Electronic & Dance 13256 Items

10" | 2021 | EU | Original (Hybrid Minds)

Release: 2018 / US – Original

Genre: Electronic & Dance

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An impediment to achieving a place in the post-punk pantheon — Daszu was based in Milwaukee, not in the UK. Except for cassette distributions in Helsinki and Dublin, and a few scattered performances, they lived, practiced and performed near home. In 1979, Mark Rudolph (now an interactive 3D artist, musician, software developer, mathematician and the director of i3Dmedia LLC) talked in his kitchen to David Wolf about an idea he had for a new music: how music could be 'popular' without rock guitars and a big wall sound such as large amps and organs. "I said we could do a minimal three-piece music based on new melodic lines and poetry and synthesis. I thought that we could remake reality. It was possibly ambitious, but I didn't think so. We decided to do it." They did it. Not with a big polyphonic keyboard, but with a mini-moog sound generator.

The 1/2 Dativa material included on our Lion survey of Daszu's musical innovations was the work of Rudolph and his Australian friend and musician, Greg O'Connor (Boom Crash Opera). Rudolph had been studying mathematics and computer music in Australia, and a mix of Daszu, his computer generated music and O'Connor's great genius with electronic parts is evident in these intense, propulsive recordings made on a pair of DX-7 synthesizers one feverish day in 1983.
• Excavation of astounding underground post-punk recorded from 1979-1983
• Style: minimal, semantic, intense. There is poetic subtlety and musical freshness not confined to one historical period
• 8-page insert booklet contains the Daszu manifesto, poetics for most tracks, a measure of band history, and Part 1 and 2 of Mark Rudolph's poetry from the Daszu era.
• Vinyl edition comes in a heavy-duty tip-on jacket
• First time on vinyl for all tracks
• Contains two additional tracks not on the CD edition

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Hybrid Minds

Reflections

20,99 €*

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Howling Âme Remix White Vinyl Edition

Ry / Frank Wiedemann

12" | 2012 | EU | Reissue (Innervisions)

Howling Âme Remix Black Vinyl Edition

Release: 2012 / EU – Reissue

Genre: Electronic & Dance

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One of the most beloved Innervisions tracks of 2012.

2024 Repress on transparent Vinyl comes in IV-backcatalogue sleeve!

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Ry / Frank Wiedemann

12" | 2012 | EU | Reissue (Innervisions)

13,99 €*

12" | 2010 | DE | Reissue (ZYX Music)

Release: 2012 / EU – Reissue

Genre: Electronic & Dance

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One of the most beloved Innervisions tracks of 2012.

2024 Repress on black Vinyl comes in IV-backcatalogue sleeve!

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Picture
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49ers

Touch Me

16,99 €*

Release: 2010 / DE – Reissue

Genre: Electronic & Dance

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Exoteric Continent & Cont Ext

Residual EP

7" | 2016 | EU | Reissue (Altre)

13,99 €*

Visions Vinyl Me, Please Edition

Release: 2016 / EU – Reissue

Genre: Electronic & Dance

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Behind this work lays the evolution of our idea of the human, with all that it entails in current times. This is an effort to reflect with compassion and to experience feelings of helplessness through loss. The cognitive volitional duality of being a human in 2016 - Where do we belong?

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Grimes

LP | 2012 | US | Reissue (Vinyl Me, Please)

35,99 €*

Third Vinyl Me, Please Edition

Release: 2012 / US – Reissue

Genre: Electronic & Dance

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Why you'll love it...
"Wow, i can hear myself learning how to make music in this song. I remember doing the vocal over the drums and then randomly trying that baseline and being like whoa! And kinda spiralling into this experiment," — Grimes on the opening track, "Infinite Love Without Fulfillment," in our pressing's Listening Notes.

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Jitwam

LP | 2022 | US | Original (Vinyl Me, Please)

35,99 €*

The Light Is Leaving Us All Picture Disc Edition

Release: 2022 / US – Original

Genre: Electronic & Dance

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Why you'll love it...
Multi-instrumentalist producer, vocalist and The Jazz Diaries' label head Jitwam releases his third album titled Third. The Brooklyn-based artist's newest album draws inspiration from jazz, soul, Latin music, punk and disco.

Limited to 500 copies, the VMP exclusive edition of Jitwam's Third is pressed on 1LP Red vinyl at Optimal Media Production. The album will arrive in a single direct-to-board, foil stamped and numbered jacket along with a download code. It's mastered by Nick Herrera of Nick Herrera Production.

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Current 93

LP | 2018 | US | Reissue (Cashens Gap)

36,99 €*

Release: 2018 / US – Reissue

Genre: Electronic & Dance

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12" | 2016 | UY | Reissue (El Milagro)

Luis Malon, Ovach

Two Bridges

LP | 2022 | WW | Reissue (R2)

Release: 2016 / UY – Reissue

Genre: Electronic & Dance

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Due to overwhelming demand, we are excited to announce the highly anticipated repress of El Milagro's first release Luis Malon, Ovach.
Known to be one of Nicolas Lutz dancefloor weapons.

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Don Pascal

The Mindelo Experiment

34,99 €*

Release: 2022 / WW – Reissue

Genre: Electronic & Dance

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New Me Same Us Transparent Blue Vinyl Edition

Little Dragon

LP | 2020 | UK | Reissue (Ninja Tune)

31,99 €*

Release: 2020 / UK – Reissue

Genre: Electronic & Dance

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Tape | 2022 | EU | Original (Kinship)

Marlais

Stream Of Forms

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Tape | 2022 | EU | Original (Kinship)

Branes

Iel

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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The Fleeting Nature Of Things

Alto Bloom

Tape | 2022 | EU | Original (Kinship)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Tape | 2021 | EU | Original (Kinship)

Isabassi

789.0

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Tape | 2021 | EU | Original (Kinship)

Hibylo

Release: 2021 / EU – Original

Genre: Electronic & Dance

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For Future Holographic Suns

Feldermelder

Tape | 2020 | EU | Original (Kinship)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Tape | 2020 | EU | Original (Kinship)

Bliss Creek

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Tape | 2020 | EU | Original (Kinship)

Dolomea

A Ghost In My Mind

Release: 2020 / EU – Original

Genre: Electronic & Dance

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2LP | 2022 | EU | Original (Compost)

Ströme

Nr. 2

25,99 €*

Release: 2022 / EU – Original

Genre: Electronic & Dance

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LP | 2020 | EU | Reissue (La Scimmia)

Fratelli Malibu

Ciro Miami

Equanimity EP Feat. Glenn Underground Translucent Teal Vinyl Edition

Release: 2020 / EU – Reissue

Genre: Electronic & Dance

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Fratelli Malibu is an original idea of Andrea De Fazio with the cooperation of Paolo Petrella, drummer and bassist for the “Nu Guinea” live band. Their love for synthesizers and drum machines brought them together to create the shiny world of Ciro Miami.

We could think of Ciro as a neapolitan expat in the american dream, where he discovers a world of excess, flashy cars, cocktail bars, beautiful women, cocaine, gambling, spaceships and videogames that erodes all of his money forcing him to go back to Napoli completely broke, but with a fistful of wonderful memories.

