique albums by Leo Küpper, Jacques Bekaert, Henri Chopin, Arthur Pétronio, André Stordeur, and numerous others, is an entirely singular gesture at the borders of sound poetry, musique concrète, and radical electroacoustic practice that draws upon disparate elements of drone, jazz, minimalism, ecstatic tribalism, and various traditions of music from across the globe. Decades on from its original release it remains as striking, unique, and compelling as it did upon its release.

In a note that Krutzen penned in 2022 when he was contacted for the reissue of “Silances”, Krutzen recalls: “Since I was 16, I had been experimenting with concrete music with a technician friend and we used all a teenager’s room could offer to make sounds into music: faucets, glasses of water, metal springs on ladders, objects of any kind… I had hours of recordings I pitched to Daniel [Sotiaux], to see if he was interested in making an album. I also had other ideas I wanted to be able to develop. What a joy when he accepted to work on the project! So I got to work. First, I set up a vocal improvisation quartet, and we spent long afternoons rehearsing using input I provided… We went into the studio and recorded almost two hours of improvisation, from which I then chose the best moments for the final product”.

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Village People

Fireman

Release: 1981 / JP – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Bye Bye Now My Sweet Love

Leo Sayer

12" | 1981 | JP | Original (Chrysalis)

12" | 1981 | UK | Original (Safari)

Release: 1981 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing, comes with Obi and inserts. Record is close to NM.

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Toyah

Thunder In The Mountains

Release: 1981 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1981 | DE | Original (Stiff)

Lene Lovich

New Toy

Release: 1981 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1981 | JP | Original (Epic)

The Nolans

Sexy Music

8,99 €*

Release: 1981 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

No Obi. Cover has light foxing.

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LP | 1981 | JP | Original (EMI)

43,99 €*

LP | 1981 | JP | Original (GTO)

Release: 1981 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing.

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The Dooleys

Yes ! The Dooleys

12" | 1981 | UK | Original (Virgin)

Release: 1981 / JP – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. With OBI. close to NM

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John Foxx

Europe After The Rain

Release: 1981 / UK – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1981 | DE | Original (Ariola)

Debra Dejean

Are You Lovin' Somebody

Release: 1981 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 1981 | US | Original (Island)

Plastics

26,99 €*

Release: 1981 / US – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Copy closer to VG+. Without original inner sleeve

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12" | 1981 | JP | Original (EMI)

Nite Romantics

36,99 €*

Release: 1981 / JP – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing. OBI is missing. With insert. Vinyl has some scuffs. Cover is close to NM.

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LP+12"+All Media | 1981 | EU | Reissue (Parlophone)

50,99 €*

Release: 1981 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

White vinyl Limited edition. 2020 reissue.

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LP+12"+All Media | 1981 | EU | Reissue (Parlophone)

46,99 €*

Release: 1981 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

White vinyl seems unplayed. Original inner sleeves. White vinyl Limited edition. 2020 reissue. Cover has a Stuffed corner.

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2LP | 1981 | US | Reissue (Parlophone)

33,99 €*

Release: 1981 / US – Reissue

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl is close to NM. Original inner sleeves. Still in shrink but opened. Cover has tiny wear. 2020 reissue. Limited edition.

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2LP | 1981 | US | Reissue (Parlophone)

39,99 €*

Release: 1981 / US – Reissue

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

2020 reissue. Limited edition. Still sealed with hype sticker.

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7" | 1981 | JP | Original (EMI)

プラネット・アース = Planet Earth

Release: 1981 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

7" | 1981 | JP | Original (EMI)

プラネット・アース = Planet Earth

23,99 €*

LP | 1981 | JP | Original (Yupiteru)

Release: 1981 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Japanese promo has small punch hole.

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Cusco

Cusco 2

9,99 €*

Release: 1981 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1981 | WW | Reissue (Infinite Fog)

Peter Davison

Glide

31,99 €*

Release: 1981 / WW – Reissue

Genre: Electronic & Dance

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LP | 1981 | DE | Original (Virgin)

The Human League

Dare!

9,99 €*

12" | 1981 | DE | Original (Coconut)

Release: 1981 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Record is close to NM. Original inner sleeve included.

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Linda Kendrick Four

Stupid Cupid / Hideaway

3,95 €*

Release: 1981 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1981 | UK | Original (Cherry Red)

Thomas Leer

4 Movements

11,99 €*

Release: 1981 / UK – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: Generic

7" | 1981 | UK | Original (Radioactive)

Eric Hine

Not Fade Away

LP | 1981 | US | Original (Windham Hill)

Release: 1981 / UK – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl close to VG+

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William Ackerman

Passage

19,99 €*

Release: 1981 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 1981 | US | Original (Columbia)

Herbie Hancock

Magic Windows

Release: 1981 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: G+

12" | 1981 | NL | Original (Dance)

Stone

Time

Release: 1981 / NL – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: G+, Cover: Generic

LP | 1981 | NL | Original (Arista)

Gino Vannelli

Nightwalker

Don't You Want Me • Seconds • Do Or Die

Release: 1981 / NL – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Close to VG+. Original inner sleeve

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The Human League

12" | 1981 | EU | Original (Virgin)

I'm Gonna Be Your Lover (24 Hours A Day)

Release: 1981 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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J.D. Hall

12" | 1981 | US | Original (Sunfire)

12" | 1981 | NL | Original (CBS)

Release: 1981 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl close to VG+

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Cheryl Lynn

Shake It Up Tonight

Release: 1981 / NL – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Roedelius

Wasser Im Wind

23,99 €*

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Another classic Roedelius Album, back on Bureau B!

