Electronic & Dance 3213 Items

Carregando A Vida Atras Das Costas

Release: 2019 / EU – Original

Genre: Electronic & Dance

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“Prove Your Love” by Misunami & First Touch returns to the Neon Finger catalogue in a brand new 12″, including the original versions (vocal and instrumental) plus two new mixes by the enormous Nick Wisdom (1/2 Potatohead People) and the huge Bamboozle aka Eli Soul Clap. After the big success of the track years ago, being played by some of the biggest selectors in the world… This future classic boogie disco track is available again with two new astonishing remixes that will burst into flames any dancefloor. Don’t miss it!

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Puto Tito

2LP | 2019 | EU | Original (Principe)

2LP+CD | 2019 | EU | Original (Because Music)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Hot out of Lisbon’s ghetto sprawl, 19 year old Puto Tito breaks thru on Príncipe with 20 tracks produced when he was barely into his teens, all salvaged from an old Soundcloud account and newly remastered for the dance. The sound of ‘Carregando a Vida Atrás das Costas’ is patently influenced by Tito’s Angolan heritage, and faithfully employs the popular slow Tarraxho and tougher Kuduro rhythm styles. Yet, like the best of Príncipe’s releases, it’s the way he injects a playful, weirdo character and uncompromising, psychedelic vision to his trax that sets Tito’s music apart form the crowd, whilst being very much connected to it.

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Brandt Brauer Frick

Echo

Amnesia Scanner & Bill Kouligas

Release: 2019 / EU – Original

Genre: Electronic & Dance

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3 German sound architects, who burst onto the Berlin stage in 2009, reinventing techno with acoustic instruments, on stage and on disc. Francophiles, their unique featuring on “Echo” their new album is Catherine Ringer from cult band Les Rita Mitsouko on the title ‘Encore’. Brandt Brauer Frick’s influences range from minimal masters Steve Reich and Philip Glass to Ricardo Villalobos’ techno. Their 5th album “Echo” is impeccably produced, a masterly burst of dynamism and precision, revolving around on club music, between serene minimalism and irresistible groove. “Echo” is Brandt Brauer Frick’s ‘classic sound’. The one that has contributed to the renaissance of classical music in contemporary pop.

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Lexachast

LP | 2019 | EU | Original (Pan)

LP | 2019 | EU | Original (ZZK)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Lexachast is an ongoing collaborative work by Amnesia Scanner, Bill Kouligas & Harm van den Dorpel. Initially birthed as a joint, improvised performance between Amnesia Scanner and Kouligas at the ICA, London in 2015, it was later recreated and extended with visual artist van den Dorpel into a 15-minute online-only audiovisual work – known simply as Lexachast. Since then, it has expanded into a live show that has been performed at Transmediale, CTM Festival, Unsound Krakow & Adelaide, Next and LEV Festival and during Paris Fashion Week in collaboration with the brand Ottolinger. Now to be released on PAN, is a new document of Lexachast in its current, full-grown form.

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Montoya

Otun

Kshatrya (The Eye Of The Bird)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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On Otun, the breadth of Montoya’s influences and tastes is at its most striking; the dulcet techno hum of “La Pastora” is perforated by sprightly flutes and percussion, while lead single “Solo Quiero” deploys a languid reggaeton pattern beneath Bogota rising star Pedrina’s distorted, wilting croon anticipating a euphoric synthesiser-lead climax. The title track, featuring a sultry guest vocal from Nidia Gongora, is a fierce and vigorous club anthem, amplified by hissing synth pads and sordid breakbeats. Even a more straightforwardly techno track like “Tatacoa” is stylised with intoxicating Indian vocal samples, and more traditional folk selections like “Orun” still use an inobtrusive bassline drone. Montoya’s palette is simultaneously expansive and curious, yet coherent, with a steadily melodic electronic through-line running through Otun’s duration.
Montoya absolutely sustains ZZK’s pedigree of platforming the most exciting and inventive electronic artists from Latin America, joining the storied legacy already built by the likes of Nicola Cruz, Chancha Via Circuito, and King Coya.

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Igor Wakhevitch

LP | 2019 | EU | Original (Transversales Disques)

LP | 2019 | EU | Original (Les Disques Du Crepuscule)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Transversales Disques presents KSHATRYA, (The Eye Of The Bird), never released before recording by french avant-garde electronic composer Igor Wakhevitch, who composed a bunch of major experimental albums in the 70’s such as Logos, Docteur Faust, Hathor, Les Fous d'Or, Nagual and Let's Start.
During this 10 years period, Wakhevitch was close to Jean-Michel Jarre, the Pink Floyd, the Soft-Machine, and legendary choreographer Maurice Bejart having with him many conversations around dance and music, human body and soul, spiritual path, collective life, new society, human evolution. As a composer Igor Wakhevitch collaborated with Salvador Dali, Carolyn Carlson, and Terry Riley to name a few. He's considered as one of the first French composer using synthesizers like Synthi AKS, ARP2600 or Moog modular systems.
After spending almost 30 years in India, Igor Wakhevitch dug in his archives this unreleased work recorded in 1999 on his “Mysterious Island 88” system. Esotheric, sacred and cosmic, KSHATRYA, (The Eye Of The Bird) is the logical follow up of Igor’s early works and a monumental piece of electronic music. A must!

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Ultramarine

Signals Into Space

2LP | 2015 | DE | Original (Ostgut Ton)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Les Disques du Crepuscule presents Signals Into Space, a brand new studio album by acclaimed electronic duo Ultramarine. SIS is their seventh album, having debuted on Crepuscule back in 1990.

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Nick Höppner

Folk

LP | 2015 | US | Original (Ghostly International)

Release: 2015 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker. Tiny corner wear.

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HTRK

Marry Me Tonight

Music For A Flat Landscape: Official Soundtrack To The Goob

Release: 2015 / US – Original

Genre: Rock & Indie, Electronic & Dance

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On vinyl for the first time.

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Luke Abbott

LP | 2015 | UK | Original (Buffalo Temple)

2x12" | 2019 | DE | Original (!K7)

Release: 2015 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Near Mint

Vinyl with small stains.