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Kyle Hall

12" | 2018 | US | Reissue (Wild Oats)

22,99 €*

Acqua Di Sale 2024 Repress

Release: 2018 / US – Reissue

Genre: Electronic & Dance

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Wild Oats proudly present the new EP from Kyle Hall entitled "Equanimity". This release marks the 10 year anniversary of Wild Oats and its only fitting that we celebrate with a release from the label boss himself on tonight's full moon. Along with the engineering treatment from "Chicago's very own" (C.V.O.) deep house legend, Glenn Underground, "Equanimity" takes on a new foundational sound and assembly that inspires some philosophical thoughts below: Katastematic Pleasure is the epicurean philosophical concept that the magnitude of pleasure reaches its limit at the removal of all pain. In a sonic sense, this connects to the idea of subtractive equalization or the removal of unpleasant frequencies i.e. taking away the part of the sound you don't enjoy as much, in turn, leaving the pleasurable parts of the sound intact. Katestematic pleasure is about creating cleanliness and clarity in your life so that your experience is pleasurable by simply the virtue of being. Solar/Lunar Duality: The Vinyl EP is divided into two planetary bodies. Side A i The "Solar Side" and Side B i "The Lunar" Side. The Sun's energy is one that is everlasting as long as its shining all that receives its rays will continue its growth and abundance. The Moon represents the nature of receptivity the feminine principle which captures the light energy of the sun and reflects it back and governs our physical natural cycles and tides of the waters both internally and externally. The cycles of the moon when we decide to to be attentive to its influence we start to know when to retreat when to rest , when to repair our selves and intuitively when to bloom express our vivaciousness and attract things to ourselves.

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Rosa

LP | 2020 | EU | Reissue (Periodica)

21,99 €*

Nine Thoughts For One Word

Release: 2020 / EU – Reissue

Genre: Electronic & Dance

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oogielicious Synth Pop made in Napoli! "Acqua Di Sale" is the first mini-album of the mysterious Rosa. Recorded at the West Hill Studio, this is the umpteenth creation of the well known Neapolitan production team which inaugurates the "Pegaso Series" on Periodica Records.

"A deserted beach and a rendezvous at the bar, with waves crashing gently in the distance and wine glasses catching the last rays of the setting sun. The seductive panorama of Posillipo unfolds before the eyes, evoking the charms of a photo-novella, though something mysterious lurks in the emerging dark, leading to unavoidable questions and temptations of the soul. This is the Napoli of the heart…no longer a physical manifestation, but instead, a stage for clandestine encounters and forbidden desires, where the most vivid emotions take the form of notes on the staff."

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Chat Noir

LP | 2015 | UK | Original (Rare Noise)

30,99 €*

Release: 2015 / UK – Original

Genre: Electronic & Dance

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Tape | 2022 | EU | Original (Oryx)

Les Halles

Invisible Cities

Lightness And Irresponsibility

Release: 2022 / EU – Original

Genre: Electronic & Dance

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The 2014 debut solo collection by French wind-walker Baptiste Martin aka Les Halles remains a masterpiece of soft light and subdued yearning, woven from grainy panpipe samples, tape hiss, and spectral delay. Recorded late at night in a tiny room in Montpellier, Invisible Cities quivers like a candle by the sea, its fragile illumination flickering against an expanse of sky, silence, and sorrow. The pieces feel both ancient and immediate, glimpsing currents behind the veil, at the threshold of presence and absence. The track titles evoke similarly transient states of echo, memory, and negative mirrors. This is music of solitude and devotion, of empty streets and unremembered dreams, fleetingly captured via the eternal alchemy of FX pedals and a 4-track. (Britt Brown)

All tracks recorded by Baptiste Martin, in Montpellier (France), in late 2013. This collection of tracks is named after Italo Calvino’s Invisible Cities.

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Celer

Tape | 2012 | US | Original (Constellation Tatsu)

Release: 2012 / US – Original

Genre: Electronic & Dance

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Tape | 2013 | US | Original (Constellation Tatsu)

Angel 1

Purple Haze

Release: 2013 / US – Original

Genre: Electronic & Dance

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Tape | 2013 | US | Original (Constellation Tatsu)

Bataille Solaire

Documentaires

Release: 2013 / US – Original

Genre: Electronic & Dance

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Tape | 2013 | US | Original (Constellation Tatsu)

Panabrite

Cortex Meridian

Release: 2013 / US – Original

Genre: Electronic & Dance

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Celer + Forest Management

Landmarks

Release: 2018 / US – Original

Genre: Electronic & Dance

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Chihei Hatakeyama

Scene

Release: 2018 / US – Original

Genre: Electronic & Dance

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Oca

Preset Music

Release: 2018 / US – Original

Genre: Electronic & Dance

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Poemme

Moments In Golden Light

Release: 2018 / US – Original

Genre: Electronic & Dance

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Tape | 2020 | US | Original (Constellation Tatsu)

Loris S. Sarid

Music For Tomato Plants

Release: 2020 / US – Original

Genre: Electronic & Dance

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Tape | 2021 | US | Original (Constellation Tatsu)

Paperbark

What Was Left Behind

Release: 2021 / US – Original

Genre: Electronic & Dance

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Tape | 2022 | US | Original (Constellation Tatsu)

Soshi Takeda

Same Place, Another Time

Release: 2022 / US – Original

Genre: Electronic & Dance

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Tape | 2022 | US | Original (Constellation Tatsu)

Alex Albrecht

Resolve

Release: 2022 / US – Original

Genre: Electronic & Dance

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LP | 2020 | US | Original (Constellation Tatsu)

Loris S. Sarid

Music For Tomato Plants

22,99 €*

Release: 2020 / US – Original

Genre: Electronic & Dance

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Darkside EP Green Marbled Vinyl Edition

Interplanetary Criminal

12" | 2020 | EU | Reissue (Time Is Now)

Heisei No Oto - Japanese Left-Field Pop From The CD Age 1989-1996 2024 Repress

Release: 2020 / EU – Reissue

Genre: Electronic & Dance

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Interplanetary Criminal returns to Time Is Now with four future UKG classics in the making.

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V.A.

2LP | 2021 | EU | Reissue (Music From Memory)

28,99 €*

12" | 2013 | EU | Reissue (Yore)

Release: 2021 / EU – Reissue

Genre: Electronic & Dance

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NO OBI VERSION

Music From Memory is excited to announce a special compilation that they’ve been working on for some time now; Mfm053 – VA – Heisei No Oto – Japanese Left-field Pop From The CD Age (1989-1996). Compiled by long-time friends of the label, Eiji Taniguchi and Norio Sato, Heisei No Oto delves into a world of music released almost exclusively on CD and brings together a fascinating selection of discoveries from a little known and overlooked part of Japan’s musical history. The last ten or so years have seen a global wave of interest in Japanese music encompassing ambient, jazz, new wave and pop records from the 1980s, some of which is increasingly considered the most innovative and visionary music of that time. Although some music from this period, in the form of ‘City Pop’ or ‘rare groove’ records, had been coveted by collectors and DJs for a number of years, most Japanese music from the time was little known outside and often even within Japan. Sometime around the mid 2000s, two Osaka record store owners, Eiji Taniguchi of Revelation Time and Norio Sato of Rare Groove, along with a handful of deep Japanese diggers such as Chee Shimizu of Organic Music records in Tokyo, began to explore beyond the typical ‘grooves’ or ‘breaks’. Much like their counterparts in Europe and the US, they began delving into home-grown ambient, jazz, new wave and pop records, discovering visionary music, often driven by synthesizers or drum computers, that broke beyond the typical confines of their genres. Spending tireless hours in local record stores and embarking on digging trips across the country, Eiji Taniguchi and Norio Sato, much like Chee Shimizu, have been at the forefront of unearthing and introducing many of the very Japanese records now loved and sought after around the world. Yet as YouTube algorithms and vinyl reissues would transport such music into the global consciousness and demand and therefore scarcity intensified for such records, so Eiji and Norio have recently begun to turn their attention to CDs. The title of the compilation Heisei No Oto refers to the sound of the Heisei era, which began in 1989 and corresponds to the reign of Emperor Akihito until his abdication in 2019. Marking the culmination of one of the most rapid economic growths in Japanese history, 1989 also coincided with the music industry’s final shift away from vinyl in favour of CDs. And, although compact discs were first introduced seven years earlier it wasn’t until late into the ‘80s that, beyond dance music labels, CDs became the exclusive format for major and independent labels in Japan and throughout the world. This however didn’t signal the end of the innovation in Japan. Many of those same musicians who have become known for their work in the ‘80s would continue to produce outstanding music well into the mid ‘90s, as greater innovation and advances in musical equipment allowed Japanese musicians and producers to refine and explore new sounds. While musicians such as the seminal Haruomi Hosono, whose productions feature on a number of tracks, would continue to push the boundaries of these new technologies, these technological advances also meant less established musicians were able to make use of increasingly affordable but state-of-the-art equipment. Including music by Haruomi Hosono as well as Yasuaki Shimizu, Toshifumi Hinata and Ichiko Hashimoto who have become known and loved around the world in recent years, Hesei No Oto also features Japanese pop star Yosui Inoue, producers Jun Sato and Keisuke Kikuchi in aaddition to less established artists from the contemporary, jazz, new wave, pop and dance music scenes. Bringing together a selection of tracks that seem to define these specific genres and in fact move fluidly between a number of them, the music on the compilation is again underscored by experimentations with synthesizers and drum computers though with something of a gentle Pop sensibility. Reimagined here then under the encompassing term ‘Left-field Pop’, this is an exciting chapter in Japanese musical history that has only just begun to be fully explored.