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Thomas Dinger

Für Mich

Die Singende Sternlaterne / Folklore Des Weltalls

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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180g pressing!

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Die Welttraumforscher

LP | 1982 | EU | Reissue (Planam)

28,99 €*

12" | 1982 | US | Reissue (Peoples Potential Unlimited)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Planam very proudly presents you "Die singende Sternlaterne / Folklore des Weltalls 1982" by Die Welttraumforscher. This record includes the first time LP edition of the mysterious swiss electro-dada artist's second cassette as well as previously unreleased material. Issued in conjunction with Christian Pfluger first comprehensive retrospective "Ein Sommer in der Wirklichkeit" (i.e. "A Summer in Reality") at Kunsthaus Langenthal and the corresponding monograph "Songs, Signs, Explorations" presenting drawings, music, lyrics, films and other rare material. When Die Welttraumforscher set out on 14 July 1981 no one could have realized that their journey would not be over soon. For more than thirty years now, Swiss Christian Pfluger has been working on drawings, texts, films and songs for the fascinating universe of the imaginary trio, which is well populated with figures like Leguan Rätselmann or Kip Eulenmeister and his astronauts of the spirit. In the course of that journey, among other things, over 35 music cassettes, LPs and CDs have been released, presenting minimal songs that the Welttraumforscher themselves call "Bretzelberg Pop" and "Space Folklore". After the now sold out "Herzschlag Erde / Verdunkelt die Sinne" PLANAM and A Tree in a Field Records have now re-issued the Welttraumforschers' second cassette, including the previously unreleased album "Folklore des Weltalls 1982" (not to be confused with the 1989 "Folklore des Weltalls" which is a different story). Translator's note: The expression "Welttraum" in "Die Welttraumfroscher" is a play on the words "Weltraum" (Universe), "Welt" (world) and "Traum" (dream). "Die Welttraumforscher" can both be read as "The Explorers of the Universe" as well as "The Explorers of the Dream of the World". Edition limited to 350 copies.

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Superlife

Go Bananas

15,99 €*

Release: 1982 / US – Reissue

Genre: Organic Grooves, Electronic & Dance

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Originally recorded in Detroit, 1982 by the late Danan Potts a.k.a. Superlife. At that time Danan was hanging around the Recording Institute of Detroit where Juan Atkins was training in production. Danan was interested in Atkin's style of dance music and quickly recorded "Go Bananas". Bananas was released locally on Southern Sun Records in hyper limited quantity, it is today one of the most sought after underground detroit techno recordings of all time.

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Rolf Trostel

Der Prophet

26,99 €*

LP | 1982 | US | Reissue (Palace Of Lights)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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A vinyl reissue of the third album (originally from 1982) by the kraut/electronic musician who was inspired by a.o. late '70s Tangerine Dream. This title is relevant for anyone into the sounds of the Berlin School.

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K. Leimer

Land Of Look Behind

20,99 €*

LP | 1982 | EU | Reissue (Orbeatize)

Release: 1982 / US – Reissue

Genre: Electronic & Dance

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The Land of Look Behind soundtrack returns to vinyl in a remastered and expanded edition that includes a download of three previously unheard and unreleased tracks from the original sessions. Alan Greenberg, who wrote and directed this film documenting the funeral of Bob Marley, provided K. Leimer with location tapes which were used to originate many of the rhythmic patterns for Land of Look Behind. Loops of the monologues and phrases that exhibited more distinctive cadences and pacing, the words, glottal stops, clicks and coughs of witnesses were used as cues for the percussion instruments. In effect, speech became the organizing principle of the musical score. By eliminating the accuracy of click tracks, musicians were prompted to rove through the inconsistent intervals of the voice-derived patterns. Also included is a four-page insert featuring an essay by Paul Dickow.

K. Leimer founded Palace of Lights in 1979. Leimer’s early work has recently been reissued by Autumn and RVNG, and his early cassette work is in the critically acclaimed VOD box set American Cassette Culture. Leimer has been actively producing music since the mid 1970s — his current catalog includes seventeen albums plus two collaborative albums with Marc Barreca.

Leimer’s work is included in the collection of The British Library.

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Chris Neal

Crosstalk

2LP | 1982 | EU | Reissue (Orbeatize)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Originally released in 1982, including tracks written for Crosstalk (a science fiction thriller film made in Australia) and other electronic themes, it was written, performed and recorded by Chris Neal in his home studio, using Roland System 700 and Roland MC8.
In 1982 there were only a few System 700s ever produced and Roland was more interested in promoting their more commercial System 100M (that's why it was credited on the 1982 original cover to give them a plug). The System 700 was developed by Taro Kakahashi and his team in Japan as a direct challenger to the Moog modular system.
The ORBEATIZE remastered reissue also includes a special bonus track remixed and produced in 2017 by Jolly Mare.