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Leon Vynehall

DJ-Kicks

Release: 2019 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

12" | 2015 | EU | Original (Special Edition)

SHMLSS

Special Edition Volume 3

Release: 2015 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

LP | 2015 | DK | Original (Tartelet)

Uffe

Radio Days

LP | 2019 | UK | Original (Mute)

Release: 2015 / DK – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl closer to VG+. Promo copy with white labels

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Alessandro Cortini

Volume Massimo

Release: 2019 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2019 | EU | Original (Mute)

Apparat

LP5

12" | 2010 | UK | Original (Real Soon)

Release: 2019 / EU – Original

Genre: Electronic & Dance, Classical Music

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Used Vinyl

Medium: VG+, Cover: Near Mint

Still in shrink but opened with hype sticker. Vinyl is close to NM. Original inner sleeve. With insert. tiny corner wear

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James Duncan

Shades Of House

Release: 2010 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

LP | 2015 | DE | Original (Kick The Flame)

Martin Kohlstedt

Nacht Reworks

Release: 2015 / DE – Original

Genre: Electronic & Dance, Classical Music

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Used Vinyl

Medium: VG+, Cover: VG

12" | 2019 | EU | Original (Whities)

Pugilist

Blue 06

12" | 2015 | EU | Original (Frigio)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Whities test pressing with white labels and generic label cover.. Vinyl close to NM

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Juanpablo

The Hideout

Practice Magic And Seek Professional

Release: 2015 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Limited Edition.
Cover corners slightly dented.

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Toth

LP | 2019 | EU | Original (Figureight)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2019 | UK | Reissue (Gondwana)

Hania Rani

Esja

LP | 2019 | AU | Original (Pieater)

Release: 2019 / UK – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Still shrink wrapped but opened.
Cover as new with slightly dented corners.
Records are close to VG+
Includes original insert.

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No Mono

Islands Part 2

Release: 2019 / AU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

LP | 2019 | EU | Original (Diagonal)

Stabudown Productions

Strange Rabbits

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Da Sacred Symbols Of Sun And Moon

Solomon Angelo

12" | 2019 | BE | Original (WeMe)

Release: 2019 / BE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

LP | 2019 | EU | Original (Editions Mego)

Pita

Get On

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

LP | 2019 | EU | Original (Injazero)

Petra

Aunis

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

2LP | 2019 | BE | Original (Palermo Records)

Hantrax

Paroxysm

Who Else Picture Disc Edition

Release: 2019 / BE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: VG+

Cover has wear.

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Modeselektor

LP | 2019 | DE | Original (Monkeytown)

LP | 2019 | FR | Original (Rogueart)

Release: 2019 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Picture disc.

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Illegal Crowns

The No-Nosed Puppet

Release: 2019 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2015 | US | Original (Thrill Jockey)

Fox Millions Duo

Lost Time

LP | 2019 | DE | Original (Private)

Release: 2015 / US – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl is close to NM. Tiny wear.

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Ambros Seelos

2LP | 2019 | DE | Original (Astro Chicken)

Release: 2019 / DE – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Deluxe Limited Edition.
Blue Splattered Vinyl.
Copy is close to NM.

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Hyboid

Strange Signals

Kaunis Maa White and Green Marbled Vinyl Edition

Release: 2019 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Clear vinyl.

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Riccardo Giagni

LP | 2019 | EU | Original (Archeo)

2LP | 2015 | EU | Reissue (Clone Aqualung Series)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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"This release is LP and it's individually 300 hand-numbered limited edition. The first 100 copies are pressed on WHITE & GREEN MARBLED vinyls (AR016).
It's dedicated to the 1988 Experimental / Electronic masterpiece by the Italian contemporary guitarist Riccardo Giagni, originally released on Stile Libero (Italy) + a special Balearic Remix by SIMON PETER.
Archeo Recordings is a reissue record label that regenerates old, lost, obscure and forgotten rare gems of mostly Italian music but also all over the world of the 70s, 80s and 90s.
All outputs are licensed by the artists and the vintage labels; audio tracks are remastered in their original form; the sleeves and center labels are graphically recreated for today but all based on the original images.
Archeo would like to make the music available to a wider audience of collectors, DJs, music lovers of a forgotten time.
All releases are hand-numbered limited edition vinyl. The first copies of each release are pressed in coloured vinyls."

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Der Zyklus

Biometry 2024 Repress

2LP | 2019 | EU | Original (Resonance Moscow)

Release: 2015 / EU – Reissue

Genre: Electronic & Dance

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Re-issue of the classic album by Heinrich Mueller. Originally released in the early 00's (2004 to be precise) which basicly was deep into the future for everyone born before 1980. Techno was still about innovation, stepping into the future, going ahead, updated technologies, exploring the new.? Like previous releases Heinrich Mueller takes inspiration from latest technologies and developments. For this album he had support from Biometric systems Gmbh in Bayern, Germany. He was allowed to visit their laboratories and gather information of biometric research (which at that time was the latest developments in human interaction with hi-technology). The results are 11 tracks that are a brilliant abstract reflection of these new technologies and the effective practical use of these techniques in our daily live. Heinrich Mueller takes his musical journey further away from his well-known early Dopplereffekt releases and several side projects and merges those early projects wit h hi-technology applications available for modern studio engineering. The full length album shows the dark emotions and also the energy and positive feelings which come with new technological applications. These 11 tracks are a selection of musical arrangements with and without rhythmical structures. It’s a collection of abstract interpretations and expressions of human emotions during a period of discovering the latest scientifically applications (in general) and finding new information about the possibilities of biometrical identification in 2004. Actually 3 years into the future if we consider 2001 the fruition of the idea of the future for the 70 and 80's generation. And it was just before or maybe even right at the moment that techno music lost its focus on the future and became retrospective. This album is the future.

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Nikita Zabelin

Rhizome

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Kara-Lis Coverdale And Lxv

Sirens

LP | 2015 | EU | Reissue (Umor-Rex)

12" | 2010 | Reissue (Turbo)

Release: 2015 / EU – Reissue

Genre: Electronic & Dance, Classical Music

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Eight years after its original release in 2015, and sold out upon release, Umor Rex finally presents a vinyl repress of Sirens, by Kara-Lis Coverdale and LXV. This new edition is limited to 500 copies and comes with revised artwork.