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Rick Wade

Hustler's Lullaby

19,99 €*

12" | 2010 | EU | Reissue (Clone West Coast Series)

Release: 2013 / EU – Reissue

Genre: Electronic & Dance

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Official re-issue of Rick Wade's Hustler's Lullaby, which was originally released in 2013 on Japanese Label: "Unknown Season". The record goes for 130 - 200 Bucks on Discogs, so we decided to make this available again. Strictly limited to 300 copies and no repress. Best to secure your copy for a regular price now, as they will go real quick due to heavy demand.

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Legowelt

Dx Days / Bayville Cove

Preacher's Sigh & Potion: Lost Album Vinyl Me, Please Edition

Release: 2010 / EU – Reissue

Genre: Electronic & Dance

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3 classic Legowelt "Slam Jack Deep Chicago Ghetto Technofunk" tracks from the Clone Records vaults get the deserved remaster treatment. The early 2000's Yamaha DX Synth tribute by Scheveningens Jackmaster never sounded better...

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Matthew Dear

LP | 2021 | US | Original (Vinyl Me, Please)

Plasma Vinyl Me, Please Edition

Release: 2021 / US – Original

Genre: Electronic & Dance

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Why you'll love it...
Twenty-plus years into his career, producer/vocalist/songwriter/DJ Matthew Dear remains artistically unpredictable in pursuit of his prescient strain of electronically-formed, organically-delivered indie pop. His work traverses myriad musical worlds, belonging to none. But these fluid moves have not been without a few forks in the road, decisive turns, and what-ifs. Most notable is the pivot-point following Dear’s acclaimed 2007 avant-pop LP, Asa Breed, in which he broke away from the 4/4 grid of his techno/house debut Leave Luck To Heaven and into something much more wild and idiosyncratic.

Traveling between his adopted Detroit and his home state of Texas throughout 2008 and 2009, Dear amassed a set of personal, playful, looping guitar-centric recordings he’d consider for his next album. Given the new momentum of the hybrid electronic pop of Asa Breed which led to an opening slot for Hot Chip and remixes for ‘00 heroes like Spoon and Postal Service, Dear decided to shelf the material. He moved ahead to work on his watershed 2010 album, Black City, a steely noir set which earned him a Best New Music on Pitchfork and a worldwide tour with a besuited band. This “lost album” had a sound, a spirited country romp in the techno barn, and it had a rough title, a scribble on one of the CD-Rs passed to Ghostly label founder Sam Valenti IV, Preacher's Sigh & Potion. He never fully walked away from it, and merely kept moving down the road, waiting for the audience to catch up. Over a decade later, that time is now

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Luke Titus

LP | 2020 | US | Original (Vinyl Me, Please)

Leave The Bones Vinyl Me, Please Edition

Release: 2020 / US – Original

Genre: Electronic & Dance

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Why you'll love it...
Chicago multi-instrumentalist, producer, singer, songwriter Luke Titus has announced his debut album PLASMA available via Sooper Records. The album, which features Ravyn Lenae, Sen Morimoto, Qari, and Elton Aura, is fully produced and composed by Titus - a touchstone of most Sooper signees. Highly regarded in the Chicago music scene for his work on Noname’s Room 25 album and for his drum work for Ravyn Lenae, PLASMA finds the 23-year-old fully in stride for his supremely weird and innovative project. Utilizing hip-hop, Jazz, R&B and Pop, Titus possesses an astounding level of technical mastery and creativity. Folding in psychedelia, experimental glitchiness, and big, luscious pop hooks with gloriously expressive vocal performances. PLASMA serves as one of the most imaginative debuts to come out of Chicago this year.

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Lakou Mizik & Joseph Ray

2LP | 2021 | US | Original (Vinyl Me, Please)

41,99 €*

Classic Objects Vinyl Me, Please Edition

Release: 2021 / US – Original

Genre: Electronic & Dance

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Why you'll love it...
Since their inception in 2010, the 9-piece Haitian collective Lakou Mizik has long sought to shift public perception of their home country through music. The multi-generational outfit's blend of traditional Haitian music and punk energy inspired Joseph Ray of NERO during his 2015 visit to Haiti. While the producer initially intended to sample Lakou Mizik, it wasn't enough to sample them, bringing us to the collaborative Leave the Bones.

Limited to 500 copies, the VMP exclusive edition of Lakou Mizik and Joseph Ray's Leave the Bones is pressed on 2LP Apple vinyl at Precision Record Pressing and is mastered by Joseph Ray. The record will arrive in a gatefold reverse board, foil stamped and numbered jacket. The album includes four 12"x12" insert cards.

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Jenny Hval

LP | 2022 | US | Original (Vinyl Me, Please)

Abandon Vinyl Me, Please Edition

Release: 2022 / US – Original

Genre: Electronic & Dance

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Why you'll love it...
Jenny Hval is an artist in every sense of the word. And as an artist, her expression through music is apparent in the most authentic way. Classic Objects is a tour through the places in her life, both physically and mentally – an introspection of herself. Written in the midst of the pandemic, Jenny Hval took the time to uncover the uncomfortable moments of her life.

She said, "This made me want to write simple stories. My problem was that I found that the music component in the writing process made the words stray from their path and even jump into the absurd. I think it is just bound to happen when there is music involved. After all, a song isn't just words, it has a melody, and the reason we have melodies is to step into the dark and jump off cliffs."

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Pharmakon

LP | 2013 | US | Reissue (Vinyl Me, Please)

When I Hit You-You'll Feel It Vinyl Me, Please Edition

Release: 2013 / US – Reissue

Genre: Electronic & Dance

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Why you'll love it...
Margaret Chardiet was born and raised in New York City. As a founding member of the Red Light District collective in Far Rockaway, NY, she has been a figurehead in the underground experimental scene since the age of seventeen. She points out that the environment there amongst so many other experimental artists (amongst them Yellow Tears & Haflings) inspired her to keep making increasingly challenging work. She describes her drive to make noise music as something akin to an exorcism where she is able to express, her “deep-seated need/drive/urge/possession to reach other people and make them FEEL something [specifically] in uncomfortable/confrontational ways.” Engineered by Sean Ragon of Cult of Youth at his self-built recording studio Heaven Street, Abandon is Pharmakon’s first proper studio album and also her first widely distributed release.