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Knut Skodvin

Kondens

La Marca de Anubis + El Cantor de Jazz

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Double LP: first one includes tracks remastered from "Kondens" original master tapes (originally released in 1982); second one includes unreleased tracks taken and remastered from 1983-1984 original master tapes (produced and composed for Scandinavian "theatre" performances)

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Los Inicados

LP | 1982 | EU | Reissue (Mental Experience)

LP | 1982 | EU | Reissue (Allchival)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Originally released in 1982 on the DRO label, "La Marca De Anubis" was the debut album by LOS INICIADOS, an obscure project related to legendary Spanish synth-pop band AVIADOR DRO. Always shrouded in mystery, Los Iniciados decided to hide their identities behind masks. The only visible and confirmed member was Arco Iris (aka Marta Cervera, also on Aviador Dro) and according to rumours, behind the other nicknames we find Biovac N (Servando Carballar, founder of Aviador Dro and the DRO label) plus members of Alphaville (the Spanish post-punk band).
On "La Marca De Anubis" we also find Jesús Arias (of punk band T.N.T.) on electric guitar. The album was produced by Servando Carballar (Aviador Dro). Dark & eerie MINIMAL SYNTH / DARK WAVE sounds with a POST-PUNK edge, highly influenced by THE RESIDENTS, Dadaism, performance art and ancient Egyptian cults. Including cult classics like “Peter Pan”, “Soy el vacío” and more!

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Michael O Shea

22,99 €*

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Having sold his instruments to fund a nomadic 1970s lifestyle, eccentric Irish experimentalist Michael O’Shea was forced to create his own handmade answer to the sitars and zelochords he’d become accustomed to playing on his travels around the globe.
Using an old door, 17 strings, chopsticks and combining them with phasers, echo units and amplification, the new device was to become his signature sound, mixing Irish folk influences with Asian and North African sounds in a mesmerising and soulful new way that brought him to the attention of the leading improvisers of his day - Alice Coltrane, Ravi Shankar, Don Cherry and more.
A logical follow up to AllChival’s recent reissue of Stano's debut LP, Michael O’Shea’s self titled LP was originally released on Wire's Dome Imprint in 1982.
The background to the album is as interesting and inspiring as the artist who created it - born in Northern Ireland but raised in the Republic, O’Shea was keen to travel and escape the troubles of his home.
Wandering throughout Europe and the Middle East, O’Shea found himself living and working as a relief aid in Bangladesh in the mid Seventies where he learned to play sitar while recovering from a bout of hepatitis. A later period spent busking in France accompanied on zelochord by Algerian musician Kris Hosylan Harp led to O’Shea’s idea of combining both instruments as a homebuilt instrument - Mo Chara [Irish for "My Friend"].
He later described the process on the back of the LP himself saying:
"Having sold my sitar in Germany and being desperate for money to travel to Turkey, I conceived of the idea of combining both sitar and zelochord. The first Mo Cara was born, taken from the middle of a door, which was rescued from a skip in Munchen"
A combination of dulcimer, zelochord and sitar, O Shea would play it with a pair of chopsticks, striking the strings softly using Irish folk rhythms mixed with the rich, nostalgic sounds of of the many Asian artists he’d encountered on his travels.
It was a pan cultural sound standing at an unusual crossroads of folk, traditional, rock, progressive, jazz, electronic and post-punk worlds without hesitation.
Perfecting the instrument on the streets, there were further spells spent busking in the underground stations and cafes of London's West End and Covent Garden during the heady days of the 1970s when they were full of eccentric street entertainers, jazz improvisers and musical pioneers.
His work with Rick Wakeman never saw the light of day but O’Shea’s contact with the world of post-punk London ensured his name would live on.
Introduced to Wire's Bruce Gilbert and Graham Lewis via cartoonist Tom Johnston, O’Shea eventually acquiesced to an open invite to record at their studio. Turning up unannounced in the summer of 1981 the LP was recorded in a day in the legendary Blackwing Studios and released on Dome the year after.
The first side features the fifteen minute masterpiece "No Journeys End" with the B side featuring more input from Wire in processing the Mo Chara sound.
Lewis himself said years later of the forgotten masterpiece: “I always said it was the best job we ever did.”
After an aborted LP with The The's Matt Johnson the following year, O’Shea quietly disappeared from the formal recording world and his brief but unique contribution to the music world came to a sad end in 1991 when O’Shea was struck by a post van and died a few days later in hospital in London. This repress on All City’s AllChival imprint has been remastered and reissued with the approval of both Dome and his surviving siblings.

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Bernard Xolotl

Last Wave

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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12" | 1982 | EU | Reissue (Isle Of Jura)

Bella Vista

Mister Wong

LP | 1982 | US | Reissue (Dark Entries)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Bella Vista was a one off project from Michel Esteban, founder of seminal New York Disco/Electro/New Wave imprint ZE Records. Originally released in 1982 ‘Mister Wong’ is a Pop oddity that sits between French Synth Pop and Leftfield Disco. The 12” includes the sought after Disco Dub version that lets the bassline work its magic alongside some heavy dub delays, on the flip Jura Soundsystem provide an extended version with added live percussion.

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Zru Vogue

Lament For The Rise And Fall Of The Elephantine Crocodile

Release: 1982 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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Zru Vogue is a two man post punk avant-pop group from Palo Alto, California, combining the talents of Andrew Finkle and Rick Cuevas. The band began in 1980 as a four member group: Rick, Andy, Tom Sanders and Nancy Miller. Tom and Nancy left the group shortly after the first single, "Nakweda Dream", was released by independent San Francisco label Adolescent Records in February 1981. Inspired by rave reviews and heavy airplay on alternative radio stations, Andy and Rick went back into the studio, now as a duo, to record some new ZRU tracks. The self-tilted LP was released on the band's Zero Risk Records in 1982. It contains eight compositions blending African tribal and Middle Eastern rhythms, avant-garde rock, minimal electronics, and funk-rock guitars. The duo's sound is inspired by the art and anti-art movements of Dada and Surrealism. All songs have been remastered by George Horn at Fantasy Studios. Each copy is housed in a replica of the original jacket, which features artwork by the group members, and includes the original 2-sided lyric sheet.