Inspired by the link between seduction and violence, Sirens comprises a series of timbrally vast anamorphic pieces that poise the voice as a newly imagined tool of multiplicity. Processes of sample manipulation, signal processing, routing, and source design inform instrumental writing and performance in feedback until intertwined, flickering between states of conflict and consonance. Apparitions of the schizophrenic voice are at one moment fractured and cold and at the next full of warmth and vivaciousness, embodying velvet rituals of romanticism in the digital age.

Ultimately, Sirens is music for ambitious dreamers: surreal sound portraits sound like the warmth of the world laid over an ice cold virtual altar. LXV’s vocal truncations and fleshy sound palettes depict the archivation of the breath and aural fantasies of the flesh which Coverdale sets amongst a vast and unconfined landscape of deeper and unknown force. Harmonically active and dynamic orchestrations underpin post-sacred tonalities while brooding pipe organs, sphinx flutes, and hailstorms of metallic percussion characterize uniquely disjointed discussions between disparate compositional ontologies. At times violent and at others serenely peaceful and seductive, these pieces, at their most powerful moments illuminate a felt space between cybernetic energy and the body.

Composed and recorded by Kara-Lis Coverdale and David Sutton. Mastered by John Tejada. Cover photograph by Cody Cobb. Layout by Daniel Castrejón.

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Gesaffelstein

Variations

12" | 2019 | EU | Original (In Dust We Trust)

Release: 2010 / Reissue

Genre: Electronic & Dance

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Turbo celebrates the 10th anniversary of Gesaffelstein’s seminal work on the
Montreal-based imprint with a long-awaited repress of all three EPs: Variations,
Conspiracy Pt. 1, and Conspiracy Pt. 2.
Every track on 'Variations' is a battle-tested bomb. Gesaffelstein’s sound is clearly
influenced by New Wave and the Gigolo-era electro (2001-2) of fellow Frenchmen
The Hacker and David Carretta, but it sounds like a fresh update rather than
pastiche, revitalized and refined down to a modern and versatile core. These tracks
work in Tiga's festival sets alongside some of the summer's biggest anthems, yet are
equally at home in a more underground setting, e.g. Von Party's 5am warm-up
before Ivan Smagghe at a London warehouse party.
The title track has the most attitude, establishing a palette of dark staccato basslines,
crunching hi-hats, hands-in-the-air cowbells and trippy synth leads. Selected Faces
and Atmosphere are arguably even more straightforward club weapons, their
breakdowns creating just enough 'insanity' without getting annoying, their grooves
dropping back in with a cool, restrained power that will win over hiss-weary DJs.
With remixes upcoming for Turbo and Institubes, a follow-up EP for Turbo in the
works... if you want an idea as to how big Gesaffelstein will get this year, just think of
him as 'Brodinkelstein.'

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Chaos In The CBD

Come Together EP

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

Machine Gun Boogie / Sophia

Antoine Rocky-Horror

12" | 2019 | EU | Original (Cosmic Chronic)

Mother Earth's Plantasia Black Vinyl Edition

Release: 2019 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Another classic Cosmic Chronic from a few years back, rounding out the end of an era for the Miami imprint. Re-mastered by Stan Getz. Machine Gun Boogie b/w Sophia.

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Mort Garson

LP | 2019 | US | Original (Sacred Bones)

2LP | 2019 | EU | Original (Pets)

Release: 2019 / US – Original

Genre: Electronic & Dance

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If you purchased a snake plant, asparagus fern, peace lily, or what have you from Mother Earth on Melrose Avenue in Los Angeles (or bought a Simmons mattress from Sears), you also took home Plantasia, an album recorded especially for plants. Subtitled “warm earth music for plants…and the people that love them,” it was full of bucolic, charming, stoner-friendly, decidedly unscientific tunes enacted on the new-fangled device called the Moog. Plants date back to the dawn of time, but apparently, they loved the Moog, never mind that the synthesizer had been on the market for just a few years. Most of all, the plants loved the ditties made by composer Mort Garson.
Few characters in early electronic music can be both fearless pioneers and cheesy trend-chasers, but Garson embraced both extremes, and has been unheralded as a result. When one writer rhetorically asked: “How was Garson’s music so ubiquitous while the man remained so under the radar?” the answer was simple. Well before Brian Eno did it, Garson was making discreet music, both the man and his music as inconspicuous as a Chlorophytum comosum. Julliard-educated and active as a session player in the post-war era, Garson wrote lounge hits, scored plush arrangements for Doris Day, and garlanded weeping countrypolitan strings around Glen Campbell’s “By the Time I Get to Phoenix.” He could render the Beatles and Simon & Garfunkel alike into easy listening and also dreamed up his own ditties. “An idear” as Garson himself would drawl it out. “I live with it, I walk it, I sing it.”
But as his daughter Day Darmet recalls: “When my dad found the synthesizer, he realized he didn’t want to do pop music anymore.” Garson encountered Robert Moog and his new device at the Audio Engineering Society’s West Coast convention in 1967 and immediately began tinkering with the device. With the Moog, those idears could be transformed.
“My mom had a lot of plants,” Darmet says. “She didn’t believe in organized religion, she believed the earth was the best thing in the whole world. Whatever created us was incredible.” And she also knew when her husband had a good song, shouting from another room when she heard him humming a good idear. Novel as it might seem, Plantasia is simply full of good tunes.
Hearing Plantasia in the 21st century, it seems less an ode to our photosynthesizing friends by Garson and more an homage to his wife, the one with the green thumb that made everything flower around him. “My dad would be totally pleased to know that people are really interested in this music that had no popularity at the time,” Darmet says of Plantasia's new renaissance. “He would be fascinated by the fact that people are finally understanding and appreciating this part of his musical career that he got no admiration for back then.” Garson seems to be everywhere again, even if he’s not really noticed, just like a houseplant.

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Catz N' Dogz

Friendship

LP | 2019 | EU | Original (Century Media)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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A download code is included. At the forefront of the dance music landscape, DJ/Production duo and label heads, Catz ‘n Dogz are well and truly in the driver’s seat of their musical journey. Starting out as close friends, the pair have risen to critical acclaim, leaving a lasting impression on the electronic music community with their honest productions and label releases; spreading the love far and wide. With friendship as one of the main precursors to their success, they present a warming and emotional album channeling the intricacies of ‘Friendship’ and relationships.