Limited to 300 copies, the VMP exclusive version of Pharmakon's Abandon is pressed on Black and White Cornetto vinyl at GZ Vinyl. The 1 LP will arrive in a single, direct-to-board, foil-stamped and numbered jacket with a download code.

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Leslie Winer

2LP | 2021 | US | Original (Vinyl Me, Please)

41,99 €*

Long Way Home Vinyl Me, Please Edition

Release: 2021 / US – Original

Genre: Electronic & Dance

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Why you'll love it...
When I Hit You — You'll Feel It is a 16-track anthology that celebrates the extraordinary work of musician, poet and author, Leslie Winer. It spans Winer’s three-decade-long musical career: from her groundbreaking solo work in the early ’90s to her latest inspired projects. Featuring musical contributions from Jon Hassell, Helen Terry, Jah Wobble, Renegade Soundwave’s Karl Bonnie and others, the collection also spotlights Winer’s diverse collaborations, and unearths previously-unreleased recordings. The album is newly remastered by the Grammy Award-winning engineer John Baldwin and includes a new interview with Winer, captured by the compilation’s co-producer, acclaimed author and journalist Wyndham Wallace. Rounding out the package is an insightful essay by the award-winning writer and scholar Louis Chude-Sokei and an original cover collage by the renowned British photographer and artist, Linder Sterling, and design by Christopher Shannon.

Today, Winer stays busy on new musical projects in the French countryside, where she has spent the past two decades raising her five daughters. A prolific writer, she has also published two collections of poetry and oversees the literary estate of Herbert Huncke, a defining member of the Beat Generation. In the modern era, one is hard-pressed to find an artist who continues to push the creative envelope as much as Winer does. And yet, three decades after her revolutionary debut, her work remains just as startling and fresh. Winer’s influence might best be summed by the award-winning composer Max Richter, who offered the following thoughts to Wyndham Wallace for his liner notes: “The world seems finally to be catching up to Leslie Winer, whose startling intelligence and singular vision shine through her copious recording life. A visionary commentator on the relationship between individuals and society in the mold of Blake or Woolf, Leslie Winer knows things that the culture at large just doesn’t understand yet, and she has never been afraid to let us know that.”

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Lapsley

LP | 2016 | US | Reissue (Vinyl Me, Please)

Let's Turn It Into Sound Vinyl Me, Please Edition

Release: 2016 / US – Reissue

Genre: Electronic & Dance

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Why you'll love it...
There’s a dark, roiling hue to the pop sensibilities of Holly Låpsley Fletcher that hooked us in when we first heard her debut album Long Way Home. While her vocal and melodic prowess have the right ingredients for the next big pop star, the minimalist electronic underpinnings push her left of center in just the right way, keeping the listener from ever being able to completely pin her down. At 19, Låpsley has produced an album far beyond her years & one we’ll be quick to spin again and again.

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Kaitlyn Aurelia Smith

LP | 2022 | US | Original (Vinyl Me, Please)

Release: 2022 / US – Original

Genre: Electronic & Dance

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Psychic Vinyl Me, Please Edition

Darkside

2LP | 2013 | US | Reissue (Vinyl Me, Please)

41,99 €*

Bloom Black Vinyl Edition

Release: 2013 / US – Reissue

Genre: Electronic & Dance

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Why you'll love it...
Upon its release in 2013, Psychic became notorious for its refusal to even gesture at a cohesive genre. But even accounting for Harrington’s Les Paul, it’s not a stretch to imagine that Jaar was trying to channel a mindset as much as a sound, one that prioritized collaboration and improvisation over isolation. Harrington agreed with this assessment. “More important than genre,” Harrington concluded, “is method. I think there's a method to what Nico and I share, embracing spontaneity, trust, and improvisation. We're gonna try anything, really. If we have an idea, we'll chase it and see where it takes us.” So how did Psychic manage to collapse decades of psychedelia, jazz, dub, and electronic into one album? According to Harrington, “We got there because we weren't thinking about it.”

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Rüfüs Du Sol

2LP | 2021 | UK | Reissue (Sweat It Out)

31,99 €*

2LP | 2012 | EU | Reissue (Etage Noir)

Release: 2021 / UK – Reissue

Genre: Electronic & Dance

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Australian trio Rüfüs Du Sol's incredible sophomore album 'Bloom'. Featuring the singles "You Were Right" and "Like An Animal!" it's a journey through richly layered synths behind driving beats, atmospheric build ups and killer breakdowns - all married together with Tyrone Lindqvist's soulful vocals.

From the heartfelt epic that is "Innerbloom," to the uplifting melody of "Say A Prayer For Me," 'Bloom' will have Rüfüs Du Sol fans fall in love all over again.

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Parov Stelar

The Princess

20,99 €*

Release: 2012 / EU – Reissue

Genre: Electronic & Dance

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12" | 2012 | EU | Reissue (Yore)

Andy Vaz

Imaginary Beings EP

17,99 €*

5 Years Of Finder 2024 Repress

Release: 2012 / EU – Reissue

Genre: Electronic & Dance

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Official re-issue of Andy Vaz's 2012 “Imaginary Beings” EP originally released on Chiwax + Bonus track. Serge from Clone called this the best authentic Chicago Acid House heard in a long time – sounding like something Jack Frost (aka Adonis) would had made.

We don't have much to add to this. If you are looking for some real Chi-Style rough and raw acid house. This IS THE Closest IT CAN GET. Comes as strictly 150 copies limited Handstamped EP.

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Ninetoes

12" | 2018 | EU | Reissue (Kling Klong)

12" | 2022 | EU | Reissue (Transatlantic)

Release: 2018 / EU – Reissue

Genre: Electronic & Dance

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Let's celebrate 5 years of 'Finder' together with Carl Cox & Matador!

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Trancemaster

Release It

Release: 2022 / EU – Reissue

Genre: Electronic & Dance

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Metamorphose Clear Yellow Vinyl Edtion

JakoJako

LP | 2022 | EU | Reissue (Bigamo Musik)

23,99 €*

The Power Of Sex Silver Vinyl Edition

Release: 2022 / EU – Reissue

Genre: Electronic & Dance

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“Metamorphose“ is one of those albums that can easily quiet a bustling room in an instant, regardless if you’re a connoisseur of this kind of music or not. It’s a compelling and highly absorbing collection of tracks, a surprisingly immersive experience designed for nocturnal listening (and beyond) that is difficult to not lose yourself within. Still the nine tracks on display feel almost like a paradox: they are fundamentally propulsive, yet they seem to decelerate time and space, they generate tension yet offer a weirdly soothing effect, they feel high-brow and imply endless intellectual stimuli yet they are deeply felt and simply want to provide simple truths about ourselves.

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E-Rotic

LP | 2022 | Reissue (Bros Music)

26,99 €*

Release: 2022 / Reissue

Genre: Electronic & Dance

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Magic Pony Ride Black Vinyl Edition w/ Seamsplit

µ-Ziq

2LP | 2022 | UK | Original (Planet Mu)

28,99 €*

12" | 2018 | DE | Original (Meander)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Damaged Cover!

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The Mole

Peace Monarchy

12" | 2016 | DE | Original (Meander)

Release: 2018 / DE – Original

Genre: Electronic & Dance

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180gram Vinyl

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Hreno

Everest

12" | 2016 | DE | Original (Meander)

Release: 2016 / DE – Original

Genre: Electronic & Dance

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Vinyl is close to NM.