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Yoshi Wada

LP | 1982 | US | Reissue (Etats-Unis)

32,99 €*

Music For Nine Postcards Clear Vinyl Edition

Release: 1982 / US – Reissue

Genre: Electronic & Dance

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Yoshi Wada's Lament For The Rise And Fall Of The Elephantine Crocodile, originally released in 1982 on India Navigation, remains one of the most remarkable flowers to grow in the rarefied air of American minimalism – akin to Terry Riley's Reed Streams and Pauline Oliveros' Accordion & Voice, yet with a wild, liberated energy all of its own.

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Hiroshi Yoshimura

LP | 1982 | US | Reissue (Empire Of Signs)

26,99 €*

LP | 1982 | EU | Reissue (Superior Viaduct)

Release: 1982 / US – Reissue

Genre: Electronic & Dance

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Despite his status as a key figure in the history of Japanese ambient music, Hiroshi Yoshimura remains tragically under-known outside of his home country. Empire of Signs – a new imprint co-helmed by Maxwell August Croy, Spencer Doran and distributed by Light In The Attic – is proud to reissue Yoshimura’s debut Music for Nine Post Cards for the first time outside Japan in collaboration with Hiroshi’s widow Yoko Yoshimura, with more reissues of Hiroshi’s works to follow in the future.

Working initially as a conceptual artist, the musical side of Yoshimura’s artistic practice came to prominence in the post-Fluxus scene of late 1970s Tokyo alongside Akio Suzuki and Takehisa Kosugi, taking many subsequent turns within Japan’s bubble economy afterward. His sound works took on many forms – commissioned fashion runway scores, soundtracking perfume, soundscapes for pre-fab houses, train station sound design – all existing not as side work but as logical extensions of his philosophy of sound. His work strived for serenity as an ideal, and this approach can be felt strongly on Music for Nine Post Cards.

Home recorded on a minimal setup of keyboard and Fender Rhodes, Music for Nine Post Cards was Yoshimura’s first concrete collection of music, initially a demo recording given to the Hara Museum of Contemporary Art to be played within the building’s architecture. This was not background music in the prior Japanese “BGM” sense of the word, but “environmental music”, the literal translation of the Japanese term kankyō ongaku [環境音楽] given to Brian Eno’s “ambient” music when it arrived in late 70’s Japan. Yoshimura, along with his musical co-traveler Satoshi Ashikawa, searched for a new dialog between sound and space: music not as an external absolute, but as something that interlocks with a physical environment and shifts the listener’s experience within it. Erik Satie’s furniture music, R. Murray Schafer’s concept of the soundscape and Eno’s ambience all greatly informed their work, but the specific form of tranquil stasis presented on releases like Nine Post Cards is still difficult to place within a specific tradition, remaining elusive and idiosyncratic despite the economy of its construction. This record offers the perfect introduction to Hiroshi’s unique and beautiful worldview: it’s one that can be listened to – and lived in – endlessly.

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Ike Yard

2LP | 1982 | EU | Reissue (Ice Machine)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Ike Yard remain a legendary band of early '80s New York City – at once immensely influential, yet obscured by a far-too-brief initial phase. Their debut EP, the dark and absorbing Night After Night, sounds almost like a different group, so rapidly would Ike Yard evolve towards the calmly menacing electro throb of their self-titled LP. Originally released on Factory in 1982, the album put Ike Yard's indelible mark on the synth-driven experimental rock scene then emerging all over the planet. While historical analogues would be Cabaret Voltaire's Red Mecca or Front 242's Geography, opening track "M. Kurtz" makes starkly clear that Ike Yard is a far heavier proposition. With a thick porridge of bass, ringing guitar and strangled/stunted layers of voice, these six pieces are densely packed and perversely danceable. "Loss" sounds like a minimal techno track that could have been made last week, while "Kino" combines Soviet-era imagery with sparse soundscapes à la African Head Charge's Environmental Studies. Ike Yard somehow pull off the toughest trick in modern music: making repetition hypnotically compelling through subtle variation. The effect of Ike Yard's first LP can be heard in many genres – from industrial dance labels like Wax Trax to electro-punk bands and innumerable European groups (Lucrate Milk, Red Lorry Yellow Lorry, etc.). The fact that the cover artwork does not include any photos of the band, but rather features the original catalogue number (fact A Second) only further illustrates the release's importance and Ike Yard's timeless mystique.