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Gost

Valediction

Release: 2019 / EU – Original

Genre: Electronic & Dance

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LP | 2019 | EU | Original (Touch)

Fennesz

Agora

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2019 | EU | Original (Century Media)

Gost

Skull 2019

Release: 2019 / EU – Original

Genre: Electronic & Dance

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2x12" | 2019 | EU | Original (Steyoyoke)

Soul Button

Phantom Existence

LP | 2019 | EU | Original (Detriti)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Soul Button proudly presents his debut album, “Phantom Existence”. An expressive, conceptual work revealing a unique musical and artistic approach. Featuring 12 tracks of deep, reverberating tunes; each tells a different story while delivering a synonymous message of freedom. A masterpiece with a blend of melancholic rhythms and captivating vocals by Terry Grant, Mistier, Photographs. and Rebecca Sumner.

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Filmmaker

The Love Market

LP | 2019 | EU | Original (Mecanica)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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The perfect soundtrack for your dystopic-bad-trip life. Obscure Electro.

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Aviador Dro

Accion Contra El Pasado

2LP | 2019 | EU | Original (Spectrum Spools)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Limited edition of 400 copies with a A2 size colour poster. Drawings created by the Polish artist Michał Arkusiński. Aviador Dro are without a doubt the most avant-garde and influential techno-pop band from Spain. They started in 1979 and this year are celebrating their 40th anniversary playing shows, re-releasing some old works, publishing a book and also a new album. “Acción Contra El Pasado” was recorded in Madrid in December of 1980 and is one of the oldest live performances of which there is a recording evidence. This concert is legendary not only for its age, but also for including some unreleased songs, a couple of early covers by Kraftwerk and Sex Pistols and vintage versions of classics tracks. “Aviador Dro y su Maquinaria Humana” (exactly as it was announced on the original flyer) was formed at that time by Biovac N, Fox Cicloide, Placa Tumbler, Derflex Tipo IARR, CTA 102, X, Metalina 2 and Cyberjet. A priceless piece of history restored and remastered from the original cassette recorded directly from the mixing desk.

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First Tone

Reactions

LP | 2019 | EU | Original (Shika Shika Collective)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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"Reactions" is the debut album from First Tone, the musical partnership of New Orleans-based artists Turk Dietrich (Second Woman, Belong) and composer Duane Pitre (Important Records). While the project has been at work quietly sculpting their sound for years, "Reactions" is the first available set of recordings. Those familiar with the respective works of the two artists will be happy to find a collection of music that is very much of the duo, and yet totally unlike anything they've produced before.

Over six tracks, First Tone unfurl poignant, flickering compositional works that utilize pitch material that is tuned using the system known as Just Intonation (which Pitre has studied for nearly 15 years) in conjunction with various software and a single hardware synth. The result is a collection of music that is both organic and alien. Layers of tone and texture build and dissolve from the ultra minimal to the enormous, on occasion seamlessly blending the two. A wide array of striking timbres patiently wash over one another, at times sounding like organic instruments, at other times sounding completely otherworldly.

"Reactions" is a masterclass not only in sound design and dynamic range, but also in sonic depth. The album’s approach to the usage of time and dynamics work together to create the perception of a three-dimensional spaciousness of sound. The holographic effects produced from the spaces between the album’s sounds are mesmerizing, with discreet arrangements that demand repeat listens to fully absorb.

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Andi Otto

Rwandance

2LP | 2019 | EU | Original (PoleGroup)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Boundary-pushing composer and sound designer Andi Otto returns with his new album ‘Rwandance’, which sees live instruments, studio recordings and sampled archival material melded together as part of an electrifying reimagining of the musical traditions of Rwanda
‘Rwandance’ is a collaboration between Rwandan dancer and musician Evariste Karinganire and cello player and electronic music producer Andi Otto, brought together by a chance connection. Inspired by Steve Reich, Mark Pritchard’s Harmonic 313 and Otto’s mesmerising musical experiences touring India, Otto built software to translate the intensity of Karinganire’s hand claps into different synth notes - the structure and time signature of traditional Rwandan music providing the framework for Otto’s creations, new instruments and sounds incorporated into its parameters.

Otto follows a path similar to many producers from Latin America’s burgeoning electronic music scene but instead of using Andean folk music as a starting point, he reappraises Rwandan music mirroring traditional sounds but similarly, reimagined through a contemporary lens. ‘Rwandance’ follows Otto’s 2016 link-up with Indian singer and actress M.D. Pallavi and underground hit ‘Bangalore Whispers’, a showcase for his original approach to cross-cultural musical dialogue. He has since cemented that reputation with subsequent albums “Via” and “Bow Wave”, weaving global sounds into his distinct sonic approach.

Producing and releasing music since the early 2000s, under the Springintgut alias and under his own name, for labels including Multi-Culti and his own Pingipung imprint, Otto draws on minimalism, electronic music and sound theory to create work that’s as considered as it is engrossing. ‘Rwandance’ is respectful and bold at the same time; Otto hews close to Karinganire’s hard-learned traditions, while unpacking and reconstructing them in unique ways.

Otto has long nursed an interest in creating music with a hypnotic quality, and working with Karinganire provided the perfect platform for exploring this. ‘Igisasa’ is a prime example, a slow-building track built around Otto’s custom-built thumb piano, Karinganire’s vocal, and a gentle acid bassline. It’s underscored by a long-nurtured interest in repetition, developed through tours of India – where he saw four hour, trance like performances based around one note – and an artist residency in Kyoto, Japan.

A pioneering force, he developed a digital sensor-extension of his cello, the “Fello” at Amsterdam’s radical STEIM centre, a reflection of his interest in repetition in music. It’s seen him featured in a London Science Museum conference on the history of electronic music. He teaches a course at a sound art academy in Bern, Switzerland, called “Repetition is Change”, where he leads students in considering how we relate to sound. “I’m thinking a lot about repetition and change and the dialectic between these two words,” he says. “It’s like brushing your teeth: you do the same thing every day, but if you really look at it, it’s new every time.”

The connection between Otto and Karinganire came through a serendipitous crossing of paths in the 2018 stage show Planet Kigali, where Otto was hired to create the soundtrack, and where Karinganire was hired as one of the dancers. In creating the soundtrack, Otto was given access to a wealth of archival recordings from Rwanda, ranging from music to field recordings of everyday goings-on. By chance, one of the drum parts he sampled for the show was a recording of Karinganire performing from some time during the 1970s.