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Kamran Sadeghi

Astral Body

The Scorched Earth Interpretations

Release: 2016 / DE – Original

Genre: Electronic & Dance

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Stamped White Label! Close to NM!

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Barac / D-Bridge

12" | 2016 | DE | Original (Meander)

Who Stole My Key 2024 Repress Edition

Release: 2016 / DE – Original

Genre: Electronic & Dance

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Cover and vinyl are close to NM. With insert.

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John Manhard

12" | 2021 | EU | Reissue (Sous:Sol)

Lucky Shiner Fireworks Vinyl Edition

Release: 2021 / EU – Reissue

Genre: Electronic & Dance

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2024 repress -

With this fifth release of Sous:sol Records John Manhard, Huerta and Tom Ellis deliver a four-tracker of club music to smoothly connect us right to the dance-floor. A subtle fusion of Minimal and House with a touch of Jazz. Definitely a must have for groove seekers.

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Gold Panda

LP | 2010 | US | Reissue (Ghostly International)

34,99 €*

Release: 2010 / US – Reissue

Genre: Electronic & Dance

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Les Gout Feat. Chuala 2024 Repress

Rampa

12" | 2022 | EU | Reissue (Keinemusik)

The Division EP 2024 Repress

Release: 2022 / EU – Reissue

Genre: Electronic & Dance

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Sometimes it seems almost effortlessly, how Rampa is not only detecting, but shaping the zeitgeist of clubsounds. The man has done it on various occasions. Not only that. In a no less unerring fashion he happens to find the best company to vocalize that very state of the art. It once again all comes together here on his „Les Gout“ single. He’s teaming up with Chuala, one of genre-defying’s most distinctive and bright figures, to lay down „Les Gout“, a track perfectly balancing groove, elegance and irresistible floorappeal.

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Krystal Klear

12" | 2018 | Reissue (Running Back)

13,99 €*

Lovers Lake Marbled Vinyl Edition

Release: 2018 / Reissue

Genre: Electronic & Dance

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You remember that kung fu kid movie, where he had to wash the motorcycles for years and then…whatever, constant dripping wears away the stone. Dublin-Manchester-NYC'S finest Krystal Klear (Cold Tonic, All City, Tooth Pick) has been honing his skills as a dress man for years and also made a name for himself as an expert in all things (electronic) boogie. "The Division" is his dapper debut EP for Running Back. Custom-made club studies shifting between sound factories, hot haciendas, heavenly lagoons and chrome-plated dance floors: fast, slow, hard and soft.
A love letter to dance music written with pink ink. Oh, and there is "Neutron Dance" on it as well…yes, the euphoric fun one. once again: dance!"

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Lovers Lake

LP | 2022 | US | Reissue (New Retro Wave)

32,99 €*

Release: 2022 / US – Reissue

Genre: Electronic & Dance

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Music 4 Ya Ears Clear Green Vinyl Edtion

Mood II Swing

12" | 2018 | UK | Original (Power Music)

12" | 2021 | EU | Reissue (Alphacut)

Release: 2018 / UK – Original

Genre: Electronic & Dance

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Power Music Records presents Mood ll Swing! This release was originally only available as limited red vinyl edition. On A side ther are the glorious originals from Mood II Swing "Move Me" and "Move Me - Alternative Mix". On The B side we have 2 great remixes of Mood II Swing's "Call Me" by DJ Duke

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V.A.

Darka Mentors EP

The Devil And The River, Volume One

Release: 2021 / EU – Reissue

Genre: Electronic & Dance

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12inch vinyl in stamped die-cut cardboard sleeve, incl 20 loops. Mastered&cut by LXC. Half of any returns will be donated to Websters Amen Break Gesture campaign raising funds for the original creator of The Winston's Amen Brother breakbeat Richard Spencer. With the deepest respect for this milestone of a sample!

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William Fowler Collins

Tape | 2022 | EU | Reissue (Karl)

2LP | 2018 | EU | Reissue (42)

Release: 2022 / EU – Reissue

Genre: Electronic & Dance

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In his most recent solo release, “The Devil And The River: Volume One”, recorded live in his rural New Mexico studio, William Fowler Collins tremolo brushes his electric guitar using a calligraphy brush, playing a single chord with no overdubs to produce two compelling side-long pieces of music. Ever present are the minimalist widescreen reflections of the high desert environment in which he lives, with the two sides giving the impressions of a sun rising and then a sun setting over the vast and sparsely populated landscape. The music in the two pieces shifts dynamically from gentle and hypnotic to immense and resonant walls of drone, searing and overdriven. At times the music can suggest a collision between Terry Riley’s “Descending Moonshine Dervishes” and the loud, distorted, emotional abstractions of My Bloody Valentine.

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Cosmo

Cosmotronic

46,99 €*

Release: 2018 / EU – Reissue

Genre: Electronic & Dance

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12" | 2020 | EU | Reissue (Teknotika)

Gigi Galaxy

Reissue 2024 Repress

Whiskey Light Green Vinyl Edition

Release: 2020 / EU – Reissue

Genre: Electronic & Dance

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Teknotika goes back to 1995 and 1996 to hand pick two favorites to be reworked and computerized for perfect tempos. “2020 Interview With An Alien” uses the original rare and sought after version with an added “jack” in the rhythm. “Acid Spores From Outer Space” is what happens when you mix acid with science fiction. It contains the original but changes the bassline and adds a tripped out section 3/4 in the song. Both the originals and the reissues are written and produced by Gary Martin with some help from The Outer Limits.

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Jay-Jay Johanson

LP | 2016 | EU | Reissue (Music On Vinyl)

Release: 2016 / EU – Reissue

Genre: Electronic & Dance

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Sunset Streams Ep Clear Vinyl Edtion

Aquatronics

12" | 2020 | UK | Reissue (Citra Lab Sounds)

20,99 €*

2LP | 2013 | US | Reissue (Rvng Intl.)

Release: 2020 / UK – Reissue

Genre: Electronic & Dance

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Aquatronics Aka Datawave, Is Gaétan Votion of Brussels. The “Sunset Streams” EP immediately became highly sought after and revered, after selling out 200 copies in just under 3 months in 2021, quickly making an imprint on the electro scene. 3 years later, 200 crystal clear records have re-incarnated for everyone who couldn’t get a copy the first time.

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Stellar OM Source

Joy One Mile

23,99 €*

Space Teddy Collection 2024 Repress

Release: 2013 / US – Reissue

Genre: Electronic & Dance

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LP includes bonus download including a bonus remix of "Elite Excel" by Kassem Mosse. STELLAR OM SOURCE's new album, "Joy One Mile", marks a certain and spirited departure into worlds unknown. A faithful leap into the infinite beat, "Joy One Mil" is the most forward-reaching effort by STELLAR OM SOURCE yet. STELLAR OM SOURCE originated from Christelle Gualdi's desire to unhinge from her academic musical upbringing. A double bassist in the Konigin Katharina Stift Schulorchester and a student of music theory at Université Paris VIII, Gualdi completed her studies in electro-acoustic composition at the Conservatoire de Paris after earning an architecture degree. The process of Gualdi's "unlearning" began in experimental ense...

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Ebi

2LP | 2021 | EU | Reissue (Transmigration)

28,99 €*

7" | 2012 | US | Reissue (Medical)

Release: 2021 / EU – Reissue

Genre: Electronic & Dance

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No introduction needed here, the collectors version of 2 previously re-issued LPs on Transmigration no available as one double LP. Now complete with Obi strip and insert.
Susumu Yokota's vision of techno - house, lovingly collected in collaboration with Space Teddy and the Yokota family. Presented through linear notes in English and Japanese with archival photos from Uwe Reineke and Mijk Van Dijk. All tracks have been remastered by Steffen Müller.
Very limited quantities!