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Stephen Mallinder

Pow Wow

Connecting With The Inner Healer Through Music

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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A new sub-label of the longstanding Canadian electro imprint Suction Records, Ice Machine — focusing on old-school wave/post-punk sounds — is thrilled to present a new, deluxe reissue of “Pow Wow”, the debut 1982 solo LP from Cabaret Voltaire’s Stephen Mallinder. Now expanded to a double-LP, and also released on CD/digital, it’s a definitive reissue which now includes Mallinder’s early solo discography in its entirety. This collection of mutant dub/funk/postpunk sounds just as fresh and contemporary in 2020 as it did in 1982 (note Autechre’s inclusion of standout cut “Del Sol” in a mix earlier this year), and highlights Mallinder’s crucial contributions to Cabaret Voltaire. Some words from Mr.Mallinder on the scene and era from which “Pow Wow” was born: “It was an interesting, and inspiring, time. The primal caterwaul of punk was dying and lots of really significant things were emerging from the fires. Much looser vibes were in the air and there was a much more exploratory feel. Punk had championed a visceral, anti-intellectual approach but in truth the real characters brought so much more to the table, and what began to happen - from people like The Pop Group to Throbbing Gristle, and emerging scenes from No New York to Factory Records - is we began to embrace the art of it all. There was acknowledgement of the importance of books, films, graphic art, and experimentation with all those mediums. We were just as interested in turning over rocks to see what lay beneath, as throwing them. There was a sense of new magik emerging.” “Pow Wow” was commissioned by the Fetish Records label, and recorded at the Cabs’ Western Works studio, where Mallinder would spend his days recording with Cabaret Voltaire, and continue on alone into night recording his debut solo material. “I slept very little in those days,” he adds, continuing: “It was done on 8 track and very multi-tracked, so lots of recording, then bouncing, and overdubbing, to get the integrated feel of the tracks. I became very adept at pressing record then jumping onto equipment to play it - it was actually a very 'live' record in that sense. I've always seen rhythm at the core of what I do so I loved the layering of counter rhythms. The sequence/arpeggiator parts were all drum machine triggers that were played live. It was about creating a distinct groove so arrangements came from weaving in and out of those linear grooves. It was fun to play everything from drums, guitars, keys, trumpet, percussion, tapes… and record and produce it all. Prince got it from me!” Surprisingly, Mallinder’s first solo LP would also prove to be his last - that is, until last year’s critically-acclaimed solo return “Um Dada”, on Dais. This new edition of “Pow Wow” contains 14 songs, and is housed in a recreation of the original, iconic Neville Brody jacket, painstakingly recreated using scans of Brody’s original artwork elements. The 2LP vinyl edition is in a reverse board, thick-spine jacket, and adds a 12”x24” folded poster/insert, featuring unused elements from Brody’s original designs, sketches, and instructions for the LP. The CD edition comes in a reverse board, 6-panel digipack.

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Laraaji

Tape | 1982 | US | Reissue (Leaving)

Iwishcan William Record Store Day 2020 Edition

Release: 1982 / US – Reissue

Genre: Electronic & Dance

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Part 3 of a 3-part release. All in One Peace (Leaving Records). The five movements of “Trance Celestial” are from Laraaji’s 1982 self-release called Rhythm and Blues. Track 6, “Connecting with the Inner Healer Through Music” was created as support listening music for a full-day workshop by the same name at South East Spiritual Conferences (sesc) in Greensboro, NC, 1983.

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The 3 Pieces

12" | 1982 | EU | Reissue (Rogue Cat Resounds)

13,99 €*

LP | 1982 | EU | Reissue (Kontakt Audio)

Release: 1982 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Record Store Day 2020 Release. Full printed sleeve - black 12” vinyl. Washington collective, The 3 Pieces, privately-pressed Iwishcan William on their own DL Records in 1982. Is it soul, rap, jazz, go-go, funk, electro, or educational? By nature of its birthplace and date of birth, it`s all of those. Synths shimmer in harp-like glissando. The bass grumbles, rumbles, machine-made. The beat pops and locks. The whole thing grooving and exuding positivity. One part the cosmic funk of say Cloud One`s Patty Duke. Another, the balearic chug of Will Powers` Adventures In Success. Like Brother D it looks to “agitate, educate, and organize”, and stirs in the sentiments of Razzy`s I Hate Hate. Imagine if the Last Poets jammed with sister Sarah Webster Fabio. Keys parp like car horns, a real trumpet blows a Don Cherry solo, but the track really revolves around its sweet Sesame Street call-and-response chorus: “I wish love. I can love. I will love. I am love.”

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Attrition

Death House

19,99 €*

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Old-school industrial live improvisation with overdubs on 4 track portastudio. Recorded at Black Prince Studio, Coventry, England. 1982. Influenced by classic zombie films, “Death House” lends truth to that rumor by delivering forty-six minutes of blackened paranoia-inducing ambiance. Split into two sprawling pieces, “Death House” conjures the grim, unsettling atmospheres of such films like “The Last Man On Earth” and the original “Night of the Living Dead” and portrays them into musical form. Step inside this nightmare Remastered by Martin Bowes at the Cage, Coventry, England. 2020 These soundtrack recordings were originally issued on cassette on Adventures in Reality, September 1982.

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P!OFF?

LP | 1982 | JP | Reissue (Universal Music Japan)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance, Pop

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1980, Friday evening in the Munich suburban pub »Panoptikum«. My girlfriend draws my attention to the fact that behind me two guys are talking about looking for a new guitarist for their band. I turn around, chat them up (Jochen and Thomas) and praise my skills to the skies. A few days later I’m standing in Thomas‘ perfectly equipped practice room with my Ibanez Les Paul copy. We jam a little while – jazz rock, to which I can contribute very little due to my lack of skills. We quickly agree on a new style: minimalist, no drums, just a drum machine, Moog and organ, less guitar, dry bass. And German lyrics! We don’t really know or want that this should be ”ndw”. But of course we listen to DAF, Ideal, FSK, Fehlfarben and – yes, Spliff too. These influences are undeniable. So we found the ”piss OFF Orkesstr”, which very quickly becomes ”p’off Orkesstr” and then finally ”P!OFF?”. Ambitious and inspired, we produce a demo cassette that already contains ”Das dicke Kind”, ”Großer Bruder”, ”Pass Auf!” and ”Walkman” and send it to various record companies – including Munich‘s ”Ariola”, which is desperately looking for NDW acts because the Ariola empire has missed this trend. Therefore, they ”buy” about 25 bands at the drop of a hat – and P!OFF? is supposed to be one of them, because they expect some good airplay mainly from ”Walkman”. Producer god Anthony Monn (Amanda Lear, Relax, Saragossa Band, Fancy et al.) takes us under his wing and manages to keep the original demo sound, but to improve it considerably. ”Mein Walkman ist kaputt” didn‘t make it into the charts, but it was played more often on the radio and the Album didn‘t sell badly. In 1982, however, NDW is now commercialised to death and that ship had sailed. But we stay together (under different band names) and over the decades become first New Romantics, then Indie Rockers, then Grunge Noise Makers and finally Electronic Freaks. In 2009, for my fiftieth birthday, we decide to play a few songs from the old 82 record live, which becomes a huge success. And so we are – again as P!OFF? – still on the road with our old songs. The ’82 Album has become a sought-after collector‘s item and cult object – so we are very happy that Bureau B is presenting a lovingly remastered reissue after almost 40 years.