Karinganire pointed this out to Otto, who suggested they go to his studio and record Karinganire singing. Otto had imagined he would perform for a few minutes but, aside from a brief pause to drink a beer, he sang for 45 minutes with no backing or metronome. This session was the starting point for the record, and Otto went on to build around the plentiful material which Karinganire had provided him with.

The record they’ve created was a natural fit for the Shika Shika label, founded in 2015 by UK producer Robin Perkins (El Búho) and Argentine producer Agustin Rivaldo (Barrio Lindo). Otto and co-founders Perkins and Rivaldo had had an online friendship for a while, and this album presented the perfect opportunity to work together. The label is currently focused on a crowdfunding campaign to launch their second edition of a new compilation, “A Guide to the Birdsong”, where electronic artists will be commissioned to write tracks incorporating field recordings of birds from their respective countries. It taps into the natural ambience that filters through many of the label’s releases, with all of the proceeds going towards supporting bird charities.

Shika Shika is a home for music that combines organic and electronic sounds, a meeting place between the past and the future. (They also put an emphasis on supporting artists, splitting profits in their favour.) This chimes exactly with what Otto wanted to achieve in his collaboration with Karinganire, taking deeply-rooted traditions and giving them a new sonic make-up.

Thoughtful without being obtuse, ‘Rwandance’ fuses different musical disciplines together with ease, making for a unique record that’s easy to get lost in.

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Seleccion Natural

Left Behind

A Fossil Begins To Bray Black Vinyl Edition

Release: 2019 / EU – Original

Genre: Electronic & Dance

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After the 10" appetizer we gave you this summer, here comes the big deal: eight cuts of the new Seleccion Natural stuff, this time cooked alive, by the four founding members reunited at Oscar Mulero's studio, eight hands, four brains and a bunch of hardware and software tools colliding to redefine the standardized sound of today's techno. Only those who were there in the beginning can understand in depth the sound design and groove of an always-futuristic sound as pure techno is or should be.

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Hiro Kone

LP | 2019 | EU | Original (Dais)

LP | 2019 | US | Original (Stones Throw)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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For fans of Demdike Stare, Raime, Caterina Barbieri, Kangding Ray, Christina Vantzou and Laurel Halo! In her most personally narrative work to date, A Fossil Begins To Bray is the follow up on Dais Records for NYC producer Hiro Kone (AKA Nicky Mao), furthering the dialogue set forth on her 2018 release, Pure Expenditure. While the statements on Pure Expenditure rallied behind a point of dangerous excess and injustice, the material on A Fossil Begins To Bray embark upon a journey of discovery and self-analysis, proposing a potential reorientation towards absence in hopes of illuminating potential futures. In Mao's own words, "This album considers the power of absence as neither a lack or deficit, but as a quiet, indeterminable force to cultivate in this time of looming and unrelenting techno-fascism. It asks that we take pause to consider our learned languages and actualities and to better consider how desire shapes our recollections and interpretations of this 'existence.'" This allegory is expertly applied to every song on A Fossil Begins To Bray. Mao has established a long history of employing absence in her productions to maximum effect. With a vast assortment of diverse elements at play, no single track ever feels overly convoluted and further illustrates Hiro Kone's skillful attention to dynamic tension and flow. Tracks such as "Fabrication of Silence" and "Submerged Dragon" perfectly represent the power of absence, utilized in a matter to create unique amalgams of decisive, cinematic techno rhythms from the electronic void. As the melodic elements contained within A Fossil Begins To Bray begin to unravel and slowly take form, the unaware are rewarded with a driving yet tangible refrain that offers resolve in contrast to the dense, texture-laden backdrop that forms the album's foundation. The first single, "Feed My Ancestors", expands upon Hiro Kone's signature take on electronic music structures. Seemingly free from the predictable contracts imposed by any one genre's stereotypes, Hiro Kone...

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Jamael Dean

Black Space Tapes

Release: 2019 / US – Original

Genre: Electronic & Dance

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LP | 2019 | EU | Original (Lossless)

Atelier

Varsam Court

2LP | 2019 | EU | Original (The Death Of Rave)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Electronic duo Atelier excel at riding chillwave to a cooler, moodier sound. Atelier was conceptualized by childhood friends Alexander Inggs and Jaś Miszewski whose love of analog synths, drum machines and effects pedals is revealed in a hardware-heavy live show. The project is a platform for combining their differing musical backgrounds – a blend of house, indie, folk and techno – and has an underlying maturity that emerges in their frank performances and honest productions.

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H-Fusion

Captured Entities

2x12" | 2019 | EU | Original (Multinotes)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Captured Entities’ is the debut album of deeply raw house and psycho-jit-jazz by Detroit producer and DJ, Howard Thomas aka H-Fusion. Spanning the breadth of Howard’s hands-on, tracky style - from beatless cosmic jazz audities to slamming 170bpm missiles and heart-grabbing house - it’s arguably one of the most distinctive, dare-to-be-different albums from the 313 in recent memory. The fruit of more than 5 years of communication between Howard and The Death of Rave, ‘Captured Entities’ expands on the ruffneck, asymmetric slant of his killer 2005-2012 productions for Sound Signature and Fit - as played by everyone from Kyle Hall to Kassem Mosse - across 11 unruly numbers united by an intuitive, jazz-wise approach to his synths and MPC2000. While his sound may remind of many Detroit greats such as Omar-S, Damon Peterson/8088, and Urban Tribe/DJ Stingray, Howard can’t help but sound like himself, and his debut album is best defined by its classically driven yet singular Detroit soul clinamen.

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Musumeci & Lehar

Signature

LP | 2019 | UK | Original (Miasmah)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Signature is a project containing 6 tracks marking Lehar and Musumeci sound on their label Multinotes. Lehar presents three tracks staying faithful to his musical aesthetics made up of dreamlike melodies and narrative arrangements. Musumeci goes back to his roots by releasing three old school oriented tracks interlacing acid basslines and 808/909 drum patterns with rough pianos and emotional synths.