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Disco Volante

No Motion

LP | 2020 | DE | Original (Shunsuke Oshio Self-released)

Release: 2012 / US – Reissue

Genre: Electronic & Dance

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For the first 7" record released by Medical Records, we are proud to reissue the long lost and out of print 7" by Disco Volante. Disco Volante was essentially Terry Clarke (aka Terry Tanx) formed in London in 1982. Inspired by the early Bond films and their soundtracks (Disco Volante was a yacht in Thunderball), Tanx played live in a number or small clubs between 1982-1986. Using a small number of Roland instruments (TB 303, TR 606, MC-202, and SH-09), Disco Volante self released a cassette entitled "Traction in Rehash" now which is sadly lost. In 1984, the 7" single "No Motion" with the same title as A side and "Click" and "Punishment Tank (Live)" as the B side on Catalyst Box Records. Terry recollects that the recording only took 2 days, and the engineer had no experience with this style of music. The end result has a very DIY aesthetic despite the use of a professional studio. Unfortunately, the single was not commercially popular and received no publicity due to music press strike at the time. The single began to gain cult underground popularity in the 90s and 00s with the resurgence of new wave which resulted in a spike in prices for the long lost single. The track "No Motion" is a very catchy layered synthpop hit that is quite unique yet capturing the essence of the early 80s new wave sound very nicely. "Click" on the b-side is a march-like track with propulsive synthetic bass textures and monotonous analog drum beats. The final track "Punishment Tank Live!" is a track recorded live at the Red Box, London with a punk feel with intense delayed vocals, guitar and overlayed synth hooks. Beyond out of print and sure to appeal to lovers of the DIY coldwave and synth 7" revival and resurrection. Presented on high-quality thick transparent green 7" vinyl in a limited edition of 500 hand-numbered copies.

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Shunsuke Oshio

Waterfall

17,99 €*

Freak Marbled Vinyl Edition

Release: 2020 / DE – Original

Genre: Electronic & Dance

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Waterfall is self released solo debut album of Shunsuke Oshio with 12inch analog record and digital format.

Album is composed by electronic and acoustic instruments that imitates the physical and metaphysical images of a waterfall.

Shunsuke Oshio is musician ,based on Düsseldorf Germany.

musical instruments used in this album are:
fender electric guitar,yamaha acoustic guitar,many guitar`s effects pedals,boss looper,akai sampler,acoustic kalimba,rhikiram sitar,tanbura app,moog synthesizer,moog multi pedal(mp-201) and analog rhythm machine.

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Yoofee

12" | 2021 | UK | Reissue (White Peach)

Release: 2021 / UK – Reissue

Genre: Electronic & Dance

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Holding On Gold Colored Vinyl Edtion

DJ Steaw

12" | 2021 | EU | Reissue (Phonogramme)

2LP | 2018 | EU | Reissue (Ternesc)

Release: 2021 / EU – Reissue

Genre: Electronic & Dance

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Phonogramme is super happy to announce the repress of “Holding on" by DJ Steaw, featuring the original plus an exceptional remix by the legendary Ron Trent. Originally released in 2012, "Holding On" from DJ Steaw's debut EP was instrumental in launching both the label and DJ Steaw's production career. Now, with Ron Trent's masterful touch, this remix EP offers a fresh perspective while honoring the original's essence. Complemented by two additional tracks from DJ Steaw, this release is set to make waves once again. Don't miss out on this timeless classic, revived for a new generation of listeners.

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Blawan

Wet Will Always Dry

LP | 2016 | UK | Reissue (Finders Keepers)

Release: 2018 / EU – Reissue

Genre: Electronic & Dance

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Physically and mentally draining in the best way possible, Wet Will Always Dry is maybe the most complete statement from Blawan to date, and as such should be ignored at your peril. This becomes evident from the album-opening “Klade,” a dizzying, tumbling flight of pure energy over overlapping fields of electrified menace. This sets the stage for “Careless,” which retains the hazardous, crackling atmosphere but dials back the intensity just enough to make room for a new feature, Blawan’s eerie and disembodied vocals.
“Tasser” ratchets up the tempo and the frenetic energy yet more, slinging chunks of audio shrapnel and grinding factory noise over the kick-heavy beat, only letting up the tension every now and then for a convulsive breakdown. By the arrival of “Vented,” a more steady, cycling groove has set in along with the accompaniment of suspenseful melodic swells, but the element of surprise is far from gone: there still seem to be spectral entities lurking around every corner, and there’s no shortage of intriguing tumbril weirdness blowing around the imaginary streets that this track conjures up.
The slamming “North” keeps alive the record’s persistent, darkly humorous feeling that things are about to go off the rails at any moment, using wildly contorted sequences and granular debris to shift between total abandon and regimented strictness. A moment of relative calmness, along with the return of the atmospheric vocals, comes about with “Stell,” a faintly dubby track that leaves an impression like watching streams of traffic progress underneath rolling, deep grey clouds.
“Kalosi” brings back the percussive motif of “Tasser” and “North,” this time partnering it with loops that bring to mind radioactive bass strings. “Nims” then shuts things down with infectious harp-like sequences, fuzz-shrouded percussion and an ‘everything but the kitchen sink’ mentality towards filtering and processes which will get the attention of all but the most jaded soundhead.

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Suzanne Ciani

Buchhla Concerts 1975

Root, Stalk, Leaf And Bloom

Release: 2016 / UK – Reissue

Genre: Electronic & Dance

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Finders Keepers invite you to witness these incredible earl Buchla synthesiser concerts/demonstrations providing a distinctive feminine alternative to The Silver Apples Of The Moon if they had ever been presented in phonographic form. This is history in the remaking. This spring Finders Keepers Records are proud to release an archival project that not only redefines musical history but boasts genuine claim to the overused buzzwords such as pioneering, maverick, experimental, groundbreaking and esoteric, while questioning social politics and the evolution of music technology as we’ve come to understand it. To describe this records as a game-changer is an understatement. This record represents a musical revolution, a scientific benchmark and a trophy in the cabinet of counter culture creativity. This record is a triumphant yardstick in the synthesiser space race and the untold story of the first woman on the proverbial moon. While pondering the early accolades of this record it’s daunting to learn that this record was in fact not a record at all… It was a manifesto and a gateway to a new world, that somehow never quite opened. If the unfamiliar, modernistic, melodic, pulses, tones and harmonics found on this 1975 live presentation/grant application/educational demonstration had been placed in a phonographic context alongside the promoted work of Morton Subotnick, Walter Carlos or Tomita then the name Suzanne Ciani and her influence would have already radically changed the shape, sound and gender of our record collections. Hopefully there is still chance. In short, Suzanne was a self-imposed twenty-year-old employee of the Buchla modular synthesiser company, San Francisco’s neck and neck contender to New York’s Moog. Buchla was run by a community of festival freaks and academic acid eaters whose roots in new age lifestyles and the reinvention of art and music replaced the business acumen enjoyed by its likeminded East Coasters. In the eyes of the consumer the creative refusal to adopt rudimentary facets like a piano keyboard controller rendered the Buchla synthesiser the more obscure stubborn sister of the synth marathon, steering these incredible units away from the mainstream into the homes and studios of free music aficionados, art house composers and die-hard revolutionaries. Championed and semi-showcased by composer Morton Subotnick on his albums The Bull and Silver Apples Of The Moon, Buchla’s versatility began to open the minds of a new generation, but the high-end design features and no-compromise modus operandi was often confused with incompatibility and, in the pulsating shadow of Moog’s marketing, the revolution would not be televised nor patronised. Suzanne Ciani, as one of the very few female composers on the frontline (and also providing the back line) did not lose faith. These “concerts” are the epitome of rare music technology historic documents, performed by a real musician whose skills and academic education in classical composition already outweighed her male synthesiser contemporaries of twice her age. At the very start of her fragile career these recordings are nothing short of sacrificial ode to her mentor and machine, sonic pickets of the revolution and love letters to an absolutely genuine vision of and ‘alternative’ musical future. In denouncing her own precocious polymathmatic past in a bid to persuade the world to sing from a new hymn sheet, Suzanne Ciani created a bi-product of never before heard music that would render the pigeon holes “ambient” and “futuristic” utterly inadequate. Providing nothing short of an entirely different feminine take on the experimental “records” of Morton Subotnick and proving to a small, judgmental audience and jury the true versatility of one of the most radical and idiosyncratic musical instruments of the 20th century. These recordings have not been heard since then. The importance of these genuinely lost pieces of electronic musics puzzle almost eclipses the glaring detail of Suzanne’s gender as a distinct minority in an almost exclusively male dominated, faceless, coldly scientific landscape. Those familiar with Suzanne’s work, a vast vault of previously unpublished “nonrecords”, will already know how the creative politics in her art of “being” simultaneously reshaped the worlds of synth design, advertising and film composition before anyone had even dropped a stylus in her groove. Needless to say this record, finally commanding the archival format of choice, courtesy of the Ciani and Finders Keepers longstanding unison, was not the last “first” with which this hugely important composer would gift society, and the future of a wide range of exciting evolving creative disciplines. You have found a holy grail of electronic music and a female musical pioneer who was too proactive to take the trophies. With the light of Buchla and Ciani’s initial flame Finders Keepers continues to take a torch through the vaults of this lesser-celebrated music legacy shining a beam on these “non-records” that evaded the limelight for almost half a century. You can’t write history when you are too busy making it. With fresh ink in the bottomless well, let’s start at the beginning. Again. You, are invited!