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Ryo

Concierto De Aranjuez

39,99 €*

LP | 1982 | EU | Reissue (Orbeatize)

Release: 1982 / JP – Reissue

Genre: Electronic & Dance

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Introduction From "Schelomo"

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Enrico Serotti

Homemade Music

17,99 €*

LP | 1982 | EU | Reissue (Unidisc)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Originally distributed by Demo City (a division of Oderso Rubini's Italian Records) in 1981 only on tape cassette format; the Confusional Quartet's guitarist here cooking a weird cover of Kraftwerk's "The Model", the cosmic "Lo Sport" and 26 more homemade delicacies.

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Patrick Cowley

Mind Warp

31,99 €*

2LP | 1982 | EU | Reissue (Spittle)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Seminal early 80's Hi-nrg / Synth disco emanating from the gay clubs, bath houses and discotheques of San Francisco. A truly original and groundbreaking sound and style helmed by studio genius Patrick Cowley. Heavily informed by sonically charged science fiction fantasy and the darkest corners of nightlife, 'Mind Warp' is a cornerstone of electronic music that still astonishes today. Originally released on Cowley's own Megatone imprint in 1982 the album marks a definitive change in direction of post-disco dance music, undoubtedly inspired by European artists such as Kraftwerk, Moroder, Yello and more. A huge influence on what was to come through in later years via house and techno music, 'Mind Warp' is a bonafide classic and every single self respecting music lover or DJs home should have a copy!

Celebrate 40 years of the label with this unmissable reissue package beautifully presented on wondrous Colored Vinyl by your friends over at Unidisc.

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Thomas Leer

Contradictions

LP | 1982 | EU | Reissue (Knekelhuis)

Release: 1982 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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The scottish musician, born in 1953 in Port Glasgow, is one of the most eclectic artist of the so-called minimal wave scene. Alongside german singer Claudia Brücken (vocalist of the hit-makers Propaganda) he formed Act a short-lived synthpop group signed to ZTT Records in the late eighties. Licensed by Cherry Red in 1982, the double album ‘Contradictions’ is the third effort in Leer high and rising career. After the seminal debut on Industrial Records with Robert Rental – The Bridge (1979) – Leer ventured on a solo career with the brave synth wave of ‘Letter From America’ and his personal masterpiece ‘Contradictions’. The latter is such an enigmatic piece of work, with alien melodies as in the case of the ‘Soul Gypsy’ infectious white funk. The whole album was recorded in his living room at home onto 4-track using borrowed equipment ( Korg synth, Ult-sound drum computer & guitars ) from his friend Morgan Fisher. Featuring Leer’s haunting, uncertain vocal – recorded quietly, so as not to wake his girlfriend in their bedsit! – crooning over a minimal bass pulse and discreet whines and washes of primitive Wasp synthesiser, it retains its peculiar lo-fi magic four decades on.

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Jimmy Smack

Death Is Certain

LP | 1982 | EU | Reissue (WRWTFWW)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Across two 7”s, Death Or Glory (1982) and Death Rocks (1983) and one 12”, Anguish (1982) Jimmy Smack carved his own bleak chasm amidst the LA Death Rock scene that he inhabited. After decades dormant in the crypt, Knekelhuis compiles Smack’s full recorded output, providing it a lavish place to rest on the Death Is Certain LP.

While his local punk contemporaries pursued aggressive hardcore and political punk, Jimmy Smack donned corpse paint (before it would later become synonymous with the European black metal movement) and found a home performing in venues like the Anti-Club, amongst other subterranean dwellers Christian Death, Dead Hippie and 45 Grave.

Even within this lurid milieu, Jimmy Smack stood alone. Hating Life (from Death Rocks) easily locates Jimmy within the negative-punk and KBD lexicon. However his recordings, consisting of voice, rhythm box and electrified bagpipe drones, otherwise veer closer to other-worldly avant-garde rituals. Jimmy’s background in theatre and performance art helping inform not only his menacing stage presence, but also spawning the singularity of his sound.