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Marcus Fjellström

Gebrauchsmusik

LP | 2019 | UK | Original (The state51 Conspiracy)

Release: 2019 / UK – Original

Genre: Electronic & Dance

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2019 Reissue of Marcus Fjellström's second album Gebrauchsmusik, initially released a decade and a half ago, is a bizarre sound document that deserves a closer look. Listening back to it now only re-confirms the unique mind of the Swedish composer, who sadly died in September 2017, only 37 years old.

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NxxxxxS

Formatted Excess

LP | 2019 | EU | Original (Dark Entries)

Release: 2019 / UK – Original

Genre: Electronic & Dance

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New album by phonk/vaporwave/vaportrap pioneer NxxxxxS. Features Soudiere, DJ YUNG VAMP and massive dutch rapper Ray Fuego. Summer vibes are here.

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Violet

Bed Of Roses

LP | 2019 | CH | Original (Three Four)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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We are honored to release the debut album from Violet, the alias of Inês Borges Coutinho, Lisbon born and raised DJ, producer boss of Naive records, co-founder of Rádio Quântica, and mina resident. Violet began producing music in 2012 and has released music on One Eyed Jacks, Love on the Rocks, Paraíso and Naive. Inês uses her seemingly boundless energy to amplify other artists all the while progressing her own creative practice.
‘Bed of Roses’ contains 10 songs made as a sort of childhood-teenage memories diary, a return to things Inês liked then and also the difficult things she’s been through. The feeling behind the album is self forgiveness in an optimistic way but also in an adult way, aware of the bruises (thorns) but also of the invaluable love and life experiences (roses). The title comes from the Bon Jovi song that Inês loved as a 9-year old and doubles as an intent of positivity paired with the inescapable darkness of life. Inês says, “I wrote this music as a healing device that I hope can somehow help heal others too.” All songs have been mastered by George Horn at Fantasy Studios. The jacket features an original design by Eloise Leigh that incorporates themes of self-inspection and hope mixing a teen bedroom girly vintage scrapbook aesthetic with contemporary 3D mapping techniques. Each LP contains a postcard featuring a childhood photo of Inês with notes.

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Giovanni Di Domenico

Zuppa Di Pazienza

Release: 2019 / CH – Original

Genre: Electronic & Dance

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LP | 2019 | UK | Original (KingUnderground)

Johnny Drop

In The Pocket

Release: 2019 / UK – Original

Genre: Electronic & Dance

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LP | 2019 | EU | Original (Stroom)

Shakti

Verboden Dromen

LP | 2019 | EU | Original (Friends Of Friends)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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SHAKTI, a three-man formation around “Praga Khan”. With this first mini-lp Praga once more proves his capability to drill into new rhythmic territories. Demonic Forces is a dance record. Western discotheque rhythmics mixed with Eastern influences. A unique creation that certainly can be called astonishing. The use of original Eastern instruments gives the whole an extra mystik dimension. With the help of some friends amongst whom a.o. Naburak Pran, Shakti succeeds in attaining an unparalleled atmosphere without losing sight of the ever so important dance beat. Demonic Forces, a revelation. '

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Sweatson Klank

Super Natural Delight

LP | 2019 | EU | Original (Mitsuko & Svetlana)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Sweatson Klank grew up on heartfelt songs and soulful grooves, collecting mountains of records in the urban sprawl of Los Angeles. His love for music was formed while drenched in the warmth of the LA sun and honesty of the 70's and 80's artists he idolized. It's only natural that now, in a world consumed and hypnotized by technology, he presents 'Super Natural Delights,' a powerfully stripped down, soulful sound that slyly nods to its listener and says "step back and reconnect."As the title alludes to "Super Natural Delights" veers away from the "future bass" tag and dives head first into the textural balance between real instrumentation and electronic enhancement. Here the multi-instrumentalist and producer plays guitars, bass, horns, flutes, and vibraphone, alongside analog synthesizers, drum machines and samples, forming a feel good record that pays homage to the past while pushing vibes forward in a distinctly West Coast fasion.For Sweatson Klank this began in the late 90's with hip hop beats and grew into the now world renowned LA beat-scene alongside contemporaries like Flying Lotus, Ras G, Teebs, Dibiase and all of those who passed through the legendary Sketchbook and Low End Theory club nights. 'Super Natural Delights" feels like a culmination of years of honing ones craft, and it proudly states: "I'm Home!"

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Sora

Re.Sort

Beloved Exile Black Vinyl Edition

Release: 2019 / EU – Original

Genre: Electronic & Dance

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The release comes on 350g vinyl.

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Steve Moore

LP | 2019 | US | Original (Temporary Residence)

Release: 2019 / US – Original

Genre: Electronic & Dance

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Grey Tickles, Black Pressure

John Grant

2LP+CD+CD | 2015 | UK | Original (Bella Union)

LP | 2019 | EU | Original (Atavisme)

Release: 2015 / UK – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

White vinyl!

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Pepe Bradock

What A Mess!

2LP | 2019 | EU | Original (Acid Test)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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The Album consists of 1 track cut over 2 Sides.

Pépé :I like the idea that the listener / owner of the record can freely pick the tracks names according to his own interpretation, while listening, with the words on the back of the cover since they were used to compose the music.

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Dovs (Tin Man)

Silent Cities

Under Pressure Pink Vinyl Edition

Release: 2019 / EU – Original

Genre: Electronic & Dance

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On their debut album as Dovs, Tin Man and AAAA summon the ethereal spirit of acid. Tin Man, AKA Johannes Auvinen, has been studying the emotional potential of the Roland TB-303 for 15 years now, and AAAA (Gabo Barranco), a fixture of the Mexico City underground, might as well be his acolyte. While the coincidental similarities of their studio and live approaches make this collaboration feel natural, even expected, Silent Cities is anything but. We recognize most of the elements here, the ubiquitous acid box and hardware drum machines, yet Auvinen and Barranco arrive in new, mysterious territory this time out.

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Von Spar

LP | 2019 | EU | Original (Bureau B)

Release: 2019 / EU – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Visible Cloaks, Yoshio Ojima & Satsuki Shibano

Frkwys Volume 15: Serenitatem

LP | 2019 | US | Original (Rvng Intl.)