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Deadbeat X Om Unit

2LP | 2021 | EU | Reissue (Midnight Shift)

21,99 €*

12" | 2012 | US | Reissue (Rvng Intl.)

Release: 2021 / EU – Reissue

Genre: Electronic & Dance

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Deadbeat and Om Unit combine forces to explore their shared love of dubbed-out electronics. Starting a thread from Montreal to Bristol, this mini LP is rooted in the tradition of dub and techno, but with tinges of roots and acid as well as the etheric ambience they are both known for. Root, Stalk, Leaf and Bloom is contemplative but heartfelt, with a sense of momentum and positive purpose.

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Historics

Infinidelity Pt. 2

12" | 2012 | US | Reissue (Rvng Intl.)

Release: 2012 / US – Reissue

Genre: Electronic & Dance

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Metropolitan Indian & RVNG Intl. present the historics Infinidelity 12" series. Inspired by a short story of the same name by author Chris Leo, Infinidelity offers ten songs from historics late 2009 album debut, Strategies For Apprehension, transformed by an assembly of artists from the outer ether of the electronic music world. Infinidelity pt. 2 locks into the groove in hit form with a "Taverns" remix by Sweden's Jackpot, a track that neatly pits the vocal track against a jack happy beat and arpeggios that joyfully amp up the outro. Kool Keith pops his head in the UFO! remix of "Take it to the Top", making it cool to rap about Eric Clapton over the hyper-dub marching band madness. The 12" continues on its eclectic way with a metallic revision of "Things Alright" by RVNG sound racketeers Allez-Allez and ends with a Kool Keith redux and some Miami Bass / saxophone skeeze with Montreal's CFCF at the helm of another "Take it to the Top" remix. Infinidelity was mastered by Graeme Durham at The Exchange. Each 12" comes in an extremely limited edition of 300 copies, absolutely stunning artwork by Mark McCoy.

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Historics

Infinidelity Pt. 1

LP | 2020 | EU | Reissue (Editions Mego)

Release: 2012 / US – Reissue

Genre: Electronic & Dance

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Metropolitan Indian & RVNG Intl. present the historics Infinidelity 12" series. Inspired by a short story of the same name by author Chris Leo (Feathers Like Leather, 57 Octaves Below..., White Pigeons), Infinidelity offers ten songs from historics late 2009 album debut, Strategies For Apprehension, transformed by an assembly of artists from the outer ether of the electronic music world. The Infinidelity story is one of meditation within / without a relationship, wrapped in a transient prose that skirts comedic and tragic traditions. Strategies For Apprehension deals in related subjects, those of bonds forged and broken, of ever-shifting alliances. In keeping with those themes, the conception and recording of the record were devoutly unfaithful to any rote route of standard-fare album construction. From those sessions were born enough boundless ideas to place in the hands of others, who in turn have created their own commentaries on and reinterpretations of the music. The Infinidelity Pt. 1 12" flickers to life with a re-work of "Fan Fare" by Tom Croose, a track that swells with a massive drum loop, buzzy bass blasts, and an ominous synth line only to break itself down and accentuate a stark female vocal sample. The glimmering sensibility of Croose's track patters over into the buildup of Sir Billy and Creso's Saturday Crimson Mix of "Kinda Personal", another warm track with its roots grown thick in a heavy kick, and its wings beating to the crisp high hat on the up beat. Low Motion Disco's take on "Languages", a meditative number, recalls the even unfolding of an early morning, the calm of the evening, and the moment before you head into the night for the acid thump of Pink Stallone's remix of "City to City" and repeat the shimmering cycle. The artwork, also informed by Leo's story, was created by artist Mark McCoy. The intricate collages convey sanctity within immolation, sacrifice to nature's thorny embrace. Kevin O'Neill at Will Work For Good commanded the build & design of the packaging...

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KMRU

Peel

31,99 €*

LP | 2012 | Reissue (Permanent Vacation)

Release: 2020 / EU – Reissue

Genre: Electronic & Dance

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Kmru is the moniker of Joseph Kamaru, a sound artist, and producer based in Nairobi. One of the leading exponents of the burgeoning experimental music scene in Nairobi and beyond he was listed by Resident Advisor as one of ’15 East African Artists You Need To Hear’ in 2018 and is a regular performer at the fabled Nyegenyege Festival having also presented live performances at CTM festival and Gamma Festival. Peel is Kmru’s first release for Editions Mego.

Exquisite mix of field recordings and electronics unravelling at a repetitive and leisurely pace to expose a rich tapestry of sound that has been revered for it’s ability to cross bordear with the sheer undertow of emotional content. The subtle calming atmosphere within Peel belies the compositional prowess as layers of delicate sounds wrap around each other creating a hybrid new form ambient musics both captivating through it’s textural depth and kaleidoscopic patterns. The track titles lend themselves to the themes and mood set within: Why are you here, Well, Solace, Klang, Insubstantial and the title track. This is a deep heartfelt journey with a new strong voice being expressed through the means of organically presented electronic ambient sounds, one which reveals further layers on repeat listens.

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John Talabot

Fin

21,99 €*

Tape | 2021 | US | Reissue (100% Silk)

Release: 2012 / Reissue

Genre: Electronic & Dance

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If there is one person, who has been causing a stir on the international club circuit recently, it is Barcelona's John Talabot. Already his debut “My Old School“ (which is meant literally by the way) on Permanent Vacation in 2009 and shortly after that the single “ Sunshine”, which he put out on his own Hivern Disc imprint, made him one of the most promising musicians of the Spanish electronic scene. And those two releases also already set the mark for John Talabot’s unparalleled music: raw, loopy, heavy on the kick drum, sample based, moderate on the tempo, distorted on the drums and light years away from the clean and ever revolving house sound of today. This unique style which also blends influences from afro beat, Detroit techno, Chicago house and cosmic disco, but also northern soul or the energy of Flamenco, immediately turned some heads around. James Murphy, Âme and Aeroplane started including Talabot music in their sets like it was the most natural thing. However - and this is quite rare - he not only gained legions of fans in the house and disco community, but also amongst the leftfield pop and indie rock followers. NME and Resident Advisor both had “Breakthrough“ features on John Talabot and he can be proud of a “Best New Music“ dubbing on
Pitchfork. (Being rather elusive on showing his face in magazines or the web it also came to some funny rumors that John Talabot was the alter ego of a well-known techno producer from Detroit).
At the same time he drew the attention of like-minded artists like James Holden and Luke Abott from Border Community, Blondes or Delorean, which lead to a bunch of fertile collaborations: Luke Abbott and Blondes remixed Talabot’s “Sunshine“ single , John Talabot remixed a track by Delorean and vice versa Delorean’s Ekhi contributed vocals to the track “Journeys “ on John’s album). Another example is the Young Turks Label (home of Jamie XX, Holy Fuck, El Guincho or SBTRKT ) on which he released the “Families“ EP in 2010. It was praised beyond limits. Pitchfork for
instance hailed: “… where pop and house influences sweetly buffer up against one another to provide an unyielding sense of elation“ and even brought Talabot a comparison with artists like Four Tet or Caribou.
While staying true to his sound, John Talabot has nevertheless shown a constant evolution as a producer since his first release. He has traced a solid musical path that has turned him into one of the big references of European House and has made him also a highly in demand Remixer (for the likes of The XX, Francesco Tristano’s “Aufgang” project, Shit Robot on DFA, Thaiti 80, Joakim or Teengirl Fantasy to name just a few ).
A progression that now crystallizes in “ƒin”, his first full-length album for Permanent Vacation. A record, in which the Barcelona mastermind sets aside the danceable immediacy to expand his stylistic palette more than ever. For that purpose, Talabot melts all the elements that have constructed his distinctive sound until now and makes them emerge from a new perspective, in which the construction of complex song structures, intricate rhythms and superpositions of ever-evolving melodies and atmospheres pick up the baton of the “a kick-drum and a sampler” philosophy of his initial productions. The result brings us 11 tracks (we should call them songs really!) dominated by dark ambiances, gaseous textures and bittersweet moods that, above all, reveal a kind of vivacity that’s really hard to find in contemporary electronics. “Fin” is far from being a track collection. From the majestic opener “Depak Ine“ to it’s solemn ending with
“So Will Be Now“ , one of the two tracks that features Talabot’s soul and label mate Pional, each song traces an overall dialogue with the rest, culminating a highly emotional journey through Talabot’s always compelling and unique musical vision.

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Shoshi Takeda

Floating Mountains

12" | 2013 | UK | Reissue (Electrix)

Release: 2021 / US – Reissue

Genre: Electronic & Dance

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Preorder shipping from 2024-10-08

Tokyo visionist Soshi Takeda’s second album took shape across eight months of the winter and spring, inspired by an iconic mid-80’s photography book of Chinese landscapes. Scenes of lantern-lit fishing boats on misty mountain lakes seeded a mood of hidden paradise, ancient waterways snaking secret paths into the past.

Recorded at his home studio using exclusively hardware synths and samplers from the 1990’s, the six songs of Floating Mountains (plus digital-only bonus cut, “Deep Breath,” from the recent 2nd Life Silk compilation) evoke shrouded cinematic vistas of liquid skies and shining lakes, like some Li River twist on Balearic half-light house. Shades of cosmic drift and crystalline electronica ebb and flow within the nocturnal pulse, pagodas and pearls reflecting the waning moon: “I hope you can feel the cool and exotic atmosphere.”

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Carl Finlow

Boot Loop EP

Situations - Have In Mind

Release: 2013 / UK – Reissue

Genre: Electronic & Dance

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Some records just keep on selling out no matter how many times they appear. This is one of them. It is getting another run this year because second-hand copies are now worth well over 150 quid, and it still sounds as good as ever. Carl Finlow is an electro wizard who never fails to cook up captivating sonic spells and that's what he does here across two cuts - the frosty and turbulent 'Conduit' and the more lithe and silky 'Hashtag'. Volsoc's Orange Problem remix and a rework from the one and only Radioactive Man close out this brilliant 12".

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Cetu Javu

12" | 2020 | Reissue (Blanco Y Negro)

Release: 2020 / Reissue

Genre: Electronic & Dance

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At Les (Christian Smith Remixes)

Carl Craig

12" | 2010 | UK | Reissue (Tronic)

LP | 2011 | US | Reissue (Kranky)

Release: 2010 / UK – Reissue

Genre: Electronic & Dance

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Preorder shipping from 2024-09-20

A Limited Purple Vinyl repress for 2024. The Classic 'At Les' remixed by Christian Smith with the blessing of Carl Craig.

Delivered in both Tronic Treatment and Hypnotica Remix forms, Smith has taken the originals warmth, musicality and emotion and given them the sort of energy and power which has made him one of the most bankable producers of recent years.

The Tronic Treatment remix starts slow but with careful and patient layering of melodies builds to an epic, peak time track which takes on an almost orchestral feel while the aptly titled Hypnotica Remix takes a slightly more aggressive, loopier and hypnotic take.

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Belong

Common Era

27,99 €*

Eastbook Isle EP 2024 Repress

Release: 2011 / US – Reissue

Genre: Electronic & Dance

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Itʼs been five years since the last Belong long player, as the duo works slowly to organize their sound works. Both the time invested, and the wait, have been well rewarded with this return. Common Era shows extraordinary progression from that first album of dense, scorched earth instrumentals, hints of a new direction having been revealed on the Colorless Record EP from 2008 which contained covers of four should-have-been classics from the original psychedelic era. The new material has such common pop elements as “songs”, vocals and drum machines, but the results could hardly be called conventional and are like little else happening on the current “scene”. The songs themselves are akin to radio transmissions received from another time and place, just as likely to be the future as the past, or even from a contemporary alternate universe. They are both passionate and dispassionate, grey yet technicolor, ghostly and palpable, distant yet immediate, grainy and focused. Upon listening these conceptual contradictions are dismissed with ease, as the recordings reveal that they fit all of these descriptors simultaneously, an extraordinary balancing act.

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Steve Redhead

12" | 2022 | EU | Original (Mutual Rytm)

CD | 2021 | EU | Reissue (Kompakt)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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After appearing on the label's recent 'Federation of Rytm II' release alongside some of the industry's most iconic artists, Steve Redhead is back on Mutual Rytm, taking over the label from Shdw & Obscure Shape with a 6-track solo EP delivering driving, furious and old-school influenced techno.

The eleventh installment of Mutual Rytm opens with the rolling grooves and choppy vocals of 'Blokhut', which flows smoothly into the highly effective drums and strings of 'Sea Choy', while 'Bruusk' closes the first side of the vinyl with a hypnotic, well-crafted 90s influenced techno anthem. On the flip side, the title track 'Eastbook Isle' is all about its rolling bassline, retro/electro influences and a mesmerizing melody, while on the B2 'Planet Phatt' closes the record perfectly with a classic old-school sounding cut, made to be the last track of the set or those early morning moments. Last but not least is the digital bonus track 'Monster Madness' and as the name implies it is the hardest of the bunch, with aggressive late night grooves wrapped in deep, repetitive and evocative chords.

Undoubtedly one of his best works to date, the Belgian producer keeps up the good work with his second appearance on the label in the form of his Eastbook Isle EP, to be released on 7 April 2023.

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GAS

Der Lange Marsch