Death Is Certain comes housed in a printed inner sleeve featuring rarely seen archival photos, liner notes by Cooper Bowman and excerpts from an interview with Jimmy Smack conducted by Juan Mendez (Silent Servant)

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Interior

Rockmantico Red Vinyl Edtion

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Wrwtfww Records is very happy to announce the official vinyl reissue of the highly sought-after Haruomi Hosono-produced Interior self-titled debut, originally released in 1982 on legendary label Yen Records. The LP comes in a heavy 350gsm sleeve. Interior is Daisuke Hinata, Eiki Nonaka, Mitsuru Sawamura, and Tsukasa Betto. Their classic 1982 debut, produced by Yellow Magic Orchestra's Haruomi Hosono, is one of a kind - a very rare breed of feel-good ambient music blending instrumental synth-pop, soft electronic minimalism, and cozy sound design in the most heartwarming ways. It evokes the intimate pleasures of daydreaming in a hotel lobby, holding hands in a museum, or napping by the pool. It depicts the urban landscape as a caring environment, where simplicity and repetition is mind soothing and smile inducing. Interior takes you into an alternate reality, where nostalgic modernism makes the present time feel like the fondest memories. The unique sound of Interior caught the attention of William Ackerman and Anne Robinson who re-released the album in 1985 on their famed label Windham Hill Records (with a slightly different tracklisting) and then proceeded to put out their follow-up, Design, in 1987. After that, members of the group continued their careers separately, Daisuke Hinata notably recording an overlooked but absolutely amazing solo album, Tarzanland, in 1988.

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Alberto Camerini

LP | 1982 | EU | Reissue (Catalog)

34,99 €*

Release: 1982 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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LP | 1982 | EU | Reissue (Our Swimmer)

Deux Filles

Silence & Wisdom

2LP | 1982 | EU | Reissue (Driven By The Music)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Deux Filles was not, in fact, two girls despite what the group name and its elaborate hoax of a backstory suggest. No, they were not Gemini Forque and Claudine Coule, French women who met as teenagers under tragic circumstances and became fast friends, recording two albums together before disappearing into the ether. In reality, Deux Filles was Simon Fisher Turner and Colin Lloyd Tucker, a UK duo who first worked together in an early incarnation of The The.

Straddling the line between experimental and pop, Turner was an actor and teen singing star who later composed soundtracks for the iconic queer filmmaker Derek Jarman while Tucker’s career began as an engineer for the famed UK library music studio, De Wolfe, before forming experimental wave group The Gadgets. In Deux Filles, the duo found an outlet for their least commercial tendencies, combining lo-fi proto-dream-pop instrumentals with samples, tape experiments, ambient textures, and drum machines. Even in the vibrant, seemingly endless well of UK DIY, Deux Filles stand out.

Silence & Wisdom – the duo’s 1982 debut – is a series of musical vignettes, like the score of an unrealized arthouse film. Blending processed guitars, sheets of synthesizers, echoey pianos, and washed-out vocal snippets to surprisingly varied effect, the album is recommended for fans of Durutti Column and Virginia Astley’s From Gardens Where We Feel Secure.

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Donna Summer

44,99 €*

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Against The Dark Trees Beyond

A Blaze Colour

LP | 1982 | EU | Reissue (Onderstroom)

Watching The Dance Black Vinyl Edition

Release: 1982 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Sought-after Belgian minimal synth finally reissued.

They were interesting times, the early eighties. Against a backdrop of cold war and economic crises, the DIY attitude of the earlier punk movement had spawned near countless new genres where artists and bands broke the three-chord guitar mould and experimented with new content matter, singular song structures and – in many cases – new instruments. Synthesizers became affordable and were no longer the sole privilege of rock millionaires. All around the globe, musical creativity boomed as never before, and Belgium was no exception: Digital Dance, Snowy Red, The Names, Pseudocode, Marine, 1000 Ohm, De Kommeniste, M.Bryo & D.M.T., De Brassers, Struggler, Siglo XX are but a few legendary names of bands and artists who started making a name for themselves.

In Leuven, things were happening as well. Until then, the music scene in this rather provincial town had been dominated by straightforward rock and blues acts. Not for much longer, though: in places like Arno'z and (later) The Gladhouse, where young budding artists met with kindred spirits, bands were often formed on the spot and, more importantly, started to make ripples.

Ludo Camberlin and Karel 'Bam' Saelemaekers already had a certain track record in Leuven's burgeoning music microcosm. But what they shared would become the cornerstone of A Blaze Colour (Against The Dark Trees Beyond): a fascination for new forms and instruments, a penchant for sonic adventure and a profound love for gripping songs. The full band name, by the way, was inspired by a phrase from the Irish-American novelist J.P. Donleavy, a writer who belongs in the definitely-worth-checking-out section.

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Aerial Fx

LP | 1982 | EU (Radiation Reissues)

Watching The Dance Silver Colored Vinyl Edition

Release: 1982 / EU

Genre: Rock & Indie, Electronic & Dance

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Moody Oxford post-punk quintet Exit 13 became Aerial FX at the dawning of the 1980s, the promise of their minimal sound, with its prominent synthesizers, yielding a publishing deal with Island Records and an early single released by the label. Debut album Watching The Dance has shades of dark synth pop and Goth, with future Radiohead manager/producer Chris Hufford firmly in the spotlight throughout. The influence of acts like Van Der Graaf Generator, Modern Eon and others lurk beneath this hidden Cold Wave gem.

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Aerial Fx

LP | 1982 | EU (Radiation Reissues)

22,99 €*

Spray Orchestra Max Manuel

Release: 1982 / EU

Genre: Rock & Indie, Electronic & Dance

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Transilvania / Energy

12" | 1982 | EU | Reissue (Miss You)

15,99 €*

Burkina Faso (Wagadugu Blues)

Release: 1982 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Sound Metaphors' collaboration with Constantino Paolini opens the Italian classics vaults yet again to bring back two more anthems of Italian dancefloor history. This time a selection of two Instrumental versions of the productions done with Patrizia Pellegrino. Spray Orchestra's “Transilvania” is the instrumental version of Patrizia Pellegrino's “Il Mondo Da Una Nuovola” and Max Manuel's “Energy”, an abstracted instrumental version of Patrizia Pellegrino's “Automaticamore”, both highly coveted in digger circles and originally released as 7”. Now brought to your collections in hefty 12” 45rpm remastered versions. Complemented with a slowed down acid remix of “Transilvania” by DJ Asshole.