Release: 2019 / US – Original

Genre: Electronic & Dance

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LP | 2019 | EU | Original (Erased Tapes)

Daniel Thorne

Lines Of Sight

Release: 2019 / EU – Original

Genre: Electronic & Dance

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LP | 2019 | US | Original (Temporary Residence)

Light Conductor

Sequence One

Release: 2019 / US – Original

Genre: Electronic & Dance

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LP | 2019 | EU | Original (Stroom)

Ruins

Occasional Visits

2x12" | 2019 | EU | Original (Secret Operations)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Stroom's valentine special for 2019. "Lovely" Electro / Wave from Venice, Italy (1981-1984)

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Seba & Robert Manos

Said & Done

Release: 2019 / EU – Original

Genre: Electronic & Dance

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LP | 2019 | EU | Original (Seance Centre)

Short-Term Memory

Plus Or Minus Two

2LP | 2019 | EU | Original (Offen Music)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Plus or Minus Two compiles four songs from Kansas City wave pioneers Short-Term Memory’s first cassette album, Every Head Needs Cleaning, with two previously unreleased tracks recorded in the 90s.
This EP focuses on the group’s prescient dance-floor DIN-sync workouts which share sensibilities with contemporaneous early Detroit experiments by Juan Atkin’s Cybotron, Ron Hardy’s visionary Kikrokos tape edit, Shoc Corridor’s extended 808
exercises, and 90s Techno Pop by Haruomi Hosono. Rounding off the EP is the existential electronic soul ballad Words. Remastered from the original reels, 45rpm DMM pressing.
Kansas City, 1983: a band formed, wires connected and synapses fired. Three friends, tired of guitar/bass/drums rock started jamming with newly acquired synths and Roland TR 808. They called themselves Short-Term Memory. Thanks to the vanguard technology of the time, these
electronic instruments spoke to each other, and Jim Skeel, John Paul & Robert Duckworth could program their instruments, riding the DIN-sync wave. Weekly jams became more ambitious, and in 1983 they released their first album Every Head Needs Cleaning on their own Silly Poodle Music label. Over the 80s members drifted in and out of the group, and they released two cassettes, an LP and a 7” EP. By the 90s Jim Skeel was at the helm, the only original member, and joined by Tim Higgins he continued to record in MIDI mode for a few years before pulling the plug, leaving recordings and memories that resisted the great fadeout of time, and today sound vibrant and more visionary than ever.

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Passarani

W.O.W.

House Of Ages: Selected by Jeremy Newall

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Marco Passarani has been at it for over 25 yrs. Masterclass business from the Roman machine wizard - another special one for Dusseldorf's OFFEN. TIP!

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V.A.

2LP | 2015 | EU | Original (BBE Music)

LP | 2010 | EU | Reissue (Dancing Bear)

Release: 2015 / EU – Original

Genre: Electronic & Dance

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Back in the early 1990s house music was having perhaps its most fertile and creative period. The original house from Chicago had blown up back in the ‘80s and left nothing short of a cultural revolution in its wake, with regional variants springing up all over the US, the UK and Europe.
London in particular was a global hub for house music, with a whole slew of clubs and a long established underground scene that had taken house to its heart. A key mover-and- shaker was a young Jeremy Newall, who worked successively at a whole bunch of record stores including Catch-A-Groove, where the likes of Tony Humphries would come and hang out when in town (Humphries used to record his shows at a flat above the shop with a wide-eyed Jeremy soaking in the vibes), and latterly Release The Groove, where he could be found well into the twenty-first century. A close association with Paul ‘Trouble’ Anderson saw him repping for the big fella when Trouble was unable to do his Kiss FM radio show, and as the resident alongside him at Trouble’s much loved Loft Sessions in Camden. He also played on many pirates, at all the best parties in London, Europe and beyond. Jeremy’s position as the go-to guy behind the capital’s hippest record store counters saw many visiting US jocks passing him records that barely saw the light of day in a scene where superb new tunes were coming thick and fast. Therein lie the roots of this compilation … a collection of overlooked, unreleased, and just hard-to-find gems to put alongside some of the better-known and overplayed classics of the era.

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The Bambi Molesters

As the Dark Wave Swells

LP | 2015 | US | Original (Glassnote)

Release: 2010 / EU – Reissue

Genre: Electronic & Dance

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180g Vinyl

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Son Lux

Bones

Release: 2015 / US – Original

Genre: Electronic & Dance

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LP+CD | 2015 | EU | Original (Italic)

Harmonious Thelonious

Santos

LP | 2015 | US | Original (Sacred Bones)

Release: 2015 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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"I use music as a medium to talk to other people", Sun Ra once revealed. The Düsseldorfer Stefan Schwander would agree with this statement by the avant-garde jazz great, though he would not necessarily sign his name to it. He also speaks to people through music. Yet he also likes to let music talk to music. Since 2008, as Harmonious Thelonious, on numerous EPs and two albums, he blends the reduced patterns and structures of American minimalist music with African, Latin American and Caribbean rhythms.

For his new work "Santos", which he sees as an LP with a unified concept, he embarked on a mental journey to the north of the African continent and became entranced by Moroccan trance music. The resulting pieces are light, with traces of pop, interweaving the atmospheres of the Master Musicians Of Joujouka and Gnawa music with the driving force of techno. This time Schwander invited a handful of guest musicians to serve as sound sources. The Berliner Ghazi Barakat, former bass player of Stereo Total and man behind the psychedelic experimental project Pharoah Chromium, contributed modified sounds from his Moroccan flute. A second guest musician is the Cologne-based composer Volker Zander, who has long played double bass and electric bass with Calexico. For songs like "Mountains" or "Belloumi" he played a melody on the Turkish Tambur, lending an oriental flair to the vital rhythms of the tracks. The intricate rhythmic patterns also incorporate instruments such as banjo, mandolin and Afro-Cuban drums, played by the percussionist Stefan Suhr, who studied Afro-Cuban ritual drumming in Cuba. Schwander's electronic sequencing blurs these organic sources and brings them into a fluid dialogue with his electronic ideas. For a piece like "Rendez-vous of the Dead", for example, Harmonious Thelonious projected himself out of the studio onto the Djemaa el Fna square in Marrakech. Here, every evening after sunset, local musicians meet and play themselves into a frenzy on distorted mandolins. Harmonious Thelonious translates this dream into a quaking dance monster whose home might be a techno club with an experimental sonic approach. Of course, most of the pieces of "Santos" are heavily danceable, although this time Harmonious Thelonious' tracks roll a little slower than previously. Their rugged beauty has also given way to a very smooth sound. His music, however, has lost none of its complexity. The many voices speak together, propelling each other toward something that traverses traditional genre boundaries, creating a playful trance.

The cover of "Santos" underscores this: It is a collage designed by the artist himself, depicting his notion of an all-star band. Everyone must decipher for themselves exactly who is to be found there. Here, once again, the pictures are not direct portrayals, but veiled references to an emotional state hidden far beyond the visual realm. Just like the music of Thelonious Harmonious, which uses various layers tell countless stories.

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Jenny Hval

Apocalypse, Girl

Release: 2015 / US – Original

Genre: Rock & Indie, Electronic & Dance

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2LP | 2015 | EU | Original (Ilian Tape)

Zenker Brothers

Immersion

LP | 2010 | EU | Original (Erased Tapes)

Release: 2015 / EU – Original

Genre: Electronic & Dance

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Back in! We are very happy to present our first album on Ilian Tape. At the beginning of 2014 we moved our two separate bedroom studios into one and soon after started working on the album. All the tracks were made in about 6 months in our new Ilian Tape Space Studio in Munich. The time felt right to focus on this adventure, but without any pressure. Therefore the process became very natural and we felt free to go wherever the vibe led us. Our intention was to create a very personal and honest sound without any limitations or guidelines. It’s a reflection of all the years we’ve been growing up, working, traveling and playing together and it means a lot to us. But enough said music is not supposed to be described with words, so sit back, close your eyes, light one up and turn up the speakers!

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Nils Frahm

Wintermusik

2LP | 2019 | UK | Original (Warp)

Release: 2010 / EU – Original

Genre: Electronic & Dance, Pop

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Wintermusik’ was recorded on the 21st and 22nd of December 2007 at Durton Studio. It was originally intended as a Christmas present for my family and friends. ‘Wintermusik’ is 30 minutes of pure improvised piano music combined with celeste and reed organ.

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Daniel Lopatin

OST Uncut Gems

Release: 2019 / UK – Original

Genre: Electronic & Dance, Classical Music, Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2LP | 2019 | EU | Original (Offen Music)

Passarani

W.O.W.

LP | 2019 | US | Original (W.25th)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Marco Passarani has been at it for over 25 yrs. Masterclass business from the Roman machine wizard - another special one for Dusseldorf's OFFEN. TIP!

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Sarah Davachi

Pale Bloom

Mother Is The Milky Way Remastered Edition

Release: 2019 / US – Original

Genre: Electronic & Dance, Classical Music

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Used Vinyl

Medium: Near Mint, Cover: VG+

Clear vinyl!

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Broadcast

LP | 2010 | UK | Reissue (Warp)

Release: 2010 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2019 | EU | Original (Capitol)

Beck

Hyperspace

12" | 2015 | SE | Original (Stockholm LTD)

Release: 2019 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: VG+

Still sealed. Stuffed corners and seam split. Gold vinyl edition.

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V.A.

Nature's Terrified

23,74 €* 24,99 € -5%

Release: 2015 / SE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

12" | 2010 | US (Inner West Soul)

Inner West Soul

Part One

23,74 €* 24,99 € -5%

Gute Luft (OST 24h Berlin)

Release: 2010 / US

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl with scuffs and hairlines

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Thomas Fehlmann

2LP | 2010 | EU | Reissue (Kompakt)

Erratics & Unconformities

Release: 2010 / EU – Reissue

Genre: Electronic & Dance, Soundtracks

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Thomas Fehlmann remains as one of the most endearing and respected artists on Kompakt. He has inspired generations of fans and musicians over the course of his 30+ year career. From his early days as part of the legendary band Palais Schaumburg, and the pioneering Detroit/Berlin act 3mb (With Juan Atkins and Moritz Von Oswald), to his longstanding membership with The Orb, combined with his contributions as a solo artist to esteemed imprints R&S, Plug Research and of course Kompakt, where we have proudly released two full length solo albums: Visions Of Blah (Kompakt CD 20/Kompakt 67) and Honigpumpe (Kompakt CD 59 / Kompakt 157), his musical works have been prolific, not to mention four singles and a full serving of tracks found on our Pop Ambient and Total collections. Now, after 3 years, Fehlmann returns with 'Gute Luft'.

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Craven Faults

2LP | 2019 | UK | Reissue (Leaf)

LP | 2019 | EU | Original (Tonique)

Release: 2019 / UK – Reissue

Genre: Electronic & Dance

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LP with revised yellow sleeve artwork „Erratics & Unconformities“ is the first album by Craven Faults. Long-form analogue electronic journeys across decades and continents, and swathes of post-industrial northern Britain. The journey on „Erratics & Unconformities“ picks up where Netherfield Works left off. We take the canal towpath out of the city. We fork north shortly afterwards. Is this where it started? The terrain gradually becomes more rugged. Familiar. Wild. Evidence of human activity is less immediate in this glacial landscape. It's there if you seek it. But easy to ignore. If you listen carefully, you can still hear the weight of the ice-sheet carving its way through the rock. Everything in its own time. The output from the old textile mill Craven Faults calls home is no longer as linear as it once was. There was no clear start point for the project, rather simply rediscovering the joy in experimentation with no material goals. Some of the recordings that make up Erratics & Unconformities go back almost seven years. Tracks have come and gone in that time. They don't leave until they've undertaken a stringent quality control process. It started slowly, but has picked up momentum in the last eighteen months. Recorded and re-recorded to the correct level of imperfection, and then left to breathe. Mixed and re-mixed. Carefully compiled when the time was right. The journey is just as important as the destination.

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Jean Tonique

Well Mannered Frivolity

LP | 2019 | EU | Original (Studio Mule)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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After two EPs, Jean Tonique presents Well Mannered Frivolity,a first album with multiple influences. He plays all the instruments, and has selected a cast of guests to accompany him: the American rapper Ciscero poses on"This Feeling", the vocalist Keyone Starr,discovered on Mark Ronson's single "I Can't Lose", sings on two tracks. Dabeull is on "The Party" and Etienne de Crécy brings his immaculate techno touch to "Radio Tuning". Jean Tonique controls the sound space for this journey which ends with the elegiac "Home", with Kraftwer-Kian accents. The ideal cocktail for a first LP, to play in repeat mode during an evening that never ends.

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Studio Mule

BGM