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Adu

12" | 1982 | UK | Reissue (Emotional Rescue)

15,99 €*

Methods Of Dance Volume 2

Release: 1982 / UK – Reissue

Genre: Electronic & Dance

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Emotional Rescue can be relied on to dig up obscure, left of centre dance gems and serve them up to newer, wider audiences. Adu's reggae-pop cut 'Burkina Faso' is a great example, re-purposed for the dancefloor without any of its original flavour lost in the overhaul. A South Saharan/West African emigre to Brixton, Rauf Adu would go on to fairly sizeable European fame with the Eddy Grant-esque 'Human To Human'. This, however, is his 1982 debut for Copasetic Records, another reggae-pop inspired, ludicrously catchy effort with scorched electric guitar and a Compass Point-style drum/bassline providing rhythmic rocksteadiness. As well as the buffed up original, there's a dub mix, which gives his beautiful guitar plenty of room to breathe, and an appearance from the Isle of Jura Sound System boss Kevin Griffiths , whose remix completes the trio of mixes.

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V.A.

LP | 1982 | UK | Original (Virgin)

6,29 €* 8,99 € -30%

Disco Jazz Rainbow Vinyl Edition

Release: 1982 / UK – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+

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Rupa

LP | 1982 | US | Reissue (Numero Group)

12" | 1982 | US | Original (Wave)

Release: 1982 / US – Reissue

Genre: Electronic & Dance

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Rainbow VinylBarely disco and hardly jazz, Rupa Biswas'1982 LP is the halfway point betweenBollywood and Balearic. Tracked in Calgary'sLiving Room Studios with a crack team ofIndian and Canadian studio rats alike, DiscoJazz is a perfect fusion of East and West. Sarodand synthesizer intricately weave aroundone another for 37 transcendent minutes,culminating in the viral hit "Aaj Shanibar."Remastered from original analogue sourcematerial and issued with permission andblessing of the producers and performers.

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Bonnie Forman

Walk Away

3,19 €* 3,99 € -20%

LP | 1982 | EU | Reissue (Eargong)

Release: 1982 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+. Generic label cover

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Klaus Wiese

Maraccaba

LP | 1982 | EU | Original (CBS)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Look no further for some classic contemporary ambient music ! Originally released on tape in 1982 Maraccaba is the second solo album from deutsch electronic wizard Klaus Wiese, a Popol Vuh member during the recordings of iconic masterpiece as ‘Hosianna Mantra’ and ‘Seligpreisung’. Ltd edition of 500 copies.

Member of the krautrock band Popol Vuh in the early 1970s – Voice, Zither, Tambura, Harmonium, Singing Bowls – Klaus Wiese (1942 – 2009) was a veteran musician, minimalist, and multi-instrumentalist. A master of the Tibetan singing bowl, he created an extensive series of album releases using them. Wiese also used the human voice, the zither, Persian stringed instruments, chimes, and other exotic instruments in his music. Wiese is considered by some as one of the great ambient or space music artists alongside Robert Rich, Steve Roach, Michael Stearns, Constance Demby, and Jonn Serrie. His musical style is much more appropriately compared to the organic soundscapes of drone and dark ambient music, such as Oöphoi, Alio Die, Mathias Grassow, and Tau Ceti. In the 1990s he founded the Nono Orchestra to play the giant sheetmetal instruments of Robert Rutman. Wiese is known also for his collaborations with Al Gromer Khan, Mathias Grassow, Oöphoi, Tau Ceti, Saam Schlamminger, and Ted de Jong. He collaborated with Deuter on his Silence is the Answer album in 1980 and East of the Full Moon in 2005.

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After The Fire

Der Kommissar

5,09 €* 5,99 € -15%

Release: 1982 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1982 | JP | Original (EMI)

Sheena Easton

Madness, Money And Music

Release: 1982 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 1982 | JP | Original (EMI)

Sheena Easton

Madness, Money And Music

Release: 1982 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1982 | JP | Original (Polydor)

Shakatak

Night Birds

LP | 1982 | JP | Original (EMI America)

Release: 1982 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Japanese pressing with OBI and insert. tiny wear.

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Kim Carnes

Voyeur

5,94 €* 6,99 € -15%

LP | 1982 | JP | Original (Victor)

Release: 1982 / JP – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

OBI not included.
Includes original insert.

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David Christie

Back In Control

Release: 1982 / JP – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1982 | JP | Original (Polydor)

Shakatak

Invitations

I'm The One / Don't Lose Control

Release: 1982 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing with OBI!

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Material

7" | 1982 | DE | Original (Celluloid)

Release: 1982 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1982 | US | Original (Elektra Musician)

David Sancious

The Bridge

5,99 €*

LP | 1982 | US | Original (Jive)

Release: 1982 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Promo copy.

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Q-Feel

Release: 1982 / US – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: G+

LP | 1982 | EU | Reissue (Superior Viaduct)

Factrix / Cazazza

California Babylon

LP | 1982 | EU | Reissue (Dead Mind)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

US reissue.

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Enno Velthuys

Ontmoeting

27,54 €* 28,99 € -